Art of the Frame

Latest Episodes:

Editors on Editing w/ “Napoleon” Editor: Claire Simpson and Sam Restivo Dec 29, 2023

Show notes

On this week’s episode of Editors on Editing, Glenn is joined by Claire Simpson and Sam Restivo. Claire has edited such incredible films as Salvador, Wall Street and Platoon, for which she won the BAFTA, Eddie and Oscar, The Constant Gardener for which she was nominated for the Eddie and Oscar while winning the BAFTA, A Most Wanted Man, Extremely Loud and Incredibly Close, The Reader, The Last Duel and Nine for which she was nominated for the BAFTA. While Sam has been an additional editor on The Greatest Showman, Raised by Wolves and The House of Gucci. Together, they have now crafted Ridley Scott's Epic, Napoleon.

Thanks again to ACE for partnering with us on this podcast, check out their website for more.

Want to see more interviews from Glenn? Check out "Editors on Editing" here.

The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!

Editors on Editing w/ “The Holdovers” Editor: Kevin Tent Dec 29, 2023

Show notes

On this week’s episode of Editors on Editing, Glenn is joined by Kevin Tent. Beginning with Citizen Ruth, Kevin has edited all of Alexander Payne's exceptional films, including Election, About Schmidt, Sideways and Nebraska. For all of which he was nominated for the Eddie. He also edited the Descendants for which he won the Eddie and, was nominated for the Oscar. He's also crafted such terrific movies as Blow, Girl Interrupted and The Peanut Butter Falcon. Now he's brought his editing skills to Payne’s, fantastic motion picture, The Holdovers.

Thanks again to ACE for partnering with us on this podcast, check out their website for more.

Want to see more interviews from Glenn? Check out "Editors on Editing" here.

Editors on Editing w/ “Barbie” Editor: Nick Houy Dec 11, 2023

Show notes

On this week’s episode of Editors on Editing, Glenn is joined by Nick Houy. Nick has edited such outstanding projects as The Night Of, for which he won the Primetime Emmy with Jay Cassidy, Lady Bird, Billions, Mid90s, for which he was nominated for an Independent Spirit Award, and Little Women. Now he's crafted the cultural phenomenon, Barbie.

Thanks again to ACE for partnering with us on this podcast, check out their website for more.

Want to see more interviews from Glenn? Check out "Editors on Editing" here.

Editors on Editing w/ “Oppenheimer” Editor: Jennifer Lame Dec 11, 2023

Show notes

On this week’s episode of Editors on Editing, Glenn is joined by Jennifer Lame. Jen has edited such exceptional films as Francis Ha for which she was nominated for an Independent Spirit Award. Manchester by the Sea for which she was nominated for the BAFTA, Eddy, and Independent Spirit Award. The Meyerowitz Stories, Hereditary and Marriage Story, for which she was nominated for an Eddy as well as Tenet and, Black Panther Wakanda Forever which she co-edited with Kelley Dixon and Michael P. Shawver. Now she has crafted Christopher Nolan's epic, Oppenheimer.

Thanks again to ACE for partnering with us on this podcast, check out their website for more.

Want to see more interviews from Glenn? Check out "Editors on Editing" here.

The Alan Smithee Round Table (“The Role of The Production Technologist”) Dec 11, 2023

Show notes

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons & Michael Kammes are joined by guess host Stacy Chaet to talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang discuss Avid’s acquisition, the new MacBook Pro M3, the effects of the recent strikes and the many different roles of a Production Technologist. And of course there’s a bunch of really cool things for us post production people to get excited about.

Enjoy the episode and don’t forget to subscribe.

Show notes:

Writer’s strike:

https://variety.com/2023/biz/news/sag-aftra-tentative-deal-historic-strike-1235771894/

Avid’s acquisition: https://www.avid.com/press-center/stg-completes-acquisition-of-avid-technology

https://www.yahoo.com/entertainment/avid-ceo-retire-during-first-142111188.html

MacBook Pro M3:

https://www.apple.com/macbook-pro/

https://www.provideocoalition.com/a-sort-of-review-of-the-m3-max-apple-macbook-pro/

One cool thing:

Michael: https://pinokio.computer/

Scott: https://knightsoftheeditingtable.com/chronicler

Stacy: https://tryshift.com/

And also from Stacy: https://apps.apple.com/us/app/camerakit-cameras-formats/id890528993

The VFX of Napoleon Nov 22, 2023

Show notes

In this episode of Art of the Frame, we delve into the visual and special effects in Ridley Scott's latest epic, "Napoleon". The podcast explores the remarkable efforts of the effects teams to vividly recreate 19th century Europe and its battlefields, bringing historical grandeur to life with striking authenticity. Our journey takes us behind the scenes to understand the complexities and challenges faced in visualizing one of history's most iconic eras, especially in the portrayal of monumental battles like Austerlitz and Waterloo.

