What the Riff?!?

Latest Episodes:

1989 - September: Mötley Crüe "Dr. Feelgood" Nov 18, 2024

It is a little surprising that we have gotten this far into the podcast without featuring an album by Mötley Crüe. This is a group that practically defined the hair metal genre of the mid to late-80's. The band formed in 1981 in Hollywood, and featured both a party-oriented lifestyle and an androgynous look. The core and classic members of the band were Nikki Sixx on bass and keyboards, Mick Mars on lead guitar and backing vocals, Tommy Lee on drums and backing vocals, and Vince Neil as front man. Many other musicians would be brought in for sessions, and the group itself would change personnel over the years.

However, the classic lineup was still in place for their fifth studio album, Dr. Feelgood. At the time, the group was facing conflicts that caused Producer Bob Rock to have each member record their parts separately. This was also the first album recorded after the group started a quest to get sober and go through rehab. Additionally, recording took place in Vancouver, getting the band out of the familiar (and seductive) L.A. scene.

The result of these sessions was impressive. Dr. Feelgood was the groups most successful album to date, and went to the top of the Billboard 200 album chart, the only Crüe album to do so. It was also reviewed positively by critics, receiving the award for "Best Hard Rock/Heavy Metal Album of the Year" at the American Music Awards in 1991.

Friend of the show Greg Lyon sits in for Bruce and brings us this excellent glam metal album of the late 80's for this week's podcast.

Dr. Feelgood
This title track peaked at number 6 on the Billboard Hot 100, making it Mötley Crüe's most successful single to date. The song about a drug dealer chronicles the connection between LA Rock and drug use. It has an infectious funky riff and a more sophisticated production which departs from earlier Mötley Crüe efforts.

Don't Go Away Mad (Just Go Away)
The softer approach of this power ballad song are betrayed by its adolescent lyrics. Bassist Nikki Sixx was inspired by a movie line to make this sarcastic song. It's tongue in cheek lyrics and reference to earlier Crüe songs make it a favorite at their live shows. like fire, don't you ever take my name in vain."

Same Ol' Situation (S.O.S.)
This fifth single released from the album tells a comedic story of a boy meeting two girls, and by the end of the song the boy has been passed over while the two girls end up together. Many of Mötley Crüe's songs had lighter, humorous lyrics, which contributed to their appeal.

Kickstart My Heart
Do not play this song when driving through a speed trap! The song is not about a relationship, but about Nikki Sixx's heroin overdose. Sixx was clinically dead, requiring the paramedic to inject adrenaline into his heart to get it beating again. This single reached number 27 on the Billboard Hot 100.

ENTERTAINMENT TRACK:

Welcome Home by Willie Nelson (from the motion picture “Welcome Home”)
This film starred Kris Kristofferson as a Vietnam War vet returning to his family after a 20-year absence.

STAFF PICKS:

New Orleans Is Sinking by the Tragically Hip
Wayne turns to the college rock genre to start off our staff picks. The Tragically Hip is better known in their native Canada than in the US, but their music is well worth a listen. This song was recorded in Memphis, and has a delta blues feel, almost rockabilly. The song was temporarily removed from radio playlists after hurricane Katrina broke the levies and flooded New Orleans.

Wait for You by Bonham
If you think that this song sounds like Led Zeppelin, you aren't the only one. Rob features Jason Bonham's band. Jason Bonham was the son of the late Led Zeppelin drummer John Bonham. Jason Bonham has a playing style very similar to his father, and recruited Daniel McMaster to the band on vocals - a singer with a sound very similar to Zeppelin front man Robert Palmer. This is the main single from the debut album, "The Disregard of Timekeeping."

Poison by Alice Cooper
Lynch brings us a song from Cooper's eighteenth album, "Trash." This song was a major comeback single for Cooper, his first top 10 single in the US in 12 years. The song tells the story of a guy entrapped by a girl that he knows is wrong for him, but also someone he can't let go.

Down Boys by Warrant
Greg finishes the staff picks with another hair metal band. This is the debut single from Warrant's debut album, "Dirty Rotten Filthy Stinking Rich." It reached number 27 on the Billboard Hot 100 charts.

INSTRUMENTAL TRACK:

Stand On It by Jeff Beck with Terry Bozzio and Tony Hymas
We close out with a guitar instrumental from guitar virtuoso Jeff Beck, accompanied by drummer Terry Bozzio and keyboardist Tony Hymas.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - March: Bob Dylan “Bob Dylan's Greatest Hits” Nov 11, 2024

One of the greatest songwriters of the 60's, Bob Dylan had released seven solo albums between 1962 and 1966. Bob Dylan's Greatest Hits compiles many of the singles from this period along with some of the songs Dylan wrote for other musicians. The compilation went to number 10 on the Billboard 200 chart, number 3 on the UK album chart, and has been certified five times platinum by the RIAA.

In the summer of 1966, Dylan crashed his motorcycle near his home, and took off time to recover. The record company was anxious to follow up Dylan's successful "Blonde on Blonde" album, but had no new recordings available, and no clarity on how long Dylan would be out of the studio. Thus the decision to release a Greatest Hits album was an easy one for them.

Born Robert Allen Zimmerman in Duluth, Minnesota, the stage name comes from the poet Dylan Thomas. Bob Dylan rose out of the Beatnik coffee houses, and he took inspiration from a wide variety of sources including Woodie Guthrie, Hank Williams, and blues artists like Robert Johnson. He has the unusual distinction of having won a Nobel Prize in Literature.

Wayne takes us through this iconic folk rock compilation album, and friend of the show Greg Lyon joins us in Bruce's absence for this week's podcast.

Positively 4th Street
This non-album single was released in 1965 between the "Highway 61 Revisited" album and the "Blonde on Blonde" album, and reached the top 10 on charts in both the US and the UK. The lyrics are laden with bitterness, as the singer laments the lack of compassion in a person who "has a lot of nerve to say you are my friend." An inspiration for this song could have been the reaction Dylan received from folk artists and fans when he "went electric."

Blowin' in the Wind
While Dylan released this as a single in 1963, the most successful version of this song was the cover by Peter, Paul and Mary in the same year. This well-known protest song asks a number of questions in its lyrics, most focused on issues of peace and freedom. Whether an answer "blowin' in the wind" is obvious or difficult to grasp is left deliberately ambiguous.

The Times They Are a-Changin'
This is the title track to Dylan's 1964 album. It is iconic today as a commentary on society in general and 1960's society in particular. The number of groups that have covered this song is vast, including such diverse names as Joan Baez, the Beach Boys, Bruce Springsteen, Billy Joel, and Burl Ives.

Subterranean Homesick Blues
A number of things make this song famous, from the early video style to the rapid lyric pace, to the inspiration for the name of the domestic terrorist group of the 70's, the Weather Underground ("you don't need a weatherman to know which way the wind blows"). Dylan claims inspiration from Chuck Berry and the scat songs of the 1940's in the creation of this track.

ENTERTAINMENT TRACK:

Sitting There Standing by the Chocolate Watchband (from the motion picture "Riot on the Sunset Strip")
This counterculture movie came out during this time, sporting a soundtrack that may be better than the film itself.

STAFF PICKS:

Detroit City by Tom Jones
Rob starts the staff picks with a slow blues number originally written by Mel Tillis. Jones cover of this country song originally released by Bobby Bare is about being lonely and homesick on the road. Jones' version went to number 27 on the Billboard Hot 100.

I'll Be Doggone by Marvin Gaye
Lynch brings us an upbeat tune which is the first song on which he collaborated with Smokey Robinson. The lyrics tell the singer's girlfriend that if she cheats on him he'll be (dog)gone. This was a big time for the Motown sound.

Can't Help Falling In Love by Elvis Presley
Special guest Greg's staff pick is an iconic ballad by the King. Recorded for the movie "Blue Hawaii" in 1961, it was on the charts in 1962, but has been popular ever since. Elvis was a great inspiration for Greg's life and musicianship.

Action Woman by the Litter
Wayne features an early garage band with a fuzzy feel. It is a good early example of psychedelic music, and chronicles a man's search for a woman of action - a more active girlfriend.

INSTRUMENTAL TRACK:

Music to Watch Girls By by the Bob Crewe Generation
This is a great song title with which to finish off the podcast - or ride in an elevator!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - April: Metallica "Master of Puppets" Nov 04, 2024

A number of bands seem to turn a corner with their third album, and Master of Puppets is no exception. Metallica's third album would achieve both critical and commercial success, crossing out of the new thrash metal sub-genre of hard rock to achieve multi-platinum recognition. Lead singer and rhythm guitarist James Hetfield collaborated with drummer Lars Ulrich as the principal songwriters, creating riffs that were assembled and reassembled over time until they formed a song. The band would then be called in to create a tile and topic for the song, at which point Hetfield would create the lyrics.

Master of Puppets peaked at number 29 on the Billboard 200 albums chart. Although glam metal was on the rise, the band avoided the over-produced, synth-laden sound popular in the era, and stuck to their signature thrash metal sound with political lyrics. The resulting album would consolidate the thrash metal scene, and bring the sound into a more mainstream audience.

Unfortunately, the album would also be the last one for which bassist Cliff Burton would be featured. Burton died in September 1986 while the band was on tour in Sweden, and their bus was involved in an accident.

Metallica would become a huge group from the late 80's onward, and this album shows the strength of the group in those years when they were just coming into the consciousness of the commercial world.

Lynch brings us this highly influential thrash metal album. Fans of the Show Julie Doran and son Zack join us in Wayne's absence for today's podcast.

Welcome Home (Sanitarium)
The song that concludes side 1 of the album was inspired by Ken Kesey's novel "One Flew Over the Cuckoo's Nest." The lyrics portray the thoughts of a mental patient incorrectly institutionalized in an asylum. The track starts slow and picks up steam as it goes.

Battery
This title could be a reflection of the charge of assault and battery, or it could be inspired by the military hardware of an artillery battery. There is also a connection to the original San Francisco thrash scene, centered on the Old Waldorf club on Battery Street. Control of violent urges is a connection that runs through the piece regardless of the original inspiration.

Master of Puppets
Cocaine addiction is the master of puppets referenced in this title track. Hetfield had friends experiencing drug addiction, and wrote this track from the perspective of the drug itself, taking over the lives of people. This will be a familiar song to fans of "Stranger Things."

ENTERTAINMENT TRACK:

Loved By the Sun by Jon Anderson and Tangerine Dream (from the motion picture “Legend”)
This fantasy film starring Tom Cruise and Mia Sara was in the theaters at this time.

STAFF PICKS:

Your Wildest Dreams by the Moody Blues
Rob starts off the staff picks with a song that singer and guitarist Justin Heyward wrote while thinking back on his first love. It hit number 9 on the Billboard Hot 100, making this song the biggest commercial success for the Moody Blues since "Knights in White Satin."

Mothers Talk by Tears for Fears
Bruce's staff pick was inspired by a mom telling her kids that when they make faces, they will freeze that way. It is also inspired by an anti-nuclear cartoon called "When the Wind Blows" by Raymond Briggs. The song was written by Roland Orzabal and Ian Stanley, and first performed in 1983. It went to number 27 on the Billboard Hot 100.

Kiss by Prince & the Revolution
Julie features a chart topping hit and lead single from Prince's eighth studio album, "Parade." The song is more acoustic and stripped down than prior Prince hits, and Warner Bros. didn't want to release it as a single. However, Prince insisted on both its inclusion on the album and its release as a single.

Addicted to Love by Robert Palmer
Lynch closes out the staff picks with a song that may be more famous for its video featuring models pretending to play the instruments. Palmer originally wanted to sing this song as a duet with Chaka Kahn, but was prevented from doing so by legal issues.

INSTRUMENTAL TRACK:

Songbird by Kenny G.
You just can't go wrong with a sax as we close out today's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Rocking Halloween III - A What the Riff Rabbit Hole Oct 28, 2024

What The Riff?!? makes another scary trip down the Halloween rabbit hole with these theme songs, movie and TV music, and rock songs with a bent towards the macabre. We hope you enjoy this third edition of "Halloween" from What the Riff?!?

Highway to Hell by AC/DC The opening track to the 1979 album of the same name features Bon Scott on his last album as lead singer of the group before his untimely death. The name of the song was inspired by the group's gruesome touring schedule.

Shout at the Devil by Motley Crue The Crue's 1983 breakthrough album of the same name would establish them as one of the most successful metal bands of the 80's. The song was controversial, with many believing that it encouraged devil worship, though the lyrics themselves do not explicitly do so.

Disarm by The Smashing Pumpkins Off their breakout album "Siamese Dream," this song references "the killer in me is the killer in you" is inspired by Billy Corgan's contemplation of his negligent parents and suicide. The lyrics "cut that little child" caused the song to be banned by the BBC.

Demons by Imagine Dragons This song off Imagine Dragons' major label debut studio album became their second top 10 single. It is really not about demons in the Halloween sense, but more the tragedies of life like abuse, PTSD, and mental illness.

Voodoo by Godsmack The third single from Godsmack's self-titled debut album was inspired by Wes Craven's film “The Serpent and the Rainbow.” This song became Dave Bautista's theme song as Leviathan when he was in the WWE.

Mommy's Little Monster by Social Distortion The title track from Social Distortion's debut album tells a horror tale of a kid becoming a punk rocker. It is another song about dealing with personal demons rather than the supernatural.

Witch Wolf by StyxEarly in their career Styx put out this song to lead off their third album, “The Serpent is Rising.” James Young takes lead vocal duties on this song that tells about a person accursed by a creature called the witch wolf, and night rider.

Dragula by Rob Zombie The lead single from Rob Zombie's debut album may be his biggest hit. The audio clip at the beginning of the song is taken from the 1960 horror film “The City of the Dead.” The name comes from the TV sitcom "The Munsters," where Grandpa Munster has a dragster called "Drag-u-la."

The theme to the TV series "Twilight Zone" This menagerie of bizarre tales from the early days of TV still has staying power in our sci-fi culture.

Sympathy for the Devil by the Rolling Stones Mick Jagger walks us through a discussion with Old Scratch himself in this well-known classic from the Stones' catalogue. The idea is a narrative from Satan's point of view as he reviews historical events.

That Old Black Magic by Frank Sinatra Old Blue Eyes gave us this romantic song with a Halloween bent. It was a jazz classic originally written in 1942 with lyrics penned by Johnny Mercer. Love is "that old black magic" in this tune.

Night of the Vampire by Roky Erickson From this cult classic album "The Evil One," this song is one of a plethora of horror-oriented tracks on the album. Erickson spent a significant amount of time in mental institutions.

The Kill (Bury Me) by Thirty Seconds to Mars Jared Leto, front man for the group (and perhaps better known as an actor today), has said this song is about the relationship you have with yourself, and confronting the dark side of who you are.

Take Me to Church by Hozier This haunting hit song compares falling in love with a kind of death, and compares the lover to a kind of religion.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - February: Ozzy Osbourne "No More Tears" Oct 21, 2024

No More Tears, the sixth solo studio album by Ozzy Osbourne, was released at an interesting time in rock music. Hair metal acts were in decline, and grunge was about to take off. Nevertheless, Ozzy hit it big with this album, reaching number 7 on the Billboard 200 charts, and providing Osbourne's only solo top 40 hit. No More Tears is generally considered his best album since his first two solo albums, "Blizzard of Oz," and "Diary of a Madman," both of which featured the late Randy Rhodes on guitar.

The songs on the album are largely written by Ozzy, drummer Randy Castillo, and guitarist Zakk Wylde. Motorhead bassist and front man Lemmy Kilmister wrote the lyrics to four of the tracks on the album. Additional musicians for this album were Bob Daisley on bass, and John Sinclair on keyboards. This would be the last Ozzy album to feature Castillo and Daisley.

As became more common in the compact disc era of the 90's, the tracks on this album tend to be longer than the typical single. None of the tracks clock in at less than 4 minutes, and the longest falls just short of 7 1/2 minutes.

In addition to boasting Osbourne's first top 40 hit, he also received a Grammy for "Best Metal Performance" for the track "I Don't Want to Chane the World" when released on his "Live & Loud" album in 1994.

Rob brings us this heavy metal throwback for this week's journey back to the 90's.

Mama, I'm Coming Home
This track peaked at number 28 on the Billboard Hot 100, making it Osbourne's only top 40 solo single. This power ballad contains lyrics by Lemmy Kilmister, the front man from Motorhead. The song is about his wife Sharon, who helped turn his life around.

Desire
A crunchy deep cut talks about going for what you want - not changing over time, seeking the same desire. Osbourne also makes a reference to "Crazy train," his hit from the early 80's. "It's the same old desire, nothing's changed, nothing's the same. Burning like fire, don't you ever take my name in vain."

Road to Nowhere
The last song on the album is a reflection on life. Osbourne had gone sober after 20 years of drugs and alcohol, and he looking at how "the road to nowhere leads to me." "I was looking back on my life and all the things I've done to me."

No More Tears
This very dark title track has an epic feel, and despite its length hit number 5 on the US Mainstream Rock Tracks chart, number 71 on the Billboard Hot 100, and number 32 on the UK Singles chart. The lyrics are told from the perspective of a stalker in a red light district seeking a victim to torture.

ENTERTAINMENT TRACK:

Wayne's World by Aerosmith (from the Saturday Night Live skit “Wayne's World”)
This skit finds Wayne (Mike Myers) and Garth (Dana Carvey) partying in their basement with the band Aerosmith.

STAFF PICKS:

Tough It Out by Webb Wilder
Wayne starts out the staff picks with a deep cut. Webb Wilder was born John Webb McMurry in Mississippi, and carries a high energy combination of rock, psychedelic, blues, and rockabilly genres in this song that encourages the listener to keep fighting for dreams even when the odds seem stacked against their fruition.

Alive by Pearl Jam
Lynch brings us a song which evolved from songwriter and front man Eddie Vedder's original intention. Vedder reflects on the feelings of a boy discovering that he was a stepchild. While the lyrics were intended as reflecting the curse of an emotional weight from family history, fans interpreted it as an affirmation of life.

I Can't Make You Love Me by Bonnie Raitt
Bruce takes the energy way down with this soft hit off Raitt's eleventh studio album, "Luck of the Draw." Bruce Hornsby provides the piano accompaniment. Nashville writers Mike Reid and Allen Shamblin wrote the song after hearing about a drunk man being sentenced for shooting at his girlfriend's car. When asked if he had learned anything, he said, "I learned, Your Honor, that you can't make a woman love you if she don't."

Anybody Listening? by Queensryche
Rob finishes the staff picks with a "prog metal" song off the "Empire" album that questions whether we really are communicating with people, and wondering if we are understood whether by word or deed. It was an epic with multiple tempos, dynamics, and key changes that finished off the album.

INSTRUMENTAL TRACK:

Masquerade by Yes
We close out with a surprisingly short song by the prog rock virtuosos off their "Union" album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - November: Kansas "Two for the Show" Oct 14, 2024

Kansas was at the height of their prowess and popularity as a prog rock-leaning band in 1978 when they released their first live album, Two for the Show. Recorded during tours in 1977 and 1978, the double album gives the listener a glimpse into the energy of the band at the time. The songs span the first five studio albums released by the group, from the eponymously named "Kansas" to the highly successful "Point of Know Return."

Kansas would have a number of personnel changes over time, but this lineup would be the classic one. Steve Walsh is on keyboards and vocals, Robby Steinhardt is on violins and vocals, Kerry Livgren is on guitars and keyboards, Rich Williams is on guitars, Dave Hope is on bass, and Phil Ehart is on percussion.

In addition to the complex metered songs and excellent harmonies, Kansas also features Robby Steinhardt on violin in most of their songs. The unusual use of violin in a rock band would create one of the signature sounds of Kansas.

Kansas would go on to have a number of hits in the 80's. In 1982 front man Steve Walsh would leave the group and be replaced by John Elfante. In 1983 both Livgren and Hope would leave the group to form the contemporary Christian band called AD. Later Elfante would also leave the group to join the Contemporary Christian music genre, replaced by a returning Steve Walsh.

Bruce presents this live prog rock masterpiece for this week's podcast..

Song for America
This long-form masterpiece from the album of the same name was written by Kerry Livgren. Its 3+ minute instrumental prelude did not make it onto the single release, but was a staple of FM rock stations at the time. Livgren was inspired to write the song after viewing the country from a plane flight.

Dust In the Wind
The big hit from "Point of Know Return," went to number 6 on the Billboard Hot 100. Livgren originally wrote the music as a guitar exercise, and his wife encouraged him to develop it into a song. The lyrics for this ballad come from the Bible, where the Preacher from Ecclesiastes says "everything he (man) has accomplished is futile - like chasing the wind." This live version concludes with an acoustic guitar outro performed by Rich Williams.

Lonely Wind
The live version of this song from their debut studio album begins with a piano solo from Kerry Livgren. Steve Walsh penned this melancholy track about loneliness, with the wind personifying that feeling. "Cry for me, sigh for me, sad breezes blow. Stay for me, play for me, the song my friends will know. My lonely wind must blow."

ENTERTAINMENT TRACK:

Grease by Frankie Valli (from the motion picture "Grease")
John Travolta and Olivia Newton-John star in this blockbuster musical set in a 50's high school. 50's icon Frankie Valli performs the title song, written by Barry Gibb.

STAFF PICKS:

Strange Way by Firefall
Wayne goes more mellow than normal to start the staff picks. This was the first track and big hit from the third album by Boulder, Colorado's Firefall. It talks about a relationship based on relaying sorrow or self-pity, and not being able to move the current relationship forward.

Straight On by Heart
Rob brings us a well-known song from Ann and Nancy Wilson of Heart. This was the first single off their album "Dog & Butterfly," and became their third top 20 single, hitting number 15 on the Billboard Hot 100. The lyrics compare love to a game of chance, where you have to take some risks if you want to win.

Fat Bottomed Girls by Queen
"Get on your bikes and ride!" Lynch features a hit written by Brian May with Freddie Mercury in mind, knowing that Mercury appreciated women of "substantial girth." It was a part of a double A side release with "Bicycle Race," and the songs reference each other in the lyrics.

How Much I Feel by Ambrosia
Bruce's staff pick is a soft rock hit that went to number 3 on the Billboard Hot 100. Front man and co-founder David Pack wrote this song about a long-lost love that the singer will never truly get over. Pack would go on to perform on the Kansas album "Vinyl Confessions" in 1982.

NOVELTY TRACK:

Y.M.C.A. by the Village People
All skate, everyone skate for this fun throwback that tells a young man where he can go when he's short on the dough.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - November: Bruce Springsteen "Born In the U.S.A." Oct 07, 2024

There were few rock albums in the 80's which achieved the popularity levels of Born In the U.S.A., the seventh studio album by Bruce Springsteen. Songs for this album were recorded with the E. Street Band over a two-year period from 1982 until 1984, the totality of songs far outstripping the available space on the album. Somewhere between 70 and 90 songs were created during those sessions, some being released as B-sides Ultimately twelve songs landed on the album, seven of which were released as singles. All seven singles reached the top 10 in the United States.

The songs reflect Springsteen's blue collar sensibilities, but also have more pop influence musically than some of his earlier works. Springsteen made more prominent use of synthesizers in these pieces, and the shorter, more radio-friendly tracks surely contributed to the success of the album. “Born In the U.S.A.” was the biggest selling album of 1985, and remains Springsteen's most successful studio album. The album's success also catapulted Bruce Springsteen's fame to stratospheric levels, a consequence which he considered a mixed blessing.

While the music is pop oriented and lively, the lyrics are often darker, reflecting the aftermath of the Vietnam war and struggles of blue collar life. It may be a strange juxtaposition, but it worked.

Born In the U.S.A. was released in 1984, but singles from the album were still being released in 1985, the last of which was released in November.

Lynch brings us this monster album of 80's heartland rock in this week's podcast

Glory Days
The fifth single released from the album was inspired by an encounter Springsteen had with an old friend and star high school baseball player in a bar in 1973. It reflects on the passage of time and the way we look back on the days of our youth with nostalgia.

Dancing In the Dark
This track was born out of frustration. Springsteen's manager was pushing for him to write a hit single, and the lyrics reflect the pressire Springsteen felt to write a hit. Interestingly the song became Springsteen's biggest hit, reaching number 2 on the Billboard Hot 100. The video is famous for a scene where Springsteen pulls a fan - the actress Courtney Cox before her fame on the TV show “Friends” - on stage to dance.

I'm On Fire
Springsteen developed this song in early 1982 while experimenting with a slow Johnny Cash rhythm. The lyrics are built around sexual tension for a seemingly unavailable love. The video portrays Springsteen as an auto mechanic working on a Thunderbird for an unseen female who brings the car in frequently and always asks for him to do the work.

Born In the U.S.A.
The title track and opening song to the album is a protest song disguised as a patriotic song. It was inspired by Ron Kovic, a Vietnam War veteran and wheelchair-bound anti-war activist who wrote the memoir “Born on the Fourth of July.” Despite its protest origins, it became associated with Ronald Reagan's optimistic 1984 campaign due to its strong chorus.

ENTERTAINMENT TRACK:

Living In America by James Brown (from the motion picture “Rocky IV”)
Brown makes a cameo in this Rocky movie when Balboa's antagonist turned friend Apollo Creed fights an exhibition against Soviet athlete Ivan Drogo in Las Vegas.

STAFF PICKS:

She Sells Sanctuary by the Cult
Wayne gets the staff picks rolling with the first big hit from the Cult. The lyrics reflect the feeling of safety that the singer receives when being around a particular woman. Front man Ian Astbury has stated that "...plain and simple. It's about sex." This group channels a bit of goth rock and a bit of fuzzy psychedelia.

To Live and Die in L.A. by Wang Chung
Rob brings us a deeper cut from the film noir "To Live and Die in L.A." Director William Friedkin liked the group and asked them to compose the entire soundtrack. This piece is the title track for the soundtrack, and gives off the neo-noir feel of the thriller.

Overjoyed by Stevie Wonder
Bruce features a hit song of the twentieth studio album from Stevie Wonder, "In Squared Circle." The song was written back in 1979 for the album "Journey Through the Secret Life of Plants," but didn't make that album. It was first performed live on Saturday Night Live in 1983. Jazz guitarist Earl Klugh contributes on this song.

Running Up that Hill (A Deal with God) by Kate Bush
Lynch finishes the staff picks with a song that got new life from the series "Stranger Things." Bush's unusual lyrics reflect a desire to make a deal with God to trade places with her husband for a time so she would better understand him.

INSTRUMENTAL TRACK:

Where's the Walrus? by The Alan Parson's Project
We finish off today's podcast with an instrumental from The Alan Parson's Project album "Stereotomy."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - June: Dire Straits "Love Over Gold" Sep 30, 2024

We covered the big commercial hit album "Brothers In Arms" back in episode 154, but many afficianados of Dire Straits consider their finest work to be the album that preceeded this one. Love Over Gold is their fourth studio album, released in late September 1982 and on the charts in June 1983. For this album, prime mover and lead vocalist Mark Knopfler, bassist John Illsley, and percussionist Pick Withers are joined by new members Hal Lindes on guitars and Alan Clark on keyboards.

The songs on this album are longer than your standard single, particularly the majestic 14-minute "Telegraph Road." Despite their length, "Private Investigations" was released as a single in the UK and reached number 2on the charts. The shortest song, "Industrial Disease" (still clocking in at 5:50) was released as a single in the US. It would reach number 75 on the Billboard Hot 100, but would be a staple of rock radio stations at the time.

A number of songs were written and recorded during the "Love Over Gold" sessions, but subsequently discarded from album release. Amongst these was the song "Private Dancer," which was instead provided to Tina Turner for her comeback album of the same name. Turner would take this song to number 7 on the US charts, and see her career reinvigorated by the success of her "Private Dancer" album.

"Love Over Gold" was a number 1 album on a number of charts, including Australia, Austria, and the UK, and reached number 19 on the US Billboard 200 albums chart.

Rob brings us this outstanding, deep, and thought-provoking album for this week's podcast.

Telegraph Road
This lengthy masterpiece was inspired while Knopfler was riding in his tour bus down the 70-mile road of the same name. The song narrarates the development and history along the road as the decades roll past. It is easy to describe this song as prog rock, but it also contains one of the best guitar solo riffs you will hear.

Industrial Disease
Goodness me, goodness me! We have to highlight the US single from the album. The title comes from a term for work-related illness, and the term in this song references both individual work illness and the decline of British industry in general. The reference to Dr. Parkinson is a British professor and satirist who is famous for the phrase "work expands to fill the time available for its completion."

ENTERTAINMENT TRACK:

Overture to the Marriage of Figaro by Mozart (from the motion picture “Trading Places”)
Eddie Murphy and Dan Aykroyd star in this comedy about a yuppie and a homeless man who are forced to trade places as the result of a bet by two rich stock brokers.

STAFF PICKS:

Murder By Numbers by The Police
Bruce initiates the staff picks with a dark song about becoming a serial killer. This Police song appears on the cassette and CD version of the album "Synchronicity," but was left off the vinyl due to lack of space. It was written by Sting and Andy Summers, the only collaborative song on the album, and was recorded in a single take.

Rock of Ages by Def Leppard
Lynch brings us a huge song from Def Leppard's "Pyromania" album. Producer Mutt Lange counts off the nonsensical "Gunter Glieben Glauten Globen," to open the song, and the lyrics form an anthem suitable for arena show openers. Joan Jett's "I Love Rock 'n' Roll" was an inspiration to the creation of this anthem.

Don't Pay the Ferryman by Chris deBurgh
Wayne's staff pick takes a fantasy approach to the story of Charon and the crossing of the river Styx, advising not to pay until the trip is done. Irish artist Chris deBurgh broke into the US top 40 with this song, peaking at number 34. Lines from Shakespeare's play "The Tempest" can be heard in the bridge to the song.

The Walls came Down by The Call
Rob finishes the staff picks with a song that is inspired by the Biblical tale of the fall of Jericho. Lead singer Michael Been would pull biblical references into his lyrics, including this song. The Call formed in 1980 in California, and blended rock, New Wave, and post-Punk. U2 and Simple Minds both consider The Call an influence in their music.

COMEDY TRACK:

My Bologna by "Weird Al" Yankovic
We close out with Weird Al's meaty take on "My Sharona by" the Knack.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1972 - August: Emerson, Lake & Palmer “Trilogy” Sep 23, 2024

If you are exploring the rise of prog rock, it doesn't take long until you encounter the power trio of Emerson, Lake & Palmer. This progressive rock band is actually a supergroup. Keyboardist Keith Emerson came from The Nice, vocalist and guitarist Greg Lake was in King Crimson, and percussionist Carl Palmer was from Atomic Rooster. Emerson, Lake & Palmer formed in 1970 and would make their mark as a prog rock band which adapted classic and symphonic music into the rock genre, with elements of jazz, acoustic, and art rock coming into play. Most ELP songs are long and complicated, not making any attempt to stay within the confines of the “hit single” pop track.

Trilogy is the trio's third studio album, following their eponymously named debut, their second studio album entitled “Tarkus,” and their live album, Pictures at an Exhibition. Trilogy continues a tradition of combining original material with adaptations of classical music. It was also a challenging album for the group to make, utilizing more overdubs than previous albums. The upside is a great sounding, polished album. The downside is that the music was difficult to duplicate live, causing a number of the songs from Trilogy to be minimally used in set lists.

The album was considered both a critical and commercial success, reaching number 2 on the UK albums chart, and number 5 on the US Billboard 200 chart.

ELP would continue as a force in the 70's, breaking up in 1979. Both partial and full reunions would continue through the 1980's and 1990's, with their final performance being held in 2010. Both Keith Emerson and Greg Lake died in 2016.

Wayne takes us through this prog rock masterpiece for this week's podcast.

Fugue
We open with an instrumental featuring Keith Emerson on keyboards. A fugue is a style of music involving counterpoint, popular in the Baroque musical era of the 1600's. You will get exposure to a lot of serious musical compositions and style listening to this group.

From the Beginning
This is the "hit" from the album, if you think of Emerson, Lake & Palmer in terms of popularity. It went to number 29 on the US charts, and is the highest charting US single. Greg Lake wrote the music and lyrics, and plays the acoustic guitar for this ballad. The lyrics take on a philosophical sone, emphasizing the importance of the present moment, while not missing past mistakes and missed opportunities.

The Sheriff
Keith Emerson wrote the music and Greg Lake wrote the lyrics to this western-themed track. It tells the story of an innocent man fleeing the law, encountering the law in the form of the Sheriff, then taking the Sheriff's place after shooting him. It ends with a great honkytonk piano solo.

Hoedown
Immediately following “The Sheriff” on the album, the group creates an adaptation of Aaron Copeland's iconic “Hoe-Down,” written for his classic ballet entitled “Rodeo” in 1942. This tune became well known after being used in advertisements by America's Beef Producers.

ENTERTAINMENT TRACK:

Main theme from the motion picture “Super Fly”
Curtis Mayfield created this song for the black-oriented crime drama film of the same name.

STAFF PICKS:

Best Thing by Styx
Bruce leads off the staff picks with the first single from Styx's first album. Dennis DeYoung and James Young wrote the song and trade off on lead vocals. It peaked at number 82 on the Billboard Hot 100. This is a great tune to hear and grasp what the early days of Styx sounded like.

Rock and Roll, part 2 by Gary Glitter
Rob brings us a glam rock anthem made famous today by its use in sports stadiums nation wide. This single off “Glitter,” the debut album by Gary Glitter, is the only one of his singles to crack the U.S. top 10. Both “Rock and Roll” part 1 and part 2 peaked at number 2 on the UK singles chart.

Brandy (You're A Fine Girl) by Looking Glass
It is a mystery how Lynch was able to pick up this well-known classic of yacht rock this late in the podcasts. This track tells the story of a waitress who gives her love to a sailor, knowing that he would never be on shore for long.

Will It Go Round in Circles by Billy Preston
Wayne's staff pick is a funky tune from the man often known as the fifth Beatle. Preston played with a number of musicians, including Ray Charles, Little Richard, Sam Cook, Eric Clapton, Aretha Franklin, Joe Cocker, and of course the Beatles. This soulful tune sold over a million copies and topped the Billboard Hot 100 chart.

INSTRUMENTAL TRACK:

Walk In the Night by Junior Walker & the All Stars
This jazz-infused (largely) instrumental track closes out the podcast for the week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - February: Bob Seger & the Silver Bullet Band "Against the Wind" Sep 16, 2024

If you're looking for great Heartland Rock, a great choice would be the album Against the Wind. Depending on how you count it, it could be considered Bob Seger's eleventh studio album, but it is the third album of the iteration known as Bob Seger & the Silver Bullet Band. Seger is joined by Drew Abbott on guitar, Chris Campbell on bass, and David Teegarden on drums. The band became the Silver Bullet Band a bit by accident. They were arguing about what to call themselves, and the manager got tired of it. When they got paid the manager wrote the name "Bob Seger and the Silver Bullet Band" on the paycheck and the name stuck.

Against the Wind was an immediate success. It went to number 2 on the Billboard 200 charts in its third week, and it sat there for 5 weeks, kepts out of the top slot by Pink Floyd's monster hit album, "The Wall." Finally, it topped "The Wall" to take the number 1 slot and remained there for six weeks, making it Bob Seger's most successful album in his career.

There are a number of well known hits on this album, and an excellent collection of musicians as well. In addition to the Silver Bullet Band, Seger makes use of session musicians out of Muscle Shoals Sound Studios, and is joined by backing vocals from members of the Eagles as well.

Seger retired at the end of 2019, but he performed in 2023 at Patty Loveless's induction in to the Country Music Hall of Fame in Nashville, so we hold out hope that there will be some occasional performances still to come.

Bruce presents this folksy heartland singer songwriter for this week's podcast..

Her Strut
While not released as a single, this song received some airplau as the B-side to "The Horizontal Bop." Seger has been criticized for his adolescent humor in this song, but he claims that the inspiration for it was feminist activist Jane Fonda and her appearance before the Campaign for Economic Democracies.

Against the Wind
Bob Seger has written a number of songs about looking back on life, and the title track is an example of this. Seger was a cross country runner in high school, and he uses running as a metaphor for growing old. This song went to number 5 on the Billboard Hot 100, and he is joined by his friend and Eagles alumnus Glenn Frey for backing vocals.

Fire Lake
This track is about taking risks, risking love, and just heading off with a bunch of wild people. Seger recorded this one at Muscle Shoals Sound Studios. If the backing vocals sounds a lot like the Eagles, there is a reason for it - those backing vocalists are Glenn Frey, Don Henley, and Timothy B. Schmit.

You'll Accomp'ny Me
This ballad is a little more country, with lyrics that basically say, "look, you may be playing the field now, but we both know in the end we'll be together." Little Feat co-founder Bill Payne joins Seger on this track to provide organ, synth, and piano parts. It hit number 14 on the Billboard Hot 100.

ENTERTAINMENT TRACK:

Sleepless Nights by Gram Parsons (from the motion picture "Cruising")
Al Pacino starred in this crime thriller about a serial killer targeting gay men.

STAFF PICKS:

I Like to Rock by April Wine
Wayne rocks out to start the staff picks with this Canadian band. April Wine formed in 1969, and have released over 20 albums. This song may be time stamped in the early 80's but it rocks out, and you can't beat lyrics like, "journey to the stars, Rock N Roll guitars!"

Take the Long Way Home by Supertramp
Rob brings us one of the hits off Supertramp's multi-platinum album, "Breakfast in America." The lyrics to this one depict a couple growing apart as the husband starts staying away from home due to feeling like he's being ignored. It can also be a reflection of missed opportunities to live in alignment with your heart, and not being at peace with yourself.

Rock With You by Michael Jackson
Lynch features a hit from MJ's disco album, "Off the Wall." Original lyrics were a bit more suggestive, but these were toned down to fit Jackson's wholesome image at the time. Rod Temperton wrote "Rock with You" as his first song for Jackson, setting the stage for more collaborations, including the iconic "Thriller."

I Wanna Be Your Lover by Prince
Bruce's staff pick is the lead single from Prince's self-titled second album, and his first major hit, reaching number 11 on the Billboard Hot 100 in January 1980. Prince performs lead and backing vocals, and plays all instruments on this hit. The end of the track includes an extended instrumental jam which is edited out for the single.

INSTRUMENTAL TRACK:

Give It All You Got by Chuck Mangioni
Flugelhorn player Mangioni wrote this song for the 1980 Winter Olympics in Lake Placid, New York.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1990 - October: Various Artists, Soundtrack for “Goodfellas" Sep 09, 2024

This week we are taking an opportunity to explore some songs which would normally be outside our time frame by following the soundtrack to the movie “Goodfellas.” This Martin Scorsese film is a mafia story told from the view of Henry Hill in his book “Wiseguy: Life In a Mafia Family.”

The movie follows Henry Hill as he looks back on his life beginning during a time when he looked up to the Wise Guys and gangsters who ran his neighborhood. Hill starts his narrative as a child in 1955 and continues until 1980 when Hill becomes an FBI informant on the Luccese crime family and enters the witness protection program.

The songs from that film provide the backdrop of different times in Hill's life. Rat Pack hits reflect scenes with the gangsters, while songs from the Who and Cream reflect more disjointed times.

Hill was paid $480,000 for his contribution to the movie. Hill passed away in 2012.

Wayne takes us through this time spanning soundtrack this week on our podcast, because this gives us the opportunity to cover some songs which are not normally in our album "window," while still giving us a window into a popular film and into the happenings of the early 90's.

Rags to Riches by Tony Bennett
This crooner song is used as the backdrop when Henry Hill reflects on his childhood and states, "As far as I can remember I always wanted to be a gangster - being a ganster is better than being the President of the US." This sets the table for the remainder of the film.

Then He Kissed Me by The Crystals
Phil Spector co-wrote this song and was instrumental in increasing the popularity of the Crystals before he moved on to work with The Ronnettes. This track is used as the backdrop of a long take where Hill and his date go to the Copacabana restaurant through the back door to a table set on the dance floor for them.

Ain't That a Kick In the Head by Dean Martin
Rat Pack member and ultra-cool crooner known for his roasts and singing with a martini glass, Martin's song is the perfect fit to a montage of mob life. Henry's wife Karen narrarates this montage. The inspiration for the song may have been a film starring Martin and Frank Sinatra, in which Sinatra's character says, "ain't that a kick in the head." during a poker game.

Magic Bus by the Who
This Who song is used in the movie during a scene of frantic, intoxicated driving where Hill believes that he is being tracked by the Feds.

ENTERTAINMENT TRACK:

Main theme from the motion picture “Troll 2”
This film may be one of the best "worst" movies made, but it was in the theaters at the time, so we thought we'd brush off the theme and trot it out this week.

STAFF PICKS:

Cradle of Love by Billy Idol
Rob kicks off our staff picks this week with a single off Idol's fourth studio album "Charmed Life." Idol was in a near-fatal motorcycle accident earlier in the year, and his appearances in the David Fincher video include head shots and close-ups from the waist up, obscuring the fact that he was still recovering from his leg injuries.

Praying for Time by George Michael
Lynch features the lead single from Michael's second solo album, "Listen Without Prejudice Vol. 1." This somber, contemplative tone is a departure from his more pop-oriented hits. Michael addresses poverty, injustice, and the human condition, concluding that some things can only be healed with time.

Tick Tock by The Vaughan Brothers
Bruce's staff pick is off "Family Style," the only studio album featuring brother Jimmie and Stevie Ray Vaughan. The song lyrics about the need to recognize that time is short are more poignant, given that the album was released a month after Stevie Ray Vaughan died in a helicopter crash.

Waiting for the Angels by The Darkside
Wayne brings us one of his Manchester sound groups. The Darkside is out of central England and have a neo-psychedelia sound with heavily distorted guitar and synthesizers. The song lyrics are about a guy seeing lots of women in life, but not making a connection. He's waiting for angels to bring the right one his way.

INSTRUMENTAL TRACK:

Guitar Voodoo by The Darkside
We finish up this week's podcast by double-dipping on the Manchester sound with this instrumental.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - June: Rage Against the Machine "Rage Against the Machine" Sep 02, 2024

Rage Against the Machine recorded their eponymously named debut album in May-June of 1992 and released it in November 1992. The Los Angeles-based group consisted of Zack de la Rocha on vocals, Tom Morello on guitar, Tim Commerford on bass, and Brad Wilk on drums. The group was known for their anti-establishment and politically charged lyrics. Rage Against the Machine combined a lot of genres of music into a single hard-hitting sound. The influence of hard rock and metal is clear, and elements of rap, funk, hip hop, and punk rock are clearly infused into the sound.

This group was not just political in nature, every song is laced with revolutionary rants. The group draws inspiration from mondern revolutionary groups such as the IRA and the Black Panthers, and is highly critical of the policies of the United States, both foreign and domestic.

RATM's debut album is largely based on their demo tape released a year before, which contained seven of the ten songs appearing on the album. That demo tape was recorded prior to the group's first live show, and was used as a means to build awareness of the group in the days before their signing with Epic Records.

The album was a quick critical success and a slower commercial success. The group began to really take off on the strength of the single "Killing In the Name," and after their performance at the Lollapaloosa festival in mid 1993.

Lynch brings us this high energy album in this week's podcast.

Bombtrack
The opening track starts with a strong guitar riff, and deals with themes of social injustice and resistance against oppression.

Bullet In the Head
Media manipulation and control of information are the issues dealt with in this track, which became a staple of the band's live shows. "Just victims of the in-house drive-by / They say jump, you say how high."

Wake Up
This song will be familiar to fans of the 1999 film "The Matrix," as it is used at the conclusion when Neo calls the Matrix announcing he will reveal their existence. They lyrics are a critique of racism, the CIA and government corruption.

Killing In the Name
The big single from the album addresses police brutality and institutional racism.

ENTERTAINMENT TRACK:

Face to Face by Siouxie & the Banshees (from the motion picture “Batman Returns”)
This movie finds Michael Keaton reprising his role as the caped crusader, facing Danny DeVito's "Penguin" and Michelle Pfeiffer's "Catwoman."

STAFF PICKS:

Empress of Pop by Insane Jane
Wayne starts the staff picks with an underrated local Georgia band. This song is a screed against Sinead O'Conner. Insane Jane produced two albums, the first called "Each Finger," and the second (which contains this song) entitled "Green Little Pill."

Let's Get Rocked by Def Leppard
During a time when hard rock was on the downswing, it is nice to hear a solid rocker which would have been at home on any of Def Leppard's 80's albums. Rob's staff pick shows that there was still some solid rock music going on in the midst of the grunge movement.

57 Channels (and Nothin' On) by Bruce Springsteen
Bruce features a Springsteen song which reflects the proliferation of cable television, but not necessarily good content on the tube. While Springsteen considers this sone a bit of a "playful misfire," the song did go to number 68 on the Billboard Hot 100 and number 6 on the Mainstream Rock charts.

Would? by Alice In Chains
Lynch closes out the staff picks with a song written as a tribute to Andrew Wood, the late lead singer of Mother Love Bone, who died of a heroin overdose in 1990. The lyrics deal with the aftermath of rehab and the uncertainty of the future.

NOVELTY TRACK:

Achy Breaky Heart by Billy Ray Cyrus
Long before his daughter began her career in "Hannah Montana," Billy Ray Cyrus was all over the charts with this cheesy country song.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - May: Devo “Freedom of Choice” Aug 26, 2024

While Devo is known as an early 80's new wave synth pop band, their history goes back to 1973. The classic lineup of Mark Mothersbaugh, Bob Mothersbaugh, Gerald Casale, Bob Casale, and Alan Myers developed the name Devo from "De-evolution," the idea that mankind is regressing to a herd mentality. This was a bit of a joke idea that Gerald Casale and co-founder Bob Lewis formed while at Kent State University. The band gained some local fame in 1976, and were signed to Warner Brothers in 1978 with recommendations from David Bowie and Iggy Pop.

Freedom of Choice is Devo's third studio album and their breakout commercial success. While their first two albums had generated some following, the commercial success was not at the level Warner Brothers sought, and the third album was considered a "make or break," one with the studio ready to drop the group. Success did follow this album, with Devo exploiting the upcoming popularity of new wave while drifting a little bit towards R&B and funk sensibilities within their synth-pop framework.

The album was recorded and mixed in six weeks, with bass, guitars, and drums being recorded together live, and with synthesizers and vocals being overdubbed later. The album peaked at number 22 on the Billboard 200, and the big single, "Whip It," reached number 14 on the Billboard Hot 100 singles chart.

Rob brings us this synthisizer-driven new wave album for this week's foray into the early 80's.

Freedom of Choice
Thie post-punk title song initially sounds like it is about freedom of choice. However, it is really about people not really having freedom of choice. Consumerism - choosing between green sneakers and blue sneakers for example - isn't really choice at all. "Freedom of choice is what you got. Freedom from choice is what you want."

Whip It
Everyone knows this signature Devo song. Mark Mothersbaugh has stated that the song was written as a subtle Dale Carnegie-esque message to Jimmy Carter, saying "you can do it." The song benefitted greatly from airplay on the fledgling cable channel MTV, where their strange video involving a guy knocking the clothes off a girl with a bullwhip received continual play.

Gates of Steel
The lead song from side 2 is a bit of a commentary on the mechanization of humanity. No matter how much we believe mankind has accomplished, we're not far removed from the ape. "A man is real, not made of steel."

Girl U Want
This was the first single released from the album, though it did not chart well. The song was supposedly inspired by The Knack, though the track reminds us more of The Cars. "She's just the girl, she's just the girl, the girl you want."

ENTERTAINMENT TRACK:

Fame by Irene Cara (from the motion picture “Fame”)
Irene Cara sings the theme song and stars in this teen musical drama about students auditioning to study at the High School of Performing Arts.

STAFF PICKS:

Crazy Little Thing Called Love by Queen
Lynch's staff pick is a song inspired by Elvis Presley. Freddie Mercury wrote the song lyrics in about 10 minutes, and the band created the song in about 30 minutes. Mercury played lead guitar for the original stuido recording. It was the first number 1 hit that Queen had on the US Billboard Hot 100 singles chart.

Cars by Gary Numan
Wayne brings us the signature song from Gary Numan. It was inspired by an incident of road rage Numan experienced in London, where he had to lock his doors and drive on the sidewalk to avoid getting attacked. He was safe in his car, and inspired to write a song in about 30 minutes. It is a signature song of the New Wave genre, and there are no guitars in this track.

Two Headed Dog (Red Temple Prayer) by Roky Erickson
Bruce features a strange hard rock song with lyrics inspired by Soviet scientist Vladimir Demikhov. Demikhov's research focusted on organ transplants, and he conducted dog head transplants in the 1950's. This song is off Erickson's debut album with his band the Aliens, and is considered a cult classic.

Call Me by Blondie
Rob finishes the staff picks with a hit that feaured in the film "American Gigolo." It went to number 1 on the Billboard Hot 100 for six weeks, the biggest hit of Blondie's career. Lead vocalist Debbie Harry wrote the lyrics from the perspective of the main character in the film, a male prostitute.

INSTRUMENTAL TRACK:

Airlane by Gary Numan
We close out with a double dip on new wave synth artist Gary Numan this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - May: Sly and the Family Stone “Dance to the Music” Aug 19, 2024

Sylvester Stewart was born in Dallas, Texas, but moved to the Bay area of California before becoming a multi-instrumentalist and changing his name to Sly Stone - the primary driver of the group Sly and the Family Stone. This was one of the first integrated groups, and one that crossed many genres. They played what would become known as psychedelic soul, but you can trace the origins of funk, soul, and psychedelic music through Sly and the Family Stone.

The first Family Stone album was called “A Whole New Thing,” and it caught good critical coverage. Unfortunately it was a commercial failure. Clive Davis asked for a more pop friendly sound, and Sly Stone created an approach to their second album, Dance to the Music, which followed a formula. Each lead singer would take turns on lead vocals or sing together in unison, the songs would feature a prominent solo for the instrumentalists, and the lyrics would appeal to a wide audience even though they would still focus on peace, love, and opposition to racism. The group really did not care for the formulaic approach of this album, but it worked when it came to commercial appeal. “Dance to the Music” became a top 10 pop hit, and it inspired several groups to gravitate towards psychedelic soul, including the Temptations, the Impressions, and the Four Tops.

Sly Stone is the primary driver of the group, writing almost all of their songs, serving as a multi-instrumentalist, and as a primary vocalist. His borhter Freddie Stone is on vocals and guitar, and his sister Rose Stone joins the group for the first time on this album. Other members are Larry Graham on vocals and bass, Cynthia Robinson on trumpet and vocals, Jerri Martini on saxophone, Greg Errico on drums, and backing vocals by Little Sister (Vet Stone, Mary McCreary, and Elva Mouton).

Sly and the Family Stone would release a number of songs to hit the top 10 in the Billboard Hot 100 in the years to come. The follow-up album to this one is called "Stand!," and is considered the band's high water mark, along with their performance in 1969 at Woodstock. The band would encounter instability and drug problems as time went on, with the original group dissolving in 1975. Sly Stone would continue to record as "Sly and the Family Stone" for many years afterwards using rotating musicians, until drug problems basically forced him to retire by 1987.

Bruce brings the early funk for this week's podcast.

Are You Ready
This song is an expression of opposition to racism with lyrics like "Don't hate the black, don't hate the white, of you get bit, just hate the bite. Make sure you heart is beatin' right."

Ride the Rhythm
This song starts off side two of the album. It is a straightforward dance song, and has some obvious comparisons to James Brown. It has a nice mix of horns and "wah wah" guitar.

Don't Burn Baby
Scat was an early precursor to rap music, and this track is a good example of a rapid rhyme scat. The eastern feel is also reminiscent of George Harrison. "Don't burn, baby, burn. Just learn, baby, learn."

Dance to the Music
Here is the big hit off the album, and the first Sly and the Family Stone single to reach the top 10 on the Billboard Charts, peaking at number 8. It is a straight up party record, but was also one of the most influential songs of the late 60's. The formula used by Sly Stone to make the songs on this record are clear here, even though he and the group did not like that approach.

ENTERTAINMENT TRACK:

Shape of Things to Come by Max Frost and the Troopers (from the motion picture Wild In the Streets)
This dystopian comedy-drama became a cult hit of 1960's counterculture. Max Frost and the Troopers was a fictional rock band in the film.

STAFF PICKS:

Ain't Nothing Like the Real Thing by Marvin Gaye and Tammi Terrell
Lynch starts out the staff picks with a smooth grooving song off the soul duo's album “United.” Ashford & Simpson wrote and produced this song, which became a hit within a week of its release, going to number 8 on the Billboard Hot 100 and number 1 on the Hot Soul Singles chart.

Anyone for Tennis by Cream
Rob brings us the theme song for the 1968 film “The Savage Seven,” an outlaw biker exploitation movie. Eric Clapton's lyrics depict a callous disregard for all the turmoil going on in the world, with the singers discussing going out for a game of tennis while everything disintegrates around them.

She's A Heartbreaker by Gene Pitney
Wayne features an early 60's crooner who turns to a Motown sound for this go-go hit. It peaked at number 16 at the time. It is about a guy who is continually drawn to a woman who breaks his heart every time.

Love Is All Around by The Troggs
Bruce's staff pick is probably most familiar to fans of the Christmas movie "Love Actually," where an old rocker converts it to a cheesy Christmas song called "Christmas Is All Around." The Troggs' lead singer Reg Presley wrote it in about 10 minutes, inspired by a broadcast of the Salvation Army Band performing an evangelical song called "Love That's All Around."

NOVELTY TRACK:

The Unicorn by The Irish Rovers
The Irish story of how the unicorn missed its appointment with Noah's Ark was on the charts in 1968, and closes out our podcast this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - April: Styx “Cornerstone” Aug 12, 2024

Styx is approaching the height of their popularity and a bit of a turning point when they released their ninth studio album, Cornerstone. Keyboardist and vocalist Dennis DeYoung, and lead guitarist and vocalist Tommy Shaw take the lion's share of the songwriting duites, with one or both developing all tracks save one. The lead vocalist duties also alternate between DeYoung and Shaw, again with the sole exception being a song written and sung by guitarist James "JY" Young.

This album finds the group shifting from a more prog rock sound to a pop rock orientation. This transition would create a commercial success, with Cornerstone becoming the groups first top 5 album on the US charts - peaking at number 2. The album would produce the groups first and only number 1 hit on the Billboard Hot 100 in the power ballad "Babe." It would also be a critical success, earning a Grammy nomination for Best Rock Performance by a Duo or Group. Not bad for a self-produced album.

The successes, however would be tempered with the first fractures appearing between the group's primary singers and songwriters. Dennis DeYoung wanted to see the group move in a more pop direction, while Tommy Shaw preferred the rock orientation of previous albums. James Young sided with Shaw in this dispute. It would eventually cause a rift in the band in the mid-80's, with Shaw and DeYoung splitting up.

Friend of the show Steve Hardin presents this classic rock and pop sensation in today's podcast.

Borrowed Time
The third single from the album was the lead track to side 2. The song is a political one, portraying a United States in trouble, but oblivious to its decline. DeYoung and Shaw co-wrote this song, and Dennis DeYoung takes lead vocal duties on this high energy track.

Boat on the River
This more folk-oriented tune was a charting single in the UK and hit number 5 on the German charts, but was not released as a single in the US. Tommy Shaw wrote and sings lead on this track, as well as playing mandolin. It began as an experiment when Shaw first acquired a mandolin, but the band thought it sounded good enough to make it on the album.

Why Me
The second single was a compromise choice. Originally DeYoung wanted the power ballad "First Time" to be released as the second single, but when Tommy Shaw objected so strenuously to releasing two ballads in a row that he threated to leave the band over it, "Why Me" became the single. Also written and sung by DeYoung, it is about feeling depressed even in the midst of success.

Babe
The band's sole number 1 single is a ballad about having to leave the one you love for a period of time. Dennis DeYoung wrote it as a birthday present for his wife Suzanne. Despite its success, it was not originally intended to appear on the album. Tommy Shaw and James Young convinced DeYoung to put it on the album.

ENTERTAINMENT TRACK:

Rawhide by the Blues Brothers
The band performs behind a protective fence in a country bar in one scene, and this is the single song from the Country AND Western genre they can play.

STAFF PICKS:

Mystery Train by UFO
Wayne launches the staff picks with a cover of a song originally recorded by Junior Parker in 1953. UFO were an English rock band originally formed in 1968. This song is off their eighth studio album which was produced by George Martin of Beatles fame.

Love Stinks by the J. Geils Band
Lynch's staff pick is a description of a love triangle in which no one gets what they want. Lead Singer Peter Wolf was married to actress Faye Dunaway at the time, and was headed towards a divorce which may have inspired the lyrics. Many will remember this song from Adam Sandler's performance in "The Wedding Singer."

Even It Up by Heart
Rob brings us the first single from Heart's fifth studio album, "Bebe le Strange." It features the Tower of Power horn section in the instrumentation. The lyrics call for reciprocity in a relationship, and also a subtle rant against the obstacles women face in the rock world.

Run Like Hell by Pink Floyd
Steve Hardin wraps up the staff picks with a song written by David Gilmour and Roger Waters. The song is used in the film "The Wall" to depict rock anti-hero Pink as a fascist dictator turning the audience into a lynch mob.

INSTRUMENTAL TRACK:

Seduction by Giorgio Moroder
This instrumental love theme from the movie "American Gigolo" was on the charts at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - December: Def Leppard “Hysteria” Aug 05, 2024

Hysteria is the album that should not exist. Def Leppard's fourth studio album was plagued with delays and tragedy. Despite this fact, the album would become one of the greatest heavy metal albums of all time.

The band wrapped up their Pyromania tour in early 1984, and started writing their next album shortly thereafter. Producter John "Mutt" Lange began working with them to arrange the songs, but was suffering from burnout and couldn't commit to producing the album. Jim Steinman (of Meatloaf's "Bat Out of Hell" fame). The fit was not good, and the band parted ways with Steinman by the fall. They began self-producing, but it was slow work. Then in December tragedy struck, as drummer Rick Allen crashed his Corvette, losing his left arm in the accident. The band stuck with him as he returned to the drums, using a combination of acoustic and electronic drums and MIDI pedals to trigger sounds for parts ordinarily played with the left arm. Self-production was continued until Mutt Lange was able to rejoin in mid-1985. Final recording sessions occurred in early 1987, and the finished product finally was released in August 1987.

Def Leppard's goal with the album, was amazingly aggressive: they wanted to create a rock album similar to Michael Jackson's "Thriller," such that every track on the album could potentially be a hit single. This goal was largely achieved, as seven of the albums tracks were released as singles, an unpresidented achievement for a rock band at the time. This would also produce controversy with Def Leppard fans, as the group was perceived by some as selling out to commercial "hair metal" sensitivities popular at the time.

Friend of the show Steve Hardin joins us in Bruce's absence, and Lynch brings us this monster album of heavy metal (or hair metal, depending on your perspecitve) for week's podcast.

Hysteria
The title track was the fourth single from the album, and the group's first top 10 single in the US. Drummer Rick Allen came up with the name for this slow rocker. "'Cause it's a miracle, oh say you will, ooh babe. Hysteria when you're near."

Animal
This fast paced song was the second release in the US and the first single in the UK where it broke into the top 10. It was one of the more difficult songs for the group to write, going through multiple iterations with multiple producers before arriving in the style used on the album.

Rocket
This track was almost created as an instrumental, but morphed into a tribute song, referencing many of the influential groups of the 60's and 70's. It also features a backwards masking vocal from another song on the album (Gods of War) which says, "we're fighting with the gods of war."

Pour Some Suger On Me
Often considered Def Leppard's signature song, this track was a last-minute addition to the album. It came out of an acoustic jam developed by lead singer Joe Elliott. Producer Mutt Lange liked the tune and pushed for its development despite the album being behind schedule. It was created in about 2 weeks, and would reach number 2 on the Billboard Hot 100.

ENTERTAINMENT TRACK:

I Get Around by The Beach Boys (from the motion picture “Goor Morning, Vietnam”)
This movie starred Robin Williams as an Armed Forces Radio Service DJ who is popular with the troops, but problemmatic to the bureaucrats.

STAFF PICKS:

Say You Will by Foreigner
Rob starts the staff pick with a song that hit number 6 on the charts. Foreigner evolved their sound in the late 80's to meet the aesthetic of the day, with heavier use of the synthesizer and less guitar riffs. It is the first single from their sixth studio album, "Inside Information."

No New Tale to Tell by Love and Rockets
Wayne's staff pick is an alternative rock sound with an unusual flute instrumentation from a group out of the UK underground. This was their first US hit, going to number 18 on the US Mainstream Rock chart. It is from their third album, "Earth, Sun, Moon," and they would release another four albums before breaking up in 1989,

Big River by the Beat Farmers
Friend of the show Steve Hardin brings an unusual song with a country/rocakabilly slant. The lyrics discuss following a girl down the Mississippi.

Faith by George Michael
Lynch finishes the title track from George Michael's debut solo album. This song with a Bo Diddley beat on an acoustic rhythm guitar went to number 1 on the Billboard Hot 100. Michael wrote the song because he needed faith in his own abilities after leaving the band Wham! to go solo.

INSTRUMENTAL TRACK:

Complexity by Front Line Assembly
This Canadian industrial band released their first full-length album in 1987.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1974 - August: Little Feat “Feats Don't Fail Me Now” Jul 29, 2024

This week we are delving into one of the greats of Southern Rock. Well, they are southern rock if you count southern California. Little Feat took its name from a comment Frank Zappa made to his band member Lowell George regarding his having little feet. George would become a founder and driving force behind Little Feat, providing guitar and vocals. Other members were Paul Barrere on guitar and vocals, Sam Clayton on percussion and vocals, Kenny Gradney on bass, Richie Hayward on drums and vocals, and Bill Payne on keyboards and vocals.

Feats Don't Fail Me Now is the band's fourth studio album, and it went to number 36 on the US Top LP's chart. It is hard to go wrong when, in addition to the regular band members you have the Tower of Power on horns, and backing vocals from Emmylou Harris and Bonnie Raitt. The album was recorded at Blue Seas Recording Studio in Maryland, and it provided two advantages. First, it had just opened and needed a band for their "shakedown cruise," letting Little Feat record on the cheap. Second, it was far away from their home base in Los Angeles, which kept Lowell George away from many familiar temptions of drugs and women.

While Lowell George would soon begin to deteriorate in health (he died of a heart attack in 1979), this album shows him and his band at the height of their artistic prowess. The surviving members of Little Feat would regroup in 1987, and the band continues to perform today.

Wayne takes us through this little feat of southen rock for this week's podcast.

Feats Don't Fail Me Now
The title track received significant airplay on FM radio and it leads off side two of the album. That driving bass line and funky drumbeat is sometimes called Country Funk Boogie. The message of the song is one of perseverance and determination to get back the girl the singer loves.

Oh Atlanta
If you were living in the metro-Atlanta area in the 70's or 80's, you definitely are familiar with this song. Billy Payne takes lead vocal duties on this track, and it features Bonnie Raitt and Emmylou Harris on backing vocals. "Well, you can drop me off on Peachtree, I got to feel that Georgia sun. And the women there in Atlanta, they make you awfully glad you come."

Spanish Moon
This track was written by Lowell George and features the Tower of Power horn section. This is a deeper cut, but it has a latin groove while maintaining both a bluesy and funky sound. The origin of the song is a dream George had of a dangerous nightclub in New Orleans called the Spanish Moon.

Rock and Roll Doctor
The song considered the hit off the album is an anthem to the healing power of music. "Two degress in bebop, a PhD in swing, he's a master of rhythm, he's a rock and roll king."

ENTERTAINMENT TRACK:

Main theme from the motion picture “Together Brothers”
The Love Unlimited Orchestra provided this title track to

STAFF PICKS:

Radar Love by Golden Earring
Lynch's starts our staff picks this week with a Dutch rock band originally formed in 1961. Lead vocalist Barry Hay and guitarist George Kooymans wrote this single that reached number 13 on the US Billboard Hot 100 chart. The lyrics describe a man driving a long way to be with his love, and communicating with her through a mystical bond he calls "radar love."

Keep on Smilin' by Wet Willie
Bruce features the title track from Wet Willie's third studio album. It is their biggest hit, reaching number 10 on the Billboard Hot 100. The song itself is rather stoic, encouraging the listener to keep smiling through the difficulties and pain of life.

The Night Chicago Died by Paper Lace
Rob's staff pick is a story telling song that topped the US chart for one week in 1974. The lyrics describe a shoot-out between the Chicago Police and Al Capone's gangsters, and worries from the wife of a police officer that her husband wouldn't make it home. The song ends on a positive note when her husband walks through the door.

Beach Baby by The First Class
Wayne brings us a British band made up of all session players. They call themselves "the first class" because they considered themselves to be a kind of supergroup of the UK music session set. This song would be a one-hit wonder, reaching number 4 in the US, but other singles would not see the same level of success.

NOVELTY TRACK:

Rub It In by Billy "Crash" Craddock
This novelty song hit the top of the country charts. It may be more familiar as the jingle from Glade air fresheners, where they sing, "plug it in."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1990 - November: Megadeth “Rust In Peace” Jul 22, 2024

Who's up for some thrash metal?

Megadeth is one of the founding bands of the thrash metal genre, and considered one of the "big four" of U.S. thrash metal (along with Anthrax, Metallica, and Slayer). The heart of the band, primary songwriter, and sole constant member of the band throughout the years is Dave Mustaine. The formation of the band is well known as a revenge effort on Mustaine's part. He was fired from his role as lead guitarist of Metallica just prior to the recording of their debut album due to personal issues with James Hetfield and Lars Ulrich, and due to drug abuse problems. The name of the group was inspired by a political pamphlet from Alan Cranston that read "The arsenal of megadeath can't be rid no matter what the peace treaties come to." Mustaine took the word out of that pamphlet and adjusted the spelling.

Rust In Peace is the group's fourth studio album, released in late September but featured in November as it was gaining traction with fans at the time. The album name came from a bumper sticker Mustaine saw that read, "May all your nuclear weapons rust in peace." It was the first album to feature Marty Friedman on guitar and Nick Menza on drums. Dave Mustaine is on guitars and lead vocals, and long time collaborator David Ellefson completes the quartet on bass and backing vocals.

The album takes on a number of topics including religion, plitics, warfare, and personal issues Dave Mustaine was dealing with such as drug and alcohol addiction. Mustaine explored a number of religious expressions over his life, and became a born again Christian after attending Alcoholics Anonymous meetings and focusing on his Christian faith.

Lynch brings us this hallmark album of thrash metal in this week's podcast

Holy Wars...the Punishment Due
The opening track starts fast, shifts to a slower acoustic bridge, and finishes at a higher speed. The lyrics discuss religious conflict with particular attention being paid to the situations in Israel and Northern Ireland. The subtitle "the Punishment Due" is a reference to the Marvel comic book character called the Punisher. It was the first single released from the album

Hangar 18
The second single is the second track from the album, and was inspired by the Roswell alien conspiracy theory. Hangar 18 is supposedly located at Wright-Patterson Air Force Base, and was believed to be the location where an alien spacecraft and/or bodies were stored.

Tornado of Souls
This is a somewhat deeper cut since it was never released as a single, but it is considered a staple of the band's discography. Marty Friedman's guitar solo in this piece is considered one of the best metal solos of all time, and one of the hardest to play. Bassist David Ellefson co-wrote the lyrics, making it one of the few songs on the album not written by Mustane alone.

Rust in Peace...Polaris
The concluding song reflects the album title. It is written from the perspective of a Polaris nuclear weapon, and reflects the catastrophic consequences of nuclear warfare.

ENTERTAINMENT TRACK:

Shotgun by Junior Walker & The All Stars (from the motion picture “Misery”)
This movie based on the Stephen King novel starring James Caan and Kathy Bates would win Bates an Oscar for Best Actress.

STAFF PICKS:

Full Circle by the Jeff Healey Band
Rob starts the staff pick with this blues-infused pick which is the lead track to the Jeff Healey Band's second album, "Hell to Pay." Bobby Whitlock, a member of the supergroup Derek and the Dominos is playing the Hammond organ on this piece. Jeff Healey, blind since an early age, was known for holding his guitar in his lap while playing.

Vigilante Man by Hindu Love Gods
Wayne's staff pick is a bit of a super group. Warren Zevon got together with the members of REM minus Michael Stipe to create this single album on a lark. The group recorded old standards for the album, and this one was originally done by Woody Guthrie in 1940. The song itslef is about hired thugs who would chase away migrants trying to escape the Dust Bowl by moving to California.

Traveling Riverside Blues by Led Zeppelin
Bruce features another cover song, this one written by Robert Johnson in 1937. Led Zeppelin recorded it in 1969, but it was not released until 1990, over ten years after "Fool in the Rain," their last single. It hit number 7 on the Billboard Top Rock Tracks chart in November 1990.

Blaze of Glory by Jon Bon Jovi
Lynch finishes the staff picks with a rock ballad containing elements of country and western, written for the motion picture "Young Guns II." It won the Golden Globe award for Best Original Song, and topped the Billboard Hot 100 chart, making it one of Bon Jovi's most successful solo hits.

INSTRUMENTAL TRACK:

Theme from the motion picture "Dances with Wolves" by the Royal Scots Dragoon Guards
This cinematic piece accompanied the Kevin Costner Western which was out in 1990.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1972 - July: Leon Russell “Carney” Jul 15, 2024

One of the great underappreciated singer-songwriters of the rock era was Tulsa, Oklahoma native Claude Russell Bridges, better known as Leon Russell. Russell was a musician and songwriter with records spanning rock, folk, country, gospel, bluegrass, and blues who began playing piano at the age of four. He went to the same high school as David Gates (from Bread), and the two collaborated as a group called The Fencemen early on. Russell went to Los Angeles and worked as a studio musician. The list of folks he worked with is huge, including Jan and Dean, the Beach Boys, George Harrison, Eric Clapton, the Byrds, Barbara Streisand, Bob Dylan, and the Rolling Stones. He was a big part of the group Delaney and Bonnie, and was a primary inspiration to a then-upcoming pianist who went by the name Elton John.

Russell was born with cerebral palsy, which produced some paralysis on his right side. He walked with a limp, and he was bullied as a kid over it. He also developed a piano playing style that favored his left hand, and keyboardists will recognize that as unusual since the right hand typically plays the melody on songs.

We are looking at the third solo studio album from Leon Russell called Carney. This is Russell's most successful album in the United States, and comes when he was at his height as both a musician and a performer. It went to number 2 on the Billboard Album chart. Carney is organized with a first side that tends toward folk or roots rock, and a side two that is more psychedelic. Russell was quite the start at this time, and he found that fame had some downsides. Carney contains observations about the rock star lifestyle, and compares it two the performers at a carnival midway.

Russell's fame as a solo performer would fall off about three years after this album when he would trend in a more country direction. He remained a force in the studio and as a songwriter throughout his life. Leon Russell passed in his sleep in 2016 at home while recovering from heart surgery.

Bruce presents this icon of the singer-songwriter era in today's podcast, as previous host Brian Dickhute sits in this week in Lynch's absence.

Manhattan Island Serenade
We're leading off with a deeper cut from the album. It's lyrics are told from the perspective of a guy broken down on the side of the road, thinking about a long lost love as the rain falls and the cars drive by.

Tightrope
This is the big hit off the album. It went to number 11 on the Billboard Hot 100. This song encapsulates the theme of the album well, comparing the rock performer to a tightrope walker, with all the risks and the joys of performing stunts in front of the crowd.

If the Shoe Fits
Russell takes on the groupies and hangers-on in this song. It's a little like Pink Floyd's “Have a Cigar,” but instead of focusing on managers taking advantage of the band, this song looks at the parasitical elements of the press and the fans. It maintains a light, satirical feel despite the pessimism embedded in the lyrics.

This Masquerade
While never a hit for Russell, this song received some airplay as the B-side to “Tightrope.” It would also be covered by a number of artists including Helen Reddy and the Carpenters, but it's most successful cover iteration would be from George Benson on this “Breezin'” album.

ENTERTAINMENT TRACK:

Dueling Banjos (from the motion picture Deliverance)
Burt Reynolds stars in this action/horror film about a group of rafters who encounter strange back woods locals while rafting in Georgia.

STAFF PICKS:

I Can See Clearly Now by Johnny Nash
Wayne gets us rolling on the staff picks with an optimistic song which went to number 1 in 1972. The inspiration was an eye surgery that Nash had undergone which left him temporarily blind. The song reflects the hope and joy when he was able to see again, and inspires hope during times of adversity.

You Don't Mess Around with Jim by Jim Croce
Rob brings us one of Croce's signature lyrical stories. Jim Walker was the baddest pool hustler around until Slim showed up at the pool hall and cut Jim to ribbons in a fight. “You don't tug on Superman's cape, you don't spit into the wind, you don't pull the mask of the old Lone Ranger, and you don't mess around with Jim.”

Too Late to Turn Back Now by the Cornelius Brothers & Sister Rose
Brian features a family soul singing group out of Florida formed in the 60's as a gospel group before adding Sister Rose in 1970. Carter, Eddie and Rose Cornelius released this single as a follow-up to their hit “Treat Her Like a Lady.” The follow-up was even more successful than the former hit, going to number 2 in the Billboard Hot 100, while the previous hit went to number 3.

I Wanna Be Where You Are by Michael Jackson
Bruce's staff pick is the third single off MJ's debut solo album. It went to number 16 on the Billboard Hot 100. Leon Ware and Arthur “T-Boy” Ross wrote this song, and Arthur Ross is the brother of Diana Ross. Michael Jackson was producing solo work while continuing as a member of the Jackson 5, and his brothers are singing backup on this song.

INSTRUMENTAL TRACK:

Outta Space by Billy Preston
We close out this week's podcast with a little sci-fi funk.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - November: Rick James “Street Songs” Jul 08, 2024

Let's get this out of the way up front: when you think of rock albums, Rick James is not the artist that immediately comes to mind. But when former founding podcaster Brian Dickhute comes back and wants to do the album, we find it difficult to deny him.

James Ambrose Johnson, Jr. was born in Buffalo where he was in a number of groups and bands as a teenager. He joined the US Navy Reserves to avoid being drafted, then moved to Toronto in 1964 where he formed the rock band “The Minah Byrds.” Unfortunately he failed to let Uncle Sam know of his change of address, and would spend a few months in jail on charges of desertion. Shortly after his release he moved to California where he honed his craft in a number of rock and funk bands. He became a bigger hit and better known after signing with Gordy Records in 1977.

Street Songs is Rick James' fifth solo studio album, and his most successful. It was an immediate success and went to number 3 on the US pop charts, while also spending 20 weeks at the number 1 spot on the US R&B chart.

James would go on to be a successful producer and songwriter. His personal life would be unstable, and a hard life including drug abuse contributed to his early death in 2004.

WTR Host Lynch is out this week, so former founding host Brian Dickhute comes back with his funk on for this podcast.

Give It To Me Baby
The lead single and lead-off track to the album went to number 40 on the Billboard Hot 100 and number 1 on the US R&B chart. It is a big dance song with a strong horn section, and the lyrics are pretty straightforward. Surprisingly, this is the best selling single from the album, even better than “Super Freak,” though that song would have more longevity.

Ghetto Life
This deeper cut was released as the third single from the album, though it barely missed cracking the Billboard charts when it reached number 102. The lyrics in this funk song depict life in a depressed Buffalo inner city, where hustles were needed to make ends meet.

Super Freak
Here is the single that would become Rick James' signature song. This ode to “a very kinky girl” reached number 16 on the Billboard Hot 100, and features background vocals from the Temptations. James would get further benefit when the song was used by MC Hammer as the foundation for his hit single “U Can't Touch This.”

Below the Funk (Pass the J)
Another deeper cut, this funky track is somewhat autobiographical, describing how James grew up on the street as the child of a single mother “on the corners hangin' out with all the hoodlums.” Rick James would struggle with drug addiction throughout his life.

ENTERTAINMENT TRACK:

Maybellene by Chuck Berry (from the motion picture “Porky's”)
This is the movie that started the teen sex genre, with practical jokes and run-ins with corrupt authority figures.

STAFF PICKS:

Blood Stains by Agent Orange
Wayne opens the staff picks with a heavy metal power punk trio. The group takes its name from both the defoliant used by the military in Vietnam and the county in metro Los Angeles from which the group hails. The song is considered “skate punk,” and was used in Tony Hawk's pro skater video game.

Alien by the Atlanta Rhythm Section
Bruce brings us the sole single from ARS's tenth studio album Quinella. The lyrics are about feeling out of place and away from home. This keyboard-heavy song peaked at number 29 on the Billboard Hot 100, and was the last top 40 hit by the group.

Winning by Santana
Rob features a song originally written and performed by Russ Ballard, and covered by Santana with Alex Ligertwood singing lead. It went to number 17 on the Billboard Hot 100, one of Santana's biggest hits. It is a positive song about overcoming difficulties.

Say Goodbye to Hollywood by Billy Joel
Brian closes out the staff picks with this song paying homage to Ronnie Spector. While this track premiered several years prior on the Turnstyles album, the live version from the Songs In the Attic album came out in 1981. It was recorded in the Milwaukee arena, and was more successful as a live song than as a studio song.

