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Episode 185: #AudioExplosion Nov 15, 2019

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Here’s one way to learn how to write books that work in audio: narrate over 700 of them, like our guest this week, Tanya Eby. If that sounds a little daunting, listen in instead for the condensed version.Episode links and a transcript follow—but first, we sent out our first supporter-only #MiniSupporter episode this week: #Prewriting. Those will be short and sporadic bursts of advice and inspiration from one of us, and thanks to the magic of Substack, supporters of #AmWriting will see those drop into a special feed in their podcast apps whenever we’ve got one ready. We’d love to add you to that list if you’re not already on it. Support the podcast you love, get bonus #MiniSupporter episodes AND get weekly #WriterTopFives with actionable advice you can use for just $7 a month. As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode. LINKS FROM THE PODCAST#AmReading (Watching, Listening)Jess: Olive Kitteredge, Elizabeth StroutKJ: Ninth House, Leigh BardugoSarina: Never Have I Ever, Joshilyn JacksonTanya: The Chestnut Man, Soren Sveistrup#FaveIndieBookstoreSchuler Books in Grand Rapids, MichiganOur guest for this episode is Tanya Eby, the Audie Award Winning narrator of over 700 audio books. Her production company, Blunder Woman Productions, is currently nominated for two Society Arts Awards. Find more about Tanya here.This episode was sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. Visit https://www.authoraccelerator.com/amwritingfor details, special offers and Jennie Nash’s Inside-Outline template.Find more about Jess here, Sarina here and about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.Transcript (We use an AI service for transcription, and while we do clean it up a bit, some errors are the price of admission here. We hope it’s still helpful.)KJ: 00:01 Hey writers, it's KJ and if you're listening in real time, there's a pretty good chance you might be in the middle of NaNoWriMo right now, or giving up on it, or flailing around and wishing you'd never started it. If your National Novel Writing Month isn't exactly passing by in a haze of inspired typing, it's well worth taking a break from churning outwards to make sure your book has a strong enough spine to support the story you want to tell. Our sponsor, Author Accelerator has a tool that might help - the Inside Outline. And I have a NaNoWriMo secret. It's not all about the word count. 30,000 words are better than 50,000 if you're going to have to throw half of those 50,000 words away. So, if you're feeling the least bit stuck, try applying the Inside Outline to what you've already written and to the scenes to come. It might be exactly what you need to get over the finish line. #AmWriting listeners have exclusive access to a free download that describes what the outline is, why it works, and how to do it free. You can find it at authoraccelerator.com/amwriting. Is it recording?Jess: 01:12 Now it's recording.KJ: 01:14 Yay.Jess: 01:14 Go ahead.KJ: 01:15 This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing.Jess: 01:19 Alright, let's start over.KJ: 01:21 Awkward pause, I'm going to rustle some papers.Jess: 01:24 Okay.KJ: 01:24 Now one, two, three.KJ: 01:32 Hey, I'm KJ Dell'Antonia and this is #AmWriting, the weekly podcast about writing all the things - fiction, nonfiction, every genre, every possible permutation of writing that we can possibly come up with, (especially if it begins with a P, which seems to be where I'm going today) pitches, proposals. See I told you, and as you know, this is, above all else, the podcast about sitting down and getting your work done.Jess: 02:03 I'm Jess Lahey. I'm the author of the Gift of Failure and you can find my work at the New York Times and The Atlantic. And I just finished the first draft of my forthcoming book in 2021 The Addiction Inoculation about preventing substance abuse in kids.Sarina: 02:17 And this is Sarina Bowen. I'm the author of more than 30 romance novels, with a new one coming out in just a few days, called Man Cuffed, and more about that in a minute.KJ: 02:29 And I am KJ Dell'Antonia, author of How To Be a Happier Parent as well as a novel coming out next year, The Chicken Sisters, former editor of the Motherlode blog at the New York Times, and feeling a bit like a slacker with this just same book, you know, coming out all the time. I'm working, I'm going to have another one soon, I hope.Jess: 02:55 Well, just wait. I mean, my book's not coming out until 2021 so just imagine how sick of it we're going to be by the time it finally comes out, it feels like it's forever away.KJ: 03:03 Yes, we have a guest today. Sarina, I'm going to tell you, 'Take it away.'Sarina: 03:11 We do have a guest today and it's a friend of mine. We're welcoming to the show, Tanya Eby, who is the Audie award-winning narrator of over 700 audio books. Wow. I mean, come on, 700. Her production company, which is adorably titled Blunder Woman Productions, is currently nominated for two society arts awards, as well. And Tanya is here today to talk mostly about the booming market for audio books. But I just have to slide in there and say that Tanya and I also have a USA today bestselling series of romance novels together. They are The Man Hands books. Which everything Tanya does is funny, so I'm going to tell you the titles are: Man Hands, Man Card, Boy Toy, and our new one, Man Cuffed. Welcome, Tanya.Tanya: 04:06 Hey, that was such a cool introduction. Thank you.Sarina: 04:10 You are welcome.Jess: 04:12 The series you two write together that Sarina was just talking about just makes me laugh out loud. I love that series. And it's also really fun to read Sarina with various authors. I love reading Sarina in all the different forms and I'm so excited to hear about audio books. Mainly because number one, I'm a huge, huge audio book fan since I had a head injury a couple of years ago. For me, I have limited on the page time, and so audio books are my preferred way to sort of get at the fun reading. But also, I was on one of my audio book apps, scrolling through trying to make sure I knew which books you've narrated that I've read, and it's like page one of 62 and I'm scrolling through. So I'm glad Sarina said how many because that was going to be a long morning for me scrolling through every single thing you've ever done.Tanya: 05:08 Yeah, I've been doing this for a while now.Jess: 05:11 Well I have a ton of questions, but I know that Sarina has some stuff that she wants to talk to you about first. So I'm going to defer to Sarina.Sarina: 05:19 I was pulling together my thoughts about this and I would like to say that Tanya has been basically a full-time audio book narrator and producer since before it was cool.Jess: 05:33 Which means officially it's cool now. It's very, very cool.Sarina: 05:38 Because some of these numbers I was just finding about the growth of the audio book industry are pretty crazy. So the industry has had, according to the Audio Publisher's Association, which I believe Tanya has just finished a stint on the board. They say they've had seven years of double digit growth. With the last date available 2018 of course, cause we're not quite done with this one. And that in 2018, according to the APA, it was almost a billion dollar industry, which of course means that it was over a billion dollar industry because professional associations that cover publishing can never actually capture all that revenue because there's too many independent publishers. And also because the only people who really know how many audio downloads there are, are Amazon and they're not saying.Tanya: 06:36 Right, but it's a lot.Sarina: 06:37 It's a lot. And 2018 revenue was up 24 and a half percent over 2017, which is a big fat growth number. And I'm, you know, a cynical economist so that when people tell me that something is growing really fast, I kind of sometimes discount that because if a thing is growing really fast, but it's a really tiny thing, then you know, that's interesting, but it's not life changing. And in publishing we love to grasp onto whatever is growing because, you know, it's a tricky industry and wild growth is not something people think about when they think about publishing. But now after seven years of double digit growth, I have to say that it really seems like they're not fooling around this time. And so, I'm a believer now. And just to prove it to myself, I looked up my own audio revenue on my early 2018 release because I thought that that was like the best one to look at to figure out what it was. And 12% of all the copies of my early 2018 release were sold in audio, which means that the revenue proportion is even greater than 12%, because I'm earning slightly more on every audio copy than other formats, including e-book and paperback. So, wow. I'm a believer.Jess: 08:12 I'm so jealous of you being able to look up that information. I mean, when it comes (as you mentioned before) Amazon's not telling and it's almost impossible for me to know. But what's really nice for me when I go to a book signing, go to a book event, more and more frequently people are asking me if the book's available on audio or I listened to you in my car. And I want to talk about that in a little bit - to the sort of the relationship that you build with the voice that you listen to in your car. But more and more people are saying to me, 'Oh, I listened to it on audio and I love that format.' And that wasn't something, even five years ago, that wasn't something I was hearing.Tanya: 08:51 Well, I think that the industry really changed and exploded when we had the technology to support it. So when I started, I was still on tape. This is how long ago I was recording and then it moved to mostly CDs, but then we've had this huge, you know explosion since smartphones and then Audible coming in and now people can access it everywhere, where you couldn't before. And people have discovered how much fun it is to listen. For me, it's like a movie in my mind and it's been constantly growing, which has been great.Jess: 09:31 From the teacher perspective, there have been a bunch of articles in the past couple of years on you know, is listening to audio books "reading", does it count, you know, that kind of thing. And there've been a couple of articles saying, 'Absolutely, yes, it does count.'Speaker 4: 09:48 We do process the the words we read slightly differently, but I know from a teaching perspective, if I have to teach a text, especially a text that's really dense, I always listen and read because I get different things from a text when I listen than when I read, and it's a very important part of my preparation. So I think that's added to it.Tanya: 10:07 Yeah. It actually lights up the same parts of the brain as reading does, which is really cool. And I actually got started with audio books - my first experience - I was trying to understand Faulkner's As I Lay Dying and I was like 16 years old and I couldn't make sense of it. So I started to read it out loud and suddenly like the whole book just came to life for me. So, yeah I agree.Jess: 10:33 There's this really cool passage I used to teach in seventh grade, I would teach Great Expectations. There are a few passages that I had to read out loud because the way Dickens structured the sentences lent itself to the same - there's a scene where they're racing through the marshes and the sentence just bounds, and bounds, and bounds forward the same way that Joe is bounding, and bounding, and bounding through the marsh. And so it's a way of showing students that you can use language not only to appeal to the eye and to sort of sound good in your head, but to sound good from an oral perspective as well. So that's one of my favorite parts about reading out loud and who doesn't want to be read to?Tanya: 11:15 It's so nice, isn't it? It's really comforting, I love it.Jess: 11:19 So can we talk nuts and bolts?Tanya: 11:21 What do you want to know?Jess: 11:23 I want to know practical stuff. Like how do you get hired? And Sarina talks about this every once in a while, but how does an author (and often it has nothing to do with the author unless you're at Lucky like Sarina and you're so good at the self pub thing) but how do you get hired for a book in the first place?Tanya: 11:40 So I think the most important thing to realize about narrators is that we are all freelancers. So we may work through a publisher, but we don't work with just that publisher. And you can basically contact us and most of us can produce audio for you or we can work with whichever publishing house you want to work with. So how I get hired is publishing houses sometimes will cast and I've been in the business long enough that they know me and they simply send me an email and say, 'Are you interested?' Or I might audition or I have authors who contact me or I might audition for pieces that authors post online through ACX or find a way or some of those services. So there's multiple ways to reach a narrator.Jess: 12:31 You hear about like actors going after certain roles, have there been certain audio books that you've really gone after because you wanted to be a part of them?Tanya: 12:38 Yes. And it did not work. And I'm still intensely bitter. No, I'm not. But this was before I started my publishing company and I realized that I might've seemed a little creepy because I was just a narrator saying like, 'Hire me.' And that made people uncomfortable. But now that I have a production company, they take me a little more seriously and I have been able to get some really great roles that way.Jess: 13:07 Cool. So in terms of - and these are just the things that I tend to be fascinated by - so when I read my own audio book for my for my book for Harper Collins, I got a flat fee as the author. So they said, here's the amount of money you get. Go away, go read the book. But I also understand from Sarina that audio narrators can get paid in terms of a finished, by the minute....Tanya: 13:35 We are paid what's called per finished hour. So if your book is 10 hours long, we are paid 10 hours worth of work. We call it per finished hour because each hour to record takes about two hours or more for us to produce it. So doing it by the per finished hour simplifies things. And I think there are A list actors who their pay scale is much different, but for most of us it's a per finished hour.Jess: 14:07 There's so many things that go into why it takes so much longer in the finished product.Tanya: 14:14 And I think they don't realize that for every hour of audio book you listen to, it's taken about 10 hours to produce and there can be a team of like 20 people working on that audio book. So we've got directors, we have engineers, proofers, people who listen for mistakes or tummy grumbles or things like that, you have people doing research, you have the narrator who reads the book first and does a bunch of research an…

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Episode 184 #BeforeYouStartthatNonFictionProject Nov 08, 2019

