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    Visual Arts

    Austin Art Talk

    The goal of the podcast is to facilitate connections with and to learn from the successes, struggles, life experience, and wisdom of the people featured, most of whom live and create in Austin, Texas. The honest conversational flow of these weekly long form interviews lends itself to some really great insights and information that is available to anyone who wants to listen. Join us to explore the origins, stories, lessons, lives and work of those in our community who are at the forefront of creative expression. The podcast is hosted by photographer, art enthusiast and collector, Scott David Gordon.

    Advertise
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    Latest Episodes:
    Episode 27: Faustinus - El Subconsciente May 05, 2018
    Show notes

    "We all are photographers. Everybody will have their own excuses to take photos. But to me just being able to keep shooting I think it is already in my veins, in my mind, in my heart, in my soul."

    Photographer Faustinus Deraet learns more about himself every time he clicks the button on his camera, captures an image, and makes a print. These images are windows into his subconscious (subconsciente) which end up revealing something deeper that needs to be expressed. He also uses photography as a journal of his life as he tries to be fully in every moment and find balance. The work he creates is initially only for himself and is for the pure joy of it. The universality of his images are not as much about a specific place but more a kind of language of relationship, reality, and of something deep in the soul.

    What a fun and lighthearted conversation. Faustinus is such charming and humorous guy and his images really speak to me. We talk all about how he got started in photography and speak about his work, views on life, and his upcoming solo exhibit at the Dougherty Arts Center.

    “Chilango Subconscious is a collection of street photography by Faustinus Deraet taken in Mexico City. Guided by the artist’s subconscious, chance encounters result in candid images that look closely at the urban environment.”

    Chilango Subconscious

    Dougherty Arts Center

    May 11th - June 2nd, 2018

    Artist Reception: May 11, 2018 6-8pm

    Artist Talk: May 30th, 7 to 8pm

    West Austin Studio Tour May 12-13 and 19-20, 11am to 6pm

    DAC - Contact Info
    Phone: 512-974-4000

    1110 Barton Springs Rd. 
Austin, TX 78704

    Open Hours:
    Monday - Thursday 10 AM - 10 PM
    Friday 10 AM - 6 PM
    Saturday 10 AM - 4 PM


    Some of the subjects we discuss:

    His previous career at IBM
    Quitting his job
    Studying photography
    La Vida Privada
    Moving to Austin
    Making new friends
    Building relationships
    Looking at yourself
    Work about a death
    Relationship of things
    Repetition of life
    Shooting anywhere &
    For yourself
    No mobile phone
    Making prints
    Joy of the click
    Austin photos
    Self portraits
    Banner image by Faustinus from Chilango Subconcious

    Links:

    • Faustinus Deraet : Photographer
    • Faustinus Deraet WEST 2018 Sneak Peak
    • Dougherty Arts Center - WEST 2018 flyer
    • Davis Gallery - Faustinus Deraet
    • Keith Carter Photographs
    • William D. Wittliff - Wikipedia
    • Austin Art Talk Podcast Episode 1: Stephen Clark Gallery

    Episode 26: Karen Hawkins - The Pink Bow Project Apr 29, 2018
    Show notes

    "I am just grateful that people are finding this as an outlet to be able to say that this happened to them. As a way of walking through and finding some semblance of healing in it or using it as their very first outcry. There are people who have reached out to me who have never told anyone else……There is a true feeling of empowerment in doing this. It’s been so cathartic for me. Whether you are a survivor or not the one thing that I hope will happen is that it will make people talk."

    The Pink Bow Project is an installation at Gallery Shoal Creek in Austin, Texas from April 13th to May 12th, 2018. Fifty two panels each with 1000 bows to approximately represent the substantiated cases of sexual abuse of females under the age of 18 each year in the US. The problem with that reported number is that it is likely very low when considering all of the factors that go into and work against each case first being shared, then believed, and lastly officially proven.

