Openwork: Inside the Watch Industry

Copyright: © Copyright 2018-2024. All rights reserved. ”Collective,” ”Collective Horology,” ”Collective Shop,” ”Openwork” and the Collective and Openwork logos are trademarks of Collective Horology LLC.

Latest Episodes:

Collective 101 – How We Built It, Nearly Lost It, and Came Back – Episode 101 Nov 09, 2026

Show notes

For episode 101, Gabe Reilly and Asher Rapkin turn the analysis they usually apply to watch brands on their own business. A listener asked how Collective Horology started, how it was funded and what went wrong along the way, so this episode covers all of it. The story starts in a seventh grade homeroom in Manhattan and goes through a Facebook employee watch club and a Tudor Black Bay 58 that needed Mark Zuckerberg’s sign-off. From there it reaches the first Collective collaboration, a reworked Zenith El Primero Chronomaster, followed by projects with H. Moser & Cie., Urwerk, J.N. Shapiro, IWC, Armin Strom, Czapek, Montblanc and Oris.

Then it gets hard. Gabe and Asher explain why the membership and preorder model for limited edition collaborations stopped working as the watch market corrected in 2023. They cover the layoffs from Meta, the unsold inventory and the hundreds of thousands of dollars they paid out of their own pockets, which meant personal credit lines and a remortgaged house. They also talk about the dinner in Geneva where a watchmaker they admired turned them down with four words: “You don’t have the clients.” That shaped how Collective rebuilt itself as an independent watch retailer, starting with Fears and later J.N. Shapiro and Arkanaut, and how a commission-only pitch from salesperson Jeff Souter became their first hire.

Last, they share what bootstrapping a small business in the watch industry taught them. Collective is profitable with no investors or debt and is still fully owned by its two founders. They explain why they now plan every deal around what happens if everything goes wrong, and why a retailer’s biggest asset is its clients, not the brands it carries.

Openwork is a weekly podcast about how the watch industry actually works. An unfiltered look behind the scenes — no press releases, no hype, and no sponsored takes. Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology. Available on Apple Podcasts, Spotify, YouTube Music, or wherever you get your podcasts.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

Zenith Goes Dark – Can Haute Horology Save the Brand? – Episode 100 Nov 02, 2026

Show notes

For our 100th episode, we’re covering the biggest watch industry story of the year. LVMH has announced that Zenith will suspend retail distribution and cut roughly 200 jobs, with plans to relaunch the brand in 2029, aimed at the $50,000-and-up segment.

Gabe and Asher start with what’s actually happening: the Swiss consultation process, why the Le Locle manufacture keeps running as a movement supplier for other LVMH brands, and what it means for current owners and the retailers still holding unsold inventory.

Then they look at how Zenith got here. That story covers 27 years of LVMH ownership and a revolving door of CEOs. It includes the Julien Tornare era, which cut distribution from roughly 850 doors to 550 and gave the brand real momentum, followed by a COVID boom that masked deeper problems. Estimates put production at around 24,000 watches in 2022 and roughly 8,500 in 2025. LVMH points to the strong Swiss franc, weak demand in Asia and the Middle East, and US tariffs, but every brand is facing those. So why did Zenith fall harder than its peers?

Gabe and Asher debate whether the reset is a brave, necessary call or a consultant’s read of a market that could look very different by 2029. They also cover the H. Moser & Cie precedent, Cartier’s buyback, Zenith’s narrow lane in the mid-market, and whether a fire sale on existing stock could undercut the comeback before it starts.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

Second Lives – AP and Rolex CPO, Ebel Reboots, Bennahmias Returns – Episode 99 Oct 26, 2026

Show notes

Audemars Piguet is reportedly launching its own certified pre-owned program. This is the same brand that has spent years discouraging clients from reselling their watches. Gabe Reilly and Asher Rapkin of Collective Horology look at WatchPro’s reporting on the centralized, brand-run AP CPO model, which may include online sales. They also ask how it fits with secondary prices that are falling well below retail on models like the Code 11.59. On the Rolex side, Morgan Stanley and WatchCharts estimate that Rolex Certified Pre-Owned did $229 million in Q3 2026, up 61% year over year. That puts the program on track for a $1 billion run rate, even as Rolex pre-owned prices trail Patek Philippe, Vacheron Constantin, Cartier, and A. Lange & Söhne.

Next is François-Henri Bennahmias. The former AP CEO has joined LVMH’s Hublot as an advisor on a “discreet project,” while Julien Tornare stays on as CEO. We talk through why his pop culture playbook may suit Hublot better than it ever suited AP. Then we cover the most surprising deal of the year: F.P. Journe, Chanel, and former De Bethune CEO Pierre Jacques are taking a 95% stake in Ebel from Movado Group. We discuss what that group could want with a brand that has spent 22 years in malls, and whether a watch brand reboot can work this time.