Show notes

Every nonfiction book starts out as a glimmer of an idea. A topic. An area of interest or expertise. But you can’t just pitch a book about beekeeping, kids. You need to know a whole lot more. Is it a beekeeping memoir? A beekeeping how-to? A meditation about the relationship between bees and humanity?In this episode, we dish about how to answer those questions, because—spoiler—that’s exactly how Jess, who just finished the draft of her second nonfiction book, has been spending her time. Well, not thinking about beekeeping, or at least, I don’t think so. She’s pretty cagey about what, exactly, she’s researching—but that’s a good thing, because this episode is about the first steps that lead to an eventual proposal and, ultimately a book, no matter what the topic. Episode links and a transcript follow—but first, a preview of the #WritersTopFive that will be dropping into #AmWriting supporter inboxes on Monday, November 11, 2019: Top 5 Steps to Setting Up Your Author Presence on Amazon (Plus a Couple More for Extra Credit). Not joined that club yet? You’ll want to get on that. Support the podcast you love AND get weekly #WriterTopFives with actionable advice you can use for just $7 a month. As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode. To support the podcast and help it stay free, subscribe to our weekly #WritersTopFive email.LINKS FROM THE PODCASTThe Art of the Book Proposal: From Focused Idea to Finished Product, Eric MaiselThe Forest for the Trees: An Editor’s Advice to Writers, Betsy LernerModern Love Series on AmazonModern Love Column, New York Times#AmReading (Watching, Listening)Jess: Jess has been all in this week! Katherine Center’s Things You Save in a Fire, How to Walk Away and the bridge story between those two novels, The Girl in the Plane, plus Happiness for Beginners, The Lost Husband, and Get Lucky.Also, Ali Wong’s Dear Girls, Ronan Farrow’s Catch and Kill, and Sarina Bowen’s Moonlighter!Sarina: The Virgin Gift, Lauren Blakely#FaveIndieBookstoreOctavia Books, New Orleans.This episode was sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. AND—they’ve got a new program for new nonfiction projects! Visit https://www.authoraccelerator.com/amwritingfor details, special offers and Jennie Nash’s Inside-Outline template.Find more about Jess here, Sarina here and about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.The image in our podcast illustration is by William Iven on Unsplash.Transcript (We use an AI service for transcription, and while we do clean it up a bit, some errors are the price of admission here. We hope it’s still helpful.)Hello listeners! If you’re in with us every week, you’re what I like to call “people of the book.’ And some of us book people discover somewhere along the way that not only we writers, we’re people with a gift for encouraging other writers. For some of us, that comes out in small ways, but for others it’s a calling and an opportunity to build a career doing work you love. Our sponsor, Author Accelerator, provides book coaching to authors (like me) but also needs and trains book coaches. If that’s got your ears perked up, head to https://www.authoraccelerator.com and click on “become a book coach.” Is it recording?Jess00:01Now it's recording. Go ahead. KJ00:45This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing. Jess00:49All right, let's start over. KJ00:51Awkward pause. I'm going to rustle some papers. Jess00:54Okay.KJ00:54Now one, two, three. Hey, I'm KJ Dell'Antonia and this is #AmWriting the podcast about all things writing - nonfiction, fiction, proposals, essays, pitches, and as we say each and every week. This is the podcast about sitting down and getting your work done. Jess01:22I'm Jess Lahey. I'm the author of the Gift of Failure and a completed manuscript for book two, The Addiction Innoculation. And you can find my stuff in the New York Times and the Atlantic and various other places. KJ01:35Carry on, Sarina.Sarina01:40Hi, I'm Sarina Bowen. I'm the author of 30 plus romance novels and my last one was called Moonlighter and it just hit the USA Today.Best Sellers List. KJ01:51 I am KJ Dell'Antonia, the author of How To Be a Happier Parent, the former editor of the Motherlode blog at the New York Times and the author of a forthcoming novel that you'll hear all about as it comes out next summer. And yeah, wows all around. It's been it's been a good week. I think things are going pretty well for all of us. Jess02:18All of us. I think so, too. I'm finally recovered from getting the last book done and it's amazing how much stuff a person can push off until after. And like after meant after November 1st and so now my inbox is full of things with like all different color flags stuck in it, like deal with this after November 1st, deal with this after November 1st. And it's amazing how much stuff I actually piled on to deal with after November 1st and it's November 1st and I'm dealing with it. Welcome to after, I'm in the after mode now. And it's crazy. It's really good though. It was really freeing to be able to say, 'Just later', but later is now here. So anyway, but Sarina the thing that I wanted to mention is a huge congratulations because this is a new book in a new series for you, right?Sarina03:13Yeah. It's a spinoff because that's how I like to start series by spinning them off from existing characters. But it's definitely something new. I hadn't written a suspense plot really before. And yeah, it was hard and I really enjoyed it and I thought readers would follow me there, but of course I really wasn't sure.KJ03:35And they did.Jess03:35You can never be sure, but readers are fickles and they did. And it's really, really good. I was actually on my list of books I read, even though KJ pointed out that no one's going to trust me when I say anything about either The Chicken Sisters or any of your books. But I did love it and I love the fact that you're willing to push yourself to try lots of different things. And I think I even texted you earlier about a couple of the things that you've done that have made you nervous. When you first think, 'Should I write this?' And then you write it. And I'm always amazed how a) brave you are to write about stuff like a pregnant protagonist, which sounds crazy in romance. I mean, you would think that would never work, and it does, and it's fantastic. And I just, I love the fact that you're willing to push yourself because it would be so easy to say, 'I'm just going to write about single, heterosexual, white people because that's sort of the comfort zone. And yet you don't, you write about all kinds of things and I think that's really cool. Sarina04:36Well, thank you. The truth is though if I only wrote about people like me, we'd have a lot of books about people who don't leave home very much. Jess05:03My suspense for today is if the leftover Halloween candy is still gonna be here when everybody gets home later on today. Yeah. Can we point out today is (the day we're recording) November 1st since I already blew it and mentioned that. So that means it's the first day of NaNoWriMo. Are we gonna talk at all about that reality?KJ05:32Sure, I will. But before we do, we do have a topic for today. We have a plan - today we're going to be talking - Jess, name it.Jess05:43We are going to be talking about new projects. Because during my recovery from finishing the last book, I had no intention to have a new idea, but I did. So we'll talk about that in just a minute.KJ05:58This is going to be like the how to start, what to do before you start, that kind of thing. But meanwhile, since some of us are starting... Jess06:04Specifically non nonfiction. So my thing today is going to be about what you do when suddenly you have an idea for a new nonfiction, which requires a lot of organization from day one, so that you don't get yourself in the weeds and off on the wrong foot. But let's talk about November 1st - NaNo. What's happening people?KJ06:25The timing actually turned out to be really good for me. So everybody knows I've been working on what we'll just call novel two for the sake of ignoring the one in the drawer. Oh my gosh, my mother. Apparently I gave her my first novel, which I wrote 15 years ago and I got a text from her recently, 'Do you remember Mud Season? I was just reading.' I was like, 'No, don't read that.' I was listening to a podcast with Grant Faulkner, who is the person who heads up NaNoWriMo right now, although he is not the founder. And he specifically and sort of narrowly described the goal, which I had forgotten, which is to write 50,000 words of a novel. And I thought, 'Oh, well, okay.' So I pulled out the words that I have already written of what we're calling book two. I tossed aside all the words that I wrote around various other outlines and concepts that sort of need massive reworking. This is just the chunk that I really have and it's 30,000 words. So you know what I need to have a book? 50,000 words. So, I started today, I'm shooting to write 50,000 words of my novel in November. It is not a cold draft, but I think we all make our own NaNo rules, but I'm sort of enjoying the fact that I'm really kind of hewing a little more closely to the NaNoWriMo rhythm than I thought I was going to be.Jess08:06I'm sure there are NaNo purists who are saying, 'Oh no, you must start something new on day one.' But we don't roll that way.Sarina08:14That was never the rules, sorry.Jess08:22I think NaNo is a great time to (as we said last time around) just to take a hold of the productivity that's in the air, the sort of writing Juju that's floating around in November and do with it what you will.KJ08:34So I already nailed my 1600, I believe I wrote 1618 today. I'm feeling good. Jess08:55So in November are your stickers the value for the words that you like? How are you stickering? For those of you who are new to the podcast, we have this thing we do call stickering. Sarina and KJ and I text each other the word sticker when we get our sticker for the day. And it is literally a sticker that goes into our calendar. In fact, Sarina gave me some llamas for this month, which was great timing because I didn't have any stickers for this month. And it is literally a sticker that is of your own definition. Right now (as we're gonna get into in a minute) mine are research stickers this month. But it can be anything you want. And it means, 'Yay me. I did it.'KJ09:36Yes, my stickers this month (which are coffee pot or coffee cups. Super cute little pile of stickers.) will be for 1612 words. Or, like if I decide, I may end up having to decide not to write on Thanksgiving cause we're having a family dinner somewhere that involves traveling. So I may up some word counts in order to allow for some days off. I think the thing that's going to be different for me - sometimes I just want to just want to get to my words. And so when I write things that I delete sometimes I just leave the words in the word count until I'm done writing. Not this time, because the goal is to actually finish this draft. The words have to be words. That kind of varies. Sometimes they can be outlining words or they can be pre-writing words or they can be other kinds of words. But this month, hear me now, they have to be actual wordsJess10:44And Sarina, what's happening with you?Sarina10:46Well, I have a book that needs 25,000 words, but they have to be perfect by the end of the month so I can't do NaNo. I have to finish this project, and then make it beautiful, and that's just how it is.KJ11:01Well, I'll be representing you.Jess11:04You still use stickers during that process though, right? Sarina11:07Yup, absolutely.Jess11:09And during that process, are your stickers for editing, for writing, do you change it up day to day, whatever your goals are?Sarina11:16Well, they'll be writing for 1200 words. And then if I run out of book, then I'll revisit.Jess11:24Okay, sounds good. So I guess this leads us into the announcement that I have to make, which is, I already said on the podcast that I was going to be working on that novel, which sounded great when we were talking about it. It really, really did. And then I spent a lot of time rereading what I had. And thinking about what I really wanted to do and thinking about what KJ had said about what do you write in your head? And I just don't love writing fiction. I just don't, it's not what gets me excited to sit down. And you know, when in On Writing, when Stephen King talks about the fact that he threw away the opening chapters of Carrie because it was really hard, that's not what this is. I really don't think I'm just saying I don't want to do it cause it's hard. It just doesn't feed me. It just doesn't get me excited and make me want to go to work every day. And frankly, what happened was, and I have to be super, super cagey about this because I haven't even talked with my agent about it, but I had an idea for the next book after the addiction book. And I am so excited, at least right now for this crazy, in-depth research phase. I've said this before, what Mary Roach, author of Guts and a bunch of other cool books, calls her three month research flail. Where she jumps into the research and figures out what her book is. And so that's what I'm doing. I'm starting a new proposal for a new nonfiction book and that's what our topic is going to be about today. So, sorry to pull the rug out from under my NaNo plans, but they changed.KJ13:05I think that's really cool. And I don't know about Sarina, but I personally had no plans to actually require you to write fiction. You're okay. You be you. Jess13:18And that book is just still sitting there. I still have an internal relationship with those characters and I don't know if it'll ever get written. But Jenny Nash, if you're listening, that's not what I'm working on this month. But frankly, whenever I get this excited about something new, I'm all over it. Our official topic for today is what to do when you have an idea for a nonfiction book and you're starting to wrap your brain around a topic and think about a proposal. So, the very first thing I did was I took the book proposal for the addiction book, which is the long form. I think we talked at one point about the fact that if you are going to go back to your same editor that you've had at a publisher with a new book idea, you may not necessarily have to write the mammoth (in my case, I think it was 70 or 80 page book proposal that includes everything from the marketing stuff, and comparable titles that are out there, and who you are) that's for a publisher that doesn't know anything about you necessarily. But with the addiction book (simply because it's a difficult topic and we weren't 100% sure that my editor was going to be fully on board) my agent and I went out with a full, finished book proposal to my editor so that if she didn't want it, we c…

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Episode 183: #FacebookforWriters Nov 01, 2019

Show notes

Writers need a page, a profile and a whole lot of patience and persistence to even feel like we’re close to getting Facebook “right.”The question first appeared, as these things do, in the #AmWriting Facebook group. A book is coming! I’m on Facebook (obviously), but do I need an author page in addition to my profile? Why—and what should I do with one once I’ve got one? Our answer is yes, but of course it doesn’t stop there. In this episode, we talk the ins and outs of Facebook for writers of all kinds, with a primer on the basics and then a few ninja-level tips from Sarina.Episode links and a transcript follow—but first, a preview of the #WritersTopFive that will be dropping into #AmWriting supporter inboxes on Monday, November 4, 2019: Top 5 Things You Don’t Need to Be a “Real” Writer. We’d love your support, and we hope you’ll love our Top 5s. Join in for actionable advice you can use for just $7 a month. As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode. To support the podcast and help it stay free, subscribe to our weekly #WritersTopFive email.LINKS FROM THE PODCASTThe #AmWriting Facebook GroupGrown and Flown on FacebookRon Lieber’s Author Facebook PageSarina’s Facebook PageSarendipity (Sarina’s Facebook Fan Group)Jess’s Facebook PageKJ’s Facebook Page, which she didn’t even remember existed but will now tend as directed by Sarina.ManyChat#AmReading (Watching, Listening)Jess: Home, Run Away, Harlan Coben (also mentioned, Tell No One)KJ: Kitchens of the Great Midwest, J. Ryan StradalSarina: Ninth House, Leigh Bardugo#FaveIndieBookstoreGibson’s, Concord NHThis episode was sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. Visit https://www.authoraccelerator.com/amwritingfor details, special offers and Jennie Nash’s Inside-Outline template.Find more about Jess here, Sarina here and about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.The image in our podcast illustration is by NeONBRAND on Unsplash.Transcript (We use an AI service for transcription, and while we do clean it up a bit, some errors are the price of admission here. We hope it’s still helpful.)KJ: 00:01 Hello listeners, KJ here. If you’re in with us every week, you’re what I like to call “people of the book.’ And some of us book people discover somewhere along the way that not only we writers, we’re people with a gift for encouraging other writers. For some of us, that comes out in small ways, but for others it’s a calling and an opportunity to build a career doing work you love. Our sponsor, Author Accelerator, provides book coaching to authors (like me) but also needs and trains book coaches. If that’s got your ears perked up, head to https://www.authoraccelerator.com and click on “become a book coach.” Is it recording?Jess: 00:02 Now it's recording, go ahead.KJ: 00:45 This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing.Jess: 00:45 Alright, let's start over.KJ: 00:45 Awkward pause, I'm going to rustle some papers.Jess: 00:45 Okay.KJ: 00:54 Now one, two, three. Hey all, I'm KJ Dell'Antonia and this is #AmWriting. #AmWriting is your podcast, your weekly podcast, our podcast, about writing all the things. Fiction, nonfiction, pitches, proposals, essays you know what? All the things, except poetry. None of us do that. But we did have a poet on once. I dunno, I just was thinking that the other day like, wait a minute, it's not quite all the things. Alright, back to the regularly scheduled introduction. #AmWriting is the podcast about sitting down and getting your work, whatever it is, done.Jess: 01:40 KJ, before I introduce myself, speaking of the intro changing up, we got an email this week from someone who said, 'Wait, you changed the pattern at the beginning of the episode and I don't know what to do with that.' It was very, very funny.KJ: 01:54 I love that people go back and listen to all the episodes. It brings me incredible joy.Jess: 01:58 Yes, it does. I am Jess Lahey, I'm the author of the Gift of Failure and a forthcoming book about preventing substance abuse in kids. And I write at various places including the New York Times, Washington Post and the Atlantic.Sarina: 02:13 And I'm Sarina Bowen, the author of 30 plus contemporary romance novels. And you can find more of me at sarinabowen.com.KJ: 02:22 And I am KJ Dell'Antonia, a novelist and also the author of the nonfiction book How to Be a Happier Parent, first novel will be out next summer, more to come I hope. You'll sometimes still find my work at the New York Times and in a variety of other places. So that's it, that's who we are. We know some things and today our plan is to talk about what we know about Facebook. But before we do, I just want to thank everyone who has gone in and subscribed to our weekly emails that come out every week about the podcast. That is a new thing that we're doing and I love that people are finding it useful. Every week we send you little something about what the episode is, all the links, and a way to see a transcript, which is pretty cool. And also huge shout out and thanks to those of you who have signed up to support the podcast and get our weekly top fives for writers. It's huge, we feel so grateful and excited that you guys want to support us, and want to be a part of it, and want to get our top fives, which we're having a great time doing. So you know, thanks to everyone for that. And if you're looking to do either of those things, head over to amwritingpodcast.com and you'll find all the links there.Jess: 03:42 Alright, let's do it. You said our topic is Facebook. What do you mean about this Facebook thing?KJ: 03:54 Well, it's a great place to put up pictures of your kids and offend all your relatives on your political views. But as a writer, people have questions like, 'Should you have an author page and a personal page? Should you do everything from your personal page? How has this evolved over the years? And I have wrestled with it. Sarina has come to some pretty good terms with it and I'll just also throw out there that back in 2013 when I started with the Times, they actually said to me, 'We do not want to create a Facebook page for the Motherlode blog, which doesn't exist anymore anyway. So just use your own. It was one of the best gifts that they gave me. I don't think it was actually the right choice for them, but well, and here and today I'm sitting here with no author page, but the AmWriting page and everything I do professionally ends up on my personal page and I'm not sure that's where I should be.Jess: 05:01 I'm a mess. Sarina, you go cause you've got a whole thing. You use it beautifully.Sarina: 05:07 Well, thank you. But we have to talk about vocabulary for a second. Because people have a profile, not a page. And we just want to be careful to use that vocabulary correctly because if listeners go and try to untangle our suggestions, they might run into a little trouble. So every person, like the way that we would define a person has the right under the Facebook terms of service, to have one profile. So, if you use a pseudonym for your writing, you may find yourself in the awkward position of trying to fake it to Facebook that you can have two profiles. And yeah, so that's a good time. But the profile is the main way that most people look at Facebook, you login with your profile. Now a page, you can have as many pages as you want. A page is meant to be representing something that's not a person. Like a brand or a business or it can be a person, like a personality. So I have a profile under Sarina White Bowen, it's three words. And then I have a Sarina Bowen page. And pages and profiles have different things that they can do, they're not identical in their functionality. And that's why we get into these tricky discussions because the way that pages and profiles behave is not identical and that's where some of the weird fun comes in.Jess: 06:54 Well and honestly that's where most of my apathy/confusion lies. Mainly because for me, my profile, Jessica Lahey. Actually, I think my profile is Jessica Potts Lahey because my maiden name is Potts. So that's my personal profile, the thing I originally signed up for Facebook with. That has long since gone out the window as a private, personal thing. Like I get 30 friend requests a day and I accept some and don't. But most of them are people I don't even know. I've just long since given up the ghost on that. But it is how I keep in touch with childhood friends and high school acquaintances and things like that. Then I also have a page as Jessica Lahey and that was something my publisher wanted and it was important to them. But see, here's the problem - if you're accepting any old person out there to your profile, and I'm posting things to my page and to my profile and honestly, there's a lot of overlap between the two. I wish I'd been more strategic about this from the beginning. And I somehow had a profile that was really just personal stuff and then shuttled everyone else over to my page, like put up kind of some kind of like, 'No, I will not friend you, but here's my page.' I wish I'd been more strategic about that, but I didn't and so now I have a mess. I have, two things, neither of which is personal, and both kind of get duplicate posts.Sarina: 08:28 Well, I could make you feel better by telling you that we're all in the same mess, honestly. Because Facebook has treated the two things differently over time. So, it used to be that in the glory days of 2010 you could make a page and even if you'd gotten this right from the very first day...Jess: 08:53 If I could have seen the future...Sarina: 08:55 Well, that's the thing. You would have still not been able to do it exactly right because the behavior that would have been optimized at the time would have changed. So back in the glory days, you could've made that page that you were just talking about and kept your profile private and you could have posted the things you were writing and thinking about it on this page and people would see it and they would interact with you and your page would grow, and grow, and grow. And you might have like 30,000 followers. However, Facebook has very much become a pay to play platform and now they would want you to pay every time you put up a post on your page that you wanted more than say 5% of your followers to see. So the fact that when you share meaningful things on your profile, at least there's some chance that the people who are connected to you will see it. So it's not entirely clear to me that you wouldn't be a very sad owner of a highly followed page by this point. But everybody who relies upon Facebook to push content into the world has been increasingly unhappy with their results because it's not just that Facebook wants your money (and they absolutely do want it), but also just the number of pages in the world grew at such an exponential rate that they can't actually show everybody all the stuff that they're following anymore. Like if you liked your dentist's office in 2013, then you know, the odds of you actually seeing a post from the dentist are really bad. Like the pages who you might actually see are the people who have been out there working it so hard since the very beginning, with a nice pace of content release, and a good interaction that...it's very few pages that are still getting that kind of play. You mentioned that you get a lot of friend requests. Facebook actually caps the number of friends you can have at 5,000.Jess: 11:05 Early on I think it was like 2000 or something. But yeah, it's definitely 5,000. I'm getting close and that worries me. Because what if someone I really want to follow, that's why I don't accept all of them or even real people...KJ: 11:19 People don't know you didn't accept them. And probably most of their goals is just to follow you, which is what happens if someone puts in a friend request and you say no, they end up following you.Jess: 11:32 That's right. Yeah, I forgot about that.KJ: 11:35 At least you've got that going for you.Sarina: 11:36 So, another factor is that now Messenger is tied in with the people you're friends with on Facebook. So I have stopped accepting friend requests completely, unless of course I met the person.KJ: 11:51 Unless it's your friend.Sarina: 11:53 Or, but I got some friend requests after that retreat we went to in Maine and I accepted those. But I don't accept random requests anymore because I've discovered it's just a way for readers to bug me. Like when is such and such a thing coming out and you know, there just aren't enough hours in the day for me to do a good job answering those messages.Jess: 12:16 Actually, I'm so glad you said that because that has been a source of anxiety and frustration for me in that the number of direct messages I'm getting via various apps has gone through the roof and it's a lot of people asking very personal questions about their own children. I got one the other day and she sent me this long, long, long message about what she's going through with her child. And she wrote the word please and she sent a picture of herself with her child.KJ: 12:48 I wish you could auto reply from Messenger. Because if you had that that said, 'I'm sorry, I can't...' I suppose you could just type one. Okay, we're going to get back to how everyone should use Facebook in a second, but just to solve this particular problem with which I am somewhat familiar, type something up, and imagine yourself as your assistant. 'I'm sorry, Mrs. Lahey can't respond to all.' And you know you're gonna feel like a jerk, but Mrs. Lahey can't respond personally to everyone and that leaves you the freedom to do it. To take a step back, we have people on our Facebook group page, which is a whole other thing, and is a great tool for various kinds of authors, particularly I think in nonfiction. Someone was saying, 'Here I am and my first book is coming out and should I create an author page?' And there are reasons to say yes to that, I think.Sarina: 14:07 Yes, there are. One of the reasons you might need an author page is if you want to advertise something, you can't advertise from a profile, you have to advertise from a page. So, the main reason that the Sarina Bowen author page continues to grow a following is because of paid advertising. And when you use paid advertising you collect likes sort of by accident. So you should never run the kind of ad that just gets likes because that's pointless. But if you have something to advertise like 'Look, this is my new book. Here is the link at Apple books.' Then that is something I advertise and the page does grow its following that way. So I would say that if you have even a 20% chance of ever wanting to advertise something, you should set up that author page. But then you should not obsess about how many followers it has. You should post only often enough so that it looks like the lights are on. And you don't need to worry about it. It needs to be set up so that there's somewhere people…

