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    Film Interviews

    Bulletproof Screenwriting™ Podcast

    The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey.

    Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Eric Roth (Dune, Forest Gump), Edgar Wright (Shaun of the Dead), Richard Linklater (Boyhood, Slacker) James V. Hart (Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls ( Fight Club), Peter Rader (Waterworld), Diane Drake (What Women Want), Daniel Knauf (Carnival, Blacklist), Derek Kolstad (John Wick) and Pen Densham (Robin Hood, Backdraft) to name a few.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast–2881148/support.

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    Copyright: © IFH Industries, Inc.

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    Latest Episodes:
    BPS 064: Crash, Boom, Bang! How to Write Action Movies with Michael Lucker Mar 04, 2020
    Show notes

    Today on the show we have screenwriter, Michael Lucker. Michael is a writer, director, and producer with twenty years of experience creating film, television, animation and digital media. He began his career writing and directing television commercials while earning his undergraduate degree in broadcasting and film at Boston University’s College of Communication.
    Soon after he landed in Los Angeles working in production on series and specials for ABC, NBC, CBS and HBO before taking a job as assistant to Steven Spielberg at Amblin Entertainment on feature films Indiana Jones & the Last Crusade, Arachnophobia, Joe Vs. The Volcano, Always, Back To The Future II & III and Jurassic Park.
    He went onto serve in creative affairs at Hollywood Pictures where he worked on such movies as Crimson Tide, Terminal Velocity, Taking Care of Business and Straight Talk. Michael then embarked on a career as a screenwriter, helping pen more than twenty feature screenplays for Paramount, Disney, DreamWorks, Fox, and Universal, including Vampire In Brooklyn, Home On The Range, Good Intentions and Spirit: Stallion of the Cimarron, which was nominated for an Academy Award in 2002 as best animated feature.
    His new book Crash! Boom! Bang! How to Write Action Movies.
    A fun, insightful insider’s look at the nuts and bolts of writing action movies, from concept to completion, by a professional screenwriter and professor of screenwriting. Full of witty anecdotes from the front lines (and tricks of the trade from between the lines), Crash! Boom! Bang! promises an enjoyable and educational read for writers and students of all levels. Although bullets and bloodshed abound in cinema, the lessons within will benefit screenwriters of all kinds of movies.
    Enjoy my conversation with Michael Lucker.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 063: My Script Can Beat Up Your Screenplay with Jeffrey Alan Schechter Feb 12, 2020
    Show notes

    Today on the show we have million-dollar spec screenplay writer, director, showrunner, and author Jeffrey Alan Schechter. Jeff has been beating up stories for over twenty years. He is a WGA, WGC, Emmy, and BAFTA-nominated writer, a Gemini award-winning producer, director, and a million-dollar spec screenplay writer.
    In publishing, Jeff is a co-founder of the award-winning ebook publisher PadWorx Digital Media, and his book “My Story Can Beat Up Your Story!” was published by Michael Wiese Books. Jeff is hip-deep in several other screenplays, television series, book projects, and software ventures. In his spare time, he’s married and has 4 kids.
    Enjoy my conversation with Jeffrey Alan Schechter.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 062: The Philosophy of Screenwriting in Hollywood with Pen Densham Jan 29, 2020
    Show notes

    Today on the show we Pen Densham. Pen is a successful award-winning screenwriter, producer, and director, with an extensive track record in film and television. He is responsible for writing and producing some of Hollywood’s biggest blockbusters, such as Robin Hood: Prince of Thieves, Backdraft, Blown Away along with some of its longest-running television series including The Outer Limits.
    Starting with his first job in show business, riding atop a live alligator for a theatrical short film made by his parents, Pen decided to leave his English school system at age 15 and has since spent his lifetime in the business of entertainment, selling films and television series, as well as hiring, mentoring and collaborating with A-list writers along the way. His latest film is Harriet, which he is the executive producer of.
    Pen's latest project, Riding the Alligator: Strategies for a Career in Screenplay Writing and Not getting Eaten was written with one clear goal in mind: to write the kind of book he would have loved to have read when he was starting out as a writer-filmmaker. Pen is also an adjunct professor at the University of Southern California’s prestigious School of Cinematic Arts.
    I had a ball speaking to Pen about his time in Hollywood, what it was like to screenwriter/producer monster hits and his screenwriting philosophy on how to make it in Hollywood.
    Enjoy my eye-opening conversation with Pen Densham.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 061: What are the Essential Elements in ALL Successful Stories with Karl Iglesias Jan 08, 2020
    Show notes

    Today on the show we have returning champion Karl Iglesias. His last episode is one of the most popular shows ever in the history of the podcast. I wanted to bring him back to dig deeper into his thoughts on writing for emotional impact and breakdown the essential elements of every good story.
    Karl Iglesias has been a writer for over 20 years now with varying degrees of success — an option here, a couple of contest finalists and winners there, an indie development deal, many writing and script-doctoring assignments, a TV spot for a Coca-Cola campaign — and of course, his first published book, The 101 Habits of Highly Successful Screenwriters, which ignited my unplanned teaching and consulting career, and my second book, Writing for Emotional Impact. Since then, he has contributed to two other books on the craft, Now Write! Screenwriting and Cut to the Chase.
    In between teaching and consulting, Karl keeps busy script doctoring for other writers, directors, and producers when the work comes his way, while developing his own scripts, having about ten projects in various stages of development.
    Enjoy my conversation with Karl Iglesias.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 060: How to Write Your Screenplay in 2020 – Happy New Year! Jan 01, 2020
    Show notes

