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    Arts

    Down These Mean Streets (Old Time Radio Detectives)

    Presenting the best detectives from the Golden Age of Radio. Each week, we’ll bring you an episode starring one of Old Time Radio’s greatest detectives and the story behind the show. Join us for adventures of Philip Marlowe, Sam Spade, Johnny Dollar, and many more.

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    Copyright: © Down These Mean Streets

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    Latest Episodes:
    Episode 227 - One Mohr for the Road (Philip Marlowe & Nero Wolfe) Jun 11, 2017
    Show notes

    From 1948 to 1951, Gerald Mohr turned in a star performance as Raymond Chandler's L.A. private eye Philip Marlowe and gave us one of the best detectives of the radio era. But there was more to Mohr than his celebrated turn as "crime's most deadly enemy." In honor of his birthday, we'll hear Gerald Mohr in two radio mysteries as Marlowe - "The Long Rope" (originally aired on CBS on February 5, 1949) and "The Strangle Hold" (originally aired on CBS on October 15, 1949). We'll also hear him as Archie Goodwin (opposite Sydney Greenstreet) in "The Case of the Killer Cards" from The New Adventures of Nero Wolfe (originally aired on NBC on January 12, 1951). And - as a bonus - we'll hear Mohr playing for laughs as French teacher Jacques Monet in an episode of Our Miss Brooks from October 9, 1949.


    Episode 226 - Hoodwinked (Casebook of Gregory Hood) Jun 04, 2017
    Show notes

    Join San Francisco importer and amateur detective Gregory Hood as he shares two adventures from his casebook. Gale Gordon and Elliott Lewis star as Hood, a brilliant gentleman detective whose cases intersect with his search for rare treasures from all around the world. Created by Anthony Boucher and Denis Green (radio writers for Sherlock Holmes), Hood is a worthy addition to the world of radio sleuths. We'll hear "Death from the Red Capsule" (originally aired on Mutual on July 22, 1946) and "The Eloquent Corpse" (originally aired on Mutual on October 14, 1946).


    "The story you're about to hear is true..." Jun 03, 2017
    Show notes

    On June 3, 1949, Dragnet premiered on NBC and ushered in a new era of crime drama. Created by Jack Webb, the series dramatized actual cases of the Los Angeles Police Department and did so with radio's most realistic depiction of police procedure. Webb, in partnership with LAPD technical advisers, brought radio listeners deep into the world of the police with a matter-of-fact, underplayed style.

    Jack Webb himself was the chief innovator of that style as the no-nonsense Sgt. Joe Friday. Friday was a cop's cop, a determined public servant committed to keeping the streets of the city safe. Webb brought Dragnet to the big and small screens in the 1950s, and he resurrected the show for a late 1960s run.With its focus on the mechanics of crime-solving (including forensics, interrogation, and stake-outs) the influence of Dragnet can still be felt in police dramas today.

    During the shoot of He Walked By Night (1948), Webb struck up a friendship with the film's Los Angeles Police Department technical adviser, Sgt. Marty Wynn. The two discussed how police officers were depicted in films and on the radio and how far that portrayal strayed from the real day-in, day-out work of a policeman. Webb thought that a realistic representation of policework could be a hit. Convincing a network would prove to be tricky.

    NBC wasn't enthusiastic when Webb pitched them the series. Police shows were a dime a dozen on radio, and the network did not see the merits of adding one more to its schedule. Two things helped sell the series. The first was Webb himself, who in 1949 had returned to Pat Novak for Hire for a run over ABC's national network and was making a name for himself. The second was the network's recent loss of big stars like Jack Benny, Red Skelton, and George Burns and Gracie Allen to CBS in a raid of comedic talent. In need of programming, NBC commissioned an audition program. Webb and writer James Moser already had a script prepared, but they needed the cooperation of the Los Angeles Police Department. Without it, Webb couldn't hope to leverage the department's case files and official procedures. Then-Chief of Police Clemence B. Horrall granted permission with two conditions. First, the LAPD would get to okay the program's sponsors. Second, the department would not be portrayed in an unflattering light (as a result, certain practices - including allegations of department racism and corruption - were not addressed on the series).