    Every aspect of the installation has meaning and at first the beauty of it is disarming and it’s easy to be drawn in. But once in the middle of the panels you might feel constricted and unable to connect with others you see just on the other side of thousands of innocent pink bows. All of this and more is intended to communicate some of the feelings Karen Hawkins has had as an artist and survivor of sexual abuse.

    Karen created the project to open up more conversations about sexual abuse, to help educate people, to create the opportunity for healing, and bear witness to those who are the victims of that abuse. It originated out of a space where she was really struggling to see how she fit in the world, was looking for more purpose, and also a desire to be a part of the national discourse about abuse. How could she add to the collective empowerment of the movement and keep it going it forward? Karen decided to use her story, creative energy, and voice, along with those of other women, in a potentially influential way to help bring this issue out of the shadows. If others can be vulnerable and come forward then so can she.

    Karen started to explore being an artist later in life out of the necessity to stay sane once she had raised her children. She found sculpture very fulfilling as she moved towards expressing her creative side in a less domestic way. Art satisfied her soul and helped with anxiety and depression which dissipated the more she was creative and worked with her hands. But early on she still found it hard to own that she was an artist even though she was creating in a more powerful way along with journaling and therapy to help process her past traumas and struggles. After many years of hard work and with the help of many loving and supportive people that changed.

    A lot of her art is based on books, which she has been enamored with since childhood. As an adult she still very much loves the form of the book, the feel of the paper, the smell of its history, and imagines the life it led and who possessed it. The process of turning a book into an object and manipulating its form for her is a repetitive, healing, and zen like practice and movement. It is the entire process she goes through that is the most satisfying, not just the final product. Her work is visually engaging and often has meaning beyond its atheistic form as is of course the case with The Pink Bow Project.

    What a powerful and moving conversation this was for me. Karen’s vulnerability is so impressive and the fact that she created such an important installation to address a severely under-appreciated issue is commendable. The first half of the interview we speak about her art career and life and the second half we dig into the details of The Pink Bow Project. If you find this interview valuable please share it and further Karen’s mission to help educate and hopefully try to heal and prevent this all too common abuse perpetrated upon the women of the world. As she says in the interview we can no longer accept the status quo.
    Some of the subjects we discuss:

    Seeking expression/sanity
    Choosing art
    Transitions
    Childhood
    Family/College
    Studying art
    Mentor Margo Sawyer
    Understanding art
    Importance of Books
    Meditative repetition
    Jelly rolls/grandmother
    Life of a book
    The Pink Bow Project
    National movement
    How to move forward
    Sharing her story
    Panels, fray, bows
    52,000 plus barriers
    Relationship w/ men
    Healing relationships
    Shame and blame
    Out of the shadows
    Experiencing the project
    Women's voices
    Empowerment

    Gallery Shoal Creek
    KAREN HAWKINS
    The Pink Bow Project

    April 13 - May 12, 2018
    2832 E. MLK Jr. Blvd., Suite 3
    Austin, Texas 78702

    512-454-6671
    info@galleryshoalcreek.com
    HOURS: Tue-Fri 10-5,
    Sat 12-5 or by appointment
    The Pink Bow Project
    The Pink Bow Project
    The Pink Bow Project

    Links:

    • The Pink Bow Project
    • Karen Hawkins - website
    • Gallery Shoal Creek
    • Inside Look — Karen Hawkins
    • National Child Abuse Prevention Month - Wikipedia
    • Sexual Assault Awareness Month - Wikipedia
    • Pink Bow Project - Story | Fox7

    Episode 25: Jenn Hassin - A Life Of Service Apr 21, 2018
    Show notes

    "If everyone that wants to make a difference, just started making and taking those steps to actually make a difference, then imagine the world we would live in. I think that doing good today is invaluable and we need it. Just do it. Just start. Just take the necessary steps to make it happen."
    Jenn Hassin cares about the world we live in and is trying to figure out what we can do as a society to make it a better place. Her artwork is often focused on raising the awareness of important issues like veteran suicide, sexual abuse in the military, and mental health. She believes in community engagement and tries to bring people together to help connect them, especially when it comes to the gap between civilians and veterans, which she feels an obligation to help bridge as a veteran herself. This often happens around the creation of a new artwork where she gets a diverse group of people together and involved to help make the piece, a kind of art therapy.

