Stay ConnectedCollider Ladies Night puts the spotlight on the need-to-know female voices in Hollywood through an entertaining, in-depth conversation. Who’s on the rise? Who’s changing the industry for the better? Collider.com senior producer Perri Nemiroff sits down with these standout forces to cover their journey from early influences, current projects, and beyond.
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As we often talk about on Collider Ladies Night, every path in this business is different, and those paths often evolve along the way. That’s exactly what happened to The White Lotus’ Haley Lu Richardson.
Richardson plays Portia on Season 2 of the hit HBO show. This time around, creator, writer and director Mike White takes the luxury, overindulgence, and often awful behavior to a White Lotus resort in Taormina, Sicily. The only main character from Season 1 to bounce from one getaway to the next is Jennifer Coolidge’s Tanya McQuoid, and this time around, she's bringing her assistant, Richardson’s Portia, along for the ride.
With The White Lotus well into its Season 2 run, Richardson joined us for an episode of Collider Ladies Night to revisit her early Disney and Nickelodeon ambitions and to discuss how she went on to build a filmography packed with bold genre movies, touching romantic dramas, independent gems, and spicy satire with The White Lotus.
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The Collider Ladies Night sub-series, Collider Ladies Night Pre-Party, was made for creators like Nikyatu Jusu. It’s designed to put the spotlight on promising filmmakers in the early stages of their careers who deliver so big with a new project that their star is bound to soar. Mark my words; that will happen for Jusu and this industry is better off for it.
After winning the HBO Short Film Competition at the American Black Film Festival with Flower, earning a Short Film Grand Jury Prize nomination at the Sundance Film Festival for Suicide by Sunlight (which I highly recommend watching right here), and finding other success in the short film format, Jusu finally got the go-ahead for her feature directorial debut, Nanny. Anna Diop leads as Aisha, a Senegalese woman living in New York City who starts a new job caring for the daughter of Michelle Monaghan’s type-A working mom. The hope? That gig will give her the resources she needs to bring her own son, Lamine, to the US. However, the more Aisha works, the more she’s haunted by a violent presence threatening to destroy her American dream.
With Nanny now playing in select theaters and due out on Prime Video on December 16th, Jusu took the time to follow up our 2022 Toronto International Film Festival conversation with an episode of Collider Ladies Night Pre-Party to offer additional insight into exactly what it took to get her first feature off the ground.
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As a big believer that Taylor Russell is one of the best actors of her generation, it was the ultimate treat to have her on an episode of Collider Ladies Night. Her star soared courtesy of the Escape Room franchise, she was named Breakthrough Actor of 2019 at the Gotham Awards for her work in Waves, and now she delivers one of the very best performances of 2022 in Luca Guadagnino’s Bones and All opposite Timothée Chalamet.
Russell plays Maren in the film, a young woman who was born an “eater,” someone who needs to consume human flesh. Due to this hereditary condition, Maren’s forced to live an isolated life on the outskirts of society. But, the same is true for Chalamet’s Lee and once they find each other, there’s a glimmer of hope that they indeed deserve love and have a place in this world.
With Bones and All now playing in theaters nationwide, Russell joined us for a Collider Ladies Night chat to revisit her journey from The Mummy fan to becoming one of the most promising talents in this business.
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It may have taken Hong Chau longer than she would have liked for consistent opportunities to come her way, but it’s happening now and she’s proving that this industry should have taken notice far sooner.
In her latest release, Mark Mylod’s The Menu, she’s a one-of-a-kind force as Elsa, the restaurant captain at Chef Slowik’s (Ralph Fiennes) secluded and very exclusive dining experience at Hawthorne. His new round of guests is an extra special one, destined for a meal they’ll never forget. While Elsa has a firm handle on the entire operation, she encounters an unexpected hiccup — Anya Taylor-Joy’s Margot, the only guest who’s suspicious of the unusual chain of events and tension coursing through them. Allowing Margot to disrupt the plan for the evening is not an option for Elsa.
With The Menu now playing in theaters and Chau’s next movie, The Whale, due out on December 9th, she joined us for an episode of Collider Ladies Night Pre-Party to explain how she reached a point where she regularly scores stellar projects that speak to her personal interests and goals in film and television.
