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    Music

    Working Drummer

    With 500 episodes and counting, Working Drummer Podcast is the source for those interested in what it’s like to be a professional drummer. Hosted by Matthew Crouse and Zack Albetta, Working Drummer covers it all with a dynamic range of pro drummers who represent many different genres and scenes. Each weekly interview features a different performer, sometimes with a less recognizable name, but always with an impressive and distinct body of work. This unique approach has garnered a loyal audience hungry for unfiltered stories about making a living as a musician today.

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    Copyright: © 2015

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    Latest Episodes:
    077 – Al Wilson: “Owning It” when Performing, Leaving Taylor Swift’s Gig After 6 Years to Focus on Family, Orchestrating Loops Organically Aug 17, 2016
    Show notes

    Originally from North Carolina, Al Wilson discovered his passion for drumming at the age of 18. Within a very short time, Al was learning “on the job” working as a full time drummer. While living in Colorado, this passion turned into a time of self-discovery and learning of all things drums and percussion.

    In an effort to find more work, Al eventually moved to Nashville and began working immediately. After a short stint with singer Josh Gracin from American idol, Al was recommended for the Taylor Swift gig. Taylor was only 16 years old and at the beginning of her career. Things snowballed so fast that Al not only became the her touring drummer, he also acted as band leader, production manager and travel agent.

    After six years of nonstop touring, Al decided to leave Taylor’s gig and redirect his attention towards his family.

    Most recently, Al has been steadily building his workload back in Nashville with freelance work and teaching all the while maintaining a healthy balance between work and family.

    In this podcast, Al talks about:

    Looking for more creative outlets and songwriting

    Discovering his love of drums at 18

    Self-imposed crash course in learning to play

    Strengthening the left hand through songo grooves

    Putting the time into learning the gig – owning the material

    Working with Taylor Swift

    Creating loops as organically as possible

    The reason for leaving Taylor’s gig

    Al Endorses: Ludwig Drums, Vater Sticks

    This episode is sponsored by Sakae Drums.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    076 – Matt Hankle: Playing on Broadway, Acting Like You Belong, Going All In On the L.A. Rock Scene Aug 10, 2016
    Show notes

    Matt Hankle grew up in New Jersey, the son of a classical flautist and a jazz trombonist. His first professional experience was at age 17 when he spent a summer touring with the Ringling Bros. and Barnum & Bailey Circus. After three semesters at the University of Miami, he re-joined the circus full-time for two years. He then settled down in New York where he worked on Broadway for over a decade, playing everything from Chicago to Mama Mia to Blue Man Group. In 2013, he moved to L.A. and hasn’t looked back, catching on with L.A.-based acts such as Yeghikian and Mulholland Drive.

    In this podcast, Matt talks about:

    How the circus band encompassed the traditional “boom-chick” style, but also modern rock, pop and metal.

    Full-time subbing on Broadway, i.e. learning multiple shows and playing a different one each night

    Gaining trust on the LA scene, musically and socially

    How breaking away from the New York theatre scene required him to break away from New York

    Day-to-day life in New York vs. L.A.

    The importance of accepting invitations to hang, sit in, etc.

    The no-frills, old school metal approach of Yeghikian

    Hitting hard and “putting weight behind the notes” without sacrificing groove, sound quality, or physical health

    Matt Hankle endorses Vic Firth sticks, Remo heads, and Paiste cymbals

    This episode is sponsored by Sakae drums

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    075 – Peter Erskine: Jazz Legend, The Importance of the Space Between the Notes, Learning from Bad Performances, Working and Playing Well with Others, Drumming for Seth MacFarlane, Dr. Um Aug 03, 2016
    Show notes

    Peter Erskine has played the drums since the age of four and is known for his versatility and love of working in different musical contexts. He appears on over 600 albums and film scores, and has won two Grammy Awards, plus an Honorary Doctorate from the Berklee School of Music (1992).

    Peter graduated from the Interlochen Arts Academy in Michigan and studied at Indiana University under George Gaber. In 1972 Peter commenced his pro career playing with the Stan Kenton Orchestra. Four years later, he joined Maynard Ferguson before working with Jaco Pastorius in Weather Report and moving to Los Angeles. Peter recorded five albums with the band. He won his first Grammy Award with their album ’8.30’. During this time in LA, he also worked with Freddie Hubbard, Joe Henderson, Chick Corea, Bobby Hutcherson, Joe Farrell and George Cables. Peter then moved to New York City where he worked for five years with such musicians as Michael Brecker, Mike Mainieri, Eddie Gomez and Eliane Elias in Steps Ahead, John Scofield, Bill Frisell and Marc Johnson in the legendary group Bass Desires, the John Abercrombie Trio plus Bob Mintzer’s Big Band.

