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    Down These Mean Streets (Old Time Radio Detectives)

    Presenting the best detectives from the Golden Age of Radio. Each week, we’ll bring you an episode starring one of Old Time Radio’s greatest detectives and the story behind the show. Join us for adventures of Philip Marlowe, Sam Spade, Johnny Dollar, and many more.

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    Latest Episodes:
    "Hello, there - this is Diamond..." Apr 24, 2017
    Show notes

    "I was sitting in my office shooting paper clips at a King size horse fly. It was a little sadistic but he was bigger than I was. Well, about the time I had him down on his knees begging for mercy, the door opened…" (Richard Diamond, Private Detective)

    There's nothing in Dick Powell's early career to suggest he was destined to play hard-boiled private eyes. Had his bosses at Warner Brothers had their way, he'd have stayed in the song-and-dance roles on which he built his career. But thanks to a gamble by a director, Powell kicked off a new chapter to his career and the result were some great radio shows, including one of the medium's best - Richard Diamond, Private Detective.

    Powell got his start in Hollywood in the 30s as a singer in Warner Brothers musicals, including 42nd Street, and On the Avenue. He was frequently cast in the role of a boyish crooner, even as he approached his 40s. Despite his success, Powell was eager to expand into other roles. His efforts were resisted by Warner Brothers, who wanted to keep Powell right where he was, even if he thought it was the wrong place to be. He pursued the lead role in Double Indemnity, but it ultimately went to another actor pegged in "nice guy" roles - Fred MacMurray.

    But later in 1944, RKO and director Edward Dmytryk gave Powell the role he'd been waiting for - Raymond Chandler's Philip Marlowe in Murder, My Sweet, the film adaptation of the Marlowe novel Farewell, My Lovely. The film was a success, and Powell received rave reviews for his performance. In a flash, he had shed the crooner image he'd been desperate to shake and he embarked on the next stage of his career.

    Powell recreated his role as Marlowe on the June 11, 1945 Lux Radio Theater broadcast of Murder, My Sweet, and he starred as private detective Richard Rogue in Rogue's Gallery from 1945 to 1946. While it was a fine series, it failed to stand out from the crowd of hard-boiled private eyes littering the airwaves in the postwar years. For his next radio effort, Powell wanted to "make something a little bit different of a standard vehicle." He recorded an audition show as "the man with the action packed expense account," Johnny Dollar, but he passed on the series for a show that sprang from the mind of Blake Edwards. Edwards would later create the outstanding police procedural The Line-Up for radio, develop Peter Gunn for television, and would become a celebrated writer and director of film arguably most famous for the Pink Panther film series with Peter Sellers.

    Powell and his producer, Don Sharp, asked Edwards if he had any ideas for a vehicle for Powell. Edwards said he did (a lie), and went home to write what would become the pilot for Richard Diamond, Private Detective. In Edwards' original script, Diamond was a former OSS agent; he would evolve into an ex-cop. One trait he would retain as the script evolved was that Diamond was as quick with a quip as he was with his fists. This played to Powell's natural comedic strengths, and it helped to give the show a unique voice in the sea of detective programs from the era. Unlike other radio shamuses, Diamond would keep up a friendly relationship with his old colleagues on the force - Lt. Walt Levinson, his former partner; and the oafish Sgt. Otis Ludlum, the long-suffering butt of Diamond's jokes. Diamond flirted with every skirt that came through his office door, but he only had eyes for his Park Avenue girlfriend, Helen Asher. Shows would often close at her apartment, where Diamond would sum up his case and (in a nod to Powell's old career) Helen might coax him to do a little singing.

    Richard Diamond, Private Detective premiered on NBC on April 24, 1949. Powell was supported by Virginia Gregg as Helen; Ed Begley as Levinson; and Wilms Herbert doing double duty as Sgt. Otis and as Helen's butler, Francis. Joseph Kearns, Peggy Webber, Bill Johnstone, Jack Kruschen, and other West Coast actors filled out the cast. Later in the show's run, Frances Robinson would take over the role of Helen, and Ted de Corsia, Arthur Q. Bryan (Elmer Fudd), and Alan Reed (Fred Flinstone) would rotate in and out as Levinson.

    The show ran without a sponsor for the first year before being picked up by the Rexall Drug Company ("Good health to all from Rexall!") in June 1950. In January 1951, the show switched networks and picked up Camel cigarettes as its new sponsor. The show took its final bow on June 27, 1952 (although repeats popped up in the summer of 1953). Powell pulled the plug on the show as he entered a third phase of his career as a successful director and producer.

