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    History

    Breaking Walls

    Breaking Walls: The Podcast on the History of American Network Radio Broadcasting.

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    Latest Episodes:
    BW - EP154—009: Stars on Suspense in 1944—Gene Kelly is a Villain in "The Man Who Couldn't Lose" Aug 07, 2024
    Show notes

    Support Breaking Walls at https://www.patreon.com/thewallbreakers Speaking of actors playing roles on Suspense that went against their usual type, on September 28th, 1944 Gene Kelly guest-starred in an episode called “The Man Who Couldn't Lose.” Kelly, already known as a singer and actor, became famous in For Me and My Gal, Du Barry Was a Lady, and Thousands Cheer. However, it was his dramatic debut in Pilot No. 5 where Kelly played an antagonist that portended this appearance on Suspense. In “The Man Who Couldn't Lose” Kelly plays Leonard Snell, gambler, two-timer, and all around heel who runs into a string of good fortune that causes the audience to hate him more and more as the play goes on.


    BW - EP154—008: Stars on Suspense in 1944—Listen To Olivia De Havilland in "Voyage Through Darkness" Aug 06, 2024
    Show notes

    Support Breaking Walls at https://www.patreon.com/thewallbreakers Bill Spier recovered from his second heart attack in the fall, just in time for cooling weather, Friday night football games, and autumn dances. While Suspense aired all-year-round, it was perfect for brisk evenings. With Spier’s musical aptitude, a swelling orchestra had become a Suspense staple. Lud Gluskin and Lucien Morawek worked together to produce and conduct haunting, functional scores. Morawek told Radio Life that Spier was the most musically adept radio director he had ever worked with. On September 7th, 1944 Olivia De Havilland made her only appearance on Suspense in a play entitled “Voyage Through Darkness,” written by Joel Malone who was best known for his work on The Whistler. In this episode, De Havilland’s character is on a cruise home from England. Her deceased employer’s coffin is on board. She was directed to supervise his burial-at-sea. A stowaway is found. He’s believed to be “the Blackout Killer” of London. This would be the last episode of Suspense to air on different nights for the East and West coast. Beginning on September 14th all episodes of Suspense would air on the same night, making it easier for the Hollywood stars that were now lining up to work on the show. Roughly seven million people heard this broadcast.


    BW - EP154—007: Stars On Suspense In 1944—Listen to Vincent Price As A Mad Man In "Fugue In C Minor" Aug 05, 2024
    Show notes

    Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is famed actor Vincent Price. While Price was a film star, he had a unique contract which allowed him to act in as much radio as he wanted. By early June 1944 Price was thirty-three years old and had starred on Broadway and appeared in more than ten films. On Thursday June 1st and then again on Monday June 5th for the west coast, Price appeared with Ida Lupino in an episode of Suspense called “Fugue in C Minor.” Written by Lucille Fletcher, it’s a horror story about a widower and woman who fall in love through their sharing of classical music. As their relationship progresses, the woman learns the man’s children think their father murdered their mother and hid her body in a room behind the mechanism of their home’s pipe organ. The instrument is so large it is part of the very structure of the house. While Vincent Price was very comfortable working in radio, many film stars weren’t. By the time this west coast version of Suspense was airing Monday June 5th, 1944 at 9PM over KNX, allied soldiers were in their boats, slowly making their way across the English channel to begin their invasion of the Normandy coast of France. This would be Vincent Price’s last broadcast before departing for military service. For more info on the D Day invasion, tune into Breaking Walls episode 152 which covers the entire broadcast day.


