Wondery Kids

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Business Wars | Ford vs. Chevrolet: Fast and Sexy | E3 Apr 01, 2020

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In the 1960s, the biggest generation of Americans of all time are reaching driving age. They want cars, and they want them to be fast and powerful, and they want them now. The best showcase for these cars is by winning races, and in the 1960s, Ford and Chevy are gunning for each other at every turn.

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Business Wars | Ford vs. Chevrolet: Detroit Joins the War | E2 Apr 01, 2020

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FDR believed that WWII was a contest of mass production. Whoever could build the most trucks, tanks, guns and airplanes would come out on top. What power could defeat the United States of America and its massive automobile industry? But for Roosevelt’s arsenal to work automakers will have to put aside their rivalries and retool.

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Business Wars | Ford vs. Chevrolet: Tin Lizzie Becomes Roadkill | E1 Apr 01, 2020

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In 1896, Henry Ford puttered around Detroit streets testing his “Quadricycle.” This was the whimsical beginning to a revolution that redesigned the landscape of America.

Cars changed the way America lived, worked, ate, shopped, and listened to music. And more than 100 years ago, the entire industry was a group of men, whose names are now emblazoned on every bumper, just hanging out at their local bar.

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American History Tellers | The Space Race: Photo Finish | E4 Apr 01, 2020

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JFK said that nothing in the 1960s was "...more impressive to mankind, or more important for the long-range exploration of space..." than getting a man to the moon and back safely. As the Apollo 11 flight neared, the entire nation waited, enraptured. But back in the USSR, the Soviets were also making strides. Though the contest with the Soviets for technological superiority had always been a race, it was now a literal one - a U.S. manned spacecraft was about to chase down a Soviet robotic vessel.

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American History Tellers | The Space Race: Taking the Lead | E3 Apr 01, 2020

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In times of crisis, Americans had always put their confidence in their country’s superiority in power, technology and leadership. America had never failed them. And in 1961, hope and faith in their country burned brighter than ever as NASA prepared to launch the first man into space. A month out from launch, that light was effectively snuffed. The Soviets beat them to it. On April 12, 1961, cosmonaut Yuri Alekseyevich Gagarin became the first person in space and the first person to orbit Earth. The world was in awe. And America was in shock.

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American History Tellers | The Space Race: Playing Catch Up | E2 Apr 01, 2020

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Information sharing was normal in the global scientific community, but when it came to rockets, normal rules didn’t apply. If the details got passed along to civilian scientists, there was no telling where that intel might end up…

But for many Americans, the Eisenhower just wasn’t moving fast enough. Sputnik was still orbiting! The Soviets were winning! Eisenhower downplayed Sputnik,calling it “one small ball in the air,” but privately he was worried.

The U.S. had the ability to beat the Soviets to space. But they didn’t. And Eisenhower wanted to know why.

Warning: this episode is packed with as much explosive power as is packed in the warhead of a ballistic missile.

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American History Tellers | The Space Race: Starting Gun | E1 Apr 01, 2020

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Remember Werner von Braun? We talked a little bit about him in our Cold War series. He was in charge of the German rocket program in World War II. First used to lob missiles and bombs all over Europe, von Braun always dreamed of something better for his rockets. As the Soviet and American forces were closing in on Germany to end the war, von Braun saw only one way out: surrender to the American forces and get to the States.

Amid the wreckage of the Third Reich, the first leg of the Space Race would be a sprint to locate von Braun.

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American Innovations | Star Wars' Cinema Technology: The Audience is Listening | E3 Apr 01, 2020

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By 1975, George Lucas knew exactly what he wanted Star Wars to look like, but what it would sound like was another story altogether. Lucas was tired of Sci-Fi’s typical synthetic and electronic cliches; he wanted a sonic world that felt organic and personal. So he hired a young sound designer named Ben Burtt, and sent him out into the world with a recorder and microphone.

Burtt would need to blend and manipulate his recordings in order to achieve original sound designs, customized in every way to help bring the Skywalker saga to life. Like a detective, Burtt would have to hunt for the perfect buzz, bark, or hum to make Star Wars come alive. And in the process, he and Lucas would help to change the way audiences experience sound in films.

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American Innovations |Star Wars' Cinema Technology: The Saga Continues | E2 Apr 01, 2020

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With the success of STAR WARS, George Lucas finally had the independence and power to make movies exactly the way he wanted to make them—which was critical, because the sequels he planned were going to be even bigger and more challenging than the original. The artists of Industrial Light and Magic had barely finished the first film, but now they’d have to top themselves--designing a snow planet, imperial walkers, tauntauns, asteroid fields, a Cloud City, and a 12-mile long Star Destroyer.

From 1978 to 1983, ILM surged forward with the mandate to not only complete the original STAR WARS trilogy, but also expand the company itself. The ultimate mission: to push the edge of what visual effects could be, and ultimately lead cinema from its analogue origins, to its digital present.

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American Innovations | Star Wars' Cinema Technology: 6842 Valjean Ave | E1 Apr 01, 2020

Show notes

When STAR WARS debuted in May 1977, it gave rise to a pop-cultural phenomenon unlike any the world had ever seen. The movie was so singular and iconic, and so technically ambitious -- that it almost never came to be.

To bring Star Wars to the screen, new technology had to be invented and existing technology had to be utilized in ways never before imagined. None of the special effects companies in Hollywood could handle the blend of creativity and innovation necessary to bring director George Lucas’s vision to life. So Lucas built his own studio, and forever changed the way movies are made.

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