    It was in this capacity that Powell brought Richard Diamond to television in 1957 for a four-season run starring David Janssen in the title role, minus the crooning of the radio series. Janssen would later star as Dr. Richard Kimble on The Fugitive. The Diamond TV show is perhaps best known today for its character of Diamond's secretary, Sam, who was only shown from the waist down to show off her legs. The first actress to furnish Sam's legs was a young Mary Tyler Moore.


    Episode 220 - Diamond is Forever (Richard Diamond, Private Detective) Apr 23, 2017
    Show notes

    For one hundred dollars a day plus expenses, Richard Diamond will tackle any case. By the time it's over, he'll have used his fists, his gun, his wits, and his pipes as he croons a tune to his girlfriend. Dick Powell stars as the singing detective in one of radio's best mystery shows. We'll hear him in a pair of episodes – "The Betty Moran Case" (originally aired on NBC on May 29, 1949) and "The Cathy Victor Case" (originally aired on January 15, 1950).


    Happy Birthday, Al Hodge Apr 18, 2017
    Show notes

    Actor Al Hodge was born April 18, 1912. He made a name for himself as two famous heroes - as Captain Video on television and The Green Hornet on radio. When he wasn't starring as Britt Reid on WXYZ in Detroit, Hodge worked as a disc jockey, a football announcer, and a producer of other shows on the station, including The Lone Ranger. Hodge was radio's longest-running Hornet, and its his voice that may be most associated with the character.

    In 1950, he took over the role of space ranger Captain Video and played the part on the DuPoint Network until 1955. Outside of that series, he could be seen on Naked City, Alfred Hitchcock Presents, and more.


    Happy Birthday, Joan Alexander Apr 16, 2017
    Show notes

    For multiple generations of kids - those who listened on radio and saw the theatrical cartoons and later those who tuned in for the Filmation TV series - Joan Alexander was the voice of Lois Lane. Born April 16, 1915, she was a model and an actress touring with the Yiddish theater before she got into radio. Her birth name was Louise Abrass; she took the first name Joan after big screen star Joan Crawford.

    Joan Alexander worked extensively on the air with major roles on several daytime soaps like Lone Journey, Light of the World and This Is Nora Drake. She was in the "girl Friday" business for a pair of radio detectives as Della Street on Perry Mason and Ellen Deering, secretary to Jackson Beck's Philo Vance. Elsewhere, she could be heard on Dimension X, Crime Club, Barrie Craig, and more.

    But it's the role of Lois Lane, tough, resourceful reporter, for which Joan Alexander is best remembered. She was the third actress to play the role, but she was cast early in the run and made the part her own. Alexander would co-star with Clayton "Bud" Collyer (voice of Clark Kent and Superman) in over 1,600 radio episodes. The two also voiced their characters in the popular (and still riveting, even today) Superman cartoons produced by Fleischer Studios and released theatrically. From 1940 until 1951, Joan Alexander gave voice to one of the most well-known comic book characters of all time, and she helped to cement the character of Lois as a heroine in her own right. Almost every subsequent portrayal of the star reporter owes something to Alexander's performance.

    Bud Collyer loved working with her, telling a reporter that "Joan is one of those rare actresses -- especially in radio where you can't be seen and have to depend entirely on voice -- who can go in on something cold and her instincts are so right as an actress that without even a rehearsal or a read-through, she is right." The two reunited in 1966 as Lois and Clark in The New Adventures of Superman, an animated Saturday morning series produced by Filmation.


    Episode 219 – The Five Nights a Week Matter (Yours Truly, Johnny Dollar) Apr 16, 2017
    Show notes

    Back in 1956, audiences had to wait a day in between installments of Yours Truly, Johnny Dollar and an entire week to hear how the insurance investigator would close the case. Today, we'll hear a complete five-part mystery starring Bob Bailey as "the man with the action-packed expense account." As Dollar, Bailey travels the world in "The Star of Capetown Matter," originally aired on CBS between July 16 and July 20, 1956.


    Out of the Fog Apr 13, 2017
    Show notes

    "Out of the fog, out of the night, and into his American adventures comes…Bulldog Drummond!"