    In the program's first years, Barton Yarborough co-starred as Sgt. Ben Romero, Friday's partner on the force. When Yarborough passed away unexpectedly in 1951, Friday was partnered with a handful of officers before being paired with Frank Smith (voiced by former child actor Ben Alexander). Friday and Smith would remain on the job through the end of the radio series and on into the television run.

    Webb said goodbye to Dragnet to focus on his production company and his work as a producer of new shows. In the 1960s, however, he worked with NBC to revive the series for a four season run. At the time, Ben Alexander was unavailable and actor Harry Morgan (Col. Potter on M*A*S*H*) played Friday's new partner Bill Gannon. Another revival was planned for the early 1980s but was scrapped when Webb passed away. The man who had done so much to change the perception of police officers was honored by them; Joe Friday's badge number was retired and the LAPD flew its flags at half staff after Webb's passing. Since then, Dragnet has endured in reruns, remakes, and the style that Jack Webb took a gamble on nearly 70 years ago.


    Crack Open the Casebook Jun 03, 2017
    Show notes

    "Petri Wine brings you…The Casebook of Gregory Hood!"

    Sam Spade and Pat Novak weren't the only detectives to call San Francisco home during the Golden Age of Radio. But while they had the seedier sides of the city covered, Gregory Hood's beat brought him to the finest restaurants, swankiest nightclubs, and poshest museums of the city of the Golden Gate. Though not a hard-boiled, two-fisted detective, Gregory Hood had a keen eye and a knack for getting into trouble…even if his day job was imports and not investigations.

    Gregory Hood was an unlicensed, untrained detective, though he had an extensive knowledge of several fields including art, antiques, wines, and fine foods. While those may not be the qualities associated with a master sleuth, most of Hood's cases came to him in the course of his work, and they often involved an artistic angle. He had no fans on the police force; as an unlicensed amateur, he was even worse than a private eye butting in on their territory. However, he had a confidant and frequent partner in Sanderson "Sandy" Taylor, the attorney for Gregory Hood Importers and a close friend. Sandy was along for the ride to provide back-up (and to stand in as an audience surrogate when Hood explained how he'd cracked the case).

    If the relationship between Greg and Sandy sounds similar to the partnership between Sherlock Holmes and Dr. Watson, it's no coincidence. The Casebook of Gregory Hood was the brainchild of Anthony Boucher and Dennis Green, the scriptwriters for The New Adventures of Sherlock Holmes starring Basil Rathbone and Nigel Bruce as a summer replacement for Holmes and Watson. Hood and Holmes shared not only writers, but also a sponsor (Petri Wine - "the family that took time to bring you good wine"); an announcer (actor and occasional pitchman Harry Bartell); and a format where the announcer would visit the characters and hear about their latest adventure.

    As an unofficial detective, Gregory Hood usually came by his cases by accident. Dinner parties ended in murder; rare antiques were stolen; and one mystery began when Greg and Sandy were on a camping trip in the mountains. In the episode we'll hear this week, pulling over to aid a man in distress on the side of the road lands Hood in a murder case.

    Radio's first Gregory Hood was Gale Gordon, an actor better known today for his comedic chops than dramatic roles. He played Mayor LaTrivia on Fibber McGee & Molly; Mr. Scott, the sponsor's representative on The Phil Harris-Alice Faye Show; and most famously the stuffy Principal Osgood Conklin on Our Miss Brooks. Gordon co-starred on My Favorite Husband, the radio show that spawned I Love Lucy on television. He was Lucille Ball's first choice to play Fred Mertz, but his commitment to the Our Miss Brooks TV series cost him the job. He'd go on to work with Ball in her later TV shows The Lucy Show (as her harried boss, Mr. Mooney), Here's Lucy, and Life with Lucy. Gordon was a master of the comedic slow burn, and he may not be the first name that springs to mind when you think of a radio detective. But in addition to those laugh roles, he starred as The Whistler on radio, and he was the first actor to portray Flash Gordon on the air. Gordon could convey the sophistication and charm of Gregory Hood, but he could also get across the resolve and determination to close a case. Like Jackson Beck's Philo Vance, Gregory Hood was a man who appeared deceptively harmless to his enemies only to later reveal a sharp mind and a nose for information.