    Like a Trojan horse some of her work presents itself as beautiful landscapes and arrangements of hand made rolled paper but when you look into the meaning of a piece you cant help but be introduced to and informed about the serious topics Jenn believes we should all take issue with, contemplate, and ultimately make action to change or improve. Defeating ignorance is the mission and intent.

    Humble small town beginnings along with an unstable family life growing up contributed to her hard working ethic and leadership qualities. Luckily she also had some great mentors in her community. Soon after finishing high school she enlisted in the Air Force and fate took her to the UK where she worked as a dental technician. On her way to becoming a dentist in college after leaving the military she found art and switched her major. Her career and studio practice continue to evolve as she strives to address issues, work on commissions, and experiment with new directions and ways of expressing herself. And she is about to embark on a new chapter in her career by attending grad school in New York City.

    You might or might not be able to tell in the interview that Jenn and I have been good friends and neighbors for many years. I think her work is really important and I'm very happy to see her expanding her world and future. No doubt she will keep up the hard work and be a voice for the issues that are not addressed and dealt with enough. All the best to her and her family on their new adventure. Have a listen and get involved if you can with anything that might be of service to others. You likely will not regret it.


    Some of the subjects we discuss:

    Humble beginnings
    Weevil logo/Her mission
    Growing up with violence
    Starting work/Staying busy
    Early mentors
    Integrity/Grandfather
    Military service
    Sexual abuse
    Mental health stigma
    Veteran suicide
    Making paper
    A Battle Lost
    Pursuing art/St. Edwards
    Letters of Sacrifice
    Rolled paper
    Condolence letter
    Rejection/The Pentagon
    Persistence
    Community engagement
    Studio practice/Commissions
    Grad School/Pratt
    Move to NYC
    Legacy/Call to action
    Banner photo: A Battle Lost
    rolled paper handmade from military uniforms &
    gold foil & matte medium
    101" x 52" x 6"
    2015

    Links:

    • Jenn Hassin Studios - My Short Story
    • A Battle Lost - Jenn Hassin Studios
    • Letters of Sacrifice - Jenn Hassin Studios
    • Meaningful Messages - Austin Woman Magazine
    • Jenn Hassin - aether magazine
    • AIPAC 2016 - Jenn Hassin Moment - YouTube
    • Letters of Sacrifice | HuffPost
    • Eagle Lake, Texas - Wikipedia
    • Jocko Podcast 123 w/ Jake Schick: Into Darkness and Back Out. 22 Kill - YouTube
    • Honor Courage Commitment Veteran Entrepreneur Training
    • 22 Kill

    Episode 24: AKIRASH Apr 14, 2018
    Show notes

    "People they are the cloth that protect me, that cover me. Without them, I’m nothing, I can't do anything. So they take me to this level. They should not leave me here. They should continue. Be behind me. Be forward. Be at the back. Be at the side. And I will also do my best and continue to be there and be contributing to this world we are living."
    Olaniyi Rasheed Akindiya is most well known by the name AKIRASH. He is a unique interdisciplinary artist who has few boundaries when it comes to what can best be used to tell the story he wants to share. Painting, sculpture, clothing and textiles, paper, elaborate installations, voice and music, and performance are all enlisted to create moments and places, with people being the most important piece. His work attempts to address serious and thought provoking issues but is often done with humor as a way to educate and communicate truths.

    It was not until he thought his career as a pharmacist was set and he was a role model to his family and community that he found his true calling. He chose to start over and study art, a tough choice that lost him the support of a lot of his family for quite some time. But he loves challenges and hard work and after many years was able to prove to himself and his family in Nigeria that it was a worthwhile pursuit and now he is reaping many blessings from that choice. And his study and work as a scientist still plays a part in the adding and subtracting and experimentation that is involved in creating new works.

