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    Film Reviews

    Horror Queers

    Each week, queer hosts Joe Lipsett and Trace Thurman discuss a horror film with LGBTQ+ themes, a high camp quotient or both.

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    Copyright: © Bloody Disgusting Podcast Network

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    Latest Episodes:
    Slasher S4: Flesh & Blood (Patreon Clip) Oct 05, 2021
    Show notes

    Here's a sneak peek at our all new Patreon bonus episode on the fourth season of Aaron Martin's gory, ridiculous Shudder series Slasher: Flesh & Blood (2021).

    Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Dracula's Daughter (1936) Sep 29, 2021
    Show notes

    Check your zoos for elephants that are seeing pink men because we're discussing the 1936 film (and direct sequel to 1931's Dracula) Dracula's Daughter! And boy do we have some things to say about the hetero nonsense in this movie.

    First, we'll spill the tea on the film's dramatic road to production, complete with cameos from super-producer David O. Selznick, queer director James Whale and everyone's favorite Production Code Administration head: Joseph Breen!

    Then we'll dive into all things queer in this underseen classic, including a third act whose sole purpose is to make the straights happy. But hey, it's not like director Lambert Hillyer didn't fit as much queerness in the film as possible (it's not even subtext, y'all).

    Plus: an X-rated bow tie metaphor, personal space, Hedda Hopper(?!) and more analysis from everyone's favorite queer horror theorist: Harry M. Benshoff!

    Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

    > Trace: @tracedthurman

    > Joe: @bstolemyremote

    Be sure to support the boys on Patreon!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Brand New Cherry Flavor (Patreon Clip) Sep 28, 2021
    Show notes

    Here's a sneak peek at our all new Patreon minisode on Nick Antosca's new Netflix series, Brand New Cherry Flavor (2021).

    Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Micro Queers: 3 Versos (2016) Sep 24, 2021
    Show notes

    This week on Micro Queers, we're discussing Antonio Yee's 3 Versos (click the link to view the 11-minute short), in which a girl (Laura Mariscal) reaches a psychic (Edvan Galván) looking for help after a ghost besieges her home.

    Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

    > Trace: @tracedthurman

    > Joe: @bstolemyremote

    Also, don't forget to support the boys on Patreon!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Mulholland Drive (2001) Sep 22, 2021
    Show notes

    In advance of its 20th anniversary, we're dipping into the beautiful, surreal world of David Lynch's Mulholland Drive (2001).

    In keeping with the film, the episode adopts a non-linear format as we track the Betty/Rita storyline, then double back to discuss Adam, before finally digging into the extra footage Lynch shot when the project switched from TV pilot to film.

    Expect plenty of discussion about how great both female leads are, which Hollywood director Adam reminds Trace of, Joe’s ongoing obsession with Showgirls, and talk of how goddamn gorgeous this film is.

    Plus: Speculation on a shared cinematic universe with Southland Tales and Alias S3, Trace's dislike of Noir, and the hilarious reason why Monty Montgomery’s line delivery as the Cowboy is so unnerving.

    References:

    1. Justin Holliday. "'This is the girl': Queer Nightmares, Fantasy, and Reality in Mulholland Drive." Gender Forum, Issue 72
    2. Robert Sinnerbrink. "Cinematic Ideas: David Lynch's Mulholland Drive". Film-Philosophy.

    Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

    > Trace: @tracedthurman

    > Joe: @bstolemyremote

    Be sure to support the boys on Patreon!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Freddy's Dead: The Final Nightmare (1991) feat. Mark O. Estes Sep 15, 2021
    Show notes

    Just in time for its 30th anniversary, we're dipping back into the Nightmare on Elm Street franchise with a look at Rachel Talalay's 1991 entry, Freddy's Dead: The Final Nightmare.

    Joining us to discuss his childhood favorite (and gateway into horror) is Mark O. Estes, writer and host of the Midnight Social Distortion podcast.

    This film is...a lot, particularly how it balances laughs (Looney Tunes!), scares and camp. Is it paying homage to the franchise or simply doing a poor imitation of previous films?

    Plus: discussion of "Final" entries in franchises, comparisons to Hellraiser: Bloodline, tangents on Paranormal Activity and Friday the 13th, films that that made us feel magical as kids, the subversion of John Doe's death and the film's treatment of sexual assault. Like we said: it's A LOT!

    References: Rebecca McCallum. “Reviving Freddy: A Critical Reassessment of Freddy’s Dead: The Final Nightmare”. Ghouls Magazine

    Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

    > Trace: @tracedthurman

    > Joe: @bstolemyremote

    > Mark: @theanticritic / markoestes.wixsite.com/website

    Be sure to support the boys on Patreon!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Malignant (Patreon Clip) Sep 14, 2021
    Show notes

    Here's a sneak peek at our all new full-length Patreon bonus episode on James Wan's is-it-intentionally-silly-or-isn't-it horror film Malignant (2021)!

    Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Micro Queers: Watch Over Me (2010) Sep 10, 2021
    Show notes

    This week on Micro Queers, we're discussing Michael Rozanov's Watch Over Me (click the link to view the 13-minute short), in which Eitan (Guy Kapulnik) is taken out by mates from his army unit to celebrate his completion of the unit's training. An encounter with Shahar (Davidi Hoffman), who lives the way Eitan never dared, gives him a chance for a new beginning. But when he tries to go with the change, he discovers the ultimate price of his previous choices.

    Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

    > Trace: @tracedthurman

    > Joe: @bstolemyremote

    Also, don't forget to support the boys on Patreon!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    It Follows (2014) feat. Ari Drew Sep 08, 2021
    Show notes

    After two years, we're FINALLY tackling a top request from listeners: David Robert Mitchell's It Follows (2014). Along for the ride is Trace's better half, Ari Drew, who has developed a special connection to the film during the pandemic.

    Expect a lot of comparisons to Hereditary and other “slow burn/feel bad films”, including speculation about why horror audiences may struggle with these films, particularly on a first watch.

    Also: how It Follows evokes a sense of timelessness, why the opening scene is a perfect short film, why Ari finds so much comfort in a dread-filled film, and how Joe has come around on the pool climax.

    Plus: plenty of healthy debate about the ending, talk about shitty boys, and, finally, pondering the fate of Bait Bus.

    Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

    > Trace: @tracedthurman

    > Joe: @bstolemyremote

    > Ari: @TheAriDrew

    Be sure to support the boys on Patreon!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Candyman (Patreon Clip) Sep 02, 2021
    Show notes

    Here's a sneak peek at our all new full-length Patreon bonus episode on Nia DaCosta's new take on Candyman (2021)

    Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!


    Hosted on Acast. See acast.com/privacy for more information.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


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