    BW - EP154—006: Stars on Suspense in 1944—Listen To Orson Welles Take Over Suspense in May 1944 Aug 03, 2024
    Show notes

    Support Breaking Walls at https://www.patreon.com/thewallbreakers In May of 1944 Orson Welles appeared on Suspense three times. The first of which was on May 4th in “The Dark Tower,” a play originally written by George S. Kaufman and Alexander Woollcott. Adapted for Suspense by Peter Barry, Woollcott had died in January of 1943. In many ways, the play is a satire of Welles’ friend, John Barrymore, and it's ripe with innuendo and other inside humor. Featured in this episode as Jessica was Jeanette Nolan. Like so often in Bill Spier’s productions of Suspense, Hans Conreid played a villain. Here’s fellow actor Byron Kane talking about Orson Welles and Hans Conreid. On May 15th, 1944, Orson Welles was placed on the U.S. Treasury payroll to consult for the duration of the war. His pay: an honorary one dollar. On May 18th Welles starred in part one of “Donovan’s Brain,” based on the 1942 Curt Siodmak novel. Welles played Dr. Patrick Cory, who successfully learns to keep a brain alive outside the human body. The sound-effects were outstanding for their time. “Donovan’s Brain” is considered one of the first adult science-fiction broadcasts. After this evening’s show, Orson Welles and Bill Spier were having dinner at the Players Restaurant in Los Angeles when Spier suffered his second major heart attack in ten months. He was immediately placed on bed rest. In the studio he was replaced by CBS executive Robert Lewis Shayon. Although he’s once again recovered, heart problems continued to plague Bill Spier for the rest of his life. Just two days after the west coast broadcast of part two of “Donovan’s Brain”, Welles spoofed it on his Orson Welles Almanac program. Performed live at the Air Transport Command in Long Beach, California, among those in the cast for the parody were Suspense regulars John McIntire and Hans Conried. For more info on this time in Welles’ career, tune into Breaking Walls episode 104.


    BW - EP154—005: Stars On Suspense In 1944—Listen to Joseph Cotten Stars In "Sneak Preview" Aug 01, 2024
    Show notes

    Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Joseph Cotten. In 1944 he was guest-starring on various shows while also hosting Ceiling Unlimited. On March 23rd, 1944 Cotten starred in “Sneak Preview” written by Robert L. Richards. It’s a story about a film director who becomes a temporary detective as he tracks down a double agent. Richards is perhaps most famous amongst Suspense fans for his 1946 script, “The House in Cypress Canyon.” Richards, Joe Cotten and Bill Spier had known each other since The March of Time in the 1930s. The rating for this episode was 9.5. More than seven million people tuned in. Suspense had gained a full ratings point and more than a million listeners in eight weeks. To hear Joseph Cotten on Ceiling Unlimited in 1944, please tune into Breaking Walls episode 150.


    BW - EP154—004: Stars on Suspense in 1944—Listen to Lucille Ball Star in "Dime A Dance" Jul 30, 2024
    Show notes

    Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Hans Conried. In late 1943 he was thirty-six years old and all over radio. When Suspense moved to Hollywood, Conried quickly became part of William Spier’s trusted circle of character actors, often playing more than one part. Conried honed his craft in the 1930s. To Bill Spier’s credit, he did his best to allow them the time to have parts on other shows. Spier’s rehearsals were known for their loose atmosphere. He selected the best radio actors to be part of the Suspense troupe. This circle included Wally Mayer, Jeannette Nolan, Joseph Kearns, John McIntire, and Lurene Tuttle. Lurene Tuttle later worked with Spier on The Adventures of Sam Spade. Spier had a habit of purposely going into a broadcast with a script that was a minute or two long so the actors were forced into high tension. Spier wouldn’t allow a studio audience. He placed the orchestra behind a screen, out of sight of the cast so that the actors could better concentrate on their performance. Suspense found sponsorship in the fall of 1943 with Roma Wines. The show moved to Thursdays at 8PM eastern time. The first sponsored episode was called “The Black Curtain” and starred Cary Grant. It’s the first time listeners heard both the phrases “A tale well calculated to keep you in Suspense” and “radio's outstanding theater of thrills.” Uniquely, West Coast and Mountain time would get a separate broadcast on Monday December 6th. This broadcast split would continue until September of 1944. The next month on January 13th, 1944 Lucille Ball starred in an episode called “Dime a Dance.” The script was based on a story by Cornell Woolrich and adapted by Bob Tallman. Tallman wrote scripts in a single day with edits done in the hour between rehearsal and broadcast. Thirty-two and a seasoned film actress, in 1944 Ball began to carve out a second career on the radio. She appeared on Duffy’s Tavern, Abbott & Costello, and The Screen Guild Theater. In “Dime a Dance” she plays a dancer in a hall. A serial killer is targeting young women. Her character, Ginger Allen, gets involved in tracking the killer down. This episode’s rating was 8.5. Roughly six million people tuned in. For more info on Lucille Ball’s radio career, tune into Breaking Walls episode 100.


