Let It Roll

Latest Episodes:

Thomas A. Dorsey Went From 'It's Tight Like That' to 'Precious Lord': Let It Roll From the Beginning... 3.11 Oct 02, 2026

Show notes

The same man wrote “It’s Tight Like That” and “Take My Hand, Precious Lord.” As Georgia Tom, Thomas A. Dorsey cut it with Tampa Red in 1928 - one of the dirtiest hits of the decade, and the record that set off the hokum craze. As Thomas A. Dorsey, he wrote the song Mahalia Jackson sang at Martin Luther King’s funeral. And the order is not the one you would guess: “It’s Tight Like That” came after his religious conversion, not before it, because the church songs were not paying and he had a wife to feed.

Host Nate Wilcox is joined again by Garrett Cash for the fourth installment of HolyRoll, their history of gospel music, in a conversation first recorded in 2022 and returning now as part of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being re-cast in chronological order by topic - the story of the music told forward, in the order it actually happened.

The book under discussion is Michael W. Harris’s “The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church,” with Anthony Heilbut’s “The Gospel Sound” and Robert Darden’s “People Get Ready!” alongside it.

GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠

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Ralph Peer Brought Blues, Jazz, Country, and Latin Music to Record: Let It Roll From the Beginning... 3.10 Sep 30, 2026

Show notes

Before OKeh would bet on records made by Black artists for Black buyers, somebody had to go and find out whether that market existed. The company sent Ralph Peer. He went into barbershops and pool halls and asked people whether they would buy records made by their own artists, and came back with the answer: yes, they will. That is Barry Mazor’s account of how Mamie Smith’s “Crazy Blues” got made in 1920 - not the story Perry Bradford told for the rest of his life, and Barry has a line for that: the least-heard sentence in the history of music is “I don’t deserve that much credit for this.”

Host Nate Wilcox is joined by Barry Mazor, author of “Ralph Peer and the Making of Popular Roots Music,” in a conversation first recorded in 2022 and returning now as part of Let It Roll From the Beginning.

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The Beginnings of Country Music According to Ken Burns: Let It Roll From the Beginning... 3.9 Sep 28, 2026

Show notes

Host Nate Wilcox is joined by James Porter - Chicago writer, DJ and musician - to open CountryRoll, their run through Ken Burns’s “Country Music” series, in a conversation first recorded in 2021 and returning now as part of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being re-cast in chronological order by topic - the story of the music told forward, in the order it actually happened.

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Ed Ward on The Bristol Explosion: Let It Roll From the Beginning... 3.8 Sep 25, 2026

Show notes

Host Nate Wilcox is joined by Ed Ward, his original co-host and the author of “The History of Rock & Roll, Volume 1: 1920-1963,” for a conversation first recorded in 2018 and returning now as part of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being re-cast in chronological order by topic.

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The Carter Family popularized the Child Ballads and Burl Ives built a new tradition: Let It Roll From the Beginning... 3.7 Sep 23, 2026

Show notes

Host Nate Wilcox is joined again by Dave Thompson, author of “An Evolving Tradition: The Child Ballads in Modern Folk and Rock,” for the next installment of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being recast in chronological order by topic.

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Paul Whiteman Was the King of Jazz in 1925, to Music Critics: Let It Roll From the Beginning... 3.6 Sep 21, 2026

Show notes

In this episode, host Nate Wilcox welcomes Elijah Wald to discuss his controversial but informative book "How the Beatles Destroyed Rock 'N' Roll" which actually has a lot more to say about Paul Whiteman and why white America considered him the King of Jazz in the 1920s.

This episode originally dropped in 2018.

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Vernon Dalhart: The forgotten first superstar of country music: Let It Roll From the Beginning... 3.5 Sep 18, 2026

Show notes

Host Nate Wilcox tells this one alone, as a Let It Roll seance - the guest is the late Jack Palmer, author of “Vernon Dalhart: First Star of Country Music,” who died before Nate could ever interview him. The episode returns now as part of Let It Roll From the Beginning to the End, in which the whole Let It Roll archive is being re-cast in chronological order by topic.

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Ed Ward on Rock Pre-History the 1920s & 30s: Let It Roll From the Beginning... 3.4 Sep 16, 2026

Show notes

Host Nate Wilcox and the late Ed Ward, the rock historian of NPR’s Fresh Air kicked off their discussions of Ed’s History of Rock and Roll, Volume 1 1920-1963 with a discussion of the 1920s, when the record industry, reeling from the disruption of radio, accidentally discovered that recordings by Black and “hillbilly” artists moved units.

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The Holy Trinity of Texas Gospel and a Devilish Businessman: Let It Roll From the Beginning... 3.3 Sep 14, 2026

Show notes

⁠Host Nate Wilcox asks Michael Corcoran to share the stories of Texas gospel greats Arizona Dranes, Blind Willie Johnson and Washington Phillips as well as the notorious Don Robey, owner of the Duke and Peacock labels.

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House of the Rising Sun Before Bob Dylan And After The Animals: Let It Roll From the Beginning... 3.2 Sep 11, 2026

Show notes

Host Nate Wilcox and Ted Anthony, author of “Chasing the Rising Sun: The Journey of an American Song”, work through what a “version” even is when a song has thousands of them: the keyboard solo, the famous opening riff, who heard what from whom, and Anthony’s conclusion that we are never going to sort it out and that this is fine. Songs like this one came out of nowhere, moved around in the shadows, surfaced when they got popular, and went back into the shadows to mutate again.

We’re re-presenting this episode which originally dropped in 2019, as part of our Let It Roll: From the Beginning…to the End series which puts all the episodes in chronological order by subject.

⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.

Please consider becoming a paid subscriber to support the show. Thanks!

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