INSTRUMENTAL TRACK:

Hooked on Classics by the Royal Philhormonic Orchestra and Louis Clark
This instrumental mosaic of well known classics from the symphony was a hit on the charts in 1981.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1971 - August: The Who “Who's Next” Jul 01, 2024

Pete Townshend intended the fifth studio album from The Who to be a science fiction rock opera called “Lifehouse,” as a follow up to the rock opera “Tommy” released in 1969. After conflicts with their band manager and issues just managing the complexity of what Townshend envisioned the project to be, the rock opera was shelved, and the follow-up was made into a more traditional album entitled Who's Next.

The group began recording the album at Rolling Stones frontman Mick Jagger's house, using the Stones’ mobile recording studio, then moved to a more traditional studio in London. Most of the album is made up of songs originally intended for the Lifehouse project. Who's Next would see the Who make significant use of synthesizers and other keyboard sounds on this album, making the synthesizers a more integrated part of the songs than on previous albums. Drummer Keith Moon's style was also more formalized than before, and the overall album was focused on a good sound where previous albums were perhaps tilted toward a sonic projection of the image of the band.

Who's Next would contain some of the most iconic songs that the band produced, and retrospectively is considered by many to be the best album The Who ever produced. The album would reach number 1 on the UK charts, and number 4 on the US charts.

Rob brings us this iconic album for today's podcast, and friend of the show Mike Fernandes sits in for Bruce this week.

Mobile
This lighter song is a celebration of life on the open road. Roger Daltrey steps aside as Pete Townshend takes over lead vocal duties. Daltrey actually was not present at the recording of this song, leaving Keith Moon (drums), John Entwistle (bass), and Townshend (vocals, guitar, keyboards) to record it as a power trio.

A Bargain
Often misconstrued as a love song to a woman, this track actually is about a relationship with God. It contends that sacrificing everything for a relationship with God is not a sacrifice at all, but a bargain. Much of Pete Townshend's work is inspired by eastern mysticism.

Won't Get Fooled Again
The last track on the album is an 8 1/2-minute epic. It was originally intended as a closing number to the "Lifehouse" rock opera. The lyrics offer a critique of both government and revolutionary change, summarized in the phrase "Meet the new boss, same as the old boss." Townshend was inspired to write this song after chasing Abbie Hoffman off the stage at Woodstock.

Baba O'Riley
The title of the lead track to the album is a combination of two of Townshend's mentors, Indian spiritualist Meher Baba and American Composer Terry Riley. The repeated phrase "teenage wasteland" was inspired by Townshend's observations of youths at Woodstock strung out on acid.

ENTERTAINMENT TRACK:

The Beat Goes On by Sonny & Cher (from the television variety show “Sonny and Cher Comedy Hour”)
The singing duo Sonny and Cher started this sketch comedy and music show in 1971. It would run for 3 years until their divorce.

STAFF PICKS:

Sweet City Woman by The Stampeders
Wayne brings us a banjo-laden hit from a Canadian trio. The lyrics were inspired by an encounter with a girl with wild eyes who came from the prairie to start life in the big city. It hit number 8 on the US charts and number 1 in Canada. It also won a number of Juno awards in 1972. You may remember it from an episode of "Better Call Saul."

Take Me Home, Country Roads by John Denver
Lynch keeps the banjo hits coming with a signature song from John Denver. It went to number 2 on the Billboard Hot 100, and would become one of four official state songs for West Virginia. Denver recorded this song in only two hours.

Nobody by the Doobie Brothers
Mike brings us a lost song from the first album by the Doobie Brothers. Neither this song nor the album charted when it was released, but it displays a number of riffs and styles which would become staples of Doobie Brothers songs. It was re-released in 1974 after the group had achieved success, and it reached number 58 on the Billboard Hot 100.

Maggie May by Rod Stewart
Rob closes out the staff picks with a hit single off Stewart's third solo album "Every Picture Tells a Story." The lyrics describe the contradictory feelings of a boy in a relationship with an older woman. The inspiration was a true encounter Stewart had with a woman at the 1961 Beaulieu Jazz Festival. The song went to number 1 in Australia, the US, the UK, and Canada.

INSTRUMENTAL TRACK:

Orchid by Black Sabbath
We close out with a surprisingly soft instrumental from an ordinarily more heavy hitting band.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - October: The Beatles "Rubber Soul" Jun 24, 2024

Rubber Soul was the sixth studio ablum released by The Beatles in the US and the UK. The album was largely recorded in October of 1965 over a four week period, and relesed in December of 1965. The Fab Four had completed their North American tour by August, and had returned to London to compose this album. It would be the first album they completed without the pressure of commitments to tour, film, or otherwise make public appearances. Nevertheless, the band was working under tight timelines, intending to release the album before the Christmas sales cycle. It would go to the top of the album charts and would be one of the biggest albums of 1966, charting at number 3 in the UK and number 4 in the US for the year.

The name of the album is a bit of self deprecation. The term "plastic soul" was used at the time to describe some artists' attempts to duplicate the sound of black American soul music, and the Beatles recognized their efforts as less-than authentic. It also has a double meaning, referencing the Wellington boot worn in rural northern England.

The album combines elements of folk rock, soul, progressive rock, and the newly-emerging psychedelic sound. It would set a new standard with rock groups, encouraging the creation of high quality albums rather than just making a string of singles that were merged onto an LP record. It also shows the increasing maturity of the group in lyrics and music.

Lynch brings us this classic album from one of the greatest rock bands of all time, and friend of the show Mike Fernandez sits in while Bruce is out.

Baby You Can Drive My Car
The opening track was written by Lennon and McCartney. The lyrics are told from the perspective of a woman who expects to be a big star, and offers the man the opportunity to be her chauffeur. At the end you find out that she doesn't have a car, but at least now she has a chauffeur.

Norwegian Wood
It really isn't possible to have a deeper cut when you're talking about the Beatles, but this may be as close as we can get. John Lennon is the primary writer - with some contributions from Paul McCartney - and the lyrics discuss an extramarital affair he had in London. George Harrison plays sitar on this song, and it is the first use of that instrument recorded in a major release in the rock world.

In My Life
The lyrics from this song were written by John Lennon, and is perhaps the first time he wrote a song inspired from his childhood. George Martin plays the piano on the bridge, but recorded it at half speed. This creates the tinny harpsicord feel when the song is run at full speed.

Michelle
Paul McCartney is the primary writer of this song, inspired by the popularity of Parisian "Left Bank" culture, and contains french lyrics despite McCartney's lack of fluency in the language. The music was partially inspired by chet Atkin's finger picking style. McCartney began writing the song in 1958, and it went to number 1 in France where it was released ahead of the album.

ENTERTAINMENT TRACK:

The James Bond Theme (from the motion picture “Thunderball”)
This was the fourth film in the spy series starring Sean Connery as James Bond. It was originally planned to be the first film of the series, but was pushed back due to legal disputes.

STAFF PICKS:

Treat Her Right by Roy Head and the Traits
Wayne leads off the staff picks with a short, happy, party song. While this may have a surf song vibe, the band is from Texas. The lyrics tell about how a guy is supposed to treat a woman, and the benefits thereof. The song peaked at number 2, and is the best known song by the group.

Hang On Sloopy by the McCoys
Rob brings us a song originally recorded by the Vibrations in 1964 with the title "My Girl Sloopy." A jazz singer in Ohio named Dorothy Sloop inspired the name. The McCoys version went to number 1 on the pop charts, and would be picked up by a number of garage bands. Rick Derringer is the front man for the group.

California Girls by The Beach Boys
Mike's staff pick is a well-known song from the album "Summer Days (And Summer Nights!!)" by the group. Brian Wilson conceived the song during an acid trip, thinking about film scores from Westerns and - of course - girls.

Eve of Destruction by Barry McGuire
Lynch closes out the staff picks with a protest song often covered. P.F. Sloan wrote this song after the Kennedy assassination, the Gulf of Tompkin military action, and other social upheaval of the early to mid-60's. American media used this song as an example of what was wrong with youth culture, counterintuitively driving the popularity of the song.

INSTRUMENTAL TRACK:

Hole in the Wall by The Packers
This jazz instrumental closes out this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - March: The Cure “Wish” Jun 17, 2024

We've covered a lot of great bands and artists in our podcasts, but it is a rare occasion when we get to explore a group that has defined an entire rock genre. The Cure are considered to be the defining band within the goth rock movement. Formed in 1978 out of the post-punk era, this West Sussex band would grow into an international cult favorite, complete with black wardrobe, smeared lipstick, and wild hair.

The Cure is considered to have hit the height of their commercial appeal with Wish, their ninth stuio album. Personnel for this album were Boris Williams on percussion (his last album appearance with the group), Perry Bamonte on guitars and keyboards (his first appearance as a member of the group), Pori Thompson on guitar (his last appearance with the group for 16 years), Simon Gallop on bass, and Robert Smith on vocals, keyboards, guitar, and bass. The Cure would see a lot of personnel changes through the years, with Robert Smith being the only consistent member throughout, and the driving force behind the band.

Wish was written with a lighter alternative rock sound than their previous albums, making many songs more accessible both to the less devoted fan and to commercial radio. It went to number 2 on the Billboard 200 albums chart in the US, and number 1 on the UK albums chart.

Bruce presents this monster of goth rock in today's podcast.

A Letter to Elise
The third single from the album had its first release prior to the album on a 1991 episode of MTV Unplugged. It is a song about resignation, of realizing that things are just not going to work out. It went to number 2 on the US Alternate Airplay charts.

High
One of the more upbeat songs, this is the lead single from the album. It went to number 1 on the US Modern Tracks, and 42 on the Billboard Hot 100. It chronicles the feelings of love and infatuation. Despite their reputation, many Cure songs are not dark and melancholy.

To Wish Impossible Things
This is a deeper track, and a darker one. It is about relationships generally, and more specifically looking back on a relationship that is no more. The title comes from the idea that selfish wishes do not turn out well when they are granted.

Friday I'm In Love
This was the band's second single and the big hit from the album. It peaked at number 18 on the Billboard Hot 100 (the last top 40 hit for the Cure to date), and at number 1 on the Billboard Modern Tracks chart. This surprisingly happy song about looking foward to Friday has become one of the signature songs from the group.

ENTERTAINMENT TRACK:

Yo Cousin Vinny by Joe Pesci
The starring actor from "My Cousin Vinny" takes a comedic turn with this song inspired by the movie "My Cousin Vinny."

STAFF PICKS:

To Be With You by Mr. Big
Lynch starts off the staff picks with an acoustic rock ballad. Front man and co-writer Eric Martin provides lead vocals to this song which topped the Billboard Hot 100. It was a single off the album "Lean Into It," and is considerdd the groups most successful song to date.

Black Flag by Kings X
Rob's staff pick is the lead single off Kings X's self-titled album, their fourth studio album, and the first on Atlantic Records. Kings X has often been labeled as a Contemporary Christian album, but they have inspired a number of prog rock groups through the years. Unlike many bands, the core lineup of the band has remained the same for over forty years.

The End of Everything by The Charlatans UK
Wayne brings us a deeper cut from a group from the midlands in England. This song's lyrics are inspired by a friend feigning an illness so he could leave the army. The band appended the "UK" at the end of their name to avoid confusion with a 60's American band also called "the Charlatans."

Until Your Love Comes Back Around by RTZ
Bruce wraps up the staff picks with a ballad from a short-lived band out of Boston. Former members of the band Boston, including guitarist Barry Goudreau and vocalist Brad Delp formed RTZ with keyboardist Mrian Maes, percussionist Dave Stefanelli, and bassist Tim Archibald. This song went to number 26 on the US charts.

INSTRUMENTAL TRACK:

Elmira St. Boogie by Danny Gatton
This instrumental gets us moving as we close out this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - August: Creedence Clearwater Revival "Cosmo's Factory" Jun 10, 2024

Swamp rock afficianados, this is your podcast!

Despite forming in California, Creedence Clearwater Revival was known for their Louisiana sound often described as "swamp rock" or later as roots rock. They tended towards an earlier rock sound during a time when much of their fellow performers were moving in a more psychedelic direction. But CCR (as the band was known, or Creedence) would find prolific success in the time from 1969 to 1971 when they would produce 14 consecutive top 10 singles and five consecutive top 10 albums.

The band featuring front man and multi instrumentalist John Fogerty, brother Tom Fogerty on rhythm guitar and backing vocals, Stu Cook on bass, and Doug Clifford on percussion got their start as a band playing rock standards and instrumentals in 1959 under the name "The Blue Velvets." They changed their name to "the Golliwogs" in 1964, then became CCR in 1967. The name Creedence Clearwater Revival comes from three sources - John Fogerty's friend Credence Newball, a beer commercial touting "clear water," and the word "revival" depicting the members' re-commitment to the band.

Cosmo's Factory is the band's fifth studio album takes its title from the warehouse in Berkeley where the band practiced in early days. Doug "Cosmo" Clifford called it "The Factory" because they practiced there almost daily. This album went to number 1 on the Billboard 200 charts and remained there for nine weeks. It is one of those albums that appears to be a "greatest hits" album rather than a studio release because of the number of very familiar songs originating on it.

The group would be prolific, but short-lived. Tom Fogerty left the group at the end of 1971 and the rest had an acrimonious falling out shortly thereafter. But for a few years, CCR produced a gigantic body of work, despite never having a number 1 hit.

Wayne takes us through this classic album of swamp rock for this week's podcast.

Who'll Stop the Rain
Often considered a Viet Nam protest song, the inspiration for this track is actually Woodstock, where multitudes of music fans congregated in the rain to hear the music of the age. It was released as a double A single along with "Travelin' Band," and went to number 2 on the American charts.

Run Through the Jungle
Another song mistakenly considered to be a Viet Nam protest (and often used that way in films), Fogerty wrote this about the proliferation of guns in the United States, comparing city streets to a jungle. This was another double A single release, paired with "Up Around the Bend." It has appeared in multiple films including "Air America," "Rudy," and "Tropic Thunder."

Up Around the Bend
This track is a more straightforward invitation to a gathering that is, as you might guess, up around the bend. It went to number 4 on the Billboard Hot 100 charts and number 3 on the UK singles charts. John Fogerty wrote this song, as he did most of the original CCR tracks.

Travelin' Band
This song draws its inspiration from 1950's rock songs, particularly paying homage to the style of Little Richard. The lyrics talk about a band on the road. It's reference to "737 coming out of the sky" - a new passenger plane at the time the song was written - put the song on a list of inappropriate tracks in a post-9/11 memo by Clear Channel.

ENTERTAINMENT TRACK:

Main theme from the television series “Dark Shadows”
A feature length horro film entitled "House of Dark Shadows" was released in 1970 based on the vampire soap opera.

STAFF PICKS:

Tears of a Clown by Smokey Robinson & the Miracles
Lynch's staff pick has upbeat music that belies the sad lyrics depicting a man who has to put on a happy front despite facing the loss of his love. The track was originally recorded in 1966, but not released until 1970. It topped both the UK charts and the US Billboard Hot 100.

Long Long Time by Linda Ronstadt
Rob's staff pick may not be a rock song in the traditional sense, but it shows off the vocal capabilities of one of the leading female rock figures prior to her breakthrough as a soloist. The song about a woman's undying love for a guy who will never be hers went to number 25 on the Billboard Hot 100.

Ain't No Mountain High Enough by Diana Ross
Bruce features a song written by Ashford and Simpson in 1966, and originally a hit for Marvin Gaye and Tammi Terrell who took it to number 19 on the Billboard Hot 100 in 1967. Diana Ross released this as a solo song with a reworked sound incorporating gospel elements with strings and horns. It went to number 1 making it Ross's first number 1 solo hit.

Vehicle by The Ides of March
Wayne presents a one-hit wonder out of Chicago with a funky sound and a great horns section. The vocalist and guitarist for The Ides of March would later become a founding member of Survivor. General Motors used this song extensively in national advertising, and it will tend to get you driving faster!

NOVELTY TRACK:

Chicken Strut by the Meters
This novelty song inspired a short-lived dance, and wraps up this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - January: Michael McDonald "Sweet Freedom" Jun 03, 2024

We've made a few jokes in past episodes about Michael McDonald popping up in unexpected places. It's an easy joke to make, because McDonald has a distinctive voice and has worked with a lot of artists covering numerous genres. But the man is talented - both vocally and on the keyboards - and his career has put him at the forefront of rock music for a long time.

Sweet Freedom is a compilation album that explores McDonald's work from his first two albums plus a number of collaborations. The album title is taken from the track he had recently completed for the motion picture soundtrack “Running Scared,” a buddy cop comedy starring Billy Crystal and Gregory Hines.

After a troubled youth, McDonald began his music career in earnest as a vocalist and keyboardist for Steely Dan. After that he was tapped as keyboardist and vocalist for The Doobie Brothers, a position which would eventually lead to his fronting the band and turning it in a more soulful direction. In 1982 he started a solo career which would combine a soft rock style with his signature “blue eyed soul” sensibilities.

Lynch is examining this “greatest hits” album with an eye towards some of the collaborations that have involved Michael McDonald, many of which are signature anthems and ballads of the early 80's soulful catalog that will eventually become known as yacht rock.

We hope you enjoy this weeks podcast!

Sweet Freedom
Rod Temperton, known for his work with Michael Jackson and Quincy Jones, composed this single. It is a bit of a departure from McDonald's typical style with its upbeat melody and horns. It went to number 7 on the Billboard Hot 100, and of course became the title track for this compilation album.

Yah Mo B There
This song is a collaboration with the late James Ingram which peaked at number 19 on the Billboard Hot 100. Co-written and produced by Quincy Jones and Rod Temperton, the song was originally a more contemporary Christian song with the title "Yahweh Be There." Ingram suggested the title change, opening up the lyrics to more ambiguity to fit a wider audience.

On My Own
A number 1 song from the Billboard charts in the US, this track finds McDonald paired with Patti LaBelle on a breakup duet. Interestingly, the two recorded their tracks completely separately, and did not actually meet until they performed the song together on The Tonight Show in 1986.

I Keep Forgettin' (Every Time You're Near)
This song peaked at number 4, and was McDonald's first success as a solo artist. It was a cover originally sung by Chuck Jackson in 1962. McDonald's version features his sister Maureen providing backup vocals, adding familial harmony to the mix.

ENTERTAINMENT TRACK:

Main theme to the television game show “Card Sharks”
This game show originally ran on NBC from 1978 to 1981, and returned for a second iteration to CBS in 1986.

STAFF PICKS:

Too Late by Asia
Rob leads off the staff picks this week with a track from Asia's third album, “Astra.” John Wetton returned to the group after a brief separation in late 1983 when he was replaced by Greg Lake for tour dates. Steve Howe is replaced by Mandy Meyer for this third Asia album.

Goodbye by Night Ranger
Bruce brings us the last top 40 hit (to date) by Night Ranger. Drummer Kelly Keagy takes lead vocals on this Brian Blades-composed power ballad written after losing his brother to a drug overdose. “It's hard living life on this memory go-round.”

Walk Like An Egyptian by The Bangles
Wayne's staff pick is the best known song by the group. Songwriter Liam Sternberg took inspiration for this song from a rough trip across the English Channel, when his fellow passengers were walking carefully with their arms outstretched due to the choppy waters. It would become a number 1 single, and Billboard's number 1 song in 1987.

These Dreams by Heart
Lynch closes out the staff picks with as song that emerged from a collaboration between Bernie Taupin and Martin Page. Taupin originally envisioned it as a song for Stevie Nicks, but after she turned it down, the song was restructured for Ann and Nancy Wilson of Heart. Nancy Wilson takes lead on this song dedicated to her friend Sharon Hess, who had lost her battle with leukemia.

INSTRUMENTAL TRACK:

Shade Gate by Hawkwind
This instrumental appears on Hawkwind's fourteeneth studio album, which was inspired by the works of fantasy novelist Michael Moorcock.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - March: Van Halen "5150" May 27, 2024

Van Halen’s New Era: The Launch of "5150" with Sammy Hagar

In 1985, rock legends Van Halen were at a pivotal juncture. Following the departure of charismatic lead vocalist David Lee Roth, the band faced the daunting task of finding a new frontman. After an exhaustive search, Eddie Van Halen connected with a familiar face from the music scene—Sammy Hagar, the dynamic solo artist and former Montrose vocalist. Their reunion sparked a creative resurgence, culminating in the release of "5150" in March 1986, a landmark album that would redefine the band’s trajectory.

"5150" not only marked a major milestone for Van Halen but also drew a clear line in the sand among their global fanbase. While some longtime followers preferred the "Diamond Dave" era, dubbing the new lineup "Van Hagar," the album’s overwhelming success spoke volumes. It soared to the top of the Billboard 200, achieving double platinum status by the end of May 1986, despite mixed initial reviews that later turned favorable.

The introduction of Sammy Hagar brought notable changes to Van Halen’s sound and stage dynamics. Hagar's guitar skills, while distinct from Eddie Van Halen’s iconic style, added a new layer of musical flexibility, allowing Eddie to showcase more keyboard talent during live performances. This shift was evident in their tours, which increasingly featured songs from the post-Roth era, adapting to Hagar’s vocal and instrumental style.

Throughout his tenure, Sammy Hagar helped propel Van Halen to new heights, contributing to three studio albums and a live album. He parted ways with the band in 1996, leaving behind a legacy of innovation and success.

Exploring "5150": A Track-by-Track Look

"5150": Beyond its chart-topping fame, the title track "5150" delves into the tumult of a romantic impasse, its title drawing from the California legal code for an involuntary psychiatric hold. This code is also the namesake of Eddie Van Halen’s recording studio, adding a personal touch to the song’s narrative.

"Summer Nights": This upbeat track captures the essence of youthful summer evenings with just a radio for company. Notably, it was Sammy Hagar’s first recording with Van Halen, originating from an impromptu jam session that set the tone for his role in the band.

"Why Can't This Be Love": Serving as the gateway to the Sammy Hagar era for many fans, this hit single climbed to number 3 on the Billboard Hot 100, reminiscent of the keyboard-driven vibrancy of "Jump" from their "1984" album.

"Love Walks In": This power ballad combines profound percussion with a slower, keyboard-oriented sound. Inspired by Sammy Hagar’s mystical experiences, the lyrics weave themes of alien encounters and telepathy, showcasing the band’s experimental side.

Join us on our rock and roll podcast as Rob dives deep into the enduring legacy of Van Halen’s "5150," exploring how this album continues to resonate with fans and musicians alike.

ENTERTAINMENT TRACK:

A Kind Of Magic by Queen (from the fantasy motion picture “Highlander”)
Queen provides the soundtrack to this fantasy drama about immortals clashing throughout history, because "there can be only one."

STAFF PICKS:

The Big Money by Rush
Bruce starts the staff picks with the leading track from Rush's "Power Windows." The lyrics explore the power of money, and aspects of power form the theme to the tracks on the album. There's a better balance on this album between the synthesizers and guitars than on the previous two Rush albums.

Don't Want to Know If You Are Lonely by Husker Du
Wayne brings us a high energy tune from Minnesota's punk/alternative band trio Husker Du. The song is about a broken up couple who still have feelings for each other, but know it is best to move on. While not charting, the song would receive significant airplay on college radio.

Kyrie by Mr. Mister
Lynch's staff pick was inspired by lyricist John Lang's memories of singing in an Episcopal church as a child. The words "Kyrie Eleison" means "Lord have mercy" in Latin, and forms an important part of the liturgy in both Roman Catholic and Orthodox christian traditions. This song topped the US charts in March for two weeks.

In My Dreams by Dokken
Rob picks up the pace as he wraps up the staff picks this week. The lyrics depict a guy who keeps thinking of his girl as still with him even though the relationship ended long ago. The band is named after founder and lead vocalist Don Dokken, and got their start in Los Angeles in 1978.

COMEDY TRACK:

Inside by Van Halen
We double dip this week as Sammy Hagar takes a humorous look at how he was selected for Van Halen, and what he had to do to transform himself into their front man.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 - March: George Thorogood and the Destroyers "The George Thorogood Collection" May 20, 2024

Wilmington, Delaware's George Thorogood got his start on acoustic blues. He formed a band called the Delaware Destroyers in 1973, and this would eventually become his band, known as George Thorogood & The Destroyers. He released his first record in 1977, and received more mainstream notice when he opened for the Rolling Stones in 1981. The same year his touring schedule included the “50/50 tour” where George Thorogood & the Destroyers toured all 50 states in 50 days. Thorogood's high energy shows and relentless touring schedule would be a hallmark of the band, creating a dedicated audience worldwide.

The 1980's saw a resurgence in interest in blues rock, and this was a benefit for George Thorrogood. The band would see continued success from their commercial breakthrough album, “Bad to the Bone,” released in 1982. Albums would consist of both original material and covers of classic blues songs. Much of their material has a humorous angle, though the blues style is solid and unapologetic, drawing influence from such artists as Elmore James, John Lee Hooker, and Bo Diddley.

The George Thorogood Collection showcases some of the biggest hits from the band throughout the 70's and 80's. It was released in March 1989, and we will be covering several hits from this album today.

Wayne takes us through this blues boogie greatest hits album for this week's podcast.

I Drink Alone
One of the better known George Thorogood hits, this pun-laden song peaked at number 13 on the Hot Mainstream Rock Tracks, and was an original from Thorogood. “Now every morning just before breakfast, I don't want no coffee or tea. Just me and by good buddy Weiser - that's all I ever need.”

Bad to the Bone
This is the signature song of George Thorogood and the Destroyers. Despite failing to crack the Top 100 in the US, it is universally identifiable from commercials, TV shows, movies, and the song itself. It has been in over 25 films, including the iconic biker scene from “Terminator 2.”

Move It On Over
While this song does not appear on the “Collection,” we had to include it in this look at the band. It is a cover song originally written and recorded by Hank Williams in 1947, and depicts the struggles of a guy who has come home late and found himself - literally - in the doghouse.

Gear Jammer
The deeper cut originally came out in 1985, and has become an anthem of truckers everywhere. It talks about rolling down the road in an 18-wheeler, and looking to make time so the trucker can get home to his baby. You'll find yourself moving at a high speed if you play this song in your car!

ENTERTAINMENT TRACK:

Bad Boys by Inner Circle (from the television series “COPS”)
This reality-based show premiered in 1989, and had an iconic song with a reggae riff.

STAFF PICKS:

You're What You Want to Be by Cruel Story of Youth
Rob launches the staff picks with a deep cut from a lost band. This Wisconsin foursome produced their only album (self-titled) in 1989). The song itself is a good one in the alternative music genre, though it seems overproduced to us.

Girl You Know Its True by Milli Vanilli
Bruce risks cancellation from the show for putting this decidedly non-rock travesty on the picks. Milli Vanilli released the album of the same name, which got them both commercial success and critical recognition via a Grammy award in 1989 despite not singing a note on the album. No musical survey of 1989 would be complete without acknowledging the Milli Vanilli controversy.

Eternal Flame by The Bangles
Lynch brings us a ballad from Susanna Hoffs from the girl group The Bangles. They started their career singing 60's rock songs, then incorporated some 70's punk before hitting it big with their own material. It topped the charts in 9 different countries.

You Got It by Roy Orbison
Wayne closes out the staff picks with a hit posthumously released from Roy Orbison's album "Mystery Girl." It went to number 9 on the Billboard Hot 100. Fellow Traveling Wilburys alumni Tom Petty and Jeff Lynne co-wrote the song with Orbison, and they play on the single along with an uncredited George Harrison.

INSTRUMENTAL TRACK:Ytse Jam by Dream Theater
We close out with a prog rock instrumental from Dream Theater's debut album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1988 - October: The Traveling Wilburys "The Traveling Wilburys Vol. 1" May 13, 2024

A supergroup is a band made up of musicians who have already achieved fame either as soloists or members of another band. One of the most iconic of supergroups would be formed in 1988 and go by the name of The Traveling Wilburys. In 1987 George Harrison released his album "Cloud Nine" with Jeff Lynne performing a number of instruments and co-producing. They started talking about forming a group during those sessions, with Harrison talking about bringing in Bob Dylan and Lynne talking about bringing in Roy Orbison. Tom Petty joined in when Harrison went to his house to pick up a guitar he had left there previously. The criteria that Harrison had, according to fellow Wilbury Tom Petty, was a group of folks "who you could hang out with." The group bonded over their appreciation for 50's-style rock n' roll, and their love of the Monty Python comedy troupe.

The group took on personas of half-brothers, with George Harrison as Nelson Wilbury, Jeff Lynne as Otis Wilbury, Roy Orbison as Lefty Wilbury, Bob Dylan as Lucky Wilbury, and Tom Petty as Charlie T. Wilbury Jr. Frequent collaborator Jim Keltner provides percussion work and takes on the name of Buster Sidebury. The name Wilbury comes from a running joke between Lynne and Harrison. When some error in the equipment would occur during the production of Harrison's "Cloud Nine" album, Harrison said, “We'll bury 'em in the mix.”

The Traveling Wilburys Vol. 1 had to be done in 10 days, because Dylan and Orbison had upcoming tours and projects. Generally the writing and recording of a song was completed in a single day. The result was a commercial and critical success, and the album won the Grammy for Best Rock Performance by a Duo or Group in 1990.

Bruce presents this supergroup in today's podcast.

Margarita
This track starts with an 80's electronic feel, but quickly moves into a Bo Diddley beat that is more roots rock. A deeper cut, this song was released as the B-side to the single "Handle with Care."

Handle With Care
The big single went to number 45 on the Billboard Hot 100, and number 2 on the Billboard Album Rock Tracks chart. This song was the impetus to bringing the group together, as it was originally supposed to be an extra track for a B-side of a European single, but the result was deemed too good for a limited release.

Not Alone Any More
This deeper track finishes off side 1. It was written mainly by Otis Wilbury for the vocal style of Lefty Wilbury, although all members are credited as songwriters. The lyrics reflect themes of loneliness, which were Lefty's signature style back in the 60's.

End of the Line
This was the band's second single. It peaked at number 63 on the Billboard Hot 100, but number 2 on the Album Rock Tracks chart. Roy Orbison died of a heart attack at age 52 after recording the song but before the video was made. The video features a guitar sitting in a rocking chair in memorial to Orbison

ENTERTAINMENT TRACK:

Baby Doll by Devo (from the motion picture “Tape Heads”)
Despite sporting an all-star cast, this comedy movie bombed at the box office.

STAFF PICKS:

Big League by Tom Cochrane and Red Rider
Wayne starts off the staff picks with a bittersweet song. Cochrane tells a tale of a young hockey star destined for the pros until he lost his life in a car crash. It was inspired by a true story told to Cochrane by the boy's father. This song went to number 9 on the American Billboard Rock Tracks chart, and gets frequent airplay on classic rock radio stations in Canada.

Didn't Know It Was Love by Survivor
Rob's staff pick finds the singer looking back at a relationship he missed, and hoping it isn't too late. Survivor had their big splash a few years prior with “Eye of the Tiger,” and this is off their seventh album, “Too Hot to Sleep.” Unfortunately it barely made it onto the Billboard 200 album chart at 187, and the group broke up shortly thereafter.

Kokomo by The Beach Boys
Lynch brings us the first number 1 US hit for the Beach Boys since the 60's. The song was featured in the Tom Cruise movie “Cocktail,” and the song reflects a relaxed tropical vibe. This single reinvigorated the Beach Boys, as fans began to look at their catalogue again.

What's On Your Mind (Pure Energy) by Information Society
Bruce wraps up the staff picks with the signature song from a Minneapolis synth pop trio. This song started as a 10-minute instrumental jam, but received minimalist lyrics reflecting the trouble people have communicating for the single release. It also features sampled lyrics from Star Trek, particularly the repeated "pure energy" lyric from Leonard Nimoy's Mr. Spock.

COMEDY TRACK:

A Nightmare on My Street by DJ Jazzy Jeff & the Fresh Prince
This single reflects the Halloween vibe as Will Smith aka The Fresh Prince riffs on Freddy Kruger's horror in “A Nightmare on Elm Street.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - January - Stone Temple Pilots “Core” May 06, 2024

Stone Temple Pilots, often abbreviated as STP, burst onto the rock scene in the early 1990's, becoming one of the most commercially successful bands of that era. Their debut album, Core, was released in late September 1992, and we're highlighting it in January 1993 when many of their hits were on the charts.

The DeLeo brothers form the heart of the band: Dean DeLeo's guitar work provides the sonic foundation, and Robert DeLeo's bass playing adds a groove to the band's sound. Eric Kretz anchors the rhythm section on percussion. And front man Scott Weiland completes the lineup with his charismatic presence and distinctive vocal style. Weiland's emotion and raw energy helped make "Core" a pivotal release in the grunge movement.

"Core" hit he airwaves with a sonic explosion, with an energy that captured the angst and spirit of the early 90's grunge movement. Several tracks from this album would become anthems of the 90's generation, led by tracks like "Plush" and "Sex Type Thing." Despite its commercial success (reaching number 3 on the Billboard 200), "Core" was initially met with poor critical reviews, with many critics considering it too derivative of other grunge artists like Nirvana and Pearl Jam. Over time, however, "Core" would receive more positive reviews as it took its place as a seminal release of the grunge movement.

Lynch takes us on this journey back to 1993, when the Stone Temple Pilots were introducing themselves to the world.

Creep
This song is a slower, more introspective track that highlights the band's grunge influences. The lyrics deal with feelings of isolation and alienation, with Weiland delivering a haunting vocal performance. The acoustic arrangement is a nice contrast to the heavier tracks of the album.

Sex Type Thing
The opening track to the album features an aggressive guitar riff and a powerful vocal performance from Weiland. It was controversial due to its lyrical content, which is written from the perspective of a rapist. Despite the controversy (or perhaps because of it) “Sex Type Thing” became one of STP's most recognized songs.

Plush
This track is arguably the most famous song from the album. “Plush” showcases STP's softer side with its acoustic guitar intro and catchy chorus. Weiland's lyrics were inspired by a news story about a woman who was found dead in San Diego, adding a layer of mystery and intrigue to the song. The video for "Plush" won the band an MTV Video Music Award for Best New Artist and features the band playing in various desert scenes.

Wicked Garden
A hard-hitting rock track known for its gritty guitar riff and energetic chorus, this may be considered a deeper cut. The song deals with the loss of innocence and the darker side of human nature, themes that recur throughout the album. Over time “Wicked Garden” has become a fan favorite and a staple of STP's live shows.

ENTERTAINMENT TRACK:

Main theme to Star Trek: Deep Space Nine
The third entry into the Star Trek franchise takes place on a fixed space station near the border of the Federation. It had its debut in January of 1993.

STAFF PICKS:

Love Is On the Way by Saigon Kick
Bruce leads off the staff picks with a one hit wonder. Miami-based Saigon Kick released this single from their second album, "The Lizard," and it went to number 12 on the Billboard Hot 100. Jason Bieler provides guitar, keyboards, and backing vocals for the band, and wrote this song. Lead vocals are provided by Matt Kramer. Additional band members were Tom DeFile on bass and Phil Varone on percussion.

Regret by New Order
Rob brings us the lead song from New Order's sixth studio album, "Republic." The single went to number 28 on the Billboard Hot 100. New Order formed from the remnants of the band Joy Division. The album was made in order to save the Hacienda - a Manchester club part owned by the band.

Teen Angst (What the World Needs Now) by Cracker
Wayne's staff pick is from Cracker's debut album, and features catchy, clever, ironic songs. The lyrics take a swipe at late 80's and early 90's folk rock songs. Interestingly, the lyrics do not include the words "Teen Angst." The track got airplay on alternative radio stations, and went to number 1 on the new Billboard "Modern Rock" chart.

All Apologies by Nirvana
Lynch closes out the staff picks with one of Nirvana's most poignant and introspective works from their third and final studio album "In Utero." Songwriter and front man Kurt Cobain describes the song as a tribute to his wife and daughter, but it took on significance as a farewell note of sorts after Cobain's death.

COMEDY TRACK:

Bedrock Anthem by "Weird Al" Yankovic
Weird Al channels a couple of well-known songs from the Red Hot Chili Peppers for this prehistoric parody.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - October: Steve Perry “Street Talk” Apr 29, 2024

It will come as no surprise to regular listeners of this podcast that we are all big fans of Steve Perry, the chief vocalist of Journey. So it should also not come as a surprise that we would want to feature his debut solo studio album called Street Talk. Perry embarked on this solo project shortly after the release of Journey's "Frontiers" album, at a time when the group was packing arenas around the world. The name of the album comes from his pre-Journey days when he was leading a band called Alien Project - but he had at one time considered naming it, "Street Talk." Perry also used Craig Krampf as drummer, who was also a previous member of Alien Project.

The album obviously has similarities to Journey due to Perry's vocals, but it is significantly softer than the more pop rock/hard rock approach typical of Journey. The songs are written or co-written by Perry, and showcase Perry's voice in a more ballad-heavy manner. The lead single, “Oh Sherrie,” was written about his relationship with Perry's then-girlfriend Sherrie Swafford, and hit number 3 on the Billboard Hot 100. We covered “Oh Sherrie” on episode #148, but there are three other singles that broke into the top 40, powering the album to number 12 on the Billboard 200 album charts and to 2x Platinum in sales.

Perry had worked outside of Journey during his tenure with the band, including vocal work with both Sammy Hagar and Kenny Loggins. Other members of the band were also working on side projects, so it was expected that all would return to the group after their separate projects. Perry followed suit, this, but troubles began to surface with personnel changes and Perry's mother's failing health causing the "Raised on Radio" Journey album to be delayed.

Street Talk gives us a good look at Steve Perry outside of the rest of the Journey band members, during a time when Perry was at the top of his vocal game.

Rob brings us this excellent album for today's podcast.

She's Mine
The track that starts side two is a slow rocker that demonstrates Perry's versatility in musical styles. The lyrics describe a struggle between a guy and his rival over a girl. It made it to number 21 on the US charts - and you can't go wrong with a sax.

Captured By the Moment
This song is deeper lyrically, with Perry looking at significant times in history and music as snapshots in a frame. He pays tribute to some key figures from the 60s and 70s including Martin Luther King Jr, Jackie Kennedy, the Beatles, Janis Joplin, Jimi Hendrix, and others. It has a distinctive 80's keyboard sound.

Foolish Heart
A subdued piece, this track is the second-biggest hit from the album after "Oh, Sherrie." The lyrics depict a guy longing for love, but who does not trust his heart to make good choices. It was co-written with Randy Goodrum, who wrote "You Needed Me" for Anne Murray. It was the last single released from the album.

Strung Out
This faster paced track closes out the album, and discusses love from the perspective of a guy longing for a woman in a relationship with another. "I feel like Bogart in a crazy movie. Bogie and me, we never beg - but this time maybe I've got voices in my head."

ENTERTAINMENT TRACK:

Main theme from the television series “Who's the Boss?”
Tony Danza plays a former baseball athlete trying to raise his daughter while working as a live-in housekeeper for a single advertising executive. Alyssa Milano played Danza's daughter.

STAFF PICKS:

I Wanna Rock by Twisted Sister
Wayne kicks off the staff picks with glam rock sensation Twisted Sister in their follow-up to "We're Not Gonna Take It." Many listeners may be more familiar with a cover of this song performed by SpongeBob SquarePants in "The SpongeBob SquarePants Movie" entitled "Goofy Goober Rock."

For Whom the Bell Tolls by Metallica
Lynch brings us a signature song from Metallica's 1984 album, "Ride the Lightning." The heavy riffs typical of Metallica are accented by the toll of chimes, and the lyrics are inspired by Ernest Hemmingway's novel of the same name dealing with war, death, and fate set in the Spanish Civil War.

Hard Habit to Break by Chicago
Bruce takes the tempo way down with a hit off Chicago 17. Vocal duties are carried by Bill Champlin and Peter Cetera, and the song is arranged by David Foster. The lyrics depict a man struggling to get over a long lost love whom he took for granted. Chicago 17 is Chicago's best selling album, and their last with Peter Cetera in the group.

No More Lonely Nights by Paul McCartney
Rob closes out the staff picks with a single from the soundtrack to McCartney’s film, "Give My Regards to Broad Street." McCartney brings in Pink Floyd alumnus David Gilmour for guitar work on this song. Gilmour requested that his session fee be donated to a charity of Paul's choice. It went to number 6 on the Billboard Hot 100.

INSTRUMENTAL TRACK:

Zoolookologie by Jean Michel Jarre
We close out on a jazz fusion number from the time which uses samples of voice and spoken words to form an art rock sonic landscape.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - July: Outlaws “The Outlaws” Apr 22, 2024

The Outlaws had a long history as a band prior to the release of this debut album. Formed originally in 1967 in Tampa, Florida, the original name for the group was "The Four Letter Words." They toured off and on through the early 70's, and made an aborted attempt at an album the late 60's. Finally, they were signed by Clive Davis and Arista Records while opening for Lynyrd Skynyrd. Ronnie Van Zant told Davis and future Outlaws manager Charlie Brusco, "If you don't sign Outlaws, you're the dumbest music person I've ever met - and I know you're not."

The debut and eponymously named album Outlaws would blend Southern rock with Country and hard rock, and would create a great concert draw for the band. Their use of three guitars would come to be known as "the Florida Guitar Army." Hughie Thomasson and Billy Jones both provided lead guitar and vocals, and Henry Paul would provide further electric and acoustic guitar as well as vocals. Monte Yoho on drums and Frank O'Keefe on bass would round out the group.

While there's definitely a Southern Rock feel to the Outlaws, there is also a lot of Country and even bluegrass mixed in. The technical chops are impressive, and there is a lot of harmony employed in the group as well. The album would peak at number 13 on the Billboard Top LP's & Tape chart.

Wayne takes us through this guitar-driven Southern Rock album for this week's podcast.

Waterhole
This instrumental song leads off side two of the album, and has a bluegrass feel. It is the opening track to side two of the album.

There Goes Another Love Song
The hit single on the album also is the leading track. It peaked at number 34 on the Billboard Hot 100, and features Hughie Thomasson on lead vocals. The lyrics depict a guy on the road who is missing his faraway love, and seems to encounter love songs one after another.

Song for You
This may appear to be an instrumental at first because of the long intro before the vocals come in. The lyrics reflect a guy who is breaking a girl's heart, but can't seem to avoid doing so. There are some great harmonies in this track.

Green Grass and High Tides
The last song on the album is a true epic. The album version is almost 10 minutes long, but has been stretched to 30-minute versions in concert jams. Hughie Thomasson conceived the album while at a beach cookout and imagining all the rock greats who had passed on rising from the grave to play a show. The name comes from a Rolling Stones' "Best of" album title.

ENTERTAINMENT TRACK:

Main theme from the motion picture “The Apple Dumpling Gang”
Walt Disney Productions put out this comedy western about a gambler tricked into taking care of a group of orphans. Bill Bixby, Don Knotts, and Tim Conway star in this movie.

STAFF PICKS:

One of These Nights by the Eagles
Lynch starts off the staff picks with a song penned by the duo of Glenn Frey and Don Henley. It became the second number 1 single for the group in the US, behind "Best of My Love." This track takes inspiration from soul music like Al Green and B.B. King, and has been described as an anthem for procrastinators and dreamers.

Blue Sky by Joan Baez
Rob profiles a cover song originally performed by the Allman Brothers on their 1972 album, "Eat a Peach." Originally written by Dickey Betts about his girlfriend Sandy "Bluesky" Wabegijig, Baez covers this on her 1975 album "Diamonds & Rust." If it sounds familiar to you, Baez is actually backed up by the Allman Brothers Band for this single.

Landslide by Fleetwood Mac
Bruce features a song written by Stevie Nicks at a time when she was considering whether to continue to pursue life as a musician or give up her dream and go back to school. Despite its popularity today, the song was not originally released as a single until the live version from "The Dance" in 1997.

Motorhead by Hawkwind
Wayne closes out the staff picks with a B-side from the prog rock group Hawkwind written by bassist Ian "Lemmy" Kilmister while he was with the group. Lemmy was fired from the band one day before the album's release, but would go on to fame in the band Motorhead.

INSTRUMENTAL TRACK:

Journey of the Sorcerer by the Eagles
A rare instrumental from the Eagles takes us out this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - August: Eric Clapton "Unplugged" Apr 15, 2024

Eric Clapton is a living legend in the rock world. He was a member of the Yardbirds from 1963 to 1965, a founding member of the supergroup Cream, founding member of Blind Faith, founder of Derek and the Dominos, and a multi-album soloist. He has received 18 Grammy awards, sold more than 280 million records world-wide, and is the only three-time inductee into the Rock and Roll Hall of Fame.

Unplugged was recorded in front of an audience at Bray Studios in England for the "MTV Unplugged" series. This series was started in 1989, and several artists would release albums from this show, including Mariah Carey, Nirvana, and Page and Plant. Clapton's Unplugged album was a monster hit, winning three Grammy awards in 1993. It was Clapton's bestselling album, and the bestselling live album of all time, selling 26 million copies. Clapton recorded this in January 1992, and it contains a mix of his solo material, songs from previous groups, and blues standards from long ago.

Eric Clapton continues to play and tour today. He recently released a song called "Voice of a Child" in late 2023 and organized a charity concert to raise funds for children in the Gaza Strip. He also collaborated with Van Morrison in November 2020 on an anti-lockdown single called "Stand and Deliver," and said regarding vaccine mandates that he would not perform on any stage where there is a discriminated audience present.

Bruce presents this laid back live blues album in this week's podcast.

Running On Faith
This track was originally on the Journeyman album from 1989, Clapton's eleventh studio album. Jerry Lynn Williams wrote this song, as he did several other Clapton songs including "Pretending" and "Forever Man." They lyrics tell of taking each day as it comes in confidence that love will come to the singer in due time.

Tears in Heaven
This song originally appeared on the soundtrack for the 1991 film "Rush." In March of that year Clapton's 4-year old son Connor died in a fall from a New York City apartment, causing Clapton to isolate himself for a while. Scoring the music for the film gave him a way to cope with the loss. He wrote the first verse and asked Will Jennings to write the rest. It is deliberately ambiguous, as it is about his son, but also meant to be part of the film. It is his best-selling single in the United States.

Rollin' and Tumblin'
The recording of this song picks up mid-verse because it was recorded in a break when the cameras and recording equipment were off. Clapton began performing this Muddy Waters blues song impromptu, and the musicians around him joined in. It was last performed by Clapton when he was with Cream, and the audience clearly loves it.

Layla
The signature song from Derek and the Dominos was significantly altered by Clapton and acoustic guitar player Andy Fairweather. They changed it to a shuffle beat, removed many of the familiar riffs and piano exit, and jazzed it up. Clapton is also singing an octave lower than the original, which was at the top of his vocal range back in the day.

ENTERTAINMENT TRACK:

Theme from the television series “Martin”
Martin Lawrence had a comedy series popular in the US at this time, with Martin playing many characters, both male and female.

STAFF PICKS:

Sister Shade by Mary's Danish
Wayne brings us an unfortunately underrated song from the 90's as his staff pick. This grunge group actually featured two female lead singers: Gretchen Seager and Julie Ritter. Mary's Danish formed in the late 1980's and released four albums. Unfortunately, they became a victim of mismanagement, incompetent promotion, and a difficult contract that left them without money from the royalties.

Even Flow by Pearl Jam
Lynch's staff pick is a signature song from Pearl Jam. The music was written as an instrumental demo before Eddie Vedder's arrival as front man for the band. Vedder wrote the lyrics focusing on the life of a homeless person overlooked by society. Originally performed live in October 1990, it has become Pearl Jam's most performed song.

These Are Days by 10,000 Maniacs
Rob showcases another group with a female lead for his staff pick. The song encourages the listener to recognize the miracle in front of you, to live in the moment. Many associate it with the birth of a child, though the meaning is left ambiguous. This song is one of 10,000 Maniacs' biggest hits, and is one of the last the group did before Natalie Merchant left to pursue a solo career.

Runaway Train by Elton John (featuring Eric Clapton)
Bruce wraps up the staff picks with the second single from John's 1992 album "The One." The song includes contributions from Eric Clapton, who plays guitar and provides vocals in the second verse. "The One" was Elton John's 23rd studio album, and his biggest selling album in the US since 1976. The lyrics compare trying to get back into control of life to a runaway train.

COMEDY TRACK:

Taco Grande by “Weird Al” Yankovic
You can't go wrong with the sultry parodies of Weird Al as an exit from today's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - October: Scorpions "World Wide Live" Apr 08, 2024

While we may think of the German band the Scorpions as an 80's metal band, they started much earlier - way back in 1965. Things didn't really come together for the group until the 1978-1992 personnel lineup of Klaus Meine on lead vocals, Rudolph Schenker on rhythm guitar, Mattias Jabs on lead guitar, Francis Buchholz on bass, and Herman Rarebell on percussion. By the time that the live album entitled World Wide Live came out in 1985, the group had established itself as an international commercial success.

Recorded during their 1984 world tour, "World Wide Live" showcases the band at their best, and is a testament to their skill as live performers. The album was produced by Dieter Dierks, and was initially released as a 2-LP vinyl set, a cassette, and a VHS of tour footage showing off the band's stage presence. Folks, you got your money's worth when you originally purchased this album!

From the high intensity of rockers like "Big City Nights" and "Rock You Like a Hurricane," to the raw emotion of ballads like "Still Loving You," the Scorpions deliver a performance that connects with their audience. Hearing the live versions gives you a sense of the band in a way that is hard to capture from the studio arrangements.

Lynch leads this journey back to 1985, when the Scorpions were rocking the world like a...well...they were rocking the world.

Big City Nights
This song from "Love at First Sting" leads off side two of the first LP. Schenker and Meine composed this one, as they did with many Scorpions songs. This homage to night life in the city was released as the third single from their studio album, but failed to chart.

No One Like You
Originally appearing on their 1982 album, "Blackout," this track deals with infatuation and desire. Despite its only reaching number 65 on the Billboard Hot 100, it is one of the songs that established the Scorpions as premiere hard rockers of the 80's.

Still Loving You
Long before the hair metal ballad became a trope, the Scorpions demonstrated their ability to handle a slower song while still maintaining intensity and raw emotion. The lyrics are of a guy struggling to convince the girl he has lost to give their love a second chance.

Rock You Like a Hurricane
The Scorpions' signature song first appeared on "Love at First Sting" the year before this live album was released. It reached number 25 on the Billboard Hot 100, a rare Scorpions song to break the top 40. The track leads off side three of the album. The risqué video would be a prime exhibit of the PMRC in their quest for more parental control over child access to music videos.

ENTERTAINMENT TRACK:

Crazy by Patsy Cline
A film called "Sweet Dreams" chronicles the life of country music star Patsy Cline, and was in American theaters in this month.

STAFF PICKS:

Whole of the Moon by The Waterboys
Wayne gets the staff picks started this week with the best-selling song from an overlooked British-Irish rock-folk band. Cerebral and artsy, with lyrics like "I saw the crescent, you saw the whole of the moon," the song is about individuals with rare depth. The Waterboys reformed in 2000, and can still be seen touring, primarily in Europe.

Lay Your Hands On Me by The Thompson Twins
Rob brings us a song from the British group that has neither members named Thompson nor twins. It went to number 6 on the Billboard Hot 100. Thompson Twins member Tom Bailey has said that the song takes religious ritual as a metaphor for the connection between artist, performer, and artist.

It's Only Love by Bryan Adams and Tina Turner
Bruce's staff pick is the sixth and final single from Adam's amazingly popular album "Reckless," and also appears on Turner's "Tina Live in Europe" released in 1988. Loaded with melancholy and anger from a breakup, the song encourages the jilted lover to remember - it's only love. This song went to number 15 on the Billboard Hot 100.

Money for Nothing by Dire Straits
Lynch features a signature song from Mark Knopfler and Dire Straits, with a strong helping of Sting to boot. This Grammy Award-winning track was a staple of MTV, and spent three weeks atop the US pop charts. The lyrics are a conversation between two working-class men as they watch music videos.

INSTRUMENTAL TRACK:

Tears In a Prophet's Dream by Celtic Frost
This Swiss heavy metal bands instrumental takes us out for this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - December: The Doobie Brothers “Minute By Minute” Apr 01, 2024

There are two distinct eras of music by The Doobie Brothers. From their formation in 1970 until 1975, Tom Johnston was the lead vocalist, and the group had a mainstream rock sound, with some folk and “California Country” influences. Starting in 1975, Michael McDonald joined the group as a keyboardist, as well as providing lead vocal work to help Johnston, who was having health problems at the time. Over the following years, Johnston would have less influence as he neared retirement from the group in 1977. Michael McDonald would influence the group into a more soulful sound, often called “blue eyed soul.” Today we would call this “yacht rock.”

Minute By Minute, the eighth studio album from the group, comes from the height of the McDonald era. It is a high water mark for the Doobie Brothers both commercially and critically. The album would spend 87 weeks on the Billboard 200 album charts in the U.S., topping the charts in five of those weeks. It would also produce multiple nominations and wins at the Grammy awards in 1980 including Record and Song of the Year wins for “What a Fool Believes.”

The Doobie Brothers would break up in 1982, then reform with Johnston back as front man in 1987. Michael McDonald would rejoin the band full time in 2019 in time for their 50th anniversary tour. You can still find them on tour today.

Rob brings us this soulful album for today's podcast.

What A Fool Believes
The lyrics of this hit narrate the story of a man who meets an old crush and tries to rekindle their relationship, only to find out that there never really was a relationship in the first place. Michael McDonald and Kenny Loggins wrote this single, which became a number 1 hit in the US and Canada.

Dependin' On You
Michael McDonald and Patrick Simmons wrote this song, and Simmons takes over lead singer duties. It went to number 25 on the Billboard Hot 100. The Latin-infused call-and-response song celebrates a rock solid love that is always there.

Don't Stop to Watch the Wheels
This shuffle beat deeper cut is sung by Patrick Simmons, and was the B-side from the single release of “What a Fool Believes.” “Look out, hold on, don't stop to watch the wheels go 'round. Look out, hold on, I got to cover ground.”

Minute By Minute
The title track finds Michael McDonald handling lead vocals, and was written by McDonald and Lester Abrams. The single was released in April of 1979, and it went to number 14 on the US charts. The smooth keyboard-driven sound reflects the Motown inspiration, and is a hallmark song of the “yacht rock” genre.

ENTERTAINMENT TRACK:

Every Which Way But Loose by Eddie Rabbitt (from the motion picture “Every Which Way But Loose”)
Clint Eastwood would take a break from his action and western movies for this comedy with an orangutan co-star named Clyde.

STAFF PICKS:

Don't Stop Me Now by Queen
Bruce leads off this week's staff picks with a single from Queen's "Jazz" album. While this tribute to hedonism did well in the UK, it only hit number 86 on the US charts. It would grow in popularity over time, and would be featured in multiple commercials including Toyota, L'Oréal, and American Idol.

Double Vision by Foreigner
Lynch features a song from Foreigner's second album of the same name. It reached number 2 on the Billboard Hot 100. Surprisingly, the inspiration for the song title was an event at a hockey game when a goalie had to be removed after a collision on the ice because he was experiencing double vision.

Homicide by 999
Wayne brings us a band from London that is named for the number used in the UK to reach emergency services. This punk-infused song takes a tongue-in-cheek look at serial killers. While a top 40 hit in the UK, it didn't chart in the States. You might recognize this song from the soundtrack to the John Wick series, “The Continental.”

Follow You Follow Me by Genesis
Rob closes out the staff picks with a softer song from the progressive group Genesis, the closer from their album “...And Then There Were Three...” The group had condensed to the three members of Phil Collins, Mike Rutherford, and Tony Banks, after former member Steve Hackett chose to leave.

INSTRUMENTAL TRACK:

Steamer Lane Breakdown by The Doobie Brothers
We get a little double dip of the Doobies as we exit today's podcast on this instrumental number.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 - July: The B-52's “Cosmic Thing” Mar 25, 2024

Because all of us presenters live in Georgia it is hard for us to believe that Cosmic Thing, the fifth studio album from The B-52's was the international breakthrough album. We had been listening to “Rock Lobster” and “Private Idaho” for about a decade before this album came out. But much of the B-52's discography was confined to college radio stations outside of their home state. Cosmic Thing would really put the group on the map nationally and internationally.

This album was also a comeback for the group. The original group consisted of Fred Schneider on vocals, Kate Pierson on vocals and keyboard, Cindy Wilson on vocals and tambourine, Ricky Wilson on guitars, and Keith Strickland on percussion. Ricky Wilson died of AIDS in October 1985, and hadn't told the band other than Keith Strickland that he had the then-terminal disease because he didn't want anyone worrying or fussing over him. His death devastated the group, particularly his sister, Cindy Wilson. The band did not tour to promote their 1985 album release “Bouncing off the Satellites,” nor did they put out any new music until 1989.

When they got back together they decided to remain a foursome. Keith Strickland moved to guitar and they brought in session drummers to fill in. It took about a year to compose the songs from this album, with the group spending a lot of time working through their grief in the loss of Ricky Wilson. The resulting album, however, was a tremendous success, with two songs breaking into the top 10 on the US Billboard Hot 100, the first songs of the group to do so.

Bruce brings us this comeback album in this week's podcast.

Love Shack
This has become the B-52's signature song. It went to number 3 on the Billboard Hot 100 - the group's first top 40 hit. The inspiration for this song was partly an African American club outside Athens, Georgia, called the “Hawaiian Ha-Le.” It was a place that looked like a shack from the outside, but hosted a great selection of bands.

Cosmic Thing
The title track and lead-off song to the album preceded the album by a few months. It was released on the soundtrack to the film “Earth Girls Are Easy.” It is also known as “(Shake That) Cosmic Thing.”

Channel Z
A deeper cut , this track has a little more political feel. It discusses the changes happening in the world, along with pollution, radiation, and other concerns. “Space junk, laser bombs, ozone holes, better put up my umbrella!” The band never lost their dance connection, with songs leaning more towards party and less towards politics.

Roam
The second big hit leads off side 2, and also went to number 3 on the Billboard Hot 100. Kate Pierson and Cindy Wilson duet on this song, making it the only vocal track on the album in which Fred Schneider doesn't have a vocal. It was the second and final US top-10 hit for the group.

ENTERTAINMENT TRACK:

It Had to Be You by Harry Connick, Jr.(from the motion picture “When Harry Met Sally”)
Billy Crystal and Meg Ryan star in this romantic comedy, with Harry Connick, Jr. providing most of the soundtrack.

STAFF PICKS:

I'll Be You by the Replacements
Wayne features a Minnesota band which got their start in the punk genre before moving to alternative rock. This song plays in the bachelor party in the 1996 comedy “Jerry Maguire.” The replacements formed in 1979, and it would be 10 years before this song would be their sole entry into the top 100, peaking at number 51.

Free Fallin' by Tom Petty
Lynch's staff pick is a big hit off Petty's solo album “Full Moon Fever.” This song documents the feelings that a guy has after breaking up with his girl. Petty has ELO founder and fellow Traveling Wilburys member Jeff Lynne joining him on this single, providing synthesizer, bass, acoustic guitar, and backing vocals.

Lay Your Hands On Me by Bon Jovi
Rob brings us an epic rock song from Jon Bon Jovi off the album “New Jersey.” This one hit number 7 on the Billboard Hot 100, the fourth single from the album to break into the top 10 on the pop charts. Dolly Parton covered this single in 2014, rearranged as a gospel song.

If Dirt Were Dollars by Don Henley
Bruce closes out the staff picks with a deeper cut off Henley's massive album “End of the Innocence.” Never one to shy away from politics and culture, Henley rails in this track against materialism, hypocrisy, false patriotism, and hubris. “These days the buck stops nowhere, no one takes the blame. But evil is still evil in anybody's name.”

INSTRUMENTAL TRACK:

It Had to Be You by Harry Connick, Jr.
We double dip on the Entertainment track to end this week's podcast, as Connick did a vocal and instrumental version of this classic song.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - October: Johnny Cash “Original Golden Hits, Volume I and II” Mar 18, 2024

Johnny Cash was a prolific hitmaker in the mid 50's to early 60's. In the late 60's he released a couple of live albums which had crossover appeal: "Johnny Cash at Folsom Prison," and "Johnny Cash at San Quentin." By 1969, Johnny Cash had become an international musical success, selling more records than the Beatles at the time.

Cash had left his original label, Sun Records, back in 1958. However, he had left an extensive catalogue of songs with Sam Phillips at Sun. Given his success and the upcoming Johnny Cash TV show, Sun Records decided it would be a good time to release a compilation of his earlier hits from 1954 through 1958. This compilation was released on two albums, "Original Golden Hits, Volume I" and "Original Golden Hits, Volume II," which reached numbers 4 and 3 on the US Country charts respectively.

Cash would go on to fame in TV and film in the 70's, and would continue recording up until his death in 2003.

While not strictly rock music, the Man in Black was an icon of American music and an inspiration for many in country, rock, and pop genres. It is also a special memory for Wayne, as he listened to this 8-track as he traveled with his father out of California to Alabama.

Wayne takes us through this greatest hits album for today's podcast.

Home of the Blues
The inspiration for this song was the "Home of the Blues" record shop on Beale Street in Memphis, Tennessee. The store which was open from the late 40's until the mid 70's was a place he used to hang out, buy records, and meet other musicians.

Hey Porter
This is Cash's first recorded song. The setting is just after World War II, and the song focuses on a man returning home from overseas who feels elated to be returning to his native South, the last leg of which is by train. Note that there is no percussion in this song, but Cash played his guitar with dampened strings to acquire a percussive effect.

I Walk the Line
Johnny Cash's first number 1 hit on the Billboard country charts eventually crossed over to the US pop charts, reaching number 17 and selling over 2 million copies in the United States. The lyrics reflect temptations and the need to be accountable for your actions. The frequent key changes make this song distinctive.

Get Rhythm
This was the B-side to "I Walk the Line." It was re-released in 1969 as an A-side, and went to number 60 on the Billboard pop chart.

ENTERTAINMENT TRACK:

Main theme from the television series “Fat Albert”
The origin of Bill Cosby's animated series was an animated primetime television special that first aired on NBC on November 12, 1969.

STAFF PICKS:

Birthday by Underground Sunshine
Rob starts off the staff picks with a cover of the Beatles song by a group from Wisconsin. The band had been around for a few years, but this cover helped them attain greater success. Their cover made it to number 26 on the Billboard Hot 100.

Down on the Corner by Credence Clearwater Revival
Lynch's staff pick is one of the best known songs by CCR. The song talks about a band called "Willy and the Poor Boys" playing in the street for spare change. It went to number 3 on the Billboard Hot 100 by the end of 1969.

I Can't Get Next to You by The Temptations
Bruce gets us all moving with the number 1 single from David Ruffin, Melvin Franklin, Otis Williams, Eddie Kendricks, and Paul Williams - better known as The Temptations. This was the second of four number 1 hits from the group, and was written by Norman Whitfield and Barrett Strong for the Motown label.

I'm Tired by Savoy Brown
Wayne's staff pick charted at number 74 on the top 100, and has a very heavy electric blues feel. Three members of this group out of London would go on to form Foghat. The group's name came from American Blues label Savoy Records - a name that had an elegant sound. "Brown" was added as an extremely plain word that contrasted nicely with the elegance of "Savoy."

INSTRUMENTAL TRACK:

Treat by Santana
Santana would produce a number of excellent instrumental hits during his decades in the rock scene, and this one is from his debut album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - June: Journey “Evolution” Mar 11, 2024

We've already covered a couple of Journey albums. Episode 250 profiled "Infinity," the introduction of Steve Perry to the group. And episode 26 delved into arguably the high water mark for Journey, the album "Escape." Here we take a look at the band as they are in their transition into one of the world's biggest rock bands.

The appropriately-titled album Evolution is Journey's fifth studio album. Here we find Steve Perry settling in as front man while still sharing lead vocal duties with keybaordist Gregg Rolie. They have also replaced drummer Aynsley Dunbar with Steve Smith, previously with Ronnie Montrose's band. The band is continuing to explore a more radio-friendly sound. The lineup for this band includes Perry, Rolie, and Dunbar, along with Neil Schon on guitar, and Ross Valory on bass.

At the time, "Evolution" was the band's most successful album, and it reached number 20 on the Billboard 200 chart. It also featured their first single to enter the top 20. The album was actually released in March of 1979, but was recorded in the fall of 1978. We're featuring it in January of 1979 because - well - that's where we were able to fit it in.

Brian rejoins us in todays podcast to sub for an absent Wayne, and to profile this album.

Too Late
A deeper cut written by Perry and Schon, this song was written about a friend from Steve Perry's hometown who was wrestling with addiction to drugs. It was a plea to get out of town and the surroundings that fed his addiction before it was too late to break the chains of addiction.

Lovin', Touchin', Squeezin'
The biggest hit from the album is a slow rocker with a shuffle beat. It hit number 16 on the Billboard Hot 100 in November of 1979, the group's first foray into the top 20. The song is based on a true story about a cheating woman who finds out that turnabout is fair play - and that cheating on a songwriter can result in your being memorialized in a song.

City of the Angels
While they were known as a San Francisco band, this album track pays homage to Los Angeles. It was written by Perry, Schon and Rolie. On the album, "Lovin', Touchin', Squeezin'" immediately leads into this track, and you will occasionally hear these played together on album-oriented stations and satellite radio.

Just the Same Way
This single finds Gregg Rolie taking turns with Perry on lead vocals. It was written by Rolie, Schon, and Ross Valory, making it the only song on the album not written or co-written by Steve Perry. It is an infatuation song, with a great call-and-answer in the chorus between Rolie and Perry.

ENTERTAINMENT TRACK:

The Pink Panther Theme by Henry Mancini
The Saturday morning cartoon show with a silent protagonist, "The Pink Panther," ended its run after 10 years.

STAFF PICKS:

Gold by John Stewart
Lynch's staff pick is a top 5 hit from John Stewart's album "Bombs Away Dream Babies," his first solo top 40 hit. Both Lindsey Buckingham and Stevie Nicks contributed to the album, and Nicks provides backing vocals on this song. The vocals describe the dark, cynical side of the recording industry.

Planet Claire by The B-52's
Rob brings us a musical interpretation of a B-rated sci-fi movie. Once the instrumental and sound-effects - with a Peter Gunn-inspired beat - give way to Fred Schneider's vocals, we find that the girl is from Planet Claire, drives a Plymouth Satellite, and "some say she's from Mars, or one of the seven stars that shine after 3:30 in the morning. Well, she isn't!"

Dance the Night Away by Van Halen
Bruce features the first US top 20 hit by Van Halen. This song is unusual because it is the only song on the "Van Halen II" album that originated in the studio rather than as a song the group had honed on tour for a long time. It also downplays Eddie Van Halen's guitar virtuosity and brings up the vocal harmonies. Fleetwood Mac's "Go Your Own Way" was an inspiration for this single.

Rock n Roll Fantasy by Bad Company
Brian's staff pick was written by Bad Co. front man Paul Rogers, and reflects the truth that Rock music is escapism, a fantasy to take you away from the stress of the everyday world for a bit. It was the lead single from the album "Desolation Angels." While not their highest charting single, it is their best selling single.

INSTRUMENTAL TRACK:

Main Theme from the motion picture "Alien"
The disturbing soundtrack was one element of what made this sci-fi horror film so creepy.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - February: Duran Duran "Rio" Mar 04, 2024

Did MTV make Duran Duran, or did Duran Duran make MTV? Perhaps a little of both. What is beyond doubt is that Rio, the band's second studio album, would propel Duran Duran into a worldwide new wave and dance phenomenon, and would be a major offensive of the Second British Invasion in the United States.

Duran Duran had found success in the UK with their self-titled debut album in 1981, and expectations were high for the group. Rio would find the band leaning heavily on upbeat tracks, a couple of synth-heavy ballads, and more experimentation with musical sounds and instruments than their first album. Many tracks also had accompanying videos, leaning into the MTV market. The photogenic appeal of the band also bolstered the popularity of their videos.

Critics were neutral to negative on the album when released, but the commercial appeal was stunning. Duran Duran would dominate American charts from the back half of 1982 throughout 1983, and the band would become an icon of 1980's music.

The album was released in May of 1982, but was recorded in January through March of 1982, resulting in our placement of the album in this month.

Brian joins us in Wayne's absence, while Rob brings us this iconic New Wave album for today's podcast

Rio
The title track was the third single released from the album. Bassist John Taylor came up with the title, reflecting optimism and an exotic feel for the album. Sounds at the start of the song were created by throwing small metal rods onto the strings of a grand piano. Andy Hamilton is the saxophone soloist on this track.

New Religion
This deeper cut leads off side two of the album, and is a dialogue between the ego and the alter-ego, featuring conflicting voices in the chorus. The song is a bit darker than others on the album. "I'm talking for free, I can't stop myself - It's a new religion. I've something to see, I can't help myself - It's a new religion."

Last Chance on the Stairway
Another deeper cut, the lyrics to this song talk about taking chances and testing limits. "And please don't say leave till later, I've had my last chance on the stairway."

Save a Prayer
This ballad was Duran Duran's biggest hit in the UK at the time, though not originally released as a single in the US. The lyrics depict two strangers falling into a one-night stand, living in the moment and letting the consequences wait for a later time. The synthesizers create a beautiful but haunting sonic landscape.

ENTERTAINMENT TRACK:

Main Theme from the motion picture “The Thing”
Not to be confused with the Fantastic Four character, this John Carpenter film depicts a research team in Antarctica encountering a hostile extraterrestrial who can assimilate then imitate humans.

STAFF PICKS:

Leather and Lace by Don Henley and Stevie Nicks
Brian brings us a duet from alumni of the Eagles and Fleetwood Mac. Stevie Nicks wrote this song about a relationship between two very different individuals, based on her own experiences in relationships with both Don Henley and fellow Fleetwood Mac member Lindsey Buckingham.

Love is Like a Rock by Donnie Iris
Bruce features the second single from Iris's second album, "King Cool." It has an infectious riff. It went to number 37 on the Billboard Hot 100. The song originated as an instrumental jam, with lyrics added afterwards.

Physical by Olivia Newton-John
While Lynch takes some grief for bringing such a pop song into this rock broadcast, the single was a monster hit in the 80's. While the video would portray scenes of exercise in the gym, the lyrics were considered much more sexual and controversial at the time.

Addicted by Le Roux
Rob closes out the staff picks with a rocking hit lost in time. Le Roux is a band from Baton Rouge, Louisiana. Roux is a cajun thickening base for gumbo.

INSTRUMENTAL TRACK:

I Advance Masked by Andy Summers & Robert Fripp
Police guitarist Andy Summers and long time King Crimson guitarist Robert Fripp had this instrumental rock track out on which we end the podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - February: “Saturday Night Fever” Soundtrack Feb 26, 2024

OK, it isn't rock music, but the Soundtrack to "Saturday Night Fever" was a tremendously successful album both commercially and critically, and it had a major impact in popular culture of the later 70's. The theatrical release of the movie actually went back to December of 1977, but it was the winner of the Grammy Award for Album of the Year in February 1979, one of only three soundtrack albums to do so. Composed by the Bee Gees and prominently featuring that band, this soundtrack is the second-best selling of all time behind "The Bodyguard."

The Bee Gees actually didn't get involved with the film until it was in post-production. John Travolta was dancing to Stevie Wonder and Boz Scaggs when the scenes were filmed. Columbia Records refused legal clearance for Scaggs material because they were pursuing another disco movie at the time, and the Bee Gees were commissioned to write the songs for the film. The brothers Gibb wrote the songs primarily in a single weekend.

The resulting success would change the trajectory of both the Bee Gees and actor John Travolta. The Bee Gees would become a group often compared to the Beatles in the late 70's. Travolta, already well known for his role in the television series "Welcome Back, Kotter," would become an A-list celebrity and a household name.

In 2013 the album was added to the National Recording Registry in the Library of Congress for preservation.

Lynch is responsible for this travesty, as the other participants do so under protest. Support your local rock band, folks!

Night Fever
This song was originally called "Saturday Night," but Robin Gibb was concerned about that name because of the number of songs already bearing the name. "Night Fever" was inspired by Percy Faith's "Theme from 'A Summer Place'", and it spent 8 weeks at the top of the Billboard charts.

How Deep Is Your Love
This pop ballad was released in September of 1977, ahead of the movie. It had hit the top of the Billboard Hot 100 by Christmas Day of 1977, remained there for 3 weeks, and spent 17 total weeks in the top 10. Barry Gibb has commented that this is his favorite Bee Gees song. It won Best Pop Performance by a Group at the February 1978 Grammy awards.

You Should Be Dancing
Prior to their involvement with the "Saturday Night Fever" soundtrack, the Bee Gees first released this track on their album "Children of the World" in 1976. This is the song playing when Travolta takes over the disco dance floor.

Jive Talkin'
Here is another song that had been previously issued before the soundtrack was released. The lead single from the album "Main Course" was released in May 1975, long before "Saturday Night Fever." The song was originally called "Drive Talking," and the rhythm was inspired by the sound the band's car made crossing the Julia Tuttle Causeway as they traveled to the studio in Miami.

ENTERTAINMENT TRACK:

Dancing Queen by ABBA
A mockumentary called "ABBA: The Movie" was in the theatres at this time in the U.S.

STAFF PICKS:

Is She Really Going Out with Him by Joe Jackson
Wayne gets the staff picks going with a song that asks why good looking women date horrible men. Joe Jackson is often confused with Elvis Costello, another artist releasing albums at the time. This is Jackson's debut single from his debut album, "Look Sharp."

The Gambler by Kenny Rogers
Bruce brings us Kenny Roger's signature song. Songwriter Don Schlitz wrote this song in 1976 and it was recorded by several musicians including Johnny Cash before Rogers took it to number 1 on the country charts and number 16 on the Billboard Hot 100. The gambler looks through life through the lens of poker, knowing "every hand's a winner, and every hand's a loser," and of course "you've got to know then to hold 'em, know when to fold 'em."

Stumblin' In by Chris Norman and Suzi Quatro
Rob's staff pick is the sole top 40 hit by female rock pioneer Suzi Quatro, and Norman's only hit outside of his previous band, Smokie. This duet made it to number 4 on the Billboard Hot 100. Both singers have a smoky vocal sound.

Do You Think I'm Sexy? by Rod Stewart
Lynch notes Stewart's ability to surf the waves of popularity with this staff pick. While Rod Stewart honed his craft in the rock genre, he achieved both popularity and notoriety with his polarizing choice of embracing disco music in the late 70's. Today this song remains one of his most popular tunes.

INSTRUMENTAL TRACK:

Pegasus by The Allman Brothers Band
The Allman Brothers were decidedly NOT a disco band in this instrumental jam.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - December: Three Dog Night “Naturally” Feb 19, 2024

By the end of 1970 Three Dog Night was in the middle of their most prolific and successful period of their career. The group would land 21 Billboard Top 40 hits between 1969 and 1975 with three of these taking the top slot. The group was formed by three vocalists in 1967 - Chuck Negron, Cory Wells, and Danny Hutton. The other members of the band for this album are Mike Allsup on guitar, Joe Schermie on bass, Jimmy Greenspoon on keyboards, and Floyd Sneed on drums. All of the instrumentalists in the band also provide backing vocals on at least one of the songs from the album.

Naturally is the fifth album from the band and the second released in 1970. Three singles from the album entered the Billboard top 20, with "Joy to the World" topping the charts. As with contemporaries like the Beach Boys and Crosby, Stills, and Nash, you get an abundance of vocal harmonies with Three Dog Night. Given the origins with three vocalists, perhaps this is not surprising.

Three Dog Night takes its name from the Australian Outback, and how the Aborigines would keep warm at night by sleeping with a dingo - dogs native to the continent. A very cold evening would be known as a three-dog night. While the group was inducted into the Vocal Group Hall of Fame in 2000, they have not yet been inducted to the Rock and Roll Hall of Fame. Much of their work was composed by others, and this has been used as an excuse for their lack of recognition.

Three Dog Night continues to produce music today, though Danny Hutton is the only original member still with the group.

Wayne takes us through this album for today's podcast.

One Man Band
The first single released from the album went to number 19 on the Billboard charts. The lyrics describe a man who wants to be the only one for his lover - her one man band. There are great close harmonies and work on the Hammond organ in this one.

Joy to the World
The big hit from the album went to number 1 on the Billboard charts and remained there for six weeks. It was not expected to be a hit, but was instead expected to just be a "filler" song for the album with nonsensical but catchy lyrics. Singer-songwriter, guitarist, and actor Hoyt Axton wrote the song. Chuck Negron is the lead singer on this hit.

Liar
Russ Ballard of Argent wrote this song, and released it as Argent's first single off their self-titled album. While that version did not chart, the Three Dog Night rendition went to number 7 on the Billboard charts, benefitting from its release after their number 1 hit with "Joy to the World." The haunting lyrics describe a relationship in trouble.