Full show notes at the publisher

Episode 182 #WriteFlailRepeat Oct 24, 2019

Show notes

Novelist Abbi Waxman makes us laugh talking process and inspiration almost as much as we do when reading her books, with emphasis on using settings you know and love.Our transcription assistant reports that this was “her favorite episode ever.” It’s definitely a contender—Abbi Waxman is funny and candid about the challenges of creating characters and worlds that are engrossingly real yet also comical—and about her next novel, the first one not fully set in her California ‘hood. Episode links and a transcript follow—but first, you don’t want to miss the #WritersTopFive that will be dropping into #AmWriting supporter inboxes on Monday, October 28, 2019: Top 5 Goodreads Secrets for Authors. It’s a good one! If you haven’t yet plunked down a tiny chunk of cash to support the podcast, maybe now is the time. Support the podcast you love AND get weekly #WriterTopFives with actionable advice you can use for just $7 a month. As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode. LINKS FROM THE PODCAST#AmReading (Watching, Listening)Abbi: A Miss Silver Mystery: Lonesome Road (#3), Patricia WentworthJess: Home, Run Away, Harlan CobenKJ: Confessions of a Bookseller, Shaun BythellThree Things You Need to Know about Rockets: A Real-Life Scottish Romance, Jessica A. FoxThe Gyrth Chalice Mystery, Margery Allingham#FaveIndieBookstoreChevalier’s Books Los Angeles, CA — if you’ve read Nina Hill, this is the real life bookstore she works in, and we love that. Our guest for this episode is Abbi Waxman. Abbi is the author of:The Bookish Life of Nina HillOther People’s HousesThe Garden of Small BeginningsThis episode was sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. Visit https://www.authoraccelerator.com/amwritingfor details, special offers and Jennie Nash’s Inside-Outline template.Find more about Jess here, Sarina here and about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.Transcript (We use an AI service for transcription, and while we do clean it up a bit, some errors are the price of admission here. We hope it’s still helpful—and, this time around, Jess is “New Speaker.” We don’t know why. AI is mysterious.)KJ: 00:01 Hey writers—you all know we love our sponsor, Author Accelerator, which offers intense book coaching to help writers keep their butts in the chair and their heads in the game and finish what we start. But what if you’re not ready for full on coaching? What if you’re still trying to figure out where your story or memoir is going, and you need help? In that case, Author Accelerator has something new: the four-week Inside Outline Coaching program, which will help you quickly and efficiently visualize your entire story, spot the holes and places where your characters have lost momentum and ensure that you’re working forward with a structure that will support the story you want to tell. I love this tool, and working with someone to stick to it and get it right is going to save you a lot of time and a lot of typing. Find out more at https://www.authoraccelerator.com/insideoutline.New Speaker: 00:01 Go ahead.KJ: 00:01 This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing.New Speaker: 00:01 All right, let's start over.KJ: 00:01 Awkward pause, I'm going to rustle some papers.New Speaker: 00:01 Okay.KJ: 00:01 Now one, two, three. Hey, I'm KJ Dell'Antonia and this is #AmWriting. The podcast about writing, which is pretty much why we named it that. We are a podcast about writing all things - fictional, non-fictional, proposals, pitches, writing emails in the quest to get an agent, and I've run out of my list, but it's one I give you guys weekly and as I hope you know, we are the podcast about sitting down and getting your work done.New Speaker: 01:50 And I'm Jess Lahey. I'm the author of the Gift of Failure and a book I just turned in on preventing substance abuse in kids. And you can find me at the New York Times, and the Atlantic, and the Washington Post .KJ: 02:03 You're killing it. This actually is your due date and I'm so delighted.New Speaker: 02:08 I'm a little bit giddy today.KJ: 02:11 You should be. I am KJ Dell'Antonia, author of a novel coming out next year, The Chicken Sisters, and of How To Be a Happier Parent, former editor of the Motherlode blog at the New York Times, where I'm still a reasonably regular contributor, and at the moment working on novel number two. And I am delighted to say that we have a guest today. So before I introduce her, since she's sitting there silently, I will just say, 'Hi Abby.'Abbi: 02:39 I wasn't sure if I should be making little chicken noises in the background. It's probably a good idea for me to sit excitedly until prompted.KJ: 02:55 Abbi is the author of three novels, all of which I've totally enjoyed and I believe have recommended at one point or another on the podcast. They are - I'll go in backwards order - her most recent novel is The Bookish Life of Nina Hill, preceded by Other People's Houses. And then, gosh, there ought to be another word for this - preceded by The Garden of Small Beginnings. I would call them comic, commercial fiction, with plenty of snark and a little tiny touch of the darkness of life, and our huge fun. And we're so glad to have you.Abbi: 03:36 It is my pleasure to be here.KJ: 03:38 Thank you.New Speaker: 03:41 I have to say, she's been so excited to talk to you. So the fact that she's just overflowing with questions...KJ: 03:52 I've really enjoyed The Bookish Life of Nina Hill. And I want to go back and talk about - I guess what we like to do when we have a guest is go just a little bit back into your career. A lot of our listeners are somewhere sort of mid-career, a lot of them are just getting started, and everybody wants to know things like - how did you get started? I know that you were in advertising, so I think my question is what's the first thing you wrote that wasn't advertising that you got paid for?Abbi: 04:27 So yeah, I worked in advertising for a long time. But I always knew that I wanted to write books, ultimately. But that's because that's what I saw growing up. My mother was a murder mystery writer. My biological dad was also in advertising. My stepfather was not a writer, so this is just what I saw grown ups doing a lot of the time and certainly that's what I thought mothers did. So, I had a career, I had my own agency for a while ,and then I decided I wanted to quit that, write books, and have children. Which those two things are inextricably linked in my head. The problem being, of course, having children is a hundred percent contra-indicated if what you're trying to do is actually get work done. So it took me a very long time to write my first novel and then subsequent ones were much quicker because I didn't have three kids under five in the house. But while I had those three small kids and I wasn't being super successful at finishing my own work, I got hired to ghost write a novel for a celebrity, who shall remain nameless.KJ: 05:36 And that's always such a bummer, but we know that's the way it works.Abbi: 05:39 That's the way it works. So I wrote a novel, a piece of fiction for this person and my name wasn't on the cover, but it was on the check and that's all I really actually care about. So that was good. Not that all I care about is money, far be it for me to suggest I am just venal in that way, but I do enjoy making money for my work. Because I did it for free for so long that it is still very pleasant to get paid for it.KJ: 06:08 I'm impressed that it was a whole novel.Abbi: 06:11 Well, before I wrote that one, I had written several novels that were too crap to see the light of day. So finishing a novel was a sort of a barrier I'd already cracked. Finishing a good novel was one that you could argue I haven't yet cracked, but which I'm working on.KJ: 06:29 We will not argue that. How did you convince a celebrity and a publishing company that you could do the novel for the celebrity?Abbi: 06:40 You know, it's a mystery, to this day. So I have a friend whose name is Hillary Liftin, who is a very successful ghost writer of both (she writes fiction herself and she writes nonfiction books with celebrities) and she's written dozens of them and she's really, really good at it. And she recommended me to an agent who approached her about writing this piece of fiction. And she said, 'No, no, but you should have my friend Abbi do it.' I don't even remember writing a proposal. So I had to go and meet - there's actually a good story attached to this, but I don't know if I can tell it without revealing it. So I went to meet with this celebrity, along with several other writers (not at the same time, although that would have been hilarious), but one after the other. And she had us meet her at Chateau Marmont in Hollywood, which is just just right there. I was so happy to even be doing this because it was so ludicrous. It is so incredibly Hollywood and I was just like, it's ridiculous. So I show up wearing my jeans, my Target T-shirt, and the one cool jacket that I possessed and could still fit into. Cause I worked hard on gaining weight after I had my kids and I was very successful at it. And so I squeezed into these clothes, I go in, the first thing she says to me (she's tiny, tiny little celebrity as they all are all) 'Oh, I love your T-shirt.' And I said, 'I got it at Target.' So literally that was my opening - I got it at Target, which you think would be enough to end the whole thing. And so she arrived. She walks in just before I get there, I see her walk in and she literally asks whatever you call the person at Chateau Marmont who's in charge of helping celebrities deal with their lives, She's like, 'I need breakfast cereal.' And he sent someone out to shop for breakfast cereal for her so that she could have (I nearly swore) Captain Crunch at like 11 o'clock on a whatever day it at the Chateau.New Speaker: 08:57 That's really impressive. I actually was going to tell you the last time I got a compliment from a celebrity, I actually said, 'I got it at a garage sale.' And it was about an article of clothing, so I can actually one up on that one. Yeah, it came out of my mouth and I said, 'Oh, that, that wasn't what I meant to say.'Abbi: 09:19 But at the same time, you know, I don't know, do celebrities shop at Target? I'm sure they do, everybody shops at Target, everybody shops at garage sales. I would feel much worse saying, 'Yes, it's Gucci.' Like that would not fly. So, you know, it is what it is. So anyways, so she interviewed me and a load of other people, and the funny part is that I didn't hear anything for weeks. So I was like, 'Okay, whatever.' Then I get a call that she had told her manager who was sitting there that she wanted this other person whose name I won't say, but she got on the phone with this other writer and then 15 minutes into the conversation she suddenly goes, 'Oh wait, I have to go.' and hung up on this other writer. Because it turned out she didn't want that writer, she wanted me, but she had mixed us up. I imagine she said, 'The English one.' But this other writer was also English. So this poor woman (who it turns out also knows Hilary Liftin, my friend) was like, 'Yeah, it was the weirdest thing. We were talking and all of a sudden she's like, 'Sorry, my shoes are on fire.' and hung up on me and I never heard another word because of course she didn't have the balls to actually say, 'Oh my God, I've made a terrible mistake. I do apologize.'KJ: 11:06 Celebrities, they're just like us, only ruder.Abbi: 11:20 So then I met with her, we talked about her ideas for the book, and then I wrote it in six weeks. So there you go.KJ: 11:28 And from there - straight into your own novels or were there any pit stops along the way?Abbi: 11:34 I started doing a second novel for her and she wasn't happy with what I had done, and I had already done quite a bit, so my agent was like, 'Okay, well she'll start over, but of course it will cost you more money.' And she's like, 'Well, I don't want to pay any more money.' And I said, 'Then I don't want to write any more words.' And so that's how that happened. And so then The Garden of Small Beginnings got written and that agent and I came to a parting of the ways, cause we had a different point of views on what should happen with the book. And then I actually put that book away for a year or two and tried to write screenplays and get involved with TV, had minor, minor encouragement in that direction, which then didn't come to pass. And so I was like blow this, I'm going back to writing books where the only a*****e I have to deal with this is myself. And so that's what I did. And then I got a new agent, a wonderful agent who agreed with me about the book. And the rest is history.KJ: 12:39 Same agent, all three books?Abbi: 12:40 Same agent, all three books, and the fourth which I just handed in and two more that I'm on the hook for. So I have two more to go.KJ: 12:48 When's the fourth one coming out?Abbi: 12:49 Presumably next spring/summer.KJ: 12:52 Ah, excellent, we shall be together.Abbi: 12:55 Well at the moment, I still think it's a piece of s**t. So that is always what happens. I'm like, 'This is it. My career is over. Every time.'KJ: 13:07 You don't feel like you're getting better? So I read them in this order: first, The Garden of Small Beginnings (because I read that one I suspect right around when it came out), then, The Bookish Life of Nina Hill (obviously sometime later), then back to Other People's Houses. I mean, they were all extremely fun and there's something in particular I want to ask you about, but I would say you're definitely building skill. You're not feeling that?Abbi: 13:36 No, I do feel that. I feel like every time I write something it's better than what I've written before. But what I'm not building in is necessarily confidence about it once when it's too close. So when I had it in Nina, I was like, 'It's a piece of crap.' And then by the time it came out and I went back and looked at it again, I was like, 'Oh. No, it's all right. It's all right.' And there were even bits, you know, when you read something that you're like, 'Wow, that's really good. I have no idea who wrote that part because I don't remember writing that part.' You know, there are more of those each time. So that I guess is good. But I find that the gap between what it's going to be in my head and what it ends up on paper, that doesn't seem to get a great deal smaller. I'm always a little bit like, 'That was not what I was really going for and part of the time it's because I'm not capable of doing what I think I can do. And part of it is just that the writing process itself changes the nature of the idea. Right? Like different things come out on paper and you follow that direction and it's n…

