Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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Whoever you are, and no matter what your musical preference, there is a good chance you have danced to a Kieran Hebden beat before now. The London man best known as Four Tet has done everything in his career, from glistening indie-licked electronica albums to pumping bass and garage mixes for Fabric via collaborations with Steve Reid and Burial, shows on NTS and plenty of club ready projects on his own Text label. We have long been a fan, and recently he played for us at Dekmantel Festival. The results were recorded and we present them to you here as our latest podcast. As you would expect, it is hard to put into words what the man aims for, and achieves, across the course of two hours, but suffice it to say it will surely be the most adventurous mix you hear for a while. From niche Indian music to classic house, dirty STL cuts to synthetic tech and Latin tinged funk, he stitches together a wild ride full of smooth left turns and dazzling curveballs that will make you want to loosen every limb in your body and shake till you drop. We already have done once back in early August, and now we surely will do again and again and again.
Intergalactic Gary is a Dutch DJ and producer who has many miles on his DJ clock. He first started plying his trade on the raw West Coast of the Netherlands back in the early nineties, where he would rock squat parties and amaze club crowds with his widescreen sets. Ever since then he has been a key player in the Dutch scene, is part of cult crew The Parallax Corporation and is never far away from a pirate radio station. As well as this, nowadays he is a regular on the European circuit at places like Panorama Bar and has long been a Dekmantel favourite. A real mix specialist who has put out countless official compilations over the years, Gary is behind the next podcast, which is a 3,5 hour live recording, for us and it is a typically well formed affair that takes us deep into his world. With more than a hint of the cosmic atmospheres you would expect of someone called Intergalactic Gary, his selection is a dark, moody one full of broken disco and whacked out electro. Shades of new wave, Italo and synth pop also colour the grooves he lays down, and the cumulative effect is an absorbing, slightly unsettling ride through fierce textures, prickly percussive patterns and otherworldly atmospheres.
Cameroonian father, Ukrainien mother, blessed with an innate swoop of energy and trained as classical, modern, hip-hop and salsa dancer: when analyzing the instaurations of William Kouam Djoko one can only conclude that the Amsterdam based artist is blessed with an enviable framework for a prosperous career in music. His vibrant appearance shows he’s an entertainer par excellence; Djoko is able to grab the attention of his audience instantly thanks to an unbridled onstage enthusiasm. In the 30th edition of the Dekmantel Podcast, Djoko demonstrates his versatility and unstoppable love for rhythm with a percussion-soked mix that will shake up your day.
Having shined a light on a number of lesser known DJs and producers, we now turn to one many people know and love: Mr Roman Flügel. The German producer has amassed a enviably varied discography over the last twenty years. With various different monikers from Acid Jesus to Eight Miles High, Warp69 to Alter Ego, he has turned out acid, techno, electro, IDM, artful electronic sounds and more unnamable genres beside. As well as co-founding three labels in Ongaku Musik, Klang Elektronik and Playhouse, he has released on Dial, Cocoon and Live At Robert Johnson, sis a veritable pillar of the global underground scene. The mix we have from him is a live recording of his set at Lente Kabinet from back in May 2015. As such it is a two hour ride through his singular sound that effuses colourful synth lines and kinked drums, at one moment gliding along an airy groove before then sinking down into a gritty and mechanical world of grinding gears and punchy kicks. Few DJs take as many risks, and pull them off as successfully as Flügel, so this is a real treat indeed.
In the week of our annual Dekmantel Festival, Swiss's finest Sassy J starts of the week just how it should. Combining the old and the new, there’s just one common denominator to her eclectic style of music she’s playing: soulfulness. Her versatility and technical skills come together in this mix, like we also witnessed in her Boiler Room performance she did for us in Barcelona. Her taste of good music brought her to places like Worldwide Festival, London's Plastic People and let her release a mixtape on The Trilogy Tapes. Besides her own DJ career she invites the top of the notch to her own Patchwork parties in Bern (Theo Parrish, Steve Spacek, Rednose Distrikt, and MF DOOM to name a few). On top of that, she makes custom clothes like sweaters and shirts featuring Nina Simone, Larry Levan, and Sun Ra.