I Can Hear You Calling
This song leads off the album and appears as the B-side to "Joy to the World," but was never released as a single itself. The funky grooves feature heavy use of the Hammond organ and a big drum beat. The lyrics reflect a person who keeps getting called on the phone by a lover he has left behind.

ENTERTAINMENT TRACK:

Main theme from the television series “H.R. Pufnstuf”
This odd children's show from Sid and Marty Krofft left the airwaves in October 1970.

STAFF PICKS:

Fire and Rain by James Taylor
Rob starts off the staff picks with this soft rock hit. Taylor wrote the song after the suicide of a friend. It was the second single from Taylor's second album, "Sweet Baby James." It peaked at number 3 on the Billboard Hot 100.

It Don't Matter to Me by Bread
Bruce brings us another soft hit. Bread was a soft rock group formed and fronted by David Gates, along with Jimmy Griffin and Rob Royer. Gates, a native of Tulsa, Oklahoma, ran in the same circles as Leon Russell in Tulsa bar bands before moving to California. The song reflects an openness in the singer's relationship, wanting only the best for his love.

Knock Three Times by Dawn
Lynch features a group which would later be known as Tony Orlando and Dawn. Orlando was working as an executive at April-Blackwood Music, and released the song without listing his name to protect his position from accusations of a conflict of interest. The song went to number 1. The lyrics reflect a secret romance between a man and his neighbor from the floor below.

Let's Go, Let's Go, Let's Go by Bettye LaVette
Wayne's staff pick is a bit of a James Brown song with a female voice. Bettye LaVette came out of Detroit but was signed by Atlantic Records rather than their competitors in Detroit, Motown Records. LaVette is a long time singer of blues, soul, and R&B starting in the early 60's and continuing today. This song is about letting loose and having a good time living in the moment.

COMEDY TRACK:

Bridget the Midget by Ray Stevens
We wrap up the podcast with the comedy stylings of Ray Stevens singing about Bridget the Midget, the Queen of the Blues.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - October: E.L.O. “Face the Music” Feb 12, 2024

The Electric Light Orchestra, also known as E.L.O., was formed in Birmingham in 1970 by multi-instrumentalists Jeff Lynne and Roy Wood, and by percussionist Bev Bevan. Wood was in a band called the Move in 1968 and had the idea of a new band which would feature classical instruments more prominently than the guitars, hoping to "pick up where the Beatles left off." He recruited Lynne to the cause in 1970. Wood would leave the band in 1972 at which point Lynne would be the leader of the band, producing and arranging all the albums and writing most of the songs.

Face the Music was ELO's fifth studio album, and the one which would be their real worldwide breakthrough. The album moved away from the large-scale orchestral pieces and contained more single-friendly material. It would be the first ELO album to go Platinum. The band at the time consisted of multi-instrumentalist and creative heart Jeff Lynne, Bev Bevan on percussion, Richard Tandy on keyboard, Kelly Groucutt on bass and vocals, Mik Kaminski on violin, Hugh McDowell on cello, and Melvyn Gale on cello. Louis Clark was the conductor of the orchestra and did some of the orchestral and choral arrangements along with Lynne and Tandy.

We're catching ELO on their way up with this album. The band would hit the pinnacle of their success with 1977's double album "Out of the Blue." In 1986 Lynne would leave the group to pursue other projects, while Bevan would form the group "ELO, part II," eventually renamed "The Orchestra." Lynne would reform the group as Jeff Lynne's ELO along with Richard Tandy in 2014.

Bruce presents this symphonic rock album in this week's podcast.

Fire On High
The opening track is a largely instrumental piece. Drummer Bev Bevan is vocalizing the backward lyrics, "The music is reversible but time is not. Turn back, turn back, turn back, turn back!" Lynne had received criticism from some fundamentalist groups about backward masking on the El Dorado album, and this is his joking response. The song's mix of symphony with rock and roll was played at home games for the Atlanta Thrashers hockey team.

Strange Magic
This was the second single from the album and features keyboardist Richard Tandy playing the guitar part while Lynne plays a 12-string acoustic fed through a phase shifter. It went to number 14 on the Billboard Hot 100.

Nightrider
While this is a deeper cut, it actually was released as a single and just didn't chart. Bassist Kelly Groucutt takes turns with Jeff Lynne to provide lead vocals on this song. The title was also the title of Lynne's first major band prior to forming ELO.

Evil Woman
This song about a bad woman is the first single and the big hit off the album. As seems common with many hit singles, it was originally written as a filler track to give the album a longer runtime with no thought to its being a hit. Lynne wrote it in about 30 minutes. It went to number 10 on both the US Billboard Hot 100 and the UK singles charts.

ENTERTAINMENT TRACK:

Theme from Mahogany (Do You Know Where You're Going To) (from the motion picture "Mahogany")
Diana Ross stars in this film about a woman torn between a life in Rome as a fashion designer and life in Chicago with the man she loves. Ross sane the theme as well.

STAFF PICKS:

Fool for the City by Foghat
Wayne launches the staff picks with this rocking tribute to the city from the Platinum-selling album of the same name. "I'm ready for the city, air pollution, here I come." The album cover features the drummer fishing in a manhole in New York City. New York City policemen on patrol stopped at the scene and jokingly asked if they had a fishing license. Foghat came out of the remnants of a group called Savoy Brown.

They Just Can't Stop It (Games People Play) by The Spinners
Rob features a crossover success that hit the number 1 spot on the US Hot Soul Singles chart and number 5 on the Billboard Hot 100. The song was recorded at Philadelphia's Signa Sound Studios, and the female vocals are provided by the studio backing vocal group called Sweethearts of Sigma - Carla Benson, Evette Benton, and Barbara Ingram. Evette Benton is the lead female voice on the song.

Lyin' Eyes by the Eagles
California country is the focus of Lynch's staff pick. Lyin' Eyes appeared on the Eagles' 1975 album "One of These Nights," and was written by Henley and Frey. Don Henley took lead vocal duties on this one. It went to number 2 on the Billboard Hot 100 and won a Grammy for Best Pop Performance by a Duo or Group with Vocals. The origin of the song was observing young attractive women in Hollywood dating older rich guys.

Bad Blood by Neil Sedaka
Bruce brings us a lost number 1 hit. Sedaka was better known for his work in the 1950's and early 60's, but had a revival during the mid-70's. This song about a woman who is trouble also features an uncredited vocal by Elton John. Sedaka sings and plays piano on this song, while David Foster provides the keyboard work.

INSTRUMENTAL TRACK:

Will o' the Wisp by Leon Russell
We finish off with a brief piano instrumental from singer-songwriter Leon Russell's album of the same name.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - August: R.E.M. “Fables of the Reconstruction” Feb 05, 2024

The year 1985 would find the band R.E.M. in transition between college band success and the mainstream powerhouse they were to become in future years. The quartet of Michael Stipe on vocals, Mike Mills on bass and vocals, Peter Buck on guitar, and Bill Berry on percussion and backing vocals were moving towards a greater variety of instrumentation and a bit more experimentation with their third studio album, Fables of the Reconstruction.

The album actually has two names, as "Fables of the Reconstruction" was the name if you held the cassette or album with one side up, and if you flipped it over the name appeared as "Reconstruction of the Fables." The suggestion of the name "Reconstruction" came from Michael Stipes' father who was a carpenter. It is also a loaded term in the American South from which the Athens, Georgia band hails — “Reconstruction” is the period of time immediately following the American Civil War when the South was being brought back into the Union. The songs on the album have a darker sound than earlier works, and the lyrics draw from Southern Gothic works. This was the first album recorded outside the U.S., as the band traveled to London to work at Livingston Studios with producer Joe Boyd.

While the singles from the album would not be considered hits in the United States, the album reached number 28 on the US Billboard 200 chart, and number 35 on the UK Albums Chart. It would feature two singles, “Driver 8’ and“Can't Get There from Here,” which would become well known over time.

Rob brings us this transitional album for today's podcast

Driver 8
The second single released from the album refers to the Southern Crescent train line. It ran under the Southern Railway until 1979 when Amtrak bought them out, and continues as the Amtrak Crescent today. “And the train conductor says take a break, Driver 8.”

Green Grow the Rushes
This deeper cut was written as a pact between Michael Stipe and Natalie Merchant of 10,000 Maniacs, relating to the poor treatment of indigenous peoples and migrant workers. “Green grow the rushes, go. The compass points the workers home.”

Maps and Legends
Inspired by preacher and Southern folk artist Howard Finster, this song uses the reading of a map as a metaphor for reading a person. Like the map reveals stories in little symbols on it, people are the accumulation of their experiences and stories.

Can't Get There from Here
This song was the lead single from the album and peaked at number 10 on the Bubbling Under Hot 100 Singles chart - meaning it peaked at about 110 in US popularity. It is the first R.E.M. song to have a horn section. You can sense the Soul inspiration in it. The lyrics about “Philomath” refer to an unincorporated community just outside of Athens, Georgia.

ENTERTAINMENT TRACK:

Weird Science by Oingo Boingo (from the motion picture “Weird Science”)
Two geeky high school students create the perfect woman in this sci-fi comedy partly based on Frankenstein, and largely based on the 1951 comic “Made of the Future” by Al Feldstein.

STAFF PICKS:

Drive by The Cars Lynch brings us a version of the Cars single from the 1985 Live Aid concert. Bassist Benjamin Orr takes on the lead vocal duties for this ballad which was written by frequent front man Ric Ocasek. The studio version appeared on their 1984 album Heartbeat City, and became one of the bands biggest hits.

Take On Me by a-ha
Bruce features the first US hit by a Norwegian band. While a-ha released the song twice before without it becoming a hit, the third release with its video combining pencil sketch animation and live performance would propel it to the number 1 slot in the U.S. Its 2 1/2 octave-spanning chorus makes it one of the hardest songs to sing.

Summertime Girls by Y & T
Wayne's staff pick is a hair band rocker, the first and only hit by Y&T. It went to number 55 on the Billboard Hot 100, but was played frequently on the television series “Baywatch.” The Band Y&T was originally known as "Yesterday & Today," and although they don't have many hits they have sold over 4 million albums worldwide, and were an inspiration for Lars Ulrich of Metallica to become a musician.

Dancing in the Street by David Bowie and Mick Jagger
Rob closes out the staff picks with a cover originally recorded by Martha and the Vandellas in 1964 (but we all agreed that the Van Halen cover is the best there is).Jagger and Bowie's version made it to number 7 on the US chart and number 1 on the UK chart. This collaboration was their contribution to the Live Aid charity movement.

NOVELTY TRACK:

Tequila by The Champs
We close out this week's podcast with the tune that helped Pee Wee Herman avoid catastrophe at the hands of a biker gang in “Pee Wee's Big Adventure.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - April: Toto “Toto IV” Jan 29, 2024

Yes, you are right - Toto IV was released in March of 1982, not April of 1985. However, the rock group Toto was a celebrity phenomenon in 1985, particularly in Japan. In April of 1985 MTV broadcast a special episode showcasing a Toto concert from Japan.

Toto IV was both a commercial and critical success. Three of the singles would be top 10 hits, and the album would achieve triple Platinum status as it became known as one of the best albums of the year. Critically, the group would earn six Grammy awards including Album of the Year, and Record of the Year for the single “Rosanna.”

The group would spend much of 1982 and 1983 on tour, though there would be some changes in personnel. Bassist David Hungate left the group shortly after the release of Toto IV, sensing that the success of the album and the fame of the group would negatively impact time with his family. Lead singer Bobby Kimball was in and out of court fighting prosecution on drug-related charges. Those charges would eventually be dismissed in late May 1983, but he would be released from the band after missing many recording sessions.

The album is a soft-rock masterpiece, with balanced synth and keyboard sounds and soaring harmonies. Songs have a jazzy feel, interspersed with piano-based ballads.

Lynch has been lobbying for a long time to do this album, and we hope you enjoy it for this week's podcast.

Rosanna
The biggest hit from the album was often thought to be inspired by actress Rosanna Arquette who was dating keyboardist Steve Porcaro. However, writer David Paich says the lyrics were based on various girls he had known in the past rather than a single individual. The shuffle drum pattern is reminiscent of both Bo Diddley rhythms and John Bonham's groove on "Fool in the Rain."

Make Believe
This sunny-feeling single hit number 30 on the Billboard Hot 100. It describes a time of looking back with an old lover, remembering the moments they shared. It was the second US single from the album. David Paich wrote the song, and Bobby Kimball is on lead vocals.

I Won't Hold You Back
The piano-oriented ballad peaked at number 10 on the Billboard Hot 100, and held the number 1 spot on the US Adult Contemporary chart for three weeks. It looks back on a failed romance as the singer lets go of what he had. Guitarist Steve Lukather takes lead vocals duties for this track, and Eagles alumnus Timothy B. Schmidt provides backing vocals in the chorus.

Africa
While this song did well as a single, it has grown into a cultural icon. It did top the Billboard Hot 100 in 1983, but would see a resurgence in popularity over time, particularly after Weezer's cover in 2018. The lyrics depict a man struggling between his love for the continent and returning to his relationship elsewhere.

ENTERTAINMENT TRACK:

Main theme from the motion picture “Ladyhawke”
This fantasy movie starring Rutger Hauer, Michelle Pfeiffer, and Matthew Broderick hit the big screen in April of 1985.

STAFF PICKS:

Walking on Sunshine by Katrina and the Waves
Wayne starts us off with a popular and optimistic song that got the band Grammy-nominated for Best New Artist. It is off their debut and eponymously named album. It was first released in Canada, though the band was out of England. It went to number 9 on the Billboard Hot 100.

Summer of '69 by Bryan Adams
Bruce brings us this well-known song from Adams' album "Reckless," which was released in April of 1985. The original name was going to be "Best Days of My Life," and in the first draft the lyric "summer of '69" only appeared once. With the name change, "Summer of '69" replaced several appearances of the phrase "best days of my life," in the track.

High On You by Survivor
Rob's staff pick is an ode to the intoxication and infatuation of new love. It is the first top 10 single from their album "Vital Signs," and arose from a jam during touring sound checks. Mickey Thomas from Jefferson Starship and Peter Wolf from the J. Geils Band are supporting musicians on this track.

Silent Running by Mike + the Mechanics
Lynch finishes the staff picks with a synth-heavy song with science fiction lyrics. The singer is a father who has journeyed into the future and is now communicating back to his son with instructions for mitigating the coming war and catastrophe. This is the first single released by Mike + the Mechanics, and it went to number 6 on the Billboard Hot 100.

INSTRUMENTAL TRACK:

Moments In Love by Art of Noise
This largely instrumental piece is a signature song from the art rock group.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - April: Porno for Pyros “Porno for Pyros” Jan 22, 2024

If you thought these songs were from Jane's Addiction, it is an understandable mistake. Porno for Pyros was formed in 1992 after the first break-up of Jane's Addiction by members by lead vocalist Perry Farrell and percussionist Stephen Perkins. They added Peter DiStefano on guitar and Martyn LeNoble on bass for their eponymously named debut album. The inspiration for the band's name came from a fireworks advertisement that Perry Farrell saw in a pornographic magazine. Inspiration was also connected to the 1992 LA riots which occurred in the band's hometown.

The album Porno for Pyros benefitted from the success of Jane's Addiction and the buzz surrounding the new group. Porno for Pyros began a nationwide tour to support the band prior to the release of the first album. By the time the album was released in 1993 there was a pent-up demand for it, causing it to surge to number 3 on the Billboard 200 album chart. With a blend of punk, psychedelic rock and alternative, the album gained both commercial and critical success.

The band was impactful on the alternative rock scene, but was short-lived. They would release a follow-up album in 1996 before disbanding in 1998. They would have reunions in 2009 and 2020, and the original line-up has recorded new material as of 2023 to be released as an EP in 2024.

Wayne takes us through this alternative rock album.

Cursed Female
This track was released as the first single as a medley with the song “Cursed Male.” The lyrics reflect the abuse women face in life. It reached number 3 on the Modern Rock charts. “Cursed to be born beautiful, poor, and female, there's none that suffer more.”

Cursed Male
Forming a medley with “Cursed Female” for the first single, this song turns to the difficulties males face in life. “All the guys that really have the money are too old to have a good time with it...Too old to turn the women on, too old to have a fast car and drive it.”

Pets
This is the hit from the album. It deals with dissatisfaction with the human race on the brink of destruction. The song describes how aliens might take over the world and treat human beings as great pets. It reached number 1 on the Billboard Modern Rock Tracks chart.

Packin' .25
This track has the LA riots as its inspiration. It reflects the idea of people carrying a handgun in order to achieve respect. Interestingly, a 25-caliber pistol is not a very powerful weapon. “I dreamt all yesterday how I might make a man feel with a gun up to his face! Show respect to me. I don't care what you're thinking, I'll wipe that thought away!

ENTERTAINMENT TRACK:

I'm Gonna Be (500 Miles) by The Proclaimers (from the motion picture “Benny and Joon”)
Johnny Depp and Mary Stuart Masterson star in this film about two eccentric people falling in love.

STAFF PICKS:

Daughter by Pearl Jam
Lynch gets the staff picks rolling with the second single from Pearl Jam's "Vs." album. It talks about a girl with severe dyslexia whose mother doesn't understand the condition. The lack of understanding prompts the mother to abuse the daughter, thinking she is being deliberately lazy and disruptive.

Woman by Brother Cane
Rob features a deeper cut from Alabama band Brother Cane off their debut album. This grunge-tinted song has a slow, haunting, mournful feel that builds into a faster paced, minor epic by the middle of the song before returning to the slow theme at the end. The singer discusses an unstable relationship. “I used to know better, now I don't know what's worse - having it all maybe, or having nothing for sure.”

Rebirth of Slick (Cool Like Dat) by Digable Planets
Bruce brings us the first single from the debut album Reachin' (A New Refutation of Time and Space).” The lyrics are a celebration of hip-hop, the Brooklyn underground scene, jazz, style, and the confidence of the group. Digable Planets sampled “Stretching” by Art Blakley & the Jazz Messengers for the chorus.

Lollipop Serenade by Insane Jane
Wayne's staff pick is from a local Atlanta band with a female lead. Insane Jane put out two albums, the first called “Each Finger” and the second called “Green Little Pill.” The lead singer was known as “Yellow.” This may be a song that those outside of Atlanta may not have heard before.

INSTRUMENTAL TRACK:

Beer :30 by The Reverend Horton Heat
Well, it is largely instrumental, if you don't count the occasional “beer” and “get naked” statements thrown in.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - September: The Four Tops "Reach Out" Jan 15, 2024

One of the groups that defined the Motown sound was the Detroit Quartet known as The Four Tops. The group originally called themselves the Four Aims, but changed the name to avoid confusion with the Ames Brothers. The group was composed of Abdul "Duke" Fakir, Renaldo "Obie" Benson, Lawrence Payton, and lead singer Levi Stubbs, four boys who met at Pershing High School and would remain in the same lineup as the Four Tops from 1953 through 1997.

The quartet signed to Chess Records in 1956, but did not experience success with that label. In fact they would not find significant success with multiple records including Red Top, Riverside Records, and Columbia Records for the next seven years. What they would gain is a lot of opportunities to polish their act and stage presence with extensive touring. Berry Gordy Jr. convinced them to move to Motown in 1963, initially to record jazz standards and sing backup. At Motown they experienced success in their own right.

Reach Out is their fourth studio album, and their biggest selling album. The Four Tops had multiple hits, primarily through the writing of the Motown team known as Holland-Dozier-Holland. Reach Out would be their last album with that songwriting team, as Holland-Dozier-Holland left Motown shortly after this album was recorded. It went to number 11 on the Billboard Top LP's chart.

The Four Tops were inducted into the Rock and Roll Hall of Fame in 1990, and still perform today, with Duke Fakir as the sole original member.

Bruce presents this soulful album in this week's podcast.

Bernadette
This song was released in February of 1967 and reached number 4 on the Billboard Hot 100. It would be the final top 10 hit for the Four Tops in the 1960's. The song is a plea from the boy to Bernadette to stick with him.

Standing In the Shadows of Love
This single is a heartbreak song about sleepless nights and soul searching for what went wrong. It hit number 2 on the soul charts and number 6 on the Billboard Hot 100 in 1967. It is a bit of a reworked song, as the Supremes had a B-side in 1963 called "Standing at the Crossroads of Love."

Last Train to Clarksville
Reach Out was a mixture of original songs and covers, and this song made famous by the Monkees is one of the covers. They also included "If I Were a Carpenter," "Walk Away Renee," and "I'm A Believer" on this album.

Reach Out I'll Be There
Here is the signature song of the Four Tops. It was released in 1966 and spent two weeks at the top of the Billboard Hot 100. It alternates between a minor and major key, giving it a Russian feel in the verse and a gospel feel in the chorus according to Lamont Dozier. The writers intentionally put Levi Stubbs at the top of his vocal range to make sure there was a hunger and wailing in his voice.

ENTERTAINMENT TRACK:

Light My Fire by The Doors
The Doors appearance on The Ed Sullivan Show was their first and last when they promised to change the lyrics "girl we couldn't get much higher," only to leave them unedited in the live performance.

STAFF PICKS:

Brown Eyed Girl by Van Morrison
Lynch launches the staff picks with this hit single off Morrison's debut album, which peaked at number 10 on the Billboard Hot 100. The nostalgic lyrics which seem tame today were considered too suggestive for the time and were banned by some radio stations. However, it remains popular today, and as of 2015 was the most downloaded and played song of the entire 60's decade.

The Letter by The Box Tops
Rob features a short song with a blue-eyed soul feel. The Box Tops took this song to number 1 on the charts, making it The Box Tops best seller. Joe Coker would cover this in 1970, and take it to number 7 on the charts. The producer overdubbed the song with an airplane sound he located at a local library.

Testify by Parliament
Wayne brings us an early hit from George Clinton and Parliament before their Funkadelic days. Actually, George Clinton is the only member of Parliament who is recorded on this song. The group was based in New Jersey and the other members were not able to travel to Detroit for the recording. As a result, Clinton is joined by local session musicians and singers to complete the song.

Funky Broadway by Wilson Pickett
Bruce closes out the staff picks with a song that Pickett picked up from Arlester “Dyke” Christian. Dyke Christian was living in Phoenix and playing with a group called Dyke & the Blazers. Unfortunatley in 1971 Dyke Christian was shot to death at the age of 27. This is the first charting single with the word "funk" in the title.

INSTRUMENTAL TRACK:

Groovin' by Booker T. & the M.G.'s
We finish off with an instrumental cover of the ballad made famous by The Rascals.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - July: Crabby Appleton “Crabby Appleton” Jan 08, 2024

We may have an obscure album for your listening pleasure today. Crabby Appleton was a short-lived band that was formed by the combination of musicians from an acid blues band called Stonehenge and singer-songwriter frontman Michael Fennelly. The band is out of the Laurel Canyon counterculture, which produced many groups like The Mamas & the Papas, Jim Morrison, Carole King, and Jackson Browne. The group gets its name from a character on the late 50's cartoon series Tom Terrific, which was a part of the children's television show "Captain Kangaroo." Their debut album was eponymously named Crabby Appleton.

In addition to Michael Fennelly, the group consisted of percussionist Felix "Flaco" Falcon, Casey Foutz on keyboards, Phil Jones on drums, and Hank Harvey on bass. Phil Jones was the catalyst in the formation of the group after he met Fennelly in a club on the Sunset Strip and asked him to join Stonehenge as lead singer and guitarist. The group signed with Elektra Records, and had a top 40 single with "Go Back." Their second album was called "Rotten to the Core" and was recorded in 1971. After experiencing disappointing sales with this sophomore effort the group split up. They would get some mileage out of their initial success before this happened, and would appear on American Bandstand as well as opening for a number of groups including the Doors, Three Dog Night, ABBA, and the Guess Who.

Wayne takes us through this lesser known rock album. Friend of the show Bill Cook sits in for Bruce on this podcast.

Peace by Peace
This song grooves with the Hammond organ and talks about getting back what you give. If you lead with a gun others will respond in kind, while if you lead with peace others will respond with peace. It has a sound similar to the Doors, or Emerson, Lake and Palmer.

Try
The lead song from side two starts and ends with an upbeat groove with a Santana-esque percussion jam sandwiched in the middle. The lyrics are about a relationship that could go several ways. “We can try or we can throw it away.”

Catherine
A slower jam, this short acoustic-based ballad feels like Crosby, Stills, and Nash. It is about a guy who longs for a woman who is in another relationship.

Go Back
This is the hit from the record, which went to number 36 on the Billboard Hot 100. This was called a proto-power-pop single. The song is about a woman in a new relationship who can't give up her love for her ex. “And you know it's not right when you kiss me tonight and you pretend his lips are mine.”

ENTERTAINMENT TRACK:

Main Theme from the motion picture “Chisum”
You can't go wrong with John Wayne. This western was set in 1870's New Mexico.

STAFF PICKS:

Ride Captain Ride by Blues Image
Rob launches the staff picks with a song which got its initial lyrics from the number of keys that singer-guitarist Mike Pinera had on his keyboard. “Seventy-three men sailed up from the San Francisco Bay.” The band is out of Tampa Florida, and this was their only top 40 hit, reaching #4 on the Billboard Hot 100.

Signed, Sealed, Delivered by Stevie Wonder
Lynch brings us a grooving, soulful song that would be the anthem for Motown at the time. It went to number 3 on the Billboard Hot 100. The song itself is about a guy who has some back to his love, realizing that what he has is all he wants, never to roam again.

The Long and Winding Road by the Beatles
Bill features a song off the Beatles “Let It Be” album. It was written by Paul McCartney and was released as a single the month after the group broke up. The original recording was more sparse, and the orchestration was added by Phil Spector. McCartney hated the Spector “wall of sound” arrangement, citing the treatment of the song as one of six reasons for justifying the dissolution of the Beatles partnership.

Ohio by Crosby, Stills, Nash, and Young
Wayne's staff pick takes a political turn with a protest song inspired by the shootings at Kent State. Neil Young wrote and sang lead on this song. Student protests of the expansion of the Vietnam Wars led to a standoff at Kent State in which the National Guard killed four people and wounded nine.

NOVELTY TRACK:

Killer Joe by Quincy Jones
We finish up the podcast with a jazzy number that was popular at the time in 1970.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - December: Ian Moore “Ian Moore” Jan 01, 2024

Ian Moore may have been born in Berkeley, California, but the sound from his eponymously named debut studio album reflects Austin, Texas, the place he called home. Moore began playing violin at a young age, but switched to guitar as a teen under the influence of artists like Albert King and Stevie Ray Vaughan. Moore's influence runs well beyond the blues genre, however, from Curtis Mayfield to Stevie Wonder, and from Sly & the Family Stone to the Rolling Stones.

Moore's debut album is based in the blues and roots rock. Comparisons to Stevie Ray Vaughan, another Austin guitarist, come naturally with Moore's songwriting lyrics and his obvious guitar skills. The album's success was a testament to Moore's ability to bridge the gap between traditional blues roots and contemporary rock sounds.

While Ian Moore got his start in blues rock, he has been hard to pigeonhole into a single genre. The record company wanted Moore to be a continuation of Stevie Ray Vaughan's legacy, but Moore had other ideas. After his third album submission reflected a more power pop and roots rock sensibility, Capricorn Records dropped him. Moore would continue a career as a touring musician and singer-songwriter, giving up greater fame for greater freedom as an artist to pursue his own path.

Rob brings us this lesser known blues album for this week's podcast

Nothing
The bluesy southern rock opening track to the album is a call back to a far-away love, perhaps reflecting life on the road. “Miles and miles from nowhere but it's always someplace new. My time is spent with strangers but my mind is spent with you.”

Revelation
This funky song reminds us of the Black Crowes. Even the background singers are eerily similar, but beautiful. It chronicles the discovery that the singer's girl is lying to him, and the revelation of her true character. Unlike other lovers, the singer is going to break free of her trap.

Harlem
Inspired by the energy of Harlem, Moore's lyrics explores the ways we are separated from each other by neighborhoods and experiences, even through physical barriers when you're “riding through Harlem in my bulletproof car.”

How Does It Feel
This song tells a story about a girl who continues to break up with a guy only to come back over and over. It was one of the songs that received airplay at the time the album had been released, along with “Nothing.” It starts slowly and builds to the chorus.

ENTERTAINMENT TRACK:

Main Theme from the motion picture “Wayne's World 2”
“Party on, Wayne!” “Party on, Garth!” This second outing from Mike Myers and Dana Carvey dropped in December 1993.

STAFF PICKS:

Good by Better Than Ezra Wayne kicks off the staff picks with a hit from the indie band Better Than Ezra. The band came out of Baton Rouge where they attended LSU. The song is about the positive things that come from the end of a relationship. While there is always drama and hurt feelings, there are also good things on which to reflect when the dust settles.

She Hates Me by Puddle of Mudd
Lynch was able to find a clean version of this song for the podcast. Wes Scantlin wrote this song along with Jimmy Allen, the original guitarist. By the time the demo tape was heard and a decision was made to sign the band, the original group had broken up. Scantlin was set up with new bandmates when signed to Flawless Records, and people didn't hate the song or the band.

Purple Haze by The Cure
Bruce brings us a cover of a famous piece by Jimi Hendrix. A tribute album called “Stone Free: A Tribute to Jimi Hendrix” was released in 1993, and The Cure provided this take on Purple Haze. It went to number 2 on the Billboard Modern Rock Tracks chart.

Like the Weather by 10,000 Maniacs
Rob closes out the staff picks with an acoustic rendition of this song recorded for “MTV Unplugged.” The song originally came out in 1987 on their third album. Natalie Merchant would leave the group for a solo career shortly after this live performance.

NOVELTY TRACK:

(I Know I Got) Skillz by Shaquille O'Neal featuring Def Jef
Celebrity rap songs were in vogue at the time, but we think Shaq's skills were better exhibited on the basketball court.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - July: The Police "Synchronicity" Dec 25, 2023

Synchronicity would be the most commercially successful, fifth, and final studio album from the Police. The trio of percussionist Stewart Copeland, guitarist Andy Summers, and bassist and front man Sting would be known as “The Biggest Band in the World” after the release of this album but would never produce a studio album again.

Like “Ghost in the Machine,” the Police's previous album, Synchronicity drew its name from the works of Artheur Koestler, an author of whom Sting was an avid reader. Unlike that album, Synchronicity toned down both the reggae influences and the overdubbing. The resulting album increased the use of synthesizers and utilized a sequencer for the first time. It also drew on world music influences on several songs.

The album hit number 1 on the Billboard 200 album charts in late July and would spend 17 total weeks at the number one position on the chart, an achievement that meant it had to interrupt the reign of Michael Jackson's Thriller. It would also produce the number 1 song of the year with “Every Breath You Take.”

Sting was beginning both his solo work and becoming more involved with film at the time, and between this and contentious egos of the members, the Police would not record another album after this. An attempt was made at a sixth studio album, but Stewart Copeland broke his collarbone just before they entered the studio and progression to the album was scuttled.

Lynch features this iconic trio at the height of the Second British Invasion for this week's podcast. Friend of the show Bill Cook sits in for Bruce in this episode.

King of Pain
Sting wrote this second US single from the album when considering the effects of his separation from his wife. The psychological effects are inspired by thoughts from Carl Jung and Arthur Koestler. It went to number 3 on the Billboard Hot 100.

Synchronicity II
The final song on the first side of the album went to number 16 on the US charts as a single. The lyrics toggle between a man's increasing anxiety and paranoia and the symbolic rise of the Loch Ness Monster in parallel. "and every single meeting with his so-called superior is a humiliating kick in the crotch."

Wrapped Around Your Finger
The fourth US single was written by Sting as a dark song about turning the tables on someone who had been in charge of your life. There is a Faustian feel in the lyrics, which also feature references to Greek mythology like Scylla and Charybdis - from which we derive idioms like "between a rock and a hard place," and "between the Devil and the deep blue sea."

Every Breath You Take
Despite its beautiful music, this single is actually quite dark in its obsessive and controlling lyrics. Sting wrote the song after his separation from his wife and the beginning of a new relationship. The lyrics came to him in the middle of the night, and he wrote the song on piano in a half hour. It would be biggest commercial single he ever wrote, hitting number 1 on the US charts for 8 weeks, and becoming the best selling single of 1983. Interestingly, it was the only number 1 hit by the Police.

ENTERTAINMENT TRACK:

Stayin' Alive by the Bee Gees (from the motion picture "Staying Alive")
John Travolta starred in this sequel to the 70's Disco hit "Saturday Night Fever." It was directed by Sylvester Stallone.

STAFF PICKS:

Our House by Madness
Wayne brings us a group from Northern London that was a bigger hit in the UK than the US. It has a lot going on musically between the piano, violins and saxophone. Lyrically it hearkens back to childhood days, slices of mundane domestic life in England. Madness performed this song as a part of the closing ceremonies for the 2012 Olympics

Big Log by Robert Plant
Rob's staff pick is the first hit for Plant as a solo artist. As he often did in Led Zeppelin, the title of the song does not appear in the lyrics. It was written in the middle of winter, and the artists had run out of fuel for the fire. They found a large tree trunk and burned one end of it in the fireplace, pushing the "big log" in as it burned. Drum programming was provided by Phil Collins.

Rock and Roll is King by ELO
Bill Cook features the Electric Light Orchestra in a 50's rhythm and blues throwback that would be their last top 20 hit. It was written by Jeff Lynne for their album "Secret Messages."

Electric Avenue by Eddie Grant
Lynch closes out the staff picks with a song time stamped in the early 80's. It was inspired by an area of Brixton, South London, called Electric Avenue because it was the first area of the city to be lit by electricity. Guyanese-British singer-songwriter Eddie Grant sings about the tension of unemployment and racism experienced by the primarily Caribbean immigrants who lived there at the time.

INSTRUMENTAL TRACK:

An Ending by Brian Eno
Brian Eno wrote this instrumental piece in 1983 for the documentary "For All Mankind."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1974 - November: Linda Ronstadt "Heart Like a Wheel" Dec 18, 2023

Linda Ronstadt's fifth solo studio album would be her breakout one. Heart Like a Wheel is a folk/country/rock mixture of covers and originals, and was the last album Ronstadt released on the Capitol Records label after she had moved to Asylum records. It would reach the top of the Billboard 200, spend 51 weeks on the chart, and fuel Ronstadt's rise to the first "arena class" female rock star.

Linda Maria Ronstadt is the third of four children born to a family of Mexican and German descent and a long history in Arizona. Her professional start is considered to be the folk rock trio called the Stone Poneys, who had a hit in 1968 with the song "Different Drum." Ronstadt is famous for touring in the early 70's with a backing band that included Don Henley, Glenn Frey, Bernie Leadon, and Randy Meisner - artists who would go on to form the Eagles. Her four earlier albums produced only moderate success before her fortune turned dramatically upward with "Heart Like a Wheel."

While Ronstadt's style is often referred to as country rock, she called it "Mexican bluegrass" in 1968. Over time she would record songs in a variety of styles from rock to folk and country, including some Spanish language songs and even rock songs reimagined as lullabies. Her ability to cross genres contributed both to her success and her share of criticism from those expecting something different. Success did not always agree with her, as she felt she was encouraged to project a tough rock image that did not accurately reflect her true self.

Linda Ronstadt was inducted into the Rock and Roll Hall of Fame in 2014, shortly after her retirement from music in 2011.

Bruce presents this breakthrough country rock album in this week's podcast.

I Can't Help It (If I'm Still in Love with You)
This cover was originally written and recorded by Hank Williams back in 1951. It went to number 2 on the Billboard country singles chart back then. A bunch of people have covered this song, but Ronstadt's cover is the most successful, going to number 2 on the Billboard Hot Country Singles chart and winning her a Grammy in 1976 for Best Female Country Vocal Performance.

You're No Good
The first single released from the album went to number 1 on the Billboard Hot 100. It is a cover of a song written by Clint Ballard Jr. and first performed by Dee Dee Warwick in 1963. The success of this "glad to be broken up" song would set the template for Ronstadt over the next five years of doing remakes of classic rock and roll songs.

Faithless Love
An original recording rather than a cover, this deeper cut was written by J.D. Souther, who wrote or co-wrote songs for both Ronstadt and the Eagles. It would hit number 10 on the Billboard Hot Country Songs chart when Glen Campbell covered it in 1984.

Willin'
This song was first performed by Little Feat and was written by their front man, Lowell George. Ronstadt's cover was used in James Cameron's film "The Abyss" in 1989. Lowell wrote this song while he was a member of the Mothers of Invention.

ENTERTAINMENT TRACK:

Dance of the Reed Flutes (from the nature documentary "Animals Are Beautiful People")
In addition to its frequent use in the Christmas ballet "The Nutcracker," this piece was also used in the nature documentary

STAFF PICKS:

Whatever Gets You Through the Night by John Lennon
Lynch kicks off the staff picks with a song originally inspired by Lennon's habit of late night channel surfing. He caught the phrase from Reverend Ike, an evangelist on TV, and turned it into this song. It went to number 1 on the Billboard Hot 100. Lennon got Elton John to provide the vocal duet for this song, and in return Lennon appeared onstage with John during his Thanksgiving concert at Madison Square Garden - one of his last major live appearances.

I Can Help by Billy Swan
Wayne brings us a song we all thought was performed by Ringo Starr. Billy Swan was better known as a country songwriter than a solo artist, but this single would be his sole number 1 hit. It is a particularly positive song, with a nice reprise at the end of the album cut.

Must of Got Lost by the J. Geils Band
Rob features an early hit from the J. Geils Band, reaching number 12 on the charts. It has a funky hook, and a grammatically incorrect title, with lyrics that explore why a relationship went wrong.

Wishing You Were Here by Chicago
Bruce closes out the staff picks with a song off the Chicago VI album. Chicago gets some assistance from the Beach Boys, who contribute to the backing vocals on this song about missing the one you love while on the road with a touring band.

COMEDY TRACK:

Wildwood Weed by Jim Stafford
We finish off with a story in song about that whacky tobackey in a country setting

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - September: Eurythmics “Sweet Dreams (Are Made of This)” Dec 11, 2023

One of the iconic British new wave bands from the MTV era was the pop duo of Annie Lennox and Dave Stewart, known as the Eurythmics. Lennox and Stewart began playing together in the punk scene in 1976, first as a part of the band the Catch, and later as the Tourists. The duo were drawn to electronics and synthesizer music, and became the Eurythmics in 1980. While their first album, “In the Garden,” was not a commercial success, they exploded in popularity with their second studio album, Sweet Dreams (Are Made of This).

Surprisingly, the album was made with limited means. They recorded in an attic in north London where the duo both lived and worked. They also recorded in a room in the Church Studios in London. Most tracks were recorded on an 8-track tape machine. Much of the instrumentation consisted of synthesizers and drum computers. Costs for the album ran around 5,000 pounds.

The synth heavy music pairing with Lennox's almost operatic voice found a receptive audience. The power of video was a noticeable contributor as well, with Lennox's striking red hair and androgynous look. The title track was particularly successful, becoming one of the iconic songs of the '80's.

The Eurythmics would be a mainstay of early 80's rock. While Lennox and Stewart would split in 1990, with Lennox moving on to studio work and Stewart transitioning into a record producer, they would reunite from time to time to release new material and compilations.

Lynch features this synth-pop powerhouse for this week's podcast.

Love Is a Stranger
The opening track to the album was the second single released, but was actually a re-release. It originally came out in late 1982 but did not receive much airplay at the time. It would rise to number 23 on the Billboard Hot 100 in the US, and to number 6 on the UK Singles chart.

This Is the House
This song has the appearance of a deeper cut because it did not achieve the same commercial traction as some other songs. It was also released ahead of the album, then re-released after the success of the title track. It utilizes some more traditional instruments, with Dave Stewart playing harmonica. The lyrics are ambiguous, discussing aspirations, opportunities, and the fickle nature of success.

The Walk
The use of piano and string arrangements paired with an unusual time signature give this deeper cut a greater depth than some other tracks. The lyrics have a melancholy feel, with existential questioning and disillusionment. It is a nice contrast to some of the more synth-heavy pieces on the album.

Sweet Dreams (Are Made of This)
The iconic title track is easily the group's most famous song, reaching number 1 on the Billboard Hot 100. Despite it's lasting impact on music, the song itself was written in a single evening. The surreal video received heavy rotation on the MTV music station, solidifying the band's success.

ENTERTAINMENT TRACK:

On the Dark Side by John Cafferty & the Beaver Brown Band (from the motion picture "Eddie and the Cruisers")
John Cafferty contributed this song to the 60's-era music drama. He is often confused with Bruce Springsteen.

STAFF PICKS:

Trashed by Black Sabbath
Wayne brings us a Black Sabbath song with a punk rock tempo. Ian Gillan, the original lead singer for Deep Purple, was on tap as the front man for the group at this time, a position he would hold for only one album and tour. The tour for this album featured a mock-up of Stonehenge, which would go on to be lampooned in the mockumentary “This Is Spinal Tap.”

Walking In Your Footsteps by the Police
Bruce features a deeper cut from the Synchronicity album. This song compares the human race to the dinosaurs, and takes a lot of influence from world music. The science is more questionable, with lyrics referencing dinosaurs living “50 million years ago,” when they actually went extinct over 65 million years ago.

Don't Cry by Asia
Rob's staff pick is from the supergroup's second album, Alpha. It reached number 10 on the Billboard Hot 100. While critics panned the album, it was a commercial success, reaching number 6 on the Billboard 200 chart. The song was a last-minute addition to the album for a stronger commercial appeal.

Total Eclipse of the Heart by Bonnie Tyler
Lynch closes out the staff picks on a melancholy note. Jim Steinman, who was the writer for Meat Loaf's “Bat out of Hell,” also penned this one. Although the song had to be shortened for the single edit, it became Bonnie Tyler's biggest hit, spending four weeks at the top of the charts.

INSTRUMENTAL TRACK:

Stonehenge by Black Sabbath
This instrumental piece is considered the inspiration for the “Stonehenge” skit in “This Is Spinal Tap.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Christmas Songs that Rock part VI Dec 04, 2023

What the Riff!?! delves once again into the great (and not so great) Christmas songs to add a little cheer as you rock around the Christmas tree this year.

“Carol of the Bells” by Mannheim Steamroller
Mannheim Steamroller covers a Ukrainian carol from 1922. They highlight a 3 against 2 polyrhythm that is present in the original song, and add a major key change that is not present in the original. This is off their second Christmas album released in 1988 entitled "A Fresh Aire Christmas."

“O Come O Come Emanuel” by Bad Religion
This fast-paced rendition takes an 8th century song and puts a punk twist to it. It is a quick song, like most bad Religion tracks.

“Yellin' at the Xmas Tree” by Billy Idol
Rocker Billy Idol reminisces about times with his drunk father yelling at the Christmas tree. "Oh the Christmas bells are ringing and the carolers are singing, but Daddy, he don't hear 'em, he's yellin' at the Christmas tree."

“Space Christmas” by Shonen Knife
This Japanese punk-pop band was inspired by the girl groups of the 60's and the Ramones. This sci-fi Christmas track has a "bubblegum pop" sound with a punk edge.

“Taking Care of Christmas” by Bachman Turner Overdrive
When Rob covered "Bachman Turner Overdrive II" earlier this year we discovered this Christmas remake of their classic single. It is surprisingly catchy for a song overhauled for Christmas. Randy Bachman did an all-Christmas album in 2008 including this song.

“Christmas All Over Again” by Tom Petty and the Heartbreakers
This original song was penned by Tom Petty on a ukulele in 1992. It was used in the motion picture "Home Alone 2: Lost in New York," and also appeared in "Jingle All the Way." Jeff Lynne co-produced the song, played bells, bass, timpani, sang background vocals, and wishes for a Chuck Berry Songbook in the song.

“God Rest Ye Merry Gentlemen” by the REO Speedwagon
REO Speedwagon keeps the original feel of the carol in their rendition of this classic. It was released on their 2009 album, "Not So Silent Night...Christmas with REO Speedwagon." The original English carol dates back to the 1650's.

“Santa Claus” by The Sonics
This song with a fuzzy guitar appeared on the debut album from The Sonics back in 1965. The Sonics were a garage band out of Tacoma, Washington in the 60's, and influenced the punk and grunge movement. They are likely best known for their party song, "Louie, Louie."

“Santa's Messin' with the Kid” by Eddie C. Campbell
Blues guitarist and singer Eddie C. Campbell was well known in the Chicago blues scene and learned guitar from Muddy Waters. This song was released on his 1977 Christmas album.

“What Christmas Means to Me” by Stevie Wonder
This original song was released on Tamla records in 1967 on Wonder's eighth studio album entitled "Someday at Christmas." It was the final track on the album which consisted of a mix of Christmas standards and original music.

“Merry Christmas Darling” by the Carpenters
No Christmas playlist would be complete without Karen Carpenter's voice. This song was originally recorded by The Carpenters in 1970. The lyrics date back to 1946 when songwriter Frank Pooler wrote it about a love interest at the time. He had The Carpenters perform it when they were his music students at California State University, Long Beach.

“White Christmas” by Bing Crosby
Bing Crosby originally performed this song composed by Irving Berlin in 1940. It was performed for the first time in December 1941, and appeared in the motion picture "Holiday Inn" in 1942.

(and there might be a bonus song...)

We at What the Riff?!? wish every one a blessed and Merry Christmas!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - April: The T.A.M.I. Show Nov 27, 2023

A concert was held at the Santa Monica Civic Auditorium on October 28th and 29th, 1964 which would be released as a concert film called the T.A.M.I. Show. Free tickets were provided for local high school students to provide the audience. T.A.M.I. stands for either “Teenage Awards Music International” or “Teen Age Music International,” as both were used by the show's publicity team. The show included many of the top rock and roll and R&B musicians of the time, including the Beach Boys, the Rolling Stones, James Brown, Chuck Berry, and The Miracles. Jan and Dean were the emcees for the event.

Motown Records was represented by three of its biggest acts in the Miracles, Marvin Gay, and the Supremes. The Rolling Stones were featured as the grand finale. However, the performance by James Brown and the Famous Flames is perhaps the highlight of the show, as it features his dance moves at the height of his career.

Steve Binder and his personnel from The Steve Allen Show shot the film, and the legendary session musicians of The Wrecking Crew provided most of the instrumentation. The go-go dancers in the background were choreographed by David Winters and his assistant, a young Toni Basil.

This is a difficult film to locate due to copyright disputes on the show over the years. You'll need to go to YouTube to find the performances.

Wayne takes us through this concert footage of the early days of rock and roll.

(Here They Come) from All Over the World by Jan and Dean
The film starts with a song from Jan and Dean which is played over the credits. Jan and Dean co-hosted the concert and contributed this anthem written for the show. It has a surfing vibe and is easily confused for The Beach Boys who also participated in the concert.

Hey Little Bird by The Barbarians
The Barbarians were a precursor to the Punk movement, and their style was called garage rock in the day. The Barbarians had a one-handed drummer who utilized a drum stick in his left arm with a hook prosthetic. The group sported a pirate look with leather sandals, open necked shirts, and bloused sleeves.

Out of Sight by James Brown and the Famous Flames
Many consider the highlight of the show to be James Brown's performance, as it showcases his dance moves. The energy shown by Brown and his backing singers clearly influenced future acts like Michael Jackson and Prince.

Around and Around by The Rolling Stones
While the Rolling Stones were the final act, Keith Richards claims that choosing to follow James Brown on stages was the worst decision of their careers, because no matter how well they performed, they couldn't top him. They performed a cover of Chuck Berry's song - an interesting choice since Berry was also a performer for the concert.

ENTERTAINMENT TRACK:

Do the Clam by Elvis Presley (from the motion picture “Girl Happy”)
Elvis was making movies at the time, and would almost always be expected to sing songs in the picture.

STAFF PICKS:

Nowhere to Run by Martha & the Vandellas
Bruce leads off the staff picks with a group which would see a name change to Martha Reeves & the Vandellas later on. This Motown hit written by the legendary team called Holland-Dozier-Holland went to number 8 on the US charts. The song is about a woman trapped in a downward spiraling love affair that she just can't give up.

Land of 1000 Dances by Cannibal and the Headhunters
Rob features an iteration of a frequently covered song. Chris Kenner originally recorded it in 1962, but it was more successful as a cover by Cannibal & the Headhunters, going to number 30 on the Billboard chart. They also added the "na na na na na" hook to the original when front man Frankie Garcia forgot the lyrics. Sixteen dances are mentioned in the lyrics of the song.

Eight Days a Week by The Beatles
Lynch brings us an early hit penned by John Lennon and Paul McCartney. It would be the seventh number one single for the Fab Four in the United States, despite Lennon's feeling that it was a failed attempt at writing a single. The title is attributed to a statement Ringo Starr made regarding how busy the Beatles were at the time.

Satisfied by Lulu and the Luvvers
Wayne wraps up the staff picks with a high energy party song from a Scottish band. Lulu would go on to a successful solo career that included film songs like "To Sir With Love," and the title song for "The Man with the Golden Gun." Lulu was 17 at the time this song came out. She would go on to marry Maurice Gibb of the Bee Gees.

INSTRUMENTAL TRACK:

Cast Your Fate to the Wind by Sounds Orchestral
This week's podcast ends with an instrumental song

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - July: Phil Collins “No Jacket Required” Nov 20, 2023

Phil Collins wrapped up his commitments as front man and percussionist for Genesis and collaborative work with Eric Clapton in 1984, then commenced work on his third album, No Jacket Required. It was released in February 1985, and had hits on the charts in July. The name of the album was inspired by an incident where he was not allowed into The Pump Room restaurant in Chicago because he did not have the proper dress code jacket. His friend, vocalist Robert Plant, did have the correct attire and was let in. After he relayed the story in appearances with late night hosts David Letterman and Johnny Carson, restaurant management sent Phil a complementary sport jacket and apology letter, inviting him to come back wearing “whatever he wanted.”

Unlike previous albums Collins decided to make this third solo album more upbeat with several dance-oriented singles. Collins was also able to recruit a number of musicians to the effort, including former Genesis bandmate Peter Gabriel and Police front man Sting.

The result was a huge commercial success, reaching number 1 on the US albums chart for seven consecutive weeks and on the UK albums chart for five. The four singles released all went into the top ten of the Billboard Hot 100 charts, with two topping the charts. It was a critical success as well, bringing home three Grammy awards including “Album of the Year.” Collins would move from a successful musician to a celebrity on the strength of this album, which would be his highest selling solo effort.

Rob brings us this album for our podcast

Only You Know and I Know
Rob starts us with a deeper cut co-written by Phil Collins and Darryl Stuermer. Stuermer played bass for Genesis tours, and lead guitar for Collins' solo tours. The lyrics contain a number of contradictions. “When I ask you, what you see in me you say, 'Our love is blind.'”

Don't Lose My Number
While this song was not released as a single in the UK, it went to number 4 on the US charts. The lyrics were created in a stream-of-consciousness improvisation session, and Collins himself doesn't really know what they mean. The video is a comedic look at the decision process on theming the video, with Collins in multiple parodies of other videos popular at the time.

Inside Out
This track has a feel similar to some of the slower Genesis pieces. The lyrics describe a person who faces a crowd of people telling him what to say and what to do without regard to what is authentically himself. Collins uses a combination of drum machine and drum kit on this song.

We Said Hello Goodbye
This song was not originally on the album, but was a B-side to the single release of "Take Me Home" and "Don't Lose My Number" as well as a bonus track on the CD. The lyrics discuss leaving an old home and moving to a new one, but the emotions may reflect things left behind in life more broadly.

ENTERTAINMENT TRACK:

Main Theme from the motion picture “Back to the Future”
Marty McFly made his journey back from 1985 to interact with his 1955 parents in a tricked out DeLorean for this iconic picture released in 1985.

STAFF PICKS:

You Spin Me Round (Like a Record) by Dead or Alive We're a bit concerned about Wayne as he abandons his punk and hard rock sensibilities to bring us this danceable hit. Dead or Alive were a foursome from Liverpool, England. Lead singer Pete Burns would later be on the TV reality show “Celebrity Big Brother.”

The Confessor by Joe Walsh
Bruce brings us the title song from Walsh's seventh studio album. It is heavier and darker than many of Walsh's singles. “If you look at your reflection at the bottom of the well, what you see is only on the surface. When you try to see the meaning hidden underneath the measure of the depth can be deceiving. The bottom has a rocky reputation.”

Raspberry Beret by Prince and the Revolution
Lynch features a song about young romance and a summer fling. Although this song was released after Prince's success with “Purple Rain,” Prince still played most of the instruments, making the song primarily a solo effort. It is off off the album “Around the World In a Day,” and reached number 2 on the Billboard Hot 100.

And She Was by Talking Heads
Rob finishes the staff picks with a song penned by David Byrne from the Talking Heads, off the album “Little Creatures.” It is an unusual song about a girl levitating over everything, and the guy who loves her and wishes she would come down to the ground. It reached number 17 on the Billboard Hot 100.

INSTRUMENTAL TRACK:

Fundance by Stanley Jordan
Finger tapping jazz guitarist Stanley Jordan would set a record when his album “Magic Touch” spent 51 weeks at the top of the Billboard jazz charts.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1990 - April: The Black Crowes "Shake Your Money Maker" Nov 13, 2023

The Black Crowes got their start as “Mr. Crowe's Garden” when Chris and Rich Robinson formed the band while attending Walton High School in Marietta, Georgia. The name comes from the children's book “Johnny Crow's Garden” by Leonard Leslie Brooke. They changed their name after moving to New York City where they met producer George Drakoulias who introduced them to music like The Faces and Humble Pie, and signed them at Def American.

Their debut album, Shake Your Money Maker, gets its name from an old Elmore James blues song, though that song does not appear on the album. It was recorded in the summer of 1989 in Atlanta and Los Angeles. This debut turned out to be a rocket of an album, peaking at number 4 on the Billboard 200, and it has sold over 5 million copies. Readers of Rolling Stone magazine voted the Black Crowes “Best New American Band” at the end of 1990.

The Black Crowes are often compared to late 60's and early 70's acts like the Faces and the Rolling Stones. The group at the time consisted of Chris Robinson on vocals, Rich Robinson on guitar, Jeff Cease on guitar (the only Black Crowes album for which he would be a member), Johnny Colt on bass and Steve Gorman on drums.

The group would break up a couple of times, and reformed for a third time in 2019. They released an EP of newly recorded tracks called 1972 which consists of covers of songs released in 1972. They released a double live album in 2023 called Shake Your Money Maker Live.

Bruce presents this album which reinterprets the blues.

Jealous Again
The debut single from the band and the album would reach number 75 on the Billboard Hot 100, and number 5 on the Billboard Album Rock Tracks charts. The song is about jealousy and the inner turmoil that it causes. There was a lawsuit against Gretchen Wilson for her song “Work Hard, Play Harder,” which was settled out of court. Chris and Rich Robinson were given songwriting credits for the track, along with an undisclosed sum in the settlement.

Struttin' Blues
This deep cut will be unfamiliar to those who haven't played the album or CD, but it gives you a good flavor for the album as a whole. It is pretty much a straightforward blues piece. “My baby got her engine hummin' Struttin' blues gonna' find me again.”

Twice As Hard
This is the starting track to the album. The lyrics are about the difficulties of leaving a relationship for the second time, or perhaps about getting off drugs. One theory is that it is a little of both, with the first time being when the guy leaves his love over her use of drugs, and the second time when he says goodbye at her funeral.

She Talks to Angels
One of the bigger hits from the album, this song reached number 30 on the Billboard Hot 100 and number 1 on the Albums tracks. The riff and the lyrics are older, going back to their early days. The picture of the girl is an amalgam of girls they saw at clubs in Atlanta who would dress goth. Much of the lyrics were written early in Chris and Rich Robinson's life when hey really hadn't lived the drug lifestyle that they talk about. The song inspired Hootie and The Blowfish's song “Let Her Cry.”

ENTERTAINMENT TRACK:

Main theme from the television series “Twin Peaks”
David Lynch's quirky show got its start in this month.

STAFF PICKS:

Big Blue '82 by Daniella Dax
Wayne gets the staff pick party hopping with this deep but danceable cut. Danielle Dax is an experimental musician from England who tells a simple story of being newly in love with this song. Although not as well known in the States, Dax was big in the club circuit in Europe before switching to a career in interior design in 1996.

Nothing Compares 2 by Sinead O'Connor
Lynch brings us the unmistakable sound of O'Connor's biggest hit and cover of a song originally penned and performed by Prince. While the original was a funk and soul ballad, O'Connor strips the ballad down to a raw, emotional piece focusing on her powerful vocals.

Big Love by Robert Plant
Rob features Led Zeppelin's vocalist on a track from his third album, “Manic Nirvana.” This was the playful first single, and is filled with double entendres. Sexual innuendoes were common in Led Zeppelin songs, so this continues the tradition. It is about an affair with a flight attendant when it references “free air miles.”

Kiss This Thing Goodbye by Del Amitri
Bruce closes out the staff picks with a shuffle beat song off Del Amitri's second studio album, “Waking Hours.” Del Amitri will be better known to U.S. listeners for their 1995 single, “Roll to Me.” This song tells the tale of a love that has been over for a while, and the couple need to make the decision to move on.

LAUGH TRACK:

Heartbreaker (At the End of Lonely Street) by Dread Zeppelin
What do you get when you cross Led Zeppelin with an Elvis impersonator? Find out as we leave this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1988 - May: Cinderella "Long Cold Winter" Nov 06, 2023

One of the big acts on the 80's glam metal scene was Cinderella. Singer-songwriter and multi-instrumentalist Tom Keifer and bassist Eric Brittingham formed the band in suburban Philadelphia. Gene Simmons of Kiss tried to get the band a deal with PolyGram, but was unsuccessful at getting the label to take interest. Jon Bon Jovi was more successful with getting them a contract with Mercury/Polygram Records. Keifer and Brittingham added guitarist Jeff LaBar and drummer Jim Drnec to the band. Their debut album entitled Night Songs was released in 1986, and it achieved triple platinum status. Shortly after the recording of that album, Jim Drnec left the group.

This, their follow-up album Long Cold Winter, would continue the band's progression in the glam metal genre, but would see a subtle shift towards more blues rock. It would also see the introduction of Fred Coury as drummer for the group, though this would come after the album was recorded utilizing percussionist Cozy Powell for almost all tracks on the album. This second studio album would be a commercial success as well, reaching number 10 on the US charts and achieving double platinum status before the end of the year. The album included the rock ballad “Don't Know What You Got (Till It's Gone),”which would reach number 12 on the Billboard charts, the highest charting single for the band. Video was a significant factor in the success of the band, and they released a video compilation in 1990 called “Tales from the Gypsy Road” featuring their promo videos and live medleys.

Cinderella would be predominantly an opening band through the late 80's and early 90's, touring with Poison, Bon Jovi, and David Lee Roth. Unfortunately the band would decline by the mid 90's due to various setbacks and drama with personnel as well as shifting popularity in the music industry. Their last performance was in 2014.

Break out the hair spray as Wayne leads us through this album.

Bad Seamstress Blues/Fallin' Apart at the Seams
The leading track to the album starts with an acoustic blues number paired with a heavier blues song, complete with slide guitar and harmonica. The lyrics are of a life that has come full circle. No regrets, but a mixture of success and sorrow. “Look in the mirror at what I found, It's just the past and it's over now.”

Gypsy Road
These lyrics discuss perseverance to achieve success, but also the loneliness and doubt that come with realizing that dream. The song is a composite of a life on the road, complete with hotel rooms and overnight rides on the tour bus. This song hit number 51 on the Billboard Hot 100.

Take Me Back
The final song on the album features blues instrumentation including the slide guitar and more cow bell! The lyrics reflect on a younger life from a distance. The singer reminisces about how he was raised and wanting to be reminded of what he left behind.

ENTERTAINMENT TRACK:

Axel F (Main Theme from the motion picture “Beverly Hills Cop”)
This movie from the mid-80's made its debut on network TV this month.

STAFF PICKS:

Electric Blue by Icehouse
Lynch gives us a cool start to the staff picks with Australian band Icehouse's biggest US hit. The lyrics tell the tale of a man pursuing the love of a woman who seems above his station. “Icehouse” is an Aussie slang term for an insane asylum. This song was written by lead singer/songwriter/multi-instrumentalist Iva Davies, and Jon Oates of Hall & Oates fame.

Heaven Tonight by Yngwie Malmsteen's Rising Force
Bruce features neoclassical metal guitar virtuoso Yngwie Malmsteen paired with the vocals of former Rainbow and Deep Purple front man Joe Lynn Turner. This is off Malmsteen's fourth studio album, “Odyssey.” This album went to number 40 on the Billboard 200 charts, the highest charting Malmsteen album to date.

Wait by White Lion
Rob brings us a power ballad that peaked at number 8 on the US charts in May 1988. It was originally released in June 1987, but did not enter the charts until February 1988, based on the strength of their video on MTV. The video featured Christie Muhaw who died at the age of 24 in a car accident less than a year after the video was released.

Damn Good by David Lee Roth
Wayne's staff pick continues the blues focus with a power ballad from Roth and 12-string work by virtuoso Steve Vai. The lyrics were inspired by an encounter Roth had with an old high school friend who had some high school pictures. It is a wistful song remembering friends and good times from the past.

NOVELTY TRACK:

Killer Klowns by The Dickies
We close out this week's podcast with a track of punk rock's The Dickies. This is off their EP and the movie "Killer Klowns from Outer Space. "

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 - December: Nine Inch Nails "Pretty Hate Machine" Oct 30, 2023

The industrial rock band Nine Inch Nails is the creation of singer-songwriter and multi-instrumentalist Trent Reznor. While living in Cleveland in 1987, Reznor worked as an assistant engineer and janitor at Right Track Studios. He had free access to the studio between bookings, and took inspiration from Prince to play all instruments himself to produce his material. The name Nine Inch Nails comes from a quote by Al Jourgensen, lead singer of the metal band Ministry - "Listening to Ministry is like having a nine inch nail hammered into your head like a hole."

The debut studio album entitled Pretty Hate Machine was released by TVT Records in October 1989. It has an industrial synth feel, with dark lyrics driven by angst, despair, and betrayal. Unlike much of the industrial rock of the time, songs on Pretty Hate Machine feature catchy riffs and hooks, and the song structure employs a traditional verse and chorus approach rather than continually repeating electronics. The result would prove to be both a commercial and critical success, reaching number 75 on the US album charts.

Although Reznor produced and performed all the instrumentation on the album, he soon found himself in need of a touring band, particularly when he was brought in to open for Guns N' Roses on their European Tour. Many musicians have been brought into the Nine Inch Nails over the years, but Reznor remained the only permanent member until his frequent collaborator, Atticus Ross, was brought in as a member in 2016.

Lynch brings us this pioneering industrial rock album for this week's podcast.

Head Like a Hole
The opening track to the album was the second and most commercially successful single, reaching number 28 on the US Alternative Airplay charts. It also took inspiration from the quote from Al Jourgensen of Ministry. The song is about the control that money has over people and the pain and suffering associated with it.

Terrible Lie
This song reflects the anger and despair of a person going through a bad time in their life and blaming it on God. "(Hey god) why are you doing this to me? Am I not living up to what I'm supposed to be? Why am I seething with this animosity? (Hey god) I think you owe me a great big apology."

Sin
When we give in to our darker impulses, perhaps driven by desire or betrayal, we can find ourselves in a spiral of self-destruction and sabotage. The song is about the pain and destructiveness that can lurk below the surface.

Down In It
This is the debut single from the album. During the making of the video, a camera attached to a weather balloon became detached and flew 200 miles away. When found in a farmer's field the FBI was called in to investigate what appeared to be a gang or cult slaying of Reznor.

ENTERTAINMENT TRACK:

Main theme from the motion picture "Christmas Vacation 3"
The success of "Christmas Vacation" inspired a number of sequels.

STAFF PICKS:

Higher Ground by the Red Hot Chili Peppers
Rob's staff pick is a cover of a song Stevie Wonder originally released in 1973. While the original went to number 4 on the Billboard Hot 100, the energetic remake by the Red Hot Chili Peppers also achieved commercial success, reaching number 26 on the US Mainstream Rock chart. It was the first RHCP song to chart.

Bad Love by Eric Clapton
Bruce brings us the second single from Clapton's eleventh solo studio album. This is a comeback album, as Clapton had recently become sober after dealing with alcoholism. It hit number 16 on the Billboard 200 albums chart. This song features Phil Collins on percussion and backing vocals. and would be awarded the Grammy for Best male Rock Vocal Performance in 1990.

Good Work by the BoDeans
Wayne features a rockabilly party song from a Wisconsin group. The BoDeans have been called roots rock, heartland rock, and alternative, but their retro 50's sound and driving live performance makes them a great band to see. They performed extensively with U2 on The Joshua Tree tour, and remain popular in the US Midwest.

The Last Worthless Evening by Don Henley
Lynch closes out the staff picks with a hit from Henley's album "The End of the Innocence" that went to number 21 on the Billboard Hot 100 chart. The lyrics are a plea from an ex to just move on.

INSTRUMENTAL TRACK:

Pacific 202 by 808 State
This Manchester electronic music group takes its name from the Roland TR 808 drum machine.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Rocking Halloween II - A What the Riff Rabbit Hole Oct 23, 2023

What The Riff?!? makes another "stab" at Halloween with these theme songs, movie and TV music, and rock songs with a bent towards the macabre. We hope you enjoy this second "Halloween" special!

Hungry Like the Wolf by Duran Duran This is the breakthrough song off Duran Duran's Rio album. It was inspired by the Big Bad Wolf in the Little Red Riding Hood story. It is also wone of the first times where video popularity drove the success of the band, with Duran Duran on constant play for the new MTV station.

Dead Man's Party by Oingo Boingo Danny Elfman fronted this new wave band before he became famous for his work on film scores. It also appeared in the comedy film "Back to School" starring Rodney Dangerfield.

This Is Halloween by Marilyn Manson Oingo Boingo wrote this track for "The Nightmare Before Christmas," and shock rocker Marilyn Manson takes on this cover.

Theme from the "Harry Potter" film series The Wizarding world of Harry Potter has been an enduring franchise, and this music draws us into that world from the first few notes.

Pet Sematary by The Ramones Steven King was a big fan of the Ramones, and invited the band to his place in Maine. While there Dee Dee Ramone wandered into the basement with a copy of King's "Pet Sematary" and returned an hour later with the lyrics to this song.

Bad Things by Jace Everett "True Blood" is a series on HBO based on a novel called "The Southern Vampire Mysteries," and the show portrays vampires in a campy, dark comedy style. Country singer-songwriter Jace Everett provided the intro music to this series.

Werewolf Bar Mitzvah by Donald Glover and Tracy MorganA skit in the television series "30 Rock" would produce this song. Originally a 7-second clip from a skit, it was turned into a full fledged Halloween novelty song due to popular demand.

Witch Doctor by David Seville The origins of this song go back to 1958, where Seville tells the story of how a guy learned to talk to girls from a witch doctor friend. It has become a well known novelty song covered by a number of artists.

Devil in Disguise by Elvis Presley The King dropped this single in 1963 about a girl who uses her charm to manipulate people to get what she wants. It peaked at number 3 on the Billboard singles chart.

You're Dead by Norma Tanega Singer-songwriter and experimental musician Norma Tanega was better known for writing songs for Dusty Springfield. However, this song which she penned in 1966 was picked up for use in the vampire satire "What We Do In the Shadows" in 2014.

Devil Went Down to Georgia by the Charlie Daniels Band Folks, don't bet your soul against the Devil. But if you do, make sure you're the best fiddler that there has ever been. Charlie Daniels would peak at number 3 on the Billboard Hot 100 with this song.

Runnin' with the Devil by Van Halen The first album that Van Halen produced was a monster in itself, and this track was the first one on the album. It is a great introduction to the band, not only for Eddie Van Halen's guitar work, but also for David Lee Roth's screams, Michael Anthony's high harmonies, and Alex Van Halen's percussion work.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - April: Whitesnake "Whitesnake" Oct 16, 2023

While the album Whitesnake may not be the debut album from the band Whitesnake, this self-titled seventh studio album might as well be a debut, as only two members were present from the previous album. Known in the UK as 1987, and in Japan as Serpens Albus, this album featured returning members John Sykes on guitars and backing vocals, and David Coverdale on lead vocals. Additionally Neil Murray was on bass, Aynsley Dunbar was on percussion, and Don Airey was on keyboards.

David Coverdale was the lead singer for Deep Purple, and left the group in 1976. He did a couple of solo albums, the first of which was named “White Snake.” He formed the band Whitesnake as his backing band in 1978. They had a lot of success in the UK, Europe, and Japan with their early albums, but Coverdale wanted to break through in North America by the mid-80's. He started moving from a blues/hard rock sound to a more glam metal sound, starting with the album "Slide It In" in 1984, and fully embraced the heavy metal sound and hair band image with this album.

Whitesnake would get significant airplay, with two singles going to number 1 (Here I Go Again) and number 2 (Is This Love?) on the Billboard US charts. Their videos would be staples of MTV, with prominent exposure of Tawny Kitaen, Coverdale's girlfriend and soon-to-be wife.

The band would be broken up shortly after the album was complete, leaving David Coverdale as the sole member by the time they went on tour. This was despite the fact that John Sykes co-wrote all but two of the songs on the album.

Get your hair metal on as Bruce puts his metal hair on, presenting this week's album.

Bad Boys
A deeper cut, this song is heavy on the rock and light on the significance of the lyrics. “Bad bad boys, getting wild in the street, wild in the city, I see you - you see me.” Much of the album has this heavy rock sound.

Crying In the Rain '87
This track that starts the album is a reworked song originally released by the group in 1982. The original is more bluesy and has a slower tempo than this version. The song was inspired by David Coverdale's divorce.

Give Me All Your Love
This was the fourth single from the album, and it reached number 58 on the US Top 100 charts. By the time the single was released in January 1988 a new guitar solo had been recorded by Vivian Campbell, replacing guitarist and co-writer John Sykes. Campbell would tour with the band but would leave before the next album.

Still of the Night
The first single from the album may have only hit number 79 on the Billboard Hot 100, but it received significant airplay on rock stations and MTV. The comparisons to Led Zeppelin were frequent, not just for the guitar riffs, but also for the heavy drumming and similarity between the vocalizations of Coverdale and Robert Plant. The song is about obsession, maybe a vampire, maybe a stalker.

ENTERTAINMENT TRACK:

Love and Marriage by Frank Sinatra (from the television series “Married...With Children”)
This anti-Cosby Show family dystopia followed the antics of shoe salesman Al Bundy and his family.

STAFF PICKS:

Tonight, Tonight, Tonight by Genesis
Lynch gets the staff picks going with a single from Genesis's album Invisible Touch. It went to number 3 on the Billboard Hot 100 despite being written less as a pop song and more like the prog rock style that Genesis used earlier in the decade. The lyrics are about a conversation with a drug dealer, a fact that must have been missed when Michelob used the song to promote their beer.

Love Removal Machine by The Cult
Wayne's staff pick is the first single from The Cult's third album, Electric. It went to number 15 on the Mainstream Rock charts in the United States. Lead singer Ian Astbury compares this song to getting on your favorite motorcycle. The opening riff is often compared to “Start Me Up” by the Rolling Stones.

Ahead by Wire
Rob features the closest post punk band Wire would get to a pop single. It has a spacey, ethereal sound. Wire had extensive influence over many groups, including Sonic Youth, The Cure, and R.E.M.

First We Take Manhattan by Jennifer Warnes
Bruce closes out the staff picks with a song written by Canadian singer-songwriter Leonard Cohen. Jennifer Warnes originally did this song for a Cohen tribute album, and it features guitarist extraordinaire Stevie Ray Vaughan. The song itself is dark and apocalyptic, with lyrics told from the perspective of a terrorist.

COMEDY TRACK:

Put Down the Duckie by Hoots the Owl and Ernie
We first learned that we have to put down the duckie if we want to play the saxophone from this skit, which aired on Sesame Street for the first time in April 1987.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - May: David Bowie "Young Americans" Oct 09, 2023

David Bowie would leave the glam rock genre of his previous albums for a more soulful sound with his ninth studio album, Young Americans. This album features blue eyed soul, or what Bowie would refer to as "plastic soul." David Bowie moved to the United States in 1974 during a time when tax concerns were driving many artists out of the UK. He was living in New York City at the time, and starting production on the album in Philadelphia where he worked with guitarist Carlos Alomar. A funk guitarist, Alomar had worked as a session musician at the Apollo Theater and would become a collaborator and band leader for Bowie over the next decade. In addition to Carlos Alomar, Bowie worked on this album with a number of artists including Robin Clark, Ava Cherry, saxophonist David Sanborn, and a new musician named Luther Vandross.

He would also collaborate on this album with ex-Beatle John Lennon who was recording in New York at the same time as Bowie's recording moved there. Bowie and Lennon had met previously at a party hosted by Elizabeth Taylor. Lennon collaborated with Bowie during his "lost weekend" period.

Young Americans contains elements of soul, funk, and R&B, and was a deliberate attempt to garner more success in the U.S. market. It certainly achieved this result, though critics would deliver mixed reviews. The transition from glam rock to blue-eyed soul would not be one which all fans embraced, but David Bowie would follow his own creative muse. It would not be the last time we would see a significant stylistic change from Bowie. It was nevertheless a commercial success, going to number 9 on the US albums chart, remaining on the charts for almost a year.

Rob brings us this funky example of “plastic soul.”

Young Americans
The title track was recorded in Philadelphia, and hit number 18 on the Billboard Hot 100, Bowie's second-highest chart success to this date. Then unknown singer Luther Vandross conceived the backing vocal arrangement. The song provides impressions of American life through the eyes of an English man. David Sanborn provides the saxophone work.

Across the Universe
This cover of the Beatles song also found collaboration with Beatles' alumnus John Lennon. Backing vocals and guitar are provided by Lennon, who considered this song a better version than his own. Critics tend to disagree, as reviews on the Bowie version were primarily negative.

Fascination
This track began as a jam by Luther Vandross entitled “Funky Music (Is a Part of Me)” which was performed before the Bowie concerts in 1974. When Vandross was retained from the “Diamond Dogs” tour, the two collaborated to create the song “Fascination.” The song was an homage to the Philadelphia funk sound.

Fame
This single hit number 1 on the US charts, the first Bowie song to do so. Composed by Bowie, Alomar, and Lennon, the high backing “Fame” vocalizations are provided by John Lennon. Bowie would describe it as a “nasty, angry” song directed at management with which he had previous issues.

ENTERTAINMENT TRACK:

Ease On Down the Road by Consumer Rapport (from the motion picture The Wiz)
A soulful take on The Wizard of Oz featured Diana Ross as Dorothy and Michael Jackson as the Scarecrow.

STAFF PICKS:

Judy Mae by Boomer Castleman
Wayne initiates the staff picks with a controversial song that went to number 33 on the Billboard Hot 100. The lyrics tell of a father to a 17 year-old girl who marries a woman half his age. When an affair ensures between the stepmother and the daughter, the father dies of an accident shortly thereafter. It feels like a racier version of “The Night the Lights Went Out in Georgia.”

Long Haired Country Boy by the Charlie Daniels Band
Brian brings us a song about a guy with a very passive attitude about life. “I ain't asking for nobody for nuthin' that I can't get on my own. If you don't like the way I'm livin' you just leave this long-haired country boy alone.” It was off the second album from the CDB entitled “Fire on the Mountain.”

When Will I Be Loved by Linda Ronstadt
Bruce features Ronstadt doing a cover originally from the Everly Brothers in 1960. While the original peaked at number 8, Ronstadt's cover would go to number 2 on the Billboard Hot 100. The song is a vocal trio between Ronstadt, Kenny Edwards, and Andrew Gold.

Trampled Under Foot by Led Zeppelin
Rob finishes the staff picks with a song John Paul Jones claims was inspired by Stevie Wonder's “Superstition.” The lyrics were inspired by blues artist Robert Johnson's “Terraplane Blues” from 1936. A Terraplane was a classic car that serves as a not-so-subtle source for sexual innuendo. It is off the band's double album, “Physical Graffiti.”

COMEDY TRACK:

Bertha Butt Boogie by The Jimmy Castor Bunch
This funk novelty track went to number 16 on the US pop chart and number 22 on the US R&B chart.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - December: The Rolling Stones “Let It Bleed” Oct 02, 2023

The Rolling Stones released their tenth US studio album (eighth in the UK) entitled Let it Bleed at the end of November, 1969. The band had worked on the material in the studio off and on through most of the year, with recording beginning in earnest back in February of 1969 (though work on "You Can't Always Get What You Want" began in November of the previous year). The album would reach number 3 on the US album chart and number 1 on the UK charts, and would produce some of the best known standards of the Stones' collection.

The band experienced significant turmoil during the recording of this album. Founding member and multi-instrumentalist Brian Jones was rapidly descending into a drug-induced stupor, causing him to be released from the band in the midst of the album's production. Jones would be found dead in his swimming pool a month after leaving the band. His replacement, Mick Taylor, would appear on a couple of songs for the album, but was not involved in the bulk of the recording. Thus the lion's share of all guitar work fell to guitarist Keith Richards, handling both rhythm and lead guitar parts for most tracks.