    How do you create an artwork or a performance that will stop someone in their tracks and make them forget where they are for a memorable moment? Engaging and getting the audience involved is important, as is creating a discussion. So is collaboration which allows anyone to be a part of the creation, inspiring them to be much more connected to the work and its life and fate. By approaching art in a humble way and by traveling and exposing himself to different places and ways of doing things all over the world he developed his style and motivation to be a part of making the world a better place to live for everyone. If we find ourselves in a privileged position we can use that to help others.

    When I think about Akirash and especially when I see him I get the biggest smile on my face. There is a lot of joy in him that is infectious. He also has a lot of life experience and wisdom that I was excited to talk with him about. This was a great interview for me and those of us who are in Austin are fortunate to have such an artist in our midst. He is someone who enjoys challenging himself and the rest of us to be better and make a difference. His example inspires me to explore my limits, ask questions, and not play it so safe all of the time.


    Some of the subjects we discuss:

    Origin of his name
    Introduction to his work
    Beginnings in Nigeria
    His parents & family
    Job as pharmacist
    Discovering art school
    Quitting job to pursue art
    Figuring out art/being humble
    Winning award/Parents accepting
    Hard work and blessings
    Honesty and criticism
    Asking yourself questions
    Powerful memorable moments
    Challenges and failure
    Working like a scientist
    Textiles/paper/sculpture
    Shifting between works
    Performance origin/reason
    Issues and activism
    Countries with petroleum
    Privilege & responsibility
    Fusebox performance
    Creating discussion
    Collaboration
    Masks we wear
    Future plans

    Links:

    • ARTWITHAKIRASH | Olaniyi R. Akindiya | Multimedia Artist | PERFORMANCE
    • SaSo L’Oju Egun / Behind the Mask | Fusebox Festival

    Episode 23: Ron Berry - Fusebox Festival Apr 07, 2018
    Show notes

    "Within our festival there’s space for really different kinds of expression of art, and some of those are perhaps harder immediately to relate to. But we’re holding space for those artists to challenge things, to experiment, to tinker. To help us as people, as artists, think about things in new ways, and give us things to chew on. I love things that have mystery to them, that I don’t understand."
    The annual Fusebox Festival aims to allow for a meaningful exploration and exchange between varied art forms and art communities by making space for what might only be possible in a live environment with other people. Each year Ron Berry and his team curate and paint onto the canvas that is the festival, a rich cross section of artists from different backgrounds and geographies into a diverse set of live event situations and performances. It is a platform for local, national, and international artists to have their work seen and it fosters an exchange between them and with the audience as they share combinations of theater, dance, film, visual art, music, and literature.

    Beyond the event itself the intention of Fusebox is to take something typically ephemeral, and keep it alive in relation to the city of Austin year round. The arts are not separate from life and as the city grows and changes how can he and his team play a role in keeping the dialogue about housing, space for artists, and other issues, moving forward and allow for community engagement, inclusivity, and thinking about solutions while staying in tune with the rhythm of the neighborhoods they aim to serve.

    Ron’s leadership style allows for and encourages contributions from others and is driven by curiosity, a desire to learn and grow, and the use of doubt as an impetus to crack things open and find new answers. Over the last 14 years, since the festival started, Ron had traveled all over the world, has experienced 100’s of performances, and has built a vast network of artists, curators, organizations, and collaborators to work with. Even though the line between his personal and professional life is blurry he finds much inspiration and is fed artistically as the festivals Executive & Artistic Director.

    Ron is such a generous and wonderful guy and our conversation was really fun for me. It’s hard not to be excited and inspired by what he and his team are doing every year. If you have ever attended the festival you know how fantastic it can be. Not to say that it is easy to relate to all of the work and that some of it will not challenge you in new ways, but if you are open to it the rewards can be very memorable and thought provoking.

