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    Arts

    Classic Poetry Aloud

    Classic Poetry Aloud gives voice to poetry through podcast recordings of the great poems of the past. Our library of poems is intended as a resource for anyone interested in reading and listening to poetry. For us, it’s all about the listening, and how hearing a poem can make it more accessible, as well as heightening its emotional impact.
    See more at: www.classicpoetryaloud.com

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    Latest Episodes:
    Piano by DH Lawrence May 01, 2008
    Show notes

    Lawrence read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Piano by DH Lawrence (1885 – 1930) Softly, in the dusk, a woman is singing to me; Taking me back down the vista of years, till I see A child sitting under the piano, in the boom of the tingling strings And pressing the small, poised feet of a mother who smiles as she sings. In spite of myself, the insidious mastery of song Betrays me back, till the heart of me weeps to belong To the old Sunday evenings at home, with winter outside And hymns in the cosy parlour, the tinkling piano our guide. So now it is vain for the singer to burst into clamour With the great black piano appassionato. The glamour Of childish days is upon me, my manhood is cast Down in the flood of remembrance, I weep like a child for the past.


    Loveliest of Trees by AE Housman Apr 30, 2008
    Show notes

    Housman read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Loveliest of Trees by AE Housman (1859 – 1936) Loveliest of trees, the cherry now Is hung with bloom along the bough, And stands about the woodland ride, Wearing white for Eastertide. Now, of my threescore years and ten, Twenty will not come again, And take from seventy springs a score, It only leaves me fifty more. And since to look at things in bloom Fifty springs are little room, About the woodlands I will go To see the cherry hung with snow.


    The Dalliance Of The Eagles by Walt Whitman Apr 29, 2008
    Show notes

    Whitman read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Dalliance Of The Eagles by Walt Whitman (1819 – 1892) Skirting the river road, (my forenoon walk, my rest,) Skyward in the air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, In tumbling turning clustering loops, straight downward falling, Till o'er the river pois'd, the twain yet one, a moment's lull, A motionless still balance in the air, then parting, talons loosing, Upward again on slow-firm pinions slanting, their separate diverse flight, She hers, he his, pursuing.


    The Moon by Percy Bysshe Shelley Apr 29, 2008
    Show notes

    Shelley read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Moon by Percy Bysshe Shelley (1792 – 1822) I And, like a dying lady lean and pale, Who totters forth, wrapp'd in a gauzy veil, Out of her chamber, led by the insane And feeble wanderings of her fading brain, The mood arose up in the murky east, A white and shapeless mass. II Art thou pale for weariness Of climbing heaven and gazing on the earth, Wandering companionless Among the stars that have a different birth, And ever changing, like a joyless eye That finds no object worth its constancy?


    The Rhodora by Ralph Waldo Emerson Apr 28, 2008
    Show notes

    Emerson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Rhodora by Ralph Waldo Emerson (1803 – 1882) On Being Asked Whence Is the Flower In May, when sea-winds pierced our solitudes, I found the fresh Rhodora in the woods, Spreading its leafless blooms in a damp nook, To please the desert and the sluggish brook. The purple petals, fallen in the pool, Made the black water with their beauty gay; Here might the red-bird come his plumes to cool, And court the flower that cheapens his array. Rhodora! if the sages ask thee why This charm is wasted on the earth and sky, Tell them, dear, that if eyes were made for seeing, Then Beauty is its own excuse for being: Why thou wert there, O rival of the rose! I never thought to ask, I never knew: But, in my simple ignorance, suppose The self-same Power that brought me there brought you.


    Milton! by William Wordsworth Apr 26, 2008
    Show notes

    Wordsworth read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to the poetry of the past. --------------------------------------------------- London, 1802, Sonnet CCXIII by William Wordsworth Milton! thou shouldst be living at this hour: England hath need of thee: she is a fen Of stagnant waters: altar, sword, and pen, Fireside, the heroic wealth of hall and bower, Have forfeited their ancient English dower Of inward happiness. We are selfish men: O raise us up, return to us again; And give us manners, virtue, freedom, power. Thy soul was like a Star, and dwelt apart: Thou hadst a voice whose sound was like the sea, Pure as the naked heavens, majestic, free; So didst thou travel on life's common way In cheerful godliness; and yet thy heart The lowliest duties on herself did lay. First read on Classic Poetry Aloud: 21 May, 2007


    Opportunity by James Elroy Flecker Apr 25, 2008
    Show notes

    Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Opportunity by James Elroy Flecker (1884 – 1915) From Machiavelli "But who art thou, with curious beauty graced, O woman, stamped with some bright heavenly seal Why go thy feet on wings, and in such haste?" "I am that maid whose secret few may steal, Called Opportunity. I hasten by Because my feet are treading on a wheel, Being more swift to run than birds to fly. And rightly on my feet my wings I wear, To blind the sight of those who track and spy; Rightly in front I hold my scattered hair To veil my face, and down my breast to fall, Lest men should know my name when I am there; And leave behind my back no wisp at all For eager folk to clutch, what time I glide So near, and turn, and pass beyond recall." "Tell me; who is that Figure at thy side?" "Penitence. Mark this well that by decree Who lets me go must keep her for his bride. And thou hast spent much time in talk with me Busied with thoughts and fancies vainly grand, Nor hast remarked, O fool, neither dost see How lightly I have fled beneath thy hand."


    His Books by Robert Southey Apr 25, 2008
    Show notes

    Southey read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- His Books by Robert Southey (1774 – 1843) My days among the Dead are past; Around me I behold, Where'er these casual eyes are cast, The mighty minds of old: My never-failing friends are they, With whom I converse day by day. With them I take delight in weal And seek relief in woe; And while I understand and feel How much to them I owe, My cheeks have often been bedew'd With tears of thoughtful gratitude. My thoughts are with the Dead; with them I live in long-past years, Their virtues love, their faults condemn, Partake their hopes and fears; And from their lessons seek and find Instruction with an humble mind. My hopes are with the Dead; anon My place with them will be, And I with them shall travel on Through all Futurity; Yet leaving here a name, I trust, That will not perish in the dust.


    The Way Through The Woods by Rudyard Kipling Apr 23, 2008
    Show notes

    Kipling read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- The Way Through The Woods by Rudyard Kipling They shut the road through the woods Seventy years ago. Weather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath, And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate. (They fear not men in the woods, Because they see so few) You will hear the beat of a horse's feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods... But there is no road through the woods. First aired 16 July 2007


    The Seven Ages of Man (All the World’s a Stage) by William Shakespeare Apr 22, 2008
    Show notes

    Shakespeare read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Seven Ages of Man from As You Like It by William Shakespeare (1564 – 1616) All the world's a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.


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