Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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Following in the wake of other like-minded East Coast producers like Levon Vincent, Anthony Parasole and Fred P, Joey Anderson is the latest offering in a fresh load of artists hailing from New York. Like his predecessors the American reached a wider audience at a relatively late age, and also like those before him, Anderson can do a lot with very little. The art of omission is mastered by this techno stalwart, who quickly became a Dekmantel family member by both performing at our events and releasing an impressive album on Dekmantel Records. This 12th instalment to the Dekmantel podcast series sees a beautifully build up mix. As Joey proofed at his Panoramabar set in March, he warms up a crowd like no other. This mix starts of with some deeper tracks, examplarery for the New York sound Joey represents. Towards the end the podcast becomes more techno and features “1974” from his latest EP on the Dekmantel label.
As we head into our 11th podcast, we take a turn into a much more relaxed world. Before now we’ve offered you kaleidoscopic mixes, techno workouts, freaky house sessions and lots more besides, but here we ask you to cast your worries aside for three hours of absorbing ambient from Steffen Bennemann. Bennemann is a post-techno DJ, producer and label boss from Leipzig who co-founded the Holger label and who curates the Nachdigital festival. Often preferring to play long and extended sets that reach for kraut, IDM and plenty of celestial melodies, he is an expert in dark ambient, moody soundscapes and otherworldly recordings and in fact occasionally plays parties where people turn up with sleeping bags and lay down on the dance floor to relax. Steffen says many times people actually fall asleep and he plays to them for hours. And that’s just what you get on his immersive two hour podcast, which starts with a dreamy monologue, frog sounds and harmonic bell notes. As the session unfolds, it transports listens into dark, ominous worlds, blissed out and heavenly places that could be from the afterlife and plenty more emotionally swollen pockets of atmospheric sound. Combining the organic with the synthetic, modern classical with balearic chords, it’s a veritable trip.
Somehow we are already at number ten in our podcast series. This one is yet another special offering and it comes from Ø [Phase], aka Ashley Burchett. Burchett is a UK techno legend who has been doing his do for the past fifteen years. He has released most of his work on the Token label and it includes immersive full lengths such as Frames of Reference as well as tens of hugely consistent and always excellent EPs that go far beyond simple floor fodder. Atmosphere and tension, hypnotism and efficient sonic economy all characterise his singular output. Clocking in at just under 75 minutes, this one is for the heads: it starts off in supple, subliminal techno territory with distant drones and rubbery synths working you into a hypnotic state and then gradually unfolds through many different textures. Always rooted to a seductive and repetitive kick, this is a masterclass in control and restraint, in tension and balance, and it will keep you locked for the thrilling duration as a result.
The man behind our next podcast is something of a dance music godfather. He has been instrumental in the development of the West Coast electro scene in The Netherlands, is the founder of the much loved community radio station Intergalactic FM and runs a clutch of labels including Viewlexx and Murdercapital. He pioneered the electro sound and kick started a disco revival with his own productions, is behind a number of seminal mix compilations and DJs around the world, playing everything from Italo to cosmic, synth wave to horror sound tracks. Recently he made a rare new record on his own Viewlexx label under the Panama Brown alias (which is I-F and Legowelt together) and now he has served us up a sizzling new mix. Lasting just over two hours, the mix is a slick and seamless ride through many different genres. Rather than following one predictable arc, the moods and grooves seamlessly change gear through uplifting stuff, jacking stuff and vocal stuff from across the ages of house, techno and electro. A truly kaleidoscopic selection that finds I-F digging typically deep, this is a hugely enjoyable window into his unique musical world.
Our next voyage is into the vaults of Rahaan. The American has been building up his vast and varied collection of disco and electro and plenty of retro gold in between ever since the 80s. Starting out on his local and competitive scene in Chicago (play tapes, no less) Rahaan’s skills soon stood him out from the crowd and before long he began touring the world. Nowadays he is also a producer of some exceptional edits and originals for labels like Fourplay and remains one of the most unique DJs around. As you would expect from Rahaan, the podcast he serves up is full of joyous delights, disco bombs and classic vocal tracks all mixed together with a knowing hand. There are bumpy beats and serene strings, diva coos and atmospheric samples and never does your booty stop shaking throughout the 70 odd minute selection. So, stick it on and scare away those Monday blues in an instant, because this is a real heart warmer from Rahaan.