    Some of the subjects we discuss:

    Ron’s background
    Festival origins
    Separation of art forms
    The live experience
    Creating each year
    thinkEAST
    Festival missions
    Community engagement
    Leadership
    Curatorial approach
    Free model
    Going full time
    Relationships
    Ant Hampton
    Local/national/international
    Relating to challenging work
    Themes and threads
    Evening of art
    2018 festival details


    FUSEBOX Festival 2018

    April Tue 17th - Sun 22nd, 2018

    Office: 512-800-3066
    2023 E. Cesar Chavez
    Austin, TX 78702


    Image banner courtesy of the Fusebox Festival featuring Tania El Khoury تانيا الخوري, Justin Shoulder, Erin Markey, and Charles O. Anderson.

    Links:

    • Fusebox Festival | 2018 Festival
    • Fusebox Festival 2018 - facebook event page
    • thinkEAST
    • Liberating Structures - Introduction
    • Ant Hampton - website
    • Romeo Castellucci - Wikipedia
    • WAFFLE CHATS 2018 | Fusebox Festival
    • All The Sex I’ve Ever Had | Fusebox Festival
    • 2018 Fusebox Festival Hub > 1500 E 4th Street | Fusebox Festival
    • Carrion : Episode 1 | Fusebox Festival
    • Race Cards by Selina Thompson | Fusebox Festival
    • As Far As My Fingertips Take Me | Fusebox Festival

    Episode 22: Elizabeth Hendley - The Power of Art Therapy Mar 31, 2018
    Show notes

    “Giving people compassion and respect, it just goes such a long way to healing. You never know what somebody is going through or what could happen in their lives.”
    A lot of people don’t know what art therapy is but for those who do they probably understand and appreciate its power and potential. Elizabeth Hendley, the art therapist at Dell Children’s Medical Center, might not think she is a saint but she is doing really important work. It’s the kind of work that has a good chance of making a visit or stay in the hospital a little easier or at least a little less horrible. She is part of a team that also includes experts in music therapy and play. These expressive therapies allow kids to explore, process, and share their feelings in a healthy way with a trained professional and are a part a family centered care approach.

    Elizabeth has had a lifelong love of art and creating, and an openness and compassion for others. Especially people that might not fit in or be as easy to relate with. But as she says everyone deserves compassion and respect. Her desire to help others led her to art therapy as a career. It’s a job that is not very common or completely understood so the Second Lady Karen Pence, an artist herself, started an initiative to raise awareness. Mrs. Pence met with Elizabeth last year which helped spotlight her work at Dell Children’s within the medical center and to the whole city of Austin and beyond.

    This conversation will enlighten you to the world of art therapy and inspire you to think about the ways you could incorporate it into your own life. Art can be a powerful force if we allow it, by letting go of the perfectionism, the judgment, the fear, and just letting ourselves play. Please enjoy this conversation and consider donating to the Art of Giving event or directly to Dell Children’s. And share this episode far and wide so that more people can know about art therapy and what an influential force for good it can be in anyone’s life.
    Some of the subjects we discuss:

    What is Art Therapy?
    Creativity growing up
    Wanting to help early on
    College/Discovering art therapy
    Moving to NY to pursue dream
    Attending Hofstra
    Learning Art Therapy
    Also being an artist
    Therapy in action
    Karen Pence’s initiative
    Promoting art therapy
    How it started/history
    Art as therapy/art psychotherapy
    Tree painting example
    Working with families
    Assessing/intuition
    Coping strategies
    Relating to people
    Compassion and respect
    Preparing to work with someone
    Pain management
    Having an impact
    Art in your own life
    Everyone is creative
    Elizabeth’s family
    Supporting kids interests
    Model magic/drawing
    Painting breakthrough
    Art of Giving event
    How to support


    Art of Giving

    April 8, 2018

    https://www.dellchildrens.net/support-dell-childrens/art-of-giving/
    Banner photo taken in the lobby of Dell Children's Medical Center.