    He has also played with Steps Ahead, Joni Mitchell, Steely Dan, Diana Krall, Kenny Wheeler, Mary Chapin Carpenter, The Brecker Brothers, The Yellowjackets, Pat Metheny and Gary Burton, John Scofield, et al, and has appeared as a soloist with the London, Los Angeles, Chicago, Frankfurt Radio, Scottish Chamber, Ensemble Intercontemporain, Royal Opera House, BBC Symphony, Oslo and Berlin Philharmonic Orchestras. Peter premièred the double percussion concerto Fractured Lines, composed by Mark-Anthony Turnage, at the BBC Proms with Andrew Davis conducting, and has collaborated frequently with Sir Simon Rattle. He also premiered the Turnage opera “Anna Nicole” at the Royal Opera House in London. Turnage has composed a solo concerto for Peter titled “Erskine,” which received its world premiere in Bonn, Germany in 2013, with the US premiere scheduled for September 2014 at the Hollywood Bowl with the LA Philharmonic.

    Peter has been voted ’Best Jazz Drummer of the Year’ ten times by the readers of Modern Drummer magazine. Fifty albums have been released under his own name or as co-leader.

    Peter’s lived in LA since 1987 but has been travelling around the world all of that time, working with such artists as Diana Krall, Joni Mitchell, Vince Mendoza, Steely Dan, plus European musicians Jan Garbarek, Kenny Wheeler, Palle Danielsson, John Taylor, Kate Bush, Nguyen Lê, Rita Marcotulli, the Norrbotten Big Band in Sweden plus Sadao Watanabe in Japan. He won his second Grammy Award as the drummer of the WDR big band in Köln along with Michael Brecker, Randy Brecker, Vince Mendoza and others for the “Some Skunk Funk” album. Meanwhile, Peter keeps busy in LA with such artists as Alan Pasqua, Bob Sheppard and Bob Mintzer as well as playing in studios. Films where Peter’s drumming can be heard include Memoirs of a Geisha, the new Pink Panther films and all three of the Austin Powers movies, plus the title music of the Steven Spielberg/John Williams collaboration “The Adventures of Tintin.”

    Peter produces jazz recordings for his record label, Fuzzy Music, and is an active author with several books to his credit; the latest titles include “No Beethoven (Autobiography & Chronicle of Weather Report),” “Time Awareness for All Musicians,” “Essential Drum Fills,” and “Everything I Know, A Work in Progress” (DVD). He is also authoring new iOS Play-Along apps suitable for all instruments.

    Peter is Professor of Practice and Director of Drumset Studies at the Thornton School of Music, University of Southern California.

    Many of the products that Peter endorses include: Tama Star Drums, Zildjian Cymbals,

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    074 – Todd Strait: Studying with Ed Soph & Joe Morello, Cutting His Teeth in New York, Playing Behind Singers, Splitting Time Between Portland and Kansas City Jul 27, 2016
    Show notes

    Todd Strait was into jazz from the very start and has played with some of its biggest names over his a 35-year career. After studying with Ed Soph and Joe Morello, he made New York his home base and built an impressive resume there which included Marian McPartland and Woody Herman. In the 1990s, he relocated to Kansas City where he became the drummer for Eldar as well as two of the most celebrated vocalists in jazz, Kevin Mahogany and five-time Grammy nominee Karrin Allyson. For the past decade, he has split time between the local scenes of Kansas City and Portland, OR, and continued to record and tour internationally with Karrin Allyson.

    In this podcast, Todd talks about

    Creating a practice routine in high school that mirrored his dad’s 9 to 5 schedule.

    Bad habits that Ed Soph helped him break

    His short but educational tenure with the Woody Herman Band

    The different types of legwork needed to get beyond a local scene

    Playing behind vocalists vs. instrumental groups

    Using volume, orchestration, tuning, and cymbal selection to mix and EQ your own sound as you play.

    How family life brought him from New York to KC to Portland

    Todd Strait endorses Yamaha drums, Sabian cymbals and Canopus snare wires.

    This episode is sponsored by Sakae Drums.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    073 – Zack Albetta: Establishing Yourself in a New Town, Connecting With Your Audience, Creating a Network of Colleagues, Hosting a Podcast Jul 20, 2016
    Show notes

    Zack Albetta grew up in Santa Fe, NM, where he began drum lessons at age 8. Music was the focus of his high school years and he went on to earn a bachelor’s degree in Percussion Performance from Ball State University.

    In 2003, Zack entered graduate school at The University of Missouri-Kansas City and in four years, Zack earned Master’s degrees in Percussion Performance and Jazz & Studio Performance. While at UMKC, Zack’s primary mentor was alto sax legend and Grammy nominee Bobby Watson. Zack also studied drumset with Doug Auwarter, a master of jazz, Brazilian and Afro-Cuban styles, who impressed upon Zack the importance of playing various styles authentically.

