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    Music

    What the Riff Next Gen

    Every episode of “WHAT THE RIFF NEXT GEN” brings a ROCK AND ROLL album that debuted on the U.S. Billboard charts during a random month between 1995 and 2005. Four Classic Rock fans discuss the artist and 4 tracks from the album as it plays in the background. Then we riff on 3 additional “staff picks” of other artists that were also on the charts during that month and year. You’ll hear Classic Rock bands that were still producing new work, as well as some newer Alternative and Grunge bands that were gaining momentum during this Millennium Y2K Period. We encourage you to find and purchase the tracks and albums from Apple Music, Spotify or your other favorite music service. Please subscribe so you don’t miss any release! In addition to “Next Gen” you can search our ORIGINAL “What the Riff?!?” episodes (1-373) covering 1965 – 1995. We also invite you to follow us and learn more about us @whattheriff on Facebook.

    Disclaimer: What the Riff?!? is a music commentary and review podcast that highlights classic rock music through historical context, personal insights, and artist appreciation. We do not claim ownership of the songs featured, which remain the property of the original artists and rights holders. All music is used under the Fair Use doctrine for purposes of criticism, commentary, and education. We encourage our listeners to support the artists by purchasing and streaming their music legally.

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    Copyright: What the Riff ©2018

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    Latest Episodes:
    1972 - February: Neil Young ”Harvest” Apr 07, 2025
    Show notes

    Neil Young's most successful solo album is also considered his signature album. Harvest was Young's fourth solo studio album, and it topped the Billboard 200 chart in the US for two weeks while also spawning two top 40 singles.

    Young grew up in Winnipeg, Canada, and began playing and songwriting there in several groups. His first success as a songwriter came for a song he wrote for The Guess Who which made it to the top 40 in Canada. He was in the Mynah Birds, a Toronto group fronted by a young Rick James. The Mynah Birds were attempting to get signed by Motown when James was arrested for being AWOL from the Navy reserves. Shortly after this, Neil Young and bassist Bruce Palmer sold the group's equipment, bought a hearse, and used it to move to Los Angeles. He then worked as a session musician and a member of Buffalo Springfield before striking out on his own solo work while also joining Crosby, Stills & Nash.

    Harvest was written after an acoustic tour the previous year, a tour prompted by a back injury Young sustained that required him to play sitting down for an extended time. The album contains significant acoustic elements, as several tracks he played on that tour would appear on the album. Many of the lyrics are related to Young's growing relationship with actress Carrie Snodgress. Young was a success before recording this album, and was able to bring in a number of session musicians on several tracks including Stephen Stills, Graham Nash, Linda Ronstadt, James Taylor, and the London Symphony Orchestra.

    Surprisingly, the album met mixed reviews when released, though over time the critics' assessments would turn much more positive. The album was inducted into the Grammy Hall of Fame in 2015.

    Wayne brings us this California country-tinged album for this week's podcast.

    Heart of Gold
    One of the tracks that arose from Neil Young's acoustic tour, this song topped the charts in the United States and Canada, and went to number 10 in the UK. Despite its success, Young had mixed feelings about the popularity he gained from the song. Linda Ronstadt and James Taylor provided backing vocals on this track. The lyrics talk about a man who may be overthinking life, searching for something just beyond his grasp.

    Old Man
    The origin of this song was an encounter that Neil Young had with the caretaker of the Broken Arrow Ranch, which Young purchased in 1970. The old caretaker was not pleased with the young (literally) hippie-looking Young purchasing the place, and this song's lyrics talk about how the two of them were not that different.

    Alabama
    A continuation of a diatribe from Young's “Southern Man,” this track condemns the racism of the white people in Alabama specifically, and the southern United States in general. Neil Young would eventually come to see the lyrics as too accusatory, and too easy to misconstrue as a general condemnation of all Southerners.

    The Needle and the Damage Done
    The inspiration for this song was a number of musicians whom Young had observed as they fell apart due to heroin addiction. More specifically, Young wrote this song about bandmate Danny Whitten, whom Young had to let go from his tour due to his heroin use. Whitten would die of an overdose shortly thereafter.

    ENTERTAINMENT TRACK:

    Cabaret by Liza Minnelli (from the motion picture “Cabaret”)
    Minnelli stars in this period musical drama based on the Broadway show, set in Germany before World War II.

    STAFF PICKS:

    Mother and Child Reunion by Paul Simon
    Rob leads off the staff picks with a one of the earlier rock songs with reggae influences. The song was written in response to a Jimmy Cliff song in which a mother receives a letter that her son had been killed in battle in Vietnam. It was also inspired by Simon's loss of his dog. The title was inspired by a menu item in a Chinese restaurant in New York - chicken and eggs - entitled “Mother and Child Reunion.”

    I'd Like to Teach the World to Sing (In Perfect Harmony) by the New Seekers
    Bruce brings us a hit song which originally appeared as a commercial jingle. Coca-Cola produced an ad called “hilltop” featuring young people of various races coming together over a Coke. The success prompted a rewrite of the jingle into a full-length song, dropping the product references. It became a big hit for both the New Seekers who recorded the radio jingle, and the Hillside Singers who recorded the television commercial.

    Let's Stay Together by Al Green
    Lynch features the song which hit the top of the US singles charts, and was named number one R&B song on the Billboard Year-end chart for 1972. It has been covered by a number of artists, with Tina Turner being the most prominent. It was also inducted into the Grammy Hall of Fame in 1999.

