Stay Connected“Ankler Agenda” breaks down the headlines, trends and creativity shaping the evolution of Hollywood, the creator economy and entertainment.
The show is hosted by Elaine Low, author of Ankler Media’s popular “Series Business” Substack newsletter, who is joined weekly by her colleagues Sean McNulty (“The Wakeup”) and Natalie Jarvey (“Like & Subscribe”) — in addition to Richard Rushfield, the Ankler himself. Episodes will also be available every Thursday on YouTube.
Copyright: © Ankler Media
Forget the government shutdown — President Trump is back to targeting entertainment, from YouTube’s $24.5 million settlement with him to a floated “100 percent tariff” on foreign-made films. Host Elaine Low, Sean McNulty, and Natalie Jarvey parse what a “Made in America” movie even is anymore, while Gen Z correspondent Matthew Frank (writer of our coming Crowd Pleaser newsletter about audience), unpacks how under-25s are actually discovering shows in the fast-twitch age of clips and feeds. And finally: Taylor Swift takes on Leonardo DiCaprio and Dwayne Johnson at the box office, exposing the industry’s Gen Z blind spot in real time.
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Six days. That’s all it took for Jimmy Kimmel to be yanked off the air by Disney under FCC pressure — and then rushed back after Hollywood revolted. Now Trump is circling, affiliates are defying ABC in a game of chicken, and Disney’s succession drama involving negotiators Dana Walden and Bob Iger is suddenly back in the spotlight. Elaine Low, Sean McNulty, Natalie Jarvey, and Richard Rushfield unpack the week that shook late night — and what it means for free speech, politics and the future of Hollywood. And no, this is nowhere close to being over.
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Late on Sept. 17, the news broke: Disney’s Bob Iger made the decision to “indefinitely” suspend one of its marquee stars, Jimmy Kimmel of Jimmy Kimmel Live! from ABC. The news followed FCC chair Brendan Carr’s suggestion that the federal agency would move against the company if its leadership didn’t take action against the host’s remarks about Charlie Kirk. In this emergency pod, host Elaine Low is is joined by a rotation of our best and brightest to break down the shocking news and its chilling aftermath: Sean McNulty on Nexstar and Sinclair’s decision to not air Jimmy Kimmel Live on affiliate stations; Lesley Goldberg with a play-by-play on Disney’s decision to pull Kimmel off ABC; Katey Rich on the historical precedent and impact to the creative community; and Natalie Jarvey on how political creators on YouTube and elsewhere might react.
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There’s a multibillion-dollar business growing right under Hollywood’s nose: microdramas, those soapy, 60-second episodes Gen Z binges on their phones with storylines that can sound like bad 'Twilight' fan-fiction. Vertical dramas are a booming market in China, and now entertainment vets stateside like Lloyd Braun and Susan Rovner are getting in on the action. Elaine Low, Natalie Jarvey and Sean McNulty tackle the big questions for the micro-curious: How seriously should Netflix view microdramas as a rival? Can anyone actually make a profit? And will it take household names to make them succeed — or is this another Quibi-in-waiting? Plus, Richard Rushfield makes his glorious return to the podcast with tales of TIFF: the best films, the Criterion Closet and his all-important Sydney Sweeney selfie.
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From Telluride mountaintops to Toronto’s Tim Hortons, awards season is officially here. Before jetting to TIFF, Prestige Junkie’s Katey Rich joined Elaine Low, Sean McNulty and Natalie Jarvey to dissect the quirks of each fest and how they influence not just Oscar voters but box office, too. Plus: the crew autopsies a limp summer box office that fell behind last year, and looks ahead to whether Nolan, Spider-Man, Baby Yoda and even the Minions can save summer 2026 — or if movies are still stuck in a death spiral.
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And here you thought Hollywood might coast into Labor Day. Instead, summer’s final days delivered both the inevitable — Taylor Swift and Travis Kelce’s engagement — and the unexpected: Netflix OG veteran Peter Friedlander’s exit after 14 years. Elaine Low, Natalie Jarvey and Sean McNulty break down the business stakes of both before running through the five biggest stories of the summer you need to know into the fall, from the ongoing rise of microdramas to Paramount’s high-stakes reboot with Cindy Holland, to Gen X as Hollywood’s Rodney Dangerfield generation.
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Comedies, dramas, animation and reality may be Hollywood’s bread and butter, but when it comes to what Americans actually watch the most, it’s live sports — and now, an avalanche of shoulder programming to support it. As ESPN, NBCU and Amazon spend $76 billion on NBA games alone over the next 11 years, Manningcast spawns imitators and sports docs and series eat up space once reserved for scripted, Elaine Low, Sean McNulty and Natalie Jarvey reveal the aftershocks to traditional TV (hint: grab the hot dogs and peanuts). Then Dealmakers’ Ashley Cullins dives into the wild state of entertainment M&A right now, including why insiders are hyped about Hailey Bieber’s $1 billion Rhode sale, and what they’re saying about investors’ sudden interest in management companies, who’ll win the old media Hunger Games, and what in the world happens with Lionsgate.
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It’s the end of an era — again — as the surprise finale of And Just Like That has fans bidding farewell (once more) to Carrie Bradshaw & Co. Elaine Low, Sean McNulty and Natalie Jarvey share their takes on the messy send-off (spoiler warnings!), and why Hollywood romance isn’t going away like Aidan just yet. In fact, the once-dormant rom-com is in the midst of a 2025 shopping spree, with Netflix, Amazon and others stocking up on meet-cutes to satisfy comfort-craving audiences. The team unpacks what the divisive Sex and the City spinoff says about the market, the genre’s economic appeal, and the next gen of rom-coms headed for your queue. Plus: They go inside Hollywood’s big four agencies’ war to rep digital creators like MrBeast, Alix Earle and Addison Rae, and the brutally honest scoop on whom digital stars choose (and don’t) when internet fame tips into “call my agent” territory.
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Brad Pitt, fast cars and Expensify receipt management software logos: Three things that go great together… when you’re shoring up millions to fund your F1 movie. On this week’s episode, Dealmakers’ Ashley Cullins breaks down how ad viewing is down but brand spending is up in hits from F1 to Superman to Jurassic World Rebirth in ways that go far beyond the usual logo slap: They’re narrative tie-ins where the ad is part of the story (host Elaine Low likens it to “hiding the pill in the peanut butter” for dogs, though, yes, Superman’s mutt, Krypto, hawks Milk-Bones). Plus: Elaine, Sean McNulty and Natalie Jarvey unravel Disney’s latest moves — including a farewell to the Hulu app, a hello to ESPN’s standalone streamer and other shakeups from the company’s mic drop earnings call.
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After just three years, the newlyweds known as Warner Bros. Discovery are headed for splitsville. Who gets the house? The dog? Elaine Low, Sean McNulty and Natalie Jarvey break down the Hollywood divorce — including the surprising answer to which new company (Warner Bros. or Discovery Global) is making more money, why the film studio is laying off staff after a blockbuster summer, and what happens next. Then, the gang bops to the soundtrack from KPop Demon Hunters and dives into how this unexpected Netflix hit rewrote the rules for animation, fandom, and original IP — and why its lack of A-list stars should send a shudder down Hollywood’s spine.
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