“Let It Bleed” returns to a blues sound with country and gospel elements, but the lyrics tend towards darker, more gritty themes. Perhaps the album was influenced by the disillusionment of society due to the Vietnam war, racial unrest, and/or protests on college campuses. Certainly the darker side of drug use comes out in many of the songs.

In addition to releasing this album just before December 1969, the Rolling Stones participated in the Altamont Speedway Free Festival, a concert which would feature the Hell's Angels utilized as “security” for the event, and which would be considered one of the darkest days of the Rock era due to the violence, extensive property damage, and death associated with the event. Some consider this to be the sad end to the “summer of love” aesthetic attributed to the rock music of the late 60's.

One of the founding What the Riff?!? hosts, Brian Dickhute returns to sit in for John Lynch, and brings us this iconic album.

Gimme Shelter
The opening track to the album was initially inspired by Richards’ observations of people running to get out of a rain storm, but the theme broadens to look at how the world seemed to be closing in with tension, war, and violence. American singer Merry Clayton contributes the female vocals to this track.

Let It Bleed
Mick Jagger and Keith Richards penned the honky tonk (country tonk?) title track, which finishes off side 1 of the album. The lyrics contain numerous sexual and drug references, though the theme is more about people providing and finding emotional support in others.

Monkey Men
While it is difficult to call any track from this album a “deeper cut,” we agreed this one is about as close to that as we can find. Jagger and Richards wrote it as a tribute to Italian pop artist Mario Schifano, a contemporary of Andy Warhol whom Jaggar had met when he had a cameo in one of Schifano's movies.

You Can't Always Get What You Want
The first song recorded for the album is the last track on side 2. This iconic song features the London Bach Choir, and features verses covering love, politics, and drugs — common themes of the day. The verses begin with optimism and end with disillusionment, returning to a sense of realism in the chorus. It may be the most popular of all recordings by the Stones.

ENTERTAINMENT TRACK:

Come and Get It by Badfinger (from the motion picture “The Magic Christian”)
Honestly folks, I thought this was the Beatles, and had no idea that it was from this movie. Paul McCartney did write this song for Badfinger, and the movie starred Peter Sellers and Ringo Starr.

STAFF PICKS:

Na Na Hey Hey Kiss Him Goodbye by Steam
Long before it became a staple of sports venues, Rob's staff pick was written by Paul Leka, Gary DiCarlo, and Dale Frasheur under what was then a fictitious band name, Steam. The song would hit number 1 on the pop charts, although it was intended as a B-side.

Backfield In Motion by Mel and Tim
Bruce continues the sports theme in the staff picks with this song about a girl who is running around on her man. This song with allusions to penalties in football, baseball, and boxing went to number 10 on the Billboard Hot 100 and number 3 on the R&B Chart.

I'll Hold Out My Hand by The Clique
Wayne features a positive soul sound from a two-hit wonder. The Clique would see this song top out at number 45 on the US charts. The lyrics urge someone who is turning inward to reach out instead and strive for their full potential. “I’ll be your friend - you don't have to be mine.”

Take a Letter Maria by R.B. Greaves
Brian finishes our staff picks with a sing-song story about a business man who loses his wife while working overtime. He has his secretary take a letter with copies for his wife and his lawyer. By the end of the song he is scheduling a date with his secretary, Maria.

INSTRUMENTAL TRACK:

Groovy Grubworm by Harlow Wilcox & the Oakies
We weren't sure if it would be a comedy or an instrumental number, but this instrumental piece was on the charts at the end of 1969, peaking at number 30 on the Billboard Hot 100.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - February: Rush “Fly By Night” Sep 25, 2023

Fly By Night is the album where Rush takes its final form. Original drummer John Rutsey left the group shortly after their eponymously named debut album was released. Health problems related to diabetes made it difficult for Rutsey on tour. He was replaced on bassist/vocalist Geddy Lee's 21st birthday by the soon-to-be legendary percussionist, Neil Peart. Together with guitarist Alex Lifeson, the trio would become icons in the prog rock genre.

Most of the material for this album was written while the band was on tour opening for Uriah Heep and Manfred Mann. Rush went into the studios for about 5 days to record the album, which was mixed by January when the group flew to Winnipeg for a concert on January 15th. Fly By Night would also be the album in which Peart takes over much of the lyrical work with the songs, while Lee and Lifeson compose much of the music. The lyrical styles are noticeably different between the first and second album, complete with literary themes which reflect Peart's habit as an avid reader.

This album is also the one which saw Rush moving in a decidedly prog rock direction. This could be attributed to Neal "The Professor" Peart's lyrics, but the entire band wanted each song to show a different side to their writing and playing, creating a diversity of styles in the tracks.

Friend of the show Sean Mooney stands in for WTR Rush Ambassador, Bruce Fricks to bring us this classic prog rock album.

Anthem
The lead-off track to the album was originally conceived by Lee and Lifeson while Rutsey was still in the band. The name of the track is from an Ayn Rand novella, as do the lyrics. Peart's inspiration by Rand would return when the group penned their fourth album, 2112.

Beneath, Between and Behind
This is the first song to feature Peart's lyrics. It was about the discovery of America and the birth of the United States. The lyrics reference the American dream and growth as well as some darker history like wars and immigration. "Beneath the noble birth between the proudest words behind the beauty, cracks appear. Once with heads held high they sand out to the sky why do their shadows bow in fear?"

Best I Can
One of two tracks written before Peart joined the band, this song's music and lyrics were both penned by Geddy Lee, and the song saw regular performance during Rush's first North American tour. The lyrics have a more rock theme than Peart's more literary efforts. "Don't give me speeches 'cause they're oh so droll. Leave me alone, let me rock and roll."

Fly By Night
The "hit" single from the album leads off side 2, and peaked at number 88 on the Billboard charts. The lyrics reflect Peart's first trip away from home when he traveled from Canada to England. "Fly by night, goodbye, my dear. My ship isn't coming and I just can't pretend."

ENTERTAINMENT TRACK:

Main theme from the motion picture The Stepford Wives
This dystopian sci-fi thriller finds a couple in the town to Stepford, where the women mysteriously transform into submissive domesticated housewives.

STAFF PICKS:

Song for America by Kansas
Wayne leads off the staff picks with the single cut to a 10-minute epic paying tribute to America. It reflects the beauty that can be seen from a jet, but also the ugliness of industrialization. The 5/4 time interspersed in the song marks it as a prog rock masterpiece.

Jackie Blue by Ozark Mountain Daredevils
Rob brings us a cool groove about a woman in pursuit of happiness, but who never stays with anything long enough to find happiness. The original inspiration was a guy they met in Los Angeles who was strung out on drugs. Drummer Larry Lee takes lead duties for this song which made it to number 3 on the Billboard Hot 100.

#9 Dream by John Lennon
Lynch features a song released before he was born from Lennon's "Walls and Bridges" album, which coincidentally went to number 9 on the charts. The song literally came from a dream Lennon had, with no inspiration. The "mystery voice" in the background is Lennon's girlfriend at the time, May Pang. Several of the lyrics are nonsense words.

Adam's Apple by Aerosmith
Sean finishes the staff picks with a deep cut from Aerosmith. The lyrics are inspired by the story of the temptation of Adam and Eve in Genesis chapter 3. It appears on Aerosmith's album "Toys in the Attic," which Steve Tyler wanted to name "Love at First Bite" at one point, a line from this song.

INSTRUMENTAL TRACK:

Express by BT Express
We finish off this week's podcast with in instrumental hit from the early disco era.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 - June: Dr. John “In the Right Place” Sep 18, 2023

Malcolm John Rebennack, Jr.,better known by his stage name, Dr. John, was a singer-songwriter who blended funk, R&B and New Orleans blues into a distinctive sound. Dr. John was well known for his stage shows which were inspired by an eclectic mix of medicine shows, voodoo ceremonies, and Mardi Gras costumes. Dr. John got his start as a session musician in the 1950s, and continued doing session work throughout his career playing keyboards for Aretha Franklin, the Rolling Stones, and Van Morrison as a member of "The Wrecking Crew." He recorded thirty studio albums and nine live albums before his death in 2019, including the one we profile today.

In the Right Place is Dr. John's sixth album and his best selling one, peaking at number 24 on the Billboard 200 chart. He is backed up on this album by The Meters, a New Orleans funk band that formed in 1965. The Meters were the house band for Alan Toussaint, who produced, arranged, and played on a number of tracks on the album.

Mac Rebennack's father ran an appliance shop in the East End of New Orleans where, in addition to fixing radios and televisions, he sold records to people from a wide variety of races and cultures. Rebennack was expelled from his Catholic high school when the priests told him he had to either stop playing in the clubs or leave.

The stage name Dr. John was taken from a 19th-century Louisiana voodoo priest. In turn, Dr. John would inspire two other characters - Johnny Fever (from "WKRP in Cincinnati") and Dr. Teeth (from "The Muppet Show").

The future Dr. John started playing guitar and switched to piano after nearly losing a finger during an on-tour gunfight.

It's time for some New Orleans funk as Wayne brings us this album for the podcast. Friend of the show Sean Mooney joins us for this one.

Traveling Mood
You can expect any rock group to eventually put out a song about losing a woman, but it takes Dr. John to make this tragedy whimsical and fun. "Said that she'd never leave me, now she's gone away to grieve me. I was fast asleep, when she begun her midnight creep."

Qualified
This is a social hierarchy song about a guy telling people who think they are better than others that they are not. "Your social life ain't no better than my hot dog stand. Your edu-ma-cation ain't no hipper than what you understand."

Right Place, Wrong Time
This is the funky hit that peaked at number 9 on the Billboard Hot 100. It was also Dr. John's only top 40 hit, making him technically a one-hit wonder. "I took the right road but I must have took a wrong turn." "I took a right move, but I made it at the wrong time."

Cold, Cold, Cold
In this song, the man wishes a woman he loves was not also running around with the other guys. There's a pit of a Rolling Stones sound about this one, and maybe a little bit of Randy Newman humor.

ENTERTAINMENT TRACK:

Live and Let Die by Wings (from the motion picture “Live and Let Die”)
This song was the theme which first introduced Roger Moore as James Bond. It also reunited Paul McCartney with former Beatles producer George Martin.

STAFF PICKS:

Drift Away by Dobie Gray
Rob drifts into the staff picks with this song originally written by Mentor Williams in 1970, and first performed by swamp rock singer John Henry Kurtz. Soul singer Dobie Gray would produce the rendition we would know best. Gray would land at number 5 on the Billboard Hot 100, making this song his biggest hit. The lyrical tribute to the power of music would make it a frequent cover by lots of artists.

Daniel by Elton John
Lynch features a song with a story. Daniel is an American soldier injured in Vietnam who, though accepted by his family, receives criticism from the public due to the polarizing nature of that war. Disillusioned by the response, Daniel decides to go away to Spain. Almost all of this storyline was contained in the last verse of the song, which was cut before it was produced.

China Grove by the Doobie Brothers
Friend of the show Sean brings us a song which introduces itself with a great guitar riff and keyboards. It is sung and written by Tom Johnson for the Doobie Brothers third studio album, "The Captain and Me." It went to number 15 on the Billboard Hot 100. While Johnson was writing about a fictional town, there are several towns called China Grove in America.

The Free Electric Band by Albert Hammond
Wayne closes out the staff picks with a prog rock hit. Songwriter Hammond has written a number of hits over the years, though this particular one only went to number 48. The lyrics are about a privileged child who decides to move to California to play music despite his parents higher expectations for him.

COMEDY TRACK:

Back When My Hair Was Short by Gunhill Road
This lone hit by Gunhill Road went to number 40, and was produced by Kenny Rogers.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - December: Donald Fagen "The Nightfly" Sep 11, 2023

The Nightfly is the debut solo album from Donald Fagen. Fagen and his Steely Dan partner Walter Becker had released the Gaucho album in late 1980, and Becker was having a lot of trouble. His girlfriend died of a drug overdose in their apartment, and he was sued for several million dollars. Shortly after that he was hit by a taxi, which shattered his leg. Steely Dan disbanded in 1981, and Becker moved to Maui.

Fagen wanted “The Nightfly” to be autobiographical, and without the irony and biting nature of Steely Dan. There is a lot of adolescence and innocence in these songs, reflecting back on Fagen's time growing up. The album is also one of the first to be recorded entirely in digital. Steely Dan had tried this approach fo“Gaucho,” but it didn't work out and they reverted to analog. Audiophiles gravitate to The Nightfly, and EQ Magazine ranks it as one of the top 10 Best Recorded Albums of All Time, up there with The Beatles' “Sergeant Peppers” and The Beach Boys' “Pet Sounds.”

Donald Fagan had problems with depression after recording “The Nightfly,” and largely disappeared from the music scene through the rest of the 80's. Fagan said in 2006 that he hasn't listened to "The Nightfly" since making it. However, he did record two other albums which are considered to form "The Nightfly Trilogy," including Kamakiriad" from 1993 and "Morph the Cat" from 2006. There would also be a reunion of Steely Dan later on.

Bruce presents this jazzy album for this week's episode.

I.G.Y. (What a Beautiful World)
This lead single is also the track that leads off the album. "I.G.Y." stands for International Geophysical Year, which was a project that lasted between July 1957 and December 1958. It encompassed eleven earth science projects and included collaboration between East and West. The song reflects the positivity of that time and collaboration. The song was released in September 1982 and reached number 26 on the Billboard Hot 100 at the end of November.

The Nightfly
This track imagines a late night DJ named Lester who plays jazz on WJAZ out of Baton Rouge, and also takes calls from conspiracy theorists. is about a spiritual quest. While not released as a single, this song did receive some airplay on FM stations in the 80's.

Ruby Baby
Although heavily arranged with close harmonies by Fagen, this is a cover song originally performed by the Drifters in 1956. A number of artists have covered it over time, including Dion (number 2 on the Billboard Hot 100 in 1962), Billy "Crash Craddock, Del Shannon, Mitch Ryder, and Bobby Darin.

New Frontier
This fun single did not break into the top 40, but it was a frequent video on the then-new MTV channel. The idea of the song is that an adolescent boy is bringing a girl over to his parents' bomb shelter for a good time. "Yes, we're going to have a wing ding..."

ENTERTAINMENT TRACK:

It Might Be You by Stephen Bishop (from the motion picture "Tootsie" )
Dustin Hoffman stars in this cross-dressing romance comedy about an actor disguising himself as a woman to land a job.

STAFF PICKS:

Steppin' Out by Joe Jackson
Rob starts the staff picks with a song inspired by Jackson's time in New York City. The song reflects the excitement of a drive around town, and hit number 6 on the Billboard Hot 100. It is off the album "Night and Day," which reflects New York City during the day on side 1, and the City during the night on side 2.

Mexican Radio by Wall of Voodoo
Wayne's staff pick is a weird one. This new wave act describes listening to the broadcasts of high-wattage unregulated Mexican radio stations whose signals were strong enough to be picked up in small town U.S.A. Wall of Voodoo's $15,000 video would be on constant repeat on MTV.

Maneater by Hall & Oates
Lynch brings us a big Hall & Oates hit that spent four weeks at number 1 on the charts. The song describes a woman who is bad news, only looking for money. The video features a live panther, that got loose in the rafters of the set at one point, prompting a hasty retreat from Darryl Hall. The sax part is played by Charles "Mr. Casual" DeChant, who also appears in the video during his solo.

She Sheila by The Producers
Bruce finishes up the staff picks with Atlanta's own The Producers. This is the big single off the band's second album "You Make the Heat." It went to number 48 on the Billboard Mainstream Rock charts, and alternates between an ethereal synth part and a high energy New Wave sound.

INSTRUMENTAL TRACK:

Bonzo's Montreux by Led Zeppelin
John Bonham's live drum solo closes out this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - May: The Dave Clark Five "Having a Wild Weekend" Sep 04, 2023

The British Invasion of the mid-60's is best known for The Beatles, but there were more groups than just the boys from Liverpool. In fact, just a month after The Beatles played on Ed Sullivan the Dave Clark Five would take that stage, the first of 12 appearances on The Ed Sullivan Show. The quintet consisted of Dave Clark on drums and backing vocals, Rick Huxley on bass, Mike Smith on vocals and keyboard, Lenny Davidson on lead guitar, and Dennis Payton on Sax, Harmonica, and vocals.

The British Invasion was really a re-introduction of American music, as many of the British acts took inspiration from soul, gospel, and blues music from places like Chicago, Detroit, Memphis, and New Orleans. This re-introduction was accompanied by intriguing accents, strange fashion and hair styles, and a lot of energy and heart.

The sixth American album release from the Dave Clark Five was entitled Having a Wild Weekend, and was the soundtrack to a movie of the same title. This film was originally released as "Catch Us If You Can," in the UK, but was renamed when it was released in the States. It is a light-hearted social drama similar to "A Hard Day's Night" released by the Beatles, and it likewise was used as a vehicle to increase the popularity of the band and their songs.

Unlike the Beatles, the Dave Clark Five never ventured into the psychedelic sound of the late 60's, and their popularity began to wane by 1967. The group would disband in 1967.

John Lynch brings us this classic group and soundtrack for this week's podcast.

Having a Wild Weekend
This single was written by Dave Clark and Mike Smith, and is the lead-off and title track to the album. The premise of the album is that Dinah, a model for an add campaign for meat, runs off with one of the stunt men while shooting a TV commercial. The ad executives use their disappearance to generate more publicity for their client.

New Kind of Love
We're not really sure if this song is about a guy whose girlfriend cheats on him, or about a stalker who like a girl who has no idea that the guy thinks they're dating.

I Said I Was Sorry
When the guy messes up in the relationship, he is left wondering why everything isn't OK now that he has said he was sorry. The lyrics at the time weren't meant to be studied too seriously, were they? At least he said he was sorry, because we would find out from Elton John years later that "sorry" seems to be the hardest word.

Catch Us If You Can
Co-written by Dave Clark and Lenny Davidson, this was the title song for the UK version of the album. It leads off side two, and was the hit single from the album, rising to number 4 on the US charts. The finger snapping and guitar leading into the song was a catchy hook.

ENTERTAINMENT TRACK:

Main theme from the television series “Gidget”
The Frederick Kohner novels about a teenager in the surfing culture would lead to films of the late 50's, and a TV show that would begin in 1965 starring Sally Field.

STAFF PICKS:

Just a Little by The Beau Brummels
Bruce's staff pick is one of the groups that is credited with creating the San Francisco sound. The Beau Brummels were Sal Valentino on vocals, Ron Elliott on lead guitar, Declan Mulligan on guitar, Ron Meagher on bass, and John Petersen on drums. This is off their debut album entitled "Introducing the Beau Brummels," which was produced by Sly Stallone

The Train Kept a-Rollin' by Screaming Lord Sutch & the Savages
You may be familiar with the Aerosmith version of this song, but Rob brings you an earlier version of the classic blues track originally recorded by Tiny Bradshow in 1951. Screaming Lord Sutch was known for his Halloween-themed stage shows, complete with knives and coffins, with the lead singer appearing as Jack the RIpper.

The Game of Love by Wayne Fontana and the Mindbenders
Wayne features a number 1 hit from the Billboard Hot 100. The group took its name from a British movie, and appeared in the 1967 Sidney Poitier film, "To Sir, with Love." The group broke up at the final concert of a UK tour with The Who, Arthur Brown, and Joe Coker on November 20, 1968.

Count Me In by Gary Lewis and The Playboys
Lynch closes out the staff picks with a group that was originally known as Gary & the Playboys, hiding the relationship that Gary had with his celebrity father, Jerry Lewis. They auditioned and were hired to play at Disneyland, and frequently played to full houses. The group suffered in live performances, because producer Snuff Garrett utilized session musicians heavily on their studio tracks, and the band could not duplicate their studio sound on the stage.

INSTRUMENTAL TRACK:

Maiden Voyage by the Herbie Hancock
This instrumental jazz piece that closes out the podcast shows the longevity of Herbie Hancock's career, and was the title track to his album of the same name.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 - November: Bad Religion "No Control" Aug 28, 2023

While the late 80's were the high water mark for overproduced hair bands, there was an undercurrent flowing below the mainstream popularity which would surface in the 90's as the punk revival. Los Angeles-based Bad Religion is a group which would not only benefit from that revival, but many consider the band to be a founder of the movement. The band formed in 1980 and released a couple of albums before going on hiatus in 1983 and splitting up shortly thereafter. After a slowly getting back together in 1986, they released their third album entitled "Suffer." While on tour promoting that album, the band began work on their fourth album, No Control.

The band for this album was Greg Graffin on lead vocals, Greg Hetson on guitar, Brett Gurewitz on guitar and backing vocals, Jay Bentley on bass and backing vocals, and Pete Finestone on percussion. Building this album while on tour gave it a fast and high energy feel, with the band reverting to a hardcore punk style.

While undeniably punk, Bad Religion has a more melodic sound than many of their punk predecessors. They also exhibit solid, significant lyrics, and utilize three-part vocal harmonies that are not normally associated with the genre. The idea of this group is to emphasize action, and living in the moment.

Friend of the show (and John Lynch's better half) Heather Lynch brings us this hallmark of the punk revival because it is the album that introduced her to punk rock.

Change of Ideas
The lead-off track for the album clocks in at 55 seconds, making it onto Loudwire's top ten list of "Greatest Songs Under One Minute Long." The concept in Graffin's lyrics is that we need to get away from ideas that trap us in fear and theory.

Big Bang
This song was penned by guitarist Brett Gurewitz. The lyrics are about how folks are searching for something in science or religion without really living their lives. "Big bang, big crunch. You know there's no free lunch. Kneel down and pray, here comes your judgment day."

No Control
The title track is a sonic trip to the mosh pit. We think we have things in hand, but everything fades away very soon, and we are powerless to control it.

I Want to Conquer the World
We all have thought at times that the world would be a better place if we could just take over for a while. Gurewitz reflects on this in this piece, and wonders what we are doing here and now to make things a little better. "I want to conquer the world. Give all the idiots a brand new religion, put an end to poverty, uncleanliness and toil. Promote equality in all of my decisions."

You
This is a fast, angry song. "And you! painted my entire world but I don't have the turpentine to clean what you have soiled. And I won't forget it."

ENTERTAINMENT TRACK:

Two Step Mamau by Wayne Toups & Zydecajun (from the motion picture "Steel Magnolias" )
This southern film was had an all star cast and showcased the talents of a young Julia Roberts.

STAFF PICKS:

Sold Me Down the River by the Alarm
Wayne's staff pick reminds us of Power Station's "Bang the Gong." It made it to number 50 on the Billboard charts, but it was prominent on rock stations at the time. It is about a lovesick guy who got his heart broken. The Alarm is from Wales, but is often compared to Ireland's U2.

Let the Day Begin by The Call
Rob brings us the title track from the Call's sixth studio album. It is a positive song with a shuffle beat. It was used as the campaign theme song for Al Gore in 2000. The band formed in 1980 in Santa Cruz.

The Living Years by Mike & the Mechanics
John Lynch's staff pick is Mike Rutherford's (bassist from Genesis) band, formed in 1985. The song is a wistful tune about missing the opportunity to truly connect with a father while he was alive. This is the title track from their second album, released in 1988.

We Didn't Start the Fire by Billy Joel
Heather features a song with 118 historical references in this fast-paced song. The idea of the track comes from a conversation Joel had with Sean Lennon about how difficult it is to be a young person in the times. Joel thought about how each generation has its issues, and pointed out some of the troubles from earlier decades.

INSTRUMENTAL TRACK:

Proliferous Souls by Pestilence
We haven't covered this Dutch death metal band, but we remedy that with this instrumental out at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - January: The Nails "Mood Swing" Aug 21, 2023

If you are not familiar with The Nails don't feel bad. They were not a hit on commercial radio, but this punk rock/new wave outfit from Boulder Colorado was much better known on college radio in the mid to late 80's. Although Mood Swing is their debut album from 1984, the band originally formed in 1976 as a five-piece band. They moved to New York and built both their musical chops and their following on the club circuit before their major label debut.

At the time that Mood Swing was released the band consisted of Marc Campbell on vocals, Steve O'Rourke on guitar, George Kaufman on bass, Douglas Guthrie on saxophone, and David Kaufman on keyboards. Drummer Tommy Cotogna had left the band prior to recording the album, and Dennis McDermott provided the drum work for the album sessions.

The band produced a sound that included strong musicianship, dark and often deliberately shocking lyrics, but laced with a sense of humor. Campbell claimed that their music came from “a mystical and sexual area. I write in a cinematic way, trying to create through language and sound, texture and atmosphere, a specific mood.” The songs on the album do indeed represent a diversity of mood.

Wayne relives his days as a college radio DJ as he brings us this new wave group for the podcast, and we are joined by friend of the show Heather Lynch, sitting in for Bruce (and keeping Lynch in line).

Every Time I Touch You
The distinctive bass line followed by the screaming guitar leads into this song about being lost in a mix of love and lust, though we're not certain that this is a match made in heaven. Love is a fire which can be explosive and tear the lovers apart. And you never can go wrong with a sax!

Let It All Hang Out
This is a cover from a 1967 song by the Hombres, and a “southern-fried parody” of Bob Dylan's “Subterranean Homesick Blues.” A number of other artists also covered this song, including Cream, John Cougar Mellencamp, and Wheezer. It's a fun song.

88 Lines About 44 Women
If the Nail had a “hit” this was it. This single peaked at number 46 on the US dance chart, and was laid out on a new Casio keyboard. The Nails had released several versions of this song previously on independent labels. Lead singer Campbell says that the song pays tribute to the power and glory of sex, drugs, rock and roll...and love. It is dedicated to the women in my life to did their best to keep me human."

Home of the Brave
This song has a Warhol-esque feel to it. “Hectic madness of city living where the whores are dancing on the table tops and the juke box plays Apocalyptic bebop.”

ENTERTAINMENT TRACK:

Theme from the television series “Night Court”
We were introduced to Judge Harry T. Stone and the eclectic characters that pass through his courtroom on this sitcom that premiered in January 1984.

STAFF PICKS:

Say it Isn't So by Hall & Oates
Lynch starts of the staff picks with one of two new singles released on Hall & Oates compilation album "Rock 'n Soul Part 1." It was stuck at number 2 on the Billboard Hot 100, behind Michael Jackson and Paul McCartney's "Say Say Say" for several weeks before finally taking the number 1 slot. It is about the downside of fame, and the oddness of everyone seeming to know them.

The Politics of Dancing by The Re-Flex
Rob's staff pick hits all the hallmarks of mid-80's music, including the keyboards, drum machine, spoken lyrics, and low tones. This song went to number 24 on the Billboard Hot 100. This is the title song from the debut album by The Re-Flex. The band stopped working together by 1985, but members often collaborated on each other's solo projects.

Break My Stride by Matthew Wilder
Heather Lynch brings us a reggae-infused tune that hit number 5 on the Billboard Hot 100. The song lyrics reflect a man smitten by a woman from whom he must move on, but it also reflects Wilder's struggles with delivering a hit that the record label would take.

Holy Diver by Dio
Wayne features heavy metal virtuoso Ronnie James Dio in a solo outing. It was from his debut solo album of the same name. The lyrics are about a Christ-figure on another planet who sacrifices himself for his people. This song was one on Clear Channel's “inappropriate to play” songs after the attacks on 9/11.

INSTRUMENTAL TRACK:

1984 by Van Halen
This short instrumental leads off Van Halen's album of the same name.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1990 - March: Michael Penn “March” Aug 14, 2023

Most people are familiar with the actor, Sean Penn. His older brother, Michael Penn went in a more musical direction, becoming a singer, songwriter, and producer. His debut album, March, would achieve both critical and commercial success, peaking on the US album charts at number 31. This would be his most successful album commercially, though his follow-up albums were received positively by the critics.

Manhattan native Michael Penn was the first son of actor/director Leo Penn and actress Eileen Ryan. He began his musical journey in junior high school, and joined the Los Angeles band Doll Congress before embarking on a solo career. He appeared as a musical guest on Saturday Night Live in 1987 when his younger brother Sean was the host. He would garner attention, however in 1989 with his debut album, March. It would earn him the 1990 MTV Video Music Award for Best New Artist, and its first single "No Myth" would rise to number 13 on the Billboard Hot 100.

Michael Penn would go on to marry singer-songwriter Aimee Mann (who fronted the new wave group 'Til Tuesday) in 1997. The couple are still together and living in Los Angeles.

Rob brings us this singer-songwriter because he has created interesting songs with clever lyrics, and his underrated status may indicate that our listeners haven't heard his music beyond his first single. We hope you enjoy this artist and perhaps discover some music from the late 80's that you haven't heard before - or haven't heard in a while.

No Myth
This is the first and most successful single from the album. It made it to number 5 on the Mainstream Rock charts and number 13 on the Billboard Hot 100. It is about a guy who is rejected by a girl even though he knows he could make her happy. “We said goodbye before hello, my secrets she will never know, and if I dig a hole to China I'll catch the first junk to Soho.”

Half Harvest
The second song on the album is an understated deeper cut that sounds like a break-up song, or a tune about faded romance. “So move out of your bed of roses, now. I'm putting in a bed of nails.”

Brave New World
This is a jangle pop, rockabilly song with great harmonies and fast-paced lyrics. It ends with a jazz jam and we feel it has a road trip feel in the lyrics as the singer drives into the brave new world.

This & That
This single hit number 10 on the Modern Rock charts, and also has a quick lyric cadence. “I'll do this and I'll do that, I'll be burning canyons for you. I'll do this and I'll do that and I will wait forever if you'll be there.”

ENTERTAINMENT TRACK:

Hymn to Red October (from the motion picture The Hunt for Red October)
Sean Connery takes the lead in the first of the Tom Clancy books to hit the big screen. The idea of a defecting Soviet sub was a compelling concept in the late 80's, well before the communist government fell apart.

STAFF PICKS:

Cuts You Up by Peter Murphy
Bruce's staff pick went to number 55 on the Billboard Hot 100, but dominated the then-new Billboard Alternative Songs chart, spending seven weeks at number 1 on that chart. Peter Murphy was the lead singer of the group Bauhaus, which gave us the song “Bela Lugosi's Dead.” Murphy and guitarist Paul Statham wrote this song which is about how the path of self-knowledge and discovery will ruin your assumptions, keeping you from getting arrogant.

I Go to Extremes by Billy Joel
Lynch reminds us that things tend to go awry when musician Billy Joel writes a song for his wife. Indeed Joel's relationship with Christie Brinkley would come to an end in 1994 after it inspired this song that was a single from his album Stormfront. The idea of this song is a recognition that Joel can be compared to a roller coaster of emotion.

Up All Night by Slaughter
Wayne brings us a hair band hit from the peak of “big hair.” Las Vegas, based Slaughter is named after vocalist and guitarist Mark Slaughter who formed the band in 1988 with bassist Dana Strum. The band is completed by guitarist Tim Kelly and drummer Blas Elias. The song is pretty much the anthem of the hair bands - up all night, sleep all day.

Baby, It's Tonight by Jude Cole
Rob finishes the staff picks with singer-songwriter, manager, and producer Jude Cole. He has a sound similar to John Waite, and started with the band Lifehouse. Cole also started a record label called Iron Works with actor Kiefer Sutherland. This song made it to number 16 on the Billboard Hot 100.

COMEDY TRACK:

As Kosher As They Wanna Be by 2 Live Jews
Oy Vey! I hope we don't get cancelled for this comedy track which was on the charts at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 - August: Metallica "Metallica (the Black Album)" Aug 07, 2023

Metallica was a big deal well before the release of this album. Singer and guitarist James Hetfield and drummer Lars Ulrich had formed the band a decade prior to this fifth studio release, technically called Metallica but most commonly referenced as The Black Album due to its all-black cover. Hetfield and Ulrich, together with lead guitarist Kirk Hammett and bassist Jason Newsted were successful commercially and critically on the strength of previous albums, particularly their third (Master of Puppets) and fourth (...And Justice for All) studio releases. However The Black Album would be their most successful album release, and the second longest-charting traditional title release in history, behind only Pink Floyd's "Dark Side of the Moon."

Metallica is one of the founding bands of thrash metal, and had a reputation for musicianship that was both fast and complex. The Black Album saw the band developing a slower, more refined sound with singles that were shorter and tighter, making them more accessible to a general audience. Hetfield also sought to create songs with a less "scream-heavy" vocalization. The result of their efforts was both their first number one album on the charts, and an album filled with some of their most well-known singles. The album is more heavy metal than their previous releases, but still retains a thrash metal edge.

Metallica would go on from success to success, never really seeing their international fame fade. This album marks the point where the band had learned to master both their musical craft and their stage craft.

John Lynch brings us this landmark heavy metal album.

Enter Sandman
This track was the first single, the first song written for the album, and the last to receive lyrics. Hammett wrote the primary guitar riff after being inspired by Soundgarden's Louder than Love album. The original lyrics were much darker, referencing sudden infant death syndrome, and Lars Ulrich and producer Bob Rock encouraged Hetfield to rework them .

Sad But True
The fifth and final single from the album was originally written in the key of E. When the producer pointed out that every song on the album was written in E, the band tuned down to D for this track. The idea for the lyrics about blind faith were inspired by the 1978 film "Magic" in which a ventriloquist is controlled by his puppet.

The Unforgiven
The second single is a heavy power ballad about the struggles of the individual against an all-powerful machine-like force holding him captive. It has a softer style than most Metallica songs, and allows Hetfield's vocal musicianship to shine through. Two sequel songs would be released on future albums.

Nothing Else Matters
Hetfield did not intend to release this song, but wrote it for himself when feeling homesick on tour. Ulrich encouraged him to include it in the album, and it is one of their biggest hits. While originally written about a girlfriend, the song has become a reference to Metallica's fans on tour.

ENTERTAINMENT TRACK:

Lets Work Together by The Kentucky Headhunters (from the motion picture “Harley Davidson & the Marlboro Man”)
This movie was a biker film with Don Johnson and Mickey Rourke in a Western style.

STAFF PICKS:

She's So High by Blur
Wayne is well known for his affinity to the Manchester psychedelic sound. However, this group with the Manchester sound is actually from London. While the song would appear to be about drugs, it is actually a reference to a girl who is out of the singer's league. Blur hit number 48 on the UK single's chart with this release.

Straight to Your Heart by Bad English
Rob's staff pick was written by Jonathan Cain for this supergroup formed from members of Journey and The Babys. John Waite's distinctive voice is clear on this hit from their second and final album, but it also maintains the rock sound.

Face the Music by RTZ
Bruce shares his take on this group formed by Brad Delp and Barry Goudreau, originally founding members of the group Boston, along with Brian Maes on keyboards, Tim Archibald on bass, and David Stefanelli on drums. This single is off RTZ's debut album "Return to Zero." While this song only went to number 49 on the US pop charts, the success of RTZ would convince Delp to leave Boston, only to return to the group a couple of years later.

Crazy by Seal
Lynch's staff pick is about the days when the Soviet Union was collapsing and the Berlin wall came down. English singer songwriter Seal brings a haunting, smooth sound. “In a sky full of people only some want to fly, isn't that crazy?”

INSTRUMENTAL TRACK:

Sunshine by Timbuk 3
The group best known for “The Future's So Bright I Gotta Wear Shades” penned this steel drum-laden instrumental.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - March: Molly Hatchet "Flirtin' with Disaster" Jul 31, 2023

Many folks know that the Southern rock band Lynyrd Skynyrd came out of Jacksonville, Florida. But they weren't the only big southern rock band to arise from that city. Molly Hatchet was another southern rock band from Jacksonville, also sporting three guitars. The band formed in 1971 and shares a lot of the inspiration and influence of Skynyrd. their best selling album was their second one, Flirtin' with Disaster, which peaked at number 19 and became a 2x platinum seller in the United States.

The name of the band comes from the legend of a Salem-era prostitute who supposedly mutilated and decapitated her clients. The band was not only famous for its music, but for its album cover art. Fantasy artist Frank Frazetta created the cover, depicting a Viking-like warrior with a winged helmet and battle axe. Personnel for Flirtin' with Disaster included Danny Joe Brown on vocals, guitarists Dave Hlubek, Steve Holland, and Duane Roland, Banner Thomas on bass, and Bruce Crump on drums.

While Flirtin' with Disaster is the band's most successful album, they also found considerable success with the eponymous debut album released prior to Flirtin' and the third album, “Beatin' the Odds,” released with new front man Jimmy Farrar who replaced Danny Joe Brown who left for a number of reasons including diabetes. The band would not achieve similar success with its future albums, though Brown would return to the band by their fifth album. Molly Hatchet remained a popular touring band, though today all the original members have died.

Friend of the show Craig Dale joins us as Wayne brings us this Southern rock classic for the podcast.

Let the Good Times Roll
While this may be considered a deeper cut, the track which closes out the album did receive significant airplay on rock stations when the album came out. “Give me wine, women, whiskey and rock 'n' roll and let me sleep my days away.”

Flirtin' with Disaster
This is the timeless classic from the album, the title track, and the opening song for side two. Although this is considered their breakout hit and highest charting, it only went to number 42 on the Billboard Hot 100. The song has been used in a number of films and television shows including Suspect Zero, Straw Dogs, My Name is Earl, and King of the Hill.

Good Rockin'
This deep cut is one in which all band members share writing credits. It was not released as a single but did appear as a B-side to their second single, “It's All Over Now.” It is simply a straightforward rock party song - “So if you're feeling good, if you feel alright we're going to have a rock 'n' roll time tonight.”

Whiskey Man
The leading track from the album is a well-known Molly Hatchet song, though it failed to chart. It is an anti-drinking song in which the lyrics discuss the hazards of alcohol. “You start to get straight, then you get weak, can't you see you're on a losing streak?”

ENTERTAINMENT TRACK:

Coal Miner's Daughter by Loretta Lynn (from the motion picture “Coal Miner's Daughter”)
Sissy Spacek won the Academy Award for her portrayal of Loretta Lynn in this biographical drama.

STAFF PICKS:

Back On My Feet Again by The Babys
Bruce brings us the number 33 hit by John Waite and the Babys - their fourth and final top 40 hit. This is off their album “Union Jacks.” They opened for Journey on tour, and their keyboardist, Jonathan Cain, would wind up joining Journey when the Babys broke up.

What I Like About You by The Romantics
Rob presents a party song that got a lot of airplay with a 50's/60's feel. It was written in 1979 and it came out on the debut album from the Romantics. The lead singer, Wally Palmar, is the drummer for the group. The song only made it to number 49 on the US charts, but its garage band feel and party credentials have given it a timeless quality that fares better the longer it is around.

Magic by Olivia Newton John
Lynch tests Wayne's patience with this number 1 hit from Australia's own Olivia Newton John. It was recorded for the soundtrack to the 1980 musical fantasy film “Xanadu” and was released as its lead single. The song was written by John Farrar who wrote a number of Olivia Newton John's hits.

Goodbye Blue Sky by Pink Floyd
Friend of the show Craig Dale brings us a haunting tune from the Pink Floyd album “The Wall.” This track reveals how the horror of war and the blitz formed a brink in the wall of isolation the protagonist forms in his descent into madness. The child speaking at the front of the song is actually band member Roger Waters' son, Harry.

Rockin' Heaven Down by Heart
Wayne closes out this week's podcast with his favorite Heart song from the album “Bebe Le Strange.” The track features Nancy Wilson starting the song on a 12-string electric guitar, and Nancy Wilson's fierce vocals. “Hoot into the night, that look from eye to eye, a flash gets passed around, a band of wild angels rockin' heaven down.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - May: Van Morrison "Moondance" Jul 24, 2023

Moondance is the album that established Van Morrison as a solo artist. However, he was an accomplished musician before this, first as a multi-instrumentalist in Irish show bands of the late 50's, then as the lead singer of the band Them. Moondance is either Morrison's second or third solo album…depending upon how you count it. The first album entitled “Blowin' Your Mind!” was put out without Morrison's permission — or even knowledge, and he does not consider it to be a proper album. However, he had signed a contract with Bang! Records without paying much attention to the details, and gave up much of his rights. Nevertheless, this first album did contain Morrison's first solo pop single, “Brown-Eyed Girl,” which is one of this most popular today.

After considerable wrangling and the death of producer Bert Berns, Morrison was able to put out an album on his own terms for Warner Brothers entitled “Astral Weeks.” While this album would be praised in the future, it was considered a failure at the time, producing no singles and not receiving much promotion.

Moondance is where it all comes together for Morrison. It was more deliberately designed to have more accessible songs than the previous album, and it benefitted from the rising popularity of FM radio. Morrison's growing confidence in his own abilities and his sense of independence from the producers also were beneficial on this album. The result is an iconic album with a number of standards of 70's music.

Bruce brings us this inspired album for this week's podcast.

And It Stoned Me
This track leads off the album. The song reminisces about days being a kid, going fishing, drinking stream water from a jar, and just being high on life. The lyric about Jelly Roll may refer to jazz musician Jelly Roll Morton, an artist whom Morrison listened to with his father as a child. Van Morrison's dad had one of the biggest record collections in the area.

Into the Mystic
This track is about a spiritual quest. According to Wikipedia, Morrison says the song “is just about being part of the universe.” While it was not released as a single when the album was released it has become one of Morrison's most popular song, the second most streamed song on Spotify behind “Brown Eyed Girl.”

Glad Tidings
A deeper cut, this track is the final song on the album and the final song recorded for the album. The inspiration for the title was a letter Morrison received from a friend in London who had written on the envelope, “Glad Tidings from London.” When Morrison wrote back he also included “Glad Tidings from New York” on the envelope. The lyrics appear to address some of the issues Morrison had with Bert Berns and Bang! Records.

Moondance
As iconic as this song has become, it was not released as a single until September of 1977, seven-and-a-half years after the album. Morrison developed it while living in Cambridge, Massachusetts. He considers it a sophisticated song, one that Frank Sinatra could be seen singing.

ENTERTAINMENT TRACK:

The Love Theme (from the motion picture "Airport" )
This film was one of the first disaster movies that would form its own genre in the 1970's.

STAFF PICKS:

Friends by Feather
Wayne gets the staff picks started with a pop group from Los Angeles. Feather had a commercially oriented prog rock sound, with close harmonies and a bit of a country flavor. “Friends” was on the Billboard Hot 100 for five weeks, with its highest position at number 79. However, they did get a chance to showcase their song on Dick Clark's American Bandstand.

Reflections of My Life by Marmalade
Rob brings us a Scottish band that started in 1961 as the Gaylords. This is their biggest hit making it to number 10 in the U.S. The epic feel employs acoustic guitars and horns, and a guitar solo which employs studio effects that play the solo guitar riff backwards.

Kentucky Rain by Elvis Presley
Lynch's staff pick was recorded during Presley's landmark two-week sessions at American Sound Studio in Memphis. These sessions produced two hit albums in 1969, but this song didn't make the cut for either album. The single was on the charts during this month, rising as high as number 16 on the Billboard Hot 100, and features Ronnie Milsap on piano.

Mississippi Queen by Mountain
Bruce brings us a rocker to wrap up the staff picks. This hard rock group was active primarily from 1969 through 1972, and this single went to number 21 on the Billboard Hot 100. The opening cowbell originated when drummer Corky Laing got tired of the numerous retakes and just started using the cowbell to count off the song. Bassist Felix Pappalardi liked the sound and kept it in the completed track.

INSTRUMENTAL TRACK:

Viva Tirado (part 1) by El Chicano
This Latin-jazz instrumental number was based on an original song about a bullfighter by Gerald Wilson.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - August: REO Speedwagon "You Can Tune a Piano, but You Can't Tuna Fish" Jul 17, 2023

Aside from having a terrific title, the seventh studio album by REO Speedwagon would be the one which would bring them mainstream success. You Can Tune a Piano, but You Can't Tuna Fish was the first album to be co-produced by guitarist Gary Richrath and lead singer Kevin Cronin, and was the first to break into the top 40 on the Billboard 200 album charts in the US, peaking at number 29. It also was the first on which Bruce Hall was a part of the group, replacing Gregg Philbin on bass. The rest of the group was Nel Doughty on keyboards and Alan Gratzer on drums. Doughty and Gratzer were college students when the band was founded, and Doughty was inspired to create the name of the group when he saw it written on the board of his “History of Transportation” class.

This album trends toward melodic rock and power ballads, which perhaps explains the broader appeal they received. Richrath's guitar hooks blended well with Cronin's strong vocals, and the result was a polished sound that worked well for both rock anthems and more pensive ballads. The energy of the studio album also seemed to finally catch the essence and energy of their live performances.

The band would go on to become one of the stars of the arena rock world in the 80's, and this album is where that really started for them.

Rob brings us this group at the start of their ascent to stardom.

Roll with the Changes
This infectious rock anthem leads off the album, and is a timeless staple of the band's concerts. Kevin Cronin was inspired to write this song when he returned to the band in 1976 and relocated from Chicago to Los Angeles. Changes in his life caused the song to hit him instantly. He started writing the lyrics on a paper bag in his Ford Pinto while driving to L.A.

Runnin' Blind
This deeper cut is the third track on the album. It has a solid guitar riff and we believe a “Cheap Trick” sound. The lyrics discuss a lover who is always on the road playing the guitar and leaving someone behind. “Change is comin' no more runnin'”

Time for Me to Fly
Another song written by Kevin Cronin, this ballad was inspired by Cronin's breakup with his high school girlfriend. Unlike “Roll with the Changes,” this song took Cronin 10 years to write, and had been rejected for previous albums. While it would peak at number 56 on the Billboard Hot 100, it would become one of their best known songs and a timeless ballad.

Say You Love Me or Say Goodnight
Another deeper cut that rocks, this one closes out the album. The lyrics are a call to either make up or split up. It is a great jam to end the concert or album.

ENTERTAINMENT TRACK:

Theme from the motion picture The Magic of Lassie
Jimmy Stewart makes his last appearance in this installment of the film franchise starring the famous collie.

STAFF PICKS:

Party by Boston
Bruce kicks off the staff picks with the sixth track from Boston's second studio album, “Don't Look Back” This straight-up party song was co-written by Brad Delp and Tom Scholz, one of only two songs on the album not solely written by Scholz. While it wasn't released as a single, it received significant airplay on rock stations and appears on Boston's Greatest Hits album.

Raise a Little Hell by Trooper
Wayne keeps the energy up with a rocker off Canadian band Trooper's fourth studio album. Randy Bachman produced this album entitled “Thick as Thieves.” It appears in the first season of the NETFLIX show “Stranger Things.” While not having a big hit in the US (this one went to number 59) Trooper was inducted into the Canadian Music Hall of Fame in 2023.

Hot Blooded by Foreigner
Lynch brings us a monster hit written by Lou Gramm and Mick Jones. While most people with a fever of 103 would need some rest, the song describes the cure as an after-show rendezvous with the girl he's been checking out. The song did more than dance up the Billboard Hot 100, peaking at number 3.

Runaway by Jefferson Starship
Rob takes the tempo down to close out the staff picks with the second single from the album “Earth.” This song made it to number 12 on the Billboard Hot 100. Marty Balin takes vocal duties on this song, alternating between a smooth sound in the verses and a grittier, funky sound in the bridge.

INSTRUMENTAL TRACK:

The Unidentified Flying Tuna Trot by REO Speedwagon
This instrumental off “You Can Tune a Piano, but You Can't Tuna Fish” gives us the opportunity to double dip on the episode's featured album by REO Speedwagon.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - June: “The Blues Brothers Original Soundtrack” Jul 10, 2023

The Blues Brothers Original Soundtrack is a powerhouse collection of rhythm and blues that captures the essence of the iconic film. It features a blend of classic blues, soul, and rock 'n' roll performed by legendary artists including Aretha Franklin, Ray Charles, James Brown, and Cab Calloway.

The Blues Brothers originated as a musical comedy act created by Dan Aykroyd and John Belushi on the sketch comedy show “Saturday Night Live” in the late 1970's. Inspired by their shared love for blues and R&B music, Aykroyd and Belushi created fictional characters, Jake and Elwood Blues, as their alter egos. The act gained popularity, leading to the release of their self-titled debut album in 1978 and eventually to the creation of the Blues Brothers motion picture in 1980.

In the film, parolee Jake Blues is joined by his blood brother Elwood Blues on a “mission from God” to save the Catholic orphanage in which they were raised by reuniting their band and raising the $5000.00 for the property tax bill. Their quest brings them to a number of characters played by iconic artists including Cab Calloway and James Brown. The resulting soundtrack stands as a testament to the enduring power of blues music and left an indelible mark on both the film and music industry.

John Lynch dons his suit and dark sunglasses to bring us this feature.

Minnie the Moocher
Cab Calloway originally presented Minnie the Moocher back in 1931, and reprises the song for this film. Calloway was a regular performer at the Cotton Club in Harlem, and a popular vocalist of the swing era. Calloway plays Curtis in the film, a father figure and mentor to the Blues Brothers, and performs this song as a warm-up to the concert.

Jailhouse Rock
As the movie ends with Jake and Elwood back in prison after successfully paying off the tax bill for the orphanage. The band plays Elvis Presley's "Jailhouse Rock" for the inmates as the credits roll. Jake Blues (Belushi) takes lead on this upbeat number.

Think
Aretha Franklin covers her own song as Mrs. Murphy, trying to persuade her husband Matt Murphy to not join the band. Franklin had a lot of difficulty lip synching the song and would have preferred to just sing it live. The Blues Brothers join her on this cover.

Gimme Some Lovin'
The Blues Brothers cover this piece originally performed by the Spencer Davis Group and made famous by Steve Winwood. While the song was a top 20 hit on the Billboard Hot 100, in the film it gets a decidedly cooler reception in the honky tonk bar in which it is performed.

ENTERTAINMENT TRACK:

Lookin' for Love by Johnny Lee (from the motion picture “Urban Cowboy”)
With the decline of disco, crossover country & western hits became popular. John Travolta starred in this movie which capitalized on the popularity of country music.

STAFF PICKS:

Train in Vain (Stand By Me) by the Clash
Bruce brings us the third single from the Clash's third album, “London Calling.” This was a double album, and a post-punk turn by the group. The song was originally intended to be a giveaway flexi single, but was put on the album at the last minute when that deal fell through. Mick Jones wrote and sings lead on this song, inspired by his tumultuous relationship with Stiltz guitarist Viv Albertine.

Free Me Big by Roger Daltrey
Wayne features the front man for the Who in a solo effort written by Argent guitarist Russ Ballard. The song is on Daltrey's 1980 solo album “McVicar” It also appears on the soundtrack for the movie "McVicar" in which Daltrey plays John McVicar, an inmate in prison for a number of bank robberies. The other members of the Who play on this song as uncredited musicians.

We Live for Love by Pat Benatar
Rob's staff pick is performed by Benatar, but it is often confused for a Blondie song. It is a single from Benatar's debut album, “In the Heat of the Night,” and was written by Neil Giraldo, Benatar's then-guitarist and now-husband (and still guitarist). It was the leading track from side two.

Ride Like the Wind by Christopher Cross
Lynch's staff pick went to number 2 on the Billboard Hot 100, held out of the number 1 slot by Blondie's “Call Me.” It is Cross's debut single from his Grammy winning 1979 self-titled album. Cross dedicated the song to Lowell George, formerly of the band Little Feat, who had died in 1979. Michael McDonald is easy to identify on backing vocals.

NOVELTY TRACK:

Turning Japanese by the Vapors
Songwriter and Vapors lead singer David Fenton says this is all the cliches about angst and youth and turning into something you didn't expect to. This new wave song went to number 36 on the Billboard Hot 100.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - April: The Band “The Last Waltz” Jul 03, 2023

The Band was a Canadian-American rock group formed in the mid 60's as the backing band for Bob Dylan when he made his controversial switch from acoustic to electric. Originally called “The Hawks,” when they toured as the backing band for Ronnie Hawkins, they toured as “Bob Dylan and the Band” when they joined Dylan. After leaving Bob Dylan to do their own work, they stuck with the generic name “The Band.” They combined rock, folks, Americana, and other genres of music to create their own influential sound.

The Last Waltz is a triple album which documents The Band's farewell concert held on Thanksgiving Day in 1976 at Bill Graham's Winterland Ballroom where The Band debuted back in 1969. The concert itself was a 5 hour affair for 5,000 spectators and included a Thanksgiving dinner and ballroom dancing. Over a dozen special guests were involved in the concert including Muddy Waters, Bob Dylan, Eric Clapton, and Joni Mitchell. Martin Scorsese filmed the concert and turned it into what is considered one of the greatest documentary concert films ever produced.

The Band influenced many artists in the rock and folk genre including George Harrison, Elton John, and the Grateful Dead. They were inducted into the Canadian Music Hall of Fame in 1989 and into the Rock and Roll Hall of Fame in 2004.

Though the original quintet did not tour after this concert, they did produce a seventh studio album entitled “Islands” to fulfill their record contract.

Wayne brings us this iconic live album for the podcast.

The Night They Drove Old Dixie Down
This anti-war song written by Robbie Robertson (and perhaps by Levon Helm as well, though uncredited) hearkens back to the Civil War and the devastation inflicted on the American South. It would be difficult to make this song today, because the subject is a poor white Southerner suffering during the last year of the Civil War. Nevertheless, a number of artists have covered it including Joan Baez, Johnny Cash, John Denver, and the Black Crowes.

Baby Let Me Follow You Down
Bob Dylan joins The Band onstage on this traditional folk song. It appeared on Dylan's debut album and was made electric in 1966 with The Band behind him. In a farewell concert with special guests it would be expected that Bob Dylan would make an appearance due to the connection between him and The Band.

Mannish Boy
The Band is joined by blues legend Muddy Waters on this classic blues track. This standard was an "answer song" to Bo Diddley's "I'm a Man," which was in turn inspired by Waters' and Willie Dixon's "Hoochie-Coochie Man." Muddy Waters is known as the "father of modern Chicago blues," and inspired much of what we know as Rock and Roll today.

Up on Cripple Creek
One of the best known songs by The Band, this one reached number 25 on the Billboard Hot 100. Drummer Levon Helm is on lead vocals for this track about a long-haul trucker who gambles, drinks, listens to music, and spends time with "little Bessie" in Lake Charles, Louisiana.

ENTERTAINMENT TRACK:

Theme from the prime time drama series “Dallas”
We were introduced to J.R. Ewing and the other members of the oil family on this prime time soap opera which debuted as a mini-series in 1978.

STAFF PICKS:

Lay Down Sally by Eric Clapton
Lynch starts of the staff picks with a hit that went to number 3 in the US and number 39 in the UK. Marcy Levy, one of Clapton's backup singers, wrote this song with Clapton and sings on it. It is about staying in bed in the morning rather than leaving quickly.

Thank You for Being a Friend by Andrew Gold
Bruce's staff pick was a hit for Andrew Gold at number 25 on the Billboard Hot 100 long before Cynthia Fee covered it in her re-recording as the theme song for “The Golden Girls.” Gold referred to this song as “just this little throwaway thing” that took “about an hour to write.”

Count on Me by Jefferson Starship
Rob brings us the next iteration of Jefferson Airplane, which made it to number 8 on the Billboard Hot 100. Marty Balin is on lead for this song written by composer and flutist Jesse Barish. It is off Jefferson Starship's fourth album, “Earth.”

Every Kinda People by Robert Palmer
Wayne features Robert Palmer from Yorkshire, England, who lived for a time in Malta where his father worked in British naval intelligence. This reggae-infused song was Palmer's first top 40 hit in the United States, reaching number 16 on the charts. The upbeat and positive lyrics remind us that everyone is the same inside regardless of skin color.

INSTRUMENTAL TRACK:

Jam #1 by The Band
We do a little double-dipping on the instrumental this week as we go back to The Last Waltz for this jam.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - August: The Spencer Davis Group “Their First LP” Jun 26, 2023

Before his solo work, before Blind Faith, before Traffic, a 14-year old known then as Stevie Winwood joined The Spencer Davis Group as a guitarist and lead singer. This blues-oriented British band released their first LP, conveniently called Their First LP in June of 1965 to British and European audiences. We are covering it in August 1965, but the album itself was not released in the United States at the time. Most of the songs would make it to the US market in compilation albums released years later.

The Spencer Davis Group was Spencer Davis on vocals, guitar, and harmonica; Steve Winwood on lead vocals, harmonica, guitar, and piano; Muff Winwood (Steve's older brother) on vocals and bass; and Pete York on drums. Additional personnel included Kenny Salmon on organ for a couple of tracks, and one track found Peter Asher on piano and Millie Small on vocals.

The album didn't enter the UK albums chart until January 1966, but it would reach number 6 on that chart after a single entitled "Keep On Running" from their second album entered the UK singles charts.

"Their First LP" is blues driven, and much of the album consists of covers from blues artists. However, there are also some original pieces composed by Spencer Davis and by Steve Winwood.

Spencer Davis went on to solo and collaborative work after The Spencer Davis Group, eventually becoming an executive for Island Records. Steve Winwood would of course move on to a storied career as a rock musician.

Bruce brings this blues-laced proto-rock album to the podcast.

My Babe
This track leads off the album. While the Spencer Davis Group did not release this as a single, it reached number 75 on the Billboard Hot 100 in October 1963 when it was originally released by its writers, Bobby Hatfield and Bill Medley. Hatfield and Medley are better known as The Righteous Brothers.

Dimples
This cover was the first single released from the album, preceding the album by almost a year. The original was written and recorded by blues artist John Lee Hooker in 1956 as an ensemble piece. It was the first Hooker record to appear on the British record charts, though it would take until 1964 to reach the charts. While the Hooker single charted, the Spencer Davis Group cover did not chart.

Sittin' and Thinkin'
Here is an original song amongst an album dominated by covers. Spencer Davis wrote this song. It was released as a single, the fourth from the album, but only in the Netherlands.

It Hurts Me So
The closing track to the album was written by Steve Winwood. It was not released as a single, but it is an example of Winwood's early blues-influenced work.

ENTERTAINMENT TRACK:

The Night Before by the Beatles (from the motion picture "Help!" )
This film showcased the Beatles in a comedy adventure as the group tries to protect Ringo from an eastern cult.

STAFF PICKS:

Agent Double-O-Soul by Edwin Starr
James Bond is the obvious inspiration for Wayne's staff pick. Edwin Starr was singing with The Bill Dogett Combo when he went to the cinema to watch the Bond feature, "Thunderball." He wound up watching it 3 times before going back to his hotel room to write this song. Bill Dogett rejected his pitch to sing solo on this tune, so Starr left the group to become a solo act.

I Want Candy by The Strangeloves
Rob brings us a tune by songwriters Bob Feldman, Jerry Goldstein, and Richard Gottehrer. They took on the persona of Australian sheep farmer brothers turned band members Giles, Miles, and Niles Strangelove for this group. This song with a Bo Diddley beat was inspired by dancer Candy Johnson who was seen at the 1964 Worlds Fair. Bow Wow Wow would have a hit with a cover of this song in the 80's.

Since I Lost My Baby by The Temptations
Lynch's staff pick comes from Motown in the form of a lover's lament written by Smokey Robinson and Warren Moore. It hit number 17 on the US charts. The Temptations would be a huge hitmaker in the 60's both with David Ruffin and Dennis Edwards on lead vocals.

Same Old Song by The Four Tops
Bruce's staff pick features an American vocal quartet from Detroit who helped to define the Motown sound. This Holland-Dozier-Holland song hit number 5 on the Billboard Hot 100, and number 2 on the Billboard R&B chart. Lead singer Levi Stubbs was joined by Duke Fakir, Obie Benson, and Lawrence Payton to form the quartet, and they would remain together from 1953 until 1997 without a change in personnel.

INSTRUMENTAL TRACK:

The "In" Crowd by The Ramsey Lewis Trio
This jazz single hit number 2 on the R&B chart and number 5 on the Billboard Hot 100. The Ramsey Lewis Trio would receive a Grammy Award for the album of the same name in 1966.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1974 - January: Bachman-Turner Overdrive “II” Jun 19, 2023

Randy Bachman left The Guess Who in 1970 after experiencing lifestyle differences with the other band members. After exploring a number of alternatives, Bachman formed a group with his brothers Tim Bachman (guitars, vocals), and Robbie Bachman (percussion), and with Fred Turner (bass, vocals). The group took the name Bachman -Turner Overdrive, often shortened to BTO. Although their self-titled first album did not produce a single, it was regionally successful, and the band made the most of it with a heavy touring schedule.

It was their second studio album, Bachman-Turner Overdrive II, which would bring the band significant success. The album would go to number 4 on the Billboard 200 chart, and number 6 on the charts in their native Canada. Powered by bluesy guitar riffs and infectious choral hooks, BTO-II would become a staple of classic rock radio, and demonstrate the signature rock sound of the early 70's.

Tim Bachman would be replaced by Blair Thornton prior to their third and most successful studio album, "Not Fragile." This lineup would produce a further three studio albums before founder Randy Bachman's departure in 1979. The band would continue on until 2005 before calling a hiatus. A number of reunions would follow starting in 2009.

Rob features this influential group who maintained a guitar-led hard rock sound during a time when soft rock, glam, and disco were on the rise.

Takin' Care of Business
Randy Bachman originally developed this song while a member of The Guess Who, and it's working title was "White Collar Worker." The Guess Who turned it down because they thought it was too similar to The Beatles' "Paperback Writer," so Bachman rearranged it for BTO as "Takin' Care of Business." Randy Bachman is on lead vocals for this anthem.

Blown
The lead track to the album is a deeper cut that describes a long-ago day when smoking drugs led to a collapse and a time "when they locked me up." It has a great hook in the chorus and a fast pace. "I was blown (woo woo) ran and jumped and screamed. I was blo-o-own right inside a dream."

Welcome Home
This is a quirky song has an alternating acoustic Latin verse and heavier chorus, with a jazzy finish. The lyrics talk about life on the road and how good it feels to go back home, drive your own car and sleep in your own bed. It could not be confirmed that Animal from The Muppet Show was an uncredited contributor to this track.

Let It Ride
Fred Turner is on lead vocals for the first BTO single to crack the US Top 40 (at number 23). The inspiration for the song was a time when the band was on a highway in their tour bus and got boxed in by a couple of trucks. When the band confronted the truckers about it at a truck stop, they were told to settle down and just let it ride.

ENTERTAINMENT TRACK:

Opening theme from the television series "The Six Million Dollar Man"
This is where we learned about "Steve Austin. Astronaut. A man barely alive." The weekly exploits of the Bionic Man would have us running in slow motion on the playground to simulate his 60-mph dashes.

STAFF PICKS:

Seasons In the Sun by Terry Jacks
Wayne brings us a song adapted from a Belgian tune called "The Dying Man." The lyrics portray a dying man's farewell to his loved ones. It was a worldwide hit that went to number 1, becoming the largest-selling Canadian single in history at the time. Jacks rewrote the lyrics to reflect a life that acknowledges rights and wrongs of his life as he passes away peacefully.

Living for the City by Stevie Wonder
Lynch features a song on which Wonder plays all the instruments and performs all the vocals. The lyrics tell of a young kid from Mississippi who moves to New York City. While down south he had hardships, but was surrounded by caring people. In the city, people take advantage of him, and he is caught with drugs and sentenced to 10 years in jail.

Let Me Be There by Olivia Newton-John
Bruce's staff pick is Newton-John's first top 10 hit in the US, peaking at number 6 on the Billboard Hot 100. This would also be the start of a more country direction for the singer, and would continue for the next couple of albums. Olivia Newton-John would win a Grammy for Best Female Country Vocalist for this upbeat tune.

Mind Games by John Lennon
Rob finishes off the staff picks with a single originally released in 1973 from Lennon's album of the same name. It made it to number 18 on the Billboard Hot 100. Lennon started writing this in 1969 under the working title "Make Love, Not War." That phrase had been overused by the early 70's, and he took inspiration from a book title for the change to "Mind Games."

INSTRUMENTAL TRACK:

Space Race by Billy Preston
Long time Beatles collaborator Billy Preston wrote this instrumental sci fi funk number.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 - October: Aerosmith “Pump” Jun 12, 2023

Aerosmith is a band in two acts. They were a highly successful group in the 70's, but arguments and drugs left the band a shade of its former self by 1980. A second chance was presented when the crossover collaboration between Aerosmith and Run-D.M.C. on "Walk this Way" became a number 4 US hit in 1986. The bad went into drug rehab at the insistence of manager Tim Collins, and had a major hit with their ninth studio album "Permanent Vacation."

Aerosmith demonstrated that their second act was not just a fluke with their tenth studio album, Pump, which was even more successful than Permanent Vacation. This was a significant comeback, re-establishing the band as one of rock's premier acts. The album was polished and energetic, combining a gritty hard rock sound with pop sensibilities. The album was not only a commercial success, peaking at number 5 on the US charts and being certified 7x platinum by 1995, but was also a critical success, landing Aerosmith their first Grammy for "Janie's Got a Gun." Pump was the fourth best-selling album of the year 1990.

The band lineup for this album had Steven Tyler on vocals, keyboards, and harmonica, Joe Perry on guitar and backing vocals, Brad Whitford on guitar, Tom Hamiilton on bass, and Joey Kramer on drums. Guitarist Brad Whitford explained the album title on a 1989 MTV special by saying "now that we're off drugs, we're all pumped up."

John Lynch brings us this stellar rock and pop sensation this week.

Water Song/Janie's Got a Gun
A 10-second instrumental called "Water Song" precedes the song written by Steven Tyler and Tom Hamilton. The second single from the album went to number 4 on the Billboard Hot 100. It describes the revenge of a young woman for the childhood abuse she experienced. Aerosmith won the 1990 Grammy Award for Best Rock Performance by a Duo or Group with Vocal for this song.

Dulcimer Stomp/The Other Side
Another song with a brief instrumental lead-in, this was the fourth single released from the album. It was written by Jim Vallance and Steven Tyler, with Holland-Dozier-Holland receiving songwriting credit after threatening to file suit over similarities between this and their song "Standing in the Shadows of Love." The lyrics are about a turbulent relationship, with the singer wanting to get past the emotional roller-coaster.

Monkey on My Back
It is difficult to find a deep cut on this album, but this is one that was not released as a single. Tyler and Perry wrote this track about the band's struggles with addiction. It was the first song that Tyler and Perry wrote for the album, and it was composed in November 1988 prior to the end of their Permanent Vacation tour.

Going Down/Love In an Elevator
A double entendre-laden skit leads in this double entendre-laden song. Tyler and Perry wrote this piece, and it was inspired by an actual experience Steven Tyler had where he was making out with a woman in an elevator and the doors opened. It was nominated for a Grammy in 1990 for Best Hard Rock Performance, but Aerosmith lost out to Living Colour on that one.

ENTERTAINMENT TRACK:

Theme from the television music performance and dance program “American Bandstand”
Dick Clark's music show which premiered in March 1952 had its final show on October 7, 1989.

STAFF PICKS:

Sowing the Seeds of Love by Tears for Fears
Bruce brings us a Beatles-esque song from the third Tears for Fears album, "Seeds of Love." It was written by Roland Orzabal and Curt Smith, and hit number 2 on the Billboard Hot 100, their fourth and final entry into the top 10. Orzabal considers it to be the most overtly political song Tears for Fears had written at the time.

Big Talk by Warrant
Rob's staff pick is a rocking tune from glam metal band Warrant's first album, "Dirty Rotten Filthy Stinking Rich." This third single from the album made it to number 30 on the Modern Rock Tracks chart, though it only made it to number 93 on the Billboard Hot 100. The album went to number 10 on the Billboard 200 chart.

Pictures of Matchstick Men by Camper Van Beethoven
Wayne brings us a cover of the first hit single by Status Quo, released in 1968. This rendition combines elements of pop, ska, punk, folks, alternative, and country. the "Matchstick men" reference is to the paintings of L.S. Lowry, and English painter who depicted Salford, Manchester, and other industrial scenes in his works.

It's Not Enough by Starship
Lynch's staff pick is the second single released off Starship's third album, the first album after Grace Slick left the band. It went to number 12 on the Billboard charts, the final top 40 hit for the band. This is the sound that most typified the produced sound of the late 80's.

INSTRUMENTAL TRACK:

Flying In a Blue Dream by the Joe Satriani
The title track to Satriani's third studio album closes out this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - February: Jimmy Buffett — “Son of a Son of a Sailor” Jun 05, 2023

This podcast goes out to all the Parrot heads out there. Son of a Son of a Sailor is the eighth studio album by Jimmy Buffett, and is the follow-up to his breakout album “Changes in Latitudes, Changes in Attitudes.” This is Buffett's highest charting album of the 70's, peaking at number 10 in the U.S.

Jimmy Buffett was born on Christmas Day, 1946, in Pascagoula, Mississippi. He lived in Mobile and Fairhope, Alabama growing up, and began playing guitar at Auburn. He recorded a country album and went to work at Billboard Magazine in Nashville briefly after college, then moved to Key West to serve as the first mate on the Petticoat III yacht. He would also develop what would become his genre of music while in Key West amongst the sea going vessels.

Buffett discovered the profit in touring early, and his focus would turn to live shows as well as other business ventures. Jimmy Buffett is supposedly worth around $550 million today, making him one of the richest musicians in the world.

If you're wondering where the term “Parrot Head” comes from, Buffett made a comment in a 1985 concert in Cincinnati about the fans wearing Hawaiian shirts and parrot hats who returned to his concerts again and again. A member of the Coral Reefer Band coined the term "Parrot Head" as a nod to the Dead Heads who followed the Grateful Dead on tour and the name stuck.

Bruce brings this Caribbean-infused music this week.

Son of a Son of a Sailor
This title track opens the album, and was inspired by Buffett's grandfather, James Delaney Buffett. Jimmy Buffett saw a picture of his grandfather standing on the docks in Nova Scotia where his grandfather grew up. He settled as an adult in Mobile, Alabama, and hadn't returned to Nova Scotia until he was 84. The picture showed him looking at an old ailing schooner, and the lyrics reflect looking back on a sailing life and family.

Mañana
Supposedly this song is about things Buffett did in a week he spent living on his boat in the British Virgin Islands. Mañana means “tomorrow” in Spanish, and can be a term for putting things off indefinitely.

Livingston Saturday Night
This is a song about going for a night on the town. It was used in a movie called “Rancho Deluxe,” released in 1975 starring Jeff Bridges and Sam Waterston playing cattle rustlers in Livingston Montana. It also appeared in the 1978 movie "FM."

Cheeseburger in Paradise
Here's the big hit from the album. It reached number 32 on the Billboard Hot 100, and is the lead song from Buffett's greatest hits album. The lyrics describe a guy trying to eat healthy, but who can't resist the temptation of the cheeseburger. The song itself was inspired by an event where Buffett was caught out in the Caribbean on a boat with a broken icebox, where he had to live for several days off canned food and peanut butter.

ENTERTAINMENT TRACK:

Theme to the motion picture “Which Way Is Up?” by Stargard
This comedy starring Richard Pryor was a remake of an Italian comedy from 1972 called “The Seduction of Mimi.”

STAFF PICKS:

Psycho Killer by The Talking Heads
Wayne's staff pick is straight from the CBGB club in Now York City, and is the first "hit" from the Punk/Alternative/New Wave band. While it didn't make it into the top 40, it did crack the top 100. The lyrics represent the thoughts of a serial killer who has already killed and probably will not stop.

What's Your Name by Lynyrd Skynyrd
Rob features a song written by Skynyrd guitarist Gary Rossington inspired by a time when the band was drinking at a hotel bar, got kicked out, and went to a hotel room instead while trying to pick up a groupie. The incident did not happen in Boise, however. Lynyrd Skynyrd had been tragically affected by a plane crash by the time this song was released.

Serpentine Fire by Earth, Wind & Fire
Lynch brings us some 70's funk and horns. The name "serpentine fire" comes from a yoga pose. The song hit number 1 on the R&B charts and number 13 on the Billboard Hot 100. Earth, Wind & Fire is known for hits upbeat, positive funk.

Lovely Day by Bill Withers
Bruce redeems another great song from Big Pharma. Before Astra Zeneca used this to advertise their drug Farxiga, it was a hit from Bill Withers' 1977 album "Menagerie." Withers wrote this song with Skip Scarborough, and it went to number 30 on the Billboard Hot 100, and number 6 on the Billboard R&B Chart. Withers holds a note for 18 seconds, the longest held note for any top 40 singe.

NSTRUMENTAL TRACK:

Main Theme from the motion picture “Don” by Kalyanji-Anandji
We finish up this week's podcast with an Indian composer duo writing for a Bollywood film..

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1974 - December: Montrose “Paper Money” May 29, 2023

Montrose was considered to be America's answer to Led Zeppelin in the early 70's. Founder Ronnie Montrose had played with a number of musicians including Van Morrison, Boz Scaggs, and with Edgar Winter on the hit singles “Frankenstein” and “Free Ride.” He formed the band bearing his name with bassist/keyboardist Alan Fitzgerald, drummer Denny Carmassi, and front man Sammy Hagar. Paper Money is the group's second album, and was the band's highest-charting release, reaching number 65 on the Billboard 200 chart.

This follow-up to their self-titled debut album took on a broader style, with a stronger range of rhythm and dynamics while downplaying the heavy metal feel of the first album. Ronnie Montrose thought that the heavier music was a passing thing. However Montrose was just ahead of its time, and heavy metal was about to explode. Ronnie Montrose had a strict no-drug use policy for concerts, as he wanted all the members to be in top shape on their instruments and vocals for the show.

The sessions for Paper Money were often marred by the deteriorating relationship between Montrose and Hagar. Soon after this album release, Sammy Hagar would leave the band for a solo career and eventual duties as the front man for Van Halen. Fitzgerald would go on to play for Night Ranger, and as an offstage keyboard player for Van Halen in the 90's. Carmassi would play for a number of artists including Heart, Whitesnake, Al Stewart, Kim Carnes, and Joe Walsh, as well as his own solo work, placing him on more recorded albums than Sammy Hagar.

Wayne features this rocking album for today's podcast.

Starliner
We start this podcast with an instrumental with a space theme — prior to Star Wars. This song is the final track for side 1 of the album.

Spaceage Sacrifice
Another space themed song, this one was written by Hagar and Montrose. Although considered “sci-fi rock,” the song itself is a bit critical of the effort and money spent to go to the moon when troubles remained unsolved on Earth. "Don't think twice spaceage sacrifice. Well, let's go back when it all was starting. A man on the moon and people were starving."

Paper Money
This track is a critique of the monetary system in a time of inflation. “Take away all my silver, take away my gold, and hand me a stack of paper, paper money don't hold.” This one is the first single from the album, and the concluding track.

I've Got the Fire
Wayne saves his favorite track for last. It is a hard-driving song with explosive energy. This one may benefit from the concealed tension between Montrose's edgy tone and Hagar's vocal virtuosity. It would be the last one the band recorded before Hagar left the band to pursue a solo career.

ENTERTAINMENT TRACK:

Puttin' On the Ritz by (from the motion picture “Young Frankenstein”)
Mel Brooks' black and white comedy classic featured Dr. Frankenstein (pronounced FRAHNK-en-steen) and the monster in Broadway-styled number.

STAFF PICKS:

You Ain't Seen Nothing Yet by Bachman Turner Overdrive
Rob get's the staff picks rolling with a Canadian band's number 1 hit on the Billboard Hot 100. The song was intended as a joke for Randy Bachman's brother Gary, who had a stutter. It was used as a “work track” to set up the mics and amps in the studio, but it wound up being a hit after it was included on their “Not Fragile” album.

Killer Queen by Queen
Bruce's staff pick is the first U.S. hit from Queen. It went to number 12 on the Billboard Hot 100, and is off their third album “Sheer Heart Attack.” It is the first Queen song to incorporate the cabaret-style and harmonies that we know today as the quintessentially Queen sound. The lyrics are about a high class call girl.

Longfellow Serenade by Neil Diamond
Lynch brings us a song inspired by an incident in school where Diamond used the poetry of Henry W. Longfellow to woo a girl. It went to number 5 on the Billboard Hot 100 and number 1 on the Adult Contemporary charts. It is off Diamond's ninth studio album, "Serenade."

I've Got the Music In Me by Kiki Dee and the Kiki Dee Band
Wayne wraps up the staff picks on a positive note. The lyrics describe how the singer will not be deterred because they have the music in them. Kiki Dee is best known in the U.S. for her duet with Elton John, but is better known in England as a singer of "blue eyed soul." She was the first white British artist to be signed by Motown.

NOVELTY TRACK:

Kung Fu Fighting by Carl Douglas
Interest in martial arts in the early 70's inspired this song which would go to number 1 on the US, UK, Canadian, and Australian charts.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - October: Marvin Gaye “In the Groove” May 22, 2023

Although one of the most successful artists and songwriters of the 60's, Marvin Gaye had not released a solo studio album for two years prior to In the Groove, his eighth studio album. Instead he had been releasing duet performances with artists like Kim Weston and Tammi Terrell. Gaye was one of the primary artists shaping what would become the Motown sound, first as a session player, then as a solo artist and songwriter.