Full show notes at the publisher

Episode 181 #NaWhateverWriMo Oct 18, 2019

Show notes

Maybe you’re drafting a novel, maybe you’re not. Either way, we vote for seizing on the community energy generated by NaNo and getting some work done.The magic of NaNoWriMo isn’t in the number of words or the length of time or even the month of November. It’s in the community seizing this time—when we could so easily heave a giant sigh and say oh, well, November, it’s practically December, might as well give up—and instead bestowing upon it this extra energy, turning it into a holiday of our very own. We’re all for writing a 50K word novel (and there’s much advice in this episode on prepping for just that) but we’re also in favor of creating your own National Whatever Write Month. Pick your poison, name your deadline and join us in taking back November. Episode links and a transcript follow—but first, a preview of the #WritersTopFive that will be dropping into #AmWriting supporter inboxes on Monday, October 21, 2019: Top 5 Ways to Tame the Internet Distraction Beast. Support the podcast you love AND get weekly #WriterTopFives with actionable advice you can use for just $7 a month.As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode.To support the podcast and help it stay free, subscribe to our weekly #WritersTopFive email.LINKS FROM THE PODCASTJunior NaNoWriMoJennie Nash method for finding your thru line and your roadmap for writing useful words (because we’ve all written our way to finding the story, and we don’t particularly recommend it): The Inside Outline Download (formerly known as the Two-Tier, but don’t worry, this is it.)Character development resources:Episode 180 #CharacterEnneagramRabbitHoleThe Emotional Wound Thesaurus: A Writer’s Guide to Psychological Trauma, Angela Ackerman & Becca PuglisiTake Off Your Pants!: Outline Your Books for Faster, Better Writing, Libbie Hawker FabulaDeck.comEpisode 75: #NovelPreparations#AmReading (Watching, Listening)KJ: The Lager Queen of Minnesota, J. Ryan StradalJess: Boys & Sex: Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity, Peggy Orenstein Ready or Not: Preparing Our Kids to Thrive in an Uncertain and Rapidly Changing World, Madeline Levine#FaveIndieBookstorePrint: A Bookstore, Portland, Maine, which does not look like this in October but soon will. Sigh.This episode was sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. Visit https://www.authoraccelerator.com/amwritingfor details, special offers and Jennie Nash’s Inside-Outline template.Find more about Jess here, Sarina here and about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.The image in our podcast illustration is by chmyphotography on Unsplash.KJ: 00:02 Writing people, this episode of #AmWriting is about setting yourself up for NaNoWriMo success no matter what spin you’re putting on it. We love NaNoWriMo because it takes a month when it’s easy to slack off—hello, holiday season!—and turns it into a month when much of the writing community is settling in to push harder, whether it’s the classic draft your novel NaNo, or whether you’re creating a book proposal, editing an existing work, drafting a memoir or applying yourself fresh to anything else. If you’re going for classic write-a-draft-of-your-novel in a month NaNoWriMo, you’ll want to sign up for Author Accelerators’s free 7 day jump-start-your-book email series. Truly, the five exercises they send you, from a one-sentence logline to your back-of-the-book copy, and the advice on getting those done really helps to set you up for success. I go back to those exercises again and again to see what I’ve promised the reader, and what I’ve promised myself. Sign up at https://www.authoraccelerator.com/amwriting. Is it recording?Jess: 01:16 Now it's recording.KJ: 01:17 Yay.Jess: 01:18 Go ahead.KJ: 01:18 This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing.Jess: 01:23 Alright, let's start over.KJ: 01:23 Awkward pause, I'm going to rustle some papers.Jess: 01:26 Okay.KJ: 01:27 Now one, two, three. Hey, I'm KJ Dell'Antonia and this is #AmWriting. #AmWritingHashtag is our podcast, it is your podcast about writing all the things - fiction, nonfiction, proposals, emails, pitches, and in short, this is the podcast about sitting down and getting your work done.Jess: 01:57 I'm Jess Lahey. I am one of your co-hosts. I'm the author of the Gift of Failure and a new book coming out in 2021 about preventing substance abuse in kids and just finishing up, packing up, and turning it into a package for my deadline. Yay.Sarina: 02:18 And I'm Sarina Bowen, the author of 30-odd romance novels and the latest one is called Moonlighter.KJ: 02:25 I am, as previously stated, KJ Dell'Antonia, author of How To Be a Happier Parent as well as a novel coming out in June of next year. Cannot wait to share a cover with everybody, but that is still a little bit away. And I want to remind everyone that if you want to hear a little bit more from us, you can sign up for our weekly emails in which we will basically shoot you out the podcast, along with all of the links, and a little bit of a transcript, and everything you could possibly need to know about every episode. So, you can sign up for that at amwritingpodcast.com.Jess: 03:06 And the place where you find all the good things,KJ: 03:09 All the good things.Jess: 03:11 What are we talking about today?KJ: 03:12 Oh, we are talking about like the super obvious, elephant in the room topic for all writers in October, which is are you doing NaNoWriMo? And if so, how?Jess: 03:24 And what?KJ: 03:26 Yeah, and what? Exactly. So you guys know I love NaNo, but I've only managed to do it, like straight up NaNo once, which was in 2017 and it's actually eventually the draft that turned into the novel that's coming out next year. So, every other year I've sort of taken November and that energy that is just afoot in the writing community and thrown my own style at it. Like, I did some variation of something or another for my How To Be a Happier Parent book. And this year, I'm figuring out, I'm drafting, so it's gonna be National Novel Writing Month for me. But it's not the whole novel, I mean I've already written part of it. It would be silly to abandon that. So, my topic for today for us is sort of Nah, whatever, WriMo. National whatever write month. Cause I think it's so cool. November is a month you could easily just toss, right? Cause it's November, holidays are on the way. There's no way you can do a lot of writing this month, right? And once you've tossed November, December just might as well, yeah, we'll just start again in January. And come on. If you do this right, if you let the community encourage you, by January, you could have a whole book or you can have nothing. Those are your choices, whole book or nothing.Jess: 04:50 NaNoWriMo has always been a really sentimental time for me because this is something I did with my students from very early on when NaNoWriMo first started. And it was a process that I started before the month began and we would go through this whole process of why it's fun to let go, what are the parameters for this essay, and how does it need to look in all the various drafts, and just start to write. And some of my fondest memories of teaching are there was a morning when one of my students came in. It was like day two of NaNoWriMo and she came into school and she looked at me and her eyes were just huge and she said, 'I felt like I fell into a book. Like I was a part of it and I've never experienced that before.' And I think for kids, especially, we tend to tell them, 'You have to write, and here's your rubric, and it has to look like this, and don't forget that the topic statements have to support the thesis statement, blah, blah blah. And for students to see that first experience of them falling into a book and becoming a part of it, as they just sort of let it pour out of them - that's always been what November has been about for me. Whether it's experiencing it myself or just sort of checking in every once in awhile with the vibe, like through Twitter or everyone talking about it online. There's just a really cool vibe about November and NaNoWriMo. It's great, I really love it.KJ: 06:17 Of course, ironically, one of the things we're about to tell listeners is don't just sit down and start writing.Jess: 06:23 Yeah, and I'm talking about kids. I mean, we went through a whole planning process actually with the kids. NaNoWriMo, and I don't know if they still do it, but there's a junior version of it and they have a whole workbook that prepares kids for it. You actually plan your characters, there's worksheets, it's really well done. If it still exists, we'll put it in the show notes because it's a really great resource for kids. And of course, kids aren't writing 50,000 words. They're setting their own goal. And when we did it, there was also a community online where you could register your class and the kids would log their progress every day and they'd have these little meters, and sometimes they'd get into competitions with each other and they'd come in and they'd say, 'I saw that you logged another 3000 words yesterday. Yay, you.' It was a really great process that NaNoWriMo actually was pretty thoughtful about, in terms of preparing kids. So, no, it was not just sitting down and writing, even for my students.KJ: 07:18 I'm pretty sure that's still there. Sarina, have you ever used NaNoWriMo to put together a book? I mean, it's write at your speed, right?Sarina: 07:25 Yeah, I have actually. The first time I completed it was for a novel that is currently in a drawer. You know, this one really probably deserves to come out, but I've been a little busy. But the weird thing about this is that I wrote this piece of women's fiction and I was kind of down on women's fiction because my one attempt had failed, but I wrote this NaNo piece and I like it. But there was a couple of characters in there, like a father and a daughter who had been estranged for 17 years. And so on like December 4th, I was sitting in my child's violin class as one does, like not paying attention. And I thought, you know, that dad and that girl, that's a really good story. So that idea, sitting there after writing 50,000 words became my book The Accidentals.Jess: 08:25 One of my favorite books of yours. I love that book. I love that relationship. I love those characters.Sarina: 08:31 Well, thank you. And so that's both a fun little story, but also a cautionary tale about maybe I could've gotten to that story first and understood its power if I had been a little more thoughtful about my NaNo project.KJ: 08:49 That is kind of why we are doing this today, as opposed to on October 31st. Which is just to take some time and give a little thought to what can you do with this community push this month? You know, if you wanna write 1600 words, how can you make it a good 1600 words, that is a useful 1600 words. And on the other hand, if you wanna just use the energy, then I think what matters is just to try to just push yourself a little more. Cause that's kinda what NaNo is about. I mean, we have the thousand words a day that I'm doing right now. And I know, Sarina, you're trying to do 1200, but I'm just coming back at a thousand words strong. But 1600 is a lot more, so I feel like whatever project you're working on, or whatever thing you're working on, now's a really good time to take a look at it and go, 'Well, how can I just give that just a little bit more? How can I put together like a group of people that encourage me to just really get to something I can call an end in November?Jess: 10:06 One thing I would love to do today, if it's at all possible, is to talk about - I'm in a weird position where I can't do a ton of advanced planning because I think this project finishing up this book and a work/vacation trip that I have right after it's due, will put me up into the end of the month. So I have a couple of possible things that I would be willing to share on the podcast that I could possibly work on. And I would love to sort of, if we have time today, to brainstorm what might make the most sense.KJ: 10:40 Ooh, what should Jess do next? This is a great topic, I love this. Alright, well let's start there and then we'll talk about trying to set ourselves up right. What do you got?Jess: 10:54 Me? The Jess stuff? Oh, I get to go first? Okay. So I have three things. I have a YA novel that I started a long time ago, actually during NaNoWriMo. I have a first chapter that I love and characters that I love, and some things I've thought about over time and Sarina's actually even read an early version of this chapter and I feel like I need to finish that book for myself. I feel like I need to see that through, it's a very sort of personal thing for me and I have no idea what will become of it. But I think that will be something I regret if I don't finish. So I have that. And then I also have these essays sitting there that are really important also that I would like to continue working on to some eventual possible essay collection. And then I have an idea for another research-based book and that I'm totally not ready to talk about yet, but that I'm sort of excited about doing the proposal process of working out my ideas for that proposal.KJ: 12:02 And what you have also is the possibility of your edits dropping on you at any time and somewhat randomly.Jess: 12:09 But here's the thing, right? Because of, and we've talked about this a little bit, my original publication date was going to be next fall. The election is pushing that until the spring of the following year. So my official pub date is now in spring of 2021 and edits - I have plenty of time. I think for my sanity on this project, I would like to get a little bit of mental distance from the book. And November might be a fantastic gap in which to do that. In fact, I heard from my editor that she might not even get to look at the rest of the book until the end of November, anyway. So that gives me a really nice buffer to put this book away and do what Stephen King talks about, which is that put it in a drawer until it starts to feel a little bit like an artifact and you can look at it a little more objectively.KJ: 13:02 Oh, I love that you're going to get that time.Jess: 13:04 I'm really excited about that, too. So I think it might be wise for me to not work on edits for just a little bit, just a short period of time, just enough time to work on something else and focus on just that one thing.KJ: 13:16 Okay, we like this plan.Jess: 13:18 So thoughts? So we have those three things. Book proposal, essays, novel. The problem with the novel thing is I don't have time to plan really before I'd have to start on that.Sarina: 13:32 Well of course, I want you to write the novel. But it's not just that I really like YA novels and I enjoyed reading the beginning of it, but also because I honestly feel that novels lend themselves more constructively to this kind of attention.Jess: 13:52 That's true.Sarina: 13:53 I feel that essays may be a litt…