The Netherlands has no shortage of celebrated DJs and producers, but now it is time to shine a light on one that is deserving of a much wider audience. Amsterdam’s Interstellar Funk is a young record hound and talented producer who loves real melody in his music. He releases on (and works at) Rush Hour and has put his textured sounds out on his own Tape Records label - it ranges from slow and absorbing to more urgent and physical, and his DJ sets are just as brave and far reaching. As a former Trouw resident, Interstellar Funk reaches far and wide for the records that make up his DJ sets. This tight one hour selection proves that as it transitions through cosmic melodic jams to corrugated electro and deep acid house. It makes for a mix that operates in a rich synth galaxy full of space dust and retro-future nostalgia. So, enjoy his absorbing mix and then get ready for his debut track on the Dekmantel label, a contribution to the Patta x Dekmantel compilation.
As London based Call Super is making his Dekmantel debut this summer, we figured it made sense to ask the man for a Podcast. Call Super’s highly distinctive productions and DJ-sets articulate a sense of otherness - a hazy, amorphous aesthetic that’s largely divorced from functional ‘dancefloor’ obligations, and all the better for it. With Suzi Ecto, his debut album from 2014, he has crafted an unconventional and absorbing record and continued to refine a style of music making that defies worthwhile comparison. Just like this, his Dekmantel Podcast is an engaging adventure into different niches of electronic music supplemented with some worldy tunes.
Dekmantel Podcast 25 stars not just one fine artist, but offers both Amsterdam don Young Marco and French forerunner Gilb'R. The two played a stunning back to back set in the end of May at this year's Lente Kabinet, Dekmantel's sister festival based in the surroundings of Amsterdam. This podcast is a recording of that set as it was played at a lively Red Light Radio stage. Young Marco and Gilb'R pairing up for a great session of playing energetic, unheard gems, seems a very logical thing to do as both men have their roots in record digging and producing out of the ordinary house music.
As any proper techno fan will know, Sterac is an alias of the legendary Dutch man Steve Rachmad and it has been since the 90s. Over the years, Sterac has been responsible for some classics of the genre (including the peerless album Secret Life of Machines), and recently he has been back working under the moniker on labels like Klockworks, Delsin and Mote Evolver. He also records as Sterac Electronics, however, an ever lesser used alias that is more focussed on electro sounds. As Sterac and Sterac Electronics his output joins the dots between Detroit and the Netherlands, both in the studio and the DJ booth. This podcast comes from Sterac Electronics in the wake of Dekmantel relaxing a short documentary about Steve, his musical taste, influences and views on DJing, and just ahead of him playing the Selectors stage at the festival later in the year. Watch that short film here (http://dkmn.tl/1HrAY5k), just before you tuck into his dazzling mix. Starting with some glittery disco, the summery selection then dips its toe into frazzled 80s synths, dancing arps, tooting trumpets and the sweetest of vocal tracks. It’s jammed packed with floor filling gold from the disco world and is an impressive detour from the techno sound most people know him for. Stick this one on and it is sure to get your hips moving and your mouth smiling.
William Burnett is a man of many guises who has been around for many years. He produces under a number of different names, from Willie Burns to The Speculator, makes cult movies with Legowelt, releases on LIES, The Trilogy Tapes and Creme Organisation and also runs his own W.T Records. As well as this he manages a famous record store, spends much of his time digging deep for new dance floor dynamite and also has his own regular radio show. All this means his DJ sets are well informed things that explore plenty of musical ground. The mix he serves up for us wastes no time in getting you going: hurried house kicks obscured in coarse claps and lo fi textures sets an abrasive mood which is punctuated with all manner of witchy squeaks and kicks, sirens and rave stabs. Things then effortlessly flit between serene electro, jumbled broken beats, churchy ambiance, wonky off beat dub and 80s synth wave sounds. Frankly, it’s a brave and daring mix that successfully attempts huge stylistic transitions not many other DJs would, and for that reason alone it deserves your attention.