Gaye formed a vocal quartet called The Marquees shortly after leaving the Air Force in the late 50's. The Marquees performed in the D.C. area, connecting with Bo Diddley who co-wrote their first (and only) single, "Wyatt Earp." The group disbanded in 1960, and Marvin Gaye relocated to Detroit, connected with Barry Gordy around Christmas of 1960, and signing with Tamla, a Motown subsidiary. By 1962 Gaye was a success as a singer, session musician, and writer.

In the Groove was released in August of 1968, and would see its third single, I Heard It Through the Grapevine released in October. This single would become Gaye's first number 1 hit. October would also bring tragedy, when his vocal duet partner Tammi Terrell collapsed from exhaustion into Gaye's arms, later being diagnosed with a brain tumor which would eventually claim her life.

After the monster international success of I Heard It Through the Grapevine, the entire album would be re-released under that title. The album was both a critical and commercial success.

John Lynch brings us this soulful selection.

I Heard It Through the Grapevine
Although one of Gaye's most successful songs, he was not the first artist to record or release the song. It was intended to be released by Gladys Knight & the Pips, who did so in September 1967. The Miracles also recorded the song and released it in 1968. Gaye's version would become the classic rendition.

You
This was the first single from the album, released in December of 1967, months before the album. The song was about a man wanting to keep his relationship with a woman secret, because she was upper class and he was working class. It featured a rougher Gaye vocal part than was typical of his previous songs, and went to number 34 on the pop charts.

Chained
The second single would be released in August 1968, the same month as the album release. Frank Wilson wrote and produced this song which went to number 32 on the Billboard Hot 100. The lyrics are about a man pining for a woman he lost and wants back.

Some Kind of Wonderful
This deeper cut was not released as a single. The Drifters originally released this song in 1961, and it was written by Gerry Goffin and Carole King. Many artists would cover this one, including Carole King and most recently Michael Bublé.

ENTERTAINMENT TRACK:

Barbarella by The Bob Crewe Generation (from the motion picture “Barbarella”)
Jane Fonda's cult classic of bad science fiction films would appear in the theaters in October 1968.

STAFF PICKS:

On the Road Again by Canned Heat
Bruce starts the staff picks with a blues and harmonica jam off Canned Heat's second album “Boogie with Canned Heat.” The group takes its name from a 1928 Tommy Johnson song entitled "Canned Heat Blues." Canned Heat's lead vocalist was Bob "The Bear" Hite, but Alan "Blind Owl" Wilson takes the lead for this song.

Chewy Chewy by Ohio Express
Rob features a happy bubblegum pop number from Mansfield, Ohio. Ohio Express consisted of session musicians who put out the music for Super K Productions. The group had a previous hit in "Yummy, Yummy, Yummy."

Sunshine Help Me by Spooky Tooth
Wayne brings us an acid rock deep cut written by Gary Wright of “Dream Weaver” fame. The song itself is about letting the sunshine clear the singer's mind. Spooky Tooth was a blues/psychedelic band from England active between 1967 and 1974. This song was not a hit, but did appear on their greatest hits album.

Hey Jude by The Beatles
Lynch's staff picks is one of the Beatles' biggest hits, though it was not released on a studio album at the time. It is also the longest single in the Beatles' catalog, running 7:11, the longest single ever released at the time. It was written by Paul McCartney for John and Cynthia Lennon's son Julian when John and Cynthia were going through a divorce.

NOVELTY TRACK:

Mr. Tambourine Man by the William Shatner
Somehow Shatner was able to put this song in the hopper while simultaneously starring as Captain Kirk in the original run of the TV show, Star Trek. We'll let you decide whether he missed his calling as a rock star.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - July: Candlebox “Candlebox” May 15, 2023

Candlebox had a seemingly immediate success with their self-titled debut album in July 1993. The group had formed in November of 1990, with lead singer Kevin Martin, guitarist Peter Klett, bassist Bardi Martin, and drummer Scott Mercado as the founding members. They performed in clubs around Seattle, a musical mecca at the time that benefitted from the grunge movement, and released an EP that got the attention of the new Maverick Records. Maverick would sign Candlebox, and the group would be the studio's successful act.

While grunge was still king in Seattle and on the air waves at the time, Candlebox does not neatly fit into that category. Some of the band's work has a grunge feel, but it tends towards a more mainstream hard rock sound in general. The debut album Candlebox would peak at number 7 on the Billboard album charts, and would see a number of singles hit both the radio and video charts. The strength of their songs would land them as openers for Rush and Metallica, and they would be headlining their own tours by the end of 1994.

Despite the rapid success, the popularity of Candlebox was a slower burn at the time. The album did not enter the top 10 of the Billboard 200 chart until August of 1994, and initial reviews were mixed. However, the album would remain on the chart for 104 weeks, and would be certified 4x platinum in the United States.

Candlebox would release three albums with Maverick Records before running into disputes, and they disbanded in 2000. A revised lineup would reappear in 2006, and a new album would be released in 2007. As of this podcast Candlebox has released seven albums and is still performing today.

Rob brings us this debut album for this week's podcast.

You
The second single was inspired by the time that lead singer Kevin Martin gave up drug dependency. He had seen Midnight Oil in concert and dedicated himself to becoming a rock singer. The single peaked at number 78 on the Billboard Hot 100 and number 6 on the Billboard Album Rock Tracks charts. The song in 6/8 time alternates between a heavy rock feel on the chorus and a softer portion in the verses.

Don't You
This song leads off the album, and is a deeper cut that was not released as a single. It really rocks from the start. “And I could break your heart down as I tell you that you've burned out. Don't you? You want to let it go, yeah - you want to let it go, yeah.”

Rain
Another deeper cut with a very bluesy feel at the start that continues for several minutes before picking up the pace. The lyrics are about a woman leaving the singer, and the regret the singer feels at the loss. About three minutes in, it changes to a more rocking jazz section with a staccato scat meter in the lyrics.

Far Behind
The third single would be the big hit from the album. Their most commercially successful song went to number 18 on the Billboard Hot 100 and number 4 on the Album Rock chart. It was written as a tribute to Andrew Wood, a singer from the Seattle group Mother Love Bone, who died of a heroin overdose in 1990. The lyrics are written from the perspective of the drug that killed him.

ENTERTAINMENT TRACK:

Saturday Night by Ned's Atomic Dustbin (from the motion picture “So I Married an Axe Murderer”)
The Mike Myers dark comedy featured this cover of the Bay City Rollers' song on its soundtrack.

STAFF PICKS:

Long Day In the Universe by Darling Buds
Wayne opens up the staff picks with a deeper cut, and one that also appeared on the soundtrack to “So I Married an Axe Murderer.” The Darling Buds are from South Wales, forming in 1986 and disbanding in 1993. Andrew Lewis, the lead singer, tells about a woman that misses her man so much she can't wait for him to come home.

Dream All Day by The Posies
Bruce's staff pick is another Seattle band. This song hit number 4 on the Modern Rocks Chart and number 17 on the Mainstream Rocks chart. Band members and songwriters Jon Auer and Ken Stringfellow wrote this about dreaming of accomplishing things that the singer either can't or won't achieve.

Have I Told You Lately by Rod Stewart
Rock legend Rod Stewart begins his crooner phase with this cover of the Van Morrison classic from 1989. Lynch brings this staff pick which hit number 5 on the US and UK charts. Morrison originally wrote these lyrics inspired by spirituality and religious conviction.

Zooropa by U2
Rob reminds us just how big U2 was at the time with his staff pick. The “Zoo TV Tour” was a huge production, highlighting the commercialism of the time. “Be a winner, eat to get slimmer.” This song takes the form of a suite of three movements. The album of the same name was produced by Brian Eno.

COMEDY TRACK:

Achy Breaky Song by “Weird” Al Yankovic
We close out today's podcast with Weird Al's parody of the Billy Ray Cyrus country hit which was constantly played at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - March: Howard Jones "Dream Into Action" May 08, 2023

Welcome to the middle of the second British Invasion! John Howard Jones was born in Southampton, in southern England to Welsh parents. He grew up in Wales, moved to Canada when he was a teenager, and returned to the UK in the mid 70's where he attended the Royal Northern College of Music in Manchester. The was the oldest of four boys, all of which became musicians, and started piano at the age of 7.

Dream Into Action is Howard Jones' second studio album, and was released in this month. It went to number 10 on the Billboard 200, and number 2 on the UK albums chart. Rupert Hine was the producer, who also produced albums for Rush. Howard's brother Martin Jones plays bass on this album, and he has the group Afrodiziak as backing vocals on a number of tracks. Jones had a successful debut release in 1984 called "Human Lib," and "Dream Into Action" would be an even bigger hit.

Howard Jones has a piano and keyboards-driven sound, and his lyrics are quite positive. Jones believes that his positivity and depth tends to create a negative perception in the media, stating that "what's 'cool' is often very shallow and transient."

Jones is still putting out albums today. He released an album called Transform in 2019, and one called Dialogue in 20222.

Bruce brings this synth-heavy 80's album to the podcast.

Like to Get to Know You Well
This track preceded the album by over six months. It came out as a single in August of 1984 as the Summer Olympics were kicking off in Los Angeles, and was dedicated to "the original spirit of the Olympic Games." It was included in a remix album called "the 12" Album" in November 1984 before being included in this studio album.

Assault and Battery
This is a deeper cut which was played on an episode of Miami Vice. The lyrics are about the horrors of eating meat - Jones was a vegetarian at the time, and is a vegan today. This songs reminds us of Styx and Elton John with the keyboard work.

Life In One Day
The third single from the album (or fourth, depending upon how you count "Like to Get to Know You Well") went to number 19 on the Billboard Hot 100. The lyrics are about not rushing through life, but taking time to enjoy the place where you are. The British vocal group Afrodiziak can be heard contributing backing vocals to this song.

Things Can Only Get Better
The first single from the album is the big hit. It went to number 5 on the Billboard Hot 100. Afrodiziak contributes backing vocals to this track as well. It is a very deliberately positive song, encouraging the listener who is down on his luck to keep going, and to keep looking for better days ahead.

ENTERTAINMENT TRACK:

Theme to the from the television series "Moonlighting" by Al Jarreau
Bruce Willis launched his career in this detective romance comedy that starred Willis and Cybill Shepherd.

STAFF PICKS:

Don't Come Around Here No More by Tom Petty & the Heartbreakers
Rob features a song written by Tom Petty and Dave Stewart (from the Eurythmics). This was the main hit from the sixth studio album "Southern Accents." It is a break-up song partially inspired by a conversation Stewart overheard between Joe Walsh and Stevie Nicks. The Alice In Wonderland-themed video is a must-see.

We Are the World by U.S.A. for Africa
Lynch brings us the ultimate supergroup. This was a benefit single for victims of famine in Africa, and raised over $60 million. The song was written by Michael Jackson and Lionel Richie, and Quincey Jones produced it. Musicians appearing in the band were a veritable "who's who" in the music world, including performers as diverse as Stevie Wonder, Bruce Springsteen, Willie Nelson, Steve Perry, and Ray Charles.

White Lies by Jason & the Scorchers
Wayne's staff pick is off the group's first full length album, "Lost and Found." Jason & the Scorchers' high energy and country twang led them to be described as "cowpunk." The lyrics describe a couple in a bad relationship. "Take these chains and set me free, release me from this misery. Now, don't you waste my time with your alibis 'cause your heart can't hide what I see in your eyes."

One Night in Bangkok by Murray Head
Bruce goes to the theater for his staff pick. This song is from a concept album and musical called "Chess," written by Benny Andersson and Bjorn Ulvaeus (formerly of ABBA). The musical is about a Cold War-era chess tournament between two grandmasters, one American and one Soviet. Murray Head performs the spoken verse and Anders Glenmark sings the chorus.

COMEDY TRACK:

I'm Kissin' You Goodbye by Ray Stevens
We finish up this week's podcast with a break-up song in a style only Ray Stevens can deliver.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - March: Ike & Tina Turner “Live! The Ike & Tina Turner Show” May 01, 2023

Although Ike & Tina Turner had been performing since 1960 and were well known for the energy of their performances, it wasn't until 1965 and the release of Live! The Ike & Tina Turner Show that they received national recognition. This album featured the best live performances of the previous year.

Tina Turner was born Martha Nell Bullock (aka Anna Mae Bullock), and was given the name Tina Turner as a stage name when she toured as a feature with Ike Turner in 1960. They were not married at the time, and Ike Turner had the name "Tina Turner" trademarked, so that he could use another singer performing under the same name if the singer we now know as Tina Turner ever left the band. Ike and Tina would be married after the birth of their son in 1960. Ike Turner had been married 5 times before meeting Tina.

Most of this album features Tina Turner on lead vocals with Ike performing guitar on stage, and a full band behind them including a horn section (The Kings of Rhythm) and backup singers (The Ikettes). Ike Turner has lead vocals on a few songs, but Tina Turner was the real draw.

Ike and Tina Turner had their infamous divorce in 1978. Tina retained songwriter royalties from songs she had written, two Jaguar cars, furs and jewelry, and - perhaps most importantly - her stage name.

Wayne features this high energy live album for today's podcast.

Something's Got a Hold On Me
The song that leads off side 2 of the album is a cover originally performed by Etta James in 1962. James co-wrote the song along with Leroy Kirkland and Pearl Woods, and the original went to number 4 on the Billboard Hot R&B Sides chart.

Finger Poppin'
Ike Turner wrote this original song which leads off the album. The name refers to snapping fingers. While the rest of the album is either covers or songs written by other people, this is the only one with writing credits for Ike Turner.

Tight Pants (High Heel Sneakers)
This track is a cover originally written and performed by Tommy Tucker (aka Robert Higginbotham) in 1963 This blues classic was inducted into the Blues Hall of Fame as a "classic of blues recording" in 2017. Many musicians covered this one in addition to Ike & Tina Turner, including Johnny Rivers, Elvis Presley, Chuck Berry, Jerry Lee Lewis, and even David Cassidy.

To Tell the Truth
Ray Charles penned this high energy song, which concludes the album.

ENTERTAINMENT TRACK:

The Sound of Music by Julie Andrews (from the motion picture “The Sound of Music”)
This musical starring Julie Andrews and Christopher Plummer was set in Salzburg, Austria, loosely based on the von Trapp Family Singers.

STAFF PICKS:

People Get Ready by The Impressions
Bruce takes us to church with this gospel-based hit. The Impressions formed in 1958 in Chattanooga, Tennessee. Front Man Curtis Mayfield wrote this song, which went to number 14 on the Billboard Hot 100. It reflects both gospel and politics, as Mayfield was becoming politically active at the time. A number of covers have been performed of this song, perhaps most famously by Rod Stewart and Jeff Beck.

This Diamond Ring by Gary Lewis & the Playboys
Rob's staff pick features the son of comedian Jerry Lewis. Gary Lewis & the Playboys were funded by Gary's mother, and got their start in a gig at Disneyland. This song about a broken relationship was on the charts for 12 weeks.

Ain't That Peculiar by Marvin Gaye
Lynch's features Gaye's second US million seller. It was written by Smokey Robinson in London with Miracles guitarist Marv Tarplin, specifically for Marvin Gaye as a follow-up to his previous hit "I'll Be Doggone." This song is about the torment of a painful relationship.

Tired of Waiting for You by The Kinks
Wayne wraps up the staff picks with this single which went to number 1 in the UK and number 6 in the US. It is the group's highest-charting single in the US - tied with "Come Dancing" which would not reach this level on the charts until 1983. The song chronicles the woes of a boy being strung along by a girl who has him under her spell.

INSTRUMENTAL TRACK:

Apache '65 by Davie Allan & the Arrows
This close out this week's podcast with a surfing instrumental.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - October: Weezer “Blue Album” Apr 24, 2023

Weezer released their debut studio album in May of 1994, often known as the Blue Album due to its blue cover. The band formed in Los Angeles in 1992 as grunge was on its ascendency. Despite a sound that we identify with grunge today, singer/guitarist Rivers Cuomo, drummer Patrick Wilson, guitarist Jason Cropper, and bassist Matt Sharp struggled to find an audience in the midst of the grunge movement. They were signed to A&R after recording a demo late in 1992, and would find success in the alternate scene by the time their debut was released. Cuomo had asthma when he was younger, and his dad jokingly called him “Weezer,” which became the name of the band.

Cars alumnus Ric Ocasek produced the album after Weezer had been persuaded not to self-produce. While recording the album, guitarist Jason Cropper found out that his girlfriend was pregnant. This led to difficulties and erratic behavior that led to Cuomo firing him. Guitarist Brian Bell was brought in as a replacement, and almost all of Croppers guitar parts were re-recorded after the album was already completed.

It only took seven months for this album to be certified gold by the RIAA, and it was also a critical success. Many consider the “Blue Album” to be one of the best albums of the 1990's. You may call it grunge, or alternative, or even geek rock, but it is great music.

Founder Rivers Cuomo struggled with the fame of the group, and it took a long time for him to reconcile his antipathy toward the “rock lifestyle” with the success of the band and its music.

Rob features this quirky album for the podcast.

Undone - The Sweater Song
The first single was originally going to have a number of sound clips sampled into the song, but the group went a different direction after considering the licensing costs. Although it was envisioned as a sad song, fans found it hilarious. “The Sweater Song” was added to the title when fans began referring to it by that name.

Buddy Holly
Many will recall this song from the iconic video involving the band being inserted into an episode of the 70's sitcom “Happy Days.” It was released as the second single on September 7, 1994, which would have been Buddy Holly's 58th birthday. It went to number 2 on the US Modern Rock Tracks chart. Songwriter Rivers Cuomo didn't want to include this track on the album at first, thinking it was not representative of the Weezer sound.

In The Garage
This deeper cut has a deliberately fuzzy “garage” feel. Rivers Cuomo and the band got its start in the garage, and the lyrics reflect time spent in the garage with nerd culture including Dungeons and Dragons, comics, and rock bands like Kiss.

Say It Ain't So
The third and final single from the album was inspired by an incident in high school where Cuomo found a bottle of beer in the refrigerator at his home. He believed alcoholism had broken up his parents' marriage, and was afraid that the same would happen with his mother and step-father.

ENTERTAINMENT TRACK:

Bustin' Surfboards by The Tornadoes (from the motion picture “Pulp Fiction”)
John Travolta showed us he still has the moves long after "Saturday Night Fever" in this Quentin Tarantino film.

STAFF PICKS:

Am I Wrong by Love Spit Love
Bruce starts this week's staff picks with the Psychedelic Furs’ alumni Richard and Tim Butler in a new band. Guitarist Richard Fortus and drummer Frank Ferrer completed the band. The name comes from a 1991 performance art exhibit protesting government censorship. The song itself is a bittersweet reflection on an ended relationship.

Wild Night by John Mellencamp
Lynch brings us a fast-paced cover of Van Morrison's classic. Mellencamp is joined on this piece by singer/songwriter, bassist, and rapper Meshell Ndegeocello, who contributed the female harmonies. This single from his album “Dance Naked” would see Mellencamp reaching number 3 on the Billboard Hot 100.

Tomorrow by Silverchair
Wayne features a second wave grunge act. The song is about a rich man who takes his easy life for granted until a streak of bad luck forces him to endure an overnight stay in a sketchy old hotel. The lead singer of this group was 15 years old at the time that this Australian group hit the charts with this song.

Get Over It by The Eagles
Rob finishes off the staff picks with the comeback hit from the Eagles. After a 14-year hiatus, the group came back together to release the part-live, part-studio album Hell Freezes Over. This song reflects the frustration of seeing so many people take a victim mentality.

INSTRUMENTAL TRACK:

The Good, The Bad and The Ugly by Blues Traveler
We close out today's podcast with an instrumental number off the Blues Traveler album, "four."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - September: Various Artists “The Lost Boys: Original Motion Picture Soundtrack” Apr 17, 2023

Long before the Twilight books and movies made vampires cool, the motion picture The Lost Boys was a hit. This dark comedy/action drama centers around Michael and Sam Emerson and their experiences with a biker gang who are secretly vampires living in the California beach town of Santa Carla. When Michael is drawn into the influence of the vampires, he must make a choice between becoming a vampire himself or fighting the conversion by killing the head vampire. The name comes from the Peter Pan stories, because much like the lost boys in that tale, vampires never grow up. The cast included Kiefer Sutherland, Jason Patric, Corey Haim, and Corey Feldman, and was a box office hit.

The film also created a hit with The Lost Boys: Original Motion Picture Soundtrack. Featuring a number of notable rock stars and groups including INXS, Foreigner's Lou Gramm, Echo & the Bunnymen, and The Who's Roger Daltrey, it spawned multiple singles. The soundtrack contains both original songs and covers, all either alluding to events in the movie or to what could be considered “vampire culture” - lostness, staying up at night, and similar characteristics.

The film is credited for changing the perception of vampires to a more youthful and appealing monster. Subsequent adaptations of the vampire genre which would be inspired by the film include movies as diverse as “Buffy the Vampire Slayer” and the mockumentary film “What We Do in the Shadows.”

John Lynch was up all night “staking his claim” on this podcast feature.

Cry Little Sister by Gerard McMann
Singer-songwriter Gerard McMahon wrote this anthem under the pseudonym Gerard McMann. It would be considered the theme for the movie, and was specifically written for the film. McMann was thinking of a Gotham-like image in which you have to turn to faith in order to escape the doom in the night.

Lost in the Shadows by Lou Gramm
Gramm steps out from the shadows of his group Foreigner for this solo effort. The video for this song would feature clips from the film. Fuzzy guitar distortion and harmonica drive this deep cut, and was also written specifically for the movie.

Don't Let the Sun Go Down On Me by Roger Daltrey
The Elton John hit is covered by Who front man Daltrey, and the allusion to vampires is pretty clear to see. The film ends with morning breaking and the sun coming up, and Daltrey is singing this song as the credits roll.

I Still Believe by Tim Cappello
The Call's song is covered by saxophonist Cappello, who also makes a cameo where he is playing the song on the boardwalk. The lyrics are about the 40 days of fasting that Jesus undertook at the start of His ministry, and the reference to belief plays into the theme of faith versus giving into darkness that runs through this film.

ENTERTAINMENT TRACK:

Once Upon a Time...Storybook Love by Mark Knopfler (from the motion picture “The Princess Bride”)
It would be inconceivable for us to pass up this theme from the Rob Reiner movie which was in the theaters in the fall of 1987.

STAFF PICKS:

One Slip by Pink Floyd
After the departure of Roger Waters, Pink Floyd released the album "A Momentary Lapse of Reason" with only David Gilmour and Nick Mason listed as members. Bruce brings us this staff pick which was co-written by Gilmour and Phil Manzanera of Roxy Music. It is about unintended consequences of impulsive action, in this case an unintended pregnancy.

Hourglass by Squeeze
Rob features the debut single from Squeeze's seventh album, “Babylon and On.” The fast-paced chorus is distinctive and catchy. Songwriters Chris Dilford and Glenn Tilbrook typically wrote the lyrics and music respectively in separate sessions (much like Bernie Taupin and Elton John), but collaborated in the same room on this song. The memorable video is full of surrealism and optical illusions.

Luka by Suzanne Vega
Wayne takes an uncharacteristically softer and slower pick with singer-songwriter Suzanne Vega's song about child abuse. The song was actually written prior to Vega's first album but didn't make its studio debut until her second album, “Solitude Standing."” The name comes from a boy who played in front of Vega's building and stood apart from the other children.

Bad by Michael Jackson
Lynch brings us the title track to Michael Jackson's massively successful follow-up album to “Thriller.” Jackson wrote this song in an attempt to change his persona to a tough guy. The video was directed by Martin Scorsese, and Prince auditioned for the video. He departed as soon as he read the line, "your butt is mine," and Wesley Snipes would take the role.

NOVELTY TRACK:

Wipeout by the Fat Boys featuring The Beach Boys
We finish off with this unlikely pairing of beatbox rappers of the 80's and beach music founders of the 60's.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - September: The Beatles “Abbey Road” Apr 10, 2023

The Beatles were at the height of their popularity, and surprisingly near the end of their time as a group when they recorded Abbey Road, their eleventh studio album. In fact, it would be the last album the group started recording, as Let it Be was mostly recorded prior to the Abbey Road sessions even though it wasn't finished until after Abbey Road was released. John, Paul, George, and Ringo were iconic by this time, though all were still under 30 years of age.

The recording of this album was more harmonious than the Get Back/Let It Be sessions earlier in the same year, but they were not free of conflict. John Lennon did not perform on several tracks, and would have quietly left the group prior to the album's release.

The album is a bit of a throwback to a previous style of production, prior to the conflict-ridden processes that had typified Get Back and The White Album. Producer George Martin agreed to this, but on the condition that all group members - especially John Lennon - let him produce the record as the earlier records were produced, and that everyone maintain discipline for the process. The result actually faced mixed reviews at the time of its release, though with the passage of time it has attained its present status as one of the greatest rock albums of all time.

The cover is the iconic picture of the band members walking across a zebra crossing outside Abbey Road Studios.

Special guest and friend of the show Eric Von Haessler from “The Von Haessler Doctrine” on WSB Radio joins us to present this album - one of his all-time favorites. Eric recommends the version from the 1987 CD, as newer versions have been remixed to the detriment of the album.

Come Together
The opening track is a bit of a continuation of the earlier song “Let's Get It Together” which John Lennon wrote for Timothy Leary when he was campaigning for the California gubernatorial race against Ronald Reagan. The song’s lyrics are quite surrealistic, but the title may represent the desire of the band to get together in harmony for the sake of the music.

Here Comes the Sun
George Harrison wrote this incredibly positive song in Eric Clapton's garden during a break from business meetings for the Beatles. John Lennon was recovering from a car accident when the track was recorded, and did not perform on the track. Believe it or not, this was not released as a single from the album!

Maxwell's Silver Hammer
Paul McCartney wrote this song after traveling to India in 1968 and originally wanted to record it for the White Album, but the group thought it was “too complicated” and pushed it off until this album. McCartney further annoyed the others by insisting on a perfect performance of the work. The multiple takes were, in the words of George Harrison, “a real drag.”

I Want You (She's So Heavy)
Lennon wrote this song about his relationship with Yoko Ono. The finished product is a combination of two different recording attempts, one made just after the Get Back sessions with Billy Preston, and the other made during the Abbey Road sessions. The phrase “heavy” at the time meant deep or significant, and in no way related to Ono's weight!

**We opted to cover 5 Staff Picks and did not feature an Entertainment Track on this podcast**

STAFF PICKS:

Me by Otis Rush
Wayne starts this week's staff picks with a Chicago blues artist that got his start in the early 50's. This song is about a guy who attributes his position on hard work and self-determination. “I paid my own way, gave stuff for free 'cause the only true friend I ever had was me.” Duane Allman is on guitar on this track.

Oh What a Night by the Dells
Bruce's staff pick is a remake of a number 4 R&B hit from 1956, also by The Dells. This updated version went to number 10 on the Billboard Hot 100. A number of covers of this song have been done through the years, including by Sly Stallone and the Biscaynes, Tracey Ullman, Lester Bowie, Nick Kaman, and the Moonlighters.

Sweet Caroline by Neil Diamond
This one is not a deep cut by any stretch of the imagination. Rob features a sing-a-long song for many sports teams, including the Carolina Panthers, Iowa State, the University of Pittsburgh, and of course the Boston Red Sox. The inspiration for the name was Caroline Kennedy, the last surviving child of President John Kennedy, though Diamond wrote it for his wife, Marsha. He felt like a three-syllable name would fit the song better.

Green River by Creedence Clearwater Revival
Lynch brings us some swamp rock from CCR. Creedence Clearwater Revival had 14 top 10 hits within a 17-month period. Although the group is from California, the song was written about the Green River near New Orleans and has a Louisiana feel. Despite their success, acrimony within the group would lead to a breakup in 1972.

Sugar, Sugar by The Archies
Eric Von Haessler finishes off the staff picks with a very different song from the Beatles. The Archies were a fictional band based on the TV show and comic strip of the same name. The music was recorded by session musicians. A number of these “bubble gum pop” songs were successful, with a lighthearted, positive touch. Jeff Barry and Andy Kim wrote this, and it hit number 1 on the Billboard Hot 100 for four weeks

INSTRUMENTAL TRACK:

Baby, I Love You by Otis Rush
We exit the podcast by double-dipping on an instrumental blues number by Otis Rush.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1990 - May: The Sundays “Reading, Writing and Arithmetic” Apr 03, 2023

The debut album by The Sundays entitled Reading, Writing and Arithmetic introduced the dream pop band to the UK during a time between alternative waves. The Smiths had broken up previously, but it would still be several years before the Manchester sound would take over the indie scene.

Vocalist Harriet Wheeler and guitarist David Gavurin met at Bristol University. The two became a couple, and they formed the band in 1988 after adding bassist Paul Brindley and drummer Patrick Hannan to the group. Neither Wheeler nor Gavurin were pursuing music at the University - Wheeler studied English literature, and Gavurin studied Romance languages.

The Sundays' rise to popularity was quite rapid. Their first single hit number 45 on the UK singles chart a year before the album was released. Since the group had only been around for a year or so before that single was released, they didn't have a lot of material developed. Wheeler and Gavurin were also perfectionists, and so they would not work to a deadline for the album.

The Sundays would produce 3 albums during the 1990s. However, they never embraced the rock lifestyle. The American tour for their second album (released in 1992) was cut short due to exhaustion and homesickness. The third album wasn't released until 1997, by which time Gavurin and Wheeler had children and were beginning to settle down. While they would continue to make songs in their own studio, no further albums would be released.

Bruce brings this group and their debut album to the podcast.

Can't Be Sure
This is the debut single released in England which hit number 45 on the UK singles chart. It is about desire, but not for a specific person or thing, more as a concept. “And did you know desire's a terrible thing, the worst that I could find. And did you know desire's a terrible thing, but I rely on mine.”

You're Not the Only One I Know
This deeper cut is a break-up song. The lyrics seem to reflect a depressed singer who wants the guy to come back, but is too proud to talk to him about it.

Joy
The last song on the album is also one of the last the group wrote for the album. They actually wanted to name the album “Joy,” but someone had already used that title. It is a little heavier than some of the other tracks but keeps the impressionistic feel.

Here's Where the Story Ends
US listeners will recognize this song as the hit, going to number 1 on the US Alternative Rock charts. However, it was not released as a single in the UK because the group's record label was in financial trouble. The lyrics are looking back on a past relationship. "It's that little souvenir of a terrible year which makes my eyes feel sore. Oh, I never should have said the books that you read were all I loved you for."

ENTERTAINMENT TRACK:

Theme to the from the television series “Newhart”
The second comedy series starring Bob Newhart ended this month with a big reveal that the entire show was a dream of Bob Newhart from the first series.

STAFF PICKS:

What It Takes by Aerosmith
Lynch leads off the staff picks this week. Aerosmith could do no wrong at the start of the 90's. This fast ballad chronicles a guy breaking up with his girlfriend and wondering what it takes to get over their relationship. The electric guitars helped remedy a concern that the original takes made the piece sound like a lovelorn, twangy country song.

Blues Before and After by The Smithereens
Wayne features a song telling about a guy that is in love with a woman who only uses him for her own selfish gain, leaving him with the “blues before and after” their encounters. This is off the Smithereen's album, “11,” which was their third studio album. The name is a nod to a skit in the 80's mock-umentary film, “This Is Spinal Tap,” or perhaps the movie “Oceans 11.”

All For You by David Baerwald
Rob previously brought us “Welcome to the Boomtown” by David and David. This song is from one of the David's after that group split up. It is from Baerwald's debut studio solo album, “Bedtime Stories.” Baerwald is a great storyteller, and most of his songs reflect this. Singer songwriter Joni Mitchell was involved in this album.

Texas Twister by Little Feat
Bruce picks up the pace with this boogie number. Little Feat was formed in 1969, but this 90's iteration of the group is a little different. Founder and front man Lowell George died in 1979, and was largely replaced in this formation of the band by Craig Fuller, founding member of Pure Prairie League. This lead-off track from their ninth studio album is about picking up a girl and wondering if you will survive the evening.

NOVELTY TRACK:

Hanky Panky by Madonna
Madonna's album inspired by the movie "Dick Tracy" (in which she starred) sported this spanking new single.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1988 - June: The Coolies “Doug” Mar 27, 2023

We're going extra-deep this week with alternative rock group The Coolies. The name comes from a derogatory term for 19th century Chinese immigrants who had to work hard for little pay. The Atlanta based group was only around for about three years and produced two albums. The first called "dig..?" was largely a collection of Simon and Garfunkel covers. Their second album, Doug, is a rock opera with an odd premise.

Doug follows the rise and fall of a skinhead named Doug. He kills a transvestite who happens to be a cook, and becomes rich by using the stolen recipe book. The money is spent in riotous living, and in the end Doug ends up right where he began.

The Coolies vocalist and front man was Clay Harper. Other band members included Jeb Baldwin, Rob Gal, Teddy Murray, and for this album had Frogg Jaguar Mellonball (most interesting artist name) on percussion. He replaced Billy Burton, who was percussionist for the first album but was unavailable for “Doug” due to his commitments to The Swimming Pool Q's, another locally well known alternative band.

Harper would go on to be the owner of Fellini's Pizza and La Fonda Latina restaurants in Atlanta. It is not believed that the events from the Rock Opera are in any way connected to Harper's future culinary success.

Wayne takes us on this deep cut journey to explore one of his favorite albums.

Ice Cold Soul
The lead track introduces Doug, the main character of the rock opera. He is a skin head with the Pledge of Allegiance tattooed on the side of his head. He hangs out with his fellow skin heads stealing from people, beating them up, and generally being intimidating. “Schlitz Malt Liquor is my favorite food and pissed off is my favorite mood.”

Pussy Cook
The transvestite cook is warned not to walk where the “skin heads chill,” but failed to heed the warning. After beating up and killing the cook, Doug and his gang “open up the purse to get a good look. Got the money and the dope and the recipe book.” There are a lot of similarities between this song and “Cooky Puss” by the Beastie Boys, which this song spoofs.

40 Foot Stretch
This track continues the tale with Doug living large in the back of a stretch limousine. We're beginning to question whether that recipe book was referencing food...or something else! This song has a sound reminiscent of Miami Vice.

Crack Pipe Burning
It is becoming obvious that things are not going to end happily ever after with Doug. The reference at the end of the song to “I got blisters on my fingers” hearkens back to a statement Ringo Starr makes at the end of the Beatles song “Helter Skelter.”

ENTERTAINMENT TRACK:

Do You Love Me by the Contours (from the motion picture “Dirty Dancing”)
This 1962 single made a resurgence after appearing in 1987's “Dirty Dancing” film, and was on the charts in the summer of 1988.

STAFF PICKS:

Rough Night in Jericho by Dreams So Real
Bruce stays with the local flavor with his staff pick featuring a trio from Athens, Georgia. The lead-off and title track from the band's second album hit number 28 on the Billboard Mainstream Rock charts. The band produced three albums in total, with this song being their most successful single.

Waiting for a Star to Fall by Boy Meets Girl
Rob brings us a more pop song than he normally features. Keyboardist and vocalist George Merrill met singer Shannon Rubicam at a wedding where they were hired to perform, and later got married themselves, making it a “boy meets girl” story. In addition to this song which made it to number 5 on the Billboard Hot 100, the duo also wrote songs for other performers including “I Wanna Dance With Somebody” and “How Will I Know” by Whitney Houston.

Beds Are Burning by Midnight Oil
Lynch's staff pick is a protest song from Australia's Midnight Oil. It criticizes the Australian government for its treatment of Aboriginal communities in forcing them off their lands. Midnight Oil performed this song at the Sydney Olympics, and wore jackets that said, “sorry” after the Australian government would not apologize for the treatment of Aboriginal people.

This Note's for You by Neil Young & The Bluenotes
Wayne features another protest song, this time from Neil Young. At the time many rock bands and artists were being recruited to appear in commercials for Coca-Cola, Pepsi, Budweiser, and other consumer goods and drinks. MTV controversially banned the video for a period of time due to concerns from advertisers, proving Young's point.

INSTRUMENTAL TRACK:

End Title (from "Who Framed Roger Rabbit?") by Alan Silvestri
This live action/animation combination was a hit on the big screens in June of 1988.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - March: Journey “Infinity” Mar 20, 2023

Infinity is the album where Journey takes on the sound we recognize as that monster of a group. This fourth studio album is the first to include vocalist and front man Steve Perry in the group. The group had been looking for a stronger lead vocalist, and had originally settled on Robert Fleischman for that role. However, Fleischman was soon replaced by Perry after “musical and management differences” were encountered.

In addition to Steve Perry, the band at the time included Neal Schon on guitar, Gregg Rolle on keyboards and vocals, Ross Valory on bass, and Aynsley Dunbar on percussion. The album was produced by Roy Thomas Baker, who had previously worked with Queen. Baker brought the layered sound and stacked vocals approach to the band, which is prominent in songs like “Feeling That Way” and “Anytime.”

Infinity would mark a departure of Journey from their jazzy prog rock roots to a decidedly more accessible pop rock sound. Much of their work prior to Infinity would disappear from the setlist over time. This album would see both former lead singer Gregg Rolle and new lead singer Steve Perry sharing vocal duties on songs, but those lead duties would be almost exclusively Perry's going forward.

Rob brings us this iconic band and album as we celebrate our 250th Episode.

Lights
The lead track from the album is an homage to San Francisco. It was inspired by a sunrise when Perry was at Griffith Park Observatory in Los Angeles, and saw the lights going down as the sun came up. It was the third single off the album, but was only a minor hit at number 68 on the Billboard Hot 100.

Feeling That Way
This track utilizes a prominent layered sound by having multiple vocalists sing each part of the harmony in unison, creating a much fuller sound. It also sees Perry and Rolle taking turns with the lead vocal duties. Ordinarily paired with “Anytime,” the following song on the album, we're cutting this one short in favor of some deeper cuts.

Somethin' to Hide
An unusual deeper cut in an album filled with well-played songs, this track shows off Perry's high harmonies. It was rarely played live because of the vocal difficulty. The lyrics talk about a relationship where it is clear something is wrong, something hidden.

Patiently
Another (relatively) deep cut, Perry and Schon wrote this song. It is Perry's reflection about life on the road, his excitement at being a part of the band, and the thrill of the fans. This is the first song Steve Perry wrote for the group.

ENTERTAINMENT TRACK:

Intro to the television series “Project UFO”
This short-lived television series channeled the flying saucer/alien interest that was popular at the time.

STAFF PICKS:

Comin' Right Down On Top of Me by April Wine
Bruce gets the staff picks going with a deep track from April Wine's seventh studio album, First Glance. The song is a blues epic which chronicles the singer's feeling of being so weighed down with bad luck that he can't breathe. Myles Goodwyn who wrote this song was the only founding member left in the group by the time this album was created.

Just the Way You Are by Billy Joel
Lynch features a song dedicated to Joel's first wife and road manager, Elizabeth Weber. It is the first single from his hugely successful fifth studio album, The Stranger, and it would win Grammy awards for Record of the Year and Song of the Year in 1979. Joel jokes about writing songs for his wives just before they get divorced. Jazz saxophonist Phil Wood plays the sax solo part.

Northern Lights by Renaissance
Journey may have given up their prog rock roots, but Wayne brings us the prog rock with the most popular song Renaissance would produce. This song off their eighth studio album, A Song for All Seasons, is about leaving the Northern Lights of England and fiancée Roy Wood while working in the U.S. It went to number 10 in the UK, although it didn't break into the US top 40.

Don't Let Me Be Misunderstood by Santa Esmeralda
Rob finishes the staff picks with a flamenco dance cover of Nina Simone's song. The best known cover was done by the Animals, but Santa Esmeralda featured a 16-minute cover that took up an entire album side. You may recall Santa Esmeralda's version was featured in one of the Kill Bill: Volume 1 fight scenes.

COMEDY TRACK:

Short People by Randy Newman
Long before his association with Disney, Randy Newman released this novelty hit which exclaims, “Don't want no short people 'round here.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - May: the Black Crowes "The Southern Harmony and Musical Companion" Mar 13, 2023

By the time they released The Southern Harmony and Musical Companion, their second studio album, The Black Crowes were already a popular band. This album would continue their dominance, achieving a record four album rock number one hits, and debuted at the number 1 spot on the Billboard 200 album chart as well. The Black Crowes were originally an Atlanta band during a time when hair bands were on the way down and grunge was on its way up. Their Southern rock and blues rock style seemed to hit a sweet spot with fans.

The name of the album is taken from the title of an 1835 shape note hymnal compiled by Baptist song leader William Walker.

Brothers Chris and Rich Robinson were joined in the band by Johnny Colt on bass, Steve Gorman on drums, and newcomer Marc Ford on guitar who replaced Jeff Cease. Keyboardist Eddie Harsch was also added at this time and would later be named as a full band member.

The Black Crowes have sold more than 30 million albums, and Melody Maker magazine calls them “The Most Rock 'n' Roll Rock 'n' Roll Band in the World.” Though only Chris and Rich Robinson remain from the original band, the Black Crowes continue to tour and record as of 2023.

Lynch takes us on a journey down this blues rock album path.

Sting Me
The opening track on the album was also the second commercial single released. It has a female vocal backing that hearkens back to southern gospel choirs. The lyrics are about a girl that keeps breaking the singer's heart, or it could also be about heroin use. The Black Crowes were vocal proponents of legalization for recreational drugs.

Black Moon Creeping
Fuzzy guitar distortion and harmonica drive this deep cut. The lyrics are about people keeping secrets, and it has a little darker, funky edge. “What you got buried in your back yard? What secret do you sleep with when the black moon come?”

Remedy
This is the big hit from the album, which reached number 48 on the Billboard Hot 100 and number 1 on the Billboard album rock tracks chart. It is about freedom, and was written in response to the war on drugs.

ENTERTAINMENT TRACK:

Theme song from the late night variety show “The Tonight Show”
Johnny Carson would take a final bow this month on his iconic late night show, to be replaced by Jay Leno.

STAFF PICKS:

The Wild Life by Slaughter
Rob leads off the staff picks with a hair metal anthem. This is from Slaughter's second album of the same name. The band gets its name from its founder and front man Mark Slaughter. The album debuted at number 8 on the Billboard 200 Album Charts. Slaughter had five studio albums and three live albums.

Temple of Love by The Sisters of Mercy
Wayne rocks out with a song re-released in 1992, and originally performed in 1983. The Sisters of Mercy are from the UK underground scene, and this is their biggest hit, though it did not do well in the States. The name of the group comes from a Leonard Cohen song.

The Ballad of Peter Pumpkinhead by XTC
British post punk band XTC dropped this song on their 12th studio album, Nonsuch. It went to number 1 on the Billboard Modern Rock Tracks chart. XTC founter Andy Partridge was inspired to write this song after watching a carved jack o'-lantern that he had put on his fence post decay over time. The Crash Test Dummies would cover this song in 1994's comedy film “Dumb and Dumber.”

Cats in the Cradle by Ugly Kid Joe
Lynch features a cover of a song originally done by Harry Chapin in 1974. The Ugly Kid Joe version made it to number 6 on the Billboard Hot 100. The song is about a father who doesn't make time for his son as he grows up, and reaps what he sews when the son doesn't have time for the father as an adult.

NOVELTYTRACK:

Summer Song by Joe Satriani
Guitar virtuoso Joe Satriani had a huge hit with this instrumental from his "Extremist" album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1988 - July: Living Colour "Vivid" Mar 06, 2023

Vivid is the debut album from Living Colour, and it was a commercial and critical success, peaking at number 6 on the Billboard 200 album charts. Vernon Reid formed Living Color in New York in 1984. Reid is from England and used the British spelling of the band. It was known as "Vernon Reid's Living Colour" for the first couple of years, and evolved through a number of band members and genres including jazz, punk, experimental rock, and funk.

The lineup for the debut album was set by 1986, and consisted of Reid on guitars, Corey Clover on vocals, Muzz Skillings on bass, and Will Calhoun on drums. The group settled on a hard rock to heavy metal approach to their music, though elements of funk and jazz remain. They built their experience playing in New York's CBGB club where they built up a following, eventually including Rolling Stones front man Mick Jagger.

Living Colour is an all black band playing hard rock music, which is uncommon. Vernon Reid pushed for acceptance of black musicians in alternative music genres, forming the Black Rock Coalition in 1985 to support development and exposure. During a time when highly produced hair metal bands were common, Living Colour was refreshingly different. The band entered the studios in December 2022 to record their seventh album.

Bruce brings this group and their debut album to the podcast.

Funny Vibe
This track was performed in their earlier days and was reworked for the album with a harder rock sound. It features Chuck D and Flava Flav from Public Enemy. It is about racial stereotyping - something Vernon Reid had to deal with in the music industry when he's bringing an all-black group onto the rock scene.

Cult of Personality
This is the song which really launched Living Colour into a worldwide phenomenon. It hit number 13 on the Billboard Hot 100. Reid said it was essentially written in just one rehearsal session, and is the only song on the album written by all the band members. The title comes from a report Nikita Khrushchev wrote in 1956 on Stalin called "On the Cult of Personality and Its Consequences."

Open Letter (to a Landlord)
A poet named Tracie Morris was part of the Black Rock Coalition, and Reid got her help on the lyrics for this song. It is inspired by concern over the gentrification of the East Village in New York City, pushing out long term tenants and replacing them with "yuppies."

Glamour Boys
The third single from the album is about men obsessed with high society. Mick Jagger is on backing vocals. Jagger came to know the band through working with bassist Doug Wimbush who would replace Skillings as bassist in 1992 in the band. Jagger produced a couple of their demos.

ENTERTAINMENT TRACK:

Hippy Hippy Shake by the Georgia Satellites (from the motion picture "Cocktail")
This cover appeared on the soundtrack to a movie featuring Tom Cruise flipping bottles of rum as a showman bartender in exotic Caribbean locales.

STAFF PICKS:

Tutti Frutti by Little Richard
Wayne does a little double dipping on the Entertainment track. Little Richard's hit made its way back on the charts when it appeared on the "Cocktail" motion picture soundtrack. The line "aw rooty" was a slang expression for "all right!" Many rock and roll staples would be introduced in this song, including the loud volume, powerful vocal style, and distinctive rhythm.

Nothin' But a Good Time by Poison
According to Poison drummer Rikki Rockett, John's staff pick was written during a time the band was living in a downtown LA warehouse with no money, and getting fast food and going to the beach was a good time. The song was written for the everyday person making it through the work week and just looking for a good time at the end of it all.

Peek-a-Boo by Siouxsie & the Banshees
Rob brings us a post-punk group with their breakthrough U.S. hit. Featuring a looping brass part played in reverse and unusual instruments like the accordion, Vocalist Siouxsie Sioux added to the unusual nature of the song by using a different microphone for each line. Peek-a-boo would reach number 53 on the Billboard Hot 100.

Fast Car by Tracy Chapman
Bruce's staff pick was originally released in April, but Chapman really moved up the charts after appearing at the Nelson Mandela 70th Birthday tribute concert. Stevie Wonder was supposed to be the surprise guest star, but when his keyboard hard disk went missing, Tracy Chapman was ushered back on stage in prime time with just a microphone and a guitar. The song she performed was a sad, stark tale of a woman trapped in poverty, reminiscing about a time when she felt she could be someone.

NOVELTY TRACK:

Parents Just Don't Understand by DJ Jazzy Jeff and the Fresh Prince
Before becoming a film icon and celebrity, Will Smith got his start as the Fresh Prince. This comedy rap did well on the charts in 1988.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 - November: the New York Dolls "New York Dolls" Feb 27, 2023

Although neither popular nor long-lived as a band, the New York Dolls were one of the most influential bands of the punk and glam rock genres. Their debut album, the eponymously named New York Dolls came out on the strength of their lower Manhattan fan base and received critical acclaim. However, their appeal outside of New York was limited and the album was considered a commercial failure in the United States.

The New York Dolls (also known as “The Dolls”) sported an androgynous look onstage, dressing in satin, high heels, dresses, and lots of makeup. Much of their wardrobe was acquired at a local Salvation Army thrift store.

The band personnel included David Johansen on vocals, Arthur “Killer” Kane on bass, Jerry Nolan on drums, Sylvain Sylvain on keyboards, rhythm guitar and vocals, and Johnny Thunder on lead guitar and vocals. Front man David Johansen would later perform under the name Buster Poindexter.

Although the band would produce only one other album after their debut, their influence was significant for both punk rock and glam rock genres.

Wayne brings us this forerunner of punk that is “too fast to live, too young to die.”

Frankenstein
This song is sometimes listed as “Frankenstein (Orig.)” because Edgar Winter's song of the same name had already been released prior to the band recording their own, though it had been used in their live shows previously. The song was inspired by how repressed kids would gravitate to Manhattan from all over.

Pills
The only cover on the album was a 1963 Bo Diddley song. “While I was laying in a hospital bed, a rock n' roll nurse went through my head. She says, "hold out your arm, stick out yo' toungue, I got some pills, boy, I'm 'on give you one.”

Jet Boy
This track has a more heavy metal sound in the guitar. The lyrics are simply about a jet boy who stole a baby. There is little explanation as to what a jet boy is other than to say that he flies around New York City. “Jet Boy” was a 50's era comic superhero.

Bad Girl
The vocal parts on this track hearken back to a 1950's style, and it also features a boogie rhythm.

ENTERTAINMENT TRACK:

Oo-De-Lally by Roger Miller (from the animated picture “Robin Hood”)
Yes, it is a stark departure from the Dolls. Disney rolled out their take on the animated Robin Hood tale in this picture featuring Robin Hood as a fox.

STAFF PICKS:

Over the Hills and Far Away by Led Zeppelin
Rob leads out the staff picks with a great acoustic riff from Jimmy Page, layering 6- and 12-string guitars. The lyrics were inspired by the feelings of the band touring on the road. This is a single off Led Zeppelin's fifth studio album, Houses of the Holy, and made it to number 51 on the charts.

We Can Make It Right by Sherbet
Bruce's staff pick is a group that never broke into the US market in a big way, but was one of the biggest pop rock acts in Australia in the 1970's. This track leads off the second studio album entitled “On With the Show,” which hit number 6 on the Australian charts. The song was co-written by Sherbs keyboardist Garth Porter and guitarist Clive Shakespeare.

Long Train Runnin' by The Doobie Brothers
Lynch features a well known riff from the Tom Johnston vocal era of the Doobies. The group played “Long Train Runnin'” for three years before it was recorded, and it went through a number of names an iterations before its final form was created in the studio.

Still...You Turn Me On by Emerson, Lake & Palmer
Wayne wraps up the staff picks with a ballad from prog rock power trio Keith Emerson (keyboards) Greg Lake (guitar and vocals) and Carl Palmer (percussion). This is more acoustic rock with a little psychedelic rock thrown in than prog rock, but it is a hauntingly beautiful song. The lyrics are inspired by the feeling of playing in front of an audience.

COMEDY TRACK:

Sister Mary Elephant by Cheech & Chong
A number of comedy sketches were released by this duo, including this Catholic school class skit.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - June: War "Why Can't We Be Friends?" Feb 20, 2023

Defining a genre for the group War is a difficult process. There are elements of Latin, R&B, funk, soul, and rock mixed in. Some call it progressive soul. War came from Long Beach, California in 1969, and began as a backing band for Deacon Jones. The band was originally led by Eric Burden of the Animals and were known as Eric Burden and War for their first tow albums, then as War after Burden left the group.

Their seventh studio album, Why Can't We Be Friends? would continue a tradition of successful albums for the band, going to number 8 on the US charts, number 1 on the R&B sharts, and two singles would be nominated for the Grammy awards in 1976.

War had a large number of musicians, and much of their personnel rotated in and out of the group. For this album the group was Howard Scott on guitar, B.B. Dickerson on bass, Lonnie Jordan on organ, Papa Dee Allen on conga and bongos, Charles Miller on clarinet and sax, and Lee Oskar on harmonica. All members are also listed on percussion and vocals.

War was a band with a purpose. The goal of the band from the beginning was to spread a message of brotherhood and harmony, and to speak out against racism, hunger, gangs, and crimes.

Bruce brings us this funky fusion band for discussion..

Why Can't We Be Friends?
The title track reached number 6 on the Billboard Hot 100. Each band member gets their own verse to sing. The title is sung 44 times. It was played in outer space during the Apollo-Soyuz Test Project. Smash Mouth did a cover in 1998 as the second single from their debut album.

Heartbeat
This is a deeper cut with a lot of funk. You could easily hear George Clinton and Parliament doing this piece. The lyrics are about not worrying about things, but being in the present. "Ain't no need a-worryin' about the future. Ain't no need a-worryin'."

Don't Let No One Get You Down
Leading off the album, this song is a piece of encouragement, letting the listener know they will always be lifted up by the singer. "Don't let no one get you down, cause if they do, if they do, I'll be around."

Low Rider
The big hit off the album would become iconic over time. The song is about a car and a culture in Southern California. A low rider is a car modified with hydraulic lifts so the wheels can be lowered and make the car bounce. The band maintains that the references are not to drug culture, although the song did make it into a couple of Cheech and Chong movies..

ENTERTAINMENT TRACK:

Main Theme to the motion picture "Jaws"
This movie was keeping everyone out of the water in the summer of 1975.

STAFF PICKS:

Welcome to My Nightmare by Alice Cooper
Wayne starts off the staff picks with the title song from a concept album that chronicles a journey through the nightmares of a child named Steven. Cooper would later perform this song on "The Muppet Show." It peaked at number 45 on the Billboard Hot 100.

Take Me In Your Arms (Rock Me a Little While) by The Doobie Brothers
Rob brings us a cover from Motown. Holland-Dozier-Holland wrote this one, originally performed by Kim Weston in 1964. While the original version peaked at number 50 on the Billboard Hot 100, the Doobie Brothers version was more successful, peaking at number 11.

Sister Golden Hair by America
Brian features a track that went to number 1 on the charts. This is a relationship song according to Gerry Beckley, and it was made as a demo before America recorded their fourth album. It didn't make the cut for that album, and so was included in their next album.

Magic by Pilot
Bruce's staff pick is the first hit single from short-lived Scottish pop rock band pilot. The inspiration for this song is a sunrise on Blackford Hill in Edinburgh. Lead singer David Paton also worked with the original lineup of The Alan Parson's Project, and worked with Kate Bush, Camel, and Rick Wakeman. The band had a couple of other hits before splitting in 1977.

NOVELTY TRACK:

You Never Even Called Me By My Name by David Allen Coe
The perfect country and western song was released in 1975, and reached number 8 on the Billboard Hot Country Songs chart.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 - March: Drivin' N' Cryin' "Fly Me Courageous" Feb 13, 2023

Drivin' N' Cryin' hit the peak of their commercial success with this fourth studio album, Fly Me Courageous. It was released in January at the same time as the start of the Persian Gulf War, and they benefitted from patriotic associations the title song received. The album peaked at 90 on the Billboard 200 album chart.

The band at the time included Buren Fowler on guitar, Kevin Kinney on guitar and vocals, Tim Nielson on bass and backing vocals, and Jeff Sullivan on percussion. The album was produced and engineered by Geoff Workman, an English producer who also worked with Journey, The Cars, and Queen.

The name Drivin' N' Cryin' was a reference to the band's fusion of driving rock and roll and a bit of a country twang (the crying).

Georgia based Drivin' N' Cryin' had formed in 1985, honing their craft at the 688 Club in Atlanta. The band released a number of albums and singles prior to Fly Me Courageous which had been successful on college and independent radio. This album was more rock oriented, as would be their follow-up album, Smoke. Drivin' N' Cryin' would tour with Neil Young and with Soul Asylum.

Drivin' N' Cryin' tours today, and is a great act to see live.

Rob brings us this Georgia band this week.

Fly Me Courageous
The title track took off quite literally with the start of the Gulf War. It was considered a patriotic song and was included in the playlists of many military pilots, even though the song itself is more about confronting aggression than celebrating it. The band received a number of requests to perform at military bases after the release of this track, which hit number 19 on the US Mainstream Rock charts.

The Innocent
This track was also a successful single, and starts with a parody of the US Constitution. It talks about the discrepancy between politicians providing hand-outs and the desire of people to improve themselves. "Get used to it. The innocent."

Around the Block Again
A deeper cut, this fast paced track has a sound reminiscent of Rod Stewart or the Rolling Stones. The lyrics reflect hypocrisy in religion, relationships, and music.

Build a Fire
This shuffle beat single has a bit of a punk rock feel, and even has a small rap sequence in the middle. "Bored with the American holstered blues, peace signs on just about everything. Don't know where to turn or what they say."

ENTERTAINMENT TRACK:

Break On Through (To the Other Side) by the Doors (from the motion picture sountrack "The Doors")
Val Kilmer owns the role as Jim Morrison in this movie about the band.

STAFF PICKS:

American Society by L7
Wayne starts off the staff picks with an all-female punk band, that often gets associated with the Nirvana grunge sound. This is a cover song originally done by a punk band called "Eddie and the Subtitles" from Orange County, California in the early 80's.

All This Time by Sting
Bruce features the first single off Sting's third studio album, "The Soul Cages." Sting had writer's block for several years after the death of his father in 1987, and many songs on this album reflect the tumultuous relationship he had with his father.

It Ain't Over 'Til It's Over by Lenny Kravitz
John brings us a crossover hit that went to number 2 on the Billboard Hot 100. The style was inspired by Motown and Earth, Wind & Fire. The lyrics reflect the marital struggles Kravitz was experiencing with his then-wife Lisa Bonet.

Someone to Love by Roger McGuinn
Rob closes out the staff picks with former Byrds front man Roger McGuinn and a single from his sixth studio album, "Back from Rio." This is the lead-off track from the album. It made it to number 12 on the Mainstream Rock charts. McGuinn used a number of familiar artists on his album, including Tom Petty & the Heartbreakers and David Crosby.

COMEDY TRACK:

Lisa, Lisa (The One I Adore) by Pauly Shore
Pauly Shore was all over MTV during the early 90's.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 - January: Skid Row "Skid Row" Feb 06, 2023

Hair band Skid Row hails from Tom's River, New Jersay. The band was formed in 1986 by bassist Rachel Boland and guitarist Dave "Snake" Sabo, and rounded out with guitarist Scotti Hill and drummer Rob Affuso. Lead vocalist Sebastian Bach was recruited after being seen as a wedding singer at the age of 18 well before Adam Sandler would reveal this as a potential career option and path to love and fame. Sabo was a high school friend of Jon Bon Jovi, and the two made a pact that if one was sucessful in the music business they would help the other out. This led to Bon Jovi's manager Doc McGee seeking out Skid Row and getting them a contract with Atlantic Records in 1988.

Skid Row was the band's eponymously titled debut album, and it would prove to be a huge success over time. Though it received mixed critical reviews, the album went to number 6 on the Billboard 200 charts, and would be certified 5x platinum in 1995 by the RIAA. The band headlined tours for Bon Jovi and Aerosmith in 1989-1990.

Bach would be the front man for the band for their first three albums until 1996, when friction between himself and Sabo led to his departure. Skid Row is still active as of 2022, and has released six albums to date.

John Lynch takes the helm on this album in his debut as a permanent member of the What the Riff crew.

Youth Gone Wild
This rocking anthem was the first single released from the album. No matter what walk of life you are from, you are one of us - the youth gone wild. Be true to yourself and not to what others expect of you. "Hi man, there's something that you oughta know. I tell ya Park Avenue leads to Skid Row."

I Remember You
The third single would be the one to really put Skid Row on the map. It is a power ballad depicting a guy who can't get over a long lost love. Bass player Rachel Bolan contributed the lyrics. The line "love letters in the sand" was also the title of a number 1 hit from 1957 by Pat Boone.

Sweet Little Sister
A deeper cut that sounds a lot like Motley Crue chronicles the trouble that a boy crazy sister of a member of the band can create. "For such a sweet little lady I would swear she's rotten to the core. Oh yes she got her hands in the cookie jar."

18 and Life
This darker ballad tells the story of Ricky who kills someone with a gun while drunk and is sentenced to life in prison. Dave "Snake" Sabo and Rachel Bolan wrote the song after reading a story in the local paper about an 18 year old who accidentally killed his friend with a gun he thought was unloaded.

ENTERTAINMENT TRACK:

Theme song from the animated series “ALF: The Animated Series”
After its "real life" series, the cat-munching alien ALF returned in animated form. It finished its run in 1989.

STAFF PICKS:

Charlotte Anne by Julian Cope
Bruce leads off the staff picks with a forgotten song that hit number 1 on the Modern Rock Tracks chart at the time. This is the first single from Cope's fourth solo album "My Nation Underground," an album that Cope considers to be a poor album. Julian Cope comes out of the Liverpool punk scene, and his solo work is a bit reminiscent of the Cure.

Driven Out by The Fixx
Rob brings us British new wave band The Fixx in a work off their fifth album. It talks about the pillaging of the land driven by greed. "I'm cooking with microwaves to warm up food not seen the soil - plugged into my TV, used to the lies their telling me." It hit number 55 on the Billboard Hot 100, and number 1 on the mainstream rock charts.

Funky Cold Medina by Tone Loc
Wayne's staff pick was everywhere in 1989. A funky cold medina was an aphrodisiac, and its use would get the singer into all kinds of trouble when he gives it to his dog, or to a girl who turns out to be a transvestite. It peaked at number 3 on the charts, and if the main beat sounds familiar, it may be because it comes from "Hot Blooded" by Foreigner.

Two Hearts by Phil Collins
John features a song Collins sang for his poorly received film "Buster." Lamont Dozier of Motown fame wrote this song, and it was Dozier's 14th and last number 1 song. It is about two people connected through time and space even when they are not together.

NOVELTYTRACK:

Let's Put the X in Sex by Kiss
Even rock legends put out a failure from time to time. This could be considered one of those - you be the judge!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - January: Pink Floyd “The Wall” Jan 30, 2023

Pink Floyd would score another big hit and some mainstream crossover success with their eleventh studio album, The Wall. Originally conceived by bassist Roger Waters, The Wall explores the self-isolation of a cynical rock star named Pink, and portrays events in his life from the loss of his father, to childhood trauma, to the pressures of rock stardom as bricks forming the wall. Parts of the story are autobiographical from Waters, and parts naturally are based on former front man Syd Barrett. The album was a commercial success, the most successful double album of all time, the second most popular Pink Floyd album behind their monstrous hit "Dark Side of the Moon," and would produce the groups only number 1 single on the charts with "Another Brick in the Wall, part 2." Critical reviews were mixed at first, with some considering the rock opera to be pretentious, but the reviews would turn more positive over time.

This would be the last album to feature the classic band lineup. Richard Wright would be fired by Roger Waters during production, though he would stay on as a studio musician for the album. One further studio album would be produced before acrimony would lead to Waters departure from the band.

What the Riff co-founder Brian Dickhute brings us this album for today's podcast. Brian is also using this as a swan song of sorts as he takes a break from regular podcasting duties to spend more time with the family. Thanks so much for all your work over these hundreds of podcasts, Brian!

Hey You
This well-known track leads off side three of the album and reflects the desperation as Pink realizes how the wall of isolation he has built has trapped him in a cell of his own creation. The inspiration for this song was the breakup of Waters' marriage.

Is There Anybody Out There?
In the film this song is used to transition from Pink the rock star to Pink the dictator. Session musician Joe DiBlasi was brought in to play the fingerstyle guitar on this piece.

Nobody's Home
The last song written for the album was the result of a fight between Roger Waters and David Gilmour. It was inspired by the isolation Waters felt during their 1977 tour and musings on Syd Barrett. Some of the lyrics are also built around Richard Wright, keyboardist, who was allegedly dealing with drug addiction at the time.

Vera
This song is a flashback to days of World War II. The title was inspired by Vera Lynn, a British singer popular during the war who sang the song "We'll Meet Again." Waters lost his grandfather in WWI and his father in WWII.

Bring the Boys Back Home
Roger Waters considers this brief song the central theme of the album. The idea is that not just war, but all activity including business and rock music should not be allowed to isolate a person from friends and family.

Comfortably Numb
One of the more popular songs from the album, the music was written by David Gilmour and the lyrics by Roger Waters. A significant argument occurred between Gilmour and Waters on the arrangement of this piece, with Gilmour preferring a stripped-down format and Watters wanting a more symphonic approach. The contrasting sections of orchestration and more simplistic riffs is the result of the compromise made for the piece.

ENTERTAINMENT TRACK:

Frosty the Snowman by Jimmy Durante
No, it isn't Christmas again. Popular entertainer Jimmy Durante passed away in January of 1980, and his is one of his best known songs.

STAFF PICKS:

The Spirit of Radio by Rush
Bruce sneaks another Rush song in for Brian's final episode as a regular podcaster. The lead-off track to Rush's album "Permanent Waves" was inspired by the slogan of CFNY-FM in Toronto. FM radio was moving from a more free-form format to a more commercial format, and CFNY was bucking the trend.

Damned If I Do by the Alan Parsons Project
Rob brings us a piece from Alan Parsons' fourth studio album called "Eve." The album is focused on the strength and characteristics of women and the difficulties they face in a world of men. "Damned if I do, damned if I don't, but I love you."

Boom Boom (Out Go the Lights) by Pat Travers
Wayne's staff pick is a boogie woogie cover of a blues song originally released by Little Walter in 1957. It is a well known party song which would not be politically correct today. There's some great guitar playing, and an excellent call-and-response in the live version.

Ladies Night by Kool & The Gang
Brian's staff pick was a popular song in the dying days of disco. This song would see a revitalization of Kool & the Gang's popularity going into the early 80's.

INSTRUMENTAL TRACK:

Pipeline '76 by Roger Powell
It is unusual to find surfing instrumentals during the early 80's, but this one was around at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - September: Black Sabbath “Paranoid” Jan 23, 2023

Rolling Stone magazine ranked Paranoid, the second studio album by Black Sabbath, to be the number one of its "100 Greatest Metal Albums of All Time." Originally known by the name Earth, the band took the name Black Sabbath from a 1963 horror film starring Boris Karloff. The band members were Bill Ward on percussion, Geezer Butler on bass, Tony Iommi on guitar, and Ozzy Osbourne on vocals. It was originally a heavy blues band from Birmingham, England, but took on a darker complexion with lyrics of doom.

Much of the music on Paranoid was developed during jams while the band was on the road.

This album was panned by critics at the time, but it reached number 12 on the US charts. This is quite a feat, considering that the band received virtually no airplay on rock radio when the album came out. It would come to be considered a great heavy metal album, and Black Sabbath would be inducted into the Rock and Roll Hall of Fame.

Wayne brings us this forerunner of prog rock and heavy metal.

War Pigs
The lead track for the album was originally going to be called "Walpurgis," a term for a black magic wedding or a Satanic version of Christmas. The label had concerns about this and had them change the title to War Pigs. The lyrics are about warmongers trying to get the working class to fight the wars for them.

Paranoid
This was the band's only top 10 hit in the UK, and it went to number 61 in the US. Though named "paranoid," the song is really about depression. The riffs bear a striking resemblance to Led Zeppelin's "Communication Breakdown." Led Zeppelin was one of the band's favorite groups at the time.

Rat Salad
This track is largely a guitar and drum solo. The name comes from a joke about Ward's hair not being combed. This would be used in concerts as "filler" to give the vocalists a break.

Iron Man
One of the more famous singles from Black Sabbath, it became even more famous after being used in Marvel's Iron Man movie. The lyrics are about a man who travels to the future and sees the apocalypse. When he returns to the present, he is turned into steel, ignored by the population he tries to warn, and turns vengeful - causing the destruction seen in his vision.

ENTERTAINMENT TRACK:

Main theme from the television series “The Mary Tyler Moore Show”
This sitcom set in Minneapolis benefitted from early 70's feminism as it featured a single career-oriented woman making her way on her own.

STAFF PICKS:

It's A Shame by The Spinners
Bruce's staff pick brought the Spinners a hit at number 14 on the Billboard Hot 100, their first hit in about 5 years. This single was co-written by Stevie Wonder and Syreeta Wright in their first collaboration. Wonder and Wright would get married in September of 1970. The Spinners would go on to have bigger success after signing with Atlantic in 1972.

War by Edwin Starr
Rob brings us a classic protest song. "War! What is it good for? Absolutely nothing." Motown first released this song with the Temptations, but Starr would take it to number 1 with a heavier sound, reminiscent of James Brown. The Undisputed Truth is the backing band on this song.

I Want to Take You Higher by Ike and Tina Turner
Brian's staff pick is a cover originally performed by Sly & the Family Stone. Ike and Tina Turner would take this song to number 13 on the charts, so they did ineed take it higher than the original which peaked at number 38.

Tighter Tighter by Alive 'N Kickin'
Wayne features a one-hit wonder written by Tommy James that Alive N' Kickin' took to number 7. The group split up shortly after the single fell off the charts. They would reform in 1976, and still perform from time to time today. Despite being a pop love song, it has a surprisingly solid guitar riff.

NOVELTY TRACK:

Rubber Duckie by Ernie
This Sesame Street song was on the pop charts a number 16 on the Billboard Hot 100 in September of 1970.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - December: Sam & Dave “Double Dynamite” Jan 16, 2023

Sam Moore and Dave Prater were known as Sam & Dave, a huge soul act from the late 60's. They were known as The Sultans of Sweat, The Dynamic Duo, and Double Dynamite. This album is their second studio album out of Stax Records, also called Double Dynamite.

Sam & Dave are considered one of the greatest live acts out of the 60's, and a lot of musicians cite their influence on their work, including some you would expect like Al Green and Michael Jackson. There are also a lot of musicians who were influenced who were significantly removed from the R&B genre like Tom Petty, Elvis Costello, Bruce Springsteen, Billy Joel, and Steve Winwood.

Sam & Dave got their start in church in gospel choirs. They met on the gospel music circuit and sang together in small clubs where they developed their sound based on a call-and-response approach to music from the gospel tradition. They were discovered at the King of Hearts nightclub in Miami in the early 60's, and signed to Marlin Records at first. They eventually made it to Atlantic Records in 1964 from which they were loaned out to Memphis-based Stax Records. Stax had a lot of offer Sam & Dave, including the Stax horn section called the Mar-Keys, and their house band, Booker T. and the M.G.'s.

Bruce brings us this icon of soul, and friend of the show John Lynch joins us for this discussion.

You Got Me Hummin'
Leading off the album, this single was written by Isaac Hayes and David Porter. Sam & Dave took this hit to number 8 on the R&B charts, and number 77 on the Billboard Hot 100. A number of other groups would do this song, including Freddie Fender and the Pointer Sisters. Its highest charting on the Billboard Hot 100 was number 52 by Cold Blood.

Just Can't Get Enough
This is a deeper cut, though I imagine just about any Sam & Dave song could be familiar with the number of covers or singers inspired by their songs. This one has some lyrics that might be difficult to sing today - "The more I get the more I want. It makes me feel good 'cause you never say don't. I just cant get enough."

Sweet Pains
This track is another deep cut. This one takes a description comparing love to pain, a path that would be echoed in John Cougar's "Hurts So Good," and Sade's "Sweetest Taboo." "Sweet pains, feels good."

When Something Is Wrong with My Baby
The big hit off the album was their only ballad single. Hayes and Porter wrote it, and you have both Booker T and the MG's and the Mar-Keys horns playing on it. A bunch of people have covered this song, including Jonny Gill, Charlie Rich, and in 1990 Linda Ronstadt and Aaron Neville did well with it.

ENTERTAINMENT TRACK:

Marching Theme to the motion picture "Follow Me, Boys!"
This Boy Scout themed movie starring a young Kurt Russel was the last film Disney Studios released prior to Walt Disney's death.

STAFF PICKS:

Mellow Yellow by Donovan
Rob kicks off the staff picks with a psychedelic hit. Scottish singer-songwriter Donovan took this song to number 2 on the Billboard Hot 100. Some thought the song was about a type of drug, but it was actually about a...well, let's just say it is an adult toy.

Talk Talk by The Music Machine
Wayne's staff pick is a garage band one-hit wonder. This song would use some techniques which were novel at the time, including the use of a fuzz box on the bass line, and tuning the instruments down a half step to produce a heavier sound.

If I Were a Carpenter by Bobby Darin
Brian brings us a song written by Tim Hardin and popularized by Bobby Darin. It hit number 8 on the Billboard Hot 100, Darin's first hit in three years. The lyrics question whether an elegant woman would be satisfied with a man who was merely a carpenter. Darin had passed on two songs, "Do You Believe In Magic" and "Summer in the City," both of which would be hits for the Lovin' Spoonful.

You Keep Me Hangin' On by The Supremes
Friend of the show John Lynch brings us a big hit for Diana Ross and the Supremes. It would also be a hit for a long list of cover artists including Vanilla Fudge, Phil Collins, Kim Wilde, and Rod Stewart.

NOVELTY TRACK:

Winchester Cathedral by The New Vaudeville Band
This novelty song doubles up as Bruce's staff pick. It was a number 1 hit in the United States and would win the Grammy for the best contemporary song in 1967, beating out singles from the Monkees, the Beach Boys, and the Beatles.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - May: U.K. "U.K." Jan 09, 2023

The supergroup U.K. was founded by former King Crimson percussionist Bill Bruford (also a former founder of Yes) and bassist and vocalist John Wetton (also a former member of Uriah Heep, and Roxy Music). After failing to reform King Crimson, each of the two brought in a musician they thought would work well in the group. Wetton brought in Eddie Jobson, violinist and keyboardist from Frank Zappa's band. Bruford brought in Allan Holdsworth on guitars (who had worked on Bruford's prior solo project.

Their self titled debut album was released in May, 1978. Although a couple of songs were edited for single release, the album U.K. is best known as a prog rock masterpiece, and is cited as inspirational to many musicians who followed in the prog rock genre.

After an extensive tour supporting the album, Wetton and Jobson had a falling out with Holdsworth and fired him. Bill Bruford left at that time and was replaced by Terry Bozzio, another alumnus of Frank Zappa's band and a future founding member of Missing Persons.

John Wetton would go on in the days after U.K. to be the front man for Asia.

Rob brings us the prog rock monster-piece.

In the Dead of Night
The track that leads off the album was one of two songs to be edited for release as a single. On the album it is the first of three songs which form a continuous suite on the first album side. The 7/4 time and the synthesizer - the Yamaha CS-80 had just been released - are prog rock hallmarks. The electric violin is an unusual addition.

By the Light of Day
This track is the second movement of the "In the Dead of Night" suite. Rather than have a clear change in tracks, there is a slow transition via a "spacey" interlude into the new song of the suite. "Black clouds moving gray skies to thunder. Kinetic sunrise fever and flood. Fire and water element anger horizon melting to blood."

Presto Vivace and Reprise
This is the third movement of the "In the Dead of Night suite. This is a much faster piece (as the term Vivace would suggest) before transitioning back into a reprise of "In the Dead of Night."

Time to Kill
The abrupt start to this song is due to the way the tracks drift into each other. The concept is that of boredom, of being stuck in a place. "Time to kill, going nowhere, killing time, staying where there's time to kill, going nowhere..."

ENTERTAINMENT TRACK:

That'll Be the Day by Buddy Holly (from the motion picture "The Buddy Holly Story")
Gary Busey was nominated for the Oscar for his portrayal of early rocker Buddy Holly in this film. Busey would sing and play for the part.

STAFF PICKS:

Goodbye Girl by David Gates
Bruce leads off the staff picks with a soft rock solo from former Bread front man David Gates. The song is from the Neil Simon movie "The Goodbye Girl," which would lead to Richard Dreyfuss becoming the youngest man to win an Oscar for Best Actor at the time.

Lay Down Sally by Eric Clapton
Brian presents a pop hit from Clapton's album Slowhand. It went to number 3 on the Billboard Hot 100. It was written by Clapton, George Terry (guitar), and Marcy Levy (who sings the female parts on the song). It was written in the country blues style of J.J. Cale, and hit number 26 on the Hot Country Songs chart, Clapton's best showing on that chart as a crossover.

Ain't It Fun by Dead Boys
Wayne features a song from Cleveland's own Dead Boys. This song appears on their second studio album, "We Have Come for Your Children." They were known as one of the rowdiest bands on the punk scene. It hit number 8 on the Mainstream Rock charts, and is an ode to the punk rock lifestyle.

With a Little Luck by Wings
Rob brings us Paul McCartney with a song recorded largely in the Virgin Islands on a yacht equipped with a 24-track mobile recording studio installed on it. This single from the album "London Town" hit number 1 on the pop charts.

INSTRUMENTAL TRACK:

Alaska by U.K.
This instrumental lets us do some double dipping with the track that leads off side 2 of the U.K. album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - July: The Easy Rider Motion Picture Soundtrack Jan 02, 2023

The cult classic film Easy Rider was released this month. A landmark counter culture movie, the film traces the journey of Wyatt and Billy as they make their way on motorcycles from a successful drug deal in Los Angeles to the Mardi Gras festival in New Orleans. Peter Fonda, Dennis Hopper, and Terry Southern wrote the film, and it stars Fonda, Hopper, and Jack Nicholson. Dennis Hopper directed the movie.

