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    Arts

    Writing Excuses

    Fifteen minutes long, because you're in a hurry, and we're not that smart.

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    Copyright: © 2008-2023 Writing Excuses LLC. 845972

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    Latest Episodes:
    12.7: Description Through the Third Person Lens Feb 12, 2017
    Show notes

    Your Hosts: Brandon, Mary, Mary Anne, and Wesley The third-person POV lens can be used for simultaneously describing the world to the reader and describing the character. In this episode we'll talk about where we deploy these tools, where the pitfalls are, and how to do it well. Credits: This episode was recorded by Andrew Twiss, who heard the AC turn back on, and mastered by Alex Jackson, who was happy to not need to digitally filter the AC out of the mix.


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    12.6: Variations on Third Person Feb 05, 2017
    Show notes

    Your Hosts: Brandon, Mary, Dan, and Howard This episode focuses on the third person POV, and some variations on them, like omniscient and limited, and some sub-variants like cinematic and head-hopping. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.


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    12.5: Literary Fiction Jan 29, 2017
    Show notes

    Your Hosts: Brandon, Mary, Mary Anne, and Wesley This week we talk about the genre of Literary Fiction. Our first hurdle is the word "literary" whose use in this context can imply that all other genres are somehow not literature. In that vein, then, we're talking about mainstream, or "non-genre" fiction which is crafted with close attention to the finer points of the prose. After framing our discussion, we dive into the nuts and bolts of writing in the Literary Fiction genre. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.


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    12.4: Hybrid Viewpoints Jan 22, 2017
    Show notes

    Your Hosts: Brandon, Piper, Dan, and Howard, with Sandra Tayler Piper J. Drake joins the cast for our week-four episodes, of which this is the first. This week we'll be drilling down into hybrid viewpoints—blending 1st and 3rd person, framing stories, stories-within-stories, and unreliable narration—and how to best serve our work with these techniques.


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    12.3: Project in Depth, “Risk Assessment,” by Sandra Tayler Jan 15, 2017
    Show notes

    Your Hosts: Brandon, Mary, Dan, and Howard, with Sandra Tayler This Project in Depth episode contains spoilers for "Risk Assessment," which is included in Force Multiplication: Schlock Mercenary Book 12. The story was written by Sandra Tayler, and illustrated by Natalie Barahona. Howard handled the writing and illustrating for the framing story, but this episode isn't about that part. Risk Assessment is a romance wrapped up in an adventure, and is very different from most of the rest of Schlock Mercenary. Have a listen, and Sandra will tell you about it. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.


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    12.2: How to Nail Character Voice in First Person Jan 08, 2017
    Show notes

    Your Hosts: Brandon, Mary, Mary Anne, and Wesley This week we talk about character voice, and how to get it right in First Person. This POV is a strong tool for developing memorable characters. We cover sentence structure, linguistic tweaks, accents, and much more, as well as some exercises you can try out to develop these tools. This week is also your introduction to our Chicago cast. You've already heard from Brandon and Mary; the new voices belong to Mary Anne Mohanraj and Wesley Chu. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.


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    12.1: Variations on First Person Jan 01, 2017
    Show notes

    Your Hosts: Brandon, Mary, Dan, and Howard We're beginning a new season, and during 2017 we will be focusing our topics on structure. We are also going to shake things by expanding our cast a bit. You'll be hearing some new voices soon! They belong to: Wesley Chu Piper J. Drake Mary Anne Mohanraj We'll post more on that in a few days, but we've already begun updating our "About" page. This week your hosts are Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler. We spend a few minutes on the administrative stuff above before jumping into January's structural topic, the first person voice, with a discussion of the variations in how that POV is presented. We cover some of the different first person POV styles, what sorts of stories they're often best-suited for, and how we go about writing them well. Spoiler Alert: Episode 12.3 will feature Sandra Tayler, and is a Project In Depth on her story, "Risk Assessment," which was illustrated by Natalie Barahona and Howard Tayler. It appears in Force Multiplication: Schlock Mercenary Book 12, available direct from Hypernode Media, or through Amazon.


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    11.52: Elemental Ensemble Q&A, With Claudia Gray Dec 24, 2016
    Show notes

    Claudia Gray joined us aboard Oasis of the Seas to answer our attendees questions about the Elemental Ensemble. Here are the questions: Can you fit an ensemble into a short story? What the minimum size for an ensemble? Is there a perfect length? Can you put a traitor into an ensemble story? How do I give my ensemble characters equal emotional weight if I only tell the story from a single POV? How do you introduce your ensemble without infodumping? If an ensemble is about falling in love with a group of friends, how does killing a character work? How do you give every character a role in the climax without making it seem like the plot was cut to fit the team? Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.


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    11.51: Ensemble as a Sub-Genre, with Lynne M. Thomas Dec 18, 2016
    Show notes

    Lynne M. Thomas joins us to continue our discussion of the Elemental Ensemble, which is one of our favorite elemental tools. It's not just for heists. It adds interest, emotion, and lots of plot possibilities to everything from sense of wonder to the hard-hitting issue. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.


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    11.50: Hand-Selling Your Book to Potential Readers, with Michael R. Underwood Dec 11, 2016
    Show notes

    Michael R. Underwood has talked to us about hand-selling books before, but that was about pitching to agents and editors. This time around he's talking about placing your product in the hand of your customer, the reader. With Michael's help, we cover some specific sales techniques, guidelines for convention displays, and strategies for bookstore appearances, with an eye toward helping you make that sort of activity effective. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.


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