    Gordon played Gregory Hood for the first 17 episodes of the program. During that run, Sandy Taylor was played by several actors, including Bill Johnstone (Lt. Guthrie of The Line-Up) and Howard McNear. When Gordon stepped out, Elliott Lewis assumed the title role. Lewis was still a few years away from directing Broadway is My Beat and Suspense. He was about to begin his role of ne'er-do-well sidekick Frankie Remley on The Phil Harris-Alice Faye Show; ironically, his Remley and Gordon's Scott would frequently feud on that program in what amounted to fights Gregory Hood had with himself. Lewis kept the role for the duration of the program's run on the Mutual network. The program came back for a 1950-1951 run on ABC with Jackson Beck and other actors taking on the role.

    Gregory Hood is a classic example of the gentleman detective, a character just as important to crime fiction as his hard-boiled brother. Pat Novak and Sam Spade covered the waterfront, but Gregory Hood could be counted on to detect the clues and crack the cases among society's upper crust.


    Episode 225 – Dashiell's Detectives (Suspense & Screen Guild Theatre) May 28, 2017
    Show notes

    In honor of Dashiell Hammett's birthday, we're saluting the master of hard boiled mystery with radio adaptations of two of his stories. First, Suspense – "radio's outstanding theater of thrills" – presents John Payne and Frank McHugh in the small-town murder mystery "Two Sharp Knives" (originally aired on CBS on June 7, 1945). Then, the big screen cast reunites for a radio recreation of The Maltese Falcon. Humphrey Bogart, Mary Astor, Peter Lorre, and Sydney Greenstreet star in this version from The Lady Esther Screen Guild Theatre (originally aired on CBS on September 20, 1943).


    Episode 224 - Burr in the Saddle (Pat Novak, Johnny Dollar, & Fort Laramie) May 21, 2017
    Show notes

    Before he achieved TV immortality as Perry Mason, Emmy Award-winner Raymond Burr could be heard on radio in a number of detective and crime dramas. In honor of what would have been the legendary actor's 100th birthday, we'll hear Burr in three of his old time radio performances. First, he's Inspector Hellman, the bull-headed thorn in the side of Pat Novak For Hire. Burr co-stars with Jack Webb in "Marcia Halpern" (originally aired on ABC on February 27, 1949). Then, Burr goes bad in "The Henry J. Unger Matter" (originally aired on CBS on July 20, 1950), an adventure of Yours Truly, Johnny Dollar starring Edmond O'Brien. Finally, we'll head west to hear Burr as Lee Quince, captain of cavalry, in "Playing Indian" (originally aired on CBS on January 22, 1956).


    Episode 223 - Pyramid Schemes (Rocky Jordan) May 14, 2017
    Show notes

    You can always find mystery and adventure at the Café Tambourine, the Cairo nightclub run by American ex-pat and amateur detective Rocky Jordan. Jack Moyles stars as Jordan, a combination Sam Spade and Rick Blaine who's trying to make an honest dollar in a den of thieves. Rocky investigates crimes and capers through the bazaars and back alleys of Cairo. We'll hear "The Big Ditch" (originally aired on CBS on June 19, 1949) and "Cairo Vendetta" (originally aired on CBS on August 14, 1949).


    Episode 222 - Ford Theater (Christopher London) May 07, 2017
    Show notes

    Glenn Ford travels the world as freelance private eye Christopher London, a radio detective with the international beat of a secret agent. The character was created by Erle Stanley Gardner, the author who gave the world Perry Mason, and had it not been for Ford's success on the silver screen, we might have had a long run of globetrotting adventures to enjoy. We'll hear Ford as London in "The Terrible Price of Sugar" (originally aired on NBC on February 26, 1950) and "The System – A Code for Murder" (originally aired on NBC on May 29, 1950).