    The idea of the gentleman detective conjures up images of smoking jackets and walking sticks: characters like Philo Vance who were as handsome as they were insightful. Captain Hugh Drummond broke that mold. Created by H.C. McNeile, the detective and adventurer is a powerfully built hulk of a man with a face that led to his nickname - "Bulldog." A veteran of World War I, Drummond was a crack shot, good with his fists, talented at poker, and hungry for thrills and excitement. He became one of the most popular sleuths of early Hollywood and the success he enjoyed led to a stint fighting evildoers on the radio.

    McNeile introduced Drummond first in a story in The Strand. He later reworked the character for a 1920 novel. Like George Valentine, Drummond found post-war life to be dull and took out an advertisement in search of adventure wherever it could be found. His ad memorably read: "Demobilised [sic] officer, finding peace incredibly tedious, would welcome diversion. Legitimate, if possible; but crime, if of a comparatively humorous description, no objection. Excitement essential." The ad is answered by a young woman concerned for her father's safety, and she leads Drummond to a Communist plot to take over England. His client, Phyllis Benton, became Mrs. Drummond, and the mastermind of the plot, Carl Peterson, became Bulldog's arch nemesis. McNeile went on to write ten Drummond novels, five short stories, and three plays before his death in 1937. McNeile's friend Gerald Fairlie picked up the mantle and wrote an additional seven Drummond novels between 1937 and 1957. The character proved very popular in England and influential to boot: Ian Fleming stated that James Bond was Bulldog Drummond from the waist up and Mickey Spillane's Mike Hammer below.

    After two silent films in the early 1920s, Bulldog Drummond was released as a talkie in 1929. Ronald Colman earned an Academy Award nomination for his portrayal of Drummond, and the film was hailed by critics. Colman's portrayal of Drummond as debonair and dashing eventually supplanted the rougher around the edges character of McNeile's books; the subsequent films (including a second turn by Colman in 1934) continued the characterization of Drummond as a more sophisticated gentleman adventurer. Ray Milland starred in 1937's Bulldog Drummond Escapes before John Howard made the role his own in seven B-movies for Paramount.

    It was the success of the film series that spurred interest in a radio series. Producer Hiram Brown (Inner Sanctum Mysteries, as well as another series about a dapper British sleuth - The Private Files of Rex Saunders) packaged the series. Captain Drummond came to radio in 1941 and was originally played by George Coulouris. Coulouris was a veteran of Orson Welles' Mercury Theatre and he'd appeared with Welles in Citizen Kane. He starred as Drummond until March 1942 when he was succeeded by Santos Ortega. Ortega was a busy radio character actor; he played Inspector Queen on Ellery Queen, Commissioner Weston on The Shadow, and was also heard as Charlie Chan and in supporting roles on The Adventures of Superman, usually in villainous roles. Ortega stayed with the series for a year, and his replacement was another actor with a track record at radio crime-solving.

    Ned Wever stepped into Bulldog Drummond's shoes with the March 15, 1943 broadcast and he stayed with the show until 1949. Wever was a regular player on The Adventures of Superman; he played Jor-El in the series' premiere episode and he appeared as "The Wolf," the first villain the Man of Steel encountered on radio. Coincidentally, in another early serial, he and fellow radio Bulldog Santos Ortega played crooked mine owners who swindled their investors. Later, he played a Nazi agent (more than slightly inspired by Sydney Greenstreet's Kasper Gutman) during the program's memorable "Atom Man" story arc. On the right side of the law, he played Dick Tracy on radio, and his clipped, authoritative delivery was perfect for the dapper British gentleman detective as he'd been reinvented on screen and on the radio.

    The McNeile novels had introduced the character of James Denny, Drummond's wartime batman and landlord of Drummond's apartment building. Denny made the jump to radio, where he was reworked as Drummond's valet and sidekick. Everett Sloane (another Mercury Theatre veteran) played Denny for much of the series, alongside Coulouris, Ortega, and Wever. The supporting casts included several great radio actors, including Jackson Beck (Philo Vance) and Mercedes McCambridge (Defense Attorney). In his radio adventures, Bulldog Drummond tackled all manner of crimes - hijackers, atomic spies, gangsters, and killers all went up against the poised captain…and lost.

    Despite the character's popularity at the time (the radio series ran until 1954, with Cedric Hardwicke in the role for the final year), Bulldog Drummond has been left behind by popular culture. Aside from a brief James Bond-inspired revival in the late 1960s, the character remains a war-years relic. It's too bad; the B-movies (many of them available on public domain collections of mystery films) are enjoyable romps, and the radio series is a good listen. Hopefully you'll enjoy rediscovering Bulldog Drummond or meeting him for the first time as he steps out of the fog.


