Inside Out with Turner and Seth (wTnS) Podcast.
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Inside Out with Turner and Seth (wTnS) Podcast.
Hosted on Acast. See acast.com/privacy for more information.
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Seth and Rob sit down with Galactic's drummer and discuss everything from his early days as a prodigy working in Marty Hurley's drum line, to Galactic's recent work with the wonderful Erica Falls. They discuss his two books and the delight he takes from seeing other drummers put their personalized spin on his own personalized, decidedly New Orleans approach. Stanton talks about how being in the mindset of a jalopy or a 300 lb woman walking down the street carrying a bucket of chicken can help find an appropriate New Orleans groove. A slew of musicians are discussed, particularly George Porter Jr., Bernard Purdie and Russell Batiste. Stanton talks specifically about meeting and developing a relationship with Batiste. Stanton talks about why it is difficult for New Orleans drummers to be "go-to" studio musicians and vocally demonstrates a variety of grooves and how said grooves were developed (a favorite of Turner's). He talks about how generous New Orleans musicians can be and how Pearl Jam's Stone Gossard recently remembered being in attendance when Porter Jr. allowed a very, very young Stanton Moore to sit in with his band. It is a delight to listen to this now-legendary drummer describe how he brings, as Seth says, "his shtick to the stick."
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Seth and Rob sit down with guitarist Tom Hamilton and discuss his work with Brothers Past, American Babies, Joe Russo's Almost Dead, Billy and The Kids and other groups. Tom explains the various ways some of these bands approach Grateful Dead music, and relates his experiences working with the surviving members of The Grateful Dead. Tom also reveals that Louis CKs eulogy of Robin Williams served as an influence for the creation of what would become the American Babies' fantastic new cd, "An Epic Battle Between Light & Dark." Also discussed are Tom's experience with depression, how he feels stand up comedians are "today's Shakespeare," how his improvisational goal is to compose new and great songs on the spot and his grossly underappreciated/slightly dysfunctional band, Brothers Past. Sports fans might enjoy the comparisons between athletic and musical teamwork and fans of obscenity will surely be delighted by the various uses of the f-word. Tom also takes us to the early days of Joe Russo's Almost Dead and what it's like playing in a band with the drummer serving as a point man. He also performs his first-ever a solo reading of "Bring It In Close" from the aforementioned American Babies release, "An Epic Battle Between Light & Dark."
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Rob and Seth sit down with Jason Crosby and discuss how he went from a classically trained violin and piano prodigy, to working with artists like Solar Circus, God Street Wine, Oteil and The Peacemakers, Susan Tedeschi, Derek Trucks, Robert Randolph and The Bind Boys of Alabama all at a young age. Also explored are his musical and other interactions with Prince, Eric Clapton, Trey Anastasio and Bruce Springsteen - and how his life changed when he moved from New York to California, where he met and worked with folks like Bob Weir, Phil Lesh and Roger McNamee. Then Roger himself joins to chat how the seeds for his love of rock sprouted out of being born in the "Year of Elvis," and how his work with T. Bone Burnett inspired him to start Moonallice. Roger is not just a musician. He is also one of the most insightful businessmen of our generation, and this interview reveals how he has used the fruits of the resulting success from this insight to help empower (and employ) musicians and visual artists. He also discusses his decision to provide high quality streaming video of every Moonalice and Doobie Decimal System performance (and many others including a variety of performances from California's Hardly Strictly Bluegrass Festival). This has proven to be not just a benefit to music-lovers, but also seems to be a key part of the popularity growth of Roger's bands Moonalice and Doobie Decimal System.
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This episode features Rob and Seth backstage at Lockn' chatting with Chris Kuroda, one of the leading Lighting Designers in the music industry most well-known for his long-time work (nearly 30 years) brilliantly scheming and executing the visual presentation of the band Phish. They discuss how adding video elements to the band's already-elite light show presented many challenges and much inspiration to Kuroda. He talks about how he worked with other industry veterans, particularly Abigail Holmes (Roger Waters, The Cure, Talking Heads) to find the best ways to ease the video elements into the presentation to find the appropriate "vibe" design-wise and how his approach to execution is currently evolving greatly. Kuroda also explains why white is "his 11," and discusses how his relationship with Madison Square Garden has spilled over into the sports world, and how this may positively impact future Phish MSG performances.
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Seth and Rob's first Lockn' episode features an interview with HeadCount.org's founder, Andy Bernstein. HeadCount had a major presence at Lockn' - registering voters, producing Participation Row (a collection of 17 non-profit organizations offering non-partisan-based voter education and activities) and working with musicians on future voter registration efforts. Rob and Seth also talk to the JR Wotring who is HeadCount's lead at Lockn' as well as Lindsey Linen w/ Project Grows, one of the activations featured in Participation Row at this year's Lockn. HeadCount has helped to register over 388,000 voters to date!! Hopefully anyone reading this has, or is about to register to vote.
