Fine Tooning with Drew Taylor

Latest Episodes:

Fine Tooning Episode 60 : Hand-drawn “Klaus” is a heartfelt charmer Nov 30, 2019

Show notes

Drew Taylor & Jim Hill start off this week’s show by comparing what “Frozen 2” made over its opening weekend to how Jon Favreau’s “Lion King” redo did when it debuted domestically back in July. Then Drew & Jim talk about why Pixar & Walt Disney Animation Studios kept trading off the long-Thanksgiving-Weekend release window as the 1990s gave way to the 2000s

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Fine Tooning with Drew Taylor Episode 59: It’s Disney+ Day Nov 12, 2019

Show notes

Drew Taylor & Jim Hill start off this week’s podcast by discussing which shows on Disney’s new streaming service are worth seeking out. Drew also talks about “Frozen 2” (which he’s already managed to see twice).

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Fine Tooning with Drew Taylor Episode 58: Remembering Disney’s “Fraidy Cat” Oct 30, 2019

Show notes

Drew Taylor and Jim Hill start off this week’s episode with a lengthy excerpt from Sir

Elton John’s official autobiography where the singer / songwriter looks back on his role in the creation of

Disney’s “The Lion King.” Then Drew & Jim share what they know about Ron Clements & John Musker’s

aborted animated feature which was to have been an affectionate send-up of Sir Alfred Hitchcock’s

suspense films

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Fine Tooning with Drew Taylor Episode 57: Disney Double Dare You: What Happened Oct 25, 2019

Show notes

Drew Taylor & Jim Hill start off this week’s show by talking about how Tom Hanks & Robert Zemeckis may soon reunite to work on Disney’s live-action “Pinocchio” reboot. They then look back at Guillermo del Toro’s dream of collaborating with Walt Disney Animation Studios to create a series of family-friendly horror films

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Fine Tooning with Drew Taylor Episode 56: Resurrecting “The Addams Family” Oct 17, 2019

Show notes

Jim Hill uses the “Addams Family” strong ticket sales as an excuse to look at the nearly 80-year history of this freaky franchise. Then Drew Taylor shares his interview that he recently did with Brittney Lee & Griselda Sastrawinata-Lemay about the development of Disney’s “Frozen 2”

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Fine Tooning with Drew Taylor Episode 55: How “Frozen 2” came to be Oct 10, 2019

Show notes

Drew Taylor & Jim Hill starts off this week’s show by talking about “Klaus,” the

Sergio Pablos film that Netflix will be releasing to theaters on November 8th and then making available for

streaming one week later. Drew then shares an interview that he did recently with Chris Buck & Jennifer

Lee, the co-directors of the original “Frozen” and its eagerly anticipated sequel

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Fine Tooning with Drew Taylor Episode 54: How VR influenced the design of “Frozen 2” Oct 03, 2019

Show notes

Drew Taylor & Jim Hill start off this week’s show by talking about how well “Abominable” did over its opening weekend. Then Drew shares a recent interview that he did with Lisa Keene, the co-production designer on “Frozen 2,” & David Wormersley, the art director of environments on this highly anticipated Walt Disney Animation Studios production

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Fine Tooning with Drew Taylor Episode 53: How “Everest” became “Abominable” Sep 26, 2019

Show notes

Drew Taylor & Jim Hill start off this week’s episode by talking about what Bob Iger revealed about Disney’s 2006 acquisition of Pixar in his new book, “The Ride of a Lifetime.” Drew then shares an interview that he did with Jill Culton, the co-director of the soon-to-be-released DreamWorks Animation / Pearl Studios co-production, “Abominable”

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Fine Tooning with Drew Taylor Episode 52: Why Deja & Keane left WDAS Sep 17, 2019

Show notes

Drew Taylor & Jim Hill start off this week’s episode by speculating about how MGM’s “Addams Family” may do over its opening weekend. They then continue their “Where are they now” feature by discussing the post-Disney careers of Andreas Deja & Glen Keane

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Fine Tooning with Drew Taylor Episode 51: The artistry of James Baxter Sep 10, 2019

Show notes

Drew Taylor & Jim Hill start off this week’s show by talking about how much they enjoyed “Steven Universe: The Movie.” They then reflect on the challenges of covering some animators’ post-Disney careers.

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