TopPodcast.com
Menu
  • Home
  • Top Charts
  • Top Networks
  • Top Apps
  • Top Independents
  • Top Podfluencers
  • Top Picks
    • Top Business Podcasts
    • Top True Crime Podcasts
    • Top Finance Podcasts
    • Top Comedy Podcasts
    • Top Music Podcasts
    • Top Womens Podcasts
    • Top Kids Podcasts
    • Top Sports Podcasts
    • Top News Podcasts
    • Top Tech Podcasts
    • Top Crypto Podcasts
    • Top Entrepreneurial Podcasts
    • Top Fantasy Sports Podcasts
    • Top Political Podcasts
    • Top Science Podcasts
    • Top Self Help Podcasts
    • Top Sports Betting Podcasts
    • Top Stocks Podcasts
  • Podcast News
  • About Us
  • Podcast Advertising
  • Contact
Not in our directory?
Add Show Here
Podcast Equipment
Center

toppodcastlogoOur TOPPODCAST Picks

  • Comedy
  • Crypto
  • Sports
  • News
  • Politics
  • True Crime
  • Business
  • Finance

Follow Us

toppodcastlogoStay Connected

    View Top 200 Chart
    Back to Rankings Page
    Film Interviews

    Bulletproof Screenwriting™ Podcast

    The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey.

    Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Eric Roth (Dune, Forest Gump), Edgar Wright (Shaun of the Dead), Richard Linklater (Boyhood, Slacker) James V. Hart (Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls ( Fight Club), Peter Rader (Waterworld), Diane Drake (What Women Want), Daniel Knauf (Carnival, Blacklist), Derek Kolstad (John Wick) and Pen Densham (Robin Hood, Backdraft) to name a few.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast–2881148/support.

    Advertise

    Copyright: © IFH Industries, Inc.

    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    HALLOWEEN BONUS: How to Write a Profitable Horror Film with Stephen Follows Oct 31, 2021
    Show notes

    HALLOWEEN BONUS episode from my other show The Indie Film Hustle Podcast.
    Today on the show we have returning champion Stephen Follows. In this Halloween themed episode, we dive into Stephen's opus, The Horror Report. The report was created by using data on every horror film ever made, a data-driven dive into everything from development, production, and distribution to recoupment and profitability.
    Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The News Statesman, AV Club, and Indiewire.
    He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington. He has been commissioned to write reports for key film industry bodies and his most recent study, looking at gender inequity in the UK film industry and was launched on the BBC Radio 4 ‘Today’ program.
    Stephen has taught at major film schools, normal business schools, and minor primary schools. His lessons range established topics from Producing at MA and BA level, online video and the business of film producing to more adventurous topics such as measuring the unmeasurable, advanced creative thinking and the psychology of film producing. He has taught at the National Film and Television School (NFTS), Met Film School, NYU, Filmbase, and on behalf of the BFI, the BBC, and the British Council.
    Stephen has produced over 100 short films and two features. Past clients range from computer game giants, technology giants, and sporting giants but sadly no actual giants. He’s shot people in love, in the air, on the beach, and on fire (although not at the same time) across over a dozen different countries in locations ranging from the Circle Line to the Arctic Circle.
    Enjoy my eye-opening conversation with Stephen Follows.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    HALLOWEEN BONUS: How to Make a Killer Horror Film in One Location with Michael Williams Oct 30, 2021
    Show notes

