Bring Me The Axe! Horror Podcast

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99CR 27: Escape From The Bronx Feb 03, 2025

Show notes

This week Bryan and Dave take a trip back to Rome to check in with Enzo G. Castellari and Mark Gregory on their sequel to the 1982 action movie that exploited the popularity of The Warriors. This time they're exploiting the popularity of John Carpenter's outstanding, Escape From New York. We get more Trash and more Bronx gangs but this time we're joined by the absolute massive screen presence of Antonio Sabato and the movie's appeal rests entirely on the outrageous shoot-y, burn-y, explode-y violence that ups the ante and cranks the volume.

Escape From The Bronx has practically zero plot to speak of and is an incredibly dumb movie at heart but it's a lot of fun and some of the best action that Italy had to offer in the twilight of their once-great exploitation movie industry. Let us break it all down for you.

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66: Alice, Sweet Alice Jan 27, 2025

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This week Bryan and Dave take a look at a nasty little indie from New Jersey that can't help but get a little on ya. Alfred Sole's Alice, Sweet Alice is a vicious movie with a real bone to pick with the Catholic church.

Following his actual excommunication from the church having, Alfred Sole pulled together every resource he could, with a script co-written by Rosemary Ritvo and heavily, heavily inspired by Nicholas Roeg's Don't Look Now, it pits a community of deeply repressed middle-class Catholics against a killer who brutally murders a child in a church. Is it the deeply disturbed problem-child Alice? All signs point to yes but it's complicated, of course.

Perverse and dark in the extreme, Alice, Sweet Alice stands alone in the 1970's as a truly original, truly mean piece of horror with a hell of a cast and some seriously nasty special effects.

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(Sample) Do You Think I'm Spooky? S1E8: Ice Jan 23, 2025

Show notes

To unlock the full episode go to ⁠⁠⁠Patreon⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week's episode is a look at the egregious ripoff of The Thing (or the novel Who Goes There, depending on who you ask). It's the first in a series of episodes resulting from the power trio of director David Nutter, and writers Glenn Morgan and James Wong.

This episode sees Mulder and Scully accompany a team of scientists to a remote arctic science outpost in Alaska to investigate the sudden disappearance of the team that was conducting ice core drilling there and unexpectedly released something ancient, deadly, and likely from another planet.

99CR 26: The Apple Jan 20, 2025

Show notes

Hey! Hey! Hey! BIM's on the way! This week Bryan and Dave take a good long look at the abyss and the abyss stares back when they watch the movie that launched The Cannon Group into the American imagination, a movie musical so poorly received that it nearly drove its director to leap from his hotel balcony at the premier. The Apple is what happens when a producer knows that he wants to make a big musical that's sure to capture some of the excitement that Grease generated but without really knowing what makes a musical work. It's a movie so profoundly bad, with bad acting, bad characters, and the worst thing a musical can have: bad music. Nothing about this baffling movie works and it is plainly obvious for anyone to see. It's simply amazing that the director, Menahem Golan was so caught off guard by its failure.

Some movies are so bad that they end entire careers. This one almost ended Golan's life.

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65: The Changeling Jan 13, 2025

Show notes

This week Bryan and Dave find themselves comfortably back in the pocket with 1980's high-gothic haunted house picture where we're expected to believe that old man George C. Scott was also a father to an 8 year old girl. Based on the extremely dubious "true story" of the film's writer, The Changeling is a frustrating experience that combines compelling haunted house filmcraft with a clumsy script that can't decide where it's going or what it's trying to do.

Held aloft by horror fans for years as a truly spooky and unsettling haunted house/ghost mystery movie, we break it down and find that it may not be the movie that we remember. That said, is it good? Does any of this mess work? You'll have to listen to find out!

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(Sample) Do You Think I'm Spooky? S1E7: Ghost In The Machine Jan 09, 2025

Show notes

In yet another dog of a Gansa/Gordon episode, Mulder and Scully are called in for a hail Mary play by a lousy past-colleague Mulder's faces down a killer smart home system. This being the 90's and the writers having no idea how computers work, it ends up wobbly as their last outing, Conduit.

We also take a look at what was happening around Halloween in 1993 and the headlines and pop culture hits are every bit as weird as you likely don't remember. Take a trip back in time with us as we tackle it all!

99CR 25: Mommie Dearest Jan 06, 2025

Show notes

This week Bryan and Dave celebrate one year of 99 Cent Rental with the mother of all cult movies. Get it? It's a drag queen's dream come true. In 1977, reeling from being written out of her mother's will for reasons well-known to her, Christina Crawford, daughter of Hollywood legend, Joan Crawford published a vicious hit piece of a memoir about the alleged abuse she suffered at the hands of her mother and Hollywood couldn't wait to snatch up the option and transform it in a motion picture. Paramount came calling and took a book full of dubious claims and turned it into a movie full of even more dubious claims and a tone that shifts wildly from massively understated to flying dangerously off the handle.

If a crazy story wasn't enough, the troubled production, made even more difficult by Faye Dunaway's horrible diva behavior on set and the meddling of celebrity husbands pushed the studio and producer Frank Yablans to the brink.

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64: 2024 Horror Movie Roundup Dec 30, 2024

Show notes

2024 was a banner year for horror movies and Bryan and Dave are going to run you down the list of the best, worst, and most-okayest horror movies of the year. Where do your favorite titles drop? What did we think of Maxxxine? How about Terrifier 3? Longlegs? It's all in here and then some, a giant-sized episode to address 25+ titles. Our opinions are sure to make you mad.

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(Sample) Do You Think I'm Spooky? S1E6: Shadows Dec 26, 2024

Show notes

To unlock the full episode go to ⁠⁠Patreon⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week we look at the second Morgan and Wong joint of the season, the first of their tendency toward egregious ripoffs of horror movies you've probably seen. In this episode, Mulder and Scully investigate a series of deaths surrounding a woman who had a terribly unhealthy relationship with her boss, whose spirit might still be hanging around her, thwarting an Islamic terror cell and the corporate stooge who's supplying them with unspecified parts with which to carry out terror. It's all a little too much like The Entity but who are we to complain? In a wobbly first season, desperately trying to find its legs, it's one of the better early episodes.

63: Christmas Evil Dec 23, 2024

Show notes

This week Bryan and Dave wind down the year and celebrate the holiday season with a look at a movie that can only be called horror in the most charitable of terms. Christmas Evil is the tale of two parties: Lewis Jackson, a director whose ideas were too weird for commercial Hollywood and a wall of exploitation producers who saw potential in his weird little character movie to be exploited in the wake of Halloween. The result is a movie that's more like Taxi Driver than Friday the 13th, a comedy so black that most people miss the goofs. But it's a wonderful piece of Holiday weirdness carried almost entirely on the shoulders of its star, Brandon Maggart. It is a movie so well-made and off-beat that it's a real shame that its director became so disenfranchised from the film making experience entirely that he never returned.

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