Originally the plan was for Crosby, Stills & Nash to do all the songs on the soundtrack. When the editor plugged in contemporary songs as placeholders, the sound convinced Dennis Hopper to reverse this decision.

The Easy Rider Soundtrack was crafted with contemporary late 60's music, and stands out as an excellent example of the music of the counterculture. Each piece used in the movie was curated with the idea of maintaining the story.

Wayne brings us this forerunner of prog rock and heavy metal.

Don't Bogart Me by Fraternity of Man
Psychedelic and blues rock band the Fraternity of Man would have their biggest hit with this song. It recommends generosity with illicit smoking materials. This song originally appeared on their self-titled debut album in 1968 before being included in this soundtrack.

Ballad of Easy Rider by Roger McGuinn
Bob Dylan was an uncredited contributor on this song. The Byrds front man Roger McGuinn performed this as a solo work. It was the only song originally written for this film, and appeared on one of McGuinn's albums later.

The Weight by The Band
This song chronicles the experience of a visitor to Nazareth, Pennsylvania, even though much of its influence is from the American South. Nazareth is the home of Martin guitars, and that is why the lyrics transfer to that location. Licensing could not be gained for the soundtrack even though it was used in the film, so a group called Smith was used for the soundtrack instead of The Band.

Born To Be Wild by Steppenwolf
Steppenwolf's most successful single appeared on their debut album in 1968 before being used in "Easy Rider." Many consider it to be the first heavy metal song, and the lyric "heavy metal thunder" contributes to that. This song would be used as a motorcycle anthem from this time on.

ENTERTAINMENT TRACK:

Wasn't Born to Follow by The Byrds (from the motion picture “Easy Rider”)
Yes, we get to do a little double dipping with our entertainment track this week.

STAFF PICKS:

Put a Little Love in Your Heart by Jackie DeShannon
Rob opens this week's staff picks with a song that hit number 2 on the Billboard Hot 100, and it was used in the film "Drugstore Cowboy." Jackie DeShannon is best known for the song, "What the World Needs Now is Love." DeShannon also wrote "Betty Davis Eyes" for Kim Carnes.

In the Ghetto by Elvis Presley
Brian brings us The King with a poignant song about a child from the dirt street part of town. Writer Mac Davis was inspired by the story of a friend who grew up in poverty. Elvis completely identified with this song because of his impoverished upbringing.

I Can Sing a Rainbow/Love Is Blue by the Dells
Bruce's staff pick is a cover medley of Sing a Rainbow, best known in its 1955 rendition by Peggy Lee, and Love is Blue, originally a French song best known as an instrumental easy listening piece by Paul Mauriat that was a number 1 hit in March of 1968. the Dells hit number 22 on the US charts with this version during the height of their success between 1966 and 1973.

I'd Rather Be an Old Man's Sweetheart by Candi Staton
Wayne features a soul hit from Muscle Shoals. This is Staton's first hit, rising to number 9 on the R&B charts, and number 46 on the pop charts. Staton is known as the "First Lady of Southern Soul." "I'd rather be an old man's sweetheart than a young man's fool."

INSTRUMENTAL TRACK:

A Boy Named Sue by Johnny Cash
Cash released this novelty song telling the story of a boy who had to grow up tough after his absentee father left him with the name of Sue.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1974 - March: Gordon Lightfoot “Sundown” Dec 26, 2022

Canadian singer-songwriter Gordon Lightfoot would see his commercial success zenith with this tenth studio album, Sundown. Lightfoot got his start in music at an early age, singing in the choir at St. Paul's United Church in Orillia, Ontario as a child. As a young man he lived in California for a short period, studying jazz composition and writing jingles to support himself, but he soon chose to return to his native Canada and never left. Gordon Lightfoot would inspire many artists - Bob Dylan considered him a type of mentor - and numerous artists would cover his songs, including artists like Glenn Campbell, Olivia Newton-John, Eric Clapton, Bob Dylan, and the Grateful Dead.

Sundown showcases Lightfoot's folk and country blend. It hit number 1 on the US Billboard 200 charts, the only Lightfoot album to do so to date.

Lightfoot's baritone voice and acoustic-led approach to songwriting would prove a powerful formula for success in the soft rock genre of the 70's. Gordon Lightfoot would continue writing songs for many years, and his 21'st studio album was released in 2020.

Brian brings us this album for today's podcast.

Sundown
The title track was inspired by Lightfoot's then-girlfriend, Cathy Smith. She would spend a lot of time drinking in the bars during the day while Lightfoot was working on the album, and he worried about her running off with someone. And yes, the song was written around sundown. It was Lightfoot's only Number 1 song on the Billboard Hot 100.

High and Dry
This upbeat folk song references the sea as a metaphor for a girl who the singer hopes will settle down before she gets left high and dry. The female harmonies on this song are from Cathy Smith, with whom Lightfoot was having a tumultuous relationship (see above: “Sundown.”).

The Watchman’s Gone
Speculation abounds that the Watchman in this deeper cut may be alcohol, or the devil, or maybe death. "You better beware, knowin' the watchman's always there."

Carefree Highway
This song peaked at number 10 on the Billboard Hot 100. It tells of the highway as a means to escape the oft-returning thoughts of a relationship that was lost long ago. Lightfoot saw a sign to Carefree, Arizona, and that inspired the title.

ENTERTAINMENT TRACK:

Day By Day by Robin Lamont (from the motion picture “Godspell”)
This song was on the charts at the time. It came from the motion picture, based on the musical "Godspell."

STAFF PICKS:

Music Eyes by Hartsfield
Wayne leads off the staff picks with an underrated but epic song. JC Hartsfield and Perry Jordan created the band in 1970 in Chicago, though the band has more of a country rock or southern rock sound. Perry Jordan died in 2011, and JC Hartsfield died after a motorcycle accident in 2014. The song was written by Jordan and inspired by a friend's 3 year-old daughter.

Spiders and Snakes by Jim Stafford
Rob brings us this novelty song with a swamp rock feel. Stafford cautions all the guys on being a bit too boyish around the women. "I don't like spiders and snakes, and that ain't what it takes to love me."

Rock On by David Essex
Bruce's staff pick takes a psychedelic turn. Essex would take this song to number 5 on the Billboard Hot 100. It is an ode to the old days of Rock and Roll, with its reference to James Dean, blue suede shoes, and summertime blues. Michael Damian would take a cover to number 1 on the Billboard Hot 100 in 1989.

Boogie Down by Eddie Kendricks
Brian's staff pick takes a dangerously disco turn. Singer-songwriter Eddie Kendricks who co-founded the Temptations would do well in this solo outing. This falsetto song just missed the top of the charts, hitting number 2 on the Billboard Hot 100.

COMEDY TRACK:

The Streak by Ray Stevens
And with that, we're off and running. He likes to show off his physique. Boogity, Boogity!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - December: Foreigner "Agent Provocateur" Dec 19, 2022

Foreigner took some significant time between their fourth and fifth studio albums. Agent Provocateur was released in December of 1984 and made it to number 5 on the US charts. Interestingly it hit number 1 in the UK, the only Foreigner album to do so. It had a balance of heavier rock songs and lighter ballads, allowing the group to appeal to both male and female fans.

At the time, Foreigner consisted of Lou Gramm on lead vocals and percussion, Mick Jones on guitars and keyboards, Rick Wills on bass, and Dennis Elliott on drums. Jones and Gramm are the primary songwriters, and their differences fuel an excellent sound. Unfortunately, writing credits around this album and its big hit, "I Want to Know What Love Is" would drive dissent. Gramm would appear on the next Foreigner album, then would split from the group.

Friend of the show John Lynch joins us in Bruce's absence, and Rob brings us this album.

Tooth and Nail
The track that leads off the album was co-written by Mick Jones and Lou Gramm. While it received some airplay, this rocker is an underrated song from Foreigner. The lyrics describe a boy considered to be not good enough for the girl, and the fight that he would wage to be worthy of her.

Reaction to Action
The third single from the album is a more hard rocking and energetic song than the first two singles. Jones and Gramm share writing credits for this one as well. The lyrics tell of an intriguing girl and how her actions prompt a "reaction to action."

A Love in Vain
This deeper cut has a heavy synthesizer sound and a lighter rock feel. This song is also a good showcase of Gramm's vocals.

I Want to Know What Love Is
This is the first single and big hit from the album. It was the song that propelled the album, but drove a wedge between Gramm and Jones. The track features a New Jersey choir backing Gramm's vocals. Mick Jones spent a lot of time with the choir, freeing Gramm to sing as he wished. This freedom, coupled with disputes about writing credits, would drive later decisions for Gramm to depart the group.

ENTERTAINMENT TRACK:

Main theme from "Monday Night Football"
Broadcaster Howard Cosell would depart the booth, retiring this month.

STAFF PICKS:

Walking on a Thin Line by Huey Lewis & the News
Brian starts off the staff picks with the fifth single off the album "Sports." Despite its upbeat sound, the subject is more serious than many other Huey Lewis songs. It tells of an American soldier trained as a sniper in the Vietnam War, and who must face his demons when he returns home.

Naughty Naughty by John Parr
Wayne features a debut single with a great synth beat. English singer songwriter John Parr writes lyrics attempting a romantic conquest.

Like a Virgin by Madonna
John brings us pop phenomenon Madonna with her first number 1 hit. The song's co-writer Billy Steinberg drew inspiration for this song from a new romantic interest during a time when he thought he would never get over a previous relationship. The song would become a signature song for Madonna and an iconic song of the 80's.

Black Cars by Gino Vannelli
Rob continues the synth heavy trend in this podcast. The title track from the album of the same name tells of an aging woman fighting the fading of her beauty. "Black cars look better in the shade. She slips her lipstick on right before she sleeps for all those phantom lovers in her dreams."

INSTRUMENTAL TRACK:

Junku by Herbie Hancock
This song was played on Saturday Night Live when Hancock was the musical guest in the month.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - August: “The Crow: Original Motion Picture Soundtrack” Dec 12, 2022

The superhero movie “The Crow,” released in 1994, will forever be known for two events. First, the tragic death of lead actor Brandon Lee, son of Bruce Lee, during production of the film would cast a pall over the movie from then on. Second, the outstanding music of The Crow: Original Motion Picture Soundtrack would result in a chart-topping album. This soundtrack is a veritable who's who of alternative rock at the time, including artists like The Cure, Violent Femmes, Nine Inch Nails, and Stone Temple Pilots.

The Crow is based on a comic book series of the same name, written in 1989. The protagonist is brutally killed by a gang along with his fiancée, and is brought back to life by a crow to wreak vengeance on the murderers.

This soundtrack would hit number 1 on the Billboard 200 charts in 1994.

Friend of the show John Lynch leads the commentary on this album.

Burn by The Cure
The Cure was an inspiration for James O'Barr, the creator of the comic series, and lead man Robert Smith wrote this song specifically for the film. Burn leads off the album.

Golgotha Tenement Blues by Machines of Loving Grace
This song was also written specifically for the film. The name of the song takes Christian imagery and reflects it on the dark mood set by the movie. Golgotha was the place where Jesus was crucified, and Tenement reflects the ghetto where the protagonist originated. The song appears only on the soundtrack, not on any MOLG album.

Color Me Once by Violent Femmes
This track would significantly enhance the popularity of the Violent Femmes. The song depicts disappointment in relationships when hard realities dash hopes.

Slip Slide Melting by For Love Not Lisa
A rocking track from an underrated group. KISS alum Ace Frehley wrote songs and made guest appearances with For Love Not Lisa. Slip Slide Melting appears on their first album entitled “Melting,” which was released in 1993. They would release one other album before disbanding in 1996.

ENTERTAINMENT TRACK:

Main Theme from NFL on FOX
Newcomer network FOX debuts its first NFL game in August of 1994.

STAFF PICKS:

New Age Girl by Deadeye Dick
Wayne leads off the staff picks with a song from the soundtrack of “Dumb and Dumber.” The song describes Mary Moon, a new age vegetarian. It generated some controversy with its lyrics, “she don't eat meat, but she sure likes the bone.” Some radio stations would edit out the word "bone."

Breathe by Collective Soul
Rob features a song off Collective Soul's 1993 album “Hints, Allegations, and Things Left Unsaid.” Hailing from Stockbridge, Georgia, Collective Soul would have a number of hits beginning in the 1990s, particularly “Shine” and “The World I Know.”

Come to My Window by Melissa Etheridge
Brian brings us the second single from Etheridge's breakout fourth album “Yes I Am.” The song remained in the Billboard Hot 100 for 44 weeks. Etheridge would win a Grammy for Best Female Rock Vocal Performance.

Don't Turn Around by Ace of Base
John Lynch closes out the staff picks with Swedish reggae group Ace of Base, performing a remastered song originally performed by Tina Turner in 1986. Ace of Base would take their version to number 4 on the Billboard Hot 100.

INSTRUMENTAL TRACK:

Theme from the motion picture “The Little Rascals”
A movie version of the of the old Our Gang comedy short films from 1922 was released in this month.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - April: The Monkees "The Birds, The Bees & the Monkees" Dec 05, 2022

1968 was a year of disappointments for the Monkees. During this year their television series was cancelled, their first motion picture effort failed at the box office, and band member Peter Tork would leave the group at the end of the year. Despite all this they would still find success in their fifth studio album, The Birds, The Bees & the Monkees. This album would chart at number 3 in the United States and would sell over a million copies.

Members Mickey Dolenz, Davy Jones, Michael Nesmith, and Peter Tork had gained artistic control and the right to play their own instruments by 1967, and all band members were credited as producers for the songs on this album. However, much of the music on this album was created by members going their own separate ways and working with session musicians to create the tracks, with few collaborative efforts represented on the album. Nevertheless, the album shows a diverse range of styles from broadway pop, to country & western, to psychedelia. Songs from Mickey Dolenz, Davy Jones, and Michael Nesmith are represented on the album, and only Peter Tork is excluded. Tork would contribute piano work to the song “Daydream Believer,” but little else on the album.

Friend of the show Mike Fernandez brings us this album in Wayne's absence.

Daydream Believer
John Stewart of the Kingston Trio wrote this song, and it was originally performed by the Monkees with Davy Jones singing lead. It hit number 1 on the US charts. The original lyrics were “and now you know how funky I can be,” but “funky” was changed to “happy” due to concerns that funky might have drug or other unsavory references.

Auntie's Municipal Court
Mickey Dolenz sings lead on this track composed by Michael Nesmith and Keith Allison. We feel it has a “jangle pop country feel.” The title doesn't appear in the lyrics, and writer Michael Nesmith has no recollection why it was named as it was. It was not the only song whose title was not referenced in the song.

Valleri
Tommy Boyce and Bobby Hart wrote this song with Davy Jones on lead. It reached number 3 on the US charts and would be the last top 10 showing for the Monkees. Guitar work is done by Louie Shelton, a session guitarist with the Wrecking Crew.

Zor and Zam
Bill and John Chadwick penned this track, sung by Mickey Dolenz. It is an unusual anti-war song in the Monkee's catalogue. The lyrics describe preparation for a war between two kingdoms, but no one shows up when the war is supposed to happen. This psychedelic track closes the album.

ENTERTAINMENT TRACK:

Main theme from the television series “The Andy Griffith Show”
This long running series on the life and time of Sheriff Andy Taylor of Mayberry, North Carolina ended its run in this month.

STAFF PICKS:

Kiss Me Goodbye by Petula Clark
Brian's leads off the staff picks with a Les Reed and Barry Mason composition. This song would reach number 15 on the US Billboard Hot 100, and would be the last time Petula Clark reached into the top 30 on that chart.

Just Dropped In (To See What Condition My Condition Was In) by The First Edition
Bruce brings us a psychedelic rock song recorded by the First Edition as their second single, and the first to feature Kenny Rogers on lead vocals. It peaked at number 5 on the Billboard Charts and was Rogers' first top 10 hit. The solo is played by Glen Campbell with heavy compression and tremolo to get the psychedelic feel. The lyrics are a warning about the dangers of LSD.

Lady Madonna by the Beatles
Rob's staff pick is a well-known tune. This was written by Paul McCartney, and marked a change into a more rock sound from the psychedelic sound they had previously explored. It talks about a working class mother who has something to do every day of the week.

A Beautiful Morning by the Rascals
Mike features a very optimistic tune from a prolific group. This easy breezy song was written by Rascals members Felix Cavaliere and Eddie Brigati, Jr. in Honolulu, Hawaii, where beautiful mornings are a common occurrence.

INSTRUMENTAL TRACK:

2001: A Space Odyssey (Also Sprach Zarathustra by Ricard Strauss)
Stanley Kubrick would make this Richard Strauss theme famous in his epic science fiction movie based on the Arthur C. Clarke book. The film as released this month in 1968....and we couldn't pronounce it either!!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Christmas Songs that Rock V: A What the Riff Rabbit Hole Nov 28, 2022

We at What the Riff!?! hope that y'all have a great Christmas — we hope these songs make your season a little more merry and bright.

“Deck the Halls” by Twisted Sister
This classic carol was probably not originally envisioned to be quite as rocking as this, but Dee Snyder and Twisted Sister took it up a notch! This is the sixth and last Twisted Sister studio album they would produce, and we’re sure they donned their gay apparel for this final outing.

“Skynyrd Family” by Lynyrd Skynyrd
Some southern charm was put on this song that tells of Lynyrd Skynyrd finishing up their tour and headed home for Christmas. It is off their eleventh studio album entitled “Christmas Time Again,” released in 2000.

“I Saw Mommy Kissing Santa Claus” by the Jackson 5
John Lynch brings us a classic Christmas song as performed by the Jackson 5. Michael Jackson recorded this song on his 12th birthday in 1970.

“2000 Miles” by the Pretenders
This song was on “Learning to Crawl,” the breakout studio album by the Pretenders released in 1983. Chrissie Hynde wrote the song for James Honeyman-Scott, the group's original guitarist who had passed away the year prior to this recording.

“Mistress for Christmas” by AC/DC
Rob may find a lump of coal in his stocking for picking this song for the Christmas podcast! Brian Johnson of AC/DC isn't looking for peace, love, and joy for Christmas…but for a little Christmas nookie. We learned that this song was inspired by Donald Trump.

“Joy to the World” by Michael Bolton
We don't get a lot of Michael Bolton on our podcasts, and John Lynch set out to rectify that. Bolton voices this classic Christmas hymn in his unique Yacht Rock style.

“Boogie Woogie Santa Claus” by the Brian Seltzer Orchestra
Brian Seltzer of Stray Cats fame put this one out there in 2002. The Brian Seltzer Orchestra formed in 1990 as a swing and jump blues band, and put out the album “Boogie Woogie Christmas” with this and other Christmas classics. This is a cover of the song, which was originally released by Mabel Scott in 1954.

“(There's No Place Like) Home for the Holidays” by Perry Como
Perry Como released this classic Christmas song in 1954. It tells of the longing to be home at Christmas, and some of the travelers making their way home.

“Rockin' Around the Christmas Tree” by Brenda Lee
Johnny Marks, who wrote “Rudolph the Red Nosed Reindeer,” “A Holly Jolly Christmas,” and other Christmas songs wrote this one as well. Brenda Lee recorded this in 1958 when she was 13 years old. It is the fifth best selling Christmas single of all time according to Neilson SoundScan.

“Feliz Navidad” by Jose Feliciano
Puerto Rican musician Jose Feliciano wrote this in 1970. He recorded it in Los Angeles while feeling homesick at Christmas as his extended family was in New York. “Feliz Navidad” means “Merry Christmas” in Spanish.

“It's Gonna Be a Punk Rock Christmas” by the Ravers
Wayne brings us a bit of PUNK for the Christmas season. The Ravers released this back in 1977.

“It's the Most Wonderful Time of the Year” by Andy Williams
We decided to include more “non-rock singles” in this episode, and this classic holiday tune originated in 1963 on Williams' first Christmas album. It tells of all the activities that surrounds the Christmas season.

“Let it Snow! Let it Snow! Let it Snow!” by Dean Martin
Sammy Cahn and Jule Styne wrote this in the summer of 1945 during a heat wave in Hollywood, California. Dean Martin released a version in 1959, and re-recorded it in 1966.

“Blue Christmas” by Seymour Swine and the Squealers
This novelty song was recorded in 1984 for a North Carolina radio station morning show. Denny Brownlee is the comedian and impressionist who brought Seymour Swine to life - primarily to avoid copyright issues associated with ©Porky Pig.

“O Come All Ye Grateful Dead Heads” by Bob Rivers
Comedian Bob Rivers had this parody on his “Twisted Christmas” album in 1987.

We hope y'all have a very Merry Christmas and a happy New Year!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 - March: Pink Floyd "The Dark Side of the Moon" Nov 21, 2022

Arguably the biggest album of the entire rock era, Pink Floyd's eighth studio album would propel them to superstardom. The Dark Side of the Moon is one of the most acclaimed records in history, and it is commercially unmatched in its longevity. It topped the US Billboard Top LP's and Tape chart, and charted for 962 weeks in total!

Pink Floyd at this time was David Gilmour on guitar and vocals, Roger Waters on bass and vocals, Richard Wright on keyboards, and Nick Mason on percussion.

The Dark Side of the Moon was envisioned as a concept album focusing on different types of pressure like greed, conflict, and death. It also included examination of mental health issues - as would much of Pink Floyd's discography - inspired by the problems experienced by former front man Syd Barrett. While singles were released, we strongly recommend listening to the album in totality to get the best experience out of it.

Bruce brings us this monster album, and friend of the show Mike Fernandez joins us in Wayne's absence.

Time
This was released in the US as the second single from the album (after Money). Roger Waters wrote the lyrics. David Gilmour and Richard Wright share lead vocals - unusual for Richard Wright. The sounds of clocks were recorded by Alan Parsons in an antique store as a quadrophonic test, but the sounds fit so well with the theme of this track that the band included it. All four principal members were credited with songwriting, and this would be the last time this would happen in the band's history.

The Great Gig in the Sky
This track follows Time, and is basically an instrumental with some spoken words at the front. The band went around the studio asking people questions and Gerry O'Driscal's response is recorded on this track. Female vocalizations are provided by Clare Torry, a session vocalist that Alan Parsons brought in. She wasn't really told what to sing, but was told, "There's no lyrics. It's about dying - have a bit of a sing on that, girl."

Brain Damage
Roger Waters is on lead in this song, with Gilmour providing backing vocals. This and other insanity-themed lyrics are based on Syd Barrett. The lyric, "And if the band you're in starts playing different tunes" has a historical basis, as Barrett would play a different song than the rest of the band on more than one occasion toward the end of his tenure with the band.

Eclipse
This final track is actually a different song from Brain Damage, but is commonly played with it on rock radio stations because there is no break between the two on the album. The song reflects the ying and yang of life - good and bad, life and death, light and dark. "And everything under the sun is in tune, but the sun is eclipsed by the moon."

ENTERTAINMENT TRACK:

Theme to the television game show $10,000 Pyramid
Dick Clark would serve as the initial host of this game show which started in March 1973.

STAFF PICKS:

Crocodile Rock by Elton John
Brian initiates the staff picks with the first number 1 song in the U.S. for Elton John. The song has a 50's throwback sound, with lyrics that tell about a time when the singer danced the Crocodile Rock with Susie. It was inspired by Australian band Daddy Cool and their song “Eagle Rock.”

The Cisco Kid by War
Rob's staff pick is from War's 1972 album, “The World is a Ghetto.” It made it to number 2 on the charts. There's a reggae feel, a little funk, and a little ZZ Top. The song is about two cowboys, Cisco and Poncho, and their adventures. The band wanted their music to spread brotherhood and harmony to displace greed, racism, hunger, and gangs.

Stuck in the Middle With You by Stealers Wheel
Friend of the show Mike Fernandez brings us one of the classic lines in rock music - “clowns to the left of me, jokers to the right, here I am, stuck in the middle with you.” Gerry Rafferty is the founder and principal songwriter for the group. This is Stealers Wheel's biggest hit.

Danny's Song by Anne Murray
Bruce wraps up the staff picks with a song Kenny Loggins wrote for his brother Danny at the birth of his son Colin. It was first performed by a group called Gator Creek in 1970, then by Loggins and Messina in 1972. This cover by Canadian country-pop singer Anne Murray would go to number 7 on the Billboard Hot 100.

INSTRUMENTAL TRACK:

Also Sprach Zarathustra by Deodato
This funky take on the Richard Strauss piece famous for its use in "2001: A Space Odyssey" was on the charts in March 1973.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - January: the Who "Face Dances" Nov 14, 2022

Face Dances is the ninth studio album from the Who, and the first release after the death of drummer Keith Moon three years earlier. During those three years the Who would release the film Quadrophenia and the concert retrospective film The Kids Are Alright. Front man Roger Daltry would try out acting, and Pete Townshend would release his second solo studio album. When the group got back together for Face Dances, Phil Collins expressed an interest in joining the band. However, Kenny Jones (Small Faces, Faces) had already been asked to join. John “Rabbit” Bundrick also contributed keyboard work on this album, and would eventually join as a full time member of the Who. These joined previous members Daltry, Townshend, and bassist John Entwistle.

The album was highly anticipated, and was a commercial success, reaching number 4 on the U.S. Billboard 200 and number 2 on the UK Albums chart. Critical reviews were mixed at the time, and the band has expressed some friction with producer Bill Szymczyk who conducted the final mixing without the full band's input. Regardless, the album is a staple of early 80's rock and many of the songs have achieved a timelessness about them.

Brian brings us this album for today's podcast.

You Better You Bet
The first single and lead-off track to the album was a staple of the new cable station - MTV. It was the Who's last top 20 single, reaching number 18 on the Billboard Hot 100. Townshend developed the song during a period of clubbing with the daughter of a friend. The video was a black and white studio session.

Don't Let Go the Coat
This deeper cut was the second single, and was inspired by Townshend's guru Meher Baba and his statement that his followers “hang fast to the hem of my robe,” meaning to stay true to his teachings. It also may have been inspired by Townshend's parents who would pick him up after his binges on drugs and alcohol.

The Quiet One
Bassist John Entwistle takes an unusual turn as lead singer on this self-referential deep cut. It was the B-side of the single “You Better You Bet.” Entwisle said it was a song trying to explain that he wasn't really quiet, but that he started being quiet and got stuck in the pigeon hole of that label.

Another Tricky Day
“This is no social crisis, just another tricky day for you...fella!” John Bundrick inspired this song, and it claims that what we're going through is nothing unique, but is just another tricky day. The song is the final track on the album, and the video is in the same style as the first single - a black and white studio session.

ENTERTAINMENT TRACK:

Main themefrom the television series “Dynasty”
John Forsythe, Linda Evans, and Joan Collins starred in this prime time soap opera.

STAFF PICKS:

Skateaway by Dire Straits
Bruce brings us a song about a girl who skates around the city, ticking off the drivers, weaving in and out of traffic, and listening to the local rock and roll station on her headphones. This is the lead single from the Dire Straits album Making Movies, and the album title is pulled from the lyrics of this song.

Precious to Me by Phil Seymour
Drummer, singer-songwriter, and guitarist Phil Seymour wrote this song with a throwback doo-wop feel. This is the first single from his first solo album. It hit number 22 on the Billboard Hot 100. Seymour also contributed backing vocals to Tom Petty's “American Girl” and “Breakdown.”

He Can't Love You by the Michael Staley Band
Wayne features a one hit wonder featuring saxophonist and E. Street Band member Clarence Clemons. It made it to number 33 on the Billboard Hot 100, and was the 40th song played on MTV. The Michael Stanley Band is big regionally in Ohio.

I Love a Rainy Night by Eddie Rabbit
Brian's staff pick is a crossover country hit. It hit the top of both the Billboard Hot 100 and Hot Country charts. It describes the feeling that comes from a good rain at night. Rabbit started writing the song in the 60's, but didn't develop it until this album.

INSTRUMENTAL TRACK:

Toccata by Sky
This prog rock group covers the classical piece "Toccata and Fugue in D minor" by J.S. Bach made it on the British singles charts.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - October: Styx “Pieces of Eight” Nov 07, 2022

Styx released their eighth studio album, Pieces of Eight, after achieving breakthrough success with 1977's “The Grand Illusion.” This album would also achieve significant critical and commercial success with this album. Two singles would break into the top 40, and one would land just outside it at number 41. All of these were written and sung by Tommy Shaw who had joined the group for the Equinox album in 1975.

In addition to guitarist and lead singer Tommy Shaw, other members of the band were Dennis DeYoung on lead vocals and keyboards, James "JY" Young on guitars and vocals, Chuck Panozzo on bass, and John Panozzo on percussion.

Pieces of Eight marks a transition for the band, as many consider this album to be the last Styx effort with significant prog rock elements. The band would turn to a more hard rock and pop ballad format on future albums, though their popularity would only grow greater. Pieces of Eight is also considered a concept album, as the band explored how money and materialism affects the pursuit of greater ideals and dreams.

Brian brings us this album for today's podcast.

Sing for the Day
The second single released from the album narrowly missed the top 40 as it peaked at number 41. It has a joyful waltz feel, and references “Hannah,” which is an amalgam of all the female fans of the band.

Pieces of Eight
The majestic title track is a deeper cut which was not released as a single. Dennis DeYoung wrote and sings lead on this song. It was inspired by how money can't buy everything, and the regret faced in looking back over a life occupied by the pursuit of wealth while sacrificing love, dreams, and freedom.

Blue Collar Man (Long Nights)
This first single was released in August of 1978 just ahead of the album. Tommy Shaw was inspired to write it after a friend was laid off from the railroad and experienced frustration standing in line at the unemployment office. The song hit number 21 in the United States charts.

Renegade
The last single would become a staple for Styx tours and remains popular today. It tells of a Western outlaw who has been caught and is about to face execution by hanging. Tommy Shaw claims that the song basically wrote itself. “Hangman is coming down from the gallows and I don't have very long.”

ENTERTAINMENT TRACK:

Ease on Down the Road #1 by Diana Ross and Michael Jackson (from the motion picture “The Wiz”)
The Broadway Play “The Wiz” hit the screens with Diana Ross playing Dorothy and Michael Jackson as the Scarecrow.

STAFF PICKS:

Who Are You by The Who
Rob starts off the staff picks with the title track from the Who album of the same name, released 1 month before Keith Moon's death. Pete Townshend wrote this song after passing out drunk in a doorway in SoHo. He was feeling like a sellout after signing a big contract and experiencing an identity crisis. That's Rod Argent from the Zombies you hear on keyboards.

Feelin' Satisfied by Boston
Bruce's staff pick is the third single from “Don't Look Back.” It hit number 46 on the Billboard Hot 100. It is an ode to Rock and Roll with a positive feel and a clapping in the chorus which brings on audience participation in concerts.

Milk and Alcohol by Dr. Feelgood
Wayne brings us a boogie rock song with a punk feel from an English pub rock band. The song was inspired by blues guitarist John Lee Hooker who the band members often saw in concert drunk on Kahlua and alcohol. Nick Lowe of “Cruel to be Kind” fame wrote this song.

Reminiscing by the Little River Band
Brian finishes off the staff picks with a bit of yacht rock from down under. This is the second single from their fourth studio album, “Sleeper Catcher.” It went to number 3 on the Billboard Hot 100. The song was inspired by the romantic era of black and white movies and the songs of Glen Miller and Cole Porter. John Lennon considered it one of his favorite songs.

INSTRUMENTAL TRACK:

Two Rapid Formations by Brian Eno
This instrumental is from Eno's seventh solo album, "Music for Films."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - December: Joan Jett & the Blackhearts “I Love Rock-n-Roll” Oct 31, 2022

I Love Rock 'n Roll is the first album by Joan Jett & the Blackhearts, and the second solo album by Joan Jett. Born as Joan Marie Larkin, Joan Jett got her start in the music industry as a teenager when her family moved to the Los Angeles area and divorced shortly thereafter. She was a founding member of the all-girl band The Runaways at the age of 16.

Jett began her solo career in England in 1979, where she recorded songs with some of the members of the Sex Pistols. Later that year she returned to Los Angeles where she connected with a songwriter and producer named Kenny Laguna. Laguna would relocate Jett to Long Beach, New York, and assist her with both her first solo album and the formation of the Blackhearts.

The group spent a year touring and building up a following in the New York Area before releasing I Love Rock 'n Roll. This album would be a mixture of original songs and covers, and the title track would spend 7 weeks at the top of the U.S. charts. The album was a commercial success, selling 10 million copies, and is Jett's most successful album to date.

(I'm Gonna) Run Away
Rob starts us off with the second track on the album, a deeper cut, and an original song written by Jett and Laguna. It has a punk feel, as does much of the album, and the lyrics reflect a break-up.

Crimson and Clover
This cover of a song originally performed by Tommy James and the Shondells alternates between a slow and fast tempo, but maintains a hard rock edge throughout, unlike the more psychedelic aspects of the original. Jett was questioned about her choice not to change the pronouns in the lyrics from female to male, and she commented simply that the change in lyrics would make the song not rhyme.

Summertime Blues
Eddie Cochran co wrote and performed this song in 1958. Joan Jett & the Blackhearts speed this one up and give it a punk edge. It was not originally on the album, but appeared as the B-side to a single from Jett's prior solo album “Do You Wanna Touch Me (Oh Yeah).” It would appear on the album as a bonus track when released on CD.

I Love Rock 'n Roll
This title track is the big hit, and is also a cover originally performed by The Arrows in 1975. Jett first heard the song while touring with The Runaways, and she recorded an early version of the song with members of the Sex Pistols in 1979. It was the number 3 song on the U.S. charts for the year of 1982.

ENTERTAINMENT TRACK:

Street Life by Randy Crawford (from the motion picture “Sharkey's Machine”)
This action film featured a stunt involving a plunge out of the Peachtree Plaza hotel, the tallest building in Atlanta at the time.

STAFF PICKS:

Jealous Lover by Rainbow
Bruce starts off the staff picks with the lead-off track from a 4-song EP of the same name. Frontman Joe Lynn Turner and guitarist Ritchie Blackmore wrote this song. Turner wrote the lyrics in about 5 minutes, inspired by an argument he had with Blackmore, which made him think about a fight he'd recently had with his girlfriend. “And it's hard to discover you're like any other jealous lover.”

Young Turks by Rod Stewart
Brian features the first US single from Stewart's eleventh album, Tonight I'm Yours. The song tells the story of two young lovers who run away from their parents to make their own way. Interestingly the phrase “young turks” never appears in the lyrics. The video included an early example of break dancing.

Marie Marie by The Blasters
Wayne brings us a rockabilly song, or as The Blasters would describe it, “R&B in cowboy boots.” The song tells the story of a guy who is told to leave a family's daughter alone, and so he sings to her as he is leaving.

I Love You by Climax Blues Band
Rob's staff pick is a soft rock hit. It tells the story of a guy who is rescued by the love of his wife. It is the second biggest hit by the Climax Blues Band after Couldn't Get It Right. It hit number 12 on the Billboard Hot 100.

INSTRUMENTAL TRACK:

September Fifteenth by Pat Metheny & Lyle Mays
This jazz instrumental was a feature of "Jazz Flavors" on radio station 94Q in Atlanta in December of 1981.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Rocking Halloween - A What the Riff Rabbit Hole Oct 24, 2022

Our Christmas Rabbit Hole Episodes rank among the highest. This special episode features classic rock songs and theme songs which feature a spooky theme. We hope you enjoy this first “Halloween” special from What The Riff?!?

Theme from the television series “The Walking Dead” This post-apocalyptic zombie series ran for 11 seasons, from 2010 until 2022. It was based on a comic book of the same name and sparked multiple spin-offs. The minor key and strings set the mood well for this horror series.

Theme from the television series “The Munsters” A television classic that surprisingly only ran for two seasons, from 1964 until 1966, in black-and-white. Some say the ratings drop that resulted in cancellation of the show was due to competition from "Batman."

Run Like Hell by Pink Floyd This track from “The Wall” features music from David Gilmour and lyrics from Roger Waters, the last collaboration to date from these two. The song represents the turn to violence in the life of Pink as he orders his thugs to attack the “riff-raff.”

Bark at the Moon by Ozzy Osbourne The first single from the 1983 album of the same name tells of a creature who terrorized a town, was killed, and then returns from the dead. The song featured the first Ozzy music video.

Heaven and Hell by Black Sabbath The title track to the 1980 album of the same name features new front man Ronnie James Dio on vocals, taking over for Ozzy Osbourne in the band. Dio is also the source of the lyrics for the track.

Spirits in the Material World by the Police Sting wrote this opening track to the Police October 1981 album “Ghost in the Machine.” It is a psychological and philosophical piece, discussing man's existence and the failure of the institutions around him.

Witchy Woman by the EaglesOne of the early Eagles songs, this track was the only song on the debut album for which Don Henley would have a writing credit. The inspiration was an amalgam of women Henley had met, but the primary inspiration was Zelda Fitzgerald, the muse and wife of F. Scott Fitzgerald.

Hells Bells by AC/DC The lead-off track to the album “Back in Black” starts with the tolling of a 2,000 pound bronze bell. Today it is used in multiple sports events, as well as being a fantastic Halloween song.

Friend of the Devil by the Grateful Dead This folk rock track appeared on the Dead's fifth studio album, “American Beauty,” from 1970. It is one of the most covered Dead songs in their catalog.

Feed My Frankenstein by Alice Cooper While this song was originally recorded by British group Zodiac Mindwarp and the Love Reaction, it is more famous in its cover version which Cooper performed in a cameo in the movie “Wayne's World.” The cover also has guest appearances itself, including Joe Satriani, Steve Vai, Nikki Sixx, and Elvira.

Superstition by Stevie Wonder This funky song came out in October 1972 and hit number 1 on the Billboard Hot 100 in 1973. Wonder chronicles a number of superstitions in the lyrics, and warns against the negative effects of being superstitious.

Thriller by Michael Jackson No Halloween song list would be complete without the seventh single from Michael Jackson's sixth studio album of the same name. Thriller was not originally intended to be a single, but became that in an attempt to boost the album sales. The video would be scarily expensive, and would be called "the most famous music video of all time" by the Library of Congress. The tactic worked, as album sales doubled after Thriller's release as a single.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 - August: Bad English “Bad English” Oct 17, 2022

Bad English is a supergroup composed of members of Journey and The Babys. From The Babys comes John Waite on lead vocals, Rick Phillips on bass, and Jonathan Cain on keyboards. From Journey comes Neal Schon in lead guitar, and Jonathan Cain, the common thread between the two groups. Deen Castronovo is on drums and would later join Journey. The band was initially formed by Cain, Schon, and Waite. The name Bad English comes from a term in the game of pool. John Waite missed a shot, and Jonathan Cain made a comment on how bad his English was.

The group was attempting to sound original and not too much like either of their previous groups or Waite's solo work. They were also being pulled by the record producers towards a highly produced sound common with the hair metal groups of the time. The group wrote about 40 songs in six months for the debut album, eponymously named Bad English, but Waite stated that “a lot of them weren't very good.” There were enough good songs to create a hit album, however, as this debut went to number 21 on the Billboard 200 charts.

Bad English would produce one other album after this debut, but it wasn't very successful. Shortly thereafter the group disbanded with Waite continuing solo work, and with some other members re-joining Journey.

Bruce brings us this supergroup.

Best of What I Got
This is the opening track to the album, and was the fifth of seven singles released - though this one was only released on US rock charts. It hit number 9 on the Mainstream Rock charts. It was also featured in the credits to the buddy cop film "Tango & Cash."

Lay Down
A deeper track written by Waite, Schon, and Cain, this track was not released as a single. It is a bid more rocking, with lyrics about coming back from a trip and getting together with your girl.

Forget Me Not
The first single from the album was a darker song written by Waite, Cain, and Mark Spiro, a songwriter and record producer who worked with a number of musicians. Spiro collaborated on this and four other tracks from the album. The inspiration for these lyrics are Anne Rice's vampire novels. The lyrics deal with possession, lust, and a longing that goes on throughout eternity.

When I See You Smile
This is the big hit single which went to number 1 on the Billboard Hot 100. Diane Warren, an American songwriter and hitmaker for many artists from Celine Dion to Milli Vanilli, wrote this hit. Ironically it would create a rift within the group as they struggled with whether to seek hits on the next album or to create their own material.

ENTERTAINMENT TRACK:

Bring Your Daughter to the Slaughter by Iron Maiden
(from the motion picture "A Nightmare on Elm Street: The Dream Child”)
Freddy Kruger continues his rampage in this fifth installment of the horror franchise.

STAFF PICKS:

Once Bitten, Twice Shy by Great White
Brian starts off this week's staff picks with the biggest hit from LA hair band White Snake. This song is a cover from a 1975 single from Ian Hunter, and appropriate for the title of their fourth album, "...Twice Shy." The lyrics reflect life on the road and learning from bad relationship experiences. The group lived on the road, touring for years.

Love Song by The Cure
Wayne's staff pick goes goth with a surprisingly positive song from a notoriously dark group. Robert Smith, The Cure's lead singer, wrote this song as a wedding gift for his bride, Mary Theresa Poole. Smith and Poole married in 1988, though they had known each other since they were 14.

Closer to Fine by the Indigo Girls
Rob features an Atlanta based indie rock duo. This single is off their platinum selling self-titled second album. Amy Ray and Emily Saliers are joined on this album by multiple Georgia artists, including members of R.E.M. Amy and Emily met in elementary school, began performing together as high school students, and took the title of Indigo Girls in college.

Something to Hold on To by Trevor Rabin
Bruce brings us a single from Yes alumnus Trevor Rabin's fourth solo album. This single went to number 3 on the Mainstream Rock chart, and the video got a Grammy nomination for Best Short Form Music Video. Rabin would later re-join seven other Yes alumni for the Union album in 1991.

INSTRUMENTAL TRACK:

Chinese Torture by Queen
Queen's thirteenth studio album provides this instrumental which closes out this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1972 - April: Deep Purple “Machine Head” Oct 10, 2022

Machine Head is the sixth and most commercially successful studio album Deep Purple ever produced. The band was coming off a two-year tour, and wanted to capture a sound closer to their live shows on the next studio effort. They booked the Rolling Stones Mobile Studio for the recording and booked time at the Montreux Casino. However, just before their studio time was to begin, a fire was started during a concert for Frank Zappa and the Mothers of Invention, and the casino burned to the ground. They then attempted to record at a nearby theater, but this had to be abandoned due to noise complaints. Finally, they were able to secure time at the Grand Hotel in Montreux which had been closed for the winter, and recorded the album. The band did not set up in a ballroom, but at the end of a hallway, and had to communicate with the mobile studio via closed circuit TV.

The album was both a critical and commercial success, topping the charts in many countries and landing at number 7 on the Billboard 200. It also produced many of the iconic Deep Purple songs and riffs.

Wayne brings us this forerunner of prog rock and heavy metal.

Highway Star
The opening track to the album is a killer anthem live and features the Hammond organ prominently. The guitar solo would gain notoriety, and the readers of Guitar World voted it number 15 on their list of "100 Greatest Guitar Solos."

Smoke on the Water
The opening riffs are amongst the most famous guitar riffs of all time. This song tells the story of the band's experience where they almost recorded at the Montreux Casino, but instead watched the building burn to the ground after a flare gun was shot off at the Mothers of Invention concert. The smoke was from the casino burning down, and the water was Lake Geneva.

Pictures of Home
This deeper cut describes the sights and images of the local area around Montreux, far away from home for Deep Purple.

Space Truckin'
This space themed anthem was inspired by the music from the 1960's "Batman" television series. The lyrics themselves are nonsense, but the riffs and the sci-fi vibe make this rocker a favorite. William Shatner covered this song on his album "Seeking Major Tom."

ENTERTAINMENT TRACK:

Main theme from the motion picture “The French Connection”
Gene Hackman starred in this crime thriller which won the Oscar for Best Picture at the 44th Academy Awards in April, 1972.

STAFF PICKS:

Cities on Flame with Rock and Roll by Blue Oyster Cult
Bruce's staff pick is the debut single from the debut self-titled Blue Oyster Cult album. While it did not chart, it would become one of their most famous anthems. Drummer Albert Bouchard is on vocals, and the lyrics explore the aftermath of nuclear war, using rock and roll as a metaphor for destruction.

You Could Have Been a Lady by April Wine
Rob brings us the leading single from the Canadian band's album "On Record." This is a cover originally released in 1971 by the British soul band Hot Chocolate. It would be April Wine's first hit, charting at number 32 on the Billboard Hot 100.

Back off Boogaloo by Ringo Starr
Brian's staff pick is a non-album single Ringo Starr released in March 1972. Former bandmate George Harrison produced and helped write this song, and played guitar on the single. It was recorded shortly after Harrison and Starr appeared in the Concert for Bangladesh. Many consider it an attack on Paul McCartney's solo work at the time.

Jambalaya (On the Bayou) by the Nitty Gritty Dirt Band
Wayne features a Cajun cover originally written by Hank Williams in 1952. The Nitty Gritty Dirt Band was a country rock group from Long Beach, California, and this cover appears on their sixth studio album.

INSTRUMENTAL TRACK:

Afro Strut by the Nite Liters
We close out this week's podcast with this funk and soul instrumental.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - November: Bruce Springsteen “Tunnel of Love” Oct 03, 2022

After the overwhelming success of his “Born to Run” album, Bruce Springsteen's next studio album would take a dramatically different approach. First, Tunnel of Love would be a solo project, and the E. Street Band was not credited as a contributor, though many members of the E. Street Band would be credited individually. Springsteen plays many of the instruments himself, and made use of drum machines and synthesizers on the tracks. Second, the lyrics look inward as Springsteen explores aspects of lost love. Springsteen was reacting to his troubled marriage to actress Julianne Phillips from whom he would receive divorce papers the following year. The divorce was finalized in 1989.

Tunnel of Love was a critical and commercial success. Critics would praise the originality of the material and its introspective nature. The album would receive a Grammy award for Best Rock Vocal Performance, Solo at the 1988 Grammy awards. Commercially the album would hit number 1 on the Billboard 200 charts and go triple platinum. Five singles would be released from the album, three of which cracked the top 20 on the Billboard Hot 100 chart.

Brian brings us this album for today's podcast.

Two Faces
This deeper cut explores how there is a lighter side and a darker side within each of us, and how we can come to hurt the ones we love. The singer prays that the “our love will make the other man go away,” but that other man is a part of us.

Brilliant Disguise
This was the first single released from the album, and it went to number 5 on the Billboard Hot 100 and number 1 on the Mainstream Rock chart. It reflects doubt, first in the singer's lover, and later in the singer himself. The question is whether either has become a stranger to the other.

One Step Up
This third single from the album was only released as a single in the U.S. Unlike much of the album, this song was not recorded in Springsteen's home studio, but at A&M Studios in Los Angeles. The song reflects the troubles in Springsteen's marriage. Although Springsteen played all instruments, E Street Band member Patti Scialfa sings backup. Scialfa would marry Springsteen in 1991.

Valentine's Day
The last song on the album takes a surprisingly upbeat look at relationships, as the singer longs for his love. It's quite a contrast with the other songs on the album. “So hold me close honey say you're forever mine, and tell me you'll be my lonely valentine.”

ENTERTAINMENT TRACK:

Mess Around by Ray Charles (from the motion picture “Planes, Trains and Automobiles”)
With the abundance of Christmas movies, this is an unusual Thanksgiving comedy starring Steve Martin and John Candy trying to get home during the Holiday rush.

STAFF PICKS:

Time Stand Still by Rush
Bruce leads off the staff picks with the first single from Rush's 12th studio album “Hold Your Fire.” The lyrics were inspired by Neal Peart's time in the band as he reflects on the things he missed while spending time on the road. 'Til Tuesday's lead singer and bassist Aimee Mann contributes backing vocals on this song.

Hazy Shade of Winter by The Bangles
Wayne brings us a cover with a much faster beat than the original Simon and Garfunkel version. This song appeared on the soundtrack for the motion picture “Less Than Zero.” The Bangles had covered this song since 1983, and offered it to the movie rather than writing a new piece. The Bangle's version peaked at number 2 on the charts.

Give to Live by Sammy Hagar
The Red Rocker was still under contract for a solo album despite joining Van Halen, and Rob features this single off the album that fulfilled his commitment. Tidbit: Eddie Van Halen plays bass on this album.

Little Lies by Fleetwood Mac
Brian finishes off the staff picks with a hit from the album “Tango In the Night.” Keyboardist Christine McVie takes her turn on lead with this song written by her and her husband at the time, Eddy Quintela. The idea is that sometimes little lies are easier to take than the truth.

INSTRUMENTAL TRACK:

Midnight by Joe Satriani
This is an instrumental selection from Satriani's album “Surfing With the Alien,” released in 1987.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

RECAST 1973 - SEPT - Elton John “Goodbye Yellow Brick Road” Sep 26, 2022

RECAST: ( Episode #45)

Elton John — “Goodbye Yellow Brick Road”
September, 1973

Elton John's seventh studio release is considered his best by many. The double album Goodbye Yellow Brick Road contains many well known hits including the title track, the Marilyn Monroe-inspired “Candle in the Wind,” and the 11-minute epic “Funeral For a Friend/Love Lies Bleeding.” Elton John initially intended to record this album in Jamaica, but political instability and the upcoming Frazier/Foreman boxing match caused the production to be moved to Chateau d'Herouville in France.

Friend of the Show John Lynch returns to help us showcase this monster rock album from 1973.

All the Girls Love Alice
This deeper cut in a minor key deals with prostitution and lesbianism. Tempo changes between the verses and chorus with a groovy fuzzy guitar distortion give this track its distinctive sound. Liberty music was originally trying to get John and writer/partner Bernie Taupin to write songs for other artists, but they decided to write it for themselves.

Saturday Night's Alright for Fighting
This well-known track was inspired by Taupin's experience in local pubs as a lad — it was banned on a number of radio stations because of fears that it would inspire violence. At age 15, Elton John was actually playing in pubs.

Goodbye Yellow Brick Road
The title track hearkens to a simpler childhood time, removed from celebrity and high society. Reginald Kenneth Dwight would change his name to Elton John inspired by two blues players he liked.

Grey Seal
Another deeper track from the album is driven by piano riffs and interesting key and tempo changes. If you don't understand the lyrics to this song, you're in good company - Elton John doesn't understand the lyrics either!

ENTERTAINMENT TRACK:
Super Friends Theme Song
This staple of Saturday morning cartoons featured DC superheroes...“Meanwhile, back in the Halls of Justice...”

STAFF PICKS:

Looking Glass - “Jimmy Love Mary-Anne”
Wayne brings us the yacht rock this week. If you think this sounds like "Brandy," there's a reason for it. This is their follow-up top-40 hit. Story songs like this were popular in the early '70's.

The Edgar Winter Group - “Free Ride”
Bruce's staff pick brings the boogie from the debut album from The Edgar Winter Group. Ronnie Montrose and Rick Derringer were also on this album.

Jim Croce - “Bad Bad Leroy Brown”
Special Guest Host stepping in for Brian, John Lynch introduces another storytelling song with amazing lyrics like, "badder than old King Kong, and meaner than a junkyard dog." Unfortunately, Croce would die in a plane crash in this month.

Chicago - “Just You 'n' Me”
Rob takes the tempo down with a horn-driven hit. This was the second single released from "Chicago VI." The song was inspired by an argument that trombone player James Pankow had with his girlfriend - shortly thereafter his wife.

LAUGH TRACK:

Bobby "Boris" Pickett and the Crypt Kickers - “Monster Mash”
Ahead of Halloween 1973, this song was moving up the charts. Originally released in 1962, the song was re-released in 1973.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - May: 38 Special “Special Forces” Sep 19, 2022

We've covered a number of underrated bands and albums, but perhaps the most underrated band of the 80's is 38 Special. Formed in Jacksonville, Florida in 1974 by Donnie Van Zandt and Don Barnes, 38 Special had a string of hits in the late 70's through the 80's including "Hold On Loosely," "Rockin' Into the Night," and "If I'd Been the One." Special Forces is their fifth and most successful studio album, hitting number 10 on the Billboard 200.

In addition to Van Zandt and Barnes, 38 Special's lineup for this album included Jeff Carlisi on guitar, Larry Junstrom on bass, Steve Brookins on drums, and Jack Grondin on drums. A number of songs on this album were co-written by Jim Peterik, singer-songwriter and founder of the group Survivor.

Given the connection to Lynyrd Skynyrd (Donnie was the brother of original Skynyrd lead singer, Ronnie Van Zandt, and Junstrom was one of the founding members of Lynyrd Skynyrd), it is not surprising that their sound has its roots in Southern Rock. However, 38 Special tended towards a more mainstream hard rock sound.

The name of the group comes from an incident where the police were called on the band during a late night practice session. The door was padlocked, and the police broke the lock by shooting it out ... with a 38 Special.

Caught Up In You
This is the first single and the big hit from the album, reaching number 10 on the Billboard Hot 100 and number 1 on the Mainstream Rock charts. Don Barnes sings lead on this track. The lyrics are self-explanatory, extolling a girl with whom the singer is completely entranced.

You Keep Runnin' Away
Barnes has the lead duties from this song again. The lyrics describe a girl who has been burned in past relationships and has decided never to trust another man. The singer encourages her to not give up, that "someday, someway, somewhere love is gonna find you."

Back Door Stranger
A deeper cut from the album, the lyrics describe a serial rapist sneaking around, and what will happen to him if the singer catches up with him. "Take my chances, rather go to jail than see the eyes of a coward runnin' loose and well." The guitar has a great wah-wah sound, and Donnie Van Zandt takes his turn on lead vocals for this track.

Chain Lightnin'
The thunder sound is striking as both the intro and the outro for this iconic song. There's a little bit of a Pink Floyd echo to add to the mystery. "And it's hotter than hell in the heavens tonight." "And it's so tough when the satisfaction is greater than the risk."

ENTERTAINMENT TRACK:

Ain't Got No Home by Clarence “Frogman” Henry (from the motion picture “Diner”)
This novelty song was featured in the comedy-drama starring Steve Guttenberg and Kevin Bacon.

STAFF PICKS:

Big Bad Bill (Is Sweet William Now) by Van Halen
Bruce begins the staff picks with a deeper cut off the Diver Down album. This cover was originally recorded in 1924, and came to the band's attention when David Lee Roth recorded it off a late night AM radio station. Jan Van Halen, Eddie and Alex's father, is featured in this song playing clarinet.

Did It in a Minute by Hall & Oates
Brian features a hit off the "Private Eyes" album from duo Darryl Hall and John Oates. It was the third single from the album. The upbeat song is about finding love almost instantaneously. Hall wrote this with his girlfriend Sara Allen and her sister Janna, who came up with the chorus.

Find Another Fool by Quarterflash
Wayne gets a second chance to feature Portland's own Quarterflash. This rocking minor-key song peaked at number 16 on the charts, and is a break-up song after the girl has had it with her ex-boyfriend's cheating ways. The name comes from an Australian slang phrase, "a quarter flash, three parts foolish." Quarterflash is the husband and wife team of Rindy and Marv Ross

More Than This by Roxy Music
Rob's staff pick is the first single off Roxy Music's last album, "Avalon." Bryan Ferry began writing the songs for Avalon while on the west coast of Ireland, and the music reflects the melancholy feel of the location. The song has an unusually long synth-driven outro.

COMEDY TRACK:

Piss On the Wall by the J. Geils Band
Sometimes you just must be going. However, we do recommend that you find a toilet first!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1990 - January: They Might Be Giants “Flood” Sep 12, 2022

They Might Be Giants is an alternative rock band that formed in 1982 by John Flansburgh and John Linnell. They are known as an absurdist, surreal alternative band popular on modern rock charts and college radio. They are also known in the DIY music genre and in children’s music. Flood is their third studio album and has been certified platinum. It is their best selling album, and considered their signature work.

During the 80’s Flansburgh and Linnell started recording their songs onto an answering machine and advertised the phone number in The Village Voice and other newspapers as “Dial-A-Song.” The answering machine would play one track at a time, sometimes uncompleted work, sometimes mock advertisements. It became quite popular, but it was an answering machine, so the quality wasn’t great. One of their slogans was “Always Busy, Often Broken.” It was a local Brooklyn number, so long distance fees applied. The band advertised it with the line, “Free when you call from work.”

TMBG have released 23 studio albums, 10 compilations, 10 live albums, 8 EP’s 7 videos and 11 singles. They have also released five children’s albums – Tiny Toon Adventures exposed them to a younger audience, and they leveraged it to expand their career. They made heavy use of the internet since the early 90’s, creating one of the first artist-owned music stores in 2004, and have made podcasts on a monthly basis from 2005 to 2014.

Bruce brings us this unusual album.

Istanbul (Not Constantinople)
This is a cover originally written in 1953 on the 500th anniversary of the fall of Constantinople to the Ottomans. Lyrics are by Jimmy Kennedy, music by Nat Simon, and performed by the Four Lads. The TMBG version was featured in the first season of MTV’s Liquid Television and in an episode of "Tiny Toon Adventures."

Your Racist Friend
In discussing this song, John Flansburgh told Songfacts, “You can’t confront every person who’s making an ass of themselves. But there are times when you want to. So it’s really about a subtler idea than over-the-top expressions of race hate. It’s more just about the culture.”

Somebody Keeps Moving My Chair
I think we can all identify with the premise of this song, that there’s a lot of unpleasantness that we have to deal with, and we can do that for the most part. But when somebody keeps moving your chair that is beyond the pale.

Theme from Flood
This brief piece starts off the album and leads into “Birdhouse In Your Soul.” It seemed like a good addition to include, since most of the songs are short.

Birdhouse In Your Soul
This is the lead single from the album, and is their highest charting single in both the US and the UK, hitting number 3 on the US Modern Rock Tracks chart and number 6 on the UK singles chart. The lyrics are narrated from the perspective of a blue nightlight shaped like a canary. We found it fascinating that there are 18 key changes in this song!

ENTERTAINMENT TRACK:

"The Simpsons Theme" by Danny Elfman (from the television series "The Simpsons”)
Homer, Marge, Bart, Lisa, and Maggie made their TV series debut in this month in 1990, though they had shorts on The Tracey Ullman Show prior to that.

STAFF PICKS:

I Remember You by Skid Row
Brian starts off this week's staff picks with an acoustic/power pop hair ballad from the band fronted by Sebastian Bach. Bassist Rachel Boland and guitarist Dave “The Snake” Sabo penned this song which was their third single from their debut album. It is about the girl from days gone by that you just can't forget.

Fly High Michelle by Enuff Z'nuff
Rob's staff pick was inspired by a tragedy caused by a drug overdose. Donnie Vie wrote this song in remembrance of a friend who had passed, and it was the biggest hit of the group's career. The band takes their name from their bassist, Chip Z'nuff.

Pure by The Lightning Seeds
Wayne features this track from Liverpool's The Lightning Seeds. The group is the product of producer Ian Broudie, and is really more of a solo project with musicians brought in to create a touring band. The name comes from a misheard lyric from Prince's “Raspberry Beret.”

Girl Like You by The Smithereens
Bruce's staff pick is the first single from the Smithereens third album, appropriately (?) named 11. Madonna was supposed to sing the harmony vocals but didn’t show up for the recording session. The band got Maria Vidal to do the vocals. It hit number 38 on the Billboard Hot 100 and number 2 on the US Mainstream Rock charts.

NOVELTY TRACK:

Swing the Mood by Jive Bunny and the Mastermixers
This mashup of swing and early rock songs was on the charts in January 1990.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - March: The Electric Flag “Long Time Comin’” Sep 05, 2022

The Electric Flag was the brainchild of guitarist Mike Bloomfield, and Long Time Comin' was their debut studio album. The core of the band was formed by Mike Bloomfield on guitar, Barry Goldberg on keyboards, and Buddy Miles (soon to be with Jimmy Hendrix's Band of Gypsies) on drums. Additionally, Nick Gravenites would sing lead on several tracks.

With "Long Time Comin'" Bloomfield wanted to create a sound that would feature what he called "American music." He would draw inspiration from many sources including traditional country, gospel, and R&B, and the result would be a fusion of rock, jazz, R&B, and an early use of a horn section. The sound would be described as an "eclectic approach toward American musical." Critics would complement the group's sound on this album, though it would be somewhat of a failure commercially on the charts.

The Electric Flag would put out two albums in 1968, but would break up shortly before their second album was released. Drug use affected the group's ability to perform, and Bloomfield would later admit that heroin caused his playing to fall apart.

Wayne brings us this classic of southern rock.

Wine
The full name for this song is actually "Drinking Wine Spo-Dee-O-Dee," and is a traditional boogie-woogie blues song about a famous and not very good wine called Thunderbird ("the word is Thunderbird"). It was a creation of E & J Gallo Winery, made cheap with a high alcohol content.

Texas
Buddy Miles sings lead on this blues track. This sound would find traction with later groups like ZZ Top and Stevie Ray Vaughan. Bloomfield's playing was inspired by groups he heard in Chicago, and he would become known as one of the premier guitarists in rock music. "I Wouldn't be an American, If it wasn't for Texas."

Killing Floor
This is an updated take on the Howlin' Wolf blues classic. It has a blues feel but with an upbeat tempo. The Electric Flag would cover this long before Led Zeppelin would make it the basis for "The Lemon Song." Jimmy Hendrix would play this at the 1967 Monterey Pop Festival.

Groovin' Is Easy
This is the "hit single" from the album. The sound is different from the other blues-based tracks, and is a bit more time stamped for the age. "Groovin's so easy, baby, if you know how. You don't have to keep yourself forever slavin' - go out an chase whatever you're cravin'."

ENTERTAINMENT TRACK:

main theme from the animated series “Speed Racer”
While it would become a staple of after school and Saturday morning cartoons in the United States, this animated series was crossing the finish line of its run in Japan in this month.

STAFF PICKS:

Summertime Blues by Blue Cheer
Rob starts off our staff picks with a cover of Eddie Cochran's song from 1958. Blue Cheer was a psychedelic band out of San Francisco, and considered a precursor to the heavy metal band. Many consider this song to be the first heavy metal song to chart in the U.S. They were considered the loudest group in concert at the time.

I Thank You by Sam & Dave
Bruce takes a soulful turn with the final Sam & Dave release on Stax records, as Stax ended a distribution deal with Atlantic Records (from which Sam & Dave were on loan). It hit number 3 on the Billboard Pop Singles chart. ZZ Top would cover this song later on, and it would be their second top 40 hit after "Tush."

(Sittin' On) The Dock of the Bay by Otis Redding
Brian's staff pick is another song from Stax records, and the last single from Otis Redding. Redding died in a plane crash 3 days after recording this song. It was Redding's biggest hit, and the first posthumous release in the U.S. It hit number 1 on the Billboard Hot 100.

Are You Gonna Be There (At the Love In) by The Chocolate Watchband
Wayne closes out the staff picks in fine hippie style with this band out of Los Altos, California. The Chocolate Watchband started in 1965 and would break up by 1970. Supposedly Jerry Garcia plays guitar on this track. The story is that when the band's guitarist was too high to play, Garcia was in another studio in the same building, and sat in.

INSTRUMENTAL TRACK:

(Sittin' On) The Dock of the Bay by King Curtis & the Kingmakers
"Dock of the Bay" was so popular that it featured both Redding and this instrumental version on the charts.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - April: Zebra “Zebra” Aug 29, 2022

Zebra is one of the great underrated bands of the 80's. Randy Jackson (lead vocals, guitars, synthesizers, piano), Felix Hanemann (bass, keyboards, backing vocals) and Guy Gelso (percussion, backing vocals) formed Zebra in 1975 in New Orleans before moving to Long Island. They were originally a cover band, playing rock with a prog rock bent from groups like Led Zeppelin, Yes, and Jethro Tull. The band took the name Zebra after seeing a Vogue magazine cover featuring a model riding a zebra.

It would be eight years from their founding before this eponymously named album would be their debut. Zebra the album would become one of the fastest selling debut albums in Atlantic's catalogue, peaking at number 29. Jackson's high vocals paired with both acoustic and electric guitars, supplemented with synthesizers and special effects would create a commercial success straddling the hard rock and prog rock genres.

Unfortunately, their debut album would also be their high water mark. Zebra would produce a follow-up album which would hit the charts at number 84, then two more which would not chart. Zebra took a brief hiatus in the early 90's, but the power trio would get back together and are still touring as of this podcast.

Rob brings us this album.

Who's Behind the Door
This single hit number 61 on the Billboard Hot 100, and number 10 on the US Rock charts. The lyrics question death and what may lie beyond. It starts with an amazing 12-string acoustic riff and ends with an epic space-aged wall of sound. Jackson's high tenor parts are prominent.

When You Get There
This deeper cut takes a humorous approach to infidelity and a one-night stand. “You wake up in the morning and you’re not feeling quite the same. You feel a gentle hand upon you, but you seem to have forgotten her name.”

The La-La Song
This song goes back many years to their touring days. It has a distinctive prog rock feel.

Tell Me What You Want
In our minds, this opening track from the album is reminiscent of the Alan Parson's Project or Def Leppard. Its minor key and angst-filled lyrics depict the struggles a boy has with a girl to whom he gives everything and finds it is not enough.

ENTERTAINMENT TRACK:

Maniac by Michael Sembello (from the motion picture “Flashdance”)
This dance movie starring Jennifer Beals hit the screen in 1983.

STAFF PICKS:

Never Gonna Let You Go by Sergio Mendes
Bruce starts off the staff picks with a ballad that Rick Beato calls "the most complex pop song of all time." Originally written in 1982 by Cynthia Weil and Barry Mann and recorded by Dionne Warwick, there are 7 key changes by the time the chorus is reached. Sergio Mendes would take this song to number 4 on the Billboard Hot 100.

Separate Ways (Worlds Apart) by Journey
Brian brings us the first single off the "Frontiers" album. It is a break-up song written by Jonathan Cain and Steve Perry while they were on the road. It was inspired by band members going through difficult divorces, and was premiered during the "Escape" tour. The video...well, it leaves something to be desired.

Say What You Will by Fastway
Wayne rocks out with a one-hit wonder from their debut self-titled album. Fastway is a heavy metal band from Britain, and band members have connections to Motorhead and UFO. The name comes from the combination of guitarist "Fast" Eddie Clarke and bassist Pete Way. Dave King is on lead, and would move on to the Irish band Flogging Molly.

True by Spandau Ballet
Rob's staff pick is a staple of the 80's. PM Dawn sampled this song, and gave the original a second life. The lyrics were written as a tribute to Marvin Gaye - "Listen to Marvin all night long. This is the sound of my soul." This was the 6th biggest selling single of 1983 and Spandau Ballet's biggest hit.

COMEDY TRACK:

Intro to Monty Python's The Meaning of Life
The third Monty Python motion picture “The Meaning of Life” is great just because it had something to offend everyone.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1972 - March: Jethro Tull “Thick as a Brick” Aug 22, 2022

For it's fifth studio album, Jethro Tull decided to satirize the concept album which was popular amongst prog rock acts like themselves, Yes, and Emerson, Lake & Palmer. Thick as a Brick is a single piece of music spread across two album sides, and takes inspiration from Monty Python, poking fun at the critics, the audience, and the band itself. Ian Anderson wrote much of the album, but the entire band contributed to the songs.

The "concept" of this concept album is that the lyrics are written by an 8 year-old genius named Gerald Bostock, and the album is a musical adaptation of Bostock's poem. The cover art continues the spoof, as it forms a 12-page English newspaper with both articles and advertisements that might be found in a small town paper.

Contemporary critical reviews of the album were mixed, but retrospective reviews would all be positive. Commercially the album was a success, hitting number 1 in the US, Canada, and Australia, and hitting number 5 in the UK.

Brian brings us this prog rock spoof-turned-classic.

Thick as a Brick, part 1
This is the entire album side 1. Most Jethro Tull fans will recognize the first few minutes as the radio cut of "Thick As a Brick," though most FM stations would truncate it as it drifts into the next movement of the suite. Although it is one continuous piece of music, the movements are actually three- to five-minute songs stitched together to form a continuous whole.

ENTERTAINMENT TRACK:

The main theme from the motion picture “The Godfather”
The ultimate mob movie was released this month, and was an offer we couldn't refuse!

STAFF PICKS:

A Horse With No Name by America
Rob's staff pick was America's first and most successful single off their self-titled debut album. The song was originally entitled "Desert Song," and was inspired by prints by Salvador Dali and M.C. Escher. One unusual thing about this song is that it is built on only two chords.

Chelsea Girls by Spirit
Bruce brings us a deep cut in the leading track from Spirit's fifth album called Feedback. This is the only Spirit album to feature John and Al Staehely as band members, and to not feature Randy California as a band member. This album is a little more California country rock than the prog rock/psychedelic rock for which Spirit is better known.

30 Days In the Hole by Humble Pie
Wayne presents the version of Humble Pie with guitarist Steve Marriott on lead vocals, as Peter Frampton had left the group. This is off their fifth and most successful album, “Smokin.’” This would become Humble Pie's best known song, despite the fact that it did not do well on the charts.

Stay With Me by the Faces
Rod Stewart's voice is hard to miss in Brian's staff pick. This song chronicles the stereotypical one night stand of a band member on the tour. Rod Stewart and Ronnie Wood co-wrote this song, and it is off their album "A Nod Is As Good As A Wink...To A Blind Horse."

COMEDY TRACK:

Taurus by Dennis Coffey
This rock instrumental was on the charts in this month.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - January: Tears for Fears “Songs From the Big Chair” Aug 15, 2022

Tears for Fears comes from Bath, England, and were formed by Roland Orzabal and Curt Smith. Their first album, "The Hurting" was released in 1983 and was successful with songs like "Mad World" and "Pale Shelter." However, their second album entitled Songs from the Big Chair, a title taken from the motion picture "Sybil" would be the one to propel them to super-stardom. It peaked at number 2 in the UK and number 1 in the US. In addition to Orzabal and Smith, Ian Stanley is on keyboards, and Manny Elias is on drums and drum arrangement.

Orzabal and Smith were inspired by electronic and synth-pop bands like Depeche Mode, Soft Cell, and Orchestral Manoeuvers in the Dark. They started off as a duo initially called History of Headaches. The name Tears for Fears comes from primal therapy, a psychological treatment developed by Arthur Janov.

Shortly after their follow-up third album ”The Seeds of Love,” Orzabal and Smith had a big falling out, breaking up the band in 1991. They would get back together in 2000, and are still touring and releasing albums today.

Everybody Wants to Rule the World
This is the signature song from the album. Bassist Curt Smith takes the lead vocals, and the lyrics are about the desire for power and about corruption. It was a last minute addition to the album and was recorded in two weeks as the final track to be laid down.

Shout
The lead-off track and second single to the album features Orzabal on lead vocals. While many think this is about primal scream theory, Orzabal has said it is actually more about political protest.

Broken
This is a short piece with lyrics that have an angst-ridden declaration that we are all broken. It is also commonly played in concert just in front of the next piece which also reprises Broken at the end.

Head Over Heels
This is your classic “boy obsesses over girl” song. It was released as the fourth single from the album, but it had been bouncing around for about 2 years along with Broken. Orzabal takes vocal lead on this one.

ENTERTAINMENT TRACK:

Neutron Dance by The Pointer Sisters (from the motion picture "Beverly Hills Cop”)
Eddie Murphy's Beverly Hills Cop propelled both his career and this song originally appearing on a 1983 album to the top.

STAFF PICKS:

If I Had A Rocket Launcher by Bruce Cockburn
Wayne launches the staff picks with a protest song from Canada's own Bruce Cockburn. The song lyrics tell the story from the perspective of the villagers experiencing warfare but being powerless to do anything about it.

Valotte by Julian Lennon
Rob brings us the title track from Julian Lennon's debut studio album. The resemblance between Julian and his father are obvious. Many think the river referenced is the Tennessee River near Muscle Shoals where portions of the album were recorded.

I Can't Hold Back by Survivor
Brian demonstrates that Survivor wasn't a one-hit wonder after all. It starts with a nice acoustic guitar and builds quickly. This single reached number 13 on the Billboard Hot 100. This is the first album with Jimi Jamison on lead vocals.

Sunset Grill by Don Henley
Bruce finishes off the staff picks with the ex Eagles’ single that hit number 22 on the Billboard Hot 100. The Sunset Grill is a hamburger restaurant on Sunset Boulevard in Los Angeles. The Austrian restaurant owner didn't know that his frequent visitor was Don Henley until after the song came out, making their hole-in-the-wall burger joint famous.

INSTRUMENTAL TRACK:

Listen by the Tears for Fears
We do a little double-dipping with this (almost) instrumental from "Songs From the Big Chair."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - December: The Georgia Satellites “Georgia Satellites” Aug 08, 2022

Atlanta, Georgia's own The Georgia Satellites released their debut and self-titled album in 1986. Dan Baird was their primary songwriter and lead vocalist on most songs. Guitarist Rick Richards, bassist Rick Price, and dummer Mauro Magellan complete the band. Originally formed as Keith and the Satellites in 1980, the band saw a number of personnel changes and a name change to The Georgia Satellites soon thereafter. They honed their craft playing at a Buckhead bar called Hedgens on Monday nights.

The Georgia Satellites signed with Elektra Records in 1986 and released this debut album to significant commercial success. The single "Keep Your Hands To Yourself" saw significant airplay on MTV, and went to number 2 on the Billboard Hot 100, denied the number 1 spot by Bon Jovi's "Livin' On a Prayer." The band featured a southern rock sound with a boogie slant, and this debut would be certified Platinum by the RIAA.

The Georgia Satellites would produce two albums of original material and a third with both new and re-released tracks after this debut, but would not see the popularity return to the level of this first album. Dan Baird left the band in 1990 and the band went on hiatus for a few years, but the remaining members would return to touring by 1993 and still perform today.

Wayne brings us this classic of southern rock.

Railroad Steel
This track is the third single from the album. It did not chart on the Billboard Hot 100 but made it to number 34 on the Billboard Rock Charts. The lyrics are about a guy who is cold, but whose heart can be melted by a particular woman.

Keep Your Hands To Yourself
"She said, 'Don't hand me no lines, and keep your hands to yourself!'" This is the big hit from the album, reaching number 2 on the Billboard Hot 100. It is about a woman that will not give in to a guys pleading until they get married. "You see, I wanted her real bad and I was about to give in. Oh, that's when she started talking about true love, started talking about sin."

Battleship Chains
Though it didn't make the top 40, this was an entry into the Billboard Hot 100 at number 86. It also features guitarist Rick Richards on lead vocals. This song was written by Terry Anderson and recorded by his band The Woods out of North Carolina. The Georgia Satellites heard the band and recorded their own version.

Red Light
This is a deep cut, and is a song about a woman who is angry at her partner. "Got Van Halen wailin' on the stereo eight track. Watch out baby that's what I said. There's a red light, road block, bridge out ahead."

ENTERTAINMENT TRACK:

Dentist! by Steve Martin (from the motion picture “Little Shop of Horrors”)
This movie based on the musical of the same name starred Rick Moranis and a psychotic plant living off human blood. Steve Martin has a cameo as a sadistic dentist.

STAFF PICKS:

Ship of Fools by World Party
Rob starts off our staff picks with a British group which was basically a solo project for lead man Karl Wallinger. While his band was a one-hit wonder, Wallinger collaborated with other artists like Sinead O'Connor and Robbie Williams, and was the musical director for the films “Clueless” and “Reality Bites.” The concept of the lyrics is that there will be a price to pay from the way you are living today.

The Way It Is by Bruce Hornsby and the Range
Bruce's staff pick is a piano driven soft rock song about civil rights and not getting complacent. It hit number 1 on the Billboard Hot 100. "That's just the way it is - ah, but don't you believe them."

Everybody Have Fun Tonight by Wang Chung
Brian brings us a song originally conceived as a ballad, but adapted to a faster pace and dance orientation by producer Peter Wolf. The self-referential verb "Wang Chung" is a nonsensical but catchy phrase.

(I am) Superman by R.E.M.
Wayne's staff pick is actually a cover song originally recorded by a band called The Clique. Bassist Mike Mills sings lead on this song because Michael Stipe wasn't very enthusiastic about it. When Stipe sings backup vocals in live performances, he holds his arms up and out as if he is Superman flying.

INSTRUMENTAL TRACK:

Walter's Theme by R.E.M.
We wrap up this week's podcast with an instrumental track off R.E.M's album "Dead Letter Office."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1972 - May: Uriah Heep “Demons and Wizards” Aug 01, 2022

Formed in London in 1969, Uriah Heep released their fourth and (to this point) most successful album, Demons and Wizards in May 1972. This album would also see the debut of what is considered the classic lineup of Uriah Heep as bassist Gary Thain and drummer Lee Kerslake joined vocalist David Byron, guitarist Mick Box, and keyboardist/multi-instrumentalist/singer/songwriter Ken Hensley to form the group for this album. While the album cover and title suggest medieval fantasy, Hensley has stated that it was just a collection of songs, not a concept album. It is hard to deny the prog rock feel, however.

Uriah Heep is considered a forerunner of hard rock, heay metal, and progressive rock. They have developed quite the cult following over the years, having released 24 studio albums, 20 live albums, and 41 compilation albums.