Full show notes at the publisher

Episode 180 #CharacterEnneagramRabbitHole Oct 11, 2019

Show notes

Shortcut to finding our characters’ worst flaws and deepest fears? Yes, thank you.All Sarina had to do was say “protagonist character analysis” and we were off. Enneagrams, for those who have never heard of them [raises hand high] are descriptions of character types intended for “journeys of self-discovery.” But when it comes to knowing more about your protagonist (and love interest and antagonist and their mother and all the people) they’re pure solid gold, especially if you go romping down the rabbit hole of reading what people in various types (there are 9, with a “wing” in one direction or another) think of themselves and their relationships. Suddenly, you can think about how your character would play fantasy football, or interview for a job. But the best part is diving deep into how your character behaves at her/his/their very worst, and very best, along with what they most fear and what they believe they want. It’s like real butter on movie popcorn, people.Episode links and a transcript follow—but first, a preview of the #WritersTopFive that will be dropping into #AmWriting supporter inboxes on Monday, October 14, 2019: Top 5 Resources for Dictating Your Work. Not joined that club yet? You’ll want to get on that. Support the podcast you love AND get weekly #WriterTopFives with actionable advice you can use for just $7 a month. As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode. To support the podcast and help it stay free, subscribe to our weekly #WritersTopFive email.LINKS FROM THE PODCASTThe Enneagram Institute (length type descriptions and relationships between the types under the “LEARN” tab).Free Enneagram test (there are many; this is the one KJ talked about, chosen largely at random for brevity and for being free) from eclecticenergies.com.Enneagram and Coffee on Instagram.#AmReading (Watching, Listening)Jess: The Butterfly Girl and an essay “The Green River Killer and Me” by Rene Denfeld and Demi Moore’s memoir, Inside OutKJ: The Great Believers, Rebecca MakkaiSarina: The Play, Elle Kennedy#FaveIndieBookstorePrairie Path Books, Wheaton ILThis episode was sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. Visit https://www.authoraccelerator.com/amwritingfor details, special offers and Jennie Nash’s Inside-Outline template.Find more about Jess here, Sarina here and about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.The image in our podcast illustration this week is from enneagramandcoffee on Instagram, and I asked permission to use it, although I confess that I’m posting it pre-reply. But I feel good about our odds. Plus, fun follow for everyone!Getting Ready to NaNoWriMo?Every episode of #AmWriting is sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. One key to that is the INSIDE OUTLINE, a tried and tested tool developed byJennie Nash that can help you start a book, to help you rescue one that isn’t working, and to guide a revision.Author Accelerator is hosting a webinar about the Inside Outline just in time for NaNoWriMo prep on Monday, October 14 at Noon Pacific/2 PM Central/3 PM Eastern.Register even if you can’t attend live, as a replay will be sent to everyone who has registered.REGISTER FOR THE WEBINAR NOWTranscript (We use an AI service for transcription, and while we do clean it up a bit, some errors are the price of admission here. We hope it’s still helpful.)KJ: 00:01 Hey Book people, before today’s episode of #AmWriting, I want to tell you about something new from our sponsor, Author Accelerator. No matter where you are in your own work, you’ve probably found yourself working with other writers on theirs. If that time spent encouraging, editing and helping someone else turned out to be pure joy for you, you might want to consider becoming a book coach yourself. Author Accelerator provides book coaching to authors (like me) but also needs and trains book coaches. If that’s got your ears perked up, head to https://www.authoraccelerator.com and click on “become a book coach.” Is it recording?Jess: 00:01 Go ahead.KJ: 00:01 This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing.Jess: 00:01 All right, let's start over.KJ: 00:01 Awkward pause, I'm going to rustle some papers.Jess: 00:01 Okay.KJ: 00:01 Now one, two, three. Hey I'm KJ Dell'Antonia and this is #AmWriting. We are the podcast about all things, writing short things, long things, fictional things, non-fictional things, memoirs things. And as I say, every single week in a variety of different ways, this is the podcast about sitting down and getting your work done.Jess: 01:23 And I'm Jess Lahey. I'm the author of the Gift of Failure and a forthcoming book on preventing substance abuse in kids that is due in seven days. And you can find my writing at various places including the Washington Post and the New York Times.Sarina: 01:41 I'm Sarina Bowen, the author of more than 30 romance novels and you can find me at sarinabowen.com.KJ: 01:49 And I am KJ Dell'Antonia author of How To Be a Happier Parent and have a novel that will be coming out next summer. And the former editor of the New York Times' Motherlode blog. For the most part at the moment you can find me sitting in front of my laptop writing a new novel. And I'm going to just own that Sarina and I are snuggled up in our small town library, gazing out at there are a lot of really pretty trees, but these that we can see are not super spectacular and that, I forgot my microphone. So we might sound a little echoey.Jess: 02:24 And from my perspective, I'm looking out on the woods behind my house and there are a couple of red leaves out there, but it's Vermont and it's just starting to get that orangy glow to it. It's really pretty. What was crazy is this week I went from Vermont - where I was wearing a sweatshirt - and I traveled to Charlotte, North Carolina where it was oppressively hot, it was like 95 degrees. And then I went New York where it was cold again and then back here. So it's just been a really interesting week of summer and getting into fall. So, I'm ready for fall. I'm happy about it.KJ: 03:09 And now this is the podcast about all things weather, and enough of that. I am so excited about our topic today because this is going to be super fun. We're going to talk Enneagrams, which is a rabbit hole that Sarina went down one day. And then quickly texted to me and I immediately dove right in after her. But let me just say before you all go, 'Wait a minute, wait a minute'. We're not talking about our own Enneagrams, although we might. We're going to talk about doing it for characters, because it's so cool. But before we do, what is an Enneagram for those of us who don't know, which was actually mostly all of us until we started this. You can do the defining.Sarina: 04:07 Oh good. The Enneagram, which seems to have had most of its big talk in the 60s with psychiatrists. Working in psychiatry in the 1960's and 70's is a framework for explaining various human psychological profiles, personality typing.KJ: 04:34 It is not the one where you get I,D, J, H, Q, B, Y. This is the one where you get a number.Sarina: 04:42 So there's nine numbers in a shape. And you were referring to the Myers-Briggs system personality typing, which I'm honestly not a huge fan of. Partly because it was forced upon me by my corporate overlords in my previous work life.Sarina: 05:03 But the Enneagram is, as we'll discuss, uniquely useful for writers. Because both personality type systems have a lot to do with preferences and how you prefer to handle things and how you see the world. The Enneagram I quickly discovered is also really focused on character flaws. Like your super power is also your greatest weakness, right?KJ: 05:28 Which is so perfect for creating both main characters and secondary characters. I mean, that's exactly what you need to know. What does this person fear? And what do they want? And that's what these nine types are. And also, I mean partly because there are nine and then they sort of spread out. There's like, the enthusiastic who leans towards the challenger or leans towards the loyalist. You get a lot of different - this is not cookie cutter, it's got a lot to it.Sarina: 06:03 Right. And if you get a book about Enneagrams and you take a look, you'll see some discussion of the wings, which is a theory with the Enneagram that each of the nine types also has a secondary type, which is the adjacent number.KJ: 06:38 So 27 possibilities, but all of which have a lot of range within them and happily you don't have to get a book on this, you can just hit our friend uncle Google.KJ: 06:52 Right. And there's some nice reliable sources for information.Sarina: 06:57 And our favorite is the Enneagram Institute. I was pointed there (I'd like to give a shout out to author Nana Malone) who is the first person who ever said the word Enneagram to me. And I had to go look it up and Nana Malone is a romance writer and now I need to go read everything she's written because she has a wonderfully nuanced understanding of how this all works for character typing. And she really sort of walked me through how she looks at it and I was immediately hooked.KJ: 07:27 We're enchanted, in part because one of the things I like about this (besides that it helps you) we all start with a character and we have this sort of mental picture, and I think we often start from something kind of flat. You often start with a stereotype. So you're often like, 'Well, my person is a real type A, or my person is a real introvert. Like you kinda just start with one word and then you build from there. And after you've spent a little time building, then you can dig into these Enneagrams and you'll find the one that fits the person that you're creating. And then you can sort of start reading a little more and go, 'Oh yeah, totally.' We're in the Enneagram Institute right now and we're looking at the peacemaker. So peacemakers are accepting, and trusting, and stable. And you could see that could be a character, but then you know, you can go like really sort of down into it and they have a universal temptation to ignore the disturbing aspects of life and seek peace and comfort. They numb out. You can see how you can really use this to create someone.Sarina: 08:51 So everybody's biggest super power is also their biggest weakness. And even though we like the sound of that as fiction writers, this really shows you how to do it.KJ: 09:03 I'm just looking at nine here. It even tells you exactly what it is that nine is. We're not proposing you just grab this and like stick it into a book cold. But if you have a character who's a nine, their want is for everything to be peaceful and pleasant and can't we all just get along? But their need, which is right here on the bottom of the list of description of nine, is to remember that the only way out is through and you can't just brush your troubles under the carpet. And there you go. I mean, that's practically a plot right there.Sarina: 09:40 It is. And they all are. Maybe we should just dive in and give a few examples. I'm writing a nine right now. Well, nine is, as you said, that the peacemaker or the peaceful mediator. And most any gram resources will tell you what is that person's greatest fear? And nine's fear being shut out. And they fear being overlooked. They fear losing connection with others and all kinds of conflict, tension, and discord. So, what they're longing for is that their presence really matters. And their desire is for inner stability and peace of mind, because of those basic fears. And so you can see that their weakness then would be to hide from the stuff that isn't quite hitting their peacemaker senses. So, you could remain in an idealistic place psychologically and not cope with the things going on around you.KJ: 10:51 So this person needs to sort of break through that desire to keep everything idealistic and feeling like it's all safe and calm and get to a point where they actually feel secure.Sarina: 11:07 So let's contrast the nine with a seven.KJ: 11:09 That's perfect because I'm writing a seven.Sarina: 11:11 Me too.KJ: 11:12 Oh, excellent.Sarina: 11:14 Well, my seven is a party boy.KJ: 11:16 My seven is a failed child actress.Sarina: 11:21 Well, this number is usually called the enthusiast. And their basic desire is to be happy and satisfied, fulfilled and engaged. So sevens hate boredom and they're easily bored. And I was listening to a podcast with Ian Cron who has what is probably the most popular Enneagram book out there. And it has a bright yellow cover, The Road Back To You, I think. And he was very clear about how sevens leave a wake of unfinished projects behind them because of their attention span. And there's always something more interesting to be doing. And I really particularly liked his descriptive appeal about all of these. And there's one, I don't think it started like this in the 60's and 70's, but a lot of the writings about Enneagrams now are from a faith-based kind of Christian perspective. I don't read much faith-based stuff, but he had a really light touch that that made me want to seek out his book anyway. Even if even if the Christian angle is not what's interesting to me about it. So the seven and the nine don't look at the world the same way, even though they're in the same world together sometimes and have to have to sort through that. And in each case you're handed weaknesses. And so if you look at the Enneagram Institute site, it will actually tell you what a romantic pairing.KJ: 13:05 We can just look that up right now. Relationships types, we've got a seven and a nine here and I'll just go under seven and hit the nine. And we can see what each type brings to the relationship.Sarina: 13:21 They bring a good mix of similar and opposite qualities. Fundamentally, they're both positive outlook types who are optimistic, upbeat, and prefer to avoid conflicts.KJ: 13:33 There's gotta be a but here.Sarina: 13:34 Oh, there's absolutely always a but. That's why we like Enneagrams. So sevens are more active and self-assertive than nines. They tend to take initiatives and to make the plans and have multiple interests and they bring the fun and sparkle and the party atmosphere. Well nines bring a sense of steadiness and support so you can see how that might build.KJ: 13:56 And that's one of the things sevens want is somebody to take care of them. One of the seven's weaknesses that I've found that I'm exploiting in my person is that they want to feel like somebody else. They would like to seed the decision making to someone else. So that they can just sort of party along, having a good time and you know, getting a chance to try everything and do everything and experience everything, but not necessarily have to make any hard choices. So here are the potential trouble spots for that possible relationship between the seven and the nine. Sevens are more equipped to talk about whatever's bothering them. But they often feel they cannot help themselves and honesty demands they tell the n…

