Stay ConnectedLongtime film critics Christy Lemire and Alonso Duralde nourish your ears with movie reviews and news every Tuesday and Friday. We’re the most important meal of the day, all day long. We used to be What the Flick?!
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It's an emotional week on Breakfast All Day as the coronavirus continues to impact all of our lives and the world around us. Christy, Matt and Alonso provide you with our weekly update and even get a little teary-eyed (at least Christy does, talking about her former AP colleague Nick Jesdanun, a marathon runner and lovely guy who died from the virus this week at age 51). But we are a movie podcast first and foremost, so we also bring you reviews of the excellent "Never Rarely Sometimes Always," the documentary "Crip Camp" and the drama "Uncorked," all of which are available through streaming. And over at our Patreon, we discuss episodes 4-7 of "Tiger King" on Netflix, where things take a dark turn, plus recap the latest on HBO's "Westworld" and "The Plot Against America." We're so grateful to you all for sticking with us and hope we can brighten your day a bit. Thanks and stay safe.
There are so many movies to watch during these strange days when we're all stuck at home, so hopefully we can bring you a little guidance this week on Breakfast All Day. Matt, Alonso and Christy review the comedy "Banana Split" (from director Ben Kasulke, an A La Carte alum), the WWII drama "Resistance," Hulu's "Big Time Adolescence" starring Pete Davidson and the Brazilian thriller "Bacurau." All are streaming. Plus! We go back and revisit "Dirty Dancing," which for some reason Matt had never seen. And over at our Patreon, we discuss the first three episodes of the insane Netflix series "Tiger King," as well as the latest episodes of HBO's "Westworld" and "The Plot Against America." We've had the time of our lives, and we owe it all to you.
Podcasting in the time of coronavirus is a challenge, but we're insistent on sticking together and making it work on Breakfast All Day. Alonso, Matt and Christy begin — as we probably will for weeks to come — with an update on how the pandemic is impacting the entertainment industry, including the many ways celebrities are using their talents for good from afar. We also review movies you can watch from home through streaming services: the chilling and meticulously crafted thriller "Swallow," and the quirky genre mashup "Blow the Man Down." Both are available through Amazon Prime. And over at our Patreon, we discuss the extremely appropriate movie our subscribers chose for us to review — Steven Soderbergh's "Contagion" — and we recap the first episodes of "The Plot Against America" and the new season of "Westworld," both on HBO. Apologies in advance for the spotty audio quality — we recorded this on Skype, and we're still trying to figure it out. Stay safe, and thanks for staying with us.
We're giving you all a virtual hug while still maintaining proper social distancing on this week's Breakfast All Day. Matt and Christy spend a big chunk of the latest episode discussing the impact of the coronavirus on the entertainment industry in general and our lives specifically. But because we are indeed a film review podcast, we play catch-up with Pixar's "Onward" from last week, and we discuss the supposedly controversial satire "The Hunt," which was delayed several months from its original opening date. And over at our Patreon, we recap the final two episodes of both "The Outsider" and "McMillions" on HBO. We hope this all helps you somewhat, or at least provides a bit of a distraction or a pick-me-up during these scary, stressful times. Stay indoors, stay safe and thanks for staying with us.
We've never had a production designer on Breakfast All Day A La Carte, so it was a blast chatting with Jake Tremblay (not to be confused with the kid from "Room"). Jake has worked on several commercials and music videos and is now moving into feature films. He talks about growing up with a devoutly Roman Catholic family in small-town New Hampshire; being homeschooled by his mom until eighth grade, where he was constantly drawing, painting and building, skills he uses all the time now; getting into theater in high school and college at University of New Hampshire, where he also came out; and starting his career as an actor and model in New York before landing in Los Angeles. And of course, he discusses what goes into being a production designer — it's not just building sets and gathering props but also managing continuity, keeping track of budgeting and making sure the cast and crew are safe in the environments he creates. Christy loves learning about the nuts and bolts of filmmaking, so this was a truly fascinating conversation. Hope you enjoy, too.
Documentary filmmaker Janice Engel is the director and producer of "Raise Hell: The Life and Times of Molly Ivins." She's a really cool woman who made a movie about a really cool woman, and Christy was so happy to chat with her for the latest A La Carte. Janice talks about growing up in Massapequa on Long Island, New York, where her father fostered her early love of classic movies; how curiosity was a driving force from a young age; studying film at USC, then marrying her interests in journalism and filmmaking by directing and editing music documentaries; her fascination with subcultures, including the Miss America pageant and bodybuilders; and how humbling it is when people let her into their lives to tell their stories. She also discusses her work as a showrunner on the TV series "Addicted," and, of course, the Molly Ivins doc, which is available through streaming. Janice has had so many fascinating experiences and she shares great insights. Listen and enjoy.
We can feel you watching us — or at least listening to us — on Breakfast All Day. This week, Christy, Alonso and Matt review the surprisingly excellent "The Invisible Man" and we play a bunch of catch up with "Sonic the Hedgehog," "Call of the Wild," "Emma." and "Seberg." And for our Patreon subscribers, we recap this week's episodes of "The Outsider" and "McMillions" on HBO, plus we have our latest Off the Menu review of Spike Lee's "Summer of Sam," which our lovely subscribers chose for us. Join us … if you dare.
Indie film producer Jeff Culotta has had a truly singular path, which ranges from Lawrence Welk to Richard Kelly to Bobcat Goldthwait, and we get to all of it on this week's A La Carte. Jeff discusses growing up in Abilene, Texas, and rebelling against his Air Force colonel father; moving to Austin, where the South by Southwest festival became a huge influence on the path he'd follow; then moving to Los Angeles to pursue a career in music and hooking up with Kelly on "Southland Tales," which he describes as his film school. He talks about wearing many hats as a producer on movies including "World's Greatest Dad," "Bad Words" and the Jimi Hendrix biopic "Jimi: All Is By My Side," as well as the challenges and opportunities of streaming and whether we should take our kids to R-rated movies. (The answer: Maybe …?) I love talking movies with Jeff so this was a blast. Listen and enjoy.
It's a short but semi-sweet week on Breakfast All Day. Christy's out sick so it's just Alonso and Matt, slogging their way through a catch-up review of the terrible film version of "Fantasy Island." On the bright side, though, we also chat about the delightful sequel "A Shaun the Sheep Movie: Farmageddon," which you can enjoy right now on Netflix. And over at our Patreon, we discuss the latest episodes of "The Outsider" and "McMillions," both of which you can (and should) watch on HBO. Thanks for sticking with us and we'll be back with lots more next week.
Morgan Patterson is a longtime location manager who has worked on such varied films as "Top Gun: Maverick," "Ford v Ferrari," "Iron Man 3," "The Nice Guys" and "Death at a Funeral." He talks all about the juggling his job requires on the latest A La Carte conversation. Morgan discusses growing up in Westchester County north of New York City with parents who were immigrants from South Africa, beginning his career getting hands-on experience doing editing and post-production, starting as a location manager in the Catskills on the 2006 drama "Stephanie Daley" and beginning work in Los Angeles on "Drillbit Taylor." Morgan describes how he scouts based on what's in the script, what goes into modifying a location to make the space work for a shoot and then returning it to its original state, and coordinating with various departments on their needs. And of course I had to ask him about working with Tom Cruise on the upcoming "Top Gun" sequel. His best advice: Knowing how to talk to people is half the job. This was a really interesting one, especially if you're curious about the nuts and bolts of filmmaking. Enjoy.
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