Stay ConnectedMarc Maron welcomes comedians, actors, directors, writers, authors, musicians and folks from all walks of life to his home for amazingly revealing conversations. Marc’s probing, comprehensive interview style allows guests to express themselves in ways listeners have never heard.
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Copyright: © 2021 Marc Maron
Marc talks with Paul McCartney about, well, a lot: The Beatles and Stones rivalry that wasn’t, his current relationship with Ringo, the influence of Little Richard, The Who, The Beach Boys, how he needs to have an out-of-body experience to really examine the Beatles legacy, the reception of his solo work after the Beatles, recording Band on the Run in Nigeria, what messages are in his songs, which songs still make him emotional when he performs them, and what he brought to the table for his latest album, Egypt Station. This episode is sponsored by Squarespace, The Daily Show with Trevor Noah: Ears Edition, and Casper.
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Dan Schlissel died recently. He tells Marc all about it, along with the less harrowing tale of how an isolated Jewish kid from Nebraska got into producing records. Dan turned his production know-how into a vibrant business when he started Stand Up Records and became a Grammy-winning comedy industry mainstay, producing and distributing albums for everyone from Maria Bamford to Doug Stanhope to Hannibal Buress. And yes, even Marc Maron. This episode is sponsored by New Mexico, Podcasts on Spotify, Starbucks Doubleshot, and the Around the NFL podcast.
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If there was a competition for WTF guest who comes from the most far-flung, middle-of-nowhere place, comedian Ian Bagg would probably win by a lot. Ian tells Marc about growing up in Northern British Columbia, being part of the blast crew in a gold mine, and realizing that the satisfaction he got blowing things up was equaled only by doing stand-up comedy. Also, Bert Kreischer returns to the show on the cusp of a mid-life crisis that is mitigated a bit by his new Netflix special. This episode is sponsored by the Around The NFL Podcast, NHTSA.gov, SimpliSafe, and ExpressVPN.
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Jo Koy is one of the biggest headlining comedians in the world and it might not have turned out that way if he hadn't become a vigorous self-promoter. Jo tells Marc how moving around a lot as part of a military family and dealing with his brother's severe mental illness made him realize that if he was going to do something big, he had to do it himself. Jo and Marc also talk about holding down other jobs while doing comedy, the hazards of burning through material, and why people mistakenly think being a stand-up is easy. This episode is sponsored by The Jim Jefferies Show Podcast, ZipRecruiter, and Starbucks Doubleshot.
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A lot has changed in the 30 years since Marc and Tanya Donnelly worked together at a luncheonette in Boston. Tanya saw her emerging music career take off in the early '90s, thanks to her bands Throwing Muses, The Breeders and Belly. Now in the midst of a Belly reunion with tour dates and a new album, Tanya tells Marc how things evolved in the more than two decades since. Also, Jason Bateman returns to talk about the second season of Ozark on the heels of Marc binge-watching season one. This episode is sponsored by The Jim Jefferies Show Podcast, the Around The NFL Podcast, Starbucks Doubleshot, and SimpliSafe.
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Shooter Jennings was born into Nashville royalty, the son of Waylon Jennings and Jessi Colter. But he didn't exactly fit the Outlaw Country archetype. In fact, he was a computer nerd whose real influence was Nine Inch Nails. Shooter talks with Marc about developing his own style, idolizing George Jones, collaborating with Stephen King, and always changing things up. Also, Rob Riggle stops by to explain how a fake idea he told people about to mess with them turned into an actual show, Rob Riggle’s Ski Master Academy. This episode is sponsored by NHTSA.gov, Disenchantment on Netflix, and Burrow.
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There were two times Joe Walsh felt part of a community. The first was as a student at Kent State, but that all went away after the National Guard shooting. The second was when he got to LA and met a bunch of other musicians, including Don Henley and Glenn Frey, and that almost went away in a haze of substance abuse. Joe talks with Marc about his days with The James Gang, opening for The Who, Led Zeppelin, and every band under the sun, joining The Eagles, breaking up with The Eagles, getting sober, and going back on tour with the Eagles after Glenn's death.
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Jimmy O. Yang felt like an outsider growing up in Hong Kong and then felt like he didn't fit in studying economics in America. It was only once he starting paying five bucks to do an open mic night in Hollywood that he found a community. Jimmy tells Marc how the immigrant story was different for everyone in his family, how he got his first real lessons in American life from watching BET, and how his performances in Silicon Valley and Crazy Rich Asians are so different when it comes to the pressures of representation.
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Chris O'Dowd charmed and amused audiences in things like Bridesmaids, The IT Crowd, and recently the Get Shorty TV series, but things could have gone differently if he had followed through on his political science major. Chris and Marc talk about growing up in the Irish countryside and heading of to university in Dublin, only to find out he enjoyed acting much more than studying politics. They also talk about Bono, the Native Irish vs the Boston Irish, and having cats but not being a "cat person."
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Jay Leno came up as a comic's comic, a performer recognized by other comedians as one of the best in the game. He also became one of the most successful late night television hosts in history, not once but twice. Those two sides always seemed at odds with each other, especially in the minds of many other comics, but Jay never saw it that way. He tells Marc about the early days in the clubs with Pryor, Carlin, Robin and others, how he and Letterman influenced each other as comics, and how things went south as they both made it big. And then there's the whole Conan thing. Marc and Jay deal with all of it, and then some.
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