Stay ConnectedThe global Latinx community is evolving and growing fast. Alt.Latino is here to celebrate it and all of its nuances through music. Each episode, NPR Music’s Felix Contreras and Anamaria Sayre sit down with a different living legend or rising star to discuss Latinx culture, heritage, and the shared borders of our experiences. Let the chisme begin!
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The Tiny Desk’s magnetism is its intimacy. We strip back lights and a big stage and get to see artists speak honestly about who they are directly to an audience around the world.
This becomes all the more profound during our El Tiny takeover of Latin Music Month, where artists whisper truths and share secrets about community, country, pain and family. Often on production days, artists share with us the importance of each individual song — the stories behind them and why they needed to be played in such an honest space.
So, this week on Alt.Latino we wanted to let you all in on the secrets. Alex Ferreira, Draco Rosa and Los Tigres del Norte shared with us, in their words, what a song they played at the Tiny Desk for this year’s El Tiny takeover meant to them. Hopefully, learning what’s behind the songs will help each show mean a little bit more for all of you, too.
Artists and songs featured in this episode:
(00:40) Mon Laferte, "No Le Regales Tu Corazón"
(04:06) Alex Ferreira, "Monte Adentro"
(13:43) Draco Rosa, "Vagabundo"
(19:58) Los Tigres del Norte, "Somos Más Americanos"
This podcast was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.
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The music of Tim Bernardes fits as easily in the poetry of the cosmos as it does in the songwriting canon of his country. Brazil has a legacy of some of the greatest most intricate, emotional songwriting there is, and if you ask me, I’d argue Tim fits right into it. So, I invited him in to play a Tiny Desk for our annual El Tiny takeover. And, of course, I took the opportunity to pull him into the studio after – I absolutely needed to know what he’s been listening to. So, here we are again playing my latest and greatest new game: a special version of our typical guest DJ episode, where I ask them to recall different parts of their lives and themselves through music. No prepared songs or ideas. Let’s call this episode a musical tapestry painted by one of the greatest Brazilian singer-songwriters of this era. - Anamaria Sayre
Artists and songs mentioned in this episode:
- The Beatles, 'I Want To Hold Your Hand'
- Os Mutantes, 'Caminhante Noturno'
- Milton Nascimento, 'Nuvem Cigana'
- Nelson Cavaquinho, 'Eu E As Flores'
- Gilberto Gil, 'Luzia Luluza'
- Antônio Carlos Jobim, 'Saudade Do Brasil,' 'O Boto'
- Caetano Veloso, 'Minha Mulher'
- Tim Bernardes, 'Realmente Lindo'
This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.
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Jazz has often been called America's musical gift to the world. This week's guests remind us not only of the well-documented ways that Cuba revolutionized that gift, but also how it blossomed in South America.
Chilean tenor saxophonist Melissa Aldana and Cuban pianist Gonzalo Rubalcaba stopped by after their recent Tiny Desk performance to chat about their own personal histories with jazz and its lineage in their respective countries. The memories Rubalcaba shares about Havana's jazz scene in the 1980s adds another layer to a story we've talked a lot about on Alt.Latino. And Aldana looks back on her youth learning music from her father and grandfather, both of whom were Chilean jazz pioneers.
The conversation also covers the music they played at the Tiny Desk, which comes from their recent album, 'Filin,' a reexamination of a Cuban musical movement that lasted from the 1940s through the '60s. Ultimately, this week's episode is time spent with two master musicians to hear how their lives and experiences contribute to their mutual appreciation and love of jazz.
Check out Melissa Aldana and Gonzalo Rubalcaba's Tiny Desk Concert here.
This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.
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YEИDRY's music is almost as diverse she is. Born in the Dominican Republic and raised in Italy, the singer’s repertoire of genre and sound pulls from multiple continents, and even more unique cultural roots. It’s complicated to explain so many mixed identities, but, as we know quite well at Alt.Latino, music is an easy way to tell a complex story. From the first song she ever heard to a track that brings her peace, we’re presenting a playlist of YEИDRY, the artist and the person. It’s raw, unprepped, and just like YEИDRY: alive and constantly evolving.
Songs discussed in this episode:
- "Ese Hombre" by LA INDIA
- "Guitarra" by Yoskar Sarante
- "Weird Fishes / Arpeggi" by Radiohead
- "Bam Bam" by Sister Nancy
- "To Zion (feat. Carlos Santana)" by Ms. Lauryn Hill, Carlos Santana
- "Paloma" by Angélica Garcia
This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.
