Stay ConnectedMarc Maron welcomes comedians, actors, directors, writers, authors, musicians and folks from all walks of life to his home for amazingly revealing conversations. Marc’s probing, comprehensive interview style allows guests to express themselves in ways listeners have never heard.
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Copyright: © 2021 Marc Maron
Patricia Clarkson came to show business by way of New Orleans, where exposure to all manner of public figures who were equal parts good and bad may explain why she never judges the characters she plays, even if they’re monstrous. That’s true of her Emmy-nominated performance in Sharp Objects and her stage performance as Blanche DuBois, a role Patricia says she had to survive. She also talks with Marc about working with Brian DePalma and Clint Eastwood in her first two films, struggling in Hollywood in her 30s, and feeling like actors her age are now having a heyday. This episode is sponsored by The Righteous Gemstones on HBO, Stamps.com, and Starbucks Tripleshot Energy.
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From Episode 930, Marc's conversation with actor Peter Fonda about childhood trauma, Easy Rider, and talking George Harrison down from a bad trip. Peter passed away on August 16, 2019.
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Stephen Root grew up moving all over the country because of his dad’s job. Being uprooted all the time meant he was shy and quiet without too many friends. Fortunately, shy, quiet people are good observers. Stephen tells Marc how he was able to channel this childhood disposition into his acting and each opportunity always led to something else. Shakespearean acting helped him play a Klingon on Star Trek. Working on King of the Hill led him to a table read of Office Space. Stephen even sees Newsradio as paving the way for his work on Barry, for which he received his first Emmy nomination. This episode is sponsored by The Righteous Gemstones on HBO, the National Highway Traffic Safety Administration, Ben & Jerry's, and Starbucks Tripleshot Energy.
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Bashir Salahuddin is having a moment. He has two new shows out that he co-created and stars in, South Side and Sherman’s Showcase. He’s back in the third season of GLOW. And he’ll be in Top Gun: Maverick next year. But despite all this, Bashir tells Marc that he still struggles with the business aspect of show business. They also talk about his upbringing in Chicago, working with his comedy partner Diallo Riddle, writing for Jimmy Fallon, and dealing with a case of impostor syndrome while working with Tom Cruise. This episode is sponsored by Lights Out with David Spade on Comedy Central, Spotify, Good Boys from Universal Pictures, and Starbucks Tripleshot Energy.
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Greg Kinnear actually bailed on being an actor. Even though he performed in high school plays and hosted his own radio show as a teenager, when he started acting in college he decided it wasn’t for him. As Greg tells Marc, it felt like too much of a crap shoot. So he tried broadcast journalism instead, eventually hosting Talk Soup on the fledgling E! channel and Later on NBC. Greg explains how these gigs led him back to acting, and they discuss some of his best roles in As Good As It Gets, Auto Focus, Little Miss Sunshine, and his new movie Brian Banks. This episode is sponsored by Anchor (anchor.fm/maron), Good Boys from Universal Pictures, Capterra (capterra.com/WTF), and Google Fi.
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Walton Goggins has played tough guys, weird guys and guys who completely defy description, but to him it’s all just playing pretend. Walton found himself as the center of attention at a young age while he was being raised by a group of women - his mother, his aunts and his grandmother. He caught the performance bug wile living in Georgia and a random American Express mail promotion became his ticket to Los Angeles. Walton tells Marc what it was like to learn on the job from Robert Duvall and Anthony Hopkins, why he panicked after watching Vice Principals for the first time, and how he first met Quentin Tarantino. This episode is sponsored by Lights Out with David Spade on Comedy Central, Squarespace, and SimpliSafe.
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Juston McKinney’s story keeps coming back to New Hampshire. It’s where he grew up, where he lost his mother at age six, where his father was a homeless alcoholic, and where Juston became a cop. He tells Marc why he joined the police force in the first place, why he gave it up for comedy, how his background as a cop made him a hot comedian with TV deals and big money promises that all went away. Through the career ups and downs, Juston always finds himself back in New Hampshire, for comedy purposes and for his family. This episode is sponsored by Good Boys from Universal Pictures.
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At some point in the past decade, Kurt Andersen felt like he had to figure out America. Coming from a professional career rooted in satire and troublemaking, Kurt had a pretty good vantage point to examine the tug of war between reason and magical thinking that has become a chronic American condition. Kurt talks with Marc about putting this all into his book, Fantasyland, and recalls the founding of Spy Magazine, where he and Graydon Carter took pleasure messing with public institutions like the New York Times, Hollywood, and Donald Trump. They also talk about Kurt's time at the Harvard Lampoon and how he came to host Studio 360. This episode is sponsored by Lights Out with David Spade, Stamps.com, and ZipRecruiter.
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Now that Tom Dreesen has 50 years in show business under his belt, he wants to enjoy life. He’s earned it because he’s already experienced enough for five lifetimes. Tom takes Marc all the way back to when he was a kid in suburban Illinois, holding on to a life-changing secret. After wandering aimlessly through jobs in construction, private investigation and the military, he started doing comedy with his partner Tim Reid. Tom talks about going to LA where he became a regular at The Comedy Store, helped the comics organize and eventually was the face of the famous comics strike. He also remarks on his long friendships with David Letterman and Frank Sinatra. This episode is sponsored by Starbucks Tripleshot Energy and Good Boys from Universal Pictures.
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Geena Davis says the biggest thing she had to learn as she made her way through show business was how to speak up for herself. This was particularly difficult because she was taught at a very young age that politeness was paramount, to the point where it endangered her life. Geena talks with Marc about how the industry as a whole needed to go through a similar change, which is why she gathered a team from her institute to amass evidence of institutional sexism and gender bias. They also talk about the legacy and cultural relevance of movies like Thelma and Louise and A League of Their Own. This episode is sponsored by Good Boys from Universal Pictures, Starbucks Tripleshot Energy, and Ben & Jerry's.
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