An oral history podcast about and with members of Trip Shakespeare, a Minneapolis-based quartet who earned a loyal cult following for their playful but literate alternative art-pop. In early 1985 when Harvard anthropology grad Elaine Harris answered an ad looking for “wicked percussion hands” posted by English major Matt Wilson. Harris and Wilson would relocate to Wilson’s hometown of Minneapolis and found Trip Shakespeare, along with John Munson, a Chinese-language major at the University of Minnesota. After issuing a debut LP, 1986’s “Applehead Man,” on local label Gark Records, the band soon expanded to include Dan Wilson, a graduate student in art and Matt’s elder brother. With a more fleshed-out harmonic sound the band released their second album, 1988’s “Are You Shakesperienced?” on Gark, then Twin/Tone. In late 1989, the band signed with A&M, releasing “Across the Universe” in April of 1990, followed by “Lulu” in September of 1991. With each subsequent release the group showed off a maturing command of its unique approach to the pop music form with increasingly higher production values and studio experimentation. Neither album could match the success they achieved as a live touring act, and after Trip Shakespeare recorded a six-song EP of cover tunes entitled Volt, A&M rejected the project and dropped the band. (Twin/Tone records would belatedly release Volt in 1994.) Elaine relocated to her hometown in the Boston area. Matt Wilson continues to write and record his music through various solo and band projects. Dan and John went on to form the band Semisonic, scoring a hit with the now-classic 90’s alt-rock single “Closing Time.” Podcast host Morgan Taylor plays together with Munson in the Grammy-nominated music-and-art project Gustafer Yellowgold.
Codes in the Clouds and A Misspent Youth Productions present The Paper Crane; a podcast in which members of Codes in the Clouds talk to interesting and entertaining people from all areas of the creative industries, diving into the relationship they have with their work, their perspective of culture and where their work fits in the world around us.
Codes In The Clouds are a band who have been making music, recording, and touring together since 2007.
Get in touch: info@codesintheclouds.net
Buy and listen to some pleasant music: http://www.codesintheclouds.net/music
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A show hosted by Jakob Armstrong featuring musicians and artists in the indie world.
Dave Holmes is obsessed: What ever happened to Sudden Impact, the R&B boy band whose arrival was announced in Boyz II Men’s “MotownPhilly” video? What happens when you make a big debut, and then…nothing happens? Waiting For Impact is a deep dive into a disappearance that has haunted pop-culture die-hards since 1991. Dave is determined to track the group down and find out what really happened, and along the way he talks to his friends in the entertainment world— comedians, actors, writers— about the twists and turns that led them from where they were in 1991 to where they are in 2021. It’s about high hopes, unexpected results, and why sometimes not getting what you want is the best thing that can happen.
An interview-based show about beat culture past, present, and future. Hosted by journalist Laurent Fintoni and producer and DJ Kutmah, every week they talk to guests from around the world whose work within hip-hop and electronic music keeps the culture moving forward.
Art•I•Fact is a Wilmington, DE-based podcast for music junkies by music junkies focusing on left-of-the-dial personalities from the mythical land of Rock & Roll. Musicians, directors, producers, authors and more are all on the menu. Hosted by your spirit guides, Dan and Matt.
Music Business, Music Industry, Music Interviews and Music History, etc…