Our resident VFX supe Damian Allen engages in conversation with four supervisors of the film's visual and special effects: Visual Effects supervisor Charley Henley, special effects supervisor Neil Corbould, Luc-Ewen Martin-Fenouillet (a visual effects supervisor at MPC), and Simone Coco, (a visual effects supervisor at Disney’s ILM), discuss how their teams helped transport Napoleon and his era onto the screen for a 21st century audience.

Thanks again to ACE for partnering with us on this podcast, check out their website for more.

Want to see more interviews on post production? Check out "Editors on Editing" here.

Editors on Editing w/ “Killers of the Flower Moon” Editor: Thelma Schoonmaker Nov 20, 2023

Show notes

On this week’s episode of Editors on Editing, Glenn is joined by Thelma Schoonmaker. Thelma is truly a legend in the film community. Her credits span many of the most celebrated films of the last 50 years. Some of those projects include, Woodstock for which she was nominated for the Oscar. Raging Bull for which she won the BAFTA, Eddy and Oscar. Goodfellas for which she was nominated for the Eddy and Oscar and won the BAFTA. Casino for which she was nominated for the Eddy. Gangs Of New York, for which she was nominated for the BAFTA and Oscar and won the Eddy. The Aviator, for which she was nominated for the BAFTA and won the Eddy and Oscar. The Departed, for which she was nominated for the BAFTA and won the Eddy and Oscar. Hugo, for which she was nominated for the BAFTA, Eddy and Oscar. The Wolf of Wall Street, for which she was nominated for the BAFTA, and the Eddy. And the Irishman, for which she was nominated for the BAFTA, Eddie, and Oscar. She is also tied for the most nominations and wins in the editing category of the Academy Awards. Now she has crafted Scorsese's newest masterpiece, Killers of the Flower Moon.

Thanks again to ACE for partnering with us on this podcast, check out their website for more.

Want to see more interviews from Glenn? Check out "Editors on Editing" here.

Editors on Editing w/ “Dumb Money” Editor: Kirk Baxter Oct 30, 2023

Show notes

On this week’s episode of Editors on Editing, Glenn is joined by Kirk Baxter. Kirk has edited such exceptional projects as The Curious Case of Benjamin Button, for which he was nominated for a BAFTA and Oscar with Angus Wall, The Social Network, for which he won the BAFTA and Oscar with Angus Wall, The Girl With The Dragon Tattoo, for which he won the Oscar, with Angus Wall, House of Cards, for which he was nominated for a Primetime Emmy Award, Gone Girl, for which he was nominated for the Eddie, Mindhunter, for which he was nominated for the Eddie, Mike, for which he was nominated for the Eddie, and Love, Death & Robots, for which he won the BFE Cut Above Award and the Eddie. Now he's crafted the rousing entertaining comedy, Dumb Money.

Thanks again to ACE for partnering with us on this podcast, check out their website for more.

Want to see more interviews from Glenn? Check out "Editors on Editing" here.

The Alan Smithee Round Table (“Adventures at IBC”) Oct 25, 2023

Show notes

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week, Michael and Katie get to share some of their experiences at IBC and so of course there’s even more really cool things for us post production people to get excited about.

Enjoy the episode and don’t forget to subscribe.

Show Notes

https://www.withollywood.org/2023-award-nominees/

https://editshare.com/editshare-to-merge-with-shift-media/

Stuff from Kaite and Michael at IBC:

Blackmagic Camera app

https://apps.apple.com/us/app/blackmagic-camera/id6449580241

https://twelvelabs.io

https://www.infuse.video

Avid and Avid AI:

https://www.avid.com/press-center/avid-showcases-the-power-of-ai-driven-capabilities-in-media-composer-to-enhance-creative-intelligence/

https://youtu.be/h-VYajOnqrI?si=d9Fr8aWxBn1A27u-

https://www.nhk-ep.co.jp/signlanguage/en/

https://flandersscientific.com/XMP550/

https://www.neutralwireless.com

https://www.hhi.fraunhofer.de/en/virtual-reality-experience-eva-umlauf-her-testimony.html

https://editshare.com/editshare-to-merge-with-shift-media/

One Cool Thing: Scott - Runtime iOS app. http://runtimeapp.tv $4.99

Michael - https://ffmpeg.lav.io/

Katie - Anything World https://anything.world/ AI-enabled rigging and animation for game / VFX assets. It goes beyond humanoids to allow for pretty much anything

"The Creator" Co-Director of Photography Oren Soffer Sep 28, 2023

Show notes

Welcome to a special episode of the Art of the Frame podcast! This week guest host Brian Hallett talks with Co-Director of Photography Oren Soffer about the sci-fi film "The Creator."

"The Creator" used the small yet mighty Sony FX3 for nearly all of the principal photography. Brian talks with Oren about the details of the shoot and why they chose to use the Sony FX3 over other cinematic cameras.

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