Stay ConnectedMarc Maron welcomes comedians, actors, directors, writers, authors, musicians and folks from all walks of life to his home for amazingly revealing conversations. Marc’s probing, comprehensive interview style allows guests to express themselves in ways listeners have never heard.
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Copyright: © 2021 Marc Maron
Ron Carter is one of the architects of modern jazz. The Guinness Book of World Records cites him as the most recorded bassist in history and his influence has stretched well beyond jazz to a host of musical genres and styles. Marc talks with Ron about the dichotomies of his career, being a session musician and a band leader, a teacher and an eternal student, a maestro in concert halls and a regular in nightclubs. Ron explains how his output is all part of a responsibility he accepted long ago, one that continues today as he carries the flag of jazz throughout the world.
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Jeremy Strong can’t help being honest. His honesty around his job as an actor is what leads to magazine profiles where he’s portrayed as “intense” and “serious.” His honesty also allows him to admit that he was afraid to do this interview. Marc embraces both that honesty and that fear in this conversation with Jeremy about acting, Succession, finding joy, being an empty vessel, being in service to others, Daniel Day-Lewis, Al Pacino and the new film Armageddon Time.
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Henry Louis Gates, Jr. believes we must understand who we were in order to understand who we are. That goes for individuals, which is at the core of his PBS series Finding Your Roots, as well as society, which is the reason he made the new documentary series Making Black America. Marc talks with Professor Gates about the foundation of America, the progress that’s been made, and the inequality that remains, as well as the professor’s own unique upbringing that informs a lot of his thinking.
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Everyone knows Ralph Macchio as Daniel LaRusso from The Karate Kid. In fact, so many people know him as Daniel LaRusso, he wrote a book about spending his life as that character. Ralph and Marc talk about his memoir Waxing On: The Karate Kid and Me, and delve into his life before the headband, as he worked with Francis Ford Coppola on The Outsiders, acted opposite Robert De Niro on stage, and tried to make sense of everything when superstardom hit. They also get into the protectiveness Ralph felt about the franchise when he was approached with the idea to revisit the character for Cobra Kai.
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Béla Fleck is more than a virtuoso banjo player. He’s also a banjo missionary, an evangelist for an instrument he feels is often misunderstood and pigeonholed. Béla talks with Marc about how he wanted to move banjo music away from negative stereotypes and open audiences up to its world music roots, its classical applications, and of course its bluegrass heart. Also, Marc talks with director Michael Morris about the new movie To Leslie starring Andrea Riseborough and, oh yeah, Marc Maron.
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Zahn McClarnon’s early experiences with reservation life helped him add some personal touches as a cast member of Reservation Dogs. But it was actually his experience with the musical Jesus Christ Superstar that got him into acting in the first place. Zahn and Marc talk about their shared love of working with Sterlin Harjo on Reservation Dogs and why it’s a history-making show. They also talk about Zahn’s struggles with drugs earlier in his life and how he actually used psychedelics to help kick heroin.
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Jann Wenner’s life as the co-founder and publisher of Rolling Stone Magazine has been chronicled in other books, but Jann says he needed to write a memoir to declare what his generation actually stood for. Jann and Marc talk about the importance of San Francisco as the birthplace of not only the magazine but of ’60s culture in general. Jann explains why the Altamont Free Concert was a turning point for Rolling Stone, what happened in the cocaine-fueled days when the magazine moved to New York, and how close Almost Famous was to reality.
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Writer-director Tony Gilroy is the man behind one of Marc’s favorite movies of all time, Michael Clayton. They get into everything it took to get that movie made and its surprising legacy. But the rest of Tony’s career and the curvy path his life took to get there are equally fascinating. Tony tells Marc about his dogged attempt to start a music career, how he transitioned into screenwriting, the joys of writing for the Devil, and how he came to embrace Star Wars with his new series Andor.
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Abigail Disney feels the burden of her last name, particularly due to the practices of the global company that was founded by her grandfather Roy and grand uncle Walt. Marc talks with Abigail about her social awakening earlier in life and her current roles as an activist, philanthropist and filmmaker. They also discuss her new documentary, The American Dream and Other Fairy Tales, about the unequal economy as exemplified by the corporation that bears her name.
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Multiple generations of audiences love Sigourney Weaver, whether it’s because of Ghostbusters or Avatar or Working Girl or the Alien franchise or all of the above. But Sigourney tells Marc she never imagined having a film career and in fact resisted it for a long time, preferring instead to work primarily in theater. And now, with movies like The Good House, Call Jane, Master Gardener and the Avatar sequel all releasing in theaters this Fall, Sigourney talks about how she’s never felt more comfortable working in film than she does now.
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