Film Reviews

Critical Darlings

Welcome to Critical Darlings: a podcast about the movies everyone is talking about, one new release after another.

Every week, critics Richard Lawson and Alison Willmore cover the latest film driving the conversation—from big summer blockbusters to festival favorites, buzzy streamers, and major awards contenders. New episodes every Thursday.

We’re a Blank Check Production! To catch up on our first miniseries covering the 2026 Oscars season, check out Blank Check on Apple Podcasts, Spotify, or wherever you listen. Stick around on this feed for new episodes going forward.

Produced by Benjamin Frisch

Subscribe to Richard’s newsletter, ⁠⁠Premiere Party,⁠⁠ and read Alison’s work ⁠⁠at Vulture.

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Latest Episodes:

Critical Darlings Trailer Mar 16, 2026

Show notes

Welcome to Critical Darlings, where critics Richard Lawson and Alison Willmore cover the latest film driving the conversation—from big summer blockbusters to festival favorites, buzzy streamers, and major awards contenders. New episodes every Thursday.

Produced by Benjamin Frisch

Subscribe to Richard's newsletter, ⁠⁠Premiere Party,⁠⁠ and read Alison's work ⁠⁠at Vulture.⁠⁠

Follow @blankcheckpod on ⁠⁠Twitter⁠⁠, ⁠⁠Instagram⁠⁠, ⁠⁠Threads⁠⁠ and ⁠⁠Facebook⁠⁠!

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"One Battle After Another" And Oscar Predictions with David Sims Mar 12, 2026

Show notes

What time is it? It’s time to study the revolutionary texts with David “Rocketman” Sims! On our last episode before The Oscars, we’re talking about One Battle After Another, Paul Thomas Anderson’s epic about parental legacy, revolutionary identity, and a dad trying to charge his Goddamn phone. But first we reflect on the influx of last-minute Oscar narratives, before getting into One Battle After Another’s plot and politics, sidebar on Leonardo DiCaprio’s legacy at the Oscars, and finally give our official Critical Darlings Oscar Predictions for Sunday’s ceremony. Read more about Richard’s predictions at ⁠Premiere Party,⁠ See you on the other side!

Subscribe to Richard's newsletter, ⁠Premiere Party,⁠ and read Alison's work at ⁠Vulture.

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"Sinners" And The Academy’s Growing Genre Acceptance with Sam Sanders Mar 05, 2026

Show notes

This week we’re joined by Sam Sanders of The Sam Sanders Show to discuss Sinners, the most nominated film in Academy Awards history. With sixteen nominations across directing, writing, music, and acting categories, Sinners is a somewhat surprising record breaker, as genre films, especially films with horror elements, are rarely awarded by The Academy.

On this episode we discuss the film, why it was able to break through, if Sinners counts as a genre film; and if so, what genre it represents. We also get into what effect the Warner Bros. Paramount merger might have on the Oscars, the film’s blunt sexuality, Michael B. Jordan’s double act, and what to make of the film's coda. Finally, Sam makes an impassioned case for Sung Song Blue and Kate Hudson’s nominated performance.

Check out Sam’s interviews with Kate Hudson, as well as some of the cast and crew of Sinners on ⁠The Sam Sanders Show.

Subscribe to Richard's newsletter, ⁠Premiere Party,⁠ and read Alison's work at ⁠Vulture.

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"Sentimental Value" And Belated Oscar Breakthroughs with Joe Reid Feb 26, 2026

Show notes

This week we’re in hygge mode, uncovering traumas in our generational home with the host of This Had Oscar Buzz, Joe Reid! One of the breakout Oscar films of the year is Joachim Trier’s Sentimental Value, a warm, realist Norwegian film about a difficult but brilliant director (Stellan Skarsgard), his two daughters (Renate Reinsve and Inga Ibsdotter Lilleaas), and an American actress cast in the auteur’s new film (Elle Fanning). All four performances earned Oscar nominations, along with nominations for Best Picture, Best International Feature, Best Film Editing, and Best Original Screenplay.

Sentimental Value also highlights a recurring phenomenon in Hollywood, wherein the Academy will pass over a director’s breakout film but shower the follow-up with nominations. In Trier’s case, his previous film The Worst Person in the World received nominations for Best International Film and Original Screenplay but, in our opinion, deserved many more. We try to break down how and why this happens, whether films about filmmaking have an innate appeal to Oscar voters, how Fanning’s star power helps bridge the international gap for voters, and the film itself, including its deft intermingling of artistic expression and sublimated generational trauma.

With Joe's guidance, we also check in on some of the Oscar-buzziest films of the year that didn't pan out, check in on the state of the acting category race and some potential upsets, and celebrate The Secret Agent's breakout star Tânia Maria and her new role as Burger King spokeswoman.

Subscribe to Richard's newsletter, ⁠Premiere Party,⁠ and read Alison's work ⁠at Vulture.

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"The Secret Agent" And The Increasingly International Academy Feb 12, 2026

Show notes

Viva Brazil! Today we discuss Best Picture nominee The Secret Agent, the simmering, colorful Brazilian thriller about a man on the run, starring the dreamy Wagner Moura and directed by Kleber Mendonça Filho. The story, about retaining personal and political memory under authoritarianism, has proven resonant with an international audience and awards bodies, garnering three additional Oscar nominations for Best International Feature, Best Casting, and Best Actor for Moura. On this episode, we discuss The Secret Agent itself, how it fits into and subverts the tropes of international films at the Oscars, the Eurovision-like process for international nominations, check in on the Berlin Film Festival, and do a very special Il Postino corner.