    "The most famous of all manhunters..." Apr 11, 2017
    Show notes

    "Calling Nick Carter! Another case for Nick Carter, Master Detective. Yes, it's another case for that most famous of all manhunters, the detective whose ability at solving crimes is unequaled in the history of detective fiction - Nick Carter, Master Detective!"

    In 1886, readers were introduced to a brilliant detective, a master of both disguise and deduction, who tackled the cases that baffled the police. Think you know who it is? If you guessed Sherlock Holmes, you're a year too early. Arthur Conan Doyle's first Holmes adventure was published in 1887, one year after the debut of Nick Carter, a character who went from dime novels to pulp magazines, and then to film and later radio. Though not as well known today, Nick Carter enjoyed a long career as one of America's most celebrated detectives.

    Carter's first adventure was "The Old Detective's Pupil," which appeared in the September 18, 1886 issue of Street & Smith's New York Weekly. Street & Smith were one of the largest publishers of dime novels in the country; in fact, the plot of the first Nick Carter story was dreamed up by Ormond G. Smith, son of one of the magazine's founders. Writer John Russell Coryell wrote the story and two more before he decided there was more money in writing romances. The character was turned over to writer Frederick Rensselaer Dey, who penned a Carter novel (25,000 words) each week for seventeen years. Carter became so popular that Street & Smith launched a separate magazine devoted to his exploits. Nick Carter was a clean-cut, teetotaling, private detective. He had an encyclopedic knowledge of the world and possessed almost superhuman strength; he could "lift a horse with ease…while a heavy man is seated in the saddle." Nick had been groomed for the gumshoe game from birth by his father, a famous detective named "Old Sim" Carter. Based in a ritzy New York apartment, Nick's cases would take him all around the world. And he was famous all over the world, too. In 1908, the first of three Nick Carter film serials hit French movie screens, with sequels following in 1909 and 1912.

    By 1915, the solo Nick Carter magazine had folded, but the character continued to make appearances in Street & Smith's Detective Story Magazine. Later, after the company found pulp novel success with the exploits of The Shadow and others, Nick Carter was back in his own pulp magazine. In 1939, Hollywood came calling (albeit several years after French film producers), and Walter Pidgeon starred as Nick in three movies from MGM.

    When the character came to radio in 1943, it was in The Return of Nick Carter. Those early shows tipped their hat to the character's pulp origins with subtitled adventures (for example, "Murder in the Crypt…or Nick Carter and the Jackal God"). Actor Lon Clark, a former opera singer, took the role of Nick and kept it until the series left the air in 1955. His 12 years as Nick Carter are bested only by Bennett Kilpatrick's 13 years as Mr. Keen, Tracer of Lost Persons. On radio, Carter was presented in the clean-cut mold from the pulps. He had a fancy brownstone house with a crime lab and shooting range in the basement where he'd work out cases with his friends and colleagues Patsy Bowen and reporter "Scubby" Wilson. They'd be called in, sometimes relcutantly, by Sgt. Mathison (affectionately known as "Matty" to Nick) on tough crimes that left the NYPD stumped.

    Clark was supported by Helen Choate (a former radio Lois Lane) and later Charlotte Manson as Patsy. Ed Latimer provided the thick Irish brogue for Matty for much of the series. Scripts came from Walter B. Gibson, who wrote the pulp novels and fleshed out the history of Carter's Street & Smith stablemate, The Shadow. Other writers on the show were Edith Meiser, who contributed scripts for Sherlock Holmes, and sci-fi author Alfred Bester. Walter Gibson also worked on the series' short-lived spin-off Chick Carter, Boy Detective (Chick was Nick's adopted son who followed in the family business).

    The show, later retitled Nick Carter, Master Detective, aired on the Mutual Network until September 25, 1955 - outlasting several of the better known gumshoes of the Golden Age of Radio. When the radio series ended, Carter didn't hang up his badge and gun. He was resurrected in the 1960s as a James Bondian secret agent in over 200 Nick Carter - Killmaster novels. In 1972, Robert Conrad, late of The Wild Wild West, starred as Carter in a turn of the century mystery set in the Victorian Era that would have served as a pilot for a new series. Unfortunately, this didn't get picked up, but Nick Carter is still kicking over a century after he first appeared in print. His mix of brains and derring-do, with a healthy dose of pulp heroics, are well worth rediscovering or enjoying for the first time.