    Do You Know What I Mean by Lee Michaels
    Wayne's closes out the staff picks with a song about a girl that a guy lost to his best friend after taking her for granted. It reached number 6 on the Billboard Hot 100. Lee Michaels came out of the San Francisco music scene, originally as a surf band before moving into a more "blue eyed soul" direction. Van Halen opened for Lee Michaels at the Whiskey a Go Go in 1977.

    INSTRUMENTAL TRACK:

    Joy (feat. Tom Parker) by Apollo 100
    This jazz instrumental covers the baroque chorale "Jesu, Joy of Man's Desiring" by J.S. Bach.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1988 - January: Sting ”...Nothing Like the Sun” Mar 31, 2025
    Show notes

    Nothing Like the Sun, or as it is written on the album, "...Nothing Like the Sun," is the second solo studio album by former Police bassist and front man Sting. The title comes from Shakespeare's sonnet number 130 which contains the lines, "My mistress' eyes are nothing like the sun." Sting was met on the street one evening, who asked him, "How beautiful is the moon?" Sting responded with this line from the sonnet.

    Two events play a lot of influence on this album. First, Sting's mother died in 1986, inspiring the lyrics to the opening track, "Lazarus Heart." Second Sting joined the Conspiracy of Hope tour for Amnesty International, and through this tour was exposed to victims of government oppression in Latin America. He was particularly moved by people in Chile for whom loved ones had "disappeared" in government actions, and wrote "They Dance Alone" as a description of the mourners who would dance the traditional Cueca by themselves with a picture of their loved ones pinned to their clothes.

    Sting's first solo album leaned into jazz. This second album continues to have a jazz influence but reaches across a number of other genres including reggae, funk, acoustic rock, soft rock, and world music. He brought in a number of solid musicians into the recording sessions including Gil Evans, Eric Clapton, Mark Knopfler, Branford Marsalis, and even his fellow Police alumnus Andy Summers

    Sting would continue to further success after this album, which peaked at number 9 on the Billboard 200 chart. In the UK, ...Nothing Like the Sun debuted and peaked at number 1 on the UK albums chart.

    Bruce presents this adult contemporary album for this week's podcast.

    Be Still My Beating Heart This second single from the album went to number 15 on the Billboard Hot 100. The lyrics are quite mature, describing the head telling the heart to settle down in the midst of an intense romance. The title was likely inspired by a 19th Century poem from Mary Elizabeth Coleridge. Andy Summers is playing guitar on this track.

    Little Wing Most of this album is original music written by Sting, but this one is a deeper cut and a cover. Jimi Hendrix wrote "Little Wing" in 1967, and it appears on his "Axis" album. Gil Evans did a jazz arrangement of this piece in 1974, and provided this arrangement and backing with his orchestra for this cover. Sting's version runs just over 5 minutes, giving it a run time just over double that of the original Hendrix version.

    Rock Steady Another deep cut, this song is Stings humorous look at a couple who have volunteered to join a cruise, and later find out that they are joining Noah on the Ark. "Life may be tough, but we're sailing with the Lord."

    Fragile This is the fourth single from the album, and is a gorgeous acoustic piece. This anti-war song was likely inspired by Sting's work with Amnesty International.

    ENTERTAINMENT TRACK:

    That's Amore by Dean Martin (from the motion picture “Moonstruck”) This romance comedy starring Cher and Nicolas Cage delivered a Best Actress Oscar to Cher and a Best Supporting Actress Oscar to Olympia Dukakis.

    STAFF PICKS:

    The Promise by When In Rome Rob starts this week's staff picks with the only hit from a British new wave trio. This track went to number 11 on the Billboard Hot 100, and became a popular song to play at weddings later on. It gained a revival in popularity when it was used in the soundtrack to "Napoleon Dynamite" in 2004.

    Got My Mind Set On You by George Harrison Lynch brings us a cover of a song originally written by Rudy Clark and recorded by James Ray in 1962. It is off Harrison's comeback album, "Cloud Nine." Harrison worked with Jeff Lynne on the album because he wanted a producer who wouldn't be intimidated by working with a Beatle. The teamwork went well, and the two would go on to form "The Traveling Wilburys" supergroup shortly thereafter.

    Dude (Looks Like a Lady) by Aerosmith Wayne features one of many hits from Aerosmith's monster "Permanent Vacation" album. The lyrics tell the tale of a man finding out that the "girl" he has bee pursuing at a club was a man dressed up as a woman. The idea for the song came from Motley Crue singer Vince Neil being mistaken frequently for a woman with long blonde hair.

    Mission by Rush Bruce closes out the staff picks with a song which arose from a conversation between Neal Peart and Geddy Lee about the perception people have that the rich and famous have easier lives. The lyrics reflect how every life has its own difficulties, and perhaps those who are highly successful would often wish for a more plain and settled life at times.

    INSTRUMENTAL TRACK:

    Bailando/Aquatic Park by Carlos Santana Guitar virtuoso Carlos Santana takes us out this week with a track from his solo album, "Blues for Salvador."

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1990 - December: AC/DC “The Razors Edge” Mar 24, 2025
    Show notes

    1990 is an odd time for a hard rock band from the late 70's to make a comeback. Hair metal was declining rapidly, and music that would form the grunge movement was percolating up in the pacific northwest. But that is exactly what AC/DC did with their album The Razors Edge. The album reached number 2 on the Billboard 200 chart and number 4 on the UK albums chart, and it would become AC/DC's third highest selling album behind “Back in Black” and “High Voltage.”