    By the time he graduated in 2007, Zack was already in high demand on Kansas City’s rich and vibrant music scene. He spent the next three years playing with many of the area’s top artists and organizations including Bobby Watson, Shay Estes, Mark Lowrey, The Kansas City Symphony, the Kansas City Repertory Theatre, and the 18th & Vine Big Band, with whom he backed up legendary vocalists Karyn Allison, Mary Stallings and Ernie Andrews.

    In 2010, he set his sights on Los Angeles in search of new performance opportunities and a bigger musical market. Soon after arriving, Zack won an open audition to become a member of Disneyland’s Five & Dime Band.

    In 2014 he joined The Jennifer Keith Sextet, a retro-swing band led by Royal Crown Revue founder Mando Dorame. During Zack’s tenure, the group headlined at The Cosmopolitan in Las Vegas, The Catalina JazzTrax Festival, and LA’s marquis venues including Cicada Club and The Edison. During five years in LA, Zack amassed a deep and varied list of performance credits including Grammy and Oscar winner Johnny Mandel, Grammy nominees Kim Richmond and Pete Christlieb, Jacques Lesure, Ty Bailie, Nick Mancini, Center Theatre Group, Musical Theatre West and 3D Theatricals.

    Zack relocated to Atlanta in 2016 and hit the ground running. In just a few months, he has become a go-to for some of the best talent in the Southeast including Jacob Deaton, Kevin Scott, The Atlanta Funk Society, Louis Heriveaux, and The Emerald Empire Band.

    In January, 2016, Zack began his contribution to this podcast as a co-host.

    Zack endorses: UFIP cymbals, Aquarian drum heads, Vater Sticks

    In this podcast, Zack talks about:

    Studying at UMKC (Masters of Music (classical percussion) & Master of Arts (Jazz studies))

    Teacher & Sax player Bobby Watson teaching him the value of “The Hug” – connecting with audience and having fun.

    Chart reading skills

    Moving to LA and starting over in a new scene

    Working for Disney

    Leaving your ego at the door an learning the gig

    Creating a network of colleagues

    Current gigs in Atlanta

    Zack’s interest in writing

    The value of effective writing

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    072 – Staff Sgt. Wes Anderson: L.A. & Disneyland as Stepping Stones, Stepping Up His Game with Eric Reed, Touring with The Army Jazz Ambassadors Jul 13, 2016
    Show notes

    Wes Anderson recently became the drummer for the U.S. Army Jazz Ambassadors, the military’s premier touring jazz ensemble. Born and raised in Phoenix, AZ, Wes graduated from Arizona State University and marched drum corps with The Arizona Academy. In 2012, he landed a gig at Disneyland and moved to L.A. A few months after moving, he joined pianist Eric Reed‘s trio, with whom he continues to perform in his off-duty time. His on-duty time with the Jazz Ambassadors involves performances all over the country, bringing the American art form to a wide variety of audiences in towns and venues big and small.


    In this podcast, Wes talks about:

    His Disneyland audition, and how the Disney gig facilitated establishing himself in L.A.

    Matching Eric Reed’s intensity, focus, and musicality on the bandstand

    How being too territorial about a gig can deprive you of other experiences

    The audition process for the Army Jazz Ambassadors, and how his audition tape was basically a full-length, professionally produced album

    What life in a military band is like, and the similarities and differences it bears to working for Disney.

    Click here for the Army Jazz Ambassadors touring schedule.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    071 – Dave Harrison: Touring & Recording with Edwin McCain, Managing Career Changes, Golf & Drums – The Parallels Jul 06, 2016
    Show notes

    Dave Harrison is a graduate of West Virginia University School of Music. He performed with the world famous Percussion ’90 under the direction of Phil Faini where he served as arranger and featured performer.

    Dave moved to Nashville in 1990 and started working in the studios. He joined the Edwin McCain Band in January 1996 and over the next 10 years, recorded 6 albums with the group, co-producing 2 of them. He played drums on the monster hit “I’ll Be”, which was in the top 40 for nearly a year, and which yielded a top 10 video.

    Dave has also performed with Taylor Swift, Maia Sharp, Olivia Newton John, Hootie and the Blowfish, John Hiatt, Caroline Dawn Johnson, Rachel Proctor, Cyndie Thomsyn, and many others.

    In this podcast, Dave talks about:

    Changing careers

    Tracking percussion in the studio

    Drummers “creating magic in the studio, not math”

    Moving to Nashville

    Meeting and hanging with Larrie Londin

    Getting the Edwin McCain gig

    Touring and recording with Edwin McCain

    Auditioning for Peter Frampton

    Trying to get back to that original feeling of playing drums for the first time

    The parallels between playing drums and playing golf

    .