    I can't believe another year has gone by. 2019 was one for the record books. So many things happened to me and to the IFH Tribe this year. In this episode, I breakdown this past year IFH style and also give you a large dose of TOUGH LOVE to get you revved up for 2020.
    Don’t wake up Dec 31, 2020, and say
    "Damn I just lost another year."
    Don’t let anything stop you from making your dream come true. Don’t let people tell you you can’t do it. People told me I was crazy for jumping into this business. Be smart, educate yourself as much as humanly possible and go for it.
    Don’t be that angry and bitter filmmaker. Don’t wake up when you are 70 and wished you would’ve taken a shot and your dream. Why haven’t you taken the steps needed to make your dream come true? Let 2020 be the YEAR OF THE FILMTREPRENEUR. Take the power back. Take control of your own destiny and make it happen for yourself.
    I also go over what to expect from all the companies from IFH Industries. IFH, IFHTV, Bulletproof Screenwriting, and Filmtrepreneur. If you thought I did a lot in 2019 you ain't seen nothing yet. Strap in for the episode you need to listen to get your 2020 off to a great start.
    Happy New Year to the entire BPS Tribe.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 059: The Business of Selling Story with Ken Atchity Dec 18, 2019
    Show notes

    Today guest is author, publisher, and producer Ken Atchity. Ken recently produced the global blockbuster (Jason Statham) and is the founder of Story Merchant. Ken wrote the best-seller Sell Your Story to Hollywood: Writer's Pocket Guide to the Business of Show Business. I wanted Ken on the show to discuss the business side of screenwriting, a part of the industry that isn't spoken about enough. We also discuss the "story market."
    Enjoy my conversation with Ken Atchity.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BONUS EPISODE: Is Die Hard The Greatest Christmas Movie Ever - Yippee ki-yay! Dec 10, 2019
    Show notes

    I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.
    I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.
    From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.
    Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 058: Confessions of a Hollywood Script Doctor with Peter Douglas Russell Dec 04, 2019
    Show notes

    Today's guest is screenwriter and Hollywood script doctor Peter Douglas Russell. I wanted to go deep into the back alleys of what Hollywood script doctors actually do in the business. Peter's conversation was eye-opening, to say the least.
    Peter Russell sold two television pilots in 2017. He enjoys working on projects both as a ghostwriter and as a consultant. And he can both write and teach what he knows. So many successful screenwriters and producers have no idea how to teach what they do, and so many teachers can’t actually sell stories. But Peter does both.
    Peter was UCLA’s Teacher of the Year in 2009. He invented (along with his then partner Cecilia Najar) a process called The Storymaker which you can use to quickly develop an original, complex, vivid story from a single idea — and the Storymaker is helping scores of his students shape wonderful stories.
    Peter started as a story analyst in the 1990s and has read over 6,000+ screenplays for major film and television giants including Imagine Entertainment, Participant Productions, HBO, CBS, Walden Entertainment and dozens of others.
    As he read these scripts, he started seeing deep, hidden patterns in the best stories. He wrote these down and started getting jobs FIXING writer’s stories. He got good at it — really good.
    Peter was invited to teach at UCLA in 2004, and it became a passion, too. He has now been invited to teach television pilot and film story creation at Pepperdine University’s Seaver College Screenwriting MFA program, at Story Expo in LA and New York, and many others. Meanwhile, Peter has turned The Storymaker into the most powerful tool for helping storytellers create original vivid stories. Simply and quickly.
    Enjoy my conversation with Peter Douglas Russell.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BONUS EPISODE: Rise of the Filmtrepreneur - Listen to Two Chapters for FREE Dec 02, 2019
    Show notes

    The day is finally here. My new book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business is finally out. I'm so excited to share this with you, the IFH Tribe. I've been working for months to make this happen. I wanted to give you a sneak peek at the book so in this episode, I'll be releasing the first two chapters of the audiobook for your listening pleasure. These two chapters set the tone for the book. In the episode, I even show you a way to download the entire book for free.
    Here's a bit of what Rise of the Filmtrepreneur has to offer
    It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®.
    In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. This book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.
    I really hope you enjoy Rise of the Filmtrepreneur. I truly believe that the only way indie filmmakers will be able to survive the new film economy is by becoming Filmtrepreneurs. My goal for this book is to show filmmakers and creatives that they have to think differently. The old film economy is DEAD. Traditional film distribution is not set up to benefit the indie filmmaker. The cards are stacked against the creative and things need to change.
    Filmmakers need to take back control of their films and how they generate revenue from them. The day of handing over your film to a predatory film distributor because you believe there is no other choice is over! There is another way and the Filmtrepreneur Method is that way. Let me know what you think of the book. Enjoy and VIVA LA REVOLUTION!
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 057: The Neuroscience Behind Profitable Screenwriting with Paul Gulino Nov 08, 2019
    Show notes

    Today's guest is screenwriter Paul Gulino. Paul is the author of Screenwriting: The Sequence Approach and The Science of Screenwriting: The Neuroscience Behind Storytelling Strategies.
    Paul believes in Hitchcock's adage that "films are made on paper." Although students may obsess about a film's look, all of the visual elements, he says, function to enhance the story. And that, ultimately, comes from the mind of the screenwriter.
    In spite of the fact that there seems to be a screenwriter behind every corner (in California, at least), screenwriting is something of a lost art, Gulino maintains, having seen hundreds of flat screenplays as a story analyst for Showtime Entertainment.
    Honing his own skills through writing for the theater and practicing the craft as taught by Frank Daniel and Milos Forman, Gulino secured an agent with William Morris on the basis of his thesis script. With that "real world" confirmation in hand, Gulino went on to write and see produced features, plays and comedy sketches.
    Screenwriting, he says, isn't a craft you can learn from a book. "The best way is to learn from someone who knows the craft, so you can see how theories can be applied to your own work." There must be something to that. Or at least it's worked for screenwriter Paul Gulino.
    Enjoy my conversation with Paul Gulino.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


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