    After concluding their 1988 world tour the band had some changes and interruptions. Drummer Simon Wright left the group to join Dio, and was replaced by Chris Slade who would be with the group until 1994. Front man and songwriter Brian Johnson took some time off to finalize his divorce, which left brothers Malcolm Young (rhythm guitar and backing vocals) and Angus Young (lead guitar) to write all the songs for the album. They would continue to be the songwriters for the band through 2020.

    Critical reviews of the album were mixed, with negative comments revolving around the idea that this album was nothing new for the band. With the benefit of hindsight it may be that the consistency with AC/DC's previous works is actually a strength of the album. In a period of big shifts in rock music, AC/DC provided a point of stability and a return to hard rock origins.

    Friend of the show Julie Doran joins us to bring us this high energy hard rock masterpiece with Rob.

    Are You Ready
    The anthem that leads of side 2 of the album reached number 16 on the US charts, and became the band's only number 1 hit in New Zealand. It is used in a number of sports events and is also familiar as the official theme for WWE SmackDown on Fox.

    Thunderstruck
    The lead off track and lead single to the album is a signature song for the band. It started as a "little trick" Angus Young played on guitar, and Malcolm built the rhythm guitar behind that riff. It has been performed in almost every live show the band has performed since its release.

    Moneytalks
    This track reached number 23 on the Billboard Hot 100, making it the first top 40 hit for AC/DC since Back in Black in 1981. Interestingly, the song has not been performed live since the band toured The Razors Edge. Part of the appeal of AC/DC on this album could have been the downturn in the economy at the time, striking a cord with blue collar employment struggles. If so, money really does talk!

    The Razors Edge
    While this song is the title track it was not released as a single. This dark track talks about the fine line between success and failure, good and evil, life and death. "You're running out of lives, and here comes the razor's edge."

    ENTERTAINMENT TRACK:

    Have Yourself a Merry Little Christmas by Mel Torme (from the motion picture "Home Alone")
    This Christmas classic saw its debut from Judy Garland in the motion picture "Meet Me in St. Louis". Mel Torme's version was used in the Christmas movie "Home Alone" which was in theaters in 1990.

    STAFF PICKS:

    Keep On Loving Me Baby by Colin James
    Wayne starts out the staff picks with a Canadian blues singer-songwriter. This cover from James' second album, Sudden Stop, is a high energy cover of a tune originally written by Otis Rush in 1958. James benefitted from the blues revival of the time, as well as the soon-to-come swing revival in the early- to mid-90's.

    Chain of Fools by Little Caesar
    Lynch brings us another cover originally performed by Aretha Franklin and written by Don Covay in 1967. Little Caesar is a hard rock band formed in the late 80's which had a short career before problems with their label, and the eclipsing of hard rock by grunge contributed to their decline. This cover from their debut single was their most memorable

    Diabolic Tastemaker by the Cherry Poppin' Daddies
    Bruce's staff pick is a deep cut off the Daddies' debut album "Ferociously Stoned." This horn-heavy track first appeared on their 1989 demo tape before it was added to their album. The band at the time was an amalgam of punk, funk, jazz, ska, and swing at the time, thought future albums would move heavily towards swing.

    If You Needed Somebody by Bad Company
    Julie features the second single off Bad Company's ninth studio album, Holy Water. It was their first top 40 hit since “Rock and Roll Fantasy” back in 1979. The rock ballad hails from BadCo's days with Brian Howe as the front man, as Paul Rodgers had left the group in 1982 and was performing solo at the time.

    Been Caught Stealing by Jane's Addiction
    Rob finishes off the staff picks with the third single from Ritual de lo Habitual, and the biggest single, topping the Billboard Modern Rock charts for four weeks. The dog barking is Perry Farrell's pet Annie, who was brought to the studio. The barking was not planned, but the coincidence was included on the track.

    COMEDY TRACK:

    Do the Bartman by The Simpsons
    Bart Simpson closes us out this week with this lost epic.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1974 - July: Beach Boys “Endless Summer” Mar 17, 2025
    Show notes

    By the mid-70's the Beach Boys appeared to be a band that had been left behind. Sales had been only moderate for their previous albums, and the band was struggling to determine their direction musically. In the summer of 1973 the movie "American Graffiti" featured several Beach Boys songs, creating nostalgia for the earlier surfing music.

    Between the revived interest sparked by "American Graffiti" and the success of the Beatles "Red" and "Blue" compilation albums, the Beach Boys released a collection of hits from their early 60's catalogue called Endless Summer. This featured songs from their Capitol Records days, 1962-1965. It was a near-instant success reaching the top of the charts in the United States four months after its release, and becoming their second number 1 album on the US charts.

    After the success of Endless Summer, the Beach Boys would reposition themselves as an oldies act, continuing in this vein for many years. Brian Wilson would pen one further Beach Boys studio album in 1977 which would meet with meager sales. Afterwards the band would focus on their classics until seeing a resurgence in the late 80's generated from another popular film, Tom Cruise's "Cocktail"

    Wayne brings us this surfin' themed compilation for this week's podcast.

    Catch A Wave A true surfing song, this tune is about being on a surfboard, waiting for the right wave to come along. This song was originally released on the 1963 album "Surfer Girl," and a rewritten version was recorded by Jan and Dean as "Sidewalk Surfin."

