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    You Must Remember This

    You Must Remember This is a storytelling podcast exploring the secret and/or forgotten histories of Hollywood’s first century. It’s the brainchild and passion project of Karina Longworth (founder of Cinematical.com, former film critic for LA Weekly), who writes, narrates, records and edits each episode. It is a heavily-researched work of creative nonfiction: navigating through conflicting reports, mythology, and institutionalized spin, Karina tries to sort out what really happened behind the films, stars and scandals of the 20th century.

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    Copyright: © 2020 Karina Longworth

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    Latest Episodes:
    88: Six Degrees of Joan Crawford: Douglas Fairbanks Jr. / Our Dancing Daughters to Grand Hotel Aug 16, 2016
    Show notes

    Joan Crawford’s early years in Hollywood were like - well, a pre-code Joan Crawford movie: a highly ambitious beauty of low birth does what she has to do (whatever she has to do) to transform herself into a well-respected glamour gal at the top of the food chain. Her romance with Douglas Fairbanks Jr - the scion of the actor/producer who had been considered the King of Hollywood since the early days of the feature film - began almost simultaneous to Crawford’s breakout hit, Our Dancing Daughters. But the gum-snapping dame with the bad reputation would soon rise far above her well-born husband, cranking out a string of indelible performances in pre-code talkies before hitting an early career peak in the Best Picture-winning Grand Hotel.


    87: Six Degrees of Joan Crawford: Douglas Fairbanks / Lucille LeSueur Goes to Hollywood Aug 09, 2016
    Show notes

    In order to understand Joan Crawford’s rise to fame, we have to talk about what Joan - born Lucille LeSueur, and called “Billie Cassin” for much of her childhood - was like before she got to Hollywood, and what Hollywood was like before she got there. To accomplish the latter, we’ll focus on Douglas Fairbanks: top action star of the silent era, the definition of Hollywood royalty, and the father of Crawford’s first husband.


    86: The Blacklist Part 16: Kirk Douglas, Dalton Trumbo, and Otto Preminger (Breaking the Blacklist, Part 2) Jun 21, 2016
    Show notes

    How did the Blacklist come to an end? If you ask Kirk Douglas, the end began with his hiring of Dalton Trumbo to write Spartacus -- or, rather Douglas flaunting of that hiring. Otto Preminger, who hired Trumbo to write Exodus, might see it differently. In truth, the end of the blacklist was a process that took over a decade, and couldn’t have happened without actions taken by Charlie Chaplin, Gary Cooper, director Joseph Losey, and president John F. Kennedy. We'll talk about the connection between the end of the blacklist and the weakening of the production code, and what both had to do with the slow dissolution of the studio system amidst the rise of independent producers and a younger generation of audiences. Finally, we’ll discuss how those who had been blacklisted struggled to move on.


    85: The Blacklist Part 15: Frank Sinatra and Albert Maltz (Breaking The Blacklist, Part 1) Jun 14, 2016
    Show notes

    In the first of two episodes about major stars attempting to end the Blacklist, we’ll look at Frank Sinatra’s efforts to hire Hollywood Ten member Albert Maltz. Timing got in the way of Sinatra’s good intentions: this was the exact moment when Sinatra had become the coolest middle-aged man in America as “chairman of the board” of the newly-formed Vegas act now known as the Rat Pack. It was also the moment when Sinatra thought he was on the verge of acquiring real political power through his proximity to presidential candidate John F. Kennedy.


    Blacklist Flashback: Frank Sinatra through 1945 Jun 07, 2016
    Show notes

    Before our episode on Frank Sinatra’s attempt to end the blacklist, we’re going to flashback to an episode from April 2015, on Sinatra’s rise to fame and his experiences during World War II. In the early 1940s, shortly after skyrocketing to fame as a heartthrob crooner, Sinatra was perceived, and from some corners pilloried, as a draft dodger. Today we’ll talk about how Sinatra acquired that reputation, how it impacted his early career, and the early success which, as we’ll see next week, faded, and became something that Sinatra struggled to recapture, and couldn’t bear to let go of once he did so. This episode is brought to you by Audible.com. For a free 30-day trial membership and a free audiobook. Just go to audible.com/REMEMBER This episode is also brought to you by Blue Apron. Check out this week’s menu and get your two meals free with free shipping by going to blueapron.com/REMEMBER