    HALLOWEEN BONUS episode from my other show The Indie Film Hustle Podcast.
    If you have a micro or no budget feature film shooting in one location will make life a lot easier. Now, how do you make that one location look great and not boring through your film? Indie Filmmaker Michael Williams did just that with his new horror film The Atoning. Check out the trailer below.
    Michael Williams began creating short films in 2004 and since has consistently produced short films and screened them for audiences at annual film festivals and screenings across the U.S.
    Williams earned his bachelor of arts in film in 2009 from the University of Southern Mississippi and was awarded the Top Film Student of 2009 Award. In 2007 Williams began his professional film career, accumulating a multitude of credits ranging from assistant camera to director of photography for many independent short and feature-length films.
    After writing, directing and producing more than 20 short films, Williams broke into the feature-length film territory with the award-winning film OzLand". While his desire to tell complex stories visually drew him to a career in cinematography, as an artist and storyteller, Williams writes and directs films like "OzLand" in order to share his stories with those interested in experiencing them while eagerly pursuing the opportunity to bring other people's stories to life as a director of photography.
    For his 2nd feature film, Williams turned to the horror/supernatural thriller genre for "The Atoning", an award-winning family drama explored through a fresh take on the thriller/horror genre.
    Today, the filmmaker owns and operates Shendopen films in West Point, Mississippi and continues to write and direct his own independent films, produce films by other regional filmmakers and works regionally in the industry as a director of photography. Enjoy my conversation with Michael Williams.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 144: How to Pitch a Television Project to a Network with Kelly Edwards Oct 27, 2021
    Show notes

    This week I had the pleasure of sitting down with writer, producer, former studio executive and diversity thought leader Kelly Edwards. Many of us want to be able to pitch our shows to a network or studio but just don't know how the game is played. Kelly not only knows how the game is played she wrote a book on how to do it.
    Her new book is The Executive Chair: A Writer’s Guide to TV Series Development.
    To make compelling television, our industry depends on enthusiastic new voices with fresh ideas. While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective. As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls.
    The Executive Chair breaks down the business from the gatekeeper’s point of view, illuminating the creative process used by those who ultimately make the decisions. Whether developing a project for the entertainment marketplace or merely probing the executive mindset, The Executive Chair dispels myths about the creative process and takes the reader through the development of a pilot script.
    "There are a million ways to break into Hollywood. Your journey will be unique to you. Meet all the people. Work all the angles. But most of all, enjoy the ride." - Kelly Edwards
    Kelly Edwards recently transitioned from inside the network ranks into a writing and producing deal with HBO under her Edwardian Pictures banner.
    In her former executive role, she oversaw all of the emerging artists programs for HBO, HBOMax, and Turner. The pilots she produced through the HBOAccess Writing and Directing fellowships have screened at major film festivals including Tribeca and SXSW, and garnered multiple awards.
    Prior to HBO, Edwards was a key corporate diversity executive at Comcast/NBCUniversal for over five years where she oversaw over 20 divisions, launched employee resource groups, and introduced diverse creative talent to NBC, USA, Syfy, Bravo, and Telemundo.
    Edwards’ career spans both television and film. Early in her career, she worked as a creative executive in features at both Disney and Sony under such talents as Garry Marshall and Laura Ziskin. After moving to television, she served as a senior executive at FOX where she developed LIVING SINGLE, CLUELESS, and THE WILD THORNBERRYS. While heading up UPN’s Comedy division as the SVP of Comedy Development she developed GIRLFRIENDS, THE PARKERS, and MALCOLM IN THE MIDDLE.
    In 2000, Edwards co-founded the non-profit organization Colour Entertainment, a networking group for diverse creative executives in TV, Film, Digital, as well as assistants, all designed to connect current and future industry executives with one another.
    Kelly and I had an amazing conversation about the business, how to pitch a television project to a studio, and much more. Enjoy!
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 143: How To Become a Professional Screenwriter with Brooke Elms Oct 20, 2021
    Show notes

    Brooks Elms has written more than 25 scripts over the term of his career for companies like Gold Circle Films, Base FX, and Broken Road.
    We connected through a mutual friend and I couldn’t wait to have him on the Bulletproof Screenwriting podcast.
    Elms is a member of the Writers Guild Of America and a part-time screenwriting instructor at UCLA Extension where he's shared his filmmaking and plot structuring skills with his students since 2016 through two classes he currently teaches; Story Analysis for Film & TV, and Story Development.
    You may have seen films and television series he's directed such as The Ultimate Fighter, Snapshots from a .500 Season, Montauk Highway, Drew, Trip and Zoey and So Happy Together.
    Elms have consulted with all levels of creatives across Hollywood, including studio directors, rewrites for the oscar-winning writer while also writing and directing his own indie feature films.
    In his free time, Elms loves to coach other writers who have a burning ambition to deeply serve their audiences. We both should be working on a project of mine in the near future, so stay tuned.
    I’m always down for a good screenwriting 101 conversation and my interview with Brooks will not disappoint
    Enjoy my conversation on how to become a professional screenwriter with Brooke Elms.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 142: Changing Television Forever with David Chase Oct 13, 2021
    Show notes