    Little Deuce Coupe This track is about a 1932-vintage Ford model 18 hot rod used in drag racing on the streets of California. "American Graffiti" had featured the deuce coupe prominently, along with the Beach Boys song. The lyrics were written by local radio DJ Roger Christian.

    Shut Down Another song about drag racing, "shut down" means you are about to beat the person in the race. The phrase "tach it up" may have lost some meaning in the era of automatic transmission, but the tachometer would run high for a drag race. The song is told from the perspective of the driver of a 1963 Corvette Sting Ray in a race against a 1962 Dodge Dart.

    Fun, Fun, Fun The inspiration for this song was a story the Beach Boys heard during a radio interview. The station owner described his daughter "borrowing" his 1963 Thunderbird to go to a drive-in hamburger shop. The opening riffs were inspired by Chuck Berry's "Johnny B. Goode."

    ENTERTAINMENT TRACK:

    Uptown Saturday Night by Dobie Gray (from the motion picture “Uptown Saturday Night”) Sidney Poitier starred in and directed this action comedy which co-starred Bill Cosby, Harry Belafonte, Richard Pryor, and Flip Wilson.

    STAFF PICKS:

    The Joker by the Steve Miller Band Lynch leads off the staff picks with a well known song from Steve Miller. The names in the first line reference several of Miller's previous songs, as well as the made-up word "pompatus." It barely cracked the top 40 in the US, hitting 40 on the Billboard Hot 100. Miller borrowed some lyrics from the song "Lovey Dovey" when he talks about wanting to "shake your tree."

    The Air that I Breathe by the Hollies Rob brings us a slow burning but iconic ballad that the Hollies covered. The original was from Albert Hammond, and previously covered by Phil Everly. The Hollies version was the most successful, going to number 6 on the Billboard Hot 100. Alan Parsons was the engineer on this song.

    Hollywood Swinging by Kool & the Gang Bruce's staff pick is the first number 1 R&B Single from Kool & the Gang. It was a crossover hit as well, going to number 6 on the Billboard Hot 100. Rick Westfield is the keyboardist for it and sings lead. The song is a true story of the keyboardist wanting to become "a bad piano-playing man" with the group.

    Rock and Roll Heaven by The Righteous Brothers Wayne's features an ode to the rock stars who had died at an early age. This song is another example of a song that was covered, and did better than the original. Climax performed this song in 1973 but did not chart, while the Righteous Brothers took it to the top 10 in the United States. Lyric would be added in the years to come as more rock stars passed.

    INSTRUMENTAL TRACK:

    Chameleon by Herbie Hancock This jazz funk instrumental track closes out the podcast for the week.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1990 - July: Pink Floyd ”A Momentary Lapse of Reason” Mar 10, 2025
    Show notes

    Folks, we're stretching a bit on this one. Lynch noticed that Roger Waters performed "The Wall" at the Berlin wall in this month, and used that as an excuse to feature A Momentary Lapse of Reason, which was the latest studio album by Pink Floyd. Since that originally came out in 1987, we're asking you to squint a bit to see it's relevance to the summer of 1990. That being said...

    A Momentary Lapse of Reason is the first Pink Floyd album released after bassist and primary songwriter Roger Waters left the band. Waters had expected that Pink Floyd would simply disband, and was surprised when David Gilmour and Nick Mason decided to continue without him. Acrimony and lawsuits appeared, but in the end a Water-less Pink Floyd continued on.

    Unlike many prior Pink Floyd albums, this one is not playing off a single concept. Instead, it is a more traditional collection of songs. Gilmour presented the album as a return to earlier Pink Floyd material, which was perhaps a reaction to common critiques of their previous album "The Final Cut" as a Roger Waters solo effort masquerading as a Pink Floyd album. There are a number of well-known session musicians that participated in the making of this album.

    The album was a commercial success, debuting at number 3 on both the US and UK albums charts. The US tour was the most successful of the year, selling out almost every venue it played in the States. Roger Water's lawsuits would be overcome, and a settlement was reached between Waters and the band by the end of 1987.

    Lynch brings us this Pink Floyd reboot album for today's podcast and we’re joined by guest host Julie Doran joins us on this episode.

    On the Turning Away This power ballad was co-written by Gilmour and British experimental composer Anthony Moore. It is an anti-war song, one of the more political Pink Floyd songs written since the departure of Waters. It begins with a solemn Gilmour vocal supported by understated keyboards, then builds to an almost orchestral conclusion.

    Learning to Fly A surprisingly upbeat song for the group, the inspiration for this first single is David Gilmour's experience learning to fly airplanes. At the time he would do practice flights in the mornings and work in the studio in the afternoons. It is also a metaphor for the band coming back together after splitting with Roger Waters.

    One Slip The fourth US single discusses the long-term consequences of a one-night stand, and contains the lyrics that would become the title to the album as a whole. Gilmour co-wrote this song with Roxy Music guitarist Phil Manzanera. Fans of bassist Tony Levin may recognize his work on a Chapman Stick in the instrumentation for this track.

    ENTERTAINMENT TRACK:

    Real Wild Child by Iggy Pop (from the motion picture “Problem Child”) This dark comedy starring John Ritter follows the trials of Ben Healy Jr. as he adopts a less-than-model child from a questionable adoption agency.

    STAFF PICKS:

    Stop by Jane's Addiction Wayne leads off the staff picks with a college radio hit off the "Ritual De Lo Habitual" album. Lead singer Perry Farrell warns about apathy towards environmental disaster, telling people to turn off the smokestacks. "And the water will run, come a day, the water will run, no man will stand for things he had done."