Roger Dean created the cover art, as he did for a number of prog rock groups including Yes and Asia.

The name Uriah Heep comes from a character from Charles Dickens' "David Copperfield"

Brian is featuring this album. Friend of the show Bill Cook joins us in Bruce's place for this episode.

The Wizard
Former bassist Mark Clarke and Ken Hensley wrote this song, the opening track to the album and the first single released from the album. The lyrics are about a wanderer who meets "the Wizard for a thousand kings." It would be the first Uriah Heep song to be made into a video.

Easy Livin'
The second single off the album would be the only one to chart in the United States, making it to number 39 on the Billboard Hot 100. Surprisingly it did not chart in the UK. This is a common cover for party bands, though it was intended to be taken ironically.

Circle of Hands
This is a deeper cut from the album, starting strong with the Hammond Organ. With lyrics like "Circle of hands, cold spirits' plan, searching the land for an enemy," it is hard to not see a thread of fantasy running through the track.

Rainbow Demon
This track leads off side 2 of the album. "There rides the rainbow demon on his horse of crimson fire. Black shadows are following closely on the heels of his desire." This slow anthem continues with the strong organ work and combines it with a fuzzy guitar sound.

ENTERTAINMENT TRACK:

Sitting Pretty (from the motion picture "Cabaret")
Liza Minnelli and Michael York starred in this movie based on the Broadway show.

STAFF PICKS:

I Saw the Light by Todd Rundgren
Rob's staff pick was the lead-off track from Rundgren's third album, "Something/Anything?" and was placed there via inspiration from Motown's history of putting the hit songs first. Multi-instrumentalist Rundgren wrote the track in 20 minutes and credits the use of stimulants like Ritalin for his prolific songwriting at the time.

Run Run Run by JoJo Gunne
Bill Cook brings us a shuffle beat number by Los Angeles based JoJo Gunne, a band formed by Jay Ferguson and Mark Andes after they left the band Spirit. "We're all just papers in the wind."

Sweet Hitch-Hiker by Creedence Clearwater Revival
Wayne presents an underplayed swamp rock song from CCR. This is off their last album with John Fogerty. A restaurant called the Greasy King is referenced in the song, and that restaurant is in El Cerrito, the home town of the band members.

Baby Blue by Badfinger
Brian finishes off the staff picks with a song from an album produced by Todd Rundgren. Badfinger was the first group signed to The Beatles' Apple Records. This is the last top 40 hit in the US for the group.

COMEDY TRACK:

Troglodyte (Cave Man) by The Jimmy Castor Bunch
This is a funk novelty song hit number 6 on the Billboard Hot 100. The song is the introduction of a character called Bertha Butt, who would recur in other songs from the Jimmy Castor Bunch.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - February: Steve Winwood “Back in the High Life” Jul 25, 2022

Steve Winwood was a well known vocalist and guitarist throughout the rock era due to his contributions to the Spencer Davis Group, Traffic, and Blind Faith. His solo career would hit its high water mark with his fourth studio album, Back in the High Life. It was originally released in June 1986, and we are featuring it in February 1987 when the last single, “The Finer Things” was released and was headed up the charts.

Winwood had seen success as a soloist previously, but his last US album hit had been in 1980 when “Arc of a Diver” hit number 3 on the Billboard 200 chart. For this new album Winwood turned to Ron Weisner as manager, who had worked with Madonna and Michael Jackson. Weisner encouraged him to record in New York, away from his home where Winwood was having marital difficulties. He also encouraged Winwood to sing from the front of the stage rather than from behind the keyboards, positioning him as more of a front man than keyboardist.

To say the result was a success would be an understatement. Five of the eight songs would be released as singles. Winwood would become a household name with this album, crossing over to find success in pop rock and adult contemporary genres.

Rob brings us this album, and friend of the show Bill Cook joins us while Bruce is out.

The Finer Things
This song went to number 8 on the charts. This synth-driven piece encourages people to take time to enjoy the moment. While finer things are often thought to be luxury goods, Winwood instead portrays "finer things" in terms of relationships.

Split Decision
Another single with a more rock-oriented feel, this track features Joe Walsh on guitar. It went to number 3 on the U.S. charts. The lyrics reflect the idea that there are two faces to us - one confident, one not sure. "One man puts the fire out, the other lights the fuse."

Take It As It Comes
This is a deeper cut even though it was released as a single, and features a horn section. The lyrics take a stoic approach to life, that we need to take the good and the bad as it comes.

Back In the High Life Again
A huge hit on both pop and rock stations, this title track starts with Winwood playing a mandolin, and features James Taylor on background vocals. This song would hit number 1 on the adult contemporary charts and number 13 on the Billboard Hot 100. These lyrics take a more positive tact than "Take It As It Comes," expressing confidence that we'll be back on top soon.

ENTERTAINMENT TRACK:

Winner Takes It All by Sammy Hagar (from the motion picture “Over the Top”
Sylvester Stallone starred in this action movie focused on arm wrestling. It was released in February 1987.

STAFF PICKS:

Stay the Night by Benjamin Orr
Brian brings us a solo effort from former Cars bassist Benjamin Orr. Both Cars front man Ric Ocasek and Orr had successful solo projects at the time. This synth-heavy piece hit number 24 on the Billboard Hot 100, and was Orr's only venture into the top 40.

Will You Still Love Me by Chicago
Friend of the show Bill Cook features a song off Chicago XVIII, their fifteenth studio album. It is the second single from the album, and reached number 3 on the U.S. charts. Jason Scheff, new vocalist and bassist for the band, sings lead in the place of Peter Cetera who had left the band to pursue a solo career.

Fight For Your Right by the Beastie Boys
Wayne's staff pick rocks out with a an anthem from the debut album from the Beastie Boys, "Licensed to Ill." It hit number 7 on the Billboard Hot 100. This song was intended as a parody of "party" and "attitude" themed songs, but it took on a life of its own as a legitimate "attitude" song.

Ready Or Not by Lou Gramm
Rob's finishes the staff picks with the front man from Foreigner. This is the title track off Gramm's solo album, and it made it to number 7 on the rock charts. It is the second single from the album.

NOVELTY TRACK:

Secret Agent Man/James Bond is Back by Bruce Willis
Bruce Willis was starring in Moonlighting at the time, and parleyed this into some music singles including this one.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - August: Judas Priest "Screaming for Vengeance" Jul 18, 2022

One of the founding groups of heavy metal is Judas Priest, and their eighth studio album entitled Screaming for Vengeance would be their commercial breakthrough album for North America. In addition to the distincive vocals of Rob Halford, the Judas Priest lineup for this album included K.K. Downing and Glenn Tipton on guitars, Ian Hill on bass, and Dave Holland on drums.

Judas Priest was formed in 1969, but did not issue a record on a major label until 1977 and their third studio album. Their sixth studio album, British Steel, was the first to feature Dave Holland on drums and is considered their high water mark by most critics. However, Screaming for Vengeance would find both heavy metal and mainstream rock success

Friends of the show Joe Davis and John Lynch join us for this album while Bruce and Brian are away.

The Hellion
The lead track to the album is this short instrumental that builds to Electric Eye.

Electric Eye
This track follows The Hellion on the album and is often the leading song at Judas Priest concerts. The inspiration comes from George Orwell's 1984 - the electric eye is the camera that the totalitarian government uses to watch over all in the dystopian community. While not released as a single, this is a well known song played on rock stations at the time.

Riding the Wind
A deeper cut, this is everything you would want in a metal song - fast drums, screaming guitars, and high vocals in a minor key. “Tearin' up through life million miles an hour! Blindin' all in sight, surgin' rush of power! Well I'm riding, riding on the wind.”

You Got Another Thing Coming
The first single released from the album is now one of Judas Priest's signature songs. It reached number 67 on the Billboard Hot 100, and it is the only Judas Priest song to make that chart. The song reflects the idea of taking life by the horns, and not letting anything stand between you and your dreams.

ENTERTAINMENT TRACK:

Raised on the Radio by the Ravyns (from the motion picture “Fast Times at Ridgemont High”)
This movie came out in August of 1982, and would be a mainstay of midnight movies throughout the 80's. This song is the leading track from the motion picture soundtrack album.

STAFF PICKS:

Favourite Shirts by Haircut 100
Rob's staff pick is also known as "Boy Meets Girl." Haircut 100 is one of the New Wave bands which was a part of the second British Invasion. It is a fast song with a conga feel.

Everybody Wants You by Billy Squier
Friend of the show Joe Davis features the lead track from Squier's album "Emotions In Motion." It hit number 32 on the Billboard Hot 100 and spent six weeks at number 1 on the Billboard Mainstream Rock Tracks chart. The lyrics reflect the hazards of leaning on superficial looks.

Eye of the Tiger by Survivor
Friend of the show John Lynch brings us the main theme from Rocky III." It was also the title song from their third album, and the single was released a day before the movie. Naturally it rapidly climbed the charts and was the number 1 song for the month of August 1982.

Beyond Belief by Elvis Costello
Wayne's staff pick is a deep cut off Costello's album "Imperial Bedroom." A very complex and multi-layered song, the lyrics are also quite clever. "Keep your finger on important issues/ with crocodile tears and a pocketful of tissues."

INSTRUMENTAL TRACK:

Nuevo York by Santana
Santana's distinctive Latin infused guitar licks take us out on this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 - June: Van Halen “For Unlawful Carnal Knowledge” Jul 11, 2022

For their ninth studio album and Sammy Hagar's third album as lead singer, Hagar suggested Van Halen title it F*CK (... only the * was a letter). Censorship in rock music was a controversial topic at the time, and Hagar wanted to push limits. The name changed to For Unlawful Carnal Knowledge when Hagar was told by Ray "Boom Boom” Mancini that the vulgarity was actually an acronym for this phrase.

For Unlawful Carnal Knowledge was intended to be a return to the rock roots of Van Halen after a number of albums featuring more use of synthesizers and a stronger pop feel. The album took a year to make, as Van Halen was one of the most successful and well-known rock bands at the time, and the members were enjoying the material fruits of that success. They also had their own recording studio (Eddie Van Halen's 5150 Studios), and money sufficient to not have to worry about rushing an album out.

Critical reception was mixed at best. Nevertheless, it was a commercial hit, debuting at number 1 on the Billboard 200 album chart.

We hope you enjoy this album podcast, and the debate on the David Lee Roth/Sammy Hagar eras of Van Halen.

P.S. Wayne is crazy if he doesn't like Sammy.

Guest contributor Joe Davis brings us his favorite Van Halen album.

Judgement Day
This deeper cut is the second track from the album. It is a fast moving, hard rocking critique of conservative Christianity’s moves to censor words and actions. This song contains screams from Hagar and Anthony that are some of the loudest notes hit by the two on any Van Halen song.

Pleasure Dome
Joe picked this song because he considers it “the best guitar solo in any Van Halen song.” Many consider the song to be inspired by Rush's “Xanadu,” and both take inspiration from the Samuel Taylor Coleridge poem “Kubla Kahn.” The lyrics reflect the temptation and trap that is a life focused on pleasure.

The Dream Is Over
This deep cut discusses the disillusionment when the dream of easy money or success following "the system" results in failure. If a generation can't succeed by the rules of society, then “dream another dream, this dream is over.”

Runaround
Another deep cut, this one starts with a six-stringed bass guitar. A number of innovations were featured in this album, from this six-string guitar to the use of a drill near the pickups to start "Poundcake." The lyrics are about a girl who can't get pinned down.

ENTERTAINMENT TRACK:

(Everything I do) I Do It For You by Bryan Adams (from the motion picture "Robin Hood: Prince of Thieves")
Kevin Costner and Morgan Freeman starred in this rendition of the classic Robin Hood tale.

STAFF PICKS:

It's You That Leaves Me Dry by EMF
Wayne gets the staff picks rolling with the Manchester sound. This deep cut from the same album that gave us “Unbelievable” was a popular track in dance clubs in the UK. The lyrics are about a bad relationship where one partner sucks the life out of another.

All the Time in the World by Junkyard
Rob brings us another deep cut with a Motley Crue feel. Junkyard hails from Los Angeles, and this song went to number 24 on the charts. The members of Junkyard were fans of the Southern Rock sound, though not fans of Southern Rock culture.

Losing My Religion by R.E.M.
Friend of the show John Lynch brings us one which is definitely not a deep cut! This mandolin-based song is the lead single off "Out of Time," R.E.M.'s seventh studio album. Lead singer Michael Stipe has stated that the song is not about religion - despite the title - but more about losing temper, or feelings of desperation.

Man In The Box by Alice In Chains
Joe finishes off the staff picks with a track loosely about censorship, but more specifically inspired by a discussion about cattle being raised in small boxes with little room. This also ushers in the start of the grunge era.

INSTRUMENTAL TRACK:

Black Napkins by Frank Zappa
The always eclectic Frank Zappa finishes us off this week with a jazzy instrumental piece.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - November: Derek and the Dominos “Layla and Other Assorted Love Songs” Jul 04, 2022

Today Layla and Other Assorted Love Songs is considered Eric Clapton's best work. However, at the time that this double album debut by Derek and the Dominos came out it was considered both a commercial and critical failure. Clapton met fellow Derek and the Dominos band members Bobby Whitlock (keyboards), Carl Radle (bass) and Jim Gordon (drums) when working with Delaney & Bonnie. Whitlock and Clapton got together at Clapton's house and composed most of what would become the original songs on the Layla album.

The name Derek and the Dominos was chosen by Eric Clapton because he was tired of the supergroup approach to music and did not want his fame to overshadow the band. Derek and the Dominos played a lot of small clubs in England in August, then went to Miami to record the studio album.

The group met up with Duane Allman in Miami, and Allman and Clapton struck up a close friendship from the start. Allman would record on 11 of the 14 songs on the album.

Most know that the song Layla was inspired by Clapton's infatuation with Pattie Boyd Harrison, George Harrison's wife. In truth, many of the songs on the Layla album were performed with Pattie Boyd in mind.

Unfortunately this double album is the only record these musicians would make together. Clapton would struggle with drug addiction and depression for several years afterward, and Allman would die in a tragic accident in 1971. The reputation of this album would grow over time, however, and is iconic today.

Bell Bottom Blues
This song was the first single, and was written by Clapton and Whitlock. The inspiration for the song was that Pattie Boyd had asked Clapton to get her a pair of bell-bottom blue jeans while he was in the United States.

It's Too Late
The album contains five covers including this blues song originally benned by Chuck Willis in 1956. Clapton and Whitlock trade off on vocals, and guitar work is from Eric Clapton and Duane Allman. The song would be performed on Derek and the Dominos' only TV appearance, on the Johnny Cash Show in January 1971.

Why Does Love Got to Be So Sad
You can hear a terrific jam between Clapton and Allman on guitar in this song. It swings from A minor on the verses to D major on the chorus. Whitlock and Clapton trade off vocal work.

Layla
This signature track was inspired by a 12th century tale called “The Story of Layla and Majnun.” It is about a young man who falls hopelessly in love with a young girl only to be rebuffed by her father because of his obsession with her. Clapton of course identified with the story of hopeless love because of his feelings toward Pattie Boyd Harrison.

ENTERTAINMENT TRACK:

Main theme from the television series “The Goodies”
This offbeat comedy series premiered in the UK in this month.

STAFF PICKS:

Share the Land by the Guess Who
Brian starts off the staff picks with the title track from the Guess Who's seventh studio album, and the first after the departure of guitarist Randy Bachman. The lyrics reflect the growing popularity of the environmental movement. Burton Cummings wrote this song and sings lead.

Cherryhill Park by Billy Joe Royal
Wayne brings us a story song about a young girl named Mary Hill who “was a thrill after dark in Cherryhill Park.” The thrills end when Mary Hill marries a rich man. Billy Joe Royal was born in Valdosta, Georgia.

Montego Bay by Bobby Bloom
Rob finds an early reggae-influenced rock song. Bobby Bloom and Jeff Berry wrote this one-hit wonder. It made it to number 8 on the Billboard Hot 100. Sadly, Bobby Bloom died in 1974 at the age of 28.

Somebody's Been Sleeping in My Bed by 100 Proof (Aged in Soul)
Bruce's staff pick comes from the songwriting team of Holland-Dozier Holland after they left Motown Records to set up a separate label. This song about discovering evidence of infidelity went to number 8 on the US pop charts, and was 100 Proof's biggest hit

INSTRUMENTAL TRACK:

Overture by the Who
In the tradition of symphonic music, the Who began their rock opera Tommy with this overture.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 - May: The Cult “Sonic Temple” Jun 27, 2022

Some of the most popular songs from The Cult come from Sonic Temple, their fourth studio album. They garnered some attention in 1985 when the single “She Sells Sanctuary” off their second album hit the US charts, and they had established a solid following as a “post punk” or “goth rock” band, but Sonic Temple would put them over the top with its more hard rock appeal.

The band lineup for this album consisted of Ian Astbury on vocals and percussion, Billy Duffy on guitar, Jamie Stewart on bass and keyboards, and newcomer Mickey Curry on drums. Prior to Curry, the band had relied on Eric Singer for the first demos, and Chris Taylor for second demos at the drums.

While the critical reception was mixed with some considering the work too conventional, the commercial success was undeniable. The album shot up to the top 10 in both the UK and the US, and was certified gold in the UK and platinum in the US.

Creative differences would destabilize the group on their fifth studio album and the group would break up after 1998. However several reunions took place over the years, and the group is back together as of 2022.

Brian leads the discussion of this album.

Sun King
Astbury and Duffy wrote this song, inspired by Louis XIV. Known as the Sun King, Louis XIV is the French King who moved the royal court to Versailles. The track is an explicitly masculine one. “I’m a sun king, baby, let me take you by the hand. Sun king, honey, we can rule across the land.”

Fire Woman
The first single from the album is this well known track. As with all the tracks, Ian Astbury and Billy Duffy wrote this hit which peaked at number 46 on the Billboard Hot 100 and number 2 on the Billboard Modern Rock Tracks charts. Astbury has stated that this is a universal symbol, an archetype of the femme fatale.

Edie (Ciao Baby)
Edie Sedgwick is the inspiration for this song. Sedgwick was an actress and socialite who traveled in Andy Warhol's circles in 1960's New York. Sedgwick lived fast and died young of a drug overdose. She was 28 when she died. Her last film was “Ciao! Manhattan.” This is not the only song inspired by Sedgwick, as Bob Dylan's “Just Like a Woman” is supposedly inspired by Edie Sedgwick as well.

Sweet Soul Sister
This track was written in Paris, inspired by the Americanization of European culture. It was the fourth single released from the album. The song observes the love/hate relationship that comes with both the attraction and resistance experienced as a response to American culture, particularly in France.

ENTERTAINMENT TRACK:

The main theme from the television series "Saturday Night Live"
Mike Myers joined the cast of Saturday Night Live, and original cast member Gilda Radner died in this month in 1989.

STAFF PICKS:

So Alive by Love and Rockets
Rob begins the staff picks with a group that sounds a bit like INXS. This single is off the self-titled fourth album from Love and Rockets. “You're legs are strong and you're so, so long, and you don't come from this town.” The single made it to number 3 in the U.S., and was considered the number 1 modern rock song in the U.S. for 1989.

Walkin' Shoes by Tora Tora
Wayne features a rock-blues number from a group out of Memphis, Tennessee. This underrated song made it to number 47 on the Billboard Hot 100, and the sound reminds us of Motley Crue and Led Zeppelin. The group won studio time in a Battle of the Bands contest. Tora Tora is still recording as of 2022.

Dreams In the Dark by Badlands
Bruce's staff pick is a hair band formed by former Black Sabbath members Ray Gillen (vocals) and Eric Singer (drums), former Ozzy guitarist Jake E. Lee, and former Surgical Steel bass player Greg Chaisson. After Lee was fired from Ozzy's band by Sharon Osborne, he was motivated to form this band. As mentioned previously Eric Singer had a hand in the demos of The Cult's album, and would go on to join KISS.

Good Thing by Fine Young Cannibals
Brian wraps up this week's staff picks with the second big hit from FYC's album, “The Raw & the Cooked.” Fine Young Cannibals hail from Birmingham, England, formed in 1984 and disbanded in 1992.

COMEDY TRACK:

Debbie Gibson Is Pregnant with My Two-Headed Love Child by Mojo Nixon
This boogie-woogie comedy track is a good example of the type of parody song for which Mojo Nixon is famous.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - February: The Moody Blues “Days of Future Passed” Jun 20, 2022

One of the earliest examples of a prog rock record was Days of Future Passed, the second studio album by The Moody Blues. Originally a rhythm and blues band, The Moody Blues were in difficult financial straits when they convinced the record company to combine their music with orchestral elements and interludes in a single album. The group recorded much of their sessions first, then provided these to conductor Peter Knight, who directed the London Festival Orchestra (the house orchestra for Decca Records) in arrangements and orchestral interludes.

The Moody Blues for this album are Justin Hayward on guitar, piano, and vocals, John Lodge on bass and vocals, Mike Pinder on keyboards and vocals, Ray Thomas on flute, piano, and vocals, and Graeme Edge on drums and vocals.

Days of Future Passed is created as a concept around a day in the life of "an everyday man." It begins with a track appropriately entitled "The Day Begins," and concludes with a piece labeled "The Night," which we know as "Nights in White Satin," and "Late Lament."

The album was somewhat successful when first released, but would climb in popularity over a long period of time, particularly on the growing strength of "Nights in White Satin" on FM radio in the U.S. It would eventually peak on the album charts at number 2 in the U.S. - in 1972!

Brian takes us on this day trip.

Dawn: Dawn Is a Feeling
Keyboardist Mike Pinder wrote this song, the first track sung after the Instrumental overture and spoken recitation. As the name implies, it represents the start of the day.

Lunch Break
Bassist John Lodge sings lead on this song which he also wrote. The fast pace is suggestive of the hectic period of lunch hour on a business day. The song has an orchestral introduction which was recorded separately from the rest of the track.

Tuesday Afternoon
Also known as "Forever Afternoon" or "Forever Afternoon (Tuesday?)", the song was originally intended to be named "Tuesday Afternoon" but was changed for the album. It was released as "Tuesday Afternoon" when released as a single. Justin Hayward wrote the song in Lypiatt Park on a (you guessed it) Tuesday afternoon.

Nights In White Satin/Late Lament
Hayward composed this hit at the age of 19 in Belgium, inspired by a gift of satin bedsheets given by his girlfriend. The song is about a yearning love from afar. The strength of this song would provide the success for both the album and The Moody Blues as a whole. Late Lament was written by drummer Graeme Edge, and is recited by keyboardist Mike Pinder. This is the only album track on which the band recorded with the London Festival Orchestra rather than separately.

ENTERTAINMENT TRACK:

Won't You Be My Neighbor? (the main theme to the children's series Mr. Rogers' Neighborhood)
The television series starring Fred Rogers debuted nationally this month.

STAFF PICKS:

Tomorrow by Strawberry Alarm Clock
Bruce starts us off with a psychedelic and sunshine pop group out of Los Angeles. This song is the first single off the group's second album, "Wake Up...It's Tomorrow." It would hit number 23 on the Billboard Hot 100, and would be their second and final top 40 hit. "But right now I am with you, and together we can make it through."

Hey Baby (They're Playing Our Song) by The Buckinghams
Rob's staff pick continues in the sunshine pop genre with a band out of Chicago. This is off their album "Portraits," and made it to number 12 on the charts. "Sunshine Pop" is rooted in easy listening and "advertising jingles." The Buckinghams got their name in an attempt to channel some of the success of the British Invasion. They had 5 top 40 hits in 1967.

Nobody But Me by the Human Beinz
Wayne brings us a well-known cover originally performed by The Isley Brothers. There are over 100 "no's" in this song and 47 "nobody's," making it quite literally a quite negative song. While this would be the only entry into the top 10, it would become a staple of Fraternity parties from then on.

Sunday Mornin' by Spanky & Our Gang
Brian features Elaine "Spanky" McFarlane as lead woman for the band. Spanky & Our Gang had a number of hits in the 60's. This sunshine pop song peaked at number 30 as a single, and preceded the album by several months.

COMEDY TRACK:

Here Come the Judge by Shorty Long
This funky novelty song was inspired by a skit on Rowan & Martin's "Laugh In," and was Long's biggest hit, rising to number 4 on the charts.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - May: Brother Cane “Brother Cane” Jun 13, 2022

At a time when most music was coming out of the Seattle grunge scene or the Athens, Georgia college environment, Alabama's own Brother Cane is a reminder that good rock music can originate anywhere. The band was formed by front man and guitarist Damon Johnson and bassist Glenn Maxey, and they were joined by guitarist Roman Glick and drummer Scott Collier. Their self-titled debut album would peak at number 14 on the Billboard Heatseekers Chart.

Johnson wrote or co-wrote most of the songs on the album, but writing credits would be received by all band members for at least one song on the record.

Maxey left the group shortly after the debut album was released, after which Glick would switch to bass and the band would bring guitarist David Anderson into the group. Brother Cane would release three albums before disbanding, though they would reunite over the years, and are reformed as of 2022.

Friend of the show and owner of Monkey Wrench Brewing Wayne Baxter joins us for this podcast.

How Long
This track starts off slow and builds as the song continues. The entire band receives songwriting credits for this song, as does their producer, Marti Frederiksen. "How long my brother, can we turn away?

Got No Shame
This track is the lead single from the album, and the opening song for the album. Authentic harmonicast Cooper Price starts the song with a true Southern sound. This song made it to number 2 on the Billboard Mainstream Rock chart. Johnson and Frederiksen wrote this upbeat, energetic piece as a "southern version of 'Welcome to the Jungle'."

Hard Act to Follow
A somewhat slower song with similarity to the Black Crowes, the lyrics talk about the difficulty of moving on after a breakup. "You're a hard act to follow. Can't find nobody quite like you."

Don't Turn Your Back on Me
The funky organ and heavy "wall of sound" style gives this song a lot of appeal. We felt that the use of the vocoder hearkens back to Peter Frampton's work as well.

ENTERTAINMENT TRACK:

The theme from the television series “The Wonder Years”
The series that propelled Fred Savage to stardom finished it's run in 1993.

STAFF PICKS:

Lost In Your Eyes by the Jeff Healy Band
Brian's staff pick hearkens from Canada. Norman Jeffrey Healy started playing guitar at the age of three. Blind from a young age due to a rare cancer of the eyes. Healy often plays guitar with the instrument in his lap. This ballad was on the charts this month.

Jessie by Joshua Kadison
Bruce brings us the lead single from Kadison's debut album, "Painted Desert Serenade," released in May 1993. The songs on this album are ballads and soft rock, but there's more sophistication to them than the average love song. This one is about a guy who seems constantly drawn back to a girl and her fantastic plans that never seem to work out. Rod Argent is on keyboards and produced this song.

Who's Gonna RIde Your Wild Horses by U2
Friend of the show Wayne Baxter features the fifth single from the album “Achtung Baby.” The lyrics are inspired by the pain of divorce, which guitarist The Edge was going through at the time. A number of versions of this song were created, as the band struggled with the sound they wanted out of this track.

Honest to God by Brad Gillis
Rob's finishes the staff picks with former Night Ranger guitarist Brad Gillis playing with singer, guitarist, and co-writer Gregg Allman. This has a heavy sound with Allman's distinctive vocals.

INSTRUMENTAL TRACK:

Instrumental Jam by Emerson, Lake, and Palmer
The prog rock legends from the 70's had a new release in the 90's, and this instrumental piece from that album closes us out.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 - April: James Gang "Greatest Hits" Jun 06, 2022

The James Gang originated in Cleveland, Ohio, and is best known as a power trio consisting of Jim Fox on drums, Dale Peters on bass (Tom Kriss on bass for their first album) and Joe Walsh on guitars and lead vocals. This Greatest Hits album captures work done on the first three James Gang albums where Joe Walsh is the principal songwriter and is front and center of the band.

Walsh joined the group just prior to their signing with a record label. They produced "Yer' Album" in 1969. This would be followed by "James Gang Rides Again" and "Thirds." A live album would also be produced before Joe Walsh would depart the band in favor of solo work, and eventually join the Eagles.

While the group would continue on for several years after Joe Walsh's departure, they could never recapture the sound or hooks that Walsh brought to the band. The James Gang disbanded completely after 1977, though occasional reunions and tours of the classic lineup have happened since then.

Friend of the show and owner of Monkey Wrench Brewing, Wayne Baxter features this album for this podcast.

Walk Away
Hard rock, funk, and soul can be heard throughout this song. It was on the Billboard Hot 100, making it to number 51 in July of 1971 when it was out as a single off their third studio album. It chronicles a rocky relationship in which the girl doesn't really want to keep things going.

Funk #49
This track was the first single of the James Gang's second album. The lyrics are about a wild girlfriend, but the core of the song is the instrumental work and Walsh's guitar riffs. The name follows a previous song, “Funk #48,” which appeared on the first James Gang album.

Midnight Man
Another song off the “Thirds” album, this song has a mellower sound that hearkens back to the 60's. Mary Sterpka is the female voice brought in as a session musician for this track.

The Bomber: Closet Queen/Bolero/Cast Your Fate to the Wind
This complex suite from the second album contains original works and covers from Maurice Ravel and Vince Guaraldi. Ravel's will stipulated that “Bolero” was only to be played by full orchestras and threatened suit, causing many releases to exclude the “Bolero” section.

ENTERTAINMENT TRACK:

The theme from the television series “Mission Impossible”
The original television series made its exit in April of 1973.

STAFF PICKS:

Space Oddity by David Bowie
Rob's staff pick is the opening track off Bowie's second studio album. It was released in July 1969 just prior to the Apollo 11 moon landing. After the success of the “Ziggy Stardust” album, “Space Oddity” was re-released and hit the charts in April of 1973.

Little Willy by Sweet
Brian brings us Sweet's biggest hit, peaking at number 3 on re-release as a non-album single. The writers, Nicky Chinn and Mike Chapman, wrote a number of rock songs including many more Sweet songs, Tony Basil's "Mickey," Tina Turner's "Better Be Good to Me," and "Heart and Soul" by Huey Lewis & the News.

Desperado by the Eagles
Bruce features the title track from the Eagles second studio album. While this may be one of the best known songs from the Eagles, it was never released as a single. When Linda Ronstadt covered it later in the year, it drew more attention to the group. This was one of the first songs penned by the songwriting partnership of Don Henley and Glenn Frey.

Hocus Pocus by Focus
Wayne Baxter closes out the staff picks with an instrumental prog rock masterpiece from Dutch group Focus. You don't hear too many rock songs featuring polka beats and yodeling. We're doing the shorter U.S. single version, but there's a 10-minute version for those who need even more Focus.

COMEDY TRACK:

Freakin' at the Freakers' Ball by Dr. Hook & the Medicine Show
This novelty song chronicles a trip to a freaky party, and wraps up the podcast for the week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - May: Beach Boys “Pet Sounds” May 30, 2022

Pet Sounds was the eleventh studio album by the Beach Boys. The album revolutionized music production, helped establish the album as the dominant form of music, and made the recording studio an instrument. The Beach Boys at this time are Brian Wilson, Carl Wilson, Dennis Wilson, Bruce Johnston, Al Jardine, and Mike Love.

Some consider Pet Sounds to be a Brian Wilson solo project. He stopped touring with the Beach Boys a year prior to producing this album, and most of the Beach Boys had not heard the songs until they came into the recording session after the tour. Additionally, the album contained a lot of departures from standard Beach Boys fare. Wilson had moved them away from the surfing focus over the course of several albums, but this was deeper, more art rock, and inorporated jazz and other genres which just couldn't be duplicated in concert with a standard small rock set used on Beach Boys tours.

Brian Wilson wanted this to be the greatest rock album ever made, and wanted it to be a cohesive work with no filler songs. Some consider it a concept album, but it is more like a curated art work - the songs hang together but don't focus on a single theme. While the album has become recognized as one of the greatest rock albums ever written, it was not initially received that way either commercially or critically. This really hurt Wilson, as he considered it a public rejection of his artistry. Even later when folks would tell him how great the album was, he didn't want to hear it. He was already starting to breakdown mentally and psychologically.

Bruce brings us this iconic album.

Wouldn't It Be Nice
The opening track to the album was released as a single in July 1966. It describes a young couple fantasizing about being older, married, and free. It peaked at number 8 on the Billboard Hot 100. Brian Wilson and Tony Asher wrote it (with Mike Love getting writing credits after a 1994 court case), and Brian Wilson is on lead vocals.

Don't Talk (Put Your Head on My Shoulder)
The instrumentation here features a string sextet, and is really complex. The lyrics are about non-verbal communication, and Brian Wilson is the only Beach Boy on the song. There's a 12 string electric guitar in this song which is played by a session musician named Glen Campbell.

Caroline, No
This really was a Brian Wilson solo song, released as his debut solo record in March 1966. The lyrics are about an old flame who grows older, or maybe the relationship grows older, and loses a lot of its allure. There are a lot of jazz chords in this piece..

God Only Knows
This track leads off side two of the album, and was pretty controversial. At the time it was taboo to have the word “God” in a non-religious song. The key is somewhat ambiguous, varying between E major and A major in different sections. Paul McCartney considered it "the greatest song ever written," and it has received numerous accolades from lots of singers and songwriters.

ENTERTAINMENT TRACK:

Main theme from the television series "Perry Mason"
The now famous detective series completed its 9-season run in May of 1966.

STAFF PICKS:

Time Won't Let Me by the Outsiders
Wayne starts the staff picks with Cleveland's own Outsiders, and the Cleveland Indians used this song when bringing in relief pictures. It hit number 5 on the charts. The jingle is used in many commercials, as the message about not waiting carries over well from relationships to commercial applications.

Eight Miles High by the Byrds
Brian brings us an acid rock song - often considered the first acid rock song - inspired by an airplane flight. At least that was the story the band used to avoid concerns about drug references getting the track banned from radio stations. The drug concerns were not overcome, causing the song to quickly drop off the charts.

Twinkle Toes by Roy Orbison
Rob's staff pick is from Orbison's 9th album. This was Orbison's last top 40 hit, appearing at number 39 on the charts. Roy Orbison had 22 top 40 hits between 1960 and 1966, and would enjoy more success in the 1980's when several of his songs were covered. He died at 52 years old in 1988, and his final top 10 single, "You Got It" would appear on the charts posthumously.

Strangers In the Night by Frank Sinatra
Bruce concludes the staff picks with Sinatra's first number 1 hit in 11 years. While this song would win multiple Grammys and remain on the charts for 15 weeks, Frank Sinatra hated it. Glen Campbell played rhythm guitar on the studio recording of this song.

INSTRUMENTAL TRACK:

Let's Go Away for Awhile by the Beach Boys
We get in a little double-dipping with this instrumental from Pet Sounds, performed by an uncredited group of session musicians later known as the Wrecking Crew.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - January: Nirvana “Nevermind” May 23, 2022

The album that would bring grunge into the mainstream is Nevermind by Nirvana. While it was Nirvana's second album, it would be their first on a major label. It would also see the introduction of Dave Grohl to the band as drummer joining Krist Novoselic on bass, and the iconic and troubled Kurt Cobain who was front man, guitarist, and songwriter for the band.

“Troubled” could be a good description of the album as well. While more polished than their debut album, the songs exhibit a raw emotion, often dark, disturbed, or alienated, but also containing some humor and self-deprecation. The tracks were more melodic than the first album as well, reflecting Cobain's influences - he was listening to groups like the Pixies and R.E.M. at the time that Nevermind was being recorded.

The album was a surprising success both commercially and critically. It was nominated for three Grammy awards across two awards ceremonies. It hit number 1 on the Billboard 200 list in the U.S., hit number 2 on the Australian charts, and number 7 on the British charts.

Nevermind was released in September 1991, and friend of the show John Lynch is featuring it as our album pick for January 1992 when it was on top of the charts, knocking off Michael Jackson's Dangerous.

Lithium
Lithium is a drug used to fight depression and bi-polar disorder. The lyrics discuss a person trying to fight loss of relationships, wide mood swings and feelings, deciding that he needs to find God before he kills himself. The alteration between soft and loud sections would become known as emblematic of Nirvana's sound.

Polly
This dark song was inspired by the abduction, torture, and rape of a 14 year-old girl in Tacoma, Washington. She escaped from her kidnapper at a gas station. Cobain wrote the lyrics from the perspective of the perpetrator. Former percussionist Chad Channing is the drummer on this piece.

Something in the Way
This song was inspired by a four-month period of homelessness that Cobain experienced around his hometown of Aberdeen, Washington. It is one of the few autobiographical songs Cobain wrote, as he more typically wrote lyrics inspired in stores from others. It is featured in the 2022 film, “The Batman.”

Come As You Are
This hit single almost resulted in a lawsuit from a band called “The Killing Joke” which had a very similar chord structure. The lyrics are about the expectations people put on themselves and others, and it encourages people to be themselves.

ENTERTAINMENT TRACK:

Theme from the television comedy series “In Living Color”
This comedy variety production from the Wayan brothers would introduce the world to sketches “Men on Film, “Homey the Clown,” and “Fire Marshal Bill” which launched Jim Carrey’s career.

STAFF PICKS:

There's No Other Way by Blur
Wayne starts us off with London based Blur exhibiting the “Manchester” sound. The song lyrics highlight the irritation the band felt at having to follow the Manchester trend at the behest of the record company. “You've taken the fun out of everything.” This song was Kurt Cobain's favorite song of the year from Britain.

Don't Let the Sun Go Down on Me by George Michael and Elton John
Rob brings us George Michael's live cover of Elton John's 1974 hit. John joins Michael on stage in the second half of the song during this performance in Chicago. They had originally performed the duet for Live Aid, and Michael liked it so much that he incorporated the cover into his show. The original version made it to number 2 in the U.S., and this cover made it to number 1.

Diamonds and Pearls by Prince and the New Power Generation
Brian's staff pick is a love song. It is also the title track to Prince's album with the backing band which was originally named on the 1990 film “Graffiti Bridge.” The female voice in this song is performed by Rosie Gaines, who tragically suffered from an insulin overdose in 2009, and has experienced a number of diabetic issues over time.

No Son of Mine by Genesis
John Lynch features the final Genesis album with Phil Collins as lead singer, "We Can't Dance." The lyrics discuss domestic violence. It is about a man who is a monster to his family. The song describes a child who runs away from an abusive family situation, and is rejected by his father when he attempts reconciliation later on.

INSTRUMENTAL TRACK:

New Recruit by Eric Clapton
This instrumental track is from the motion picture "Rush."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - August: The Jeff Beck Group “Truth” May 16, 2022

Jeff Beck left the Yardbirds in 1966, and recorded several singles in 1967. In 1968 Beck released his first solo studio album, Truth, which would come to be regarded as one of the first heavy metal albums released. It would also feature a number of talented artists in his band called The Jeff Beck Group, including Rod Stewart on vocals, Ronnie Wood on bass, and Mickey Waller on drums, all of which would go on to achieve stardom as rock soloists and/or musicians in other groups.

Beck started this group as a means to expand his guitar interests, and the album reflects a lot of diversity. There are traditional covers and blues songs, heavier rock numbers and instrumentals, and of course a lot of guitar effects. The tracks for the album were recorded very quickly - within two weeks - and the album would go to number 15 on the U.S. charts.

Jeff Beck has been inducted into the Rock & Roll Hall of Fame twice - once for his work with the Yardbirds, and once for his solo work.

Wayne brings us this 60's rock album, and friend of the show John Lynch joins us in Bruce's absence for this episode.

Greensleeves
The song that starts side two of the album is a classic - a Tudor classic! Greensleeves dates back to 1580. This traditional song would find its way into the Christmas season as "What Child Is This?" with different lyrics.

You Shook Me
American blues musicians Willie Dixon and J.B. Lenoir penned this song that Jeff Beck covers. Led Zeppelin also covered this song on their first album which appeared 5 months after Beck's album. John Paul Jones is on the Hammond organ for this one.

Beck's Bolero
This piece is considered one of the great Rock instrumentals, and brings in some high caliber session musicians - Jimmy Page on 12-string guitar, Jon Paul Jones on bass, and Keith Moon on drums. Moon had contractual issues at the time and was credited on the album as "you know who."

I Ain't Superstitious
Another traditional blues song, this one was originally written by Willie Dixon. This really shows off Rod Stewart's vocal chops and Beck's fuzzy guitar work. These effects are done well before the vocoder was available, but Jeff Beck creates a nice facsimile of a vocoder on his own.

ENTERTAINMENT TRACK:

The main theme from the motion picture “Hang 'Em High”
This Clint Eastwood western made its appearance in 1968. It was the first production from Eastwood's own The Malpaso Company.

STAFF PICKS:

Jackson by Johnny Cash
Bruce was out, so guest John Lynch brings us a classic from Johnny Cash, which also features June Carter on duet prior to their marriage. The song was recorded in 1967 and debuted in 1968. They would win a Grammy for the Best Country & Western Duet. The song is about a husband wanting to go to Jackson because of all the women, and the wife wanting to go to Jackson to laugh at the husband for making a fool of himself.

Hitch It To the Horse by The Fantastic Johnny C.
You might think Brian's staff pick is from James Brown, but the Godfather of Soul wasn't the only one doing soul funk fusion in the late 60's. Johnny Corley came out of a gospel vocal group in Philadelphia, and was persuaded to sing secular songs by producer and songwriter Jesse James. This is from his sole solo album, “Boogaloo Down Broadway.”

Mr. Businessman by Ray Stevens
Rob's staff pick is a serious song from Stevens, who would become better known for his comedy songs. This track from his third album cautions Mr. Businessman to take care of the important things in life rather than focusing all his time on his career.

Journey to the Center of the Mind by the Amboy Dukes
Wayne brings us a psychedelic hit from a 19 year-old Ted Nugent in his original group. This song sounds more like the Moody Blues than the Motor City Madman, but it is a sonic blast. Nugent was 15 when he formed the Amboy Dukes. The Amboy Dukes were invited to perform at Woodstock, but they declined because Nugent "didn't like hippies or the promoter."

INSTRUMENTAL TRACK:

Soul Limbo by Booker T and the M.G.'S
You can't go wrong with a little instrumental limbo to finish off this 60's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 — July: The Kinks “Low Budget” May 09, 2022

Their eighteenth studio album found The Kinks moving in a different direction than many previous albums. Low Budget would address many contemporary issues in song, rather than the subtle pieces and nostalgia found on earlier albums. The Kinks also recorded much of the album in New York rather than London. The result charted well in the United States, reaching number 11 on the Billboard 200. It did not do well in their native Britain.

The band members of The Kinks for this album were Ray Davies on guitar, keyboards, and vocals, Dave Davies on guitar and background vocals, Jim Rodford on bass and background vocals, and Mick Avory on drums. They are joined in the studio by Nick Newall on saxophone and Gordon Edwards (briefly a member of the group) playing piano on the title track. Ray Davies wrote all the tracks on this album.

The album was more heavily produced than other albums and took a harder edge, which was appropriate for their arena rock phase for the group. There were a lot of diverse songs as well, led by the disco-infused lead single, "(Wish I Could Fly Like) Superman."

Catch Me Now I'm Falling
The second track from the album uses Captain America as a surrogate for the United States, and criticizes the U.S. as a country fallen on hard times, and its allies as not coming the the need of America despite earlier times when the allies were help by America during and after World War II. The song was released as a single, but only in the U.S.

Pressure
A high speed deeper cut, this song looks at pressure as a contagious disease, one that can be spread from one person to another, but which also can take over when you're alone. This song has a decidedly punk flavor. The call and response sound in the vocals gives it a more manic feel as well.

(Wish I Could Fly Like) Superman
The lead and biggest single from the album reached number 41 on U.S. charts. Ray Davies was inspired to write the lyrics by the release of "Superman: The Movie" in the previous year. The disco feel was difficult for the band to achieve. The song itself tells of a desire to take on modern problems like Superman, though the protagonist is nothing like the invincible super hero.

Low Budget
The title track leads off the second side of the album. It describes a man learning to live much more frugally due to hard economic times. The song was in line with the recessionary malaise of the times, though people could identify with it when living through any recession.

ENTERTAINMENT TRACK:

The Main Theme to the motion picture The Amityville Horror
This popular horror show convinced us all to stay away from houses that say, "Get Out!"

STAFF PICKS:

You Can't Change That by Raydio
Bruce leads off the staff picks with an American R&B and Funk band. Raydio is Arnell Carmichael and Darren Carmichael on vocals, Charles Fearing on guitars, Larry Tolbert on percussion, and Ray Parker, Jr. on vocals, guitars, bass, keyboards, and primary songwriter. This song went to number 9 on the Billboard Hot 100 and features Arnell Carmichael on high vocals and Ray Parker, Jr. on low vocals.

Goodbye (Astrid, Goodbye) by Cold Chisel
Rob's staff pick may not be well known in the U.S., but is a hit from Australia. In fact, Cold Chisel has been listed as the number 3 favorite Australian band as rated by Australian musicians, behind AC/DC and INXS, but ahead of Midnight Oil and Crowded House. This rocking song with a boogie beat is about a guy who is hitting the road, and was designed as a set finisher.

I Don't Like Mondays by the Boomtown Rats
Wayne brings us a cult hit that was inspired by a school shooting in California. The piano-driven piece didn't chart in the U.S. but has had staying power over time. Front man Bob Geldof heard the original story of the shooting while doing an interview at WRAS radio out of Georgia State. Geldof regretted doing the song because it made the shooter famous.

Heart of the Night by Poco
Brian wraps up the staff picks on a mellow note. This is from the album "The Legend." Writer Paul Cotton said this song was inspired by his "love and lust for New Orleans," and that the song practically wrote itself. Phil Kinsey, who performed on saxophone on Al Stewart's "Year of the Cat" is featured on alto sax on this song.

INSTRUMENTAL TRACK:

Morning Dance by Spyro Gyra
This jazz fusion piece was on the charts in the summer of 1979 and closes out of podcast this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - July: Nik Kershaw “Human Racing” May 02, 2022

Nik Kershaw's debut studio album, Human Racing, would also be his most commercially successful album. He would find more popularity in the UK where his album hit number 3 on the album charts than in the United States, where it would appear at number 70 on the Billboard 200. Kershaw wrote all the songs, performed lead and backing vocals, bass guitar, guitar, keyboards, and percussion. Other personnel on the album would include Paul "Wix" Wickens on keyboards, Charlie Morgan on drums, and a slew of session musicians including his wife Sheri Kershaw on backing vocals.

Nicholas David “Nik” Kershaw came from a musical family - his mother was an opera singer and his father was a flautist - and he was a self-taught guitarist at an early age. Kershaw embarked on a career as a musician and songwriter by 1982, and had significant international success with both this debut album and his second follow-up, “The Riddle.” He was one of the performers at Live Aid in 1985 at Wembly stadium.

Although his solo career waned after that, he continues to produce albums today, and has collaborated with a number of artists, including Kim Wilde, Tony Banks, Steve Hackett, Elton John, and Michael W. Smith.

Rob takes us into this 80's phenomenon this week.

Wouldn't It Be Good
This song made it to number 43 on the Billboard Hot 100, and has everything you expect from 80's pop music. It is about how the lives of others seems so much better. “Wouldn't it be good to be in your shoes even if it was for just one day? Wouldn't it be good if we could wish ourselves away?” Kershaw would perform this song in Live Aid.

Dancing Girls
The third single from the album is about a guy who is sick of his middle class life. He wants some excitement in his life - "bring on the dancing girls!"

Faces
This song has a different feel than the others. It is about looking at the people who are taking over your mind. There's a sense of religious hypocrisy, with lots of different faces provided and instructions on when to use them.

I Won't Let The Sun Go Down On Me
While it didn't do well in the States, this was a hit in the UK. A cold war song, the lyrics are about choosing to live positively despite the risk of nuclear annihilation.

ENTERTAINMENT TRACK:

The Nerd Theme from the motion Picture “Revenge of the Nerds”
NERDS!!! A surprise success at the movies in the summer of 1984 was the comedy “Revenge of the Nerds.”

STAFF PICKS:

Little Lady by Duke Jupiter
Wayne starts off the staff picks with a group from Rochester, New York, which may be surprising since the song sounds more like Southern rock than something out of the northeast. We think it sounds like ZZ-Top. The song is about a woman who is ditching her groom at the altar. Duke Jupiter had a 13-year career, breaking up in 1986.

Doctor! Doctor! by the Thompson Twins
Brian's staff pick is a song comparing being in love to a medical state. The Thompson Twins got their start as a new wave group before moving to more mainstream success as a part of the Second British Invasion. This song would hit number 11 in the US and number 3 in the UK.

Missing You by John Waite
Bruce's staff pick was a late edition to Waite's second solo album, "No Brakes." It was also a huge success that really launched Waite's solo career. The lyrics were inspired by several relationships Waite was in, primarily his wife with whom he was divorcing at the time. The melancholy denial of "I ain't missing you at all" paired with the background vocals "missing you" struck a chord with listeners, and the song would be a number 1 hit on the US charts.

Legs by ZZ Top
Rob's closes out with a song more famous for its video than the song itself. This is the first top 10 hit from ZZ Top from their "Eliminator" album. A number of people have covered this song, but there's no way to outdo the original. The video tells a story of a girl transforming from a wilting wallflower to a knockout with the help of a ghostly ZZ Top.

INSTRUMENTAL TRACK:

The Call of Ktulu by Metallica
This week's podcast closes out with an instrumental from Metallica before the band achieved the monster status it would attain by the end of the decade.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - December: Jackson Browne “Running On Empty” Apr 25, 2022

Running on Empty was the fifth album by Jackson Browne. The album revolves around the theme of life on the road, and it is a live album, but with a couple of twists. First, none of these tracks had previously appeared on a Jackson Browne studio album. Second, while some of the songs were recorded on stage during concerts, others were recorded backstage, or in hotel rooms, or on the tour bus. This gives the album more of a concept feel than would be present for a typical "live" album.

Browne got his start as a songwriter as a teenager, and joined the Nitty Gritty Dirt Band shortly after high school. His early songs were recorded by the Nitty Gritty Dirt Band, Nico, Steve Noonan, Gregg Allman, Joan Baez, Linda Ronstadt, The Eagles, The Byrds, and others. He was a backing musician for Nico in 1967 and wrote three of the songs on her debut album, He co-wrote "Take It Easy," the first hit by the Eagles.

This album is considered one of the most accessible albums Browne created, and is his most successful album. It reached number 3 on the Billboard Pop Albums chart in 1978, and stayed on the charts for 65 weeks. It was nominated for Album of the Year in 1979. The title track would become a staple of classic rock.

Running on Empty
The title track and first single from the album was recorded in concert at Merriweather Post Pavilion in Columbia, Maryland. It hit number 11 on the Billboard Hot 100. The song was inspired by Browne's driving to the studio to make "The Pretender." It was only a few blocks from his house to the studio, and Browne wouldn't bother to fill up, so he was always literally running on empty.

Nothing But Time
This track is about the boredom of life on the road. It was written and recorded on the tour bus, a Continental Silver Eagle. You can hear the bus's engine running in the background, downshifting and accelerating during the bridge. Browne and Howard Burke (his tour manager) wrote this one. Russ Kunkel is on percussion, playing snare, hi-hat, and "cardboard box with foot pedal."

The Load Out
This is a well-known track about the folks that put the show together and the fans that come to hear the concert. "We've got to drive all night and do the show in Chicago - or Detroit, I don't know. We do so many shows in a row, and these towns all look the same." It portrays a decidedly unglamorous picture of touring life, with the one exception of the time on the stage.

Stay
Almost always played in series on rock stations with “The Load Out,” this cover of Maurice Williams and the Zodiac's song from 1960 replaces concerns about mom and dad letting the girl stay out with concerns that the roadies, producers, and union letting the band play one more song.

ENTERTAINMENT TRACK:

Night Fever by the Bee Gees (from the motion picture "Saturday Night Fever")
The movie that would make John Travolta a household name and disco the music genre of choice across the nation was released in December 1977.

STAFF PICKS:

Mind Bender by Stillwater
Wayne leads off with a band whose name was used for a rock band in the movie "Almost Famous." This vocoder-laced southern rock piece with a shuffle beat hit the Billboard Hot 100 at number 46. The song is about a talking guitar called "Mindbender.: Stillwater is from Warner Robins, Georgia, and plays an annual show in Macon at Christmas time.

She's Not There by Santana
Rob brings us a cover of the Zombie's hit from the 60's. While the Zombie's version made it to number 2 on the Billboard Hot 100, Carlos Santana gives it a Latin fusion twist that would hit number 27 on the charts. Greg Walker is the vocalist on this single, with Santana of course on guitar.

Help Is On Its Way by the Little River Band
Brian's staff pick is from the Australian band known for their harmonies and easy groove. This is the lead single from their third album, Diamantina Cocktail. The song has a positive feel, and peaked at number 14 on the Billboard Hot 100.

Baby Come Back by Player
Bruce's staff pick was written by band members Peter Beckett (lead vocals and guitar) and J.C. Crowley (piano and backing vocals) after two of the band members had broken up with their girl friends. This is off their self-titled debut album. The band would be less successful when they moved from a soul oriented sound to a more rock-oriented sound on their future albums.

INSTRUMENTAL TRACK:

The Dialogue from the motion picture "Close Encounters of the Third Kind"
The distinctive 5-note jingle marked the start of a conversation with aliens in this science fiction movie that debuted in December 1977.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - October: Cracker “Kerosene Hat” Apr 18, 2022

The California band Cracker would have its greatest success with its second studio album, Kerosene Hat. Cracker is David Lowery on lead vocals and guitar, Johnny Hickman on lead guitar and vocals, Davey Faragher on bass and vocals, and Michael Urbano on drums. The name of the album comes from a time when Lowery and Hickman lived together in an old run-down house whose only heat source was a pair of kerosene heaters. They had to walk to a nearby gas station to buy more kerosene and would bundle up with a wool cap that came to be known as the kerosene hat.

While the group considered themselves more drawn to roots rock or country, the album went platinum during the days of grunge as an alternative rock sound. It definitely does not follow the over produced "hair band" sound that was beginning to wane in the early 90's. Much of the album was recorded in an abandoned sound stage in Pioneertown, California, in a location so run down that the group had to round up old mattresses from junk yards to provide insulation on colder days. The band holds a music festival there each year.

Wayne leads this expedition into the early 90's rock scene.

Low
This single only reached number 64 on the US Billboard Hot 100, but it was number 3 on the Billboard Modern Rock Tracks. Lowery claimed that the song was not about drugs, and that the lyric is not "like being stoned," but "like being stone." Other lyrics like "a million poppies gonna make me sleep" make this claim seem a bit more dubious.

Get Off This
The second single from the album is a response to former fans who accused Cracker of selling out to make more mainstream music. The response is obvious from the chorus: "So let's get off this, and get on with it. If you wanna change the world, shut your mouth and start to spin it."

Lets Go for a Ride
This deeper track is well described by the title - it is a driving song. "So, drive real fast through the underpass, and if we die or if we crash, well, I'd be flattered to be buried right next to you."

Euro-Trash Girl
This is a bit of a "hidden track" on the CD (coming in at #69), and is a favorite of serious Cracker fans. It was originally released on the EP "Tucson" It tells the story of a lonely guy in Europe who suffers through a series of break-ups. The band wrote this as a group, partly based on things the members had experienced, and some made up situations.

ENTERTAINMENT TRACK:

I Can See Clearly Now by Jimmy Cliff (from the motion picture “Cool Runnings”)
The appearance of the Jamaican national team in the bobsled event for the 1988 Winter Olympics inspired this movie staring John Candy.

STAFF PICKS:

Sober by TOOL
Rob brings us a grunge song from the Los Angeles band Tool. The song is off their debut album, but it was most known for its creepy stop-action video. Similarities to Led Zeppelin's "Kashmir" have prompted a number of mash-ups. The lyrics were inspired by a friend of the band whose creativity only came out when he was under the influence.

Hey Jealousy by Gin Blossoms
The song Brian features was written by guitarist Doug Hopkins about his former girlfriend. Hopkins was fired for unreliability associated with his heavy drinking, but the song propelled the Gin Blossoms to success. Hopkins became depressed and committed suicide in December 1993.

Perfectly Good Guitar by John Hiatt
Bruce's staff pick is a minor key blues number from a singer-songwriter who has worked with a tremendous amount of artists. This song from his eleventh studio album laments the way that rock stars get attention by smashing up perfectly good guitars.

Bad Thing by Cry of Love
Wayne's staff pick is a deeper cut. Cry of Love is out of Raleigh, North Carolina, and has a sound reminiscent of Bad Company. It was a throwback to solid 70's rock during a time when that genre of music was out of favor. Band members would go on to perform with other groups including the Black Crowes and Lynyrd Skynyrd.

INSTRUMENTAL TRACK:

Leave That Thing Alone by Rush
This instrumental from the Counterpoints album is a bit of a continuation of the "Where's My Thing" instrumental from Rush's previous album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1988 - March: Robert Plant “Now and Zen” Apr 11, 2022

If Now and Zen, the fourth studio album by Robert Plant, sounds like Led Zeppelin, there's more reason for that than just the fact that Plant was the lead singer for the band. In addition to continuing use of computerized technology in the album, Plant also incorporated more blues and Middle Eastern elements into his music. He also had his Led Zeppelin band mate Jimmy Page contributing guitar to a couple of tracks.

Plant wanted to create an album that created electronic music with a more soulful sound than was typical at the time. He also benefitted from a lot of interest in the Led Zeppelin sound. Many hair bands at the time were trying to emulate Led Zeppelin, but struggled to do so in the highly produced commercial atmosphere of the late 80's. The Beastie Boys had even sampled a number of Zeppelin riffs for their album, “License to Ill,” much to Page and Plant's chagrin during the relatively unregulated use of OPM (other people's music) at the time.

The confluence of Plant's direction of combining electronics with blues, and the heightened interest in the Zeppelin sound resulted in the most successful commercial album of Plant's post-Zeppelin career. The album hit number 6 on the U.S. charts, and was certified triple platinum. Three singles would be released from the album.

Brian Dickhute brings us this album.

Heaven Knows
This was the opening track and the first single from the album. The song, written by songwriters Phil Johnstone and David Barratt, is a satirical commentary on the perceived shallowness and lack of attention span of the late 80's. This is one of two tracks on which guitarist Jimmy Page participates.

Dance On My Own
A deeper cut, this song is about being so happy about the girl on the block that you can't stop dancing. Phil Johnstone and Robert Crash co-wrote this song, along with Plant. Johnstone was the producer and keyboardist for the album. This track is more timestamped to the 80's than many of the tracks.

Tall Cool One
This upbeat track is the second one on which fellow Led Zeppelin alumni Jimmy Page contributes guitar work. It also samples a number of Led Zeppelin songs, including "Whole Lotta Love," "Black Dog," and "The Ocean." The title comes from an instrumental work from a 50's group called The Fabulous Wailers, although the songs themselves are not the same.

The Way I Feel
"See what I'm driving at and I'm back behind the wheel. I'm just a little nervous - It's something to do with the way I feel." This is a continuation of “Big Log” from his previous album “The Principle of Moments.”

ENTERTAINMENT TRACK:

I Heard It Through the Grapevine by The California Raisins
The California Raisin Advisory Board caught lightning in a bottle when this claymation commercial with dancing and singing raisins became wildly popular. This song hit the Billboard Hot 100.

STAFF PICKS:

Get It On by Kingdom Come
Wayne rocks out with this Zeppelinesque track from hair band Kingdom Come. This is the group's biggest hit off their first album. The album went to number 12 on the charts. The similarities in vocals to Kashmir are obvious. Critics would refer to the band as “Kingdom Clone.”

Endless Summer Nights by Richard Marx
Rob's staff pick was a big hit on the pop and adult contemporary charts. Chicago native Richard Marx came up in the music business, and benefitted both from production quality and photogenic looks. Marx had 14 top 20 hits, three of which were number 1 hits. And you never can go wrong with a sax!

When We Was Fab by George Harrison
Bruce's staff pick is the last new song Harrison would have to chart in the U.S. It was written as a playful look back on the Beatles days. Jeff Lynne co-wrote the song with Harrison, Gary Wright plays piano, and fellow Beatle Ringo Starr plays drums. The video features a number of cameos, including Paul Simon, Elton John, Jeff Lynne, and Ringo Starr.

What Have I Done to Deserve This by the Pet Shop Boys with Dusty Springfield
Allee Willis, author of “September” by Earth, Wind, and Fire, and “Neutron Dance” by the Pointer Sisters, co-wrote Brian's pick with the Pet Shop Boys. It is about the hopelessness of a person stuck in a dysfunctional relationship whom they don't have the strength to leave. 60's icon Dusty Springfield contributes vocals to this song, and it would be her largest selling single after “Son of a Preacher Man.”

COMEDY TRACK:

Never Gonna Give You Up by Rick Astley
Well before the Rick Roll became a thing, the original was on the charts, and you get the benefit as our podcast closes out!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - November: Paul Simon “Graceland” Apr 04, 2022

Paul Simon was in a slump in the early 80's. His relationship with Art Garfunkel was at a low point, he was recently divorced from his second wife, Carrie Fisher, and his 1983 album “Hearts and Bones” was considered a commercial failure. This album would change his fortunes. Graceland would become his highest charting album in over a decade, his most successful studio album, and would win the 1987 Grammy for Album of the Year.

Simon lived next door to Lorne Michaels, creator of Saturday Night Live. Michaels introduced Simon to a singer-songwriter names Heidi Berg, and Simon agreed to produce a record for her. Berg wanted a sound like the street music from Johannesburg, South Africa, and loaned Simon a bootleg tape. This inspired Simon to travel to South Africa, meet the musicians, and create an album using these musicians and their native sounds. Obviously, this fractured the relationship between Simon and Berg.

The album would also be controversial, because South Africa was under a cultural boycott at the time due to their apartheid policy. Simon would counter that he was lifting up the music of the indigenous South Africans, even paying three times New York union wages and giving writing credits, but this would not quell the criticism.

Nevertheless, the album would do well both commercially and critically, and introduce American mainstream audiences to world music.

Graceland
The title track was named "Graceland" because the drums reminded him of a traveling rhythm you would hear in a song from Sun Records. The lyrics reflect taking a road trip to Graceland from Louisiana on Route 61. Some also consider it a song about using a road trip to get over the pain of divorce.

Diamonds on the Soles of Her Shoes
This song features the South African choral group Ladysmith Black Mambazo. Simon wrote it when he went to South Africa but it was not originally planned for inclusion on Graceland. That changed when Ladysmith Black Mambazo and several other South African studio musicians were in New York for an episode of Saturday Night Live, and they decided to record it while they were in town.

Under African Skies
This deeper track references two people in the song one is Joseph Shabalala, the leader of Ladysmith Black Mambazo. The other is Linda Ronstadt who lends her vocals to this track. Ronstadt's inclusion in the album was particularly controversial because she had performed at Sun City, a South African apartheid resort, three years earlier.

You Can Call Me Al
The hit single from the album only went to number 23 on the charts. The names came from a party that Simon attended years prior with his first wife Peggy Harper. French Composer Pierre Boulez, who attended the same party, mistakenly referred to Paul and Peggy as Al and Betty. Many will remember the video starring Simon and Chevy Chase.

ENTERTAINMENT TRACK:

Somewhere Out There by James Ingram and Linda Ronstadt (from the animated film "An American Tail")
This animated motion picture told the story of a family of Jewish mice and their immigration to the United States.

STAFF PICKS:

Goin' Crazy! by David Lee Roth
Wayne leads off the staff picks with former Van Halen frontman, Diamond Dave. This is his third single from his first full studio solo album "Eat 'em and Smile." Steve Vai played guitar on this track. The song was supposed to be the title song from a proposed comedy television production starring Roth entitled "Crazy From the Heat"

Human by The Human League
Brian brings us one of the most beautiful cheating songs you will hear. The Human League went to Jimmy Jam and Terry Lewis in Minneapolis to produce the album. It was a divisive decision, because the two women in the group did not accompany the other members when this song was recorded in Minneapolis.

Emotion In Motion by Ric Ocasek
Rob's staff pick by the former Cars front man reached number 15 on the Billboard Hot 100. This is off his second solo studio album, and was his only single to hit the top 40 as a solo artist. Ric Ocasek died in 2019.

Word Up! by Cameo
Bruce finishes off the staff picks with the highest charting single from funk band Cameo - it hit number 6 on the Billboard Hot 100. "Word Up" was an affirmation used in New York. Larry Blackmon is the lead singer, and was inspired to use the distinctive vocal monotone you hear in this song by listening to Sly Stallone.

INSTRUMENTAL TRACK:

The Launch by Boston
Boston's long anticipated third album "Third Stage" was released this month, and contained this instrumental lead-in to "Cool the Engines."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1971 - February: Yes “The Yes Album” Episode 200! Mar 28, 2022

It's our 200th episode! And to celebrate, we are going to cover a group we reference frequently in other episodes - “all roads lead to Yes.” The third studio album by Yes was simply entitled The Yes Album, and it was both a critical success, and a much-needed commercial breakthrough, hitting number 40 on the US album charts. It was the first album not to contain any cover songs, and was also the first album to feature guitarist Steve Howe in the group.

This iteration of Yes consisted of Jon Anderson on vocals, Chris Squire on bass and vocals, Steve Howe on guitars and vocals, Tony Kaye on keyboards, and Bill Bruford on percussion. This album would be the last with Kaye on keyboards until the 90125 album in the 80's.

We're also spending some time talking about the podcast, our experiences over 200 episodes, fans from different places, and more What The Riff trivia. We hope you enjoy this milestone podcast!

Yours Is No Disgrace
The opening track was written by all five members of the band. It is a song about the Vietnam War, telling the returning soldier that the war wasn't his fault, and that he had no choice but to fight.

Starship Trooper
Robert Heinlein's novel of the same name inspired the name of this song. The epic consists of three movements, "Life Seeker," primarily written by Jon Anderson, "Disillusion" mostly written by Squire, and "Würm," largely written by Howe.

I've Seen All Good People
This is another lengthy epic of a song, not uncommon for Yes with it's prog rock sensibilities. Jon Anderson and Chris Squire wrote this song and it's two movements. The first movement, "Your Move," uses chess as a metaphor for relationships, and was released as a single which became a top 40 hit. The second movement, "All Good People," would be re-incorporated into the song when played on FM rock stations at the time. It references John Lennon in several places.

ENTERTAINMENT TRACK:

The theme from the motion picture “Love Story”
This romantic tragedy starred Ali MacGraw and Ryan O'Neil. It was released in December 1970 and was a big grossing film in February.

STAFF PICKS:

Temptation Eyes by The Grass Roots
Wayne's staff pick is a California group which charted frequently in the early 70's, including this song which went to number 15. The band originally was founded by Lou Adler and the songwriting duo of P.F. Sloan and Steve Barri.

If You Could Read My Mind by Gordon Lightfoot
Brian's staff pick is the well-known Canadian singer-songwriter. This song was inspired by Lightfoot's divorce. It has been recorded over 100 times since Lightfoot wrote it by artists like Liza Minnelli, Barbara Streisand, Glen Campbell, and Johnny Mathis.

Does Anybody Really Know What Time It Is? by Chicago
Bruce brings us the first song the band recorded together on their first album in 1969. It wasn't released as a single until late 1970 after "Make Me Smile" became a hit. This encouraged the group to go back to this song and cut it down to single length. Robert Lamm wrote and sang lead on this song, inspired by a quip he received from a Brooklyn movie theater usher.

What Is Life by George Harrison
Rob's finishes the staff picks with the “quiet” Beatle. It is off his triple album "All Things Must Pass," and this second single from the album went into the top 10 on the U.S. charts. Eric Clapton played on this album, and it was produced by Phil Spector. It is a love song that appears to be directed both at a woman and a deity.

INSTRUMENTALTRACK:

The Clap by Yes
This live instrumental piece was brought to the group by Steve Howe, and appears on The Yes Album. It was written in celebration of the birth of Howe's son, Dylan.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 — May: Blackfoot “Strikes” Mar 21, 2022

While they may hail from Jacksonville, Florida, the southern rock group Blackfoot gets its name from the Native American tribe in recognition of the Native American heritage of multiple members of the band. Strikes was their third studio album, and would go Platinum. Blackfoot is Rickey Medlocke on lead vocals and guitar, Charlie Hargrett on guitar, Greg T. Walker on bass, keyboards, and vocals, and Jakson Spires on percussion and vocals. Rickey Medlocke was an early member of Lynyrd Skynyrd where he played drums and contributed vocals.

After touring as the backing band for Ruby Starr, Blackfoot met Al Nalli who was manager for the group Brownsville Station, and he got them a contract with Atco Records. Nalli also produced Blackfoot Strikes, which would be the groups most commercially successful album.

Blackfoot would see many lineup changes over the years, with over 40 musicians being listed as former members of the band. Blackfoot continues to tour today, and released a new studio album in 2016. Although no original band members are with the band today, Rickey Medlocke occasionally joins the band during concerts.

Train, Train (Prelude)
This short harmonica instrumental features Rickey Medlocke's grandfather, Shorty Medlocke, who was a bluegrass artist and composer of the piece

Train, Train
The biggest hit of the group was written by Shorty Medlocke, Rickey's grandfather, and peaked at number 38 on the charts. It was originally a delta blues song, and was the last song that was recorded for the album. It laments about a woman who dumps her blue collar guy to go to the big city.

Left Turn on a Red Light
A deeper cut in a minor key, this song is about decisions early in life and potential regret. In this case, the guy realizes that his decision was right.

Highway Song
This was a second single hit from the album, and had an epic quality to it. The lyrics are similar to "Turn the Page," in that it is about life on the road. "Well, another day, another dollar after I've sang and hollered. Oh, it's my way of living, and I can't change a thing."

ENTERTAINMENT TRACK:

Main theme from the television series “Starsky & Hutch”
Alright folks, slide across the car hood to hop in that Grand Torino! The buddy cop series had its final episode this month.

STAFF PICKS:

The Diary of Horace Wimp by E.L.O.
Bruce's staff pick chronicles the week of a shy guy who gets the love of his life with a little help from "a voice from above." This is a deeper cut from the disco-heavy E.L.O. album "Discovery," though this one has more in common with the Beatles than the Bee Gees.

Minute By Minute by the Doobie Brothers
Brian features the yacht rock hit from Michael McDonald and the Doobie Brothers. This is the title track off the album of the same name, and followed their number 1 hit "What a Fool Believes" as s single. This song hit number 14 on the Billboard Hot 100, and was nominated for a Grammy, losing to their other singe, "What a Fool Believes."

Sad Eyes by Robert John
Rob's staff pick is a falsetto ballad that debuted in May. This song hit number 1 on the charts, ending the 6 week reign at number 1 for "My Sharona" by The Knack. It is about a man telling his mistress that their relationship is over because his wife is coming back.

Shakedown Cruise by Jay Ferguson
Wayne brings us a keyboard heavy song that hit number 31. Ferguson came out of several groups, including Spirit and Jo Jo Gunne. Joe Walsh is the guitarist on this song. "Now if I don't get off alive, it's just as well I'll be waking up in heaven, 'cause I've been through hell."

INSTRUMENTAL TRACK:

Music Box Dancer by Frank Mills
This instrumental was a big hit on the charts this month.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - February: Cream "Fresh Cream" Mar 14, 2022

British rock supergroup Cream debuted their first studio album entitled Fresh Cream in January 1967 in the United States, following the December 1966 British release. Eric Clapton was on guitar and vocals, Jack Bruce was on bass, harmonica, piano, and vocals, and Ginger Baker was on percussion and vocals.

Clapton had come out of the Yardbirds, and both Baker and Bruce had been in the Graham Bond Organisation together. Ginger Baker approached Clapton about joining a new band, and Clapton agreed with the condition that Bruce be used as the bassist. Baker and Bruce had a tumultuous relationship, with Baker at one point threatening Bruce at knifepoint. However, the two patched things up for the sake of the new group.

The result of the collaboration was a success from the beginning. Fresh Cream consisted of a mix of original compositions and blues covers, with Jack Bruce writing many of the original songs. The band would cross rock, blues, and psychedelic genres.

Cream would produce four studio albums before internal tensions would break up the band.

Brian Dickhute takes us on our journey into this supergroup, and fan of the show Joe Davis joins us while Wayne is away.

N.S.U.
The starting track to the album was written by Jack Bruce, and gets its name from the medical condition "non-specific urethritis," a type of venereal disease. Supposedly Eric Clapton was suffering from N.S.U. at the time the song was written, and Bruce was poking a little fun at him.

Sweet Wine
This is a deeper cut that encourages folks to slow down and enjoy life. "Sweet wine, hay making, sunshine day breaking, we can wait till tomorrow."

Rollin' and Tumblin'
This fast blues number highlights Eric Clapton's guitar virtuosity. The song was originally performed by Hambone Willie Newbern in 1929 in Atlanta, Georgia. It was originally called "Roll and Tumble Blues." Cream's version is largely based on a version performed by Muddy Waters.

I'm So Glad
This song is the most recognizable hit from the album, and continues to be played today. Skip James originally recorded this in 1931, and the band made sure to give James credit for his work.

ENTERTAINMENT TRACK:

It's Been Nice (from the television film "Jack and the Beanstalk")
This mixed live action and animated film starring Gene Kelly was broadcast on NBC in February of 1967.

STAFF PICKS:

98.6 by Keith
Bruce kicks off the staff picks with a celebration of the joys of love. Barry James Keefer was called Keif when he was in a group called The Admirations, but changed to Keith to avoid having a name that sounded like the Moroccan word for cannabis. This song his number 7 on the Billboard chart.

You Got to Me by Neil Diamond
Rob brings us an early hit from Diamond's second studio album. Diamond has sold more than 100 million records, and is one of the best selling musicians of all time. Neil Diamond had ten number 1 singles. He was inducted into the Rock and Roll Hall of fame in 2011.

Ruby Tuesday by the Rolling Stones
Joe Davis' staff pick is a softer song from the Rolling Stones, and their fourth #1 hit in the United States. It was supposedly written about one of Keith Richard's ex-girlfriends. "Goodbye, Ruby Tuesday. Who could hang a name on you? When you change with every new day. Still, I'm gonna miss you."

Words of Love by The Mamas and The Papas
Brian closes out the staff picks with a little honkytonk cabaret number sung by Mama Cass. This song helped put The Mamas and The Papas back on the charts, and encourages boys to demonstrate love, not rely on words of love to win a girl's heart.

COMEDY TRACK:

Wild Thing by Senator Bobby
This novelty song channels the distinct accent of Bobby Kennedy into the garage band hit by the Zombies for comedic effect.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - November: Pearl Jam “Vs.” Mar 07, 2022

It is no surprise that Pearl Jam was under intense pressure to follow up their debut album "Ten" with another success. What may be surprising is that the band's second studio album, Vs. (pronounced "versus") did indeed live up to the success for their debut. Vs. started at the top of the Billboard 200 album chart, sold almost a million copies in its first five days, and in its first week outperformed all other albums in the top 10 combined.

Pearl Jam did a number of things differently with this album. First, they recorded the songs one at a time, setting up the band in a similar way to their live concerts, and mixing each song as they went. Second, the songs created were more raw and powerful than those on their first album. Front man Eddie Vedder even began sleeping in his truck and in the sauna at the recording studio to keep up the intensity. Finally, the band deliberately did NOT make videos for any of the songs on this album, preferring to let the listeners visualize the songs rather than have that creativity removed by the presence of a video.

This album also marks a change in the approach the band took to its tours, avoiding the press and focusing directly on the fans. In addition to refusing to make videos, they dramatically scaled down television appearances, and capped the prices of their tickets to make their concerts more accessible to fans.

Guest contributor Joe Davis brings us this outstanding album.

Go
Many interpret this first single and lead-off track from the album to be about child abuse, though Eddie Vedder hinted that it was about his truck breaking down on him!

Animal
The opening lyrics "one, two, three, four, five against one" reflect the originally planned title of the album (Five Against One), and the idea that the five members of the band are up against the machine of the music industry. The album would eventually be called "Vs." instead.

Glorified G
Joe picked this song for the first two lines: "Got a gun, fact I got two. That's OK, man, 'cause I love God." The lyrics come from an argument that Eddie Vedder had with drummer Dave Abbruzzese when Dave brought a gun he bought to rehearsal one day. Dave was from Texas, where guns were more common, while Vedder hated guns.

Rearviewmirror
Eddie Vedder wrote this song about his stepfather, whom he hated. It was about leaving him behind without a second thought. This is a fast-paced song, and Joe recommends it for your running playlist.

ENTERTAINMENT TRACK:

Theme from the BBC television special "Mr. Blobby"
The television Christmas special was on the charts in the UK in November 1993. It was panned by critics and almost everyone else as it can be found as the WORST theme song ever...yet it topped the UK charts.

STAFF PICKS:

Everybody Hurts by R.E.M.
Brian begins the staff picks with a slower and positive song from the album “Automatic for the People.” This track is an anti-suicide song, encouraging people to hold on when things go wrong, because everybody hurts sometimes.

