World War One

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The War that Changed the World: Part Two Jul 19, 2014

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The tank, gas, flame throwers, Zeppelins - the weapons of World War One were like nothing that had been experienced before. At a special event with the British Council, Amanda Vickery and her guests explore the waging of war, its methods and morality, at the German Military Museum in Dresden.

Minds at War - The Grieving Parents Jul 19, 2014

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Poet Ruth Padel reflects on German artist Kathe Kollwitz's memorial for her son, who died on the battlefields of the First World War in October 1914. The German painter, printmaker and sculptor created some of the greatest and most searing accounts of the tragedies of poverty, hunger and war in the 20th century. The death of her youngest son Peter prompted a prolonged period of deep depression, but by the end of that year she was turning her thoughts to creating a monument to him and his fallen comrades. The final memorial, entitled The Grieving Parents, was finally completed in 1932 and placed in the cemetery where Peter lay.

Minds at War - The Broken Wing Jul 18, 2014

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Santanu Das discusses Indian poet Sarojini Naidu's 1917 collection The Broken Wing. Born in Hyderabad in 1879, Naidu became known as "the Nightingale of India" for her work as a poet and also as an Indian independence activist. Das reflects on the importance of Naidu's work and on the impact of the First World War on the Indian fight for independence.

Minds at War - Fighting France Jul 17, 2014

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BBC Correspondent Lyse Doucet introduces novelist Edith Wharton's reportage from wartime France. Wharton, best known for The Age Of Innocence and The House of Mirth, was granted unique access to the Western front and wrote one of the most evocative and undeservedly neglected accounts of life in France in World War One. In its pages, penned early in the war, are Wharton's painterly descriptions of the country's overnight transformation from peace to war, her deep love for France and its people, and her accounts of the destruction wrought upon the villages and towns in the path of the German invader.

Minds at War - Battleship Potemkin Jul 16, 2014

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For Russians of director Sergei Eisenstein's generation, the experience of the First World War was overtaken by the revolution of 1917, which took Russia out of the war and plunged it into a bitter civil war from which the infant Bolshevik Soviet state emerged. Eisenstein seized the opportunity of serving in the Red Army to become a radical theatre director, which led him into film as part of the first generation of Soviet film-makers, who would astonish the world in the late 1920s with films like The Battleship Potemkin and October. These films would shape the cultural and political landscape of the interwar years - championed by those who wanted to condemn the Great War as an imperialist struggle, and also foreshadowing the Second World War. Film historian Ian Christie untangles this complex story.

Minds at War - Le Feu Jul 15, 2014

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Completed in 1916, Le Feu was the first explicit account of conditions at the front. French soldier Henri Barbusse's novel proved a revelation to a French public sold a sentimental line by the press of the time. Yet Le Feu, with its deep insights into the emotions of men at war, was not seen as damaging to home-front morale. Here was a new kind of writing in which rural dialects and working-class accents conveyed heroism, and could be literary, even transcendent. Dr Heather Jones reflects on Barbusse's novel.

Minds at War - Thoughts for the Times on War and Death Jul 14, 2014

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The declaration of war in 1914 was initially met with jubilation by the people of the Austro-Hungarian Empire and, in Vienna, Sigmund Freud shared their mood. But, like his fellow-citizens, Freud expected a quick war. By February 1915, with two of his sons fighting and thousands of injured and traumatised soldiers returning from the front, his feelings had changed. Michael Shapira reflects on Freud's 1915 text, Thoughts for the Times on War and Death.

Minds at War - The Memorandum on the Neglect of Science Jul 09, 2014

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Professor David Edgerton reflects on a WW1 clarion-call from the British scientific establishment. In a letter to The Times in 1916, many of the great names of British science declared their belief that both academic and applied science were being treated as Cinderella subjects. The Germans, they surmised, had got their act together and were outflanking the British military effort in chemical warfare, armaments and generally taking science more seriously. Edgerton finds out what was going on at the time and looks at how the First World War advanced British science.

Minds at War - Der Krieg Jul 08, 2014

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In 1924, six years after the end of hostiliies, the painter Otto Dix, who had been a machine-gunner in the German Army, produced his 51 Der Krieg prints. Gruesome, hallucinatory, and terribly frank, these postcards of conflict tell the soldier's ghastly tale. Cartoonist Martin Rowson, whose own work is similarly direct and uncompromising, tells Dix's story and ponders why Der Krieg remains such a powerful statement.

Minds at War - Non-Combatants and Others Jul 07, 2014

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Rose Macaulay is perhaps best remembered for her final novel, The Towers of Trebizond, but her biographer, Sarah LeFanu, has long believed that her earlier 1916 novel, Non-Combatants and Others, is a work of striking originality. She argues for its importance to our understanding of the impact of the First World War, not only on soldiers at the front, but on the entire nation.

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