    BW - EP154—003: Stars On Suspense In 1944—The Show Moves To Hollywood; Sorry Wrong Number Jul 28, 2024
    Show notes

    Support Breaking Walls at https://www.patreon.com/thewallbreakers Bill Spier’s Hollywood Suspense episodes got good reviews. He returned to New York for seven more shows while he got the green light to move Suspense to the West Coast. The first permanent Hollywood show was “Fear Paints a Picture” on April 13th, 1943. John Dickson Carr continued as writer until June, but Spier began to look for other voices, like Lucille Fletcher, who followed up “The Hitch-hiker” with “The Diary of Sophronia Winters,” starring Agnes Moorehead. The two would reunite a month later, on May 25th, 1943, for the most famous Suspense episode of all-time, “Sorry, Wrong Number.” Bill Spier did not direct this episode. It was handled by Ted Bliss. Although only thirty-six, Spier had recently suffered a heart attack. “Sorry, Wrong Number” was so harrowing, and Agnes Moorehead’s tour-de-force performance was so gripping to even the rest of the people in the studio, that a now-famous missed cue happened. I’ll let Ms Moorehead explain. Although Spier wanted to repeat the broadcast immediately, it was finally redone on August 21st. At that time CBS was in talks with Colgate to sponsor the series. The performance was heavily promoted, along with a time change. Suspense would be moving to Saturdays with this show. The August 21st, 1943 episode was the first time two different productions for each coast were done. CBS was attempting to deliver a large audience to entice Colgate to buy the series. The first broadcast was done at 4:30PM Pacific time for the East, while the second was done at 8PM for local audiences. Here’s the ending to the August 21st, 1943 broadcast of “Sorry, Wrong Number,” coming from the East Coast broadcast, as it was intended to have been performed the first time. Four days later Variety was enthusiastic in its praise for the broadcast. Hans Conried played the murderer. Besides the slightly missed cue, why was this story repeated so soon after? CBS was flooded with letters and phone calls. A funny thing happens as you listen to Mrs. Stevenson complain, you begin to like her less and less. This was intentional. Writer Lucille Fletcher was born in New York City on March 28th, 1912 and patterned the character after snooty women she’d had obnoxious dealings with in New York. At that time, only forty percent of U.S. homes had a phone. The fictional Stevenson home address of North Sutton Place was patterned after Sutton Place in New York City. It was one of the most exclusive areas on Manhattan’s east side. As researcher Dr. Joseph Webb put it, ​​“regular people” were dealing with the scarcities and uncertainty of the War. Everyone was sacrificing in one way or another or had family members in the service.” Mrs Stevenson’s complaints slowly erode the audience's sympathy for her, but still no one was expecting her to actually be murdered at the end, atypical of climaxes at that time. Despite the praise, the Saturday experiment ended the following week. Spier recovered from his heart attack and returned on September 23rd, 1943, taking over direction. Colgate passed on sponsoring the series. Suspense went back to one national broadcast, but by November, Roma Wines would sign on, becoming the sponsor, and increasing Suspense’s budgets exponentially. #suspense #oldtimeradio #oldtimeradioshows #otr #historypodcast #oldhollywood #mysteryfiction