    Links:

    • Support Dell Children's Medical Center of Central Texas
    • Expressive Therapy | Dell Children's
    • Art of Giving - Support Dell Children's
    • Art Therapy Provides Healing for Young Patients - whitehouse.gov
    • Austin art therapist hopes second lady's visit will promote work - kxan
    • Art therapy - Wikipedia
    • MA in Creative Arts Therapy | Hofstra | New York
    • Model Magic | crayola.com
    • Jan Heaton Studio

    Episode 21: Natalia Sylvester - Everyone Knows You Go Home Mar 24, 2018
    Show notes

    “We all have creativity in us and we’re all very imaginative people but we also have all these voices that tell us we’re not. I just don’t give myself credit for it. I don’t think any of us do.”
    Novelist Natalia Sylvester says of her most recent book, she is writing for the people who have shared common experiences around immigration and know about being caught in between. These powerful and sometimes painful stories need to be out in the open so that the subjects and those like them know that what they went through has not gone unnoticed. But it’s not just about the struggles. It’s also the overlooked triumphs, courage, strength, and ordinary moments of daily life that need to be recognized.

    To re-create a world based on the lives of many you have to exercise your empathy, listen, and imagine what it must have been like. Some of the story though she doesn’t have to imagine because she lived it herself. Her family fled Peru in the late 80’s to get away from the violence, terrorism, and unrest common at the time. She moved many times once in the US and has memories in all of the places she has called home. But what would it take for you to leave your home forever and start over from scratch in a new place? You might have to learn a whole new language. And you might eventually, after never really feeling welcome or at rest, have to leave that place and move again.

    Her first book, about the experience of a woman kidnapped for ransom in Peru, and her husband’s plight to get her back, was based on stories from her family. Chasing The Sun was not as much about Natalia’s life as it was that of many people subjected to the fear of having a loved one kidnapped in South America decades ago. Her second novel, Everyone Knows You Go Home, delves more into immigration and life on the border of the United States, of reality, and the spirit world. It's a more personal story drawn from her own life that starts on the Day of the Dead, the same day she was married.

    There is a lot to learn in this conversation, especially for someone who wants to do a better job at understanding and choosing to stand up for those who often have to fight harder for their rights and opportunities. We speak about her childhood, the craft of writing, both of Natalia’s published books, a few of the things she learned in 2017, and some other very important and timely issues. Everyone Knows You Go Home is available now online and everywhere books are sold. As of March/April 2018 she is touring the US on a book promotion tour and has already started working on her third novel.


    Some of the subjects we discuss:

    Starting to write as a kid
    Learning to speak English
    Encouragement to write
    Creative Writing/Journalism study
    Working as a writer/Freelancing
    Her “first book”/getting an agent
    Learning the craft/Her mentor
    Fleeing Peru as a child
    Family history and trauma
    Chasing The Sun summary
    Common stories & connections
    Publishing and promoting 1st book
    Back to day to day life
    Imagination vs. Discipline
    Work ethic from parents
    Writing 2nd book
    Day of the Dead
    Everyone Knows story
    Doing research/empathy
    Who is the audience
    Yearly what I have learned post
    Reaction to the election
    Being politically active
    Not knowing everything
    Making mistakes and learning
    Natalia Sylvester Tour Schedule

    Links:

    • Natalia Sylvester Author - website
    • Everyone Knows You Go Home : Natalia Sylvester : Amazon
    • Chasing the Sun: A Novel: Natalia Sylvester: Amazon
    • 17 Things I Learned in 2017 | Natalia Sylvester
    • Natalia Sylvester (@nataliasylv) • Instagram
    • Natalia Sylvester - Facebook
    • 20 Must-Have Books for Your Spring Reading List - Parade
    • Peru - Wikipedia

    Episode 20: Griffon Ramsey - Chainsaw Art Mar 17, 2018
    Show notes

    "That's the thing that got me excited about being creative is that you start with nothing and then something happens. We have so much power as creatives."

