Stay ConnectedVanity Fair’s Little Gold Men takes you inside the world of film and television, from standing ovations at Sundance to the Best Picture award at the Oscars. With special guest appearances from stars, creators, and critics, our expert hosts dive into the power and glamour of Hollywood, as only Vanity Fair can.
For more on Little Gold Men, visit vanityfair.com/podcast/little-gold-men
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The Best Picture field remains wide open, and most acting races are in flux, but one actor has emerged as a clear frontrunner, at last.
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It’s been a good week for The Post, Get Out, and Call Me By Your Name, and it’s only getting better. Plus, Richard talks with Richard Jenkins about his role in the The Shape of Water.
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Steven Spielberg’s The Post is technically still under embargo, but early buzz suggests a major contender is about to overturn the Oscar race as we know it.
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Rebecca Keegan reports back on the Academy’s Governor’s Awards, The Darkest Hour director Joe Wright stops by for an interview, and the terribleness of Justice League is discussed at length.
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Discussing the recent Disney v. Los Angeles Times kerfuffle, plus analyzing the trailer for The Post.
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Kevin Spacey was a contender for a best supporting actor statue, until allegations against him put the fate of his entire movie in doubt. How Hollywood continues to move on from the latest sexual assault scandal.
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Every year Oscar pundits get excited when there doesn’t seem to be a best picture frontrunner, but this year it really seems to be true. How 2017 turned out to be such a puzzling Oscar year.
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Elizabeth Marvel, who stars in Noah Baumbach’s new film The Meyerowitz Stories, talks to Richard Lawson about her long and enviable career. Plus, conversations about the ongoing Harvey Weinstein fallout, Woody Allen’s latest, and, somehow, American Vandal.
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The producer who changed the Oscars and defined independent film for decades has been fired from his company after allegations of widespread sexual assault. So what happens now?
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The sci-fi drama opens this week with rave reviews and two big stars, but is Oscar glory ahead? Plus a look at the long, successful road of Call Me By Your Name and some debate on what Netflix is even doing in Oscar season.
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