    The legacy of the crime drama television series, The Sopranos remains a defining art of storytelling for mob TV shows. We have the genius behind this hit TV series, David Chase as our guest today.
    As expected, Chase is a twenty-five-time Emmy Awards-winner, seven times Golden Globes winner, and highly acclaimed producer, writer, and director. His forty-year career in Hollywood has contributed immensely to the experience of quality TV.
    Before getting into the nitty-gritty of Chase, let’s do a brief of the HBO 1999 hit show, The Sopranos: Produced by HBO, Chase Films, and Brad Grey Television, the story ran for six seasons, revolving around Tony Soprano, played by James Gandolfini, a New Jersey-based Italian-American mobster, portraying the difficulties that he faces as he tries to balance his family life with his role as the leader of a criminal organization.
    The series has been the subject of critical analysis, controversy, and parody, and has spawned books, a video game, soundtrack albums, podcasts, and assorted merchandise. During its run, the film earned multiple awards, including the Peabody, Primetime Emmy, and the Golden Globe Awards.
    Even though David has continued to dominate his craft, with other works like The Rockford Files, I'll Fly Away, Not Fade Away, Northern Exposure, Almost Grown, Switch, etc, he is still most known for his television directorial debut, The Sopranos.
    The genius is back with the Sopranos prequel, The Many Saints of Newark, which stars Alessandro Nivola and James Gandolfini’s son Michael Gandolfini as a young Tony Soprano. It has been in theaters and on HBO Max since October 1, 2021.
    The plot explores the life of Young Anthony Soprano. Before Tony Soprano, there was Dickie Moltisanti, Tony’s uncle. Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark's history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family's hold over the increasingly race-torn city.
    Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities-and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we'll later come to know: Tony Soprano.
    We also talk a bit about David’s five-year, first-look deal to create shows for HBO parent WarnerMedia. More culture moments, please!
    Let’s get into the chat, shall we?
    Enjoy my entertaining conversation with David Chase.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 141: Selling Palm Springs for $17.5 Million at Sundance with Max Barbakow Oct 06, 2021
    Show notes

    I believe that most indie filmmakers have a dream of making a feature film, getting accepted to the Sundance Film Festival, and that film would be fought over in a massive bidding war that generates millions of dollars for the filmmakers. I’ve called this dream the lottery ticket mentally. I always say that someone wins the lottery every week somewhere.
    Well, today’s guest is that lottery ticket winner. Today on the show we have director Max Barbakow, the filmmaker behind the largest sale at Sundance in history. His film Palm Springs sold for a record-breaking $17.5 million and .69¢. Those last cents are what broke the record.
    The film stars Andy Samberg, Cristin Milioti, and J.K. Simmons and was acquired by NEON and Hulu at the festival.
    When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other.
    I’ve always wanted to know what it was like to be a fly on the wall during a bidding war at Sundance. In today’s episode, I take you through the improbable journey of this first-time feature filmmaker and his adventures of getting his film Palms Springs from the page to the Sundance record books.
    You can watch Palm Springs on Hulu.
    Enjoy my conversation with Max Barbakow.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 140: The NO Bullsh*t Guide to Making Your Indie Film with Jeff Leisawitz Sep 29, 2021
    Show notes