    If you get to the point in your artistic career where you are invited to help carve and build a church and sculptures out of ice in Slovakia for three weeks, you might think you have made it. But for Griffon Ramsey it is only a part of the beginning of the next exciting chapter. After spending many years working and creating in the world of theater/film and the gaming/comic/online sphere she discovered something more entrepreneurial, challenging, physically satisfying, and ultimately a purer form of expression.

    How about carving raw masses of wood into highly detailed and often elaborate sculptures, using a portable mechanical saw with a toothed rotating chain, along with many other specialized tools. Over the course of many days or even in just an hour something amazing can be created. This could play out in a secluded warehouse, a scene that epitomizes the solitary artist, or in front of hundreds of people, who live and breathe with awe and exhilaration as the story of the piece is revealed. So there is the skill and the art of creation, the performance, the experience of the onlooker, and the durable final product, a literal work of art born from a lot of hard work.

    After many years of practice and persistence Griffon has reached a level where she is invited to carving events and competitions all over the U.S. and the world. This allows her to pursue the professional and artistic development she desires with a global community of piers and mentors who enjoy sharing and learning from each other. Its a community she loves and wishes to promote and encourage. So listen and learn and share!

    This was such a fun conversation and Griffon’s voice is so enjoyable to listen to, she had me smiling the whole way through. We talk about her beginnings in Oregon growing up in a ghost town and discover the original childhood inspiration for her current career, Sea Gulch! She touches on her schooling and work in film and theater, her years at Rooster Teeth, and the rest of the time we cover many different aspects of chainsaw art, carving, and the life of an artist. Don’t try this at home might be an appropriate warning but you do have to start somewhere. And there are a few curse words which she does apologize for. Enjoy!
    Some of the subjects we discuss:

    Chainsaw art
    The Fort AXT
    Growing up in Oregon
    Visiting her father
    Creative & resourceful
    Making sacrifices for art
    Various carving tools & safety
    School and theater
    Working at Rooster Teeth
    Long term projects/jobs
    Reevaluating & rebranding
    Entertainment & attention span
    Ways artists make money
    Performance art/carving events
    Discovering chainsaw art
    Mentors/Sea Gulch
    Chainsaw specifics
    A pure form of expression
    Relationship with lumber
    Working with different woods
    Learning from a global community
    World wide competitions
    Slovakian ice church
    Learning to carving ice
    Women in the art
    Making carving videos
    Motivations and callings
    Business side of art
    Physical labor
    The joy of carving

    Banner photo by Brian Vogel

    Links:

    • Art and Apparel by Chainsaw Carver Griffon Ramsey
    • Griffon Ramsey | The Rooster Teeth Wiki
    • Griffon Ramsey - YouTube
    • Griffon Ramsey - Facebook
    • @griffonramsey • Instagram
    • Griffon Ramsey - Wikipedia
    • Buzz Mill - Austin Location
    • Rooster Teeth
    • Find Your WHY — Simon Sinek
    • Jenn Hassin Studios - My Short Story
    • Doug Moreland - Carving
    • R.L. Blair - Sculptor, Wood Carving, Sculpture
    • TATRANSKÝ DÓM | Hrebienok - Ice Church in Slovakia
    • Full Spectrum Ice Sculptures | Central Texas premiere Ice Sculpting services
    • Angela Polglaze - Sculptor/Power Carver
    • Chainsaw carving - Wikipedia

    Episode 19: Deborah Roberts - Dedicated to the Work Mar 10, 2018
    Show notes

    "I’ve always dedicated my life to the work, and what ever the work needed that’s what I did."

    It has been an incredible year for Austin based artist Deborah Roberts. But after decades of hard work and scholarship it’s not really a surprise. She was already an established artist long before deciding to go back to school to get her MFA in 2014, to study and find the language and direction for her new work. Her imagery started out in a very romantic Americana style but after a time that didn’t completely match the reality of what she was feeling and seeing in the world. The work needed to change. After finishing school she gave herself two years to succeed in art before having to give up once and for all. Then she received a grant from the Pollock-Krasner Foundation in 2016. For the first time she could spend a whole year completely focused on her art full time and create without fear. What has followed is sold out shows all over the country and lots of press praising the work and giving her credit which was overdue.