    "Always ready with a hand for oppressed men and an eye for repressed women..." Apr 10, 2017
    Show notes

    "You met The Falcon first in his best-selling novels, then you saw him in his thrilling motion picture series. Now, join him on the air when The Falcon solves…The Case of the Flaming Club!"

    Some radio detectives originated in the pages of novels and short stories, while others transitioned from the big screen to the airwaves. In the case of The Falcon, it was a little of each as two different characters were blended into one of radio's longest-running sleuths.

    The first Falcon was introduced by Drexel Drake in a 1936 novel The Falcon's Prey. Drake's Falcon, featured in multiple novels and stories, was Malcolm Wingate, a shadowy crime-fighter and Robin Hood figure born in America but raised in England. Aided by an ex-cop nicknamed "Sarge," the Falcon preyed on evildoers and came to the aid of the oppressed. Drake's Falcon predated Gay Stanhorpe Falcon, a freelance adventurer created by Michael Arlen in his 1940 short story "The Gay Falcon." It was this Falcon who came to the big screen in 1941 with George Sanders (fresh off a movie run as The Saint) starring as the character. As if that wasn't complicated enough, the movie (and its sequels) changed the character's name to Gay Lawrence, with no explanation of how he earned the name "The Falcon." The Falcon of the films began as a replacement for The Saint at RKO, but he evolved into more of a classic private detective. In fact, his third movie, The Falcon Takes Over (1942), was an adaptation of Raymond Chandler's Farewell, My Lovely with The Falcon subbing in for Philip Marlowe. After four movies, Sanders had enough and his real-life brother Tom Conway took over the franchise as "Tom Lawrence" in The Falcon's Brother, and played the role for eight more movies.

    The success of the films led to a radio version in 1943. The Falcon of the radio was a private eye named Michael Waring, neither the Drake character nor the Arlen character. The radio series referred to the Falcon's past in novels and in films, and Drexel Drake was credited as the character's creator on the air. Just to add another wrinkle to the genealogy of the character, the Waring Falcon hit the big screen in three films starring John Calvert.

    Berry Kroger was the first actor to play Waring on the air, and he was succeeded by James Meighan. For the bulk of the run, The Falcon was played by Les Tremayne and Les Damon. The actors shared several roles along with their first name; in addition to The Falcon, they each took a turn starring as Nick Charles in The Adventures of The Thin Man. George Petrie, who played radio private eye Charlie Wild and District Attorney Markham on Philo Vance, was the last actor to play The Falcon on the air.

    Most of the shows began with The Falcon answering a phone call from one of his many lovely female companions. He'd politely decline their company for the evening before offering a tease of the adventure he was about to undertake. Like his radio private eye brethren, Waring's cases were about equally divided between clients seeking his help and the police calling him in on tough-to-crack cases. In the early 1950s, owing to the popularity of espionage programs, The Falcon became an intelligence agent for the US Government. His work took him overseas where he battled enemy spies with the same skills he used on gangsters back in the Big Apple.

    Despite the long run of the program (The Falcon aired from 1943 until 1954 in multiple runs over NBC and Mutual), only about 100 episodes survive. Most of them come from the Tremayne/Damon years, so listeners today can hear a mix of Falcon adventures both foreign and domestic. With his mix of hard-boiled private eye and suave gentleman adventurer, The Falcon is a great character with whom to spend an evening.


    Episode 218 - Big Bad Wolfe (New Adventures of Nero Wolfe) Apr 09, 2017
    Show notes

    You need a big man to solve big crimes, and few detectives come bigger than Rex Stout's Nero Wolfe. The gargantuan gourmet and orchid aficionado will crack the case as long as he doesn't have to leave his house. For the legwork and rough and tumble elements of the job, he turns to his able assistant Archie Goodwin. Sydney Greenstreet stars as Wolfe in a pair of radio mysteries: "The Case of the Careless Cleaner" (originally aired on NBC on November 17, 1950) and "The Case of the Malevolent Medic" (originally aired on NBC on February 23, 1951).


    "That chair-born mass of unpredictable intellect..." Apr 07, 2017
    Show notes

    "I rarely leave my house. I do like it here. I would be an idiot to leave this chair, made to fit me." (Rex Stout, Before I Die)

    Nero Wolfe made his first appearance in 1934, and his adventures are still being enjoyed nearly eighty years later in books, TV shows, and - beginning on April 7, 1943 - radio dramas. Not bad for a man who hated leaving his house more than nearly anything in the world.