Full show notes at the publisher

Episode 179 #ShouldWantCanAmWriting Oct 05, 2019

Show notes

Not writing what your inner parent says you “should” be writing? How to get over it.Fellow writers, KJ here. I have gathered you here today to discuss the moment last week when I sat down on my bed, surveying a pile of literary fiction, some of which I liked and some of which I most emphatically did not, and asked myself, as I have many times on other topics—should I be writing something other than what I am writing? Should I be good at something other than that which I am good at? This week, I lay it out there: sometimes I feel ashamed that I don’t write something more … serious. Then Sarina slaps me around a little, and Jess declares that even writers of serious stuff (I give her that title) sometimes feel like they’re not using their time wisely.Episode links and a transcript follow—but first, a preview of the #WritersTopFive that will be dropping into #AmWriting supporter inboxes on Monday, October 7, 2019: Top Five Reasons to Embrace NaWhateverWriMo. It’s a good one! And I happen to know the next one’s on dictation tools and is even better. Not joined that club yet? You’ll want to get on that. Support the podcast you love AND get weekly #WriterTopFives with actionable advice you can use for just $7 a month.As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode.Keep scrolling—there’s some cool free stuff from Author Accelerator, below.LINKS FROM THE PODCASTThe Snobs and Me(essay) Jennifer WeinerFrom Uber Driving to Huge Book Deal(Adrian McKinty and The Chain)#AmReading (Watching, Listening)Jess: The Chain, Adrian McKinty, Pride and Prejudiceread by [Rosamund Pike] and Sense and Sensibilityread by [Emma Thompson]KJ AND Sarina: Things You Save In a Fire, Katherine Center#FaveIndieBookstoreThe Flying Pig, Shelburne VTFind more about Jess here, Sarina hereand about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.COOL OPPORTUNITIES FROM OUR SPONSOR:Every episode of #AmWriting is sponsored by Author Accelerator, the book coaching program that helps you get your work DONE—and they have two free webinars coming up. Details:CHARACTER CLINICAuthor Accelerator is excited to team up with Writers Helping Writers to showcase the NEW Character Builder tool in the One Stop for Writers software.Angela Ackerman and Becca Puglisi from One Stop for Writers and Author Accelerator coach Julie Artz will be co-hosting a free Character Clinic webinar on Tuesday, October 8 at 11 AM Pacific. During the event Julie, will be coaching a writer through the character work they have done using the Character Builder.We encourage everyone to register for the event even if you cannot attend live, as a replay will be sent to everyone who has registered.REGISTER FOR THE WEBINAR NOWTHE INSIDE OUTLINE Jennie Nash developed the Inside Outline in her work as a book coach, and it has been tested in the trenches by hundreds of writers. It can be used to help you start a book, to help you rescue one that isn’t working, and to guide a revision.We're hosting another webinar about this life-changing writing tool on Monday, October 14 at Noon Pacific/2 PM Central/3 PM Eastern.We encourage everyone to register for the event even if you cannot attend live, as a replay will be sent to everyone who has registered.REGISTER FOR THE WEBINAR NOWThe image in our podcast illustration is by Markus Spiske on Unsplash.Transcript (We use an AI service for transcription, and while we do clean it up a bit, some errors are the price of admission here. We hope it’s still helpful.)KJ: 00:01 Hey there listeners, KJ here. In this episode, you’ll hear both me and Sarina give a shout-out to Author Accelerator’s Inside-Outlining process. The Inside-Outline is a took that helps you make sure your book has a strong enough spine to support the story you want to tell. It forces you to spot the holes in your character’s arc and your story logic before you throw 50 thousand words on the page—without being the kind of outline that feels limiting to writers who prefer to see where the story takes you. #AmWriting listeners have exclusive access to a free download that describes what the outline is, why it works and how to do it—and if you’re writing fiction or memoir, I highly encourage you to grab it. Use it before you write, while you’re writing or even as you’re doing final revisions to give your story the momentum that keeps readers turning pages. Only at https://www.authoraccelerator.com/amwriting. Is it recording?Jess: 00:01 Now it's recording. Go ahead.KJ: 00:01 This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing.Jess: 00:01 All right, let's start over.KJ: 00:01 Awkward pause, I'm going to rustle some papers.Jess: 00:01 Okay.KJ: 00:01 Now one, two, three. I'm KJ Dell'Antonia and this is #AmWriting. #AmWriting is the weekly podcast about writing all the things, be they fiction, nonfiction, proposals, pitches, essays, freelance work. This is the podcast about sitting down and getting your writing done.Jess: 01:40 I'm Jess Lahey and I'm the author of the Gift of Failure and a book I'm just finishing, it's due so soon, on preventing childhood substance abuse and you can also find me at the Washington Post and The Atlantic and the New York Times and places like that.Sarina: 01:55 And I'm Sarina Bowen. I'm the author of 30 odd, contemporary romance novels and you can find me at sarinabowen.com.KJ: 02:02 They're not all odd. Sorry, I just had to, some of them, though. I am KJ Dell'Antonia, I always hit the softballs, and I am the author of How To Be a Happier Parent, the former editor of the New York Times' Motherlode blog, you can still find me as a contributor there. And I'm the author of a novel, The Chicken Sisters, which will be out next summer. That's who we are and we are downright giddy with joy today for Jess who is on the downhill slide, the good downhill slide.Jess: 02:49 I'm just so discombobulated. So here's where I am. The day that we're recording this, I'm 14 days out from my book deadline. I am going to make it. I'm in the stretch, I'm in that place where nothing else happens. I haven't left the house in days. I am barely getting dressed in the morning. Yesterday I wrote for 14 hours straight, literally all I stopped to do a couple of times was let the dogs out and grab something that I'd already prepared and stuck in the refrigerator and microwave that. So, I'm in a crazy space, but there's something a little fun about being in that full deep dive. Like this is all I think about and my family's being really lovely. They're cooking for me, they're doing the laundry. I've got a lot of support, so that's great.KJ: 03:46 Is this what the last deadline felt like, too? I do not remember.Jess: 03:50 Well, here's the thing, I was talking to someone about that just recently. Writing a book is like having children, you forget a lot of the worst parts because you know, we'd never have children again if we remembered it all. And honestly, I handed in Gift of Failure a whole day early. I was very proud of myself. I don't remember it being this bonkers.KJ: 04:14 I don't remember it being this bonkers for you. But I do remember all the bad parts about having children, but I'm not sure I remember the bad parts about you having children.Jess: 04:25 Well keep in mind also, I learned a lot from doing Gift of Failure. So a lot of the editing that I had to do after the fact I'm now doing before the fact. It's really funny, every time I compile a chapter in Scrivener and then put it into Word for submitting to our agent and then later on to the editor, I've got this huge list of 'Have you done this?', 'Have you done that?' So when I finish a chapter, it takes me like two hours to go through all of my lists. Like search for all recurrences of the word that, and then remove like 50% of them. Have you used a hyphen the right way? How many commas are there? You know, that kind of crazy stuff that just saves Lori from having to remind me that I overuse the word that. So, yeah, there's a lot of my launch codes that have to be run before I submit. I don't remember it being this bonkers.KJ: 05:31 This is your experience of finishing this book. Who knows? Like last time, maybe not quite like this. Next time, who knows?Jess: 05:39 It's interesting. I did learn a lot last time and I feel better about what I'm producing this time simply because last time I didn't know. I was like, I had no idea if my editor was going to come back and say this is great or this is ridiculously bad. Because I had nothing, I had never done it before, I had nothing to judge it against. So this is really a different experience for me in a good way. In that number one, she's seen chapters as we go along and I've already gotten feedback on those chapters and oh my gosh, she loves it and that makes me so happy. But she's also been able to give me feedback and I've been able to change direction. So like the chapter I handed in last night is different from the previous three chapters because she'd given me feedback on those previous three chapters, which I'll go back and fix later. But I'm able to make course corrections midway, which has been really great. It has helped me eliminate a lot of work on the other end. So yeah, it's different. The answer to your question is I think it's different.KJ: 06:44 I'm just probably different every, it's probably different every time up to a point. And now we turn to the author of some 30 odd books, Sarina. Is it different every time, up until it suddenly isn't different or is it still different every time?Sarina: 07:00 You know, I am trying to make it less the same every time. Because you and I, KJ, have spent a lot of time lately thinking about outlining. And I'm trying to shift my whole game towards becoming a better outliner so that I don't have a repeat experience, which is 'freak out about the ending on every single book'.Jess: 07:26 Well, but one thing I wanted to ask you about is you just recently had basically what I'm going through right now except with editing. And that seemed pretty intense for you. Does that stay the same or has that changed and does it depend on whether you're working with a coauthor?Sarina: 07:41 Well, I shot myself in the foot a little bit and set up a month where I had to do edits on two books in the same month. And that that was just either bad luck or bad planning, take your pick. But I find it quite exhausting to have to make everything perfect on two books in a row where you don't give yourself the fun part of drafting and inventing in between to break up the tedium of perfection.Jess: 08:09 Oh, that's a good point.KJ: 08:12 When I was doing the big edit of my novel, I couldn't draft. I thought it was going to be able to. If you go back about eight podcasts, I'm like, 'I'm going to do both. I'm going to edit a little every day and I'll write a little every day. And that lasted a week. Mostly because the editing was just more intense. Drafting is fun, sometimes. Editing is fun, sometimes. Making things perfect, maybe not so much.Jess: 08:46 Well, the 14 hours I spent yesterday were sort of a combination of the two. Mainly it was editing, which can be really tedious and all that stuff. But yesterday I did get to have one of those moments where it got a little buzzy and I was like, 'Oh, I like that.' I got to have those, even in the editing process. In fact, I changed how the chapter ended and I had one of those sort of moments where it feels like the minor chord changes to a major chord and there's that big breath you can take at the end and you're like, 'Ah, it works.' It was really a nice moment. And that happened in editing, so that was really fun.KJ: 09:29 I just don't think I have ever had an experience of writing that feels like what I hear you reflecting. So part of me is sitting thinking should I be writing for 14 hours a day? That's not something that's up. I mean, I've had a full time writing job that sometimes took that, but I wouldn't have been writing the whole time. I would've been writing and editing and screaming and coding and frantically going through the comments and all the other things. The intensity with which you are writing right now is not something that I have ever experienced.Jess: 10:06 Okay. Here's the thing, though. It's not about the intensity and it's not about the amount of time. The only, and this is really helpful information for me, the only times I have gotten this really serious - it's like a runner's high kind of thing. It's a writer's high. And the times I get it, reliably, are when I'm writing creative nonfiction. It happened when I wrote for Creative Nonfiction. That piece 'I've Taught Monsters'. It's happening in this book and the good news is that my editor is encouraging me to write more that way and less like a research paper, which is great cause I get less of it when I write that sort of sciency kind of stuff. But it's nice to know that there is this genre that gives me writer's high and it's the stuff I like to read the most. So, it's kind of like knowing what your sweet spot is. So for me it's a genre.KJ: 10:56 That is the perfect segue into the topic, which I have gathered us here today to discuss. Which is - what we write, how much we choose that, and how much it chooses us, and how we feel about it. Which is a very complicated way of saying that I had a crisis of confidence last week in which I sort of sat down on the bed, convinced that the fact that I do not and will not and never going to write literary fiction, basically meant that I had wasted my entire education.Sarina: 11:36 Well, I have a crisis of confidence pretty much every day at noon schedule.KJ: 11:56 I wouldn't call it a crisis of confidence, though. I like the book that I wrote, and I like How To Be a Happier Parent, and I like the work that I do, and I like the experience that I have doing it. But I have frequently had the experience of feeling like I should be doing something else. When I spent years writing about parenting for the New York Times, it was the gutter of New York Times writing when I was doing it. And it may be that the experience has changed, but you know, it wasn't something really important like sports. It wasn't finance, it wasn't politics, although it frequently was finance, and it frequently was politics. I just would often feel like, you know, a smart person should be doing something else. And I'm having a little bit of that same feeling, you know, contemplating my undeniably fun romp of a book, which I enjoyed writing and is exactly the kind of thing that I like to read. But, then I just sort of think you go to the bookstore right now and everything is sort of really deep, and dark, and meaningful, and apocalyptic.Sarina: 13:31 Sorry, I have some things to say. Well, first of all, my ghetto is located down the alleyway, you know, past a flap of tattered burlap, from your ghetto. Because romance writers are very accustomed to being in a ghetto that is ghetto-ier than everyone else's. And in fact, I remember thi…

Full show notes at the publisher

Episode 178 #WriteFaster Sep 27, 2019

Show notes

More words, better words, in less time? Sometimes. In this episode, finding your own path to write faster.If only we could write as fast as we type! You could set your clock by our book production, right? Not so. This week we’re exploring how to write faster with Sarina in the lead. Finding your own patterns, prewriting and avoiding that “stuck” feeling by finding tangible ways to explore your characters and book without doing battle with words dominate our conversation as we riff on ways to up our daily word counts without ending up with something that’s destined for the cutting room floor file. Episode links and a transcript follow—but first, a preview of the #WritersTopFive that will be dropping into #AmWriting supporter inboxes on Monday, September 30, 2019: Top Five Reasons to Be on Instagram. Not joined that club yet? You’ll want to get on that. Support the podcast you love AND get weekly #WriterTopFives with actionable advice you can use for just $7 a month. As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode. To support the podcast and help it stay free, subscribe to our weekly #WritersTopFive email.LINKS FROM THE PODCAST2k to 10k: Writing Faster, Writing Better, and Writing More of What You Love, Rachel Aaron#AmReading (Watching, Listening)Jess: She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement Jodi Kantor, Meghan TwoheyKJ: Podcasts for book recommendations: What Should I Read Next? with Anne Bogel and Get Booked, from BookRiotSarina: 100 Deadly Skills: The SEAL Operative’s Guide to Eluding Pursuers, Evading Capture, and Surviving Any Dangerous Situation, Clint Emerson#FaveIndieBookstore NEWSJenny Lawson, author of You Are Here, Let’s Pretend This Never Happened, and Furiously Happy, will be opening Nowhere Books in San Antonio with the former GM of Book People. We love it when a new indie is born. This episode was sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. Visit https://www.authoraccelerator.com/amwritingfor details, special offers and Jennie Nash’s Inside-Outline template.Find more about Jess here, Sarina here and about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.The image in our podcast illustration is by Jordan on Unsplash.Transcript (We use an AI service for transcription, and while we do clean it up a bit, some errors are the price of admission here. We hope it’s still helpful.)KJ: 00:01 Hey writers, are you whispering to yourself that this might just be your year to make NaNoWriMo happen? Or maybe planning to do it again? Then, do yourself a favor and invest in Author Accelerator's Inside Outline coaching now, so that you've got a structure to free you up to use those 30 days in November to write something that really works. It is no fun to 'win' NaNoWriMo with 56,000 words and then realize 35,000 of them don't serve your story at all. Trust me, I speak from experience. The Inside Outline really works. Find out more at authoraccelerator.com/insideoutline.Jess: 00:36 Go ahead.KJ: 00:36 This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing.Jess: 00:36 All right, let's start over.KJ: 00:36 Awkward pause, I'm going to rustle some papers.Jess: 00:36 Okay.KJ: 00:36 Now one, two, three. I'm KJ Dell'Antonia and this is #AmWriting. #AmWriting is the podcast, your podcast we hope, about writing all the things, short things, long things, fiction, nonfiction, genre, new and creative genre, proposals, pitches, emails to potential agents. This is the podcast about sitting down and getting your work done.Jess: 01:26 And I'm Jess Lahey. I am the author of the Gift of Failure and an upcoming book about substance abuse in kids. And I think I'm on like day 31 until my deadline, so I'm completely insane. You can also find my most recent work that I'm super excited about The Smarter Living Guide to How to Help Your Kids Succeed in School This Year, which was super fun to write. And my first foray into the guides at the New York Times.Sarina: 01:53 I'm Sarina Bowen, the author of several USA today bestselling romance novels and my newest one will be called Moonlighter coming on October 22.KJ: 02:04 And I am KJ Dell'Antonia. I am the former lead editor of the New York Times Motherlode blog, the author of the book How to Be a Happier Parent and of a novel forthcoming from GP Putnam and Sons next summer about which you'll just be hearing so much later. And now that we are providing (by email) show notes every week, I'm going to invite everybody, first of all, to head over to our website and sign up so you can get the show notes and consider supporting us by signing up for the #Writer'sTopFive emails. But the real reason that I wanted to bring that up, is that every time Jess introduces herself on the artificial intelligence transcript app that we use to start out before our lovely assistant Marisa goes through and makes it all much, much, much better it says, I'm just lucky. I thought that was glorious. All right, we have a great topic today. Sarina, kick us off.Sarina: 03:16 Today we're talking about writing faster, which of course you know is an art and a science. Jess laughs because she's up against her deadline, but the truth is...Jess: 03:29 Jess laughs cause she's losing her mind. And KJ texted yesterday something about the fact that you just can't get as much done in a day as you think that you can get done in a day. And that's my life right now.KJ: 03:44 Before we talk about writing faster, which I think is doable and there are strategies and I can't wait to hear them. I just want to say that I'm having two struggles this week. And one is that - I just can't do as much in a day as I think I can. You'd think I'd know that by now, but I don't. And the other is that I also can't make all the people happy. So yeah, apparently I have learned nothing in my life because I'm still trying.Jess: 04:15 Well your book was not called How to Make Everybody Happy, it's just how to be a happier parent. So how are we going to write faster? Someone give me the keys to this car. How do we write faster?Sarina: 04:59 I came about this topic listening to lots of fiction authors (because that's mostly who I'm talking to during a week) talk about how to write faster. And every once in awhile, a so-called friend of mine will post, 'I wrote 11,000 words today.' And I will feel nothing but rage, because I have never once written 11,000 words in a day and never will and that's fine. But it really got me thinking about why is my pace, my pace? And what does it mean about my habits that has brought me here? And is there any way for me to increase that pace? So my average pace, like on a longterm basis, is about 1200 words a day. And that is up from about a thousand words a day. And so some people would look at my pace and say that I was flying, right, because 1200 words a day, you can on average write four books a year. But to someone else, that pace is like turtle pace and what the heck is wrong with me? So, this discussion is really more about writing faster for you and not becoming a speed demon. Because I don't actually want to write 11,000 words in a day. But anyway, more on that in a second.KJ: 06:22 I was listening to someone else on a different podcast, say exactly that same thing - about the people that can write 11,000 words in a day or whatever. And what that person said is, 'I probably, maybe could write 11,000 words in a day. However, the final 9,000 of them I would just have to throw away the next day. So, the gain would be zero. And that was her process.Jess: 06:50 I actually had a really good experience this week. I got more written in a day than I had in a long time. And ironically, our listeners will be just tickled to hear it was while I was traveling. But I figured out why - it wasn't just that I was trapped on an airplane for a cross-country trip (which part of that obviously it had to do with it). But I realized that my laptop, (normally when I write at home, my laptop is plugged into a monitor that mirrors my laptop) so that I've got this nice big monitor and I can have multiple documents up at once. Which is great because my laptop keyboard stinks. But what I realized was that the fact that my laptop computer keyboard was broken, freed me up from editing as I wrote. So what I did was I was just typing, typing, typing, knowing full well that the edit was going to be a heavy one. But all I was doing was getting the chapter structure out. And I wrote 5,000 words that day on planes and was it messy? Absolutely. But something about being freed from that impulse to edit as I went was really good for me. And that's not something I had tried recently.Sarina: 08:10 I have so many thoughts. The first one is I want to find you a bluetooth keyboard and ship it to you FedEx. So a couple of years ago, my father (foolishly, I might add) challenged me to a typing competition. He was laboring under the delusion that he was faster at typing than I was. So we had to settle it of course, as one does. And I clocked out at 95 words a minute. Beating him handily. I don't remember how badly and to save his feelings will not say right now. So if I told you a minute ago that my average pace is about 1200 words a day and if you put those two things together, it might lead you to believe that I can work for 12.63 minutes a day and be finished. But of course, I don't work for 12.63 minutes a day. And so, that led me to ask myself, what am I doing with all of that other time? So you just made a point that some of your time is spent fixing the B. And it made me want the following: (which I do not have) a tool that if I were just going to sit down and write for a couple of hours and then if I could look back at a video of what that page looked like as I went, I am 100% sure that I will type a thing and fix it, and type a thing and fix it, and type a thing and fix it. Because when I'm in the document and I'm composing chapter seven or whatever, and I'm looking at chapter seven and I'm writing it and there's dialogue and there's speech tags and all this stuff, I am constantly tweaking. Like, 'Oh look, there's two paragraphs that both start with the word I, let's change it.' And I just used that word two paragraphs ago, let's fix it. And that is my method. I am a fix-it-as-you-go kind of writer, because I just detest having a giant, horrible, messy chapter that I have to go back and rip to shreds for two days after I've written it. So at first, in my little quest for how to write faster, I listened to a lot of good advice about how to dictate things. And I tried, and I failed so spectacularly, because it turns out that the first way that something comes out of my mouth is never the way that I want it to. And that my process as an author, did not lend itself to dictation. Because sure I can dictate a lot faster than I can type, but I don't actually want that output. And what comes out of my mouth on the first round is not what I want to see on the page when I'm done. So I spent all this time trying to figure out why I couldn't get a dictated product that I was happy with. And it turned out, software wasn't my problem, the equipment wasn't my problem, the fact that Dragon stopped supporting the Mackintosh product was not my problem. None of it was my problem, except that I don't ever use the first thing that comes out.Jess: 11:50 You write more dialogue, I don't tend to write dialogue. But do you find that dictation is helpful for dialogue?Sarina: 11:58 You know, there's something that's more helpful for it. And that's this - the first part of writing quickly or learning to improve your pace is to understand what's holding you back. So, there might be people who don't type 95 words a minute and who are paralyzed by the blank page and who actually need that moving dictation. The eyes off the page to get that work out faster. In order to solve the question of how do I personally increase my pace you have to find out which personality type you are in terms of how it gets onto the page. So I just articulated mine to you right now, but a year ago I could not do that because I didn't actually know what was holding me back. So, then I set about trying lots of other things that weren't dictation based. So there's this book that I discussed with KJ once called 2k to 10k (and of course we'll put the link for that in the show notes.) And this author has a very analytical mind. I can't remember how quickly she wants our 10k to come. I don't even remember if she was advocating for a one day 10k or not, but it doesn't really matter. Because she was using similar analytics to figure out what her process was. So in her book, one of the things she says you should try is to make a nice journal of how your writing is going. So, if you sit down at 8:00 AM for 90 minutes, you should write down what time of day it is and what day of the week it is and how many words you got. And then you should do the same thing every single time you write and then you will see a pattern. I believe she thought she was the best in the morning, but that turned out to be wrong, she was most efficient at night. So, by analyzing your own ability to get words on the page, you can learn a lot about how to not waste your time. Which seems obvious in review, but was really meaningful to me when I figured that out. And then another thing she does in this book is actually the tool and technique that saved me, which she calls pre-writing. And this is where all the acceleration happened for me. She gave it a name, pre-writing, for something that I was sometimes already doing. Which is - I'll have a day where I'm finishing up a scene, and it's a great scene, and I love how it came out, and I will turn the page because it's done and I'll still have time and I'll still have energy left and I won't know exactly what happens next. Like my outline might be good, I might know the next bit of conflict is that my characters are going to have an argument about a thing and I already know what's at stake, but I don't know maybe where they're having it or what other little thing needs to happen first or just the really granular bits. Like how does that chapter start and how do they get into the argument in the first place? So this is where pre-writing is really important for me. So I close out that document, because that's the document where I'm gonna change every sentence that I write, and I open up my notebook, and I just start short-handing what's gonna happen. Like we start the scene here, and there's the problem, and here's the solution, and wait, we get into an argument. Oh wait, it's about the dog, the dog does it. There's this discovery on the page that's so free.Jess: 15:42 Wait, can I ask you a question though, because I thought, (especially since you tend to co-write) weren't you guys doing that as part of your planning process for the book anyway? Or was that something that you were doing on your individual chapters without sort of talking that much to each other since you had like a big, o…