    84: The Blacklist Part 14: After the Fall: Arthur Miller May 31, 2016
    Show notes

    Arthur Miller considered Elia Kazan a close friend and collaborator, but when Kazan named names to HUAC, Miller broke with him and wrote The Crucible, a parable about anti-communist hysteria set amidst the Salem Witch Trials. But despite the committee’s sensitivity to criticism, HUAC didn’t subpoena Miller until he became engaged to Marilyn Monroe, then the biggest star and sex symbol of her day. Miller and Kazan would remain estranged for a decade, until the latter directed a play written by the former which, while drawing headlines for its depiction of Monroe, also seemed to parallel their falling out over HUAC. This episode is brought to you by Slack. Visit Slack.com/REMEMBERTHIS, Create a new team and you’ll get $100 in credit for when you decide to upgrade to a paid plan. This episode is also brought to you by Harry's. Free shipping for Father’s Day razor kits ends on Friday, June 3rd , so act now. Go to Harrys.com and enter code REMEMBER at checkout to get $5 off to get Dad something he’ll actually use this Father’s Day.


    83: The Blacklist Part 13: On the Waterfront: Elia Kazan May 24, 2016
    Show notes

    Elia Kazan introduced audiences to Warren Beatty, James Dean and Marlon Brando. His films of the 1950s -- including A Streetcar Named Desire, On the Waterfront, and East of Eden -- comprise perhaps the most impressive body of work of an American director of the decade. But Kazan, who was briefly a Communist in the 1930s, likely would not have been able to make many of those films had he not named names to HUAC in 1952. This episode is brought to you by Slack. Visit Slack.com/REMEMBER, Create a new team and you’ll get $100 in credit for when you decide to upgrade to a paid plan.


    82: The Blacklist Part 12: Stormy Weather: Lena Horne + Paul Robeson May 17, 2016
    Show notes

    Horne's last years at MGM overlapped with the first HUAC hearings. Horne, an outspoken proponent of equal rights, who from the beginning of her career had associated with leftists and “agitators,” got caught up in the anti-communist insanity. One of those agitators was Paul Robeson, a singer, actor and political firebrand who was a mentor and friend to Horne. But once the red panic began to heat up, that friendship became problematic for Lena, and like so many others, she was forced to choose between her career and her friendships.


    Blacklist Flashback: Lena Horne During WWII May 10, 2016
    Show notes

    Stunning singer/actress Lena Horne was the first black performer to be given the full glamour girl star-making treatment. But as the years went on and her studio failed to make much use of her, Horne started feeling like a token — and she wasn’t wrong. Today we’ll detail Horne’s experiences rising through the ranks of the black nightclub world to MGM, where she remained under contract through the 1940s, and found herself competing with Ava Gardner for parts. Next week, we’ll talk about Horne’s post-MGM career and her struggle to stay off the blacklist. This episode originally ran in February 2015.


    81: The Blacklist Part 11: Born Yesterday: Judy Holliday May 03, 2016
    Show notes

    Judy Holliday won an Oscar for her first starring film role, and of her eight major film roles between 1950 and 1960, four were in films now considered classics. She was one star who was subpoenaed to testify about her ties to Communism who was fully supported by her studio and subsequently wasn’t blacklisted from movies. Holliday’s career was short-lived nonetheless, in part because she represented a highly idiosyncratic, working-class, urban, Jewish authenticity in a time when conformity was being peddled as an equivalent to safety. This episode is brought to you by Smith and Noble. Contact Smith & Noble today for 25% off on your window treatments plus free design consultation. Go to smithandnoble.com/REMEMBER This episode is also brought to you by The Great Courses Plus. For a limited time, The Great Courses plus is offering my listeners a chance to stream hundreds of their courses for FREE at thegreatcoursesplus.com/REMEMBER


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