For podcast number seven we turn to the exceptionally talented German DJ that is Mick Wills. Rather than searching for the spotlight, Mick is DJ who cares only about the people dancing in front of him. He isn’t in this game to become a famous superstar headliner, he just wants to play records without a care in the world. And that is exactly what he does at knowing clubs around Europe. As a producer he has a small but perfectly formed discography with releases on International Deejay Gigolo Records, but it are his DJ skills that we focus on here. His two hour mix was recorded live at a Knekelhuis event at Amsterdam’s Studio 80 and starts off with some supple techno and intergalactic atmospheres before churning up his grooves with rough textures, kinked electro beats and tripped out acid jack. Getting deeper in the second half, the mix seamlessly transitions through many scenes and styles, taking listeners up, down and round and round in the process. Strap yourself in, then, and enjoy the ride. TRACKLIST 01 JEFF MILLS – Mass Elliptical Orbits 02 SWERE – Swere 03 TIN MAN – Detroit 04 LIIT – 33 05 JUNE - Direct Contact 06 SVENGALISGHOST – The Booth 07 CHEMOTEX – Yang Solution 08 I.B.M. - Kill Bill 09 PHUTURE – Phuture Jacks 10 THE MANIACS – Luv Eternal 11 SECTION 25 – Looking From a Hilltop 12 GALAXY TO GALAXY – Journey Of The Dragons 13 TENEBRE – Flashing 14 EL KID – We Need Mirrors (Vessel´s Psychosis Mix) 15 JEFF MILLS – Planet Receptors 16 ELEC PT. 1 – Acidmark (Mick Wills Remix) 17 GAVIN RUSSOM – Telemetry 18 X2 – Body Rhythm Science 19 JASS – Gates To Nowhere 20 THE MODE – Balance (M.W. Cut) 21 NGLY – SPEECHLESS TAPE (M.W. Cut) 22 D. EDWARDS – Untitled 3 (M.W. Cut) 23 UMBERTO – La Llorona (M.W. Cut) 24 NINE CIRCLES – Number Not Available (M.W. Extended Version) 25 JEFF MILLS – Mass Elliptical Orbits
Our next exclusive podcast comes from someone with a long and close relationship with Dekmantel: back in 2007 the mighty Aadvarck ('Varke', for his friends) headlined out first ever party. After 30 years on the decks and in the studio few do it better than this man, who has released on Skudge, Delsin, Rush Hour and together with Steven de Peven acquired quite a lot of attention with the Rednose Distrikt collective (which will see a very unique one-off come-back performance at Dekmantel Festival this summer). First and foremost he is a DJ though, as this mix - recorded during one of the final nights at Amsterdam's Trouw - proves. Over the years, Aardvark has dabbled in jungle and breaks, trip hop and broken beat, but nowadays it is fierce house and techno that he lays down. This mix starts with some soul infused house sounds before energetically switching up through piano jams, spangled techno, rave and retro. Never staying in one place for long, it is a lithe affair that fluidly flips the mood with every other record and keeps you on your toes throughout. Filled with new records and old records, classics and overlooked gems, this is a whirlwind two hour ride that will help you fly through Monday on a real high.
In just a short space of time and with but a few releases, Berlin based Brit Jay Donaldson has carved out his own house style. Referencing old school Chicago nostalgia whilst coming laden with analogue textures and jacked up beats, his sounds have come in the form of a couple of EPs on Lobster Theremin and are soon to be released on a debut EP for Dekmantel (out on March 16). His In Gold EP features three more spiritual house cuts with crisp percussion and elastic basslines, cosmic synths and heartfelt pads that have real purpose. Ahead of that, though, he serves up the next instalment in our podcast series. Starting with some deep, melodic house music the mix then smoothly transitions through some tropical sounding beats and painfully emotive vocal grooves that being to pick up the pace. Classics like No Smoke’s 1989 cut ‘Koro Koro’ then proves Palms Trax digs deep for his musical nuggets as he journeys through hip house, Latin inflected broken beat and more experimental and harder hitting fare in the final section. The style is considered and cerebral, the music is lush and evocative and the selections are brave and fresh. As such, this is a subtly stirring mix that will awaken your week in the nicest of ways.
After a couple of lesser spotted DJ stars, we now look to someone who has blown up in a very short space of time. Based in the Windy City, The Black Madonna has not only released some highly sought after, steamy disco-house 12”s on Argot, Stripped & Chewed and The Nite Owl Diner, but so too has she started making her mark as chief booker at Chicago’s famous Smart bar. As well as this, she has found time to lay down sets all across Europe and North America and this latest podcast proves why the opinionated feminist is so in demand. It is a kinetic and athletic mix that goes from deep and heady to jump up and jacking, from diva vocals to dazzling disco and one that both starts and ends with a fat bottomed reggae swagger. She says of the mix: ”I had so much fun doing this. I got snowed in at the house where all the guys from Stripped & Chewed live. We're lucky the electricity stayed on. There was a terrible blizzard here! So I just stayed there and recorded. It's the first time I DJed since my hearing came back too. I had a little audience trapped with me, so was a great time.”
Our podcast series now turns to the vast and much mythologised record collection of Detroit native Carlos Souffront. Carlos often doesn’t get the recognition he deserves, except from those in the know, who accept and understand that he is a gourmet selector who reaches for only the finest records. As likely to reach for ambient and post punk as he is indie rock, experimental, house or techno, Carlos is a key part of the Interdimensional Transmissions parties in his home town and reportedly has one of the most bad ass collection of acid records in all the world. The mix he turns in here is a freewheeling yet coherent round through many disparate sounds and scenes and needs to be heard to be believed.