Full show notes at the publisher

Episode 177 #AudioWriter Sep 20, 2019

Show notes

Joshilyn Jackson doesn't just write best-selling thrillers. She narrates them, too. Should we?Episode links and a transcript follow—but first, a preview of the #WritersTopFive that will be dropping into #AmWriting supporter inboxes on Monday, September 23, 2019: Top Five Steps to Burn Chart Success (a How-to). Not joined that club yet? You’ll want to get on that. Support the podcast you love AND get weekly #WriterTopFives with actionable advice you can use for just $7 a month. As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode. To support the podcast and help it stay free, subscribe to our weekly #WritersTopFive email.LINKS FROM THE PODCAST#AmReading (Watching, Listening)Jess: I Like to Watch: Arguing My Way Through the TV Revolution, Emily NussbaumKJ: Range: Why Generalists Triumph in a Specialized World, David EpsteinJoshilyn:Gretchen, Shannon KirkThe Better Liar: A Novel, Tanen Jones Lady in the Lake, Laura Lippman#FaveIndieBookstoreLittle Shop of Stories, Decatur, GAOur guest for this episode is Joshilyn Jackson. She is the author of:Never Have I Ever The Almost SistersThe Opposite of EveryoneSomeone Else’s Love StoryA Grown-Up Kind of PrettyBackseat SaintsThe Girl Who Stopped SwimmingBetween, Georgia, Gods in AlabamaMy Own MiraculousDon’t Quit Your Day JobWedding Cake for BreakfastThis episode was sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. Visit https://www.authoraccelerator.com/amwritingfor details, special offers and Jennie Nash’s Inside-Outline template.Find more about Jess here, Sarina here and about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.The image in our podcast illustration is by TKTranscript (We use an AI service for transcription, and while we do clean it up a bit, some errors are the price of admission here. We hope it’s still helpful.)KJ: 00:01 Hey all. As you likely know, the one and only sponsor of the #AmWriting podcast is Author Accelerator, the book coaching program that helps writers all the way through their projects to the very end. Usually Author Accelerator offers only longterm coaching and they're great at it, but they've just launched something new inside outline coaching, a four week long program for novelists and memoir writers that can help you find just the right amount of structure so that you can plot or pants your way to an actual draft. I love the inside outline and I think you will too. I come back to mine again and again, whether I'm writing or revising. Working through it with someone else helps keep you honest and helps you deliver a story structure that works. Find out more at www.authoraccelerator.com/insideoutline.Jess: 00:57 Go ahead.KJ: 00:57 This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing.Jess: 00:57 All right, let's start over.KJ: 00:57 Awkward pause, I'm going to rustle some papers.Jess: 00:57 Okay.KJ: 00:57 Now one, two, three.KJ: 00:57 Hey, I'm KJ Dell'Antonia,Jess: 00:57 and I'm Jess Lahey.KJ: 00:57 And this is #AmWriting,Jess: 00:57 with Jess and KJ.KJ: 00:57 #AmWriting is our podcast about all things writing. Long things, short things, book proposals, entire books, short articles, blog posts, YA, pitches, whatever we can think of. And as I think most of you know, #AmWriting is really the podcast about sitting down and getting the work done.Jess: 01:43 I'm Jess Lahey, I'm the author of the Gift of Failure and an upcoming book about preventing substance abuse in kids. And I write for the Washington Post and the New York Times and various other outlets.KJ: 01:53 And I am KJ Dell'Antonia, author of a novel forthcoming next year and also a parent-y type book How to Be a Happier Parent, former lead editor and writer for the New York Times Motherlode blog But I saw someone in one of our reviews accusing us of having a nonfiction focus on parenting writing. To which I was like, 'What?' I mean that has certainly been our professional writing, I guess our guests probably see it that way. But not today.Jess: 02:27 Not today. I'm so excited. Can I introduce? Cause I'm super excited. Today our guest is Joshilyn Jackson. She is a New York Times and USA Today best selling author of nine novels, including one that I am (spoiler) not finished with, so be careful - called Never Have I Ever, it is so good. But one of the big reasons we wanted to have Joshilyn on today is that she does something that almost no one really does, which is narrate. She narrates her own fiction audio. And we know a lot of people, including ourselves who narrated our own nonfiction, but fiction is a whole other game. Not only does she narrate her own fiction, she's really, really good at it. She's won a bunch of awards. She was nominated for an Audi award, she was on Audio File Magazine's best of the year list, she was an Audible All Star for the highest listener ranks and reviews. I mean that's huge. And then I also have to add, because near and dear to my heart, she also works with an organization called Reforming Arts. And she has taught writing and literature inside Georgia's maximum security facility for women. So we have that in common as well. Welcome so much to the show, Joshilyn. We're so excited to talk to you.Joshilyn: 03:56 Oh, thank you for having me. I'm really happy to be here.Jess: 03:59 We love talking to authors, but one of the topics that has come up a lot for us is narrating audio books. Not only because Sarina Bowen (one of our frequent guests and sort of almost another host) has a podcast about audio books. Specifically, I'm a huge audio book fan and we've been talking a lot lately about people who choose to narrate their own fiction cause it's really hard. So we would love to talk to you about that today, but we'd love to start with sort of just how you got started with writing. What's your story?Joshilyn: 04:40 Oh, I've always wanted to be a writer. When I was three, I published my first novel using the Crayola stapler method. My mom helped, and to be fair, it wasn't a very good book. Yeah, I'm dating myself, but when Walden Books came out with Blank Books, I was in middle school and I would buy a Blank Book and write a novel into it and the novel would be just however many pages the Blank Book was. And I was a huge Stephen King fan. I would write these books, I remember one was called Don't Go Into the Woods and all these girls who looked a lot like girls who were kind of mean to me in middle school, one by one went into the woods and never came back. It's terrible, but really derivative Stephen King novel.Jess: 06:54 Alright, so let's skip ahead to your adult life. How does writing become a part of your adult life?Joshilyn: 07:02 I mean it's my job, is that what you mean?Jess: 07:08 Yeah, exactly. In terms of your professional work. I know one little thing about you that I would love to interject here, a bit of trivia. You got plucked out of a slush pile. How did that go down?Joshilyn: 07:22 Yeah, I didn't know any better. So what I did was I loaded up 160-something query letters into a shotgun, pointed it at New York, which is of course insane, don't do that. If you're getting ready to query a book query 10 - 15 agents, if you don't get a 20% return of agents saying let me see a partial or your manuscript, your query is not good enough and it doesn't matter how good the book is. So to shoot off that many at once is just to burn all your lottery tickets when you don't know if your query is good enough and is representing your book to a point where somebody is going to take you seriously. Out of the 160-something queries I got one request to look at the work and that was my agent.Jess: 08:12 Wow. And that was the one that got pulled out of the slush pile?Joshilyn: 08:31 There's thousands of those they get everyday. And it wasn't the best query, but he was interested in the idea. So he asked me to send the manuscript, and I did, and we ended up working together.Jess: 08:42 And how did that first that first book deal go for you? How did that all come about?Joshilyn: 08:47 Oh, it was a long time coming. So, he was my agent and he was interested in me. We had a couple of phone conversations, I sent him some short stories I'd had published. And he shopped two nonfiction book proposals, a children's book series, and two novels for me. At that point I was pretty ground down about it. That's a lot of rejection, and a lot of years, and a lot of work. So I just quietly said to myself, 'You know, I'm not gonna break up with my agent. I'm not going to have this big dramatic thing. I'm just going to stop sending him stuff, I'm gonna stop calling him, I'm gonna stop bothering him because I've done nothing but cost this guy money. So, you know, I'll just let it go and New York can suck it. I'm going to write cause I can't imagine not writing, but I'm done trying to be published. I was butt hurt, I picked up my toys and went home. And that Christmas he sent me a present, and a letter, and it was like his family Christmas letter. And at the bottom, he had written a little note just to me and he said, 'When am I gonna see something from you again? You really are one of my favorite writers.'. You don't say that to somebody who's never been published. You say you're so talented. You say you have so much potential. You say, I think we can sell this. You don't call an unpublished person, one of your favorite writers. So I sent him the manuscript I'd been working on and he sent it out, he said this is going to auction. And he sent it out to I think eight places like saying, this is an auction, you have two weeks. And we had a preempt in two days and he made me turn the preempts down. I was not going to turn that preempt down, I was so excited. It was an offer of actual like folding for a book I'd written. And he was like, no, we're turning this down. And I was like, okay, technically I'm the boss of you and we're not turning it down. He said, 'It's cute that you think that, but I'm the one who understands this industry and we're turning it down. We turned it down and he sent word out to the other houses that we had turned down a preempt. And everybody had 48 hours to get their best offer in and five of them showed up to bid.Jess: 11:27 That's fantastic. I emailed with shaking fingers in return when I heard that we had a preempt that was for an amount of money that I was like, 'Whoa.' I remember typing back. 'Oh, okay. I trust you.' But in my head I was like, I totally don't trust you, we should accept this. I saw that you were part of a book called Don't Quit Your Day Job: Acclaimed Authors in the Day Jobs They Quit. So what was the day job you quit?Joshilyn: 12:07 It's a job that I called tote monkey. I'm dating myself again, but there was a car parts place that had these dot matrix printers and when the stuff was all down on the floor from the printer, I would take a huge stack and peel those rinds off and then separate it like white, blue, pink, goldenrod, white, blue, pink, goldenrod. And then I'd file each of those colors where they had to be filed. And by then the dot matrix printers would have other huge stacks lined up and I'd just take them and peel them is all I did.Jess: 12:43 Were you so sad to have to quit that job to become a professional writer?Joshilyn: 12:48 I had dropped out of college to be an actor and eventually was starving and had to take this day job. I called my father and I said, 'I want to go back to college.' And he said, 'You can go back to college until you get a B, I'll pay for it until you get a B.' So I went back to college and I never got a B, that job taught me that I didn't want to be doing that job.Jess: 13:18 So the acting stuff leads us to the big questions that I'm dying to ask you about how you got started narrating your own audio work. And did that start from the beginning? Was that something that you specifically trained to do? Please tell us all about it. Because, and I have to sort of spoiler here is that some of the conversations we've had is about like, Ooh, that's kind of interesting. I wonder what it would take to be able to narrate our own fictions. So what does it take, Joshilyn?Joshilyn: 13:48 I don't think it's necessarily a good thing most of the time when authors read their own books, to be honest. Because it is a really specific skill set. And I did go to school in theater and I did live off the grid for awhile as an actor and a playwright. And most of the time when I made money, it was doing voice acting and I got some pretty good gigs. I've done voice acting for local commercials and radio spots. But I've also done stuff for a documentary that PBS was doing, stuff like that. So I had a theatrical background and when my first novel came out, while the narrator of that novel is a wildly, promiscuous murderess and people always think that your first novel is autobiographical, which of course my first novel was, but as you know from earlier, it did not sell. This was my third novel, so it wasn't autobiographical. I am not a wildly, promiscuous murderess, for the record. And I wasn't sure how much I wanted to be associated with her anymore than I was. You know, with a debut, that's the first question you get - so how much of this is your life? And so, I didn't really want to do it. My second novel, I figured I had that distance. Plus I also thought Arlene should sound really young and I don't think I've ever sounded particularly young. She has to sound young for you to forgive her. But my second book, I really thought I could do it. So I went to my editor and I said, 'You know, I used to be an actor and I've done a lot of voice acting, do you think I could read the audio book?' And she said, 'Oh, no, don't do that.' And I said, 'Okay, but I really have done it before.' And she was like, 'You know, I was with Warner Books and they were the most theatrical of the audio books. Some audio book companies want a real straight read with just very light differentiations between the voices and some of them want it to be really theatrical.' This was a very theatrical one that wanted big differences in the voices and they put musical tracks in and stuff. So I said, 'Well, can I audition?' And my editor said, 'Yes, you can audition, but you're not going to get hired. But, sure.' So, I had a friend named Darren Wong, he's actually an author, too. He wrote The Hidden Light of Northern Fires, which is a great book. And he used to run an audio book magazine called Verb, it was an all audio magazine. So he had a home studio and an edit board and professional grade equipment and he helped me edit it and set levels. So it was a really good recording and I did a fight scene with five different men having a fight. And I did a comedic scene so they would know my timing and I did straight narration with energy so they knew I could get them through the landscape descriptions or whatever. And then after I turned that in, like two weeks later, my editor called…