    BW - EP154—002: Stars On Suspense In 1944—Suspense Launches In New York And Bill Spier Takes Over Jul 26, 2024
    Show notes

    Support Breaking Walls at https://www.patreon.com/thewallbreakers Willam Spier was born on 10/16/1906 in New York City. He began his career as an editor at Musical America Magazine, eventually becoming its chief critic. His radio career began in 1929, when he produced and directed The Atwater-Kent Hour, a Met Opera presentation. He soon became a valuable member of BBD&O’s growing staff of radio writers & directors. In 1931 Spier went to Hollywood to direct one of the first big budget radio programs in southern California. Coming back to New York, he was one of the people responsible for the creation of The March of Time. In 1940 Spier left BBD&O & began working for CBS. He was soon their story editor. Meanwhile, CBS decided to bring Forecast back. Season two premiered on 7/14/1941, with a play from Hollywood called The Arabian Nights. It starred Marlene Dietrich & was directed by Charles Vanda. The following week Kay Thompson starred in 51 East 51 from New York. It was an on-the-scene comedy at a fictitious upscale New York bar. Her director that evening was Bill Spier. The two were soon dating, marrying in 1942. Two weeks later, Spier produced & directed a Forecast episode called Song Without End, starring Burgess Meredith & Margo. It was to be a biopic on musicians and composers. That autumn Vanda & Spier were in New York, pushing for the launch of Suspense as a CBS cost-sustained show. On Sunday 12/71941 Japan attacked Pearl Harbor & Manilla, finally thrusting the US into World War II. The next Sunday, as CBS prepared for the Monday multi-network broadcast of Norman Corwin’s We Hold These Truths, Bill Paley finally approved Suspense’s launch as a thirteen-week summer series in 1942. Vanda got Harold Medford to come East to write. Although Bill Spier was head of CBS’s New York Story Department, it was Harold Medford who polished the first seven shows. Vanda also got CBS musician Bernard Herrmann to compose the show’s score. Suspense premiered on Wednesday June 17th, 1942 at 10:30PM eastern time. The first episode, “The Burning Court” was adapted from a story by John Dickson Carr. Seeking a star, Vanda chose Charlie Ruggles. Known for his comedic flair, Ruggles was in New York for the opening of his latest film, Friendly Enemies. Vanda believed that Suspense could cast against type. It came to be a show staple. Charles Vanda wound up only being in charge of the first five shows. He went into the army. The second show was the John Collier mystery “Wet Saturday,” a grim tongue-in-cheek tale of murder. The final three shows by Vanda were a take on the Lizzie Borden case, a murder story aboard a train, & a thrill kill, “Rope” that Alfred Hichcock later shot with James Stewart. With Vanda entering the service Bill Spier took over the production. Spier’s first episode as producer was on 7/22/1942. On 9/2 Suspense broadcast Lucille Fletcher’s “The Hitchhiker.” At the time Fletcher was married to Bernard Herrmann. “The Hitchhiker” starred Orson Welles. Welles & Spier had known each other since The March of Time. Welles just returned from Brazil where he’d been promoting greater Pan-Americanism on behalf of RKO. It was his first appearance on Suspense. When the thirteen-week summer run ended, CBS was set to cancel the series. The last episode was called, “One Hundred In the Dark.” It aired on September 30th, 1942. In the end Suspense was saved by the amount of fan mail & phone calls to CBS. Spier pushed to link the show with a prestigious mystery author. He approached the agent of John Dickson Carr, who’d written “The Burning Court,” & a deal was soon in place for him to write exclusively for the program. CBS picked up Suspense for the fall season and put it on the air Tuesdays at 9:30PM beginning 10/27. John Dietz returned as director and a foreboding narrator, “The Man In Black,” was played by Ted Osborne.