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This episode features the legendary Sam Bush and ends with a quick chat w/ Brian “Spike” Buckowski of Terrapin Beer who answers questions regarding the company’s recent friendly majority take-over by MillerCoors’ Tenth and Blake craft beer division. Sam talks extensively about his new record “Storyman,” Sam’s feelings about why Americana has become such a force in music, Guy Clark, recording Grammy-winning record with Emmylou Harris, Col. Bruce Hampton encouragements, and so much more.
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Rob gives a brief review of the new Frank Zappa documentary, and Seth and Rob critique recent webcast directing, and then Seth talks extensively about his festival work and various upcoming activities he has planned for his variety of events. Then they are joined by Simon Allen, drummer of The New Mastersounds. Simon first explains how the band evolved out of, and was inspired by the British DJ scene of the late 90s. Ultimately the trio discusses how TNMs broke the US market, how their approach had to change when they did so, learning and loving improvisation, tambourines, the balance between embellishing and leaving space, how the band members’ roles have changed on and off stage, how the band almost collapsed under financial pressures, slippery water, New Orleans JazzFest, Being influenced by - and then getting to play with The Meters and the contrast between the prevalence on on-stage collaborations in the US and the dearth of then in the UK. We also get Simon’s thoughts on the following musicians: Grant Green, Wes Montgomery, Jimmy Smith and Jimmy McGriff.
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Rob and Seth first discuss their recent music and festival experiences and express on a tired expression. Then they go through the fascinating career of Australian singer/songwriter/guitar virtuoso Geoff Achison. Geoff talks about going to the Checkerboard Lounge during his first trip to the US, stumbling upon a heat of a Beale Street competition which he would ultimately win, the etiquette of the sit-in, winning the Albert King award, meeting and beginning a long relationship with Jorma Kaukonen, selecting and coercing his US agent Nancy Lewis-Pegel, the similarities and differences of US and Australian audiences, the pluses and minuses of the oft-limiting “blues artist” label, the genesis and success of his collaboration with Randall Bramblett, his story about sitting in with the Allman Brothers Band at The Beacon Theater, the man behind the song “Delta Dave” and the bizarre way he met the host of the Salty Dog Blues Internet radio show. Geoff also plays four acoustic songs from his forthcoming cd, Another Mile, Another Minute.
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Kevn Kinney explains to Rob and Seth the improvisational spirit behind, and each week's theme of the, “Kevn Kinney Auto Shop and Magic Show” - his ambitious five-night residency which takes place at City Winery in Atlanta August 2, 9, 16, 23 and 30 (every Tuesday). Kinney sits with his guitar, sometimes breaking into song while offering wisdom with regard to why musicians shouldn’t watch themselves on stage, how the popularity of vinyl has actually made It harder for many artists to release music on vinyl, fan behavior, his Best Of Songs release and the four separately-themed EPs from which it was culled, the project he is working on with BR5-49 co-founder Chuck Mead, performing in Europe, the evils of addiction, the Drivn’ n Cryin’ documentary “Scarred But Smarter,” why musicians should learn musical history, the danger of credit cards, appreciating and respecting our returning soldiers, the horrors of cabbage patch birth, Atlanta’s Ferris wheel and more. He also offers a li’l taste of his hit “Straight To Hell,” done reggae style, and demonstrates his various approaches to “Scarred But Smarter” and “Fly Me Courageous,” and performs other Kinney gems in their entirety. Closing music includes a sneak preview of next week’s episode featuring the brilliant Australian guitarist, Geoff Achison.
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Before Seth and Rob get into the Candler Park Festival Flash Chats with Allie Kral and Duane Trucks, they discuss the Brooklyn Bowl, Questlove, Terrapin Beer Company, Seth's festival work trip and Rob's Colorado trip. The first of two festival flash chats is with Duane Trucks where they discuss the growth of Hard-Working Americans, the influence of legendary musicians like his father-in-law Jimmy Herring, Col. Bruce Hampton, Yonrico Scott, Kevin Scott, Jeff Sipe and his brother Derek Trucks. The trio also discusses Duane's path to locking-in with bassist Dave Schools. Next up is Allie Kral as she talks about her work with Cornmeal, how to make an impromptu band work, "The Kral Space," Marilyn Monroe moments, teaching herself violin, jamming with Bela Fleck, moe. and others. She also addresses the gut-wrenching task of informing Cornmeal her intentions to leave them, how the behavior of a creepy photographer inspired her future stage attire and we hear the genesis of a new activity for the Strings and Sol Festival in Mexico.
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