Stay ConnectedVanity Fair’s Little Gold Men takes you inside the world of film and television, from standing ovations at Sundance to the Best Picture award at the Oscars. With special guest appearances from stars, creators, and critics, our expert hosts dive into the power and glamour of Hollywood, as only Vanity Fair can.
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First, Rebecca Ford talks to Tony nominee Ashley Park about her big year in film and TV, including the upcoming raunchy comedy Joy Ride. Then, David Canfield finds Glenn Howerton dealing with the new experience of Oscar buzz, thanks to his acclaimed performance in the indie BlackBerry.
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Email us at littlegoldmen@vf.com
Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97
Our editor and producer is Brett Fuchs.
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A look back at Todd Haynes's 2002 melodrama that pulls off a nearly miraculous balance of past and present. Plus, Franklin Leonard joins to discuss the Academy's recent theatrical requirements and which films might suffer as a result; a discussion of the newly announced Governors Awards winners; a look at Asteroid City's surprising box office success; and rumors that the Emmys might be delayed as the writers strike continues.
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Our editor and producer is Brett Fuchs.
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The Emmy winner chose his big followup project to When They See Us very, very carefully — and Boots Riley's provocative new series I'm a Virgo, in which Jerome plays a 13-foot-tall man living in Oakland, turned out to be just the thing.
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Our editor and producer is Brett Fuchs.
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In 1999 Ian McKellen became the first openly gay male actor to be nominated for an Oscar — and, unbelievably, he remains the last. Plus, a look at the Emmys limited series race and the campaign strategies revealed in the Emmy ballot.
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Our editor and producer is Brett Fuchs.
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Helen Mirren tells Rebecca Ford about how eager she was to take on the challenges of the Western frontier in Taylor Sheridan's historical epic. Padma Lakshmi talks to Natalie Jarvey about her decision to step away from Top Chef and what she's still eager to explore on Taste the Nation. And Bridget Everett tells David Canfield that she's particularly glad her warm. empathetic Somebody Somewhere is airing in this particular moment of peril for queer people in America.
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Our editor and producer is Brett Fuchs.
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From the moment he arrives onscreen in Stephen Frear's 1986 film My Beautiful Laundrette, Daniel Day-Lewis is impossible to look away from. But there's even more to recommend in this culture clash comedy, which combines sharp critique of the Thatcher era with swoon-worthy gay romance. Plus, a look at the surprisingly successful writerless Tonys, the changes at the Golden Globes, and our Reunited series, running now on VF.com
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Our editor and producer is Brett Fuchs.
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Part of the ensemble cast of Wes Anderson's new film Asteroid City, and Emmy eligible for both Your Honor and a return appearance as Walter White on Better Call Saul, Cranston shares his continued sense of surprise at where his varied career has taken him. Then Molly Shannon, who plays a suddenly famous momager on the comedy The Other Two, answers the eternal question: is fame really a prison.
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Our editor and producer is Brett Fuchs.
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William Hurt made history in 1985 as the first person to win a best actor Oscar for playing a gay character in Kiss of the Spider-Woman—but, as you might guess, the film's legacy has only become more complex since then. Plus, Richard Lawson and Chris Murphy join guests Esther Zuckerman and Jackson McHenry for a deep dive on the Tonys season, and fearless predictions about who will prevail at Sunday night's awards.
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Our editor and producer is Brett Fuchs.
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When Dominique Fishback was first offered a role on the Prime Video series Swarm, she said no — and after talking to co-creator Donald Glover, she wound up with the lead instead. That's just one of many ways, she tells David Canfield, that she's betting on herself these days. And for Paul Walter Hauser, the experience of embodying a serial killer on the Apple series Black Bird stuck with him so deeply that he changed his entire life, including getting sober. He tells Rebecca Ford about the role's impact on his life, and the surreal awards season that has already followed.
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Our editor and producer is Brett Fuchs.
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A look back at the 1932 best picture nominee and what might be the definitive role for the gender-bending star. Plus, some final Cannes thoughts, some solutions for the Oscars' acting category problems, and why spring TV has felt so crowded.
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Email us at littlegoldmen@vf.com
Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97
Our editor and producer is Brett Fuchs.
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