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep. 70 – Ryan Lee: Lessons from Bobby Watson, Cross-Genre Collaborations, Looking Beyond Your Local Scene Jun 29, 2016
    Show notes

    Ryan Lee was born and raised in Kansas City, MO, and earned a bachelor’s degree in music from The Conservatory at The University of Missouri-Kansas City. New York, Nashville and LA are established as places from which to launch an international performing career, but Ryan has stayed in Kansas City and found many opportunities to perform around the world with artists including Jose James, Tony Tixier, and A Bu. He remains a fixture on the Kansas City scene, having established himself as a creative voice in many circles including jazz, hip-hop, funk, gospel, and the projects that often result from KC’s various musical camps joining forces and overlapping.

    In this podcast, Ryan talks about:

    How new skills, from bass to piano to Ableton and in-ear systems, help him conceptualize his creative projects

    Studying with Bobby Watson, and how he’s just beginning to understand some of what Bobby taught

    Recording Watson’s big band album, Gates BBQ Suite

    His collaborations with KC trumpeter Hermon Mehari

    How a huge opportunity came at the worst possible time, and the learning experience that ensued

    Being part of a local scene while still exploring opportunities and experiences around the world.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    069 – Scot Corey: Symphonic Percussionist, Keeping a Full Calendar as a Multi-Percussionist, Educator, Drumset and Steel Drum Player Jun 25, 2016
    Show notes

    Scot Corey is a freelance drummer/percussionist who has performed as an ‘extra’ with the Nashville Symphony for over 17 years, including NSO’s Carnegie Hall Debut (2000), their Naxos recording of Piazzola’s Sinfonia Buenos Aires and their return to Carnegie Hall. He has served as adjunct percussion faculty at Trevecca Nazarene University since 2000 and is a founding member of the Matrix Percussion Trio which has provided free educational concerts to over 37,000 students in the greater Nashville area. He served as the percussion specialist at Freedom Intermediate and Middle schools (Franklin, TN) from 1997-99, and as percussion faculty at the Southeast Chamber Music Institute (grades 9-12) at Tennessee Tech University from 1998-2002.

    Scot began his professional career in 1985 at the age of 17 as drummer/percussionist for musical theater. To date, he has played more than 50 different shows, including many at Cumberland County Playhouse and TPAC.

    Scot’s training includes a BM (Performance) from the University of Illinois, where he studied with Frederick D. Fairchild and Thomas Siwe. He also received an MA (Education – Music) from Tennessee Technological University, where he studied with Joseph Rasmussen.

    Since moving to Nashville, Scot has maintained a very active schedule as a freelance drummer/percussionist. Gigs range from percussion (Nashville Symphony, Nashville Opera – Principal Percussion, Nashville String Machine, Gateway Chamber Orchestra, Parthenon Chamber Orchestra – Principal Timpani, Miss Tennessee Pageant Orchestra, and Nashville Chamber Orchestra – including Bonnaroo 2004) – to Drumset/Loops/Percussion (various recording sessions/live gigs and Green Hill Church, Mt. Juliet) – to steel drums to ethnic percussion (Som Brasileiro – nine-piece Brazilian band).

    Scot endoreses Pearl/Adams drums & percussion and Innovative Percussion sticks and mallets

    In this podcast Scot talks about:

    Teaching in the information age

    Learning how to handle being “thrown into the fire” (learning on your feet)

    Suplimenting drum set studies with multi-percussion studies

    Balancing work and family

    Taking chances early in life

    Playing with The Nashville Symphony

    Continuing to learn

    Playing percussion in a symphonic recording session

    Saying no to gigs with a “Red Flag”

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    068 – Jamey Tate: Tough Love from Erskine, Recovering from a Professional Setback, The Good/Bad/Ugly of Smooth Jazz Jun 15, 2016
    Show notes

    L.A.based drummer Jamey Tate has been solidly busy for almost 15 years. He studied under Peter Erskine as a grad student at USC and has put Erskine’s lessons, musical and otherwise, to good use since then. He has made a name for himself touring and recording with two of the biggest names in smooth jazz, David Benoit and Mindi Abair, as well as being in demand for studio work around LA on creative and commercial projects alike. In recent years, he has also taken on other musical roles as a producer, composer/arranger, and musical director.

    In this podcast, Jamey talks about:

    How his first lesson with Peter Erskine set the course of his career, and one lesson he learned the hard way

    His experiences in the world of smooth jazz, and what it has to offer drummers

    How he bounced back professionally and psychologically after a major tour was cancelled with three days’ notice

    Switching to Sakae Drums

    Playing with bassist David Hughes

    Expanding his career beyond just playing drums


    Jamey Tate is an artist endorser for Sakae Drums, Zildjian Cymbals, Evans Drumheads and Vic Firth Drumsticks.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


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