    Wolfe, the eccentric genius who weighs a seventh of a ton, was created by writer Rex Stout. Stout made a tidy sum inventing a system to track the money school children saved in their accounts, and he used his earnings and royalties to travel the world and embark on a career as a writer. His first Wolfe novel, Fer-de-Lance, was published in 1934, and Stout would go on to write 33 novels and 39 stories featuring Wolfe until his death in 1975. Over the course of the novels and stories, Stout fleshed out the character, who enjoyed fine food and good beer, tended to his orchids, and solved mysteries when he had to earn a fee, always with the aid of his assistant (and the narrator of the stories), Archie Goodwin.

    Stout's brilliant stroke was to combine two archetypes of detective fiction into one duo. Nero Wolfe was a classic refined detective in the mold of Sherlock Holmes, right down to his eccentricities, anti-social personality, and acute agoraphobia. He could listen to clues as they were presented to him in his drawing room and deduce the solution to a crime without ever leaving the chair especially designed for his massive weight. At his side was Archie, a more streetwise sleuth in the mold of (though not nearly as hard-boiled) Sam Spade and Philip Marlowe. Archie carried a gun and had an eye for a blonde like his brethren, but he drank milk instead of bourbon and he had a playful demeanor - particularly with his boss and their frequent foil on the police force, Inspector Cramer.

    Wolfe came to the screen in 1934 and 1937, but it would take almost ten years for the character to make his radio debut. From 1943 to 1944, ABC aired The Adventures of Nero Wolfe which starred J.B. Williams, Santos Ortega, and Luis Van Rooten as Wolfe during various points in the run. A falling out between ABC and Stout's representatives prevented the series from continuing, but a new version would premier on the Mutual Network in 1946. Francis X. Bushman starred as Wolfe, with Elliott Lewis, a veteran radio actor who would soon take the director's chair on Suspense, as Archie.

    But it is the 1950 NBC series The New Adventures of Nero Wolfe that is most fondly remembered and which came the closest to capturing the essence of Stout's stories. First and foremost, they found an actor who could fully embody Wolfe's larger than life persona - Sydney Greenstreet.

    A longtime theater actor, Greenstreet's big break came as Kasper Gutman ("The Fat Man") opposite Humphrey Bogart's Sam Spade in The Maltese Falcon in 1941 at age 62. After receiving an Academy Award nomination for the role, Greenstreet appeared in films like Casablanca, The Mask of Demetrios, and Across the Pacific. At age 71, he was cast as Wolfe, and his trademark characteristics - arched speech, droll laugh, deliberate intonation - perfectly fit Nero Wolfe's larger than life personality.

    Over the course of the series, no fewer than six actors were heard as Archie Goodwin. Each of the first three episodes featured a different Archie: Wally Maher (October 20); Lamont Johnson (October 27); and Herb Ellis (November 10). Beginning on November 24, actor Larry Dobkin assumed the role. Dobkin had previously been heard as Louie the cab driver on The Saint and as Detective Lt. Matthews on The Adventures of Philip Marlowe. After eight episodes, Dobkin left and his old co-star Gerald Mohr voiced Goodwin for the next four episodes. Mohr was on a radio detective roll; he had just wrapped his two-year run as Marlowe and would return for a Marlowe summer series a few months after his gig as Archie came to a close. Harry Bartell, a veteran of Escape and Dragnet as well as the Petri Wine announcer for The New Adventures of Sherlock Holmes, stepped into Archie's shoes for the final ten episodes of the series.

    Why so many Archies to one Nero? There's no definite answer. Some have said it was because Greenstreet was difficult to work with; others speculate the revolving door of co-stars was a sign of retooling to see if the ratings would improve.

    And while the series was well done, with even Rex Stout praising Greenstreet's performance (he was less complimentary of the program itself), it did not fare well enough in the ratings to earn a second year. The New Adventures of Nero Wolfe wrapped up its run on April 27, 1951. Fortunately for fans, the entire series run are available in great condition. One can listen to the full run and hear Greenstreet lend his one-of-a-kind voice to Wolfe, and even with so many actors playing Archie Goodwin, none is sub-par. Each brings his own style to the character while staying true to Stout's creation. And backing up Greenstreet and his Goodwins every week are a great cast, including Bill Johnstone as Inspector Cramer, Howard MacNear, Betty Lou Gerson, Peter Leeds, and Barney Phillips. Click here to check out some of the adventures of Nero Wolfe I've featured on the podcast, including an episode starring Francis X. Bushman as the big man.


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