    With a focus in collage, painting, mixed media/installation, and text, Roberts is best known for creating portraits of young black girls, aged 8-10, that ask the viewer to consider how their beauty has been imagined: by art history, pop culture, American history, and black culture. And when and why do these young vulnerable girls have to put on their gloves and start fighting battles? It's important work and it resonates with a lot of people.

    Deborah is a delight to be around and the interview was a lot of fun. We go all the way back to her beginnings in art and work our way to the present. She then dissects the meaning and language of the work and talks about the future and her new found fame and power.


    Some of the subjects we discuss:

    Drawing as a kid
    Forced busing
    Magnet School/Gifted and Talented
    First sold out show
    Black Americana romantic painting style
    Norman Rockwell
    Work becoming more abstract/complicated
    The never-ending summer break
    Feeling the need for more scholarship
    Going back to school/graduate degree
    Finding the language for you work
    Starting small
    Art Palace show
    Getting a job/struggling
    Avoiding the trap/quitting
    Two year agreement
    Pollock-Krasner grant year
    Creating work without fear
    Volta NY/selling out everything
    Where have you been?
    An incredible year/new notoriety
    Listening to the work
    Slowing down and scaling up
    Incorporating more painting
    The structure of a piece
    Four freedoms project
    New found power


    Banner image components by Deborah Roberts
    (left to right) Betwixt, Untitled, It's All Good,
    Power Has No Use For Truth, Red Stripes.

    Links:

    • Deborah Roberts website
    • The Artist Changing the Face of Black Girlhood - VICE
    • Exhibit at Spelman College museum examines black female identity - myAJC
    • Deborah Roberts faces down Venus and her stereotypes — Sightlines
    • Deborah Roberts Conjures Black Girl Magic | Village Voice
    • Home - The Pollock Krasner Foundation
    • ABOUT: VOLTA NY

    Episode 18: Roi James - Leaps of Faith Mar 03, 2018
    Show notes

    "You're an artist, you can create your future"
    After twenty years of being a full time artist you learn a few things. Like how to make simple but transcendent art, and how powerful and capable you really are. At least that could be said for Roi James, someone who has made it through a lot of adversity and challenges of belief to find success. But it’s not over yet. After many leaps of faith he’s gotten to where he is now, but at this very moment he is in midair hoping to again find firm footing when he lands. It might be a similar feeling to staring into a blank canvas or deep into yourself. Roi creates sublimely beautiful abstract paintings and "Constructs" that are a combination of sculpture, painting, and architecture. Please enjoy this raw and fascinating conversation filled with the wisdom of the artists journey.
    Some of the subjects we discuss:

    Childhood talent
    Starving artist myth
    Discovering art again
    Choosing to create beauty
    Staying in touch with music
    Working at Dell for 7 years
    Joining Davis Gallery
    1st show with Steve Brudniak
    Old masters style
    Quitting job at Dell
    The first three years
    Help from financial coach
    Ending gallery representation
    Money as freedom
    Selling out of the studio
    Knowing your power
    Leaps of faith
    Hitting bottom and getting help
    Caring and support
    The appeal of abstract art
    Belief systems/feeling worthy
    Having cancer/facing death
    To love more/creating moments
    Pursuing songwriting
    Future plans
    Offer to artists

    https://roijames.com/

    rjstudio@roijames.com
    Banner painting image Seru Andromius by Roi James

    Links:

    • Roi James Studio website
    • Blue Rock Studio | Wimberley, TX
    • Steve Brudniak website
    • Davis Gallery & Framing
    • JULIE SPEED website
    • Warren Zevon's last Letterman Appearance - YouTube

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