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The John Ajvide Lindqvist novel, Let the Right One In, already has one downright phenomenal big screen adaptation and a rock solid American remake. Is it really possible for the source material to go three for three on screen? Five episodes into Showtime’s Let the Right One In series, it looks that way.
The show has a number of key characters to track. Most closely associated with the original story is Ian Foreman’s Isaiah and Madison Taylor Baez’s Eleanor. Isaiah’s a young kid who struggles to make friends and often finds himself face-to-face with bullies. However, hope comes in the form of a new neighbor, Eleanor, a girl who appears to be about the same age. But, little does Isaiah know, Eleanor is actually a vampire and her father (Demián Bichir) spends much of his time figuring out how to feed her.
Meanwhile, we’ve got Grace Gummer’s character Claire, a brilliant scientist building a promising career who’s forced to choose between that current work and her family when her estranged and ailing father calls with a very unusual request. Arthur Logan (Željko Ivanek) wants Claire to continue his search for a cure for her brother (Jacob Buster) who has also been turned into a vampire.
With Let the Right One In well into its Season 1 run, Gummer took the time to join us for an episode of Collider Ladies Nightto revisit the path she took to make her way to the new show.
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Heather Langenkamp is a horror icon courtesy of her work as Nancy in A Nightmare on Elm Street. When you strike gold with an opportunity like that, it’s hard to imagine ever finding another role that’s on that same level. Langenkamp even said as much; “I knew nothing could be as good as Nancy. I've always felt that as a teenager and as a woman who grew up looking for good roles, it was really hard to find roles as good as that one.” But, then The Midnight Club came her way. She continued, “Except for now. I really feel like I found a role that's just as good as Nancy.”
Langenkamp plays Dr. Georgina Stanton in The Midnight Club on Netflix. She runs Brightcliffe, a hospice for terminally ill young adults. Dr. Stanton insists on giving her residents the trust, care, and support they need to “focus on living instead of fighting.” She understands some come to Brightcliffe leaning into unorthodox remedies and doesn’t judge them for it, but it’s the one that her newest resident, Iman Benson’s Ilonka, falls into that does become quite concerning.
While celebrating the show’s big debut at New York Comic Con, Langenkamp took the time to join us for an episode of Collider Ladies Night to revisit her journey from becoming a genre legend via A Nightmare on Elm Street to joining the cast of Mike Flanagan’s latest Netflix series.
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David Gordon Green’s Halloween trilogy may be coming to a close for Andi Matichak with Halloween Ends on October 14th, but between her work ethic, passion, and lessons learned from the legendary Jamie Lee Curtis,Matichak is bound to make the most of even more big screen opportunities moving forward.
A first lead role in a Hollywood feature doesn’t get much bigger than this — playing Laurie Strode’s (Curtis) granddaughter in a Halloween film. Four years later, Matichak has starred opposite Curtis in three Halloween installments, with Halloween Ends marking an especially big shift for her character. In the 2018 film, an innocent and unknowing Allyson came face to face with her grandmother’s boogeyman, Michael Myers. Then in Halloween Kills, she was inspired to step up and join the fight to take him down, losing her mother, Karen (Judy Greer), in the process.
Halloween Ends begins four years after that blood-soaked encounter. Allyson’s built a life with her grandmother and works as a nurse in Haddonfield. Both seem to be in a good place given the horrors they’ve survived, but their situation becomes quite complicated when Corey Cunningham (Rohan Campbell) steps into their lives. He was accused of killing the boy he was babysitting on Halloween night in 2019 and now, even though he was acquitted, he’s still a town pariah. Initially, Laurie is eager to help Corey when he’s bullied and is in favor of the budding romance brewing between him and Allyson, but then something changes. Laurie notices something concerning in this local outcast, but despite her warnings, Allyson opts to pull away from her grandmother and veer toward Corey instead.
With Halloween Ends hitting theaters and Peacock on October 14th, Matichak took the time to join us for an episode of Collider Ladies Night Pre-Party to revisit her journey to one of the most iconic horror franchises of all time.