    The NO Bullsh*t Guide to Making Your Indie Film with Jeff Leisawitz
    Have you ever been in a place where nothing is going right creatively? Do you ever feel like you are standing in your own way? Me too. Today's guest is author Jeff Leisawitz who wrote Not F*ing Around— the No Bullsh*t Guide for Getting Your Creative Dreams Off the Ground. This little pack is quite a punch.
    I wanted to have Jeff on the show to drop some knowledge bombs to wake up the tribe a bit. To help you get out of your own way; to get you out of any creative rut.
    This guidebook is a manual for creatives who can't quite get their creative juices flowing? The day job sucking your soul? Fizzled out before you put the finishing touches on your amazing creation? With relentless positivity, full-on authenticity, and a punk rock thunder spirit, author Jeff Leisawitz pulls back the curtain on the creative process and reminds us that we are all creative SuperStars.
    It's time to get off the couch and get on the path. It's time to tap into the cosmic heartbeat that thumps in your chest and shines from your soul. It's time to get NFA!
    About Jeff Leisawitz: Jeff is an award-winning musician/ producer, a critically acclaimed author, and an internationally distributed filmmaker who has devoted his life to creativity.
    As the guy behind Electron Love Theory, Jeff fused interviews with Seattle’s WTO demonstrators into electronic music, garnering more than a quarter-million downloads worldwide. Jeff has released five studio albums and has landed thousands of music placements in film, TV, and multimedia for clients like HBO, MTV, Discovery, Microsoft, NBC, and many others.
    As the founding writer for Seattle’s taste-making alternative rock station 107.7 The End, he chronicled the alternative grunge scene in the 90s.
    After training as a Life Coach and practicing NLP (Neuro-Linguistic Re-Patterning) Jeff landed a gig as an adjunct faculty member at Pacific Lutheran University— teaching college students to rock. (Seriously)
    When creative businesses, schools, and organizations like Brown Paper Tickets, Tacoma School of the Arts, Gage Academy of Art, Northwest Film Forum, and others need to amp up the creativity, Jeff leads workshops and events to fire up the creative spirit and empower people to tap into their true potential.
    Enjoy my conversation with Jeff Leisawitz.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 139: No Film School Needed - Direct & Sell Six Features in Two Years with Elizabeth Blake-Thomas Sep 22, 2021
    Show notes

    I have an inspirational treat for you today. On the show, we have writer/producer/director Elizabeth Blake-Thomas. She has recently financed, written, directed, and sold six feature films in the past two years, with no professional film school training. Elizabeth has been involved in the creative industries for over 30 years. Studying drama from a young age led her to run theatre schools, train other students and companies and work in various creative industries, culminating in where she is now, a director and writer.
    When I heard her story I had to hunt her down and find out how she did it. BTW, she's not stopping, Elizabeth is currently in prep for three more feature films. Talk about hustle. She is the definition of the phrase "INDIE FILM HUSTLE."
    She is proof that no film school is needed. Enjoy my conversation with Elizabeth Blake-Thomas.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 138: How To Write a Blockbuster Film Career with Chris Sparling Sep 15, 2021
    Show notes