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Episode 176 #FallProductivity Sep 13, 2019

Show notes

Fresh fall starts or pressing fall deadlines? Here's how to make the most of that new season, sharpened pencils, back-to-school mojo. Even when a pressing deadline means you’re not starting anything new, fall still manages to feel like a time for fresh starts and renewed productivity—and setting goals for what can get done by the end of the year now, when it still feels like so much is possible. We’re talking planning software, balancing reality with what we think our tomorrow selves might be capable of, and grabbing any momentum the annual back-to-school season offers with both hands. Episode links and a transcript follow—but first, a preview of the #WritersTopFive that will be dropping into #AmWriting supporter inboxes on Monday, September 16, 2019: Top 5 Mistakes Writer Websites Make. Not joined that club yet? You’ll want to get on that. Support the podcast you love AND get weekly #WriterTopFives with actionable advice you can use for just $7 a month. As always, this episode (and every episode) will appear for all subscribers in your usual podcast listening places, totally free as the #AmWriting Podcast has always been. This shownotes email is free, too, so please—forward it to a friend, and if you haven’t already, join our email list and be on top of it with the shownotes and a transcript every time there’s a new episode. To support the podcast and help it stay free, subscribe to our weekly #WritersTopFive email.LINKS FROM THE PODCAST#AmReading (Watching, Listening)Jess: Holding, Graham NortonKJ: Off the Clock: Feel Less Busy While Getting More Done, Laura VanderkamSarina: Take Off Your Pants: Outline Your Books for Faster, Better Writing#FaveIndieBookstoreBear Pond Books in Montpelier, VermontThis episode was sponsored by Author Accelerator, the book coaching program that helps you get your work DONE. Visit https://www.authoraccelerator.com/amwritingfor details, special offers and Jennie Nash’s Inside-Outline template.Find more about Jess here, Sarina here and about KJ here.If you enjoyed this episode, we suggest you check out Marginally, a podcast about writing, work and friendship.The image in our podcast illustration is by Bernd Schulz on Unsplash.Transcript (We use an AI service for transcription, and while we do clean it up a bit, some errors are the price of admission here. We hope it’s still helpful.)KJ: 00:01 Hey writers, are you whispering to yourself that this might just be your year to make NaNoWriMo happen? Or maybe planning to do it again? Then, do yourself a favor and invest in Author Accelerator's Inside Outline coaching now so that you've got a structure to free you up to use those 30 days in November to write something that really works. It is no fun to "win" NaNoWriMo with 56,000 words and then realize 35,000 of them don't serve your story at all. Trust me, I speak from experience. The Inside Outline really works. Find out more at authoraccelerator.com/insideoutline. Is it recording?Jess: 00:44 Now it's recording.KJ: 00:44 Yay.Jess: 00:45 Go ahead.KJ: 00:46 This is the part where I stare blankly at the microphone like I don't remember what I was supposed to be doing.Jess: 00:50 Alright, let's start over.KJ: 00:51 Awkward pause. I'm going to rustle some papers. Now one, two, three. Hey, I am KJ Dell'Antonia, and this is #AmWriting. #AmWriting is the podcast about writing all the things, short things, long things, fictional things, nonfictional things, but please not nonfictional. Not, not nonfictional things pretending to be fictional. Well anyway, just don't get that wrong people. Right? We need to clarify. Some things are fiction, some things are nonfiction, short, long. We write them, all except for the ones that you're not supposed to write. Oh, I know the ones where you say they're nonfiction, but they're really fiction. That's bad. Alright. They can be short, they can be long, they can be proposals, they can be pitches, they can be essays, all the things. But most of all, #AmWriting is the podcast about sitting down and getting the work done.Jess: 01:54 I'm Jess Lahey and I am the author of the Gift of Failure and a forthcoming book about preventing substance abuse in kids and you can find my writing all over the place, the New York Times and the Washington Post. And actually as this airs, over at a new publication called Air Mail.Sarina: 02:11 And I'm Sarina Bowen, the author of 30-ish contemporary romance novels. You can find me at sarinabowen.com.KJ: 02:19 I am KJ Dell'Antonia, author of How to Be a Happier Parent, and of the novel The Chicken Sisters, which will be available next summer. I'm also the former lead editor and writer for the Motherlode blog at the New York Times, where I still write occasionally, and you can find my work (a little bit of it) at The New Yorker.Jess: 02:36 That's funny and still really cool. I still can't get over it, it's just so cool.KJ: 02:42 Just as a shout out to everyone who's ever written once for something. There are no gatekeepers of what you say you do. You can say, "You can find my work in the New York Times if you have written for the New York Times online, that counts.KJ: 03:02 There are not rules, there is no one checking, and if you don't grab it and take hold of it somebody will. Other people are, so take it and rock it people.Jess: 03:13 The nice thing is when something like that's on your SIG file, or your bio, or your resume, or your CV, no one can ever take it away from you. So what are we talking about today?KJ: 03:28 Today's topic is fresh fall starts, productivity, the real new year, September, all the school supplies.Jess: 03:38 Okay. Well, you and Sarina get to take the lead today because frankly, fall stinks, fall is horrible. Fall is my nemesis this year because my book deadline is October 10th. So every single time someone mentions fall, I want to just go into a hole and disappear. So fall is bad this year.KJ: 04:04 You don't have a sense like you've got some renewed energy? You know, your house is empty?Jess: 04:12 No, no. I feel like my deadline's getting here really fast.Sarina: 04:18 Somebody needs a nap and a hug because fall is awesome.Jess: 04:23 No, I know it is. I love fall. I mean, I live in New England, I live in the epicenter of beautiful fallness. But as I was mentioning earlier, for our listeners that have been listening for a while, we have these wonderful calendars that we love to keep and we have this sticker system and I love my stickers. This month they came from Robbie Bear and Matthew Swanson, some authors that I love. I got some beautiful stickers from them and I have at the top of my calendar the words, 'the final stretch' and on every single day I have days left to my deadline and today (or the day we are recording) I have 38 days left until my deadline. And so I'm in crazy countdown mode, and tomorrow I leave for a road trip for two days. So yeah, you people can be excited about fall all you want, but I'm just gonna live in my state of dread and oppression. I will say as a progress report, I did hand in the first five chapters of my book to my editor this past weekend and I was so deliriously happy I thought I could just do cartwheels. It was pretty great. So that was a big milestone for me, so I'm feeling really good.Sarina: 05:35 Awesome.KJ: 05:35 We were really excited.Jess: 05:36 Yeah, I know, I know. Alright, you people talk about your fresh fall starts and I'm going to sit here and mope.KJ: 05:42 Well I handed in my big revision, which was due theoretically September 1st, but I took a look at the calendar and went, 'Okay, I'll just ask my editor', she probably doesn't really want this on Sunday of Labor Day weekend and indeed she did not.Speaker 1: 05:58 So I had a couple extra days which I used. I didn't work that much over Labor Day, but I definitely worked some. Well, it was due Tuesday. So Monday, end of day, I waved bye-bye to my revisions. And my editor reports (I love this) that she read it all in one sitting!Jess: 06:18 Oh that's fantastic.KJ: 06:20 So she said she loves it and it's all good and it's all exciting. I will have small revisions at some point during this month, but the real priority for me this month is going back to my next project. Code name - Project Guru. So off I go.Jess: 06:37 It has a code name, I love that.KJ: 06:39 It does, all my projects have code names. Of course, my next novel is called The Chicken Sisters and the code name was chicken. They might not be super secrety.Jess: 06:51 The code is easy to break is what you're saying?KJ: 06:53 I think so. Sarina, what's your priority this fall?Sarina: 06:57 Well, I'm neck deep in deadlines as well, but I still feel that fall is absolutely a turning point in publishing for so many reasons. And it's not just us and our love of the discount pen at Staples and the new markers. Really, publishing keeps a calendar that supports this whole 'Fall is glorious'. But for example, my European publishers have been nowhere to be found all summer. So now I'm starting to see new covers and to hear new publication dates and there's just more happening.KJ: 07:35 Yeah, there is no point in submitting anything to anyone in August, for the most part. I think my agent, when we were submitting my How to Be a Happier Parent, I feel like we actually targeted kind of the middle of August on the theory that people would be coming back and everyone else was going to submit in September. And I could be wrong, we might've just talked about that. I don't remember the details, but basically - nobody does anything in August. And what they do is kind of like trying to get ahead cause they know September's gonna be crazy.Sarina: 08:09 Right. And from the writer's perspective, this is really the last push before the holidays. So you get this time when everybody's at their desk, and you can get your questions answered, and you can also take a peek back at your goals for the current year from a moment where it's not over yet.KJ: 08:34 Yeah, you have some time to grab those goals, and see if their make-able, or revise them into something make-able, or see what you could do towards them so that next year you don't feel quite so like I didn't do that. I'm all good. There is data (and I'm just going to get it wrong) that I think either October or March is the most productive month of the year because there's nothing in either of those months that gets in our way.Jess: 09:08 That makes sense. One of the interesting things about coming back from the summer for me, is I submitted a couple of things over the summer with the understanding that the people were on hiatus. One was for a television show, actually. It was a pitch I sent for a television show, knowing full well that those producers were not going to be back until after the Labor Day weekend. But I put it in their boxes and said, 'Here it is, I know you're not back to work yet, but it'll just be waiting for you when you get back. So there's been this lull and now all of a sudden I'm also like, 'Oh wait a second. At any time I could get some emails about these things I sent in over the summer. It's kind of exciting.KJ: 09:46 Well, it's kind of an interesting question - whether we should or shouldn't do that. Because on the one hand, the thing that's been sitting in your inbox since August 20th is less appealing than the thing that drops into your inbox on September 5th, maybe. Or maybe you feel like you need to get to it, I don't know.Jess: 10:06 My thinking on this was there was some momentum behind my getting the ideas in and I didn't want it to get lost in the hustle. I wasn't sure exactly what time this person was going to be going back to pitch meetings and stuff, so I didn't want my ideas to not be there when those happened. And so for me, we had a little jocular email back and forth going and I wanted to keep the momentum of that, rather than let it get stale. That was my thinking anyway. Who knows? We never know how this is all gonna work.KJ: 10:40 Sarina, do you lose your voice artists, and your cover art designers, and your editors and stuff like that in August? The same way that publishing goes on hiatus?Sarina: 10:52 No, I would say that the digital crazy people like me work 24/7 without any predictable breaks, honestly. It's really only the traditional world that seems to disappear. Like magazines are still having their summer Fridays in August, that part of it is all predictable. But no, the people who hustle for themselves do not seem to be as seasonal.KJ: 11:22 Right. Well, it would make sense not to. I mean, if other people were going to take a break in August, you'd be good to be the person who wasn't.Sarina: 11:31 Yeah. The other thing about what I do specifically is that there are some big summer events and some elbow rubbing and deal making gets done surrounding those things. So I'm more likely to meet vendors and people who can affect my sales platform in the summertime. But, that's just a weirdness of the way my little corner of the world works.KJ: 11:59 Right. Well, I feel like some of this is also, just like you were saying, it's mental. I think we're all conditioned - we're back to school whether you have kids or not, and certainly whether you go back to school or not. It feels like a good time for hunkering down, and learning new things, and putting words on the page. It feels like there's a good block here. We go from September 1st to November 20th or something before your personal life starts, which is kind of sad. It just feels like I've got lots of time without surprise obligations.Sarina: 12:51 Well, those of us with children, it's really true. I mean, the whole shape of my day changes once everybody goes back to school.KJ: 12:59 Yeah. And Jess gets out of that because she's got one child left at home and he is pretty darn independent. I have (well I had) four, one's in Spain now. But actually he's perhaps more demanding in Spain than he was while he was here because he's kind of lonely.Jess: 13:34 Alright, so when you talk about fresh fall starts, what exactly are you thinking? Do you guys do more goal setting when you go into the fall? We were just talking about this in our home, actually. Because we do goal setting sort of once a season and so we were just actually planning our family dinner because my oldest son's college is just about to start and right now is a really good time for us to sort of talk about what we all have in mind for the next three months and we like to talk about things we'd like to achieve, that sort of stuff. Do you do the same thing with your writing going into this new season?Sarina: 14:08 Yeah, I definitely do. And honestly, I've been trying to find a better way. I spent part of the weekend looking at project management tools on the web, which of course sounds like a giant time sink and it was, but I am having trouble planning longterm because there are so many interconnected deadlines with the way that I produce material and I'm trying to find a tool to help me overcome this.KJ: 14:39 Like an Asana like thing, only just for you.Sarina: 14:41 Yeah, kind of like that. I'm always having to count backwards. So if I look at next year and I'm like, you know, May is a good month to publish. Because all the primaries are over and we haven't hit the summer doldrums yet. So I definitely want to have a book coming out in May. And then this is where it gets fun. So six weeks before I want that book to come out, I have to hand it off to an editor…

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