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Ghostsmarks Danielle Pinnock’s very first series regular role. If you’ve seen even a single episode of the downright delightful CBS show, you’re well aware she’s making the most of the opportunity and that there’s just no better actor for the role of Alberta.
Ghosts is an absolute must-see, one of the best new comedy series in recent years, but just in case you’re a little late to the game, we've got a primer for you; the CBS show is an adaption of the British series of the same name. In this version, Rose McIver and Utkarsh Ambudkar play Sam and Jay, a couple that inherits Woodstone Mansion and hope to turn the property into a B&B.
While getting settled, Sam suffers a bad fall and when she comes to, she realizes she can now see Ghosts and that her new home has a whole bunch of them, including Pinnock’s Alberta, a Prohibition-era jazz singer who’s convinced she was murdered.
With Ghosts Season 2 now underway, Pinnock took the time to join us for an episode of Collider Ladies Night Pre-Party to discuss her journey to shining in her very first series regular role.
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Mia Goth has been quietly amassing one of the most exciting filmographies out there for the last 10 years. Until now, that is. She’s delivered standout supporting performances in films like The Survivalist, A Cure for Wellness, Suspiria, and more, but Ti West is the first to fully embrace the powerhouse she is and send her star soaring in a big way by releasing not one but two features in a single calendar year with Goth as the headliner, X back in March and now the prequel film, Pearl.
Even after having worked with some of the most iconic directors in the industry like Lars von Trier, Gore Verbinski, and Luca Guadagnino, it wasn’t until X that Goth finally got her first lead role in a feature film. One film quickly, or rather immediately, became two when inspiration struck and West got the OK from A24 to film not one, but two movies within the same series. First up would be X in which Goth starred as Maxine, a young woman with big dreams, and also as Pearl, an older woman struggling to cope with the fact that the opportunity to seize her own dreams is long gone. After filming that 1970s-set film, it was back to 1918 to create Pearl’s origin story.
A young Pearl is desperate to become a star, but her current circumstances make it very difficult for her to go after what she wants most. While her husband (Alistair Sewell) is off fighting in the war, Pearl is stuck at home caring for her catatonic father (Matthew Sunderland) and doing chores around the farm to appease her extremely strict and stern mother (Tandi Wright) who has absolutely no time for Pearl’s ambitions. Before long, Pearl’s mounting frustration with her situation and ache to become a star spark violent outbursts that tease the women she’s become in X.
While in Toronto celebrating the North American premiere of Pearl at TIFF 2022, Goth took the time to join us for an episode of Collider Ladies Night to revisit her journey from modeling as a teenager to becoming an actor who consistently picks riveting, bold, and truly unforgettable projects to work on.
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If you’re looking for a good example of someone who put in the work and experienced a steady climb to #1 on the call sheet, look no further than Abigail Cowen. While she has worked on a number of projects outside of Netflix, if you look at her work for the streamer alone she went from having a few lines in Stranger Thingsto scoring a supporting role in The Chilling Adventures of Sabrina where Kiernan Shipka showed her what it means to headline a series, and now Cowen is doing just that starring as Bloom in Fate: The Winx Saga.
Just in case you need a little Winx 101, the Netflix series was inspired by the Nickelodeon animated series, Winx Club. In the live-action version, Cowen’s Bloom is a teenager from Earth (aka the First World) who discovers that she’s actually a fire fairy. She’s sent to the Otherworld where she’s enrolled at Alfea, a boarding school dedicated to teaching fairies how to master their powers.
Bloom’s thrown into the deep end, to say the least, in Season 1, needing to absorb a hefty dose of very serious Otherworld history and being tasked with accessing her full power in order to save Alfea from total destruction. However, in the process of doing that, she changes the state of the school quite drastically. When class is back in session in Season 2, Bloom needs to own up to what she’s done and figure out her place within that situation, all while dealing with an emerging threat connected to missing fairies.
With Fate: The Winx Saga Season 2 now available to stream on Netflix, Cowen joined us for an episode of Collider Ladies Night to recap her journey from her earliest itches to act to headlining a popular Netflix show.
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