Subscribe to Richard's newsletter, ⁠Premiere Party,⁠ and read Alison's work at ⁠Vulture.

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"Frankenstein" And The Craft Category Juggernauts with Bilge Ebiri Feb 12, 2026

Show notes

This week we’re brooding, Victorian style, with Vulture’s Bilge Ebiri! Guillermo del Toro’s Frankenstein is a Best Picture nominee and is well represented in the craft categories, but it has only one acting nomination, for Jacob Elordi’s hulking monster. It’s of a piece with past craft-heavy Oscar contenders like Dune or The Lord of the Rings, but does Frankenstein actually stand a chance? We discuss the film itself, its lavish sets and costumes, del Toro’s choice to center the monster as the hero, and how that decision reshapes the monster’s opposite, Victor, played by Oscar Isaac.

We also touch on the new Wuthering Heights, also starring Jacob Elordi, the history of Wuthering Heights adaptations, the shameless state of celebrity Super Bowl ads, and finally atone for our past sins, as Bilge defends previous subjects Train Dreams and Hamnet against our critiques. As it turns out, we were the monster all along.

Subscribe to Richard's newsletter, ⁠Premiere Party,⁠ and read Alison's work ⁠at Vulture.

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"Bugonia" And The (Oscar) Favourites with Marie Bardi-Salinas Feb 05, 2026

Show notes

Honey, we’re buzzing about Bugonia with Marie Bardi-Salinas! The movie surprised us with its appeal to Oscar voters, but maybe it shouldn’t have: Director Yorgos Lanthimos and star, frequent collaborator Emma Stone, have proven themselves Oscar favorites with strong showings from their past films, especially The Favourite and Poor Things.

We discuss the film, but first, a Sundance report from Richard before digging into Lanthimos and Stone’s history with the Oscars, and why this somewhat prickly, political movie succeeded with the Academy despite a relatively weak showing upon release. Then we discuss the movie itself, get into spoilers, the future of the Stone-Lanthimos collaboration, and finally discover whether or not Richard is an Andromedan.

Subscribe to Richard's newsletter, ⁠Premiere Party,⁠ and read Alison's work at ⁠Vulture.

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"Train Dreams" And Netflix’s Quest For Best Picture Jan 29, 2026

Show notes

On today’s show, Richard and Alison hop on a boxcar and stare wistfully as the 20th century passes them by with Best Picture nominee Train Dreams. They discuss director Clint Bentley’s lush, if somewhat sanded-down take on Denis Johnson’s novella about a lumberman haunted by his past, starring a very quiet Joel Edgerton.

Train Dreams is one of Netflix’s Best Picture nominees this year, but the film was not an original production. It was acquired by the streamer at last year’s Sundance Film Festival. On the occasion of this year’s festival (which is happening as we speak) we also discuss how Sundance works, and what, exactly gives a movie that ineffable Sundance flavor we have come to associate with small-scale American indies like Little Miss Sunshine.

We also discuss Netflix’s seemingly endless quest to win Best Picture, why the Academy is so resistant to giving them the big prize, and why the most popular streamer in the world is so desperate for Academy validation in the first place.

Subscribe to Richard's newsletter, ⁠⁠Premiere Party,⁠⁠ and read Alison's work ⁠⁠at Vulture.

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"The 2026 Oscar Nominations" And Also Some Talk About "F1" Jan 22, 2026

Show notes

It’s Hollywood’s biggest morning! Join Richard and Alison (plus a vacationing Producer Benjamin Frisch) as they pick apart the biggest snubs and surprises of the year: Sinners breaking the all-time nominations record! The Secret Agent surging out of Neon’s international power lineup! The complete collapse of would-be frontrunner Wicked: For Good! Plus we take a conversation detour with Apple’s F1, the surprise blockbuster pulling up the rear amongst the Best Picture lineup finds alongside Train Dreams, Frankenstein, Marty Supreme, Bugonia, Sentimental Value, Hamnet, and One Battle After Another in the Best Picture category despite being a popcorn racecar movie about Brad Pitt going fast vroom vroom.

Subscribe to Richard's newsletter, ⁠Premiere Party,⁠ and read Alison's work at ⁠Vulture.

⁠Follow Critical Darlings on Instagram⁠⁠

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"Hamnet" And The History Of Oscar Villains with David Sims Jan 15, 2026

Show notes

This week, we’re joined by David Sims as we orbit the Golden Globes and their Best Drama winner, Chloé Zhao’s Hamnet. In the vibes-based reality of awards season predictions, Hamnet has emerged as a potential spoiler to the season’s other favorites, including Paul Thomas Anderson’s One Battle After Another and Ryan Coogler’s Sinners. But what, exactly, makes something an Oscar villain? We also get into the film itself, the historical Shakespeare, why people are weird about Chloé Zhao, and our predictions for next week's Oscar nominations.

Subscribe to Richard's newsletter, ⁠Premiere Party,⁠ and read Alison's work ⁠at Vulture.⁠

⁠Follow Critical Darlings on Instagram⁠⁠

Learn more about your ad choices. Visit megaphone.fm/adchoices