    It’s always way fun to have a guest who is also a fan of the show. This week’s guest is definitely a member of the tribe. We chatted up pre-interview about some of his favorite IFH podcast episodes like Ed Burns and Joe Carnahan and I knew front hen on we were on for a treat. My guest today is award-winning writer, director, and producer, Chris Sparling.
    Chris has written some of Hollywood's most original and fascinating screenplays like Buried, Greenland, Mercy, Down A Dark Hall, Reincarnate (featuring Leonardo DiCaprio), The Sea of Trees with Matthew McConaughey, etc.
    One of his latest films, Greenland, which premiered in 2020 started streaming on Amazon prime this February.
    The disaster thriller film starring Gerard Butler and Morena Baccarin follows a family who must fight for survival as planet-destroying comet races to Earth. Butler’s family struggles for survival in the face of a cataclysmic natural disaster as the planet-killing comet races to Earth. John Garrity (Gerard Butler), his estranged wife Allison (Morena Baccarin), and young son Nathan make a perilous journey to their only hope for sanctuary.
    Amid terrifying news accounts of cities around the world being leveled by the comet's fragments, the Garrity's experience the best and worst in humanity while they battle the increasing panic and lawlessness surrounding them. As the countdown to global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.
    With its reception and regardless of the COVID 19 Pandemic, the film grossed $52.3 million at the Box Office and was announced that the sequel, Greenland: Migration is already in the works. The continuation of the story will center around the Garritys' journey across a frozen European wasteland to find a new home. STX has already acquired the worldwide distribution rights for the film at the 2021 Cannes Film Festival for the sequel with a $65 million budget.
    Chris’s path to becoming a renowned Hollywood blockbuster writer begun on the actor’s path. He was inspired to take up writing after the 1997 hit psychological drama film, Goodwill Hunting which was directed by Gus Van Sant and starred Robin Williams, Matt Damon, Ben Affleck, and others.
    He left Los Angeles on a home (Rhodes Island) bound to recalibrate and focus on completing college and writing because it was a challenge juggling that and acting auditions. After completing college, Sparling returned to Los Angeles. With no connections or leads, he returned to Rhodes Island with the plan to make a movie of one of the many scripts he had written by then. Though he had no formal film production experience at this point, Sparling wrote, directed, and produced An Uzi at the Alamo which is about a young writer in search of his identity, pledges to his dysfunctional family that he will commit suicide on his 25th birthday. As the fateful day approaches, he stumbles upon love and a new sense of self. Fearing family humiliation if he backs out of his pledge, he prepares for his last birthday with the feigned support of his family.
    Of course, the film did not do well, but this is when things became interesting for Chris’s writing career. He dusted up and sent out about one hundred specs to studios, managers, producers, literally anyone he could contact. He received back, only three responses and one of which was from a manager who became his manager and still is till this day. That was his first open door.
    When I saw the trailer for Chris’s 2010 film, Buried, and the success of it, as an independent filmmaker, I was in awe and slightly jealous of how easy (cost, and production-wise), revolutionary the film is. Buried is a brilliantly twisted suspense and original screenplay that is a nightmare for claustrophobes.
    Sparling found mainstream success when his feature-length screenplay Buried was purchased by producer Peter Safran starring Ryan Reynolds.
    Ryan plays Paul, an Iraq-based American civilian truck drive. After an attack by a group of Iraqis, he Wakes up groggy in pitch darkness, to find he is buried alive inside a coffin. With only a lighter, flask, flashlight, knife, glowsticks, pen, pencil, and a mobile phone.
    It's a race against time to escape this claustrophobic death trap. He is left to rely on his cell phone to contact the outside world. But the outside world proves not to be very helpful at finding a man buried in a box in the middle of the Iraqi desert. Paul must rely on his best resource--himself.
    The film premiered at the 2010 Sundance Film Festival and was sold to Lionsgate Films. Buried was shown at several major European and North American film festivals. It was nominated for and won a plethora of European films awards because it was produced in Barcelona by Barcelona-based Versus Entertainment, in association with The Safran Company and Dark Trick Films.
    Some of the awards included the Goya Award, for Best Original Screenplay, a Gaudi Award in the same category, and the best European feature film of the year award at the Strasbourg European Fantastic Film Festival in September 2010. This $2 million budget indie film made a gross splash of $21.3 million worldwide.
    Sparling had an immediate success from Buried; between the script going out in March of 2009 and the movie premiering at Sundance in 2010, and he suddenly needed an agent, an attorney, and everything legit in between.
    Intrusion, Sparling’s latest film will be streaming on Netflix in just one week (September 22, 2021), starring Freida Pinto and Logan Marshall-Green.
    It is about a husband and wife who move to a small town. A deadly home invasion leaves the wife traumatized and suspicious that those around her might not be who they seem. Even though it was self-defense, it was still a homicide. However, it turns out that the home invasion was not a one-off, and there are many other missing person cases in which the invaders may be involved. Meera falls into a rabbit hole as she takes it upon herself to find out the truth.
    Enjoy my entertaining conversation with Chris Sparling.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 137: The Art & Craft of the Romantic Comedy with Charles Shyer Sep 08, 2021
    Show notes