Into Your Arms by The Lemonheads
Rob brings us a hit off the album “Come On, Feel The Lemonheads.” The band was originally from Boston, with Evan Dando on lead vocals and guitar, Ben Deily on vocals and guitar, and Jesse Peretz on bass. This album was a follow-up to their hugely successful album ”It's a Shame About Ray.”

Carry On by Angra
Bruce rocks out with a song off the Brazilian heavy metal band's debut album “Angels Cry.” It encourages you to...well...carry on. “So carry on, there' a meaning to life which someday we may find. And carry on, it's time to forget the remains from the past, to carry on.”

The Man Who Sold the World by Nirvana
Joe finishes off the staff picks with Nirvana's MTV Unplugged cover of the David Bowie song. The song lyrics are about a man who is surprised to meet a personality of himself that he thought he had left behind years ago.

COMEDY TRACK:

Bohemian Polka by Weird Al Yankovic
Weird Al stays surprisingly faithful to the original lyrics, but with a polka twist on the music.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - November: Simon & Garfunkel "Parsley, Sage, Rosemary and Thyme" Feb 28, 2022

Many consider Simon & Garfunkel's third studio album to be the breakthrough album. The tracks on Parsley, Sage, Rosemary and Thyme were written primarily by Paul Simon during his time as a visitor in England in the prior year. The songs maintain the folk feel of previous albums, and are heavily tilted towards acoustic instrumentation.

Paul Simon and Art Garfunkel met in elementary school in Queens, New York, in 1953. They had their first minor hit as teenagers in 1957 under the stage name Tom and Jerry. They began by emulating the sound of The Everly Brothers, but moved towards a folk sound as that genre gained in popularity.

Parsley, Sage, Rosemary and Thyme was a follow-up to their second album, which had been a commercial success, but which the duo felt was rushed. Simon insisted on control of the recording process, and they took nine months to craft and record the album. The result would be both a critical and commercial success, peaking at number 4 on the Billboard Pop Album Chart and eventually achieving Triple Platinum status with the RIAA.

The duet would go on to record five studio albums before growing apart and breaking up in 1971. The duo would reunite several times afterwards, perhaps most famously for their concert in Central Park in 1981.

Scarborough Fair/Canticle
The opening track originated from an English ballad that had its roots in a Scottish folk song from at least the 1670's. Simon learned it from Martin Carthy in London, and set it in counterpoint against a song he had previously written in 1963. It would appear as a single after being featured in the film "The Graduate" in 1968.

Homeward Bound
This song had previously appeared on the UK version of the duo's second studio album before appearing on the this American release. The single hit number 5 on the Billboard Hot 100 earlier in 1966, and was on the charts for 12 weeks. SImon wrote it after returning from England in 1964.

The 59th Street Bridge Song (Feelin' Groovy)
The name of this song is from a bridge in New York, also known as the Ed Koch Queensboro Bridge. The theme to the television series "H.R. Pufnstuf" originally considered composed by Sid and Marty Kroft, was found to be too similar to this song, and Paul Simon was given writing credits to this theme after a court suit.

A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission)
This song is considered a parody of Bob Dylan's "Subterranean Homesick Blues," which was released the year before. The lyrics name-drop many contemporary politicians, musicians, and celebrities, including Art Garfunkel. Robert McNamara was the U.S. Secretary of Defense at the time the album was released.

ENTERTAINMENT TRACK:

The theme from the television series "The Saint"
Roger Moore starred as Simon Templar in this British spy series. His work in The Saint would propel him to a future role as James Bond in the 007 movie franchise.

STAFF PICKS:

Psychotic Reaction by Count Five
Wayne walks down the psychedelic path to open our staff picks. The song name came from a professor in the lead singer's college psychology class. The lyrics are about losing your mind due to heartache. While this is a one-hit wonder, the Rock and Roll Hall of Fame lists this song as one of the "500 Songs That Shaped Rock."

You Keep Me Hangin' On by The Supremes
Brian's staff pick was written by Holland-Dozier-Holland, authors of the Motown sound. This song was written specifically for The Supremes, and details the tragedy of a relationship in which a man cannot let go of the woman, but can't commit to her either. This was one of a string of four number 1 songs by The Supremes.

Walk Away Renee by the Left Bank
Bruce brings us a little baroque pop, complete with harpsicord and strings. co-writer Michael Brown claims he wrote the song about Renee Fladen-Kamm, who was the girlfriend of The Left Bank bassist Tom Finn, and with whom Michael Brown was infatuated. Co-writer Tony Sansone contradicts Brown, saying it was a French girl's name selected at random, inspired by the Beatles' song "Michelle."

A Hazy Shade of Winter by Simon & Garfunkel
Rob's closes out the staff picks with a famous Simon & Garfunkel single that was recorded during the studio sessions for the album, and was on the charts at the time, but which did not appear on this album.

COMEDY TRACK:

Boy Wonder, I Love You by Burt Ward
This strange piece is a weird collaboration between Burt Ward (who played Robin in the 60's "Batman" series) and Frank Zappa.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - August: The Alarm "Declaration" Feb 21, 2022

Welsh band The Alarm formed in 1981 out of a previous punk band called The Toilets. After extensive touring, the band would release their debut studio album entitled Declaration — released in February 1984 in vinyl and cassette, and the release on then-new compact disc (CD) format was in June of 1984. The album was on the charts in August when we feature it.

The band consisted of Mike Peters on lead vocals, harmonica, and acoustic guitar, Dave Sharp on backing vocals, acoustic and electric guitars, Eddie MacDonald on bass guitar and vocals, and Twist (aka Nigel Buckle, aka Nigel Twist) on percussion and vocals. Early on in their career the band members had Peters, Sharp, and Macdonald all playing acoustic guitars, but as the band gained popularity they decided it was in their best interest to differentiate into parts, with Peters on lead, Sharp on guitar, and MacDonald on bass.

The Alarm toured North America in 1984 as the opening act for U2 on the "War" tour, and there is a noticeable similarity between The Alarm and U2. Declaration dealt with the struggles of teen life from a politically and socially different perspective. This record sees the world of European youth in the early 1980's, not in black and white, but rather shades of grey and brown. These are not songs of suburbia, but the inner city filled with smokestacks and the ghetto filled with crying babies and laundry hung from string draped across the street from window sill to window sill.

While the band broke up in 1991, they reformed in 2004 and are both touring and still releasing albums as of 2022.

Declaration
This short song leads off the album, serving as an intro to the next song, the album, and the band. “Take this song of freedom. Put it on and arm yourself for the fight. Our hearts must have the courage to keep on marching on and on.”

Marching On
The punk roots of the band show on this post punk song about youth. The lyrics encourage the young to not let the world and their circumstances keep them from accomplishing great things. It is a song with a sense of hope.

The Stand
The Alarm was inspired to write the song from Steven King's book of the same name. Many of the characters from the novel are mentioned in the song, and it follows the Christian concept of the Rapture, as does the novel. It is off this album as reprise, but this version is actually from their previous EP.

Sixty-Eight Guns
This hit went to number 17 on the UK singles chart, and reached number 39 on the Hot Mainstream Rock Tracks chart in the United States. The lyrics were inspired by a book that Peters had read about the 1960's street gangs of Glasgow. Peters said in a Songfacts interview that it was about young people at a difficult age then "you're too cool for school, but not wise enough or eligible enough for adult life."

ENTERTAINMENT TRACK:

Main theme from the motion picture “Red Dawn”
Patrick Swayze, Charlie Sheen, and a well known cast of young actors were featured in this action movie about an invasion of heartland America where local teens form a guerilla force behind enemy lines in their home town.

STAFF PICKS:

Lights Out by Peter Wolf
Brian starts out the staff picks with this solo effort from the front man of The J. Geils Band. This is the title track to his debut album after Wolf split with The J. Geils Band. The band wasn't interested in moving in the pop rock direction that Peter Wolf desired.

Round and Round by Ratt
Bruce features a hard rocking hit from Ratt's album "Out of the Cellar." This is the band's biggest hit, going to number 12 on the Billboard Hot 100. It re-appeared on the Billboard Rock Digital Song Sales Chart at number 18 in 2020 after being used in a Geico commercial. The video featured Milton Berle, who was the uncle of Ratt's manager, Marshall Berle.

Only When You Leave by Spandau Ballet
Rob's staff pick is from Spandau Ballet's fourth album. Spandau Ballet had a smooth, almost crooner sound with New Wave roots. They were the first band that Bob Geldof approached for his Live Aid concert. Only When You Leave was the band's last song to be a hit in the United States.

Midnite Maniac by Krokus
Wayne rocks out with Swiss metal band Krokus. AC/DC inspired this band, though they take a little more progressive rock bent. They hit the Billboard Hot 100 with this song, becoming the first Swiss act to do so. The name comes from a flower common to much of Europe.

INSTRUMENTAL TRACK:

It's More Than You by Stevie Wonder
Wonder closes us out with this instrumental number from the motion picture "The Lady in Red," which was released this month with a soundtrack featuring a number of songs written by Stevie Wonder.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1990 - February: Damn Yankees “Damn Yankees” Feb 14, 2022

Damn Yankees is the debut album from the supergroup of the same name. Damn Yankees features Tommy Shaw of Styx on guitars and vocals, Jack Blades from Night Ranger is on bass and vocals, Ted Nugent is on guitars and vocals, and Michael Cartellone is on percussion and vocals. Cartellone was a relative unknown musician at the time, but he is now playing drums for the band Lynyrd Skynyrd.

A&R's John Kalodner is credited with getting the band together. At the time Shaw was in and out of Styx, Blades was available after Night Ranger dissolved, and Nugent was in a lull in his solo work. Nugent and Shaw were the first brought together, and this might seem like an unusual pairing given their previous work. However the two bonded very quickly over their appreciation for R&B, soul, and Motown music.

Blades and Shaw took the lion's share of lead vocal duties on this album, and the pair complemented each other. Both had extensive experience harmonizing with others in their previous bands, and this carried over to Damn Yankees.

Their debut album would be successful, led by the rock ballad "High Enough" which would hit number 3 on the Billboard Hot 100. A second album would be released in 1992 which would be less successful than the first. After this second album Nugent would concentrate on his solo work. Tommy Shaw and Jack Blades would produce a couple of albums under the name Shaw Blades, but would soon return to their respective groups (Shaw to Styx, Blades to Night Ranger).

Guest contributor John Lynch joins us for this podcast.

Damn Yankees
This is the title song off the album, and a deeper cut. You get a lot of Ted Nugent's guitar work on this one. All songs were a collaborative effort, with Blades, Shaw, and Nugent receiving writing credits.

Coming of Age
According to Songfacts, Tommy Shaw began plunking out the opening riff on piano when the group was working at Jack Blades House. Blades came up with the opening lines of lyrics, and the group moved to guitars to jam out the rest organically. Blades takes lead vocal duties here, with Shaw providing high harmonies.

Runaway
This song is somewhat of a deeper cut, as it was the fourth single from the album. It is, as the name suggests, a song about a young runaway who lives on the streets of the city. It hit number 9 on the Mainstream Rock Tracks chart, but did not make the Billboard Hot 100.

Come Again
Tommy Shaw takes lead vocal duties on this song, and it has a sound reminiscent of some of this work with Styx. It is about about a girl to whom the guy can't seem to leave behind..

ENTERTAINMENT TRACK:

Theme from the television series "Mission Impossible"
The television series reboot inspired by the Tom Cruise movies ended in February 1990.

STAFF PICKS:

Kickstart My Heart by Motley Crue
Wayne kickstarts the staff picks with The Crue off the album "Dr. Feelgood." This song was supposedly inspired by an incident when Nikki Sixx overdosed, and the paramedic injected adrenaline into his heart. This metal song made it to number 27 on the pop charts.

Dangerous by Roxette
John features Swedish duo Marie Fredriksson and Per Gessle. Both Fredriksson and Gessle were successful solo artists before coming together to join Roxette. The group toured until 2016 when Fredriksson was diagnosed with brain cancer. She passed in 2019.

Black Velvet by Alannah Myles
"Mississippi in the middle of a dry spell. Jimmy Rogers on the Victrola up high." Rob's staff pick is a sultry blues number with a shuffle beat. Songwriters Christopher Ward and David Tyson wrote this in homage to Elvis Presley. Myles' single came out in December 1989, and Robin Lee's country cover appeared shortly thereafter.

I Wish It Would Rain Down by Phil Collins
Bruce's staff pick is a ballad from Collin's 1989 album "...But Seriously". Eric Clapton plays lead guitar. The song is about a lost relationship, though Collins said in an interview that it "is about a frustrated weatherman that regularly predicts rain showers but never gets it right." We'll let you be the judge on the accuracy of that interpretation.

INSTRUMENTAL TRACK:

Cliffs of Dover by Eric Johnson
Guitar virtuoso Eric Johnson takes us out with his big instrumental hit which was on the charts at the time, and would become even more famous on the video game Guitar Hero.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - July: The Supremes “More Hits by The Supremes” Feb 07, 2022

More Hits by the Supremes is the sixth studio album by Motown's all female group, The Supremes. The album is composed largely of songs already released as singles and their B-sides.

The group was composed of vocalists Mary Wilson, Florence Ballard, and Diana Ross. The group was renamed Diana Ross & the Supremes in 1967, but at this time they were still known as The Supremes. Originally formed in 1959 as The Primettes after being introduced to Berry Gordy by Smoky Robinson, the group began as a quartet including Betty McGlown. McGlown was replaced with Barbara Martin in 1960, then became a trio when Martin left in 1962.

Success was slog in coming to The Supremes, and at one time they were known around Motown as "no-hit Supremes." However, The Supremes became Motown's most commercially successful act, and achieved twelve number 1 hits on the Billboard Hot 100. As part of their appeal the group deliberately embraced a distinctly glamorous feminine image, utilizing high fashion and makeup onstage. They were also prepared by Maxine Powell, who ran Motown's in-house finishing school, to "perform before kings and queens" as they toured the world. The result was an appeal to all audiences, domestically and internationally, and all races. They made 17 appearances on "The Ed Sullivan Show."

John Lynch joins us for this podcast.

Nothing But Heartaches
This hit peaked at number 11 on the Billboard Hot 100, but was a disappointment for Motown, as the previous five songs by The Supremes went to number 1.

Back In My Arms Again
The single to this song appeared just before "Nothing But Heartaches," and was a number 1 hit.

Whisper You Love Me Boy
This ballad was originally recorded by Mary Wells, but her recording was shelved when she abruptly left Motown. The Supremes recorded it for this album, and it was used as the B-side to the single "Back In My Arms Again."

Stop! In the Name of Love
One of The Supremes' most recognized songs, this track was both a number 1 hit and a Grammy-nominee. The Supremes would be known not just for the song, but for the choreography - one hand on the hip and the other raised in a "stop" gesture. The lyrics are a plea from a girl to "think it over," before he goes with another girl.

ENTERTAINMENT TRACK:

"A Horse Is a Horse" (from the television series "Mr. Ed")
The famous Mr. Ed, a talking horse who starred in the sitcom bearing his name, was appearing on CBS during 1965.

STAFF PICKS:

Seventh Son by Johnny Rivers
Bruce's staff pick features Rivers performing an R&B song written by Willie Dixon, originally performed in 1955 by Willie Mabon. Rivers recorded this as the lead track for his album, "Meanwhile Back at the Whisky a Go-Go." It's supposed to be lucky to be the seventh son, or seventh sister, or seventh child, and this single went to number 7 on the Billboard Hot 100.

Fly Me to the Moon (In Other Words) by Tony Bennett
Rob features crooner Tony Bennett's cover of the song originally entitled "In Other Words," and performed by Kay Ballard in 1954. The most famous version would be Frank Sinatra's in 1964, which would get some boost in popularity from its association with NASA's Apollo program.

Down in the Boondocks by Billy Joe Royal
John's staff pick is a story about a guy from the wrong side of town who falls for a girl from the "right" side of time. Billy Joe Royal was born in Valdosta, Georgia, and raised in Marietta, Georgia, and this would be his biggest hit.

I Like It Like That by The Dave Clark Five
Wayne closes out the staff picks with a "British Invasion" group who were competitors with The Beatles at the time. While the Beatles would move into the stratosphere of popularity as the sixties moved on, The Dave Clark Five would decline.

COMEDY TRACK:

Wooly Bully by the Sam the Sham and the Pharaohs
This novelty song became a staple of college frat parties across the land and for decades since its inception.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - November: Missing Persons "Spring Session M" Jan 31, 2022

One of the staple groups of the early 80's New Wave genre was Missing Persons. Their debut album with Capital Records was Spring Session M, an anagram of the band's name.

The founding trio was vocalist Dale Bozzio, drummer (and Dale's husband) Terry Bozzio, and guitarist Warren Cuchunullo. The Bozzio's were working with Frank Zappa and met Cuchunullo when he contributed to a Zappa album. The trio worked with session musicians, created an EP, and established a successful presence in Los Angeles. They added bassist Patrick O'Hearn and keyboardist Chuck Wild to the band before producing their debut album.

Spring Session M was a success, riding the New Wave genre to popularity. Dale Bozzio's makeup and quirky vocals added to that success, as did her photogenic presence in the band's videos on the fledgling cable channel MTV. Unfortunately, Spring Session M would also be the high water mark for the band, with follow-up albums failing to achieve similar success. The band broke up in 1986, as did the Bozzio's marriage. However Dale Bozzio, Cuchunullo, and O'Hearn would continue to work together on solo projects and Mission Persons reunions. The band tours today, with Dale Bozzio as the only founding member still present.

Windows
This song expresses the idea of watching life from the safety of the windows rather than participating in it. It was the third of four singles released from the album.

Words
"What are words for when no one listens?" The lyrics for this song chronicles the apathy of society and the efforts that people make to be seen and heard: "Do you hear me? Do you care?" "Not only are they deaf and dumb they could be going blind and no one notices. I think I'll die my hair blue." This is also a good example of Dale Bozzio's vocal range.

Noticeable One
Although there was some airplay for this song, it was not released as a single. Continuing the theme of attention or lack of attention, this song calls for the listener to "Notice me!"

Destination Unknown
The biggest hit (tied with "Words" on the charts) only went to number 42, but spent 13 weeks on the Billboard Hot 100. The synth heavy song was on their 1980 EP, and was released on this album. It saw heavy airplay in the early days of MTV. "Life is so strange (destination unknown) when you don't know your destination."

ENTERTAINMENT TRACK:

The Imperial March (the Darth Vader Theme from the motion picture “The Empire Strikes Back”)
This movie was re-released (actually the third release) in November 1982 in preparation for the third installment in the trilogy to follow.

STAFF PICKS:

New World Man by Rush
Brian's staff pick is from the album Signals. "He's noble enough to know what's right but weak enough not to choose it. He's wise enough to win the world but fool enough to lose it." Surprisingly this is the highest charting single by Rush hitting number 21 on the Billboard Top 40 - the only Rush song to make the top 40. The song was a last-minute addition to the album.

Don't Fight It by Kenny Loggins and Steve Perry
Bruce brings us a song off Kenny Loggin's album "High Adventure." Loggins and Perry co-wrote this rocker with Dean Pitchford who would go on to write the screenplay for Footloose. The guitar work is from Neil Giraldo, Pat Benatar's husband and guitarist. This is one of Perry's furst non-Journey works, and he was looking to connect with other songwriters as he prepared to work on his solo album.

Halloween by the Dead Kennedys
Wayne features a punk work which encourages people to be themselves each day rather than just putting on masks at Halloween. The Dead Kennedys formed in 1978, and this song is off their second studio album, "Plastic Surgery Disasters." They recorded four albums before breaking up in 1986, though they have reformed from time to time ever since.

Crazy by Supertramp
Rob's staff pick is "a little song to make you feel good," a deep cut off the last album with Roger Hodgson. It is off their studio album "...Famous Last Words..." which was their follow-up to the amazingly successful "Breakfast in America." The album would reach number 5 on the album charts and contained the hit "It's Raining Again."

INSTRUMENTAL TRACK:

D. N. A. by A Flock of Seagulls
We close out with an instrumental from New Wave artists A Flock of Seagulls.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1971 - January: Janis Joplin "Pearl" Jan 24, 2022

Texas born Janis Joplin died on October 4, 1970, and Pearl was posthumously released in January. Producer Paul A. Rothchild created a more polished sound on this album than her previous solo work or her work with other bands. The Full Tilt Boogie Band, Joplin's touring band at the time, also participated in this studio album. It would be her best selling album, peaking at number 1 on the Billboard 200, and being certified quadruple platinum.

After leaving Big Brother and the Holding Company at the end of 1968, Joplin moved away from the psychedelic sound towards a more R&B orientation with the Kozmic Blues Band, her backing band at the time. Although her first album went gold within two weeks of its release, reviews were mixed as critics had trouble with the new soul and blues orientation. Pearl would continue the blues trend and would receive much more positive reviews, certainly influenced by its posthumous release.

Joplin's struggles with drug abuse were well known, and she died of a heroin overdose towards the end of the recording sessions.

Move Over
Joplin composed the opening track to the album. It is her take on how men can end a relationship but refuse to move on, but instead drag the woman around long afterwards.

Cry Baby
This is a song written by Bert Berms and Jerry Ragovoy was originally recorded in 1963 by Garnet Mimms and the Enchanters in 1963. Mimms' rendition went to number 4 on the charts, while Joplin's went to number 42.

Me and Bobby McGee
When most think of Janis Joplin, they think of this single, her most successful. Kris Kristofferson and Fred Foster penned the song, and it was originally performed by Roger Miller in 1969. Miller's version hit number 12 on the country charts, but Joplin's would go to number 1 on the Hot 100.

Mercedes Benz
The second song penned by Joplin, this track was recorded a cappella in one take on October 1, 1970, three days before Joplin's death. It is a tongue in cheek critique of consumerism.

ENTERTAINMENT TRACK:

I Think I Love You by The Partridge Family
"The Partridge Family" began its 5-year run as a sitcom in the fall of 1970, and this song was on the top of the charts in January 1971.

STAFF PICKS:

Love the One You're With by Stephen Stills
If Rob's staff pick sounds more like Crosby Stills and Nash than a Stills solo effort, that may be because David Crosby and Graham Nash are singing on this track, along with a host of other well known musicians of the time. Both Eric Clapton and Jimi Hendrix played on the album.

Stoney End by Barbara Streisand
Bruce risks the ire of the group by making Streisand his staff pick this week. The title track to Streisand's 12th studio album was the one that found her successfully making the jump from Broadway music to the pop/rock genre. The song itself is a story of bad choices with a boy leading down a bad road to a stony end.

Superstar by Murray Head & Choir
Wayne's staff pick is the theme of the musical "Jesus Christ Superstar," and represents a questioning ghost of Judas asking Jesus if he intended for things to happen the way they did. In addition to the hippie culture of the time, there was also an ascendant Jesus movement happening in culture which this musical successfully tapped.

One Man Band by Three Dog Night
Brian wraps up the staff picks with a harmonic hit from Three Dog Night's album "Naturally." The song peaked at number 19 in the U.S.

INSTRUMENTAL TRACK:

Way Back Home by the Jazz Crusaders
This instrumental was on the charts just before the Jazz Crusaders shortened their name to the Crusaders in 1971.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - September: Bon Jovi “Slippery When Wet” Jan 17, 2022

This is the album that turned heavy metal into pop, or started the hair metal genre of the 80's. Slippery When Wet was the third studio album by Bon Jovi, and would be their best selling album to date.

The band was David Bryan on keyboards, Tico Torres on percussion, Alec John Such on bass, Richie Sambora on guitar, and Jon Bon Jovi on lead vocals and rhythm guitar.

Bon Jovi deliberately targeted a mainstream audience with this album. They wrote 30 songs and auditioned them to teenagers in New York and New Jersey. The album's songs were then ordered based on the opinions of this teenaged focus group.

The band collaborated with Desmond Child, a hall of fame songwriter who wrote songs like "I Was Made for Loving You" by Kiss and Joan Jett's "I Hate Myself for Loving You." Slippery When Wet would be the top selling album of 1987, and would go 12x platinum. It would also make Bon Jovi the first glam rock band to have two number 1 songs on the Billboard Hot 100 with "You Give Love a Bad Name" and "Livin' on a Prayer."

Bon Jovi - the band, and Jon Bon Jovi as a soloist - would never leave the rock pantheon A-list after this album.

Raise Your Hands
Jon Bon Jovi and Richie Sambora wrote this one. It was the B-side to "You Give Love a Bad Name," and was not released as a single. If it sounds familiar you might be remembering it from a scene in the Mel Brooks film "Spaceballs."

You Give Love a Bad Name
This is the first single from the album and would hit number one on the Billboard Hot 100 in November 1986. Child, Bon Jovi, and Sambora re-wrote the song which started as a song for Bonnie Tyler called "If You Were a Woman (And I was a Man)" The video was directed by Wayne Isham, who was also directing videos for Motley Crue at the same time. Motley Crue felt betrayed that Wayne would direct a Bon Jovi video, since they were competing with each other at the time.

I'd Die for You
This song is a deeper cut with keyboard work reminiscent of the song "Runaway" from their first album.

Wanted Dead of Alive
This track hit number 7 on the Billboard Hot 100, and uses old west imagery to describe the lonely life of a rock star. Bon Jovi and Sambora would perform an acoustic version of this tune on the 1989 MTV Video Music Awards, and would inspire the network to create their "MTV Unplugged" series.

ENTERTAINMENT TRACK:

Glory of Love by Peter Cetera (from the motion picture The Karate Kid part II)
This solo song from Chicago front man Peter Cetera was on the charts after being featured in the 1986 summer sequel starring Ralph Macchio and Pat Morita.

STAFF PICKS:

Wild, Wild Life by Talking Heads
Wayne leads off the staff picks with a critically acclaimed song from the Talking Heads album, "True Stories." The song was featured in the film "True Stories," a satirical comedy directed by David Byrne, front man for the Talking Heads. This was the third and last top 40 hit the band would create.

Higher Love by Steve Winwood
Brian's staff pick is Winwood's first number 1 hit in the United States. Will Jennings wrote the lyrics, inspired by his experience with church in the deep South. Chaka Khan provides the backing vocals, enhancing the gospel feel of the song - a modern day hymn.

Sweet Freedom by Michael McDonald
Rob's staff pick was featured in the buddy cop movie "Running Scared," starring Billy Crystal and Gregory Hines. This was the last top 10 hit to date for McDonald. In addition to his solo work, McDonald has worked with many musicians including Steely Dan, Kenny Loggins, Christopher Cross, and most famously as lead vocalist for the Doobie Brothers, with which he is touring today.

Venus by Bananarama
Bruce finishes the staff picks with a number 7 hit from an English pop group formed by the trio of Sara Dallin, Siobhan Fahey, and Keren Woodward. The original was released in 1969 by Netherlands group Shocking Blue. Bananarama began covering this song when they first formed in 1980, but didn't release the single until they had recorded original songs so they would be taken seriously as musicians.

COMEDY TRACK:

Big Fat Blonde by The Rainmakers
The Rainmakers released their debut album in 1986. One of their fans was horror novelist Stephen King, who quoted the band's lyrics in some of his novels.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - October: Buffalo Springfield “Buffalo Springfield Again” Jan 10, 2022

Buffalo Springfield was a fusion of Canadian and American musicians, and was also a fusion of folk, country, and psychedelic rock. The band lineup included Canadians Neil Young, Bruce Palmer, and Dewey Martin, and Americans Stephen Stills and Richie Furay. While their debut album was recorded quickly, their second album, Buffalo Springfield Again, would be recorded over a period of nine months. This was due to Young frequently departing from the band, and to bassist Bruce Palmer being deported and having to sneak into the country illegally to record the album.

Young and Stills had met in 1965 in Ontario. Stills was forming a band in Los Angeles with Richie Furay. After a band breakup in Toronto, Young and Palmer went in search of Stills, driving from Canada to Los Angeles in a hearse. After searching for a couple of weeks, the four met up in LA traffic. Dewey Martin from the Standells was added as drummer. The group gets its name from a steam-driven manufacturing machine made by the Buffalo Springfield Roller Company.

Buffalo Springfield would break up in 1968 after one more album, with the band members going on to other projects. Stephen Stills and Neil Young would both appear in Crosby, Stills, Nash, and Young. Richie Furay would go on to form the group Poco. Of course Neil Young would have a solo career as well.

We hope you enjoy this album, one of the founding albums of the West Coast psychedelic sound.

Bluebird
Stephen Stills wrote this multi-part song, and Neil Young is on lead guitar. Stills wrote this song about his girlfriend, and is on lead vocals. The jam in the center of the song is a duet with Stephen Stills on acoustic guitar and Neil Young on electric guitar. You can hear the prototype of the sound that would soon become Crosby, Stills and Nash in this song.

Mr. Soul
Neil Young wrote this track about his ambivalent-to-negative feelings about rock stardom. While it is one of the more famous songs off this album, it was originally released as the B-side to "Bluebird." Neil Young would record this later as a solo artist in 1982.

Good Time Boy
Richie Furay wrote this deeper cut. This has a funky, soul sound, reminiscent of James Brown. "Sock it to me now, groove it on me now, lay it on me now."

Rock & Roll Woman
If this sounds even more like Crosby, Stills, and Nash than the others, there's a reason for it. Neil Young did not play on this track, and David Crosby was brought in to sing backing vocals. The rock and roll woman referenced in this song is Grace Slick.

ENTERTAINMENT TRACK:

The Bare Necessities (from the animated film "Jungle Book")
Disney's animated take on Rudyard Kipling's book would be released this month. It was the last film to be produced by Walt Disney, who died during its production.

STAFF PICKS:

Ode to Billie Joe by Bobbie Gentry
Rob starts the staff picks with a story telling song. This gothic tale is about a family discussion of Billy Joe Mcallister, who had committed suicide. Gentry said that the song is about indifference to suffering of others, and was inspired by the murder of Emmitt Till.

In the Heat of the Night by Ray Charles
Brian's staff pick is the theme from the motion picture of the same name starring Sydney Poitier. The score for the movie was created by Quincey Jones, who also composed the song. Marilyn and Alan Bergman wrote the song for the film to have a backwoods gospel feel.

Lonely Drifter by Pieces of Eight
Bruce brings us some Carolina beach music. Originally recorded by The O'Jays in 1963, Pieces of Eight would record this and hit the charts as a one-hit wonder. The group was formed when Raleigh based group The Tassels joined with two of the Greenwood, South Carolina band The Swinging Medallions. The name comes from the group being an 8-piece band.

My White Bicycle by Tomorrow
Wayne closes out the staff picks with a psychedelic one-hit wonder. The guitarist on this is Steve Howe, who would later be a member of the band Yes. The reference to "white bicycle" was inspired by an early sharing program in Amsterdam where bicycles were painted white and provided to the public for free use.

INSTRUMENTAL TRACK:

Title 15 by the Rolling Stones
We close with an instrumental song off the Stones album "Their Satanic Magesties Request."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - August: The Eagles "The Long Run" Jan 03, 2022

The pressure on the Eagles to create an album to follow up their 1976 masterpiece "Hotel California" was intense, and it took 18 months and five different studios to produce The Long Run. This was their sixth studio album, and their last album before thier 14-year hiatus. It would mark the introduction of Timothy B. Schmit to the band, who took over bass and high vocal duties from the departing founder, Randy Meisner.

The Long Run was originally intended to be a double album, but the band just didn't have enough songs in their creative arsenal for that. In fact, the band was completely burned out after a long tour prior to entering the studio. Don Henley, Glen Frey, and Don Felder were joined by Joe Walsh (who was added to the group on the "Hotel California" album) and Timothy B. Schmit. Frey and Henley would contribute most of the songs, but Schmit and Walsh would contribute songs they had originated, and frequent collaborator J.D. Souther would add to the tracks. Bob Segar would contribute as well.

The album would be a hit, going 7x platinum, and would sport multiple number 1 singles, including the Grammy award winning "Heartache Tonight." Nevertheless, they would receive disappointing critical reviews. Perhaps this is not surprising given the comparisons to "Hotel California."

Friend of the show John Lynch joins us in Wayne's absence for this last-of-the millennium album from the Eagles.

The Long Run
The title track is a Memphis blues-inspired tune. The lyrics are a response to critics who considered the Eagles to be washed up, and unable to compete with the disco and punk sounds prevalent in the late 70's. Henley and Frey answer, "who is gonna make it? We'll find out in the long run."

I Can't Tell You Why
This is a song composed primarily by Timothy B. Schmit prior to joining the band, and was loosely based on his own experiences. The rock ballad would be their third single released from the album. Uncommonly for Eagles songs, Glen Frey plays lead on this song, and Don Felder is on the organ.

In the City
Joe Walsh originally recorded this song for the soundtrack to the film "The Warriors," and it was re-recorded by the Eagles for this album. Though not released as a single, it got significant airplay on AOR stations at the time. It has become a staple for band tours.

The Sad Café
While not released as a single, this track would make it onto the Eagles Greatest Hits, volume II. It was inspired by The Troubadour nightclub in Hollywood where the Eagles had previously played. The song relays the tale of so many musicians who came through that nightclub, most of whom did not make it big. David Sandborn provides the saxophone work on this song.

ENTERTAINMENT TRACK:

Theme from the television series “The Facts of Life”
"The Facts of Life" started its run in this month, and was originally a spinoff from the series "Diff'rent Strokes."

STAFF PICKS:

Hot Summer Night by Night
Bruce's staff pick is from a short-lived band out of Los Angeles, and is a cover of a song originally performed by Walter Egan in 1978. The lead vocalist for this song is Stevie Vann, who emigrated from Zambia with her then-husband Robert "Mutt" Lange. The group also had a male lead in Chris Thompson, who would be recognizable as the lead vocalist for Manfred Mann's version of "Blinded By the Light."

Rock Lobster by The B-52's
Put on your nose guard! Put on your life guard! Rob brings us the B-52's signature song, and the one that truly launched their career. It came off their second studio album, "Wild Planet." Fred Schneider said the song was inspired by a club called "2001" in Atlanta, which showed slides of puppies, babies, and lobsters on a grill.

All of My Love by Led Zeppelin
John Lynch's staff pick was released in August as a single, and is a softer rock ballad from the late stages of the band. The song was written in honor of Plant's son Karac, who died while Plant was on tour with the band in 1977. John Paul Jones plays keyboards on this piece.

I Can't Stand It No More by Peter Frampton
Brian wraps up the staff picks with the first single from Frampton's album "Where I Should Be." Peter Frampton had just starred in the remake of the movie "Sgt. Peppers Lonely Hearts Club Band," which was panned by critics and failed commercially. He also had a bad auto accident in the Bahamas requiring months of therapy. The song made it to number 14 on the pop charts.

INSTRUMENTAL TRACK:

Parisian Thoroughfare by Supersax
You can't go wrong with a sax! Jazz group Supersax closes out our podcast this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - August: The Fixx "Reach the Beach" Dec 27, 2021

While The Fixx had already experienced success on the charts with their debut album in 1982, their sophomore studio album entitled Reach the Beach would be this London New Wave group's most successful effort. This album was released in May 1983, and was heading up the charts in August.

The Fixx was led by singer/songwriter Cyril Jon "Cy" Curnin on vocals. Other members of the band included Rupert Greenall on keyboards, Jamie West-Oram on guitar and Adam Woods on percussion. Bassist Alfie Agius was with the band at the start of the recording but left partway through the sessions and was replaced by Dan K. Brown would would not become a full member until their next album.

Reach the Beach would top out on the Billboard album charts at number 8, and would feature prominently in the British Invasion New Wave sound of the early 80's.

Curnin and Woods founded the band, originally calling it “Portraits.” They took the name The Fixx after guitarist West-Oram joined, and changed the spelling to The Fixx as a condition for signing with MCA Records, who was concerned about drug user implication of the name.

The Fixx continue to record and tour today, and have an album being released in 2022

Friend of the show John Lynch joins us for this album feature.

Saved By Zero
This first single released from the album was a big hit, reaching number 20 on the charts in August 1983. It is inspired by the Buddhist mantra Sunyata, and reflects the freedom in not holding on to anything - of having nothing to lose. Ironically, Toyota used the song to advertise zero percent financing on their cars.

Running
A deeper cut with a lot of energy and a heavy use of synthesizers, this track has a great new wave feel. The lyrics reflect a recurring anxious dream of running, but not being able to get away from the danger.

Reach the Beach
The title track is also a deep cut which was not released as a single. The synthesizers are prominent on this song as well. The lyrics use drifting in the ocean as a metaphor for being away from a lover and the hope of the relationship is stated as reaching the beach.

One Thing Leads to Another
The biggest hit from the album is the band's most successful single and their signature song. The tune is a critique of politicians who won't "do what they say, say what you mean." Curnin said about this song, if you're going to be a liar you need to be a good one or things will go "pear shaped" quickly.

ENTERTAINMENT TRACK:

Old Time Rock and Roll by Bob Seger & the Silver Bullet Band (from the motion picture “Risky Business”)
Tom Cruise demonstrates the proper way to dance in your underwear in this teen flick.

STAFF PICKS:

Lawyers In Love by Jackson Browne
Bruce's staff pick is the first single off Browne's seventh studio album. It peaked at number 12 and was his last top 20 hit on American pop charts to date. It's a political song, but has a dry wit about the cold war conservatism and materialism of Reagan's America.

(Keep Feeling) Fascination by the Human League
Brian features another popular new wave hit with a great bass riff. This song hit number 1 on the US dance charts and number 8 on the pop charts. “And then the conversation turned until the sun went down, and many fantasies were learned on that day.”

Red Red Wine by UB40
John Lynch brings us a reggae cover of a song originally performed by Neil Diamond in 1967. This song hit number 1 on the charts in the US, UK, and Canada, and number 2 on the Australian charts. The lyrics are about a man who can only drown his sorrows from love lost in red wine.

It's a Mistake by Men at Work
Rob's staff pick tells the story of a soldier who hits the wrong button by mistake, starting World War III. Cold war imagery made a frequent appearance in song lyrics and videos at the time.

INSTRUMENTAL TRACK:

Love On a Real Train by Tangerine Dream
We close out with a jazz instrumental from German band Tangerine Dream which appeared in "Risky Business."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1971 - December: Led Zeppelin "IV" Dec 20, 2021

A case could be made that Led Zeppelin IV is the biggest heavy metal album of all time. However, "IV" isn't really the name of the album. The actual title was four symbols, one selected by each band member. The record company hated the idea for obvious reasons, but what they thought was "professional suicide" turned out to be the best selling album for the band and one of the top rated Rock albums of all time.

The rollout of Led Zeppelin IV without a pronounceable title and without written information on the album sleeve was a reaction to their experience with the previous album. Led Zeppelin III had been highly anticipated and a commercial success, but received several negative reviews from critics. This response affected the band, particularly Jimmy Page. Led Zeppelin stopped touring and returned to Headley Grange in Hampshire, England for recording the new material. The relaxed environment of the country house was good for removing distractions and encouraging spontaneity.

The result was both a commercial and critical success, and a defining album for heavy metal throughout the 70's. Every track on this album would be played on AOR and hard rock radio stations.

Folks, this is an album you need to hear in its entirety.

Rock and Roll
The second track on the album is now a rock and roll standard. It came out of a jam session the band had while producing the album. John Bonham started with a drum introduction from "Keep A-Knockin'" by Little Richard. Jimmy Page adds a guitar riff inspired by Chuck Berry. Ian Stewart, pianist for the Rolling Stones, joins on the song. It is one of the few songs for which all four band members got writing credits.

Four Sticks
A song for which the name doesn't match the lyrics, "Four Sticks" is so named because John Bonham used two sets of drumsticks - two sticks in each hand - while recording the song. He recorded only two takes, and Jimmy Page said that "it was physically impossible for him to do another."

Black Dog
Another song for which the name doesn't appear in the lyrics, "Black Dog" received its name from a black Labrador retriever found wandering around Headley Grange mansion while they were recording. The alternate a cappella vocals and start and stop instrumentation was inspired by Fleetwood Mac's "Oh Well."

Stairway to Heaven
This instantly recognizable epic is Led Zeppelin's signature song. The band was setting out to create an epic when they wrote it, as they wanted a song to replace "Dazed and Confused" as the centerpiece of their concerts. Amazingly, it did not chart because it was never released as a single.

ENTERTAINMENT TRACK:

Main theme from the motion picture Diamonds Are Forever
Bond...James Bond! This Bond film was the last one with Sean Connery as James Bond before being replaced by Roger Moore.

STAFF PICKS:

Hallelujah by Sweathog
Wayne leads off the staff picks a Christian rock crossover, similar to "Jesus Christ, Superstar" and "Godspell." Sweathog was a band out of San Francisco which became a top opening act for groups like Black Sabbath, Emerson Lake & Palmer, and Grand Funk Railroad.

Day After Day by Badfinger
Brian's staff pick sounds like the Beatles, perhaps because George Harrison produced this album, and participates on guitar and backing vocals. It tells the story of a boy daydreaming about a girl "looking out from my lonely room, day after day."

Never Been to Spain by Three Dog Night
Rob's staff pick from Three Dog Night features Cory Wells on lead vocal duties. Three Dog Night had three singers who would trade off on providing lead vocals. This song was penned by folks singer-songwriter Hoyt Axton, and discusses places the singer has never been, but compares spots that might be good proxies for these locations.

Peace Train by Cat Stevens
Bruce finishes the staff picks with Cat Stevens' first top 10 hit in the U.S. After converting to Islam and changing his name from Cat Stevens to Yusuf Islam, he performed the song as a call for a peaceful solution to the Iraq War, as well as playing it at the 2006 Nobel Peace Prize concert when Muhammad Yunus received the award for his work in micro-lending to the poor.

INSTRUMENTAL TRACK:

Scorpio by Dennis Coffey & The Detroit Guitar Band
A funky instrumental from the film "Scorpio" takes us out of this podcast. The song was on the charts this month, though the movie would not appear until 1973.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - April: The Clash "The Clash" Dec 13, 2021

The Clash got their start as a punk band, though they would move through elements of reggae, ska, funk, and new wave over time. The debut album eponymously titled The Clash would stay solidly in the punk movement which began trending the year before. Lead vocalist Pete Strummer and lead guitarist Mick Jones would write most of their original songs. Other personnel on this album included bassist Paul Simonon and drummers Topper Headon and Terry Chimes (listed as Tory Crimes).

The debut album was recorded in three weeks in February 1977 for a cost of 4,000 pounds. It was released in the UK in April 1977, but would be released in the US in 1979 as their second album. The US release would see a different track listing, and some songs would be swapped out.

Billed as "The Only Band That Matters", The Clash had signed a record deal with CBS Records in January 1977, and the organization pushed for a cleaner sound on their subsequent albums. This debut album represents the most consistent punk rock album The Clash would produce. However, The Clash would also have a staying power which was unusual in bands coming out of the punk movement.

Janie Jones
The first song on the album is short, as are most Punk songs and most songs on this album. The name of the song comes from a minor English pop singer in the 1960's who scandalized the nation in 1973 when she was convicted of running a prostitution ring.

White Riot
The idea of this song was to encourage whites to join in with black rioters to fight the establishment. The Clash was upset when the extreme right wing took this song as an anthem.

I'm So Bored With the U.S.A.
This is a response to the influx of American TV and culture. At the time a lot of American shows, particularly detective dramas, were on British TV. The song was used regularly as a set opener on American tours to (in Strummer's words) "find out if they had a sense of humor."

London's Burning
The song is mainly about the punk scene's main choice of drug at the time: speed. It can also refer to the city lit up by headlights and streetlights of traffic, and people driving around or watching television with no real purpose in their lives. The guitar solo near the end of the song is unusual in punk rock, where a more minimalist attitude was typical.

ENTERTAINMENT TRACK:

Chevy Van by Sammy Johns (from the motion picture "The Van")
The Van was a low-budget teen comedy released in April 1977 that would kick off the genre which would include "Porky's," "Up the Creek." and "Caddyshack."

STAFF PICKS:

Hotel California by the Eagles
Bruce leads off the staff picks with the iconic title track to the Eagles' biggest studio album. It won the Grammy Award for record of the year in 1978. The band says the song is their interpretation of the high life in Los Angeles - the idea of moving from innocence to experience. Felder, Henley, and Frey get writing credits, though Joe Walsh came up with the dual-guitar part at the end.

Cherry Baby by Starz
Rob's staff pick is a deeper cut by and American heavy metal band from New Jersey. Starz never developed a lot of commercial success, but they had a cult following and were influential for a number of bands including Poison, Bon Jovi, and Twisted Sister. Several of the band members were from the band Looking Glass.

Do Ya by the Electric Light Orchestra
Brian brings us a hit that Jeff Lynne originally wrote in 1971 for a band called The Move. Todd Rundgren also recorded this song before ELO's version came out on their album "A New World Record." This version has a nice balance of rock guitars and symphonic elements typical of ELO.

(Get a) Grip (On Yourself) by The Stranglers
Wayne closes out the staff picks with another band that came up in the Punk scene but bridged to a more new wave sound. The band is unusual for punk bands because of the presence of keyboards. The song is based on the band's life in Chiddingfold, Surry England. It is about understanding who you really are and being true to your identity.

INSTRUMENTAL TRACK:

Spring Rain by Bebu Silvetti
We finish off with a disco-infused instrumental piece that was on the charts in this month.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - October: Squeeze “Singles - 45 and Under” Dec 06, 2021

Squeeze came out of the mid-70's New Wave scene in the UK, but would cross genres into Rockabilly, R&B, and Psychedelia by the early 80's. In 1982 they released Singles - 45's and Under as a compilation album of their biggest hits. Squeeze was led by two singer songwriters, Chris Dilford (rhythm guitar and vocals) and Glenn Tilbrook (keyboards, lead guitar, vocals) who composed most of their material. At the time of the release of this “greatest hits” album, the band had broken up, leaving only Dilford and Tilbrook as a duet. The pair would normally work with Dilford writing the lyrics and Tilbrook writing and singing the music.

Squeeze was inspired by the Kinks, the Beatles, David Bowie, and Elvis Costello (who co-produced their breakthrough album, East Side Stories). They started when Dilford stole money from his mom's pocketbook to place an ad for a guitarist "for his band," which didn't exist. Tilbrook was the only one who responded, and the rest, as they say, was history.

The group wove stories with their songs, usually lighthearted, with a healthy sense of humor.

While Wayne and Bruce are away, friends of the show Todd Hendricks and Bill Cook join Rob and Brian for this album feature.

Tempted
The first commercial breakthrough comes from their fourth studio album, “East Side Story.” It is unusual because it features Paul Carrack on lead vocals rather than Glenn Tilbrook or Chris Dilford. The sound was inspired by The Temptations, and the lyrics were inspired from Dilford's experiences in touring North America.

Up the Junction
This deeper cut was originally released in 1979 on their second album "Cool for Cats." Glenn Tilbrook takes on his normal role as lead singer. This is a little bit of working class humor about a man living with a woman who becomes pregnant. The song is unusual in that it doesn't have a chorus, but tells the story in a "stream of consciousness" style.

Pulling Mussels (from the Shell)
Originally released on their third studio album, Argybargy, this track is an audio snapshot of a British budget holiday camp by the sea. It did not hit the US charts, but got airplay on College radio stations. "Pulling Mussels" is British slang for sex. There are lots of humorous lyrics in this story.

Black Coffee in Bed
The first single from the fifth Squeeze album, "Sweets from a Stranger," and was a hit on the US Mainstream Chart - the only song to chart from that album. Elvis Costello and Paul Young sing backing vocals on this track about a lost love.

ENTERTAINMENT TRACK:

Main Theme from the television series "St. Elsewhere”
This hospital-centered show debuted in October 1982. The stories centered around a Catholic hospital named Saint Eligius. Howie Mandel would get his big break as a member of this cast.

STAFF PICKS:

Jack & Diane by John Cougar
Brian brings us a famous “little ditty” about high school romance by John Cougar before he took on his real last name. Though some thought it was autobiographical, John Mellencamp has said that it is a story about what he observed in small town America. Mellencamp didn't like the song at first and didn't want to release it, but was fortunately convinced to do so by others.

Abracadabra by the Steve Miller Band
Bill Cook (aka “Lil‘ Wayne”) features a hit from Miller's 12th studio album. Though we're not convinced that this is Miller's best work (and the video is horrible), the “breathy synthesizer” and pop sensibilities gave it significant airplay on both pop and rock stations. The lyrics were inspired by Diana Ross.

Somebody's Baby by Jackson Browne
Special guest Todd Hendricks' staff pick was the last Jackson Browne song to chart. It didn't appear on any Browne album until years later on a "Greatest Hits" album. It was released on the soundtrack from "Fast Times at Ridgemont High." Browne was originally known as a songwriter before he rolled out his solo work.

When the War Is Over by Cold Chisel
Rob's closes out the staff picks with a track recommended by Mark Whyte, a friend of the show from Australia. Cold Chisel is a very popular band in Australia, but is not well known in the United States. This is off their 1982 album, "Circus Animals" and features multiple singers taking turns on lead vocals.

INSTRUMENTAL TRACK:

Spunky by Bob James
This week's podcast closes out with a jazz instrumental from James' 1982 album "Hands Down."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Christmas Songs that Rock IV - A What the Riff Rabbit Hole Nov 29, 2021

Episode Notes

Yes indeed, folks, Christmas time is here again! We at What the Riff!?! want to wish you and yours a very Merry Christmas, and here are a few rocking songs of the season for you to put on your playlist.

“Merry Christmas (I Don't Want to Fight Tonight)” by the Ramones
The founders of the punk movement offer this take on a Christmas song, with the rapid tempo and rough lyrics we've come to know and love as a classic Ramones style. Christmas is a time to be together with family, but some families are a little less together than others!

“Little Saint Nick” by the Beach Boys
A little bit more sand than snow, this well-known Christmas classic takes inspiration from the surfin' genre of the Beach Boys in songs like "Little Deuce Coupe".

“I Believe in Santa Claus” by REO Speedwagon
REO Speedwagon produced an album of Christmas standards in 2009. The re-release in 2010 included three bonus tracks, one of which was this original song penned by Cronin and Hall.

“You're a Mean One, Mr. Grinch” by Thurl Ravenscroft
Ravenscroft's bass voice is iconic for this classic song from the animated special, "How the Grinch Stole Christmas." He also contributed his voice to Tony the Tiger for Kellogg's Frosted Flakes commercials.

“Santa Claus is Comin' to Town'” by Bruce Springsteen
How we missed this song in the first three Christmas episodes is a mystery, but Springsteen's rendition of this Christmas standard has been heard on rock radio stations everywhere since the mid-70's. This rendition has made lists of both the best and the worst Christmas songs of all time.

“Blue Christmas” by Elvis Presley
Brian wouldn't let us get through another episode without taking on this iconic song. Doye O'Dell may have recorded this sad Christmas tune in 1948, but Presley's version is without a doubt the most famous one.

“Mele Kalikinaka” by Bing Crosby & The Andrews Sisters
The name of this song is a phonologic translation of the word "Merry Christmas" into the Hawaiian language. Bing Crosby and The Andrews Sisters sang this song in 1950, but it made us think of its appearance in "National Lampoon's Christmas Vacation."

“Up on the Housetop” by Gene Autry
While Autry sang this classic in 1953, it actually originated much earlier. Benjamin Hamby wrote it in 1864, and it is the second-oldest secular Christmas song, after "Jingle Bells."

“I Want A Hippopotamus for Christmas” by Gayla Peevey
Bruce thought this was sung by Bernadette Peters, but it was actually performed by then 10-year-old child prodigy Gayla Peevey in 1953. The song inspired a fundraiser which resulted in the Oklahoma City Zoo acquiring a baby hippo named Matilda..

“Soulful Christmas” by James Brown
While it is definitely a Christmas song, it is also a song of Thanksgiving, with the Godfather of Soul expressing his thanks for his fans coming to his shows and buying his albums.

“Another Lonely Christmas” by Prince
Prince penned this original Christmas song during his "Purple Rain" days, and it appeared as the B-side to the single "I Would Die 4 U." The initial recording took place on February 18th, 1984 when Prince was essentially operating solo, and it tells the story of a man whose lover died on Christmas Day.

“The Christmas Song” by Nat King Cole
Robert Wells and Mel Torme wrote this standard in a hot July, and it had its beginnings as a psychological way for Bob Wells to think of cold things during the heat wave. Nat King Cole recorded the most famous version of this song in 1946, adding a small string section over the objections of Capitol Records.

“'Zat You Santa Claus” by Buster Poindexter & His Banshees of Blue
Poindexter and his band cover this lesser-known Christmas tune originally sung by Louis Armstrong and the Commanders in 1953. It tells the story of a guy frightened by a knock on his door while hanging up his stocking.

“Another Christmas Song” by Stephen Colbert
Ingrid brings us a track by comedian Stephen Colbert, who parodies a Christmas song with the intention of becoming rich off its popularity.

“Have a Holly Jolly Christmas” by Burl Ives
This song was featured in the Rankin-Bass Christmas Special "Rudolph the Red-Nosed Reindeer." Ives provides the voice for Sam the Snowman, the narrator of the show. This song finishes off that special, and also finishes off our special podcast.

Merry Christmas, y'all!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - August: Billy Joel “The Stranger” Nov 22, 2021

By the time Billy Joel released The Stranger, his fifth studio album, he was at risk of being dropped by Columbia Records. His second album, Piano Man, had been a surprise success, but the follow-up third and fourth studio albums had met with disappointing commercial appeal.

Joel had a solid band that had toured with him for his previous album, Turnstiles, and he wanted to keep that band for the next album. He first considered Beatles producer George Martin to be his producer for this album, but decided against him when Martin wanted to use session players instead of Joel's band for the album. Instead, Joel turned to Phil Ramone (co-founder of A&R Recording) to produce The Stranger. The album would produce four singles, all hits, and would be a commercial and critical success. It would also be Columbia Records best selling album release, and Joel's best selling non-compilation album.

Bruce and Wayne are out, and for the first time ever, TWO friends of the show Bill Cook and Todd Hendricks join in for this podcast.

The Stranger
This title track examines the way we all hide aspects of ourselves, projecting one image to the public while a stranger lurks deep inside. Joel had originally intended the whistling to be a wind instrument, but when he demonstrated it to producer Phil Ramone, Ramone determined that his whistling was perfect.

Movin' Out (Anthony's Song)
The opening track to the album was also the first single, and is a commentary on those in working class ethnic communities around New York who put in long hours for the appearances of success. "Anthony works in a grocery store, saving his pennies for someday." A Broadway musical featuring the music of Billy Joel took the name of this song as well.

Only the Good Die Young
The third single from the album was quite controversial at the time, because it is about a boy encouraging a religious Catholic girl to have premarital sex with him, though she considers it sinful. The name Virginia comes from a high school crush of Joel's named Virginia Callahan. As is often the case, attempts to ban the song only made it more popular.

Scenes from an Italian Restaurant
Although not released as a single, this epic medley received significant airplay on AOR stations at the time, and is one of Billy Joel's favorites. This 7-plus medley is in three parts, the longest of which is "The Ballad of Brenda and Eddie," two high school sweethearts and their journey through life.

ENTERTAINMENT TRACK:

Main Theme from the television series “Soap”
This parody of the television soap operas premiered in September 1977. It would be highly controversial throughout its four year run, drawing criticism from the Moral Majority, the Roman Catholic Church, and a number of gay organizations.

STAFF PICKS:

Whatcha Gonna Do? by Pablo Cruise
Rob kicks off the staff picks with a band named after a non-existent person (think Pink Floyd or Jethro Tull). "Pablo" represents a down-to-earth individual and "Cruise" represents an easy-going approach to life. The song cautions against taking a good relationship for granted.

Handyman by James Taylor
Bill Cook's staff pick was actually a cover originally recorded by the Sparks of Rhythm in 1953. Jame's Taylor's version hit number 4 on the Billboard Hot 100 and earned him his second Grammy award.

Smoke from a Distant Fire by the Sanford Townsend Band
John WayneTownsend and Ed Sanford head up the band that takes their name, and Todd Hendricks brings us this one-hit wonder. Although the band recorded and worked out of Mussel Shoals, worked with a number of acts, and opened for bands like Fleetwood Mac and Foreigner, they never made the charts beyond this hit.

I'm In You by Peter Frampton
Brian brings us the title track from the follow-up studio album to his amazingly popular live album "Frampton Comes Alive." A&M Records put a lot of pressure on Frampton to have another hit after the live album, and this was his biggest-selling single, though the album was a let-down to the company. This acoustic version highlights his guitar talents.

TRIBUTE TRACK:

Memories by Elvis Presley
This is the month that Elvis died, and this song is our tribute to the King.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - February: Green Day “Dookie” Nov 15, 2021

Although Dookie is the third studio album by Green Day, it is their first release on a major label. This may explain some of their seemingly overnight stardom. The trio consisted of Billie Joe Armstrong on vocals and lead, Mike Dirnt on bass and backing vocals, and Tre Cool on percussion, and they had been in the underground scene in the San Francisco Bay area since before 1988 (Tre Cool replaced original drummer John Kiffmeyer in 1990). The band changed their original name from Sweet Baby to Green Day, a slang phrase for spending the day smoking cannabis.

Dookie was recorded in three weeks, and was a major commercial success, helped along by extensive airplay of the band's videos on MTV. It was also a critical success, and the group won a Grammy for Best Alternative Album in 1995. Dookie remains Green Day's best selling album.

The music is considered punk revivalist or "power punk", and you can see the influence of early punk groups like the Ramones and the Clash. However, the band has also cited bands like the Who and Cheap Trick as influences as well. Green Day is considered one of the groups that made punk go mainstream in the 1990's.

Billie Joe Armstrong wrote most of the tracks on the album, following themes from his personal history including anxiety, sex, and even boredom. Consistent with the punk genre, most songs are quite short and very fast.

Longview
The first single off the album is about boredom and lack of motivation. It is about a day spent sitting around the house, doing nothing of importance. "I sit around and watch the tube, but nothing's on."

She
A deeper cut, this track was released as the fifth and final single. The song is about Armstrong's former girlfriend who showed him a feminist poem with an identical title. Armstrong then wrote the lyrics of "She" and showed them to her, though she dumped him later on. The song is notorious for a concert where Armstrong performed the song nude.

Welcome to Paradise
The song was originally on their second album, but re-recorded for this album. The song is about a runaway who is living on the streets. Armstrong temporarily moved into a rat-infested warehouse in a bad neighborhood, but the rent was a low $50 per month. Much of his experience in that dump was the inspiration for this track.

When I Come Around
This was the fourth and biggest-selling single from the album, though more mellow than most. It is about Armstrong knowing a girlfriend is mad and wants to break up, and Armstrong deciding to just staying away from the drama until it blows over. He would go on to marry her in real life.

ENTERTAINMENT TRACK:

All For Love by Bryan Adams, featuring Sting and Rod Stewart (from the motion picture "The Three Musketeers")
Three musical stars team up to provide this theme for the motion picture "The Three Musketeers."

STAFF PICKS:

Spinning Around Over You by Lenny Kravitz
Rob starts us with a groovy staff pick from Lenny Kravitz' third studio album. Kravitz was born in New York City to a TV producer dad and actress mom. His home was a mixture of black and white, Christian and Jewish. The family moved to L.A. when his Roxie Roker (his mom) landed a role in "The Jeffersons"

Rock 'N' Roll Dreams Come Through by Meat Loaf
Bruce's staff pick is the third single from the album "Bat Out of Hell II: Back Into Hell." Jim Steinman wrote it and released it on his album "Bad for Good" in 1981. Both the Steinman version and the Meat Loaf version were top 40-hits, with Steinman's version going to number 32 and the Meat Loaf version going to number 13. It is a rock anthem about how rock and roll gets you through tough times.

Having a Party by Rod Stewart
Brian brings us an unplugged cover from Sam Cook. Ronnie Wood (the Rolling Stones, Faces, the Jeff Beck group) is playing guitar on this track. Stewart sticks quite faithfully to the original, and he would continue to focus on a crooner style in his later days.

Laid by James
Wayne finishes us off with the Manchester sound. The song is about a ruinous relationship that the guy just can't give up. "My therapist said not to see you no more. She said you're like a disease without any cure. She said I'm so obsessed that I'm becoming a bore, oh no!"

INSTRUMENTAL TRACK:

Sabrosa by Beastie Boys
We finish off with a tasty, jazzy instrumental from the Beastie Boys. "Sabrosa" means "tasty" in Spanish.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - January: The Monkees "More of the Monkees" Nov 08, 2021

This second studio album from The Monkees was number 1 on the Billboard 200 for 18 weeks, displacing their debut album to get there. More of the Monkees has been certified quintuple platinum, was the first pop/rock album to be the best selling album of the year in the U.S. – and the third best-selling album of the 60’s.It is also the one that Monkee Michael Nesmith said was “probably the worst album in the history of the world."

The Monkees were originally Micky Dolenz, Michael Nesmith, Peter Tork, and Davy Jones. The group was conceived for the TV series “The Monkees” which aired from 1966 to 1968, and the band members primarily contributed lead vocals and only limited roles in the studio, as they were expected to spend their time filming the television series. Michael Nesmith composed and produced some songs, and Peter Tork did some guitar work, but it was mainly session musicians. The Candy Store Prophets were the studio band for the first album, and other session musicians including The Wrecking Crew were involved in the second album.

Bob Rafelson and Bert Schneider had the idea for the show. They interviewed musicians for the job, first recruiting Davy Jones, who had been working in Broadway. The instruments played were driven by what looked good on camera rather than what they actually played. Davy Jones was the only one with experience playing drums, but he was considered too short so Dolenz was assigned to the drums. Nesmith was on guitar, Tork on bass, and Jones was the front man. The more natural lineup for concerts would be Jones on drums, Tork on guitar, Nesmith on bass and Donlenz as front man.

The show was a hit, but the music was a bigger hit, with album sales outstripping Nielsen ratings. That pushed the producers to pay more attention to the music. It also encouraged the studio to send the Monkees out to play live concerts. These guys were recording the TV show by day, recording songs by night, and doing special appearances on the weekend, then they had to figure out how to rehearse for live performances. It was all very confusing for the “band,” with Nesmith shocked to see the first album presenting them as an actual band. That was October 1966. But the second album was released while they were on tour as a real band in January of 1967. They hadn’t selected the songs, and it went out without their permission or knowledge. They weren’t even given a copy, but had to buy it in a record store. The album cover was a picture of the band originally taken for a JC Penny commercial. This would eventually lead to the band being able to take creative control, and Don Kirshner being dismissed.

Despite the controversy, this is quite a good album, and quite representative of the music at the time.

(I'm Not Your) Steppin' Stone
This track was written by Tommy Boyce and Bobby Hart, and Micky Dolenz is on lead. Paul Revere & the Raiders originally recorded it, but the Monkees' version is the best known. It was also the first song from the Monkees' to chart as a B-side.

Mary, Mary
Also featuring Micky Dolenz on lead, this track was written by Michael Nesmith. It was originally recorded by The Butterfield Blues Band in 1966, and in the summer of the same year Nesmith produced and recorded the song for The Monkees with Dolenz on lead and the Wrecking Crew on backing instruments. It was never released as a single in the U.S., but was given away as a cut-out cereal box prize in 1969.

When Love Comes Knockin' (At Your Door)
Davy Jones takes lead duties here, and the song was written by Carole Bayer Sager and Neil Sedaka.

I'm A Believer
This is the big hit from the album. Micky Dolenz returns to lead, and the song was written by Neil Diamond. It hit number 1 for the week ending December 31st, 1966, and would be the biggest selling single for all of 1967. It went gold within two days of its release because of advance orders.

ENTERTAINMENT TRACK:

Main theme from the television series The Green Hornet)
This was the last month for a short-lived series was famous for co-starring Bruce Lee as Kato. It also had a crossover with the Batman TV series.

STAFF PICKS:

Happenings Ten Years Time Ago by the Yardbirds
Brian's brings us the psychedelic sensibilities of the Yardbirds. The singer is looking back on the time from a perspective of reincarnation. This song has participation from both Jeff Beck and Jimmy Page. John Paul Jones also contributed the bass lines for this one.

Look What You've Done by Pozo-Seco Singers
Rob features a folk-oriented piece from Don Williams before his solo career. Williams would go on to have 17 number one country hits. His hits would be covered by everyone from Eric Clapton to Pete Townshend...to Telly Savalas.

(We Ain't Got) Nothin' Yet by The Blues Magoos
Wayne's staff pick returns to the psychedelic genre. This is the best known song for The Blues Magoos. While not very successful commercially as a band, the Blues Magoos was a big influence on many bands including Pink Floyd.

Good Vibrations by The Beach Boys
Bruce brings us the high water mark song of The Beach Boys' discography. Good Vibrations was the costliest single ever recorded. Brian Wilson recorded a bunch of short musical modules with his bandmates and with session musicians at four different Hollywood studios. He had more than 90 hours of tape to make this 3.5-minute single. Wilson's mother was the inspiration for this song.

COMEDY TRACK:

Snoopy vs. The Red Baron by The Royal Guardsmen
A novelty song inspired by the comic serial "Peanuts," in which Snoopy often daydreams of fighting the Red Baron in his doghouse - re-envisioned as a Sopwith Camel.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1988 - September: Metallica “...And Justice For All” Nov 01, 2021

Metallica got its start back in 1981, but their 1988 album ...And Justice for All would be the one to bring them mainstream success. Today Metallica has an international celebrity status as a founding band of thrash metal, but at the time they were much less well known and considered inaccessible to mainstream listeners. The band also saw a lineup change for this album, as their previous bassist Cliff Burton had been killed in a bus accident while on tour in Sweden. Newcomer Jason Newsted would be the bassist to join Lars Ulrich on drums, Kirk Hammett on lead guitar, and front man and guitarist James Hettfield.

...And Justice for All was quite complex for a metal album, and a comparison to prog rock would not be out of line. The lyrics are also deeper than the typical metal faire, focusing on the theme of injustice through corruption, censorship, and of course, war. Musicianship had to be tight, as much of the work was fast, meriting the title "thrash metal." While overall critical reception was quite good, the bass for the entire album seemed downplayed. This is unfortunate, as the Newsted's bass work is very good. However, the drums are quite powerful.

The album was an unqualified commercial success, hitting number 2 on the Billboard 200, and charting for 83 weeks. Metallica received a Grammy nomination for the album in 1989, controversially losing out to Jethro Tull. Some of this commercial success is undoubtedly from a feel of competition the band experienced with the success of Guns 'N' Roses' "Appetite for Descruction." Lars Ulrich did not want Guns 'N' Roses to be perceived as "harder" than Metallica.

Metallica would go on to be one of the best recognized performers for decades to come, and are still touring to sold-out audiences today.

Friend of the show John Lynch joins us to bring this album.

...And Justice for All
This title track takes its title from the last four words from The Pledge of Allegiance. The song chronicles justice miscarried, with lyrics like "justice is lost, justice is raped, justice is gone. Pulling your streams, justice is done." Much of the album is political, but the lyrics center around freedom of speech, freedom from war, and, well, justice for all.

Blackened
A distinctive intro builds into this highly complex lead track from the album. It is a protest against environmental catastrophe and/or war. Musically it is straight out of prog rock, with multiple time changes and tempo alterations.

One
This well known song and video tells the tragedy of a man horribly wounded in war who is left with no connection to the outside world as he exists in pain and is kept alive by machines in a hospital ward. The video uses cuts from a 1971 film entitled "Johnny Got His Gun." The band bought the rights to the film rather than continually paying royalty fees.

ENTERTAINMENT TRACK:

Ornithology by Charlie Parker (from the motion picture Bird)
This biographical film was about Charlie "The Bird" Parker, directed by Clint Eastwood.

STAFF PICKS:

Smooth Up in Ya' by Bullet Boys
Wayne kicks off the staff picks with a hair metal glam metal band musically looking for a no-attachments one night stand. This song would not make the top 40, but would be seen on MTV's "Head Banger's Ball."

Love Bites by Def Leppard
Rob's staff pick is off the hugely successful album "Hysteria." This was Def Leppard's only number 1 single in America up until this time. Their producer, Robert John "Mutt" Lange, write this tune intending it as a country song. However, Def Leppard decided to record it as a rock song. Lange sings backing vocals on this track as well.

Time and Tide by Basia
Bruce's staff pick is a slower adult contemporary piece from Polish singer Barbara Stanislawa Trzetrzelewska, better known as Basia. The song is about her unfulfilled love for her songwriting collaborator Danny White during a time when they both were in relationships with others.

Simply Irresistible by Robert Palmer
John closes out the staff picks with a song heavily played in 1988. The video was well known - though simple - for its use of guitar-playing and dancing girls with short skirts and tightly pulled back hair. It was...well...simply irresistible! "She's so fine, there's not telling where the money went."

INSTRUMENTAL TRACK:

Good Lovin' by Bobby McFerrin
Actually an anti-instrumental cover of The Rascals piece finishes off the episode, as McFerrin performs all vocals an instruments either with voice or slaps on his body.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - January: KC & the Sunshine Band “Part 3” Oct 25, 2021

Alright, folks, break out your platform shoes and your dance clothes, because What the Riff is headed down to the club! KC and the Sunshine Band was playing in all the disco dance studios in 1977, but they were particularly prominent in the Miami market, near their home town of Hialeah, Florida. We're riffing on Part 3, unexpectedly the fourth studio album from the group (though there was a bit of a reset with their second album being self-titled and the first album having only moderate success).

Harry Wayne Casey was a part time employee at TK Records in Hialeah when he formed the band, originally called KC & the Sunshine Junkanoo Band. Casey worked with Richard Finch, engineer for TK Records, to produce the albums, including Part 3. Additional musicians joined, including Jerome Smith on guitar, Robert Johnson on drums, and numerous others to complete the horn section. KC and the Sunshine Band would find a virtuous cycle, as Casey and Finch would write songs inspired by what they saw at the discos, then would see their songs played at those same clubs.

KC and the Sunshine Band were often featured as guests on FM pop powerhouse Y-100, and this exposure contributed to their success. The first big hit was their second and self-titled album released in 1975, which produced the hits “Get Down Tonight” and “That's the Way (I Like It)” Part 3 would continue their funk/disco dominance. The band would continue to see success through their sixth studio album released in 1979. Shortly thereafter styles would change, and the disco sound would not continue into the 1980's. That, and a falling out between Casey and Finch would end the band for a while.

KC and the Sunshine Band has seen a resurgence with the popularity of retro bands, and still tours today.

Wrap Your Arms Around Me
The fifth single from the album is a little bit of a deeper cut and features the horns prominently with a funky groove.

(Shake, Shake, Shake) Shake Your Booty
You can't go wrong with a dance song that tells you to shake your booty! Although this first single from the album was number 1 on both the Billboard Hot 100 and the Hot Soul Singles Chart, there was some controversy attached to it, with speculation that it had a stronger sexual connotation than simply dancing.

I'm Your Boogie Man
This song written by Casey and Finch also hit number 1 on the Hot 100. Finch said that the song was written about a DJ named Robert W. Walker, who was the first to play their song “Get Down Tonight.”

Keep It Comin’ Love
A little softer than some, this song nevertheless was still successful. However, it only reached number 2 on the Billboard Hot 100, being kept out of the number 1 slot by Meco's “Star Wars Theme/Cantina Band,” and the big hit of the 70’s, Debbie Boone's “You Light Up My Life.”

ENTERTAINMENT TRACK:

Main Theme from the television series “Fantasy Island”
Headlined by Ricardo Montalban as Mr. Roarke and Herve Villechaize as his right hand man, Tattoo, this show would feature a stream of actors and actresses playing one-off characters chasing their dreams on the island.

STAFF PICKS:

Isn't She Lovely by Stevie Wonder
Bruce leads off the staff picks with what feel is one of the most positive songs you will ever hear. Wonder celebrates the birth of his daughter Aisha Morris on this song that opens side three of his double album, “Songs in the Key of Life.” All instrumentation in the song is played by Wonder except for a few of the keyboard parts which were furnished by Greg Phillganes.

Hard Luck Woman by Kiss
Rob's staff pick sounds a lot like Rod Stewart for good reason — it was written by Paul Stanley for Stewart. Though Stanley thought it sounded like “You Wear It Well,” his band Kiss decided it would be a good follow up to their successful ballad, “Beth.” The song made it to 15 on the charts, and is a rare ballad. Drummer Peter Criss sings lead on this song, as he did on “Beth.”

Red by Sammy Hagar
Wayne brings us the Red Rocker, Sammy Hagar, with an anthem off his second solo album. This is also the album and song which gave him the name “the Red Rocker.” A fan called him the Red Rocker when getting a picture, and Hagar liked the name. The album was recorded at Abbey Road Studios.

I Never Cry by Alice Cooper
Brian wraps up the staff picks with a mellow ballad from the not-normally mellow Alice Cooper. This is from the album “Alice Cooper Goes to Hell,” a concept album inspired by his visit to rehab. Many of his fans were disappointed with this softer side of Cooper, but his performances never suffered for the presence of a ballad or two.

COMEDY TRACK:

In The Mood by Henhouse Five Plus Too
It appears that we need to close this podcast out before it goes to the birds!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1974 - April: Paul McCartney and Wings "Band On the Run" Oct 18, 2021

Band on the Run would be the turning point for Paul McCartney's post-Beatles career. After completing two solo albums, McCarney formed Paul McCartney and Wings, with the Wings name being inspired by a time of prayer at the hospital while his wife Linda was having serious complications delivering their second child.

Wings had already produced two albums which had met with mixed reviews. McCartney had picked an exotic locale of Lagos, Nigeria as the recording spot for "Band on the Run," and just before heading out, guitarist Henry McCullough and drummer Denny Selwell left the band. That left Paul, his wife Linda, and former Moody Blues alum Denny Laine to complete the album.

Nigeria might have been exotic, but it was a horrible choice as a recording location. The country was run by a corrupt military dictatorship, was in the midst of a cholera epidemic, and the studio was in very poor shape. Despite all these problems,the band would turn in a spectacular critical and commercial success.

The album has a theme of escape and freedom. It was being put together at the same time as George Harrison, John Lennon, and Ringo Starr all were in litigation against Allen Klein, a hardnosed business manager appointed to run Apple Records in 1969. McCartney had strongly opposed Klein's appointment at the time, and some of the confidence that comes through in the album may come from a sense of being proven right about Klein.

McCartney insisted on recording with Linda despite her lack of previous experience as a musician because he didn't want them to be apart while he was on tour. Linda McCartney would be a part of the band from the beginning of Paul McCartney's post-Beatles career.

Band on the Run
The opening track and title song is a medley of three songs that all reflect freedom and escape. The lyric, "if we ever get out of here" was inspired by George Harrison in one of the Beatles' business meetings. The original demo recording for "Band on the Run" was stolen at knife-point in Lagos, and the band had to basically re-record it from memory.

Mamunia
This deep cut, gets its name from the Mamounia Hotel where the McCartneys stayed in Marrakesh, Morocco in 1973. Mamounia means "safe haven" in Arabic, and McCartney considered it a metaphor for rebirth, continuing the "freedom" theme that would permeate the album. It was the first song recorded for the album.

Helen Wheels
This song was not intended to be a part of the album, and does not appear on the British release. Capitol Records convinced Paul McCartney to include it on the American release of the album. The track is a road trip song, and takes its name from the nickname of the McCartney's Land Rover, "hell on wheels."

Jet
The first single from the album was actually preceded by Helen Wheels as a non-album single released separately. It went to number 7 on both the British and American charts at the end of March. The name is supposedly inspired by the name of the McCartney's Labrador Retriever, though Paul McCartney has also indicated that it was also the name of a pony he owned.

ENTERTAINMENT TRACK:

Daybreak by Harry Nilsson (from the motion picture Son of Dracula)
A cult classic movie starring Ringo Starr and Harry Nilsson with Peter Frampton, John Bonham, Keith Moon, and other rock stars.

STAFF PICKS:

Rock and Roll, Hoochie Koo by Rick Derringer
Wayne features a rock anthem based off a seductive dance from the 1880's. Derringer originally wrote the song for Johnny Winter, but re-recorded it when he went solo. In addition to working with Johnny Winter, he also played in Edgar Winter's group on both "Frankenstein" and "Free Ride." Derringer also plays guitar on Weird Al Yankovic's parody, "Eat It."

Jungle Boogie by Kool & the Gang
Rob cranks up the funk with an early Kool & the Gang hit off their fourth album. The band got their start 10 years prior to this in 1964 after high school. The scat sound is from a roadie for the band.

The Loco-Motion by Grand Funk Railroad
Brian's pick this week is a cover originally performed by Little Eva in 1962. The song was surprisingly successful despite the unusual choice of a 60's dance song being remade by a hard rock band.

Already Gone by The Eagles
Bruce brings us the first single from the third Eagle's album "On the Border." This song penned by Jack Tempchin and Rob Strandlund is the relational equivalent of a "you can't fire me, I quit" song.

INSTRUMENTAL TRACK:

TSOP (The Sound of Philadelphia) by MFSB
Almost entirely an instrumental, this disco track will take us