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    Arts

    Classic Poetry Aloud

    Classic Poetry Aloud gives voice to poetry through podcast recordings of the great poems of the past. Our library of poems is intended as a resource for anyone interested in reading and listening to poetry. For us, it’s all about the listening, and how hearing a poem can make it more accessible, as well as heightening its emotional impact.
    See more at: www.classicpoetryaloud.com

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    Latest Episodes:
    O Captain! My Captain! by Walt Whitman redux May 09, 2008
    Show notes

    Whitman read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. This reading is part of Classic Poetry Aloud's celebration of one year of poetry podcasting (that's over 200 readings!). Donations to support Classic Poetry Aloud for another year would be welcome, just visit http://classicpoetryaloud.wordpress.com/ and click the 'PayPal Donate' button. --------------------------------------------------- O Captain! My Captain! by Walt Whitman (1819 – 1892) O CAPTAIN! my Captain! our fearful trip is done; The ship has weather’d every rack, the prize we sought is won; The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring: But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills; For you bouquets and ribbon’d wreaths—for you the shores a-crowding; For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head; It is some dream that on the deck, You’ve fallen cold and dead. My Captain does not answer, his lips are pale and still; My father does not feel my arm, he has no pulse nor will; The ship is anchor’d safe and sound, its voyage closed and done; From fearful trip, the victor ship, comes in with object won; Exult, O shores, and ring, O bells! But I, with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.


    How Do I Love Thee? by Elizabeth Barrett Browning redux May 08, 2008
    Show notes

    Elizabeth Barrett Browning read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. This reading is part of Classic Poetry Aloud's celebration of one year of poetry podcasting (that's over 200 readings!). Donations to support Classic Poetry Aloud for another year would be welcome, just visit http://classicpoetryaloud.wordpress.com/ and click the 'PayPal Donate' button. --------------------------------------------------- How Do I Love Thee? by Elizabeth Barrett Browning (1806–1861) How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace. I love thee to the level of everyday’s Most quiet need, by sun and candle-light. I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise. I love thee with the passion put to use In my old griefs, and with my childhood’s faith. I love thee with a love I seemed to lose With my lost saints,—I love thee with the breath, Smiles, tears, of all my life!—and, if God choose, I shall but love thee better after death.


    Ode on a Grecian Urn by John Keats redux May 08, 2008
    Show notes

    Keats read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- Ode on a Grecian Urn by John Keats Thou still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal—yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearièd, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea-shore, Or mountain-built with peaceful citadel, Is emptied of its folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul, to tell Why thou art desolate, can e'er return. O Attic shape! fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form! dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, 'Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.' You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/


    Ozymandias by Percy Bysshe Shelley and an Introduction to Classic Poetry Aloud Week May 07, 2008
    Show notes

    Shelley read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Ozymandias of Egypt Percy Bysshe Shelley (1792 – 1822) I met a traveller from an antique land Who said:—Two vast and trunkless legs of stone Stand in the desert. Near them on the sand, Half sunk, a shatter'd visage lies, whose frown And wrinkled lip and sneer of cold command Tell that its sculptor well those passions read Which yet survive, stamp'd on these lifeless things, The hand that mock'd them and the heart that fed. And on the pedestal these words appear: "My name is Ozymandias, king of kings: Look on my works, ye mighty, and despair!" Nothing beside remains: round the decay Of that colossal wreck, boundless and bare, The lone and level sands stretch far away.


    The Grass so little has to do by Emily Dickinson May 07, 2008
    Show notes

    Dickinson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Grass so little has to do by Emily Dickinson (1830 – 1886) The Grass so little has to do – A Sphere of simple Green – With only Butterflies to brood And Bees to entertain – And stir all day to pretty Tunes The Breezes fetch along – And hold the Sunshine in its lap And bow to everything – And thread the Dews, all night, like Pearls – And make itself so fine A Duchess were too common For such a noticing – And even when it dies – to pass In Odors so divine – Like Lowly spices, lain to sleep – Or Spikenards, perishing – And then, in Sovereign Barns to dwell – And dream the Days away, The Grass so little has to do I wish I were a Hay –


    Solitude by Harold Munro May 05, 2008
    Show notes

    Munro read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Solitude by Harold Munro (1879 – 1932) When you have tidied all things for the night, And while your thoughts are fading to their sleep, You'll pause a moment in the late firelight, Too sorrowful to weep. The large and gentle furniture has stood In sympathetic silence all the day With that old kindness of domestic wood; Nevertheless the haunted room will say: "Someone must be away." The little dog rolls over half awake, Stretches his paws, yawns, looking up at you, Wags his tail very slightly for your sake, That you may feel he is unhappy too. A distant engine whistles, or the floor Creaks, or the wandering night-wind bangs a door Silence is scattered like a broken glass. The minutes prick their ears and run about, Then one by one subside again and pass Sedately in, monotonously out. You bend your head and wipe away a tear. Solitude walks one heavy step more near.


    Envoy by Francis Thompson May 05, 2008
    Show notes

    Thompson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Envoy by Francis Thompson Go, songs, for ended is our brief, sweet play; Go, children of swift joy and tardy sorrow: And some are sung, and that was yesterday, And some unsung, and that may be to-morrow. Go forth; and if it be o'er stony way, Old joy can lend what newer grief must borrow: And it was sweet, and that was yesterday, And sweet is sweet, though purchas-ed with sorrow. Go, songs, and come not back from your far way: And if men ask you why ye smile and sorrow, Tell them ye grieve, for your hearts know To-day, Tell them ye smile, for your eyes know To-morrow.


    The World is too Much With Us by William Wordsworth May 04, 2008
    Show notes

    Wordsworth read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The World is too Much With Us by William Wordsworth (1770 – 1850) The world is too much with us; late and soon, Getting and spending, we lay waste our powers: Little we see in Nature that is ours; We have given our hearts away, a sordid boon! The Sea that bares her bosom to the moon; The winds that will be howling at all hours, And are up-gathered now like sleeping flowers; For this, for everything, we are out of tune; It moves us not.--Great God! I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.


    To His Coy Mistress by Andrew Marvell May 04, 2008
    Show notes

    Marvell read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- To His Coy Mistress by Andrew Marvell Has we but world enough, and time, This coyness, Lady, were no crime We would sit down and think which way To walk and pass our long love's day. Thou by the Indian Ganges' side Shouldst rubies find: I by the tide Of Humber would complain. I would Love you ten years before the Flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow; An hundred years should go to praise Thine eyes and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, Lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time's wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song: then worms shall try That long preserved virginity, And your quaint honour turn to dust, And into ashes all my lust: The grave 's a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapt power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run. First aired July 2007


    The Call by Charlotte Mew May 03, 2008
    Show notes

    Mew read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Call by Charlotte Mew (1869 – 1928) From our low seat beside the fire Where we have dozed and dreamed and watched the glow Or raked the ashes, stopping so We scarcely saw the sun or rain Above, or looked much higher Than this same quiet red or burned-out fire. To-night we heard a call, A rattle on the window-pane, A voice on the sharp air, And felt a breath stirring our hair, A flame within us: Something swift and tall Swept in and out and that was all. Was it a bright or a dark angel? Who can know? It left no mark upon the snow, But suddenly it snapped the chain Unbarred, flung wide the door Which will not shut again; And so we cannot sit here any more. We must arise and go: The world is cold without And dark and hedged about With mystery and enmity and doubt, But we must go Though yet we do not know Who called, or what marks we shall leave upon the snow.


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