    BW - EP154—001: Stars On Suspense In 1944—Suspense Is Born In Forecast Jul 25, 2024
    Show notes

    Support Breaking Walls at https://www.patreon.com/thewallbreakers In July of 1940 CBS’ Lux Radio Theatre was scheduled for its summer hiatus. Lux aired sixty-minute condensations of films Mondays at 9PM. Pulling a rating of 23.7, it was CBS’s highest-rated show and Monday’s most-listened to program. Head of CBS William Paley and Program Director Bill Lewis wanted to use the vacated time slot to attract both audience participation and potential sponsors. At that time, CBS’s story editor was William Spier. They decided to launch a pilot series to workshop new shows. They called it Forecast. It debuted on July 15th, 1940. Each week two thirty minute shows — one from New York and one from Hollywood — aired live. CBS petitioned their audience to write in about the pilots they liked. On July 22nd at 9:30PM, a Forecast took to the air starring Herbert Marshall, Edmund Gwenn, and Noreen Gammill. This particular one was conceived by Charles Vanda. Born in New York on June 6th, 1903, Charles Vanda got into radio and moved to Los Angeles in 1935 to be the CBS West Coast Program Director. Although Los Angeles was still a minor outpost for radio, by decade's end it overtook Chicago and matched New York as a major broadcasting hub. William Paley was keen on pushing programming in Hollywood and Vanda’s boss Bill Lewis was a man who proudly championed shows like The Columbia Workshop. Among the people Lewis helped was Norman Corwin. Vanda conceived the mystery program as a drama with famous stars, a large orchestra, and a well-known host. The man Vanda wanted was Alfred Hitchcock. It was Hitchcock who came up with the show name, Suspense. On July 22nd, the day Suspense was to air, Hitchcock was unexpectedly called to New York and wouldn't be able to appear. Rather than change directions, British actor Edmond Stevens imitated Hitchcock. But, the broadcast flopped. Variety said, “Alfy, old boy, don't ever do that to us again,” referring to the open ending. That, along with Hitchcock’s spotty availability spooked advertisers. No one wanted to sponsor the program. Suspense was mothballed. Of all the pilots that aired during season one of Forecast, only Duffy’s Tavern got picked up, and even that didn’t happen until March of 1941. Charles Vanda was soon called back to New York to produce shows like The Columbia Workshop. There he worked with William Spier. Within two years the duo would finally bring Suspense to the air.


    Thank You To Those Who Have Recently Supported Breaking Walls On Patreon Jul 19, 2024
    Show notes

    Thank you to those who recently supported the show at https://www.patreon.com/thewallbreakers. If you support Breaking Walls for as little as $1 a month, you'll get each episode's show early and in one long documentary. Each month's episode takes me somewhere between 30-60 hours of work time to complete and supporting through the Patreon does a LOT to help me keep doing the show and paying for hosting and other costs. I’ve been doing the show since February of 2018 and I’m honestly not sure how much longer I can do the show without being able to support it. At the $5 and up tier I'm posting other goodies and clips of historic radio interest. Right now I’m posting digitized transcriptions of CBS Dimension, CBS’s magazine of the air in vignette form. It was sent to affiliates via records in the early 1960s and in some ways was an answer to NBC’s Monitor. Expect these kinds of posts a couple of times per week. Also, a couple of times per month I'm going to release an old episode of Breaking Walls, which has fallen off the RSS feed, beginning with episode 75 to the Patreon feed. These will be available at the $1 and up tier and episodes 75, 76 and 77 have been uploaded. Anyway, in the next couple of days I’m going to have August’s episode of Breaking Walls, #154: Stars on Suspense in 1944, uploaded to Patreon. Thank you for being listeners of this show, I really appreciate it. By the way, I don’t always get a ton of feedback, so I don’t know who’s listening to Breaking Walls and who isn’t. I just see the numbers. So if you have anything that you’d like to say or ask me about the show, please send me an email at James@TheWallBreakers.com.


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