Stay Connected“Ankler Agenda” breaks down the headlines, trends and creativity shaping the evolution of Hollywood, the creator economy and entertainment.
The show is hosted by Elaine Low, author of Ankler Media’s popular “Series Business” Substack newsletter, who is joined weekly by her colleagues Sean McNulty (“The Wakeup”) and Natalie Jarvey (“Like & Subscribe”) — in addition to Richard Rushfield, the Ankler himself. Episodes will also be available every Thursday on YouTube.
Copyright: © Ankler Media
For the first time in over 60 years, Hollywood is in the throes of a double strike.
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As streamers remove series and unions fight over residuals, agreeing on metrics is near impossible.
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Who had the worst week in Hollywood? Was it Bob Iger, whose Disney headaches keep mounting? Or The Flash hype man David Zaslav, who watched his superhero film sputter just days before Steven Spielberg and Martin Scorsese scolded him? Hard to say, yet both CEOs face the same conundrum: “It starts with stopping the bleeding, to the best they can,” says Richard Rushfield, who joins Elaine Low and Sean McNulty. Also: how Taylor Sheridan became writers’ public enemy this week; Ryan Murphy’s decision to boomerang back to Disney; and why, with one week left in contract talks, it’s impossible to predict SAG’s next move.
Full transcript here.
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The most-watched entertainment company in the world, Disney lately is roiled by major exec changes, an animation eclipse from other studios, layoffs and a CEO racing to both name a successor and right the ship at the same time. CNBC media reporter Alex Sherman joins Sean McNulty and Elaine Low to talk the perfect storm facing the company with less than 18 months left in Iger’s second term. Also: the PGA-LIV anti-trust problem (2:27), latest on the strike, and what’s next on the Sun Valley agenda (43:52).
Full transcript here.
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Turning Tiffany into Walmart: that’s how Ari Emanuel recently described Bryan Lourd’s stewardship of CAA, putting some harsh, eyebrow-raising words behind the heated rivalry between the Endeavor and CAA chiefs. Peter Kiefer joins Sean McNulty, Elaine Low and Richard Rushfield to discuss his juicy profile of the war between the two agenting titans (21:26)— and why it explains Hollywood’s dilemmas of the moment. “We’re in the era of Ari and Bryan… and they really don’t like each other very much,” says Kiefer. Also: the PGA’s questionable decision to merge with the Saudi-backed LIV (4:05), how Jeff Zuckeroutplayed (former) CNN chief Chris Licht (7:43), and the state of the writers strike amid the DGA’s tentative deal and SAG’s negotiations (40:05).
For a transcript, click here.
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In-between thewriters and studio/streaming chiefs are Hollywood’s day-to-day working executives, who find themselves in a rare slowdown — and assorted existential crises.
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The box office drought is over. But there are only so many slots for winners.
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What the death of cable TV has to do with the writers strike.
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How writers have leveraged themes around the gig economy, CEO pay and suspicions about Silicon Valley to their benefit.
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With an impasse over everything from quotas to AI, the first week of the strike has revealed an entirely different playing field than the one from 2007-2008. Richard Rushfield and Elaine Low join Sean McNulty to talk what they’ve seen on the pickets, the particular ire at Netflix, the AI arguments, and the tenuous, shifting solidarity from the other guilds. And, the how and when this possibly ends. Also: David Zaslav’s optimistic earnings call and its impact on the strike (1:37), and the upcoming DGA negotiations (23:25).
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