    Brave New World by Michael Penn Rob brings us a jangly deeper cut with a song with rapid fire lyrics off Penn's "March" album. The song reflects confusion in where the singer is going, perhaps making a commentary on society as it heads into a "brave new world." "This may not be my best day, but this ain't no golden age. You looked pretty on the freeway. Let's drive into the brave new world."

    Give It Up by Hothouse Flowers Bruce features a s song from an Irish group off their second album, "Home." This song that went to number 2 on the US Modern Rock chart is summed up in the lyrics, "Well, this song's inspired by a good man and his tune doing good for others, sing 'Amazing Grace' for you."

    Rub You the Right Way by Johnny Gill Julie's staff pick is an upbeat hip hop song, and Gill's first single after he left New Edition earlier in the year. Despite the lyrics, Gill was the son of a minister and got his start in gospel music. He signed with Motown as a teenager. Gill had become very accustomed to performing live, and had a difficult time switching to studio work.

    Blue Sky Mine by Midnight Oil Lynch closes out the staff picks with the first single off Midnight Oil's seventh studio album. The inspiration for the song was the experience of workers in the Wittenoom asbestos mines in western Australia, where they contracted a variety of asbestos-related diseases. The "blue" in the title refers to "blue asbestos," a form of the mineral considered most hazardous.

    INSTRUMENTAL TRACK:

    Erotic Nightmares by Steve Vai Guitar virtuoso Steve Vai carries us out of this week's podcast.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1967 - December: The Young Rascals ”Groovin’” Mar 03, 2025
    Show notes

    The Young Rascals were one of the early groups which would define the genre of "blue eyed soul." For a period of two to three years, this group would generate hit after hit. Their third album, Groovin', would close out the era in which they were known as “The Young Rascals,” because follow-up albums would see them using simply the name "The Rascals."

    Felix Cavaliere was a classically trained pianist, and joined a band called the Starliters, where he met David Brigati and his younger brother Eddie. Cavaliere convinced Eddie Brigati and guitarist Gene Cornish to leave the Starliters and form a band, recruiting jazz drummer Dino Danilli to flesh out the band. They called themselves "Them" until they found out that a group out of the UK was already using that name (Van Morrison's band). They settled on "The Young Rascals" when comedian Soupy Sales used them as his back-up band when he toured the college circuit in 1965.

    Much of this album is a collection of singles rather than a cohesive piece of music. Eight of the eleven songs are either A-side or B-side single releases.

    The Rascals moved into a more psychedelic direction after this album, and they would be largely done by the early 70's. They were early inductees into the Rock and Roll Hall of Fame, receiving that honor in 1997.

    Bruce presents this soulful album for this week's podcast.

    Groovin'
    This signature song from the group almost didn't make it as a single. Atlantic Records pushed back on this track because it was very different from the sound of their other songs, having a more Latin influence. The inspiration for the lyrics was Cavaliere's girlfriend Adrienne Buccheri. He only got to see her on Sundays because he was so occupied with the group, music, and touring on other days.

    You Better Run
    Many listeners who grew up in the 80's will be more familiar with Pat Benatar's cover of this song than the Young Rascals' original. It was released a year before the album as a single, in May 1966. The song has more of a garage band feel than other songs on the album.

    A Girl Like You
    This is the lead-off song for the album, and went to number 10 on the Billboard Hot 100. Upbeat, feel good, this is the opening song of new love. It starts off subdued with piano and vocals, then builds into the horns and percussion.

    If You Knew
    This song was released as the B-side to the single "I've Been Lonely Too Long" from their previous album called Collections. It is the only song on the album to be listed as written by all member of the band. Most songs were written by Felix Cavaliere and Eddie Brigati.

    ENTERTAINMENT TRACK:

    Mrs. Robinson by Simon and Garfunkel (from the motion picture “The Graduate”)
    Dustin Hoffman's got his breakthrough role in this coming of age film.

    STAFF PICKS:

    Green Tambourine by the Lemon Pipers
    Rob leads off the staff picks with the best known song from a short-lived Ohio band. Unfortunately the success of this song would cause the record company to pigeonhole the group into doing more songs in the psychedelic genre. The group was unenthusiastic about this direction, and would leave the label in 1969, dissolving shortly thereafter.

    Sunshine of Your Love by Cream
    Lynch brings us a signature song from the original supergroup. The song arose out of a bass riff that Jack Bruce created after seeing Jimi Hendrix for the first time. Jack Bruce and Eric Clapton take turns with vocals while Ginger Baker utilizes a tribal beat on percussion.

    I Can See for Miles by The Who
    Wayne features the only single from the Who album “The Who Sell Out.“ Although it went to number 9 on the US charts, guitarist and writer Pete Townshend expected it to do much better. The Who made use of the studio as an instrument on this heavier, psychedelic song, using techniques similar to the Beach Boys and the Beatles at the time.

    I Second That Emotion by Smokey Robinson & the Miracles
    Bruce closes out the staff picks with a song that originated from a trip Smokey Robinson and Al Cleveland took to a Detroit department store in search of a gift for Robinson's wife Claudette. When Robinson told the salesman of a set of pearls, "I sure hope she likes them," Cleveland accidentally said "I second that emotion," rather than "I second that motion." The two laughed about it and wrote this song which would go to number 3 on the Billboard Hot 100 in 1967.