We also open with the Renaud Tixier Monday Skeleton, the $145,000 micro-rotor watch we bought for inventory off the renders. We close with a preview of Episode 100, where we’ll cover LVMH’s restructuring of Zenith and what it means for the brand and the industry. Openwork is a weekly watch industry podcast from Collective Horology, an independent watch retailer in Ventura, California.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

New York Watch Week 2026 – Has It Gotten Too Big? – Episode 98 Oct 19, 2026

Show notes

Openwork Episode 98 was recorded live at WatchTime New York in Gotham Hall, where Gabe Reilly and Blake Buettner of Collective Horology recap New York Watch Week 2026. They talk about how the week has grown from a mostly tri-state collector gathering into a national event, and why that tracks with the Swiss watch industry’s growing reliance on the American market while Europe stays flat and Asia slides. They also get into the downside of that growth: a Windup Watch Fair line that wrapped around a full Midtown block, and the tough choice Worn & Wound faces between keeping the fair free and open or controlling capacity with tickets.

On the watch side, Gabe and Blake cover the standout booths and releases at Windup, including Brew’s New York taxicab build-out and the taxi edition Brew Metric, Bulova’s subway car booth, first hands-on time with the Arken Alterum, Monta’s Triumph field watch, Formex’s thin micro-rotor integrated bracelet sports watch, and Marathon’s new titanium GSAR. They also recap Indies.NYC, the collector-focused independent watch show in the Flatiron District, with highlights from Holthinrichs, Sarpaneva, Marco Tedeschi, Zeitwinkel and other independent watchmakers.

Gabe and Blake also explain why Collective took a different approach to New York this year: The Independents, a media-focused event at the Jean Rousseau atelier that put Armin Strom, Czapek, Ming, Ressence and Singer Reimagined in front of journalists, celebrity stylists and content creators. They discuss why territory between watch retailers makes collector events outside your home market complicated, whether New York Watch Week needs a bigger venue like the Javits Center or should stay spread across the city, and why nywatchweek.app might be the tool that helps it scale.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

The Business of Bond – Inside Omega’s 30-Year 007 Partnership – Episode 97 Oct 12, 2026

Show notes

Gabe and Asher break down one of the most successful marketing partnerships in watch history: Omega and James Bond. The story starts in the mid-’90s, when both franchises were trying to reboot. Omega was a struggling asset inside the Swatch Group, and Bond had been off screen for years. Nicolas Hayek tapped Jean-Claude Biver to position Omega against Rolex, and the Seamaster Professional 300M arrived in 1993, two years before GoldenEye. Costume designer Lindy Hemming chose it for Pierce Brosnan because she saw Rolex as too flashy for the new Bond. Biver turned that product placement into a full integrated sponsorship, and Omega’s revenue nearly tripled by the end of the decade.

From there, we trace the partnership through four phases. In the Brosnan era, Omega marketed an existing hero watch through the films. Licensing and limited editions began with Die Another Day, and Casino Royale was used to launch the Planet Ocean. Spectre made the on-screen watch available to buy. With No Time to Die, the titanium Seamaster 300M became a non-limited model that Omega’s CEO says ranks among the brand’s top five sellers worldwide. We also cover the 60th Anniversary Seamaster, the First Light chronograph tie-in, and the new Bond and Spectre editions. These releases show Omega treating 007 as evergreen IP that no longer depends on a film release.

We close on what comes next. Creative control of Bond has moved from the Broccoli family to Amazon MGM, and Tudor is on the rise. Asher offers a theory: Rolex could use Tudor to go after the most valuable partnership Omega has. Plus: why dive watch marketing is still a sea of sameness, and why Omega’s decision to sell a tool watch on pop culture instead of diving credentials still stands apart.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

Who Pays for Watch Media? – Influencers, Access, and Life After Hodinkee – Episode 96 Oct 05, 2026

Show notes

Watch media looks nothing like it did ten years ago. Blake Buettner was one of Hodinkee's early writers, later managing editor at Worn & Wound, and built The Deep Track on his own. He joins Gabe Reilly and Asher Rapkin to talk about how watch journalism got decentralized. A Hodinkee Introducing article used to be enough to sell a watch. Now a launch gets spread across traditional outlets, watch influencers, YouTube creators and celebrity endorsements, and most of it runs through brand PR rather than marketing. We also get into why watch reviewers so rarely write a negative review, and the difference between critique and just being critical.

Then there's access. We talk about press trips, watches offered to writers, and whether influencers play by different rules than journalists do. The uncomfortable conclusion is that enthusiasts want independent, critical watch media but mostly won't pay for it. That's a big part of why so much talent has moved to brands and retailers. We also want to hear from you: which watch content creators do you follow, and why?

