Home to the Spectator’s best podcasts on everything from politics to religion, literature to food and drink, and more. A new podcast every day from writers worth listening to.
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Home to the Spectator’s best podcasts on everything from politics to religion, literature to food and drink, and more. A new podcast every day from writers worth listening to.
Hosted on Acast. See acast.com/privacy for more information.
As Labour looks to get a grip on public spending, one rebellion gives way to another with the changes to the Special Educational Needs and Disabilities (SEND) system threatening to become welfare round two.
On this week’s Saturday edition of Coffee House Shots, Lucy Dunn is joined by The Spectator’s Michael Simmons and former Ofsted chief Amanda Spielman to explore what the government is planning – and why so many Labour MPs are worried. Is the system failing the children it's meant to support, or simply costing too much? And can Labour afford to fix it without tearing itself apart?
Listen for: Amanda on the unintended consequences of the 2014 SEND overhaul; why teaching assistants may not be the silver bullet schools think they are; and Labour’s mess over Ofsted. Michael Simmons also outlines the fiscal timebomb threatening local authorities; the cultural shift post-Covid that’s changed how we approach education; and why one Labour insider is warning, ‘If you thought cutting support for disabled adults was bad, wait till you try it with children.’
Produced by Oscar Edmondson.
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This week: Sophia Falkner profiles some of the eccentric personalities we stand to lose when Keir Starmer purges the hereditary peers; Roger Lewis’s piece on the slow delight of an OAP coach tour is read by the actor Robert Bathurst; Olivia Potts reviews two books in the magazine that use food as a prism through which to discuss Ukrainian heritage and resistance; Aidan Hartley reads his Wild Life column; and Toby Young reflects on the novel experience of being sober at The Spectator summer party.
Hosted and produced by Oscar Edmondson.
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This week: Peerless – the purge of the hereditary peers
For this week’s cover, Charles Moore declares that the hereditary principle in Parliament is dead. Even though he lacks ‘a New Model Army’ to enforce the chamber’s full abolition, Keir Starmer is removing the hereditary peers. In doing so, he creates more room, reduces the Conservatives’ numerical advantage, and improves ‘the sex and ethnic balance’. But 86 hard-working and dutiful peers ‘lacking worldly ambition or partisan passions’ will be lost.
Also in the magazine, Sophia Falkner, researcher at The Spectator, sets out exactly what we stand to lose by profiling some of the most capable hereditary peers in the House. She warns that Labour’s purge is ripping the heart out of the Lords. Sophia and Charles spoke to Natasha Feroze earlier this week on Spectator TV – you can also hear their discussion on the podcast. (01:10)
Next: Why should the hunt for the next Archbishop of Canterbury be ‘inclusive’?
That’s the question Revd Fergus Butler-Gallie asks in the magazine this week. ‘It will be a miracle,’ writes Butler-Gallie, ‘if we know the name of the new Primate of All England by the autumn.’ Justin Welby announced his resignation as Archbishop of Canterbury last November; it took until May this year even to assemble the committee to discuss his potential successors.
For Butler-Gallie, the process doesn’t have to be swift – it only has to be ‘holy’. To discuss what exactly constitutes a ‘holy process’ – and what this drawn-out process says about the Church – he joined us alongside Esme Partridge, journalist and master’s student in philosophy and religion at Cambridge University. (18:57)
Finally: Does AI belong on the tennis court?
Patrick Kidd writes in the magazine about the creep of AI spoiling sport, following a high-profile incident during this week’s Wimbledon tournament in which the AI system stands accused of ‘human error’. To discuss, Kidd was joined by Dr Tom Webb, founder of the Referee and Sports Official Research Network. (34:16)
Hosted by William Moore and Gus Carter
Produced by Oscar Edmondson and Ed Harvey
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My guest this week is the writer M. John Harrison, who joins me to talk about the rerelease of his 1992 novel The Course of the Heart – a deeply strange and riddling story of grief, friendship, memory and occult magic. We talk about why this book is so personal to him, what he learned from Charles Williams and Arthur Machen, turning his back on science fiction/fantasy and returning to it – as well as how probably the most acclaimed of all his novels, Light, came about after Iain Banks told him he wasn't having enough fun.
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Zut alors! The French are in town. Emmanuel Macron is on his state visit this week, spending time today with the King and tomorrow with the Prime Minister. His itinerary includes a state dinner and an address to both Houses of Parliament this afternoon.