    INSTRUMENTAL TRACK:

    Hip Hug-Her by Booker T. & the M.G.'s
    We close out with a funky instrumental which was on the charts at the time.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1988 - December: Poison ”Open Up and Say...Ahh!” Feb 24, 2025
    Show notes

    When it comes to hair metal of the mid to late 80's, no band discussion would be complete without bringing Poison into the mix. The band consisted of front man Bret Michaels, guitarist C.C. DeVille, bassist Bobby Dall, and Rikki Rockett on drums. Poison is a band out of Pennsylvania. Originally named Paris when formed in 1980, the band drew a good following in local bars in Pennsylvania, but decided opportunities would be greater in Los Angeles. The band moved there in 1983 and changed their name to Poison. They attracted a lot of attention with their stage show, and saw surprising success with their debut album, "Look What the Cat Dragged In," released in 1986.

    However, Poison's most successful release would be their second studio album, Open Up and Say... Ah!, released in April 1988. It would sport four hit singles, including their sole number 1 single "Every Rose Has Its Thorn." The album itself would hit number 2 on the Billboard 200 chart. It would also stir controversy with its cover, a picture of a demonic female with an extremely long tongue. An alternate cover was designed to address concerns which showed only the eyes of the model.

    Poison would see further success in the late 80's and early 90's, though their popularity would wane as the grunge movement took over music in the 90's. However, Poison has seen a resurgence of popularity as a "classic" band, and front man Bret Michaels has achieved success both as a celebrity personality and as a solo artist.

    Lynch brings us this glam rock album for today's podcast, and friend of the show Mike Fernandez joins us in Bruce's absence.

    Fallen Angel While the lyrics describe a young girl moving from Ohio to Los Angeles to try to make it as an actress, the song is really more autobiographical of the path the band took from Pennsylvania. This second single from the album went to number 16 on the Hot 100.

    Nothin' But a Good Time" The first single from the album reached number 6 on the Billboard Hot 100 and is one of their best known songs. It was built off a guitar riff by C.C. DeVille and a chorus penned by Michaels. DeVille was largely selected for the band based on his cool riffs and party attitude.

    Your Mama Don't Dance Poison take the 1972 Loggins and Messina song and makes it their own in this fourth single released from the album. The song's lyrics highlighting the generation gap of the 50's and 60's between parents and their rebellious teenagers was a perfect fit for Poison's image.

    Every Rose Has Its Thorn This ballad is Poison's sole number 1 hit. The inspiration for it came when Bret Michaels called his girlfriend from a laundromat and heard a male voice in the background. He was crushed, but went back into the laundromat and wrote the song right then.

    ENTERTAINMENT TRACK:

    Pump Up the Volume by MARRS (from the motion picture “My Stepmother Is an Alien”) This comedy starring Dan Aykroyd, Jon Lovitz, and Kim Bassinger may have been a flop, but the song was quite popular.

    STAFF PICKS:

    Mystify by INXS Rob leads off the staff picks with the fifth and final single from the "Kick" album. Backed by a honky tonk-style piano and prominent finger-snapping, the song starts with a bluesy riff followed by a more straightforward rock sound. INXS originally was comprised of three Farriss brothers, but they were down to Andrew and Tim Farriss by this time.

    I'm an Adult Now by Pursuit of Happiness Wayne's staff pick is a hidden gem from Canada. This humorous single alternates between spoken verses and a sung chorus that capture the worries that plague the singer as he deals with becoming an adult and embracing adult problems. It peaked at number 6 on the alternative music charts.

    Wild Wild West by Escape Club Mike brings us an English band with a song written by eight different people, including Stevie Wonder and Bootsy Collins. This song has the distinction of being the only British band to have a number 1 hit in the US without charting in the UK. "Headin' for the nineties, living in the wild, wild west."

    Where Is My Mind by Pixies Lynch closes out with a signature song from the Pixies. The inspiration for this grunge song began with an underwater diving experience, and the lyrics convey disconnection. The Pixies were reintroduced to fans after this song appeared in "Fight Club."

    INSTRUMENTAL TRACK:

    Silhouette by Kenny G. Bruce sneaks a soft sax piece from Kenny G. onto the playlist to exit this week's podcast.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1971 - April: Rolling Stones “Sticky Fingers” Feb 17, 2025
    Show notes

    Sticky Fingers is considered by many to be the greatest studio album the Rolling Stones ever created. This ninth studio album represented a return to a more basic sound for the Stones after several albums with less conventional instrumentation. It was also known for its cover artwork from Andy Warhol which featured a man in jeans with a working zipper. The album won a Grammy for “Best Album Cover” for this innovative design.

    This was the first album that was released on their own label, Rolling Stones Records. It was also the first album the group produced without Brian Jones, who had died two years earlier. The members of the band were Charlie Watts on drums, Bill Wyman on bass, Mick Taylor on guitar, Keith Richards on guitar and backing vocals, and Mick Jagger on lead vocals and some guitar and percussion. There were a number of session musicians and frequent collaborators involved in the album, including Bobby Keys on sax, and Billy Preston and Ian Stewart on keyboards.

    Sticky Fingers was the band's first album to reach number 1 on album charts in both the US and the UK. It has since reached triple platinum status, and was inducted into the Grammy Hall of Fame in 1999. The album was also the first album to utilize the now-iconic “mouth” for which the group would be known.

    Friend of the show Mike Fernandez joins us in Bruce's absence, while Rob brings us this amazing album from one of the giants of the rock world in this week's podcast.