    Episode 221 - The Wright Stuff (Sherlock Holmes & Pursuit) Apr 30, 2017
    Show notes

    A master of dialects and accents, the British-born Ben Wright appeared all over the dial during the Golden Age of Radio and he could convincingly play characters from all around the world. He usually worked in supporting roles, but he had time in the spotlight as two old time radio detectives. We'll hear him as Sherlock Holmes in "The Singular Affair of the Ancient Egyptian Curse" (originally aired on ABC on March 10, 1947). Then on Pursuit, he's Inspector Peter Black in an Armed Forces Radio Service rebroadcast of "Pursuit at the Vicarage."


    "There's just one way to handle the killers and the spoilers..." Apr 26, 2017
    Show notes

    One of radio's finest dramas rode into town on April 26, 1952 with the premiere broadcast of Gunsmoke. The series was created at the request of CBS president William Paley who wanted a "Philip Marlowe in the old West." After the idea kicked around without gaining any traction, producer/director Norman Macdonnell and writer John Meston developed their idea for a Western made for adults, without the simple "good guys vs. bad guys" feel of The Lone Ranger and other programs. Macdonnell and Meston created Gunsmoke, the story of US Marshal Matt Dillon - "the first man they look for and the last they want to meet." Dillon wasn't a white hat hero - he was a man trying to put his violent past behind him as he fought to keep the peace in Dodge City, Kansas.

    John Meston's writing was hailed by producer/director Macdonnell, and Meston would go on to write 183 radio episodes and 196 television episodes of Gunsmoke. Meston was keen to avoid the traits of the stereotypical western hero in his depiction of Dillon, saying "Life and his enemies have left him looking a little beat-up. There'd have to be something wrong with him or he wouldn't have been hired on as a United States marshal in the heyday of Dodge City, Kansas."

    William Conrad won the role of Dillon, and he gave the character a weary humor but an absolute fury when needed. Supporting Conrad was one of radio's greatest supporting casts. Parley Baer was Chester Proudfoot, Dillon's amiable deputy. Howard McNear was "Doc" Adams, the town physician with a ghoulish demeanor (and, as one episode revealed, a past in Richmond, Virginia involving a duel with a romantic rival). Georgia Ellis was Kitty Russell, proprietor of Dodge's Long Branch Saloon, as well as a friend, confidant, and lover of Matt Dillon. The relationship between Kitty and William Conrad's Matt Dillon was a key component of the show. Though her true profession was never explicitly stated on the show, in a 1953 interview, producer/director Norman Madconnell said "Kitty is just someone Matt has to visit every once in a while. We never say it, but Kitty is a prostitute, plain and simple." But their relationship was more than what it appeared to be. As Ellis herself said "There was no forgiveness to be given because I don't think Kitty was available to anybody but Matt."

    Supporting roles were filled out by some of the best actors in Hollywood radio, many of whom had worked with Macdonnell in other shows like Escape and Philip Marlowe - John Dehner, Larry Dobkin, Harry Bartell, Vivi Janiss, Jeanette Nolan, and more. The landscape of Dodge City and its saloons and jail cells was created by Ray Kemper. Kemper's sounds were as essential a part of that program's success as the acting and the writing. Dodge City came to life with the sounds generated by Kemper and his effects team. To create the sound of a beer being poured at the Long Branch Saloon, a warm can of soda was used. Old microphone cable was twisted together to make the sound of a man mounting his saddle. The sound men are often the unsung heroes of old time radio, and Ray Kemper was one of the finest.

    The series presented the grim realities of the west - sickness, death, loneliness - more than any program that came before. Matt Dillon wasn't an infallible hero; he struggled with doubt and disillusionment, and he didn't always get his man. the series paved the way for the new genre of mature Westerns on radio, and it spawned a television adaptation that ran for twenty seasons on CBS. The radio cast lobbied to reprise their roles, but the core characters were recast; even Norman Macdonnell was initially passed over for the TV show; he eventually came on board in 1956, and he guided the program to the number one rating from 1957 until 1961. Today, the radio Gunsmoke (which ran from 1952 to 1961) stands as one of the finest dramatic programs from the Golden Age of Radio.


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