Before all that, Asher goes hands-on with the Gallet Flying Officer he just bought. It's Breitling's revived heritage brand, with a Sellita movement and a $3,100 price on the bracelet, and we look at how it stacks up against Longines, Oris and Hamilton. We also have an update on our tariff lawsuit, which was just heard at the U.S. Court of International Trade, and our plans for WatchTime New York. You'll find us at the Ming booth.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

Dressed for Success? – Rolex's Padellone, Breguet's Retail Purge, and Swiss Exports – Episode 95 Sep 28, 2026

Show notes

Eighteen months after Liberation Day, we look at where Swiss watch exports stand. Shipments to the U.S. are down 8.3% year to date but still up 8.8% versus 2024. Mainland China is down 23% from two years ago. Global exports are still up 1.7%, carried by the UK, India, Europe and South America. The growth is coming from watches over $50,000, while the $1,000 to $10,000 middle of the market gets hollowed out. Collector taste is moving away from steel sports watches and toward dress watches, complications and handmade pieces.

Rolex's new Padellone annual calendar is a business move. Starting at $59,000, it's another sign that Rolex wants to compete with Patek Philippe while Tudor handles Omega. We ask whether it will open buyers up to classical dress watches or stay inside the Rolex world, and which annual calendars we'd buy for the money instead.

Then there's Breguet. Under CEO Gregory Kissling, the brand has made some of its best product in years: the new Classique tourbillons and updated Traditions. At the same time, it has cut dozens of U.S. retailers in 18 months and is moving to company-owned boutiques. Lange, AP and Rolex all made that shift from a position of strength. We look at how Swatch Group mismanaged Breguet for decades, why the Hayeks are still involved, what happens to longtime Breguet clients when their dealer disappears, and what we'd do differently if we ran the brand.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

MING's Very Big Year – And What Comes Next – Episode 94 Sep 21, 2026

Show notes

Recorded live at Geneva Watch Days, this episode of Openwork sits down with Ming CEO Praneeth Raj Singh to unpack one of the strongest product runs in independent watchmaking: the Polymesh, Iris, Starfield, Lightning, and Comet. Hosts Gabe Reilly and Blake Buettner ask how much of it was planning versus luck, and Praneeth explains the shift from pandemic-era scramble launches to a more deliberate cadence, plus why Ming's graveyard of killed ideas is bigger than its actual catalog.

Praneeth gets specific on how Ming decides what to build and what to cut, including how a failed 3-kilometer dive watch indirectly produced the Bluefin's case construction and 600-meter water resistance. He talks through the tension between moving fast and giving platforms like the 37 Series more room to breathe, how Ming manages production partners as capacity gets squeezed by larger brands, and why some projects stay dead while others resurface years later in new form.

Praneeth also previews Ming's 10th anniversary in 2026: an expansion of the Superleggera lightweight collection into a chronograph, and the brand's first non-round case.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

The Unsung Watches – Geneva Watch Days 2026 – Episode 93 Sep 14, 2026

Show notes

Gabe and Asher kick off Episode 93 with news: Collective is now an authorized Ressence retailer. Then they get into the week's biggest story out of Geneva Watch Days 2026: Breitling's Gallet relaunch, its inherited distribution network, the debt behind the bet, and why it beats the usual sub-$5,000 heritage revival.

The rest of the episode is Collective's annual rundown of the watches nobody else is covering: the Laurent Ferrier Classic Moon Dusk and its lumed double-moon phase, Singer Track's new V72 chronograph in gold panda dial, and the Atelier Wen x William Messina Inflection, a real collaboration with a Chinese-calligraphy and Arabic numeral dial.

They close with three more: the Urwerk UR-1001 Amadeus, a one-of-one engraved pocket watch that tracks centuries and millennia; the Marco Tedeschi MT 1.1, a crownless skeleton tourbillon from the watchmaker behind Kross Studios; and the Fears Brunswick 39 Perpetual Calendar, built on a customized Sellita and Dubois Dépraz module. Gabe and Asher use it to make the case that movement choice, not movement brand, should determine a watch's value.
Fears Brunswick 39 Perpetual Calendar – Interview with Nicholas Bowman-Scargill and Lee Yuen-Rapati: https://collectivehorology.com/blogs/articles-reviews/the-fears-brunswick-39-perpetual-calendar

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

Geneva Watch Days 2026 – Bigger, Better, and Collector-focused – Episode 92 Sep 03, 2026

Show notes

Gabe Reilly and Blake Buettner record live from Geneva Watch Days to discuss the show’s atmosphere, the growth of independent watchmaking, and what Blake’s new role at Collective means for future content.

We break down major trends: independents gaining mainstream traction, the rising accessibility of creative watchmaking, and the cross-pollination of materials and techniques between affordable and high-end brands.

And of course, we highlight standout releases, including Ming’s 57.05 Comet worldtimer with its dynamic dial and tiered lugs as well as Bulgari’s surprising collaboration with Vianney Halter. We also react to Tudor’s North Flag release and explain why Geneva Watch Days continues to matter — especially for collectors — as it expands across the city and preserves its more relaxed, collector-focused vibe.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

Our TOPPODCAST Picks

Follow Us

Stay Connected

Openwork: Inside the Watch Industry

Related Podcasts

Links

Stay Connected