    Wild Horses This softer song with a country bent was first released in 1970 by the Flying Burrito Brothers, and subsequently recorded by the Stones after originally thinking the demo wasn't worth recording. It was originally recorded over a three-day period at Muscle Shoals Studio in Alabama in 1969. The lyrics are about being on the road, and not being where you really want to be.

    Brown Sugar The opening track to the album was also the lead single, and reached the top of the charts in the US and Canada, while reaching number 2 on the UK singles chart. The song sounds like a strong rocking one, but the lyrics discuss slavery and rape, a much more serious topic than most realized the lyrics covered.

    Bitch This track which leads off side two of the album was the B-side to the single “Brown Sugar.” It has a strong brass section — the song originated in a jam, and features Bobby Keys on sax and Jim Price on trumpet. The lyrics are describing love as a bitch but the title probably didn't help the band in its problems with women's groups.

    Can't You Hear Me Knocking This is the longest song on the album, clocking in at over seven minutes. The central part of the song lasts for 2:43, with an extended jam following. The entire track was captured in one take, and the band continued with the jam, thinking that the recording was complete.

    ENTERTAINMENT TRACK:

    One Tin Soldier (from the motion picture “Billy Jack”) This counterculture song was a prominent part of the soundtrack to the action drama "Billy Jack" a part Navajo Green Beret and Vietnam War veteran defending his Freedom School students from angry townspeople.

    STAFF PICKS:

    Get It On by Chase Wayne starts out the staff picks with a high energy song from an artist known for his jazz trumpet. Bill Chase brought together a band including three other trumpet players, a rock rhythm section, and front man Terry Richards on lead vocals. This jazz fusion rock piece peaked at number 24 on the Billboard Hot 100.

    Let's Get It On by Marvin Gaye Lynch brings us a track that has taken on a life of its own as the ultimate romance song. Backed by the Funk Brothers, it is the most successful song Gaye produced on Motown Records. It reached number 1 on both the Billboard Hot 100 singles chart and the US Hot Soul Singles chart.

    Love Her Madly by the Doors Mike features the first single from the album “L.A. Woman,” the sixth studio album from the Doors, and the final album with Jim Morrison before his untimely death. Guitarist Robby Krieger wrote this song while experimenting with a 12-string guitar.

    It Don't Come Easy by Ringo Starr Rob finishes the staff picks with a non-album single from the drummer of the recently-disbanded Beatles. Fellow Beatle George Harrison produced the single and helped Starr write the song which peaked at number 4 on the US and UK singles charts.

    INSTRUMENTAL TRACK:

    Main Theme from the motion picture “The Summer of 42” We exit this week's podcast with the signature song from this Academy Award nominee and coming-of-age movie in the theaters in April 1971.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1975 - January: Led Zeppelin “Physical Graffiti” Feb 10, 2025
    Show notes

    By the time that Led Zeppelin was releasing their sixth studio album, they were solidly on top of the rock pantheon. They had just switched to Swan Song Records, their own label, and had plenty of time to create this double album work, Physical Graffiti. They had three sides-worth of new songs largely recorded at Headley Grange in Hampshire in early 1974, and they expanded it to a double album by including unreleased tracks from sessions for their previous three albums.

    Physical Graffiti went to number 1 on the UK chart and number 3 on the US charts immediately. They had planned to release the album in November 1974, but delays in producing the album's sleeve design pushed it back to February 1975. Demand was so strong that it became the first album to go platinum on advance orders alone.

    The album itself reflects a diversity that runs from hard rock to prog rock to funk - even country and honky-tonk get represented. The group never seemed too interested in creating single-friendly compositions, so many tracks run well over 6 minutes, along with some shorter instrumental numbers.

    Led Zeppelin was considered the biggest rock band on tour during this time, and Physical Graffiti was the album that wrapped up this period. Robert Plant was in a serious car accident with his wife in August 1975, and the group went on hiatus from touring until 1977. Many consider this album to be the high water mark for the Led Zeppelin discography.

    Bruce presents this monster double album for this week's podcast.

    Kashmir This is one of Led Zeppelin's signature songs. It started as an instrumental recording from Jimmy Page and John Bonham. Robert Plant wrote the lyrics while vacationing in southern Morocco (not Kashmir, as no band members had been there when this song was written). John Paul Jones plays mellotron and added the orchestration which was played by session musicians. All members of the band consider it one of their best tracks, and it has played in almost every concert since its debut.

    Trampled Under Foot This is a funk piece largely created by John Paul Jones. The beat was inspired by Stevie Wonder's “Superstition,” and the lyrics are drawn largely from Robert Johnson's “Terraplane Blues.” Jones originally created this in the soul genre, but John Bonham convinced the group to add a more funky feel.

    The Wanton Song Many Led Zeppelin songs have a title which does not appear in the lyrics, and this is one of those. Jimmy Page developed the riff in 1973 and brought it to the Physical Graffiti sessions. Page uses a backward echo on this, where the echo appears before the note. It was played during the 1975 tour but was dropped from the setlist thereafter, making it perhaps a deeper cut.

    Houses of the Holy This track is one of the unreleased tracks from previous sessions. It was intended as the title track from their fifth album, but was considered too similar to other songs on the album and was dropped. Led Zeppelin never played this song live.

    ENTERTAINMENT TRACK:

    Movin' On Up (Theme from the television series “The Jeffersons”) This sitcom was a spinoff from “All In the Family” which got its start in January 1975.

