Stay ConnectedVanity Fair’s Little Gold Men takes you inside the world of film and television, from standing ovations at Sundance to the Best Picture award at the Oscars. With special guest appearances from stars, creators, and critics, our expert hosts dive into the power and glamour of Hollywood, as only Vanity Fair can.
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This week we have a tale of two summer movies: one, Independence Day: Resurgence, a sequel that nobody asked for and not that many people saw either, and the other, The Lobster, a surprise arthouse hit. Even bigger surprise? We have a lot of affection for both of them. All of that plus a look at Matthew McConaughey’s would-be Oscar bid, Free State of Jones.
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Cameron Crowe has had a rough go of it since winning the best original screenplay Oscar for Almost Famous, but Showtime’s Roadies could serve as something of a comeback— maybe. ON this week’s episode Joanna Robinson joins us to talk about her visit to the set of Roadies, and we also take advantage of her Game of Thrones expertise to look back at what the season has brought us, and explain a few things about what the heck the White Walkers are up to, anyway.
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This week we finally have an awards show to talk about— the Tonys! The Broadway awards were a bigger hit than usual this year, and had the usual expected doses of earnest enthusiasm; we debate whether any of that can actually translate to the movie-star cool of the Oscars. Plus discussion of Meryl Streep’s would-be summer hit Florence Foster Jenkins, a look at the grim state of summer box office, and a surprisingly fervent debate about the best picture of 2003.
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This week we’re joined by Slate’s Aisha Harris, co-author of The Black Film Canon, a piece that highlights the 50 best films by black directors - many of which you’ve probably never heard of, which is precisely why there needs to be a black film canon in the first place. From there we discuss the upcoming Tony Awards, which are not just about Hamilton, plus some pondering over the new miniseries O.J.: Made in America, which is airing on ABC but also eligible for the Oscars.
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With a special guest appearance from Decider.com's Joe Reid, we look back at Oscar history to watch what would happen if, say, you took Kathy Bates's Oscar and gave it to Julia Roberts. Plus an examination of why the Oscars seem so allergic to comedies, even very good ones like The Nice Guys.
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When the Cannes Film Festival awards were announced on Sunday they were met with boos in the press room-- why? Richard Lawson explains what went down, and then three special guests and fashion experts join to discuss the other thing everybody was talking about on the Croisette: the fashion.
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Richard phones in from Cannes to fill Katey and Mike in on the highlights of this year's Cannes Film Festival, from the Oscar contenders that are already emerging to the way Leonardo DiCaprio made even a room full of glamorous Cannes attendees starstruck.
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With Mike and Richard both en route to the Cannes Film Festival, Katey enlists VF.com’s Hollywood writer, and podcast expert, Joanna Robinson as co-host, as the two discuss the week in Oscar news, the careers of the actors on Game of Thrones, and get into a debate about the 1997 Oscar race. Plus, a guest appearance from Jordan Hoffman, who can tell you everything you really need to know about Cannes, from the French teenagers begging for tickets to the place that serves the best kebabs on the Croisette.
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The acclaimed director of A Few Good Men, The Princess Bride, and now Being Charlie weighs in on modern politics— including Ted Cruz’s love of The Princess Bride and what Archie Bunker would think of Donald Trump— as well as what went into making his most personal film. Plus: a discussion of the week’s biggest new release,Captain America: Civil War.
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The actor and director of the new indie The Family Fang joins us to talk about the start of his directing career (at the age of 18!) and what you learn about yourself when you direct Christopher Walken. Also discussed: Michael Keaton and Meryl Streep’s next Oscar bids, the new season of Game of Thrones, and a look back at the 2007 Oscar race.
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