    We have on today, one of the best rom-com and comedy writers and filmmakers of all time a master at visual storytelling. I've been a fan of many of his films growing up, specifically, Father of The Bride. Now that I have two daughters of my own, it is fondly scary to rewatch it.
    Charles Shyer is an award-winning director, screenwriter, and producer whose work includes some of the best fuzzy-feel good films of all time. Shyer grew up in the film industry where his father worked with D.W. Griffith and was one of the founders of the Directors Guild of America.
    He is the director and writer of the 1991 comedy film, Father of the Bride starring Steve Martin, Diane Keaton, Kimberly Williams (in her film debut) in this remake of the Spencer Tracy classic, George (played by Steve Martin) and Nina Banks (played by Diane Keaton) are the parents of young soon-to-be-wed Annie (played by Kimberly Williams-Paisley). George is a nervous father unready to face the fact that his little girl is now a woman. The preparations for the extravagant wedding provide additional comic moments. Martin, a businessman, and owner of an athletic shoe company finds out his daughter is getting married, he finds himself reluctant to let go and goes on a spiral. It is one of those movies with a lot of smiles and laughter in it, and a good feeling all the way through. The film grossed $129 million and has had two sequels of it made in 1995 and 2020.
    He wrote and co-produced one of the most pivotal films in Lindsey Lohan’s career, The Parent Trap (1998). It captured the story of identical twins Annie and Hallie (played by Lohan), separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
    People fell in love with the movie and Lohan’s exceptional performance, leading to an instant box-office success with a $92.1 million gross.
    There are but few writers who are able to master the craft of romantic comedy, and Charles Shyer is one. His films include Private Benjamin (1980), Irreconcilable Differences (1984), Baby Boom (1987), the Father of the Bride sequels, The Affair of the Necklace (2001), etc.
    Shyer directed Baby Boom and co-wrote it with his long-time writing partner, Nancy Meyers in 1987. It stars Diane Keaton (a super-yuppie J.C) who discovers that a long-lost cousin has died, leaving her a fourteen-month-old baby girl as an inheritance. Like most of his films, this too was a box office success. Her life is thrown into turmoil.
    J.C. Wiatt is a successful New York businesswoman known around town as the "tiger lady." She gets news of an inheritance from a relative from another country and off the bat she suspects it's money. Well, it's not money, it's a baby girl. At first, she doesn't accept until the lady that gives the baby to her has to catch her flight. J.C. is now stuck with an annoying baby girl. Her boyfriend doesn't like the idea of a baby living with them and he leaves her. J.C. has enough of it and takes her to meet a family ready to adopt her. She leaves but hears the baby cry while walking away and has to go back. The baby is too attached to her now and won't let her go. Later, her baby gets into mischief which causes her to get fired. Now, she sets her eyes on an old two-story cottage in Vermont to get out of New York life. When she arrives, the house needs more help than originally thought. She gets bored one snowy day and decides to make apple sauce. Her baby loves it and she decides to sell it. Pretty soon everyone wants some of the baby apple sauce. J.C. hits it big and falls in love with a local veterinarian.
    All this happened after he made the switch at the start of his career in the industry, from pursuing directing to writing and landing a gig on the 1970 TV series, The Odd Couple. Where Shyer eventually worked his way up to head writer and associate producer, writing about twenty-four episodes of the show.
    The sitcom, The Odd Couple was formally titled onscreen as Neil Simon's The Odd Couple. It was broadcasted on ABC from September 24, 1970, to March 7, 1975, starring Tony Randall as Felix Unger and Jack Klugman as Oscar Madison.
    In our conversation, Shyer tackled the making of some of his well-known films and the changing writing culture in Hollywood. It’s always a good fun day at the office when I can chat up with folks like Charles.
    Enjoy my chat with Charles Shyer.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    Previous 1 41 42 43 44 45 59 Next

    Related Podcasts

    How Dare You.

    1

    How Dare You. Arts
    Hollywood & Levine

    2

    Hollywood & Levine Film Interviews
    Coffee With Kenobi: Star Wars Community & Conversation

    3

    Coffee With Kenobi: Star Wars Community & Conversation Film Interviews
    Awards Chatter

    4

    Awards Chatter Film Interviews
    The Tobolowsky Files

    5

    The Tobolowsky Files Film Interviews
    Indie Film Hustle® – A Filmmaking Podcast

    6

    Indie Film Hustle® – A Filmmaking Podcast Film Interviews
    footer-logo

    Contact Us

    Toll Free: 844-670-7747

    Links

    • Home
    • Top Charts
    • Networks
    • Apps
    • Independents Podcasts
    • Podcast Advertising
    • Podcast News
    • Contact Us
    • About Us
    • Analytics & Insights

    Stay Connected

      Privacy, Terms of Use & Our Code of Ethics Protecting Content Creators Copyrights