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Shortly after Los Texmaniacs did what they do best at the Tiny Desk, I pulled them into a studio to chat with them about the traditions they represent with their music. It turned into a master class on the accordion-fueled style known as conjunto, a mix of European folk music and Spanish-language storytelling. Plus, the group shared some love for one of the iconic artists who taught the world how to love conjunto, Flaco Jimenez, and how their personal connection to him also inspired them to move the music forward. - Felix
Don't miss NPR Music's full coverage of Latin Music Month, with Tiny Desk Concerts featuring Mon Laferte, Los Tigres del Norte, Tim Bernardes, Los Texmaniacs and more starting September 15 at NPR.org.
This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.
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This week Ana features two very different Brazilian artists that both draw heavily on the '60s and '70s Tropicália genre. Felix presents two very different approaches to Colombian folkloric music and a new Spanish-language singer-songwriter who turns sadness into light.
Artists and albums featured in this episode:
(01:52) Maglore, 'Fluxo Natural'
(07:13) Indus, 'El Mangle'
(12:42) Candelabro, 'Deseo, Carne y Voluntad'
(17:11) Araña, 'Araña'
(21:07) Lucas Bezerra, 'EU MANDEI MEU AMOR PRO ESPAÇO'
(25:21) Luca de Dios, 'De Amor y Desamor
This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.
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I like to think I’m the one who keeps things fresh on the show — or at least that’s what I tell everyone. But this week Felix once again proved that false, bringing in a fresh corridos tumbados duo from Guadalajara who takes a something-old-turned-new genre and smashes it together with metal. It's something I’ve never heard before. What can I say, Felix keeps us all young. I went back to Brazil with some up-and-coming artists whose albums I’ve been excitedly awaiting. And, of course, Felix had to balance things out with one of his favorite jazz vocalists. As per usual, we’re all about whiplash here at Alt.Latino, but in a way that hopefully will make you the favorite DJ at your next fiesta. — Ana
Artists and albums featured in this episode
(03:52) Cultura Profética, 'En bucle'
(09:53) Claudia Acuna, 'Ave de Luz: Chilean Jazz & Soul'
(13:52) Mari Froes, 'Esquina do Sol'
(17:36) Valeria Stewart, 'On A Wing'
(21:17) Raquel Dimantas, 'Cosmo Dorme'
(24:37) Ladrones, 'Arriba La L'
This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.
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Latin identity has been at the core of Cypress Hill's music from the very beginning -- their 1991 track "Latin Lingo" gave voice to the Latin roots of hip hop with its funky Spanglish callouts. But it took the band thirty-five more years to make an album of original songs written in Spanish: 'Dios Bendiga,' which was just released. In this episode, Felix chats with the band -- B-Real, Sen Dog and Eric Bobo -- about the influences behind the album, and why this moment felt right to finally make it. Plus, a cameo from the band's longtime producer and turntablist, DJ Lord.
This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.
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Mexico isn't the first place you think of as the cutting edge of experimental electronic music. But two new projects show that might be changing. LATIN MAFIA recently teamed up with British producer Fred again.. to make a bold new album featuring collaborators like Mabe Fratti and Lil Yachty. And the up-and-coming duo RØZ -- comprised of producers Manolo Cabrera and Hugo Lara -- just released their debut album, spinning a dazzling mix of hip hop, gospel and glitchy electronica. This week's episode also features a comically brilliant track from El David Aguilar, cumbia jam rockers Dos Santos, a cover from La Zorra Zapata, and a deep dive from Felix on the many interpretations of Consuela Velazquez's classic "Verdad Amarga."
Artists and albums featured in this episode:
(00:43) LATIN MAFIA & Fred again.., '9 months & 50 hours'
(07:40) Dos Santos, 'Es Amor'
(13:12) El David Aguilar, 'VIGENTE'
(18:42) Miguel Zenón & Luis Perdomo, 'El Arte de Bolero, Vol. 3'
(25:23) RØZ, 'SE ESTÁ HACIENDO TARDE'
(29:11) La Zorra Zapata, 'I Love You Baby'
This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.
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Harry Styles just finished a 5-night run in Mexico City. You know who else had a 5-night run in Mexico City? Michael Jackson in 1993.
Mainstream artists have a long history of being enticed by the energy of performing for a Latin American crowd … which means there’s also a long and less-known history of big pop stars making music for that audience.
Did you know Michael Jackson has a Latin track? So does Madonna. A few actually.
As early as the '50s, Nat King Cole experimented with Spanish and released an entire record, Cole Español, writing songs in partnership with legendary "Bésame Mucho" composer Consuelo Velásquez.
This week’s Alt.Latino is a pop takeover. We’re mythbusting the idea that there’s only been one kind of crossover — from Latin to mainstream — and walking through a long history of mainstream wanting to go… Latin.
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