    STAFF PICKS:

    Any Major Dude Will Tell You by Steely Dan Lynch kicks off the staff picks with the B-side from “Rikki Don't Lose That Number.” Donald Fagen says that the inspiration was hearing a lot of people using the term “dude” after they moved to L.A., finding the phrase funny and deciding to include it in a song. The idea is that times will get better, and hope is around the corner.

    Cat's In the Cradle by Harry Chapin Rob brings us a folk rock story about a father who finds the tables turned. He didn't have time for his son as he was growing up, and his son doesn't have time for his father when he is older. The lyrics were inspired by a poem written by Chapin's wife regarding her first husband's strained relationship with his father.

    Angie Baby by Helen Reddy Wayne features another storytelling song, this one with some spookiness. Angie is a girl of questionable sanity who lives in her own world at home with her parents. When a neighborhood boy decides to make advances on her when her parents are gone, Angie causes him to disappear into the music of her radio… It was a number 1 hit song.

    Changes by David Bowie Bruce closes out the staff picks with a song that largely flopped when originally released as a single in 1971. Bowie's “Hunky Dory” album did not do well until it got a second look after his 1972 release “The Rise and Fall of Ziggy Stardust and the Spiders from Mars.” It was re-released in 1975 as a single and went to number 1 in the UK.

    INSTRUMENTAL TRACK:

    Bron-Yr-Aur by Led Zeppelin We close out with some double dipping from Physical Graffiti for this acoustic instrumental.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1992 - April: Soundgarden ”Badmotorfinger” Feb 03, 2025
    Show notes

    Soundgarden emerged as a pioneering force in the Seattle grunge scene, bringing elements of heavy metal and alternative rock into what would come to be known as the Seattle sound. The group originally found lead singer and primary songwriter Chris Cornell singing from behind a drum set where he was the group's percussionist, but it became clear that this would not work well in live concerts, so Cornell switched to vocals and rhythm guitar while turning over percussion work to Matt Cameron.

    Badmotorfinger, the third studio album, finds the group just before it's breakout into grunge superstardom, an event that would occur with the release of their next album. Taking its name from a spoof on a popular Montrose song, Badmotorfinger sports a strong heavy metal sound, but with tighter songwriting, and a bit of complexity in time signatures and tunings. It would become the band's highest charting album to date, peaking at number 39 on the Billboard 200 chart, and going double platinum by 1996. It was also considered a success by critics, and was nominated in 1992 for a Grammy award for Best Metal Performance.

    While the album definitely has grunge elements in it, as a whole it may be considered more alternative, heavy metal, or hard rock. The band's development makes this album more difficult to pin down into a single genre, and perhaps this makes for a more interesting listening experience.

    We hope you enjoy this foray into the roots of the grunge movement as Lynch brings us the album for today's podcast.

    Rusty Cage The opening track to the album was the third single released, and reflects a longing for freedom and a breaking out of the “rusty cage” that life can be. The guitars are tuned down significantly, giving the riffs a jangling sound. Johnny Cash would cover it a few years later, turning the song into a country anthem.

    Outshined This track combines themes of self-doubt and internal struggle with appearances of external success and confidence, creating a clash within the singer. Cornell creates depth and passion through his vocals. “Show me the power, child. I'd like to say that I'm down on my knees today.”

    Jesus Christ Pose Unlike many tracks, this first single released from the album is credited to all four band members. The lyrics are a rant against the hypocrisy of religious leaders who turn belief into a means of acquiring power. This track is an example of a Soundgarden song that is more metal than grunge at this point.

    Slaves & Bulldozers This song is often described as “doom metal,” and utilizes drop-tuned guitars to create a slow burn, darker sound. The lyrics encourage the listener to consider how their situation may be turning them into either an obedient slave or a nihilistic bulldozer. It was the last song Soundgarden played live before Chris Cornell's death in 2017.

    ENTERTAINMENT TRACK:

    Theme from the television series “The Cosby Show” This staple of 80's sitcom had their final episode and went off the air in April 1992.

    STAFF PICKS:

    I Want to Touch You by Catherine Wheel Wayne kicks off the staff picks with the Manchester sound. This post-psychedelic song deals with the raw emotions of a shy guy who is infatuated with a particular woman. “It would really make my day if you'd only move away, 'cause I'm scared that if you stay, I'll want to touch you.”

    Just Take My Heart by Mr. Big Rob brings us a power ballad that peaked at number 16. It was the fourth single from the second album by Mr. Big entitled “Lean Into It.” The song features some excellent finger picking on an electric guitar toned down to an almost acoustic consistency. Eric Martin is the lead singer and co-writer of the song.

    Cold Day in Hell by Gary Moore Bruce features a guitar virtuoso from Northern Ireland. Gary Moore got his start in an Irish band called Skid Row in the late 1960's but is better known as a member of Thin Lizzy. This lead-off track to his ninth solo studio album called “After Hours” is a straightforward announcement that the man and his lover would never be getting back together.

    Silent Lucidity by Queensryche Lynch closes out the staff picks with beautiful and epic piece off the Empire album. Chris DeGarmo, guitarist and primary songwriter for the group, was inspired to write this song after reading a book about lucid dreams. The first iteration of the song was acoustic guitar and vocals only, and instrumentation was added later.

    INSTRUMENTAL TRACK:

    The Simpsons by Danny Gatton A rock/blues guitar cover of the main theme of “The Simpsons” takes us out for today's session.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


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