All the pageantry, of course, is for a reason: to defrost what Tim Shipman calls the ‘entente glaciale’ and the stalemate over migration. Keir will be hoping to get the French to sign a ‘one in, one out’ migration deal – with Labour seemingly surprised that, upon coming into power, the French didn’t roll over and make concessions on small boats when a left-wing government took office. Can we expect a new entente cordiale? Is there anything in it for Macron when it comes to stopping the boats?
We also received the sad news today that Tory grandee Norman Tebbit and regular Spectator contributor Jonathan Miller have passed away. We remember both of them on the podcast.
James Heale speaks to Tim Shipman and Freddy Gray.
Produced by Oscar Edmondson and Megan McElroy.
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Victor Davis Hanson, classicist, historian, and author of The End of Everything, joins Freddy Gray to discuss Zoran Mamdani’s shock candidacy win, the future of the Democratic Party, and rising class tensions in American politics. They also explore third-party prospects, Trump’s economic policies, and shifting global dynamics.
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Cast your mind back a year. Labour had just won a storming majority, promising ‘change’ to a stale Tory party that was struggling to govern. But have things got any better?
In the magazine this week, Tim Shipman writes the cover piece to mark the occasion of Labour’s first year in government. He takes readers through three chapters: from Sue Gray (freebies scandal and winter fuel cut) to Morgan McSweeney (a degree of professionalisation and dealing with the Donald) to the point at which ‘things fall apart’ (assisted dying, the welfare vote and Reeves’s tears).
On the podcast, Tim is joined by The Spectator’s James Heale as well as sketchwriter and long-time Westminster mischief-maker Quentin Letts to go through the events and personalities that have contributed to the dysfunction.
Listen for: Tim’s run-in with Lord Hermer at the US Ambassador’s bash; why Jeremy Corbyn’s mooted political party could cause a chasm in the Labour party to rival the one tearing the Conservatives apart; who the targets for the chop might be, should there be a reshuffle; how young members of the Labour party are beginning their charm offensive on Angela Rayner; and why politicians have failed to grasp the banal fundamentals that make a great political performer.
Produced by Oscar Edmondson.
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On this week’s Spectator Out Loud: John Connolly argues that Labour should look to Andy Burnham for inspiration (1:51); Gavin Mortimer asks if Britain is ready for France’s most controversial novel – Jean Raspail’s The Camp of the Saints (4:55); Dorian Lynskey looks at the race to build the first nuclear weapons, as he reviews Frank Close’s Destroyer of Worlds (11:23); Steve Morris provides his notes on postcards (16:44); and, Lloyd Evans reflects on British and Irish history as he travels around Dublin (20:44).
Produced and presented by Patrick Gibbons.
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This week: one year of Labour – the verdict
In the magazine this week Tim Shipman declares his verdict on Keir Starmer’s Labour government as we approach the first anniversary of their election victory.
One year on, some of Labour’s most notable policies have been completely changed – from the u-turn over winter fuel allowance to the embarrassing climb-down over welfare this week. Starmer has appeared more confident on the world stage but, for domestic audiences, this is small consolation when the public has perceived little change on the problems that have faced Britain for years. Can Starmer turn it around?
Tim joined the podcast alongside the Spectator’s editor Michael Gove. What would they say Starmer’s greatest mistake, and biggest success, have been over the past year? (1:46)
Next: would Zohran Mamdani ruin New York?
In the magazine this week, the Spectator’s deputy US editor Kate Andrews writes about Zohran Mamdani – the self-declared ‘democratic socialist’ who defied expectations to become the Democratic Party’s presumptive candidate for the New York City mayoral election this November.
From a little-known state assemblyman to the mayoral heir presumptive – how did Mamdani do it? And what effect could his policies have? Kate joined the podcast alongside the Spectator’s US editor Freddy Gray. (24:03)
And finally: ‘admit it – most wedding toasts are awful’
Are wedding toasts as awful as Madeline Grant says they are in the magazine this week?
Maddie writes about the trend for multiple speeches at weddings, beyond the traditional three, blaming creeping Americanisms and the feminist revolution, amongst other things. These, compounded with widespread poor oratory skills, means the playbill looks ‘fuller and fuller’ and guests are denied a moment to ‘at least dull the horror with alcohol’. Should we push back against the trend?
Maddie joined the podcast alongside professional speechwriter Damian Reilly. (35:37)
Hosted by William Moore and Gus Carter.
Produced by Patrick Gibbons.
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Sam Leith's guest in this week’s Book Club podcast is one of the most popular living thriller writers. Karin Slaughter has made her native Georgia her fictional territory, and she joins Sam as she launches a new series set in a whole new county, with the book We Are All Guilty Here. They talk 'planning versus pantsing', what it means to write violence against women as a woman and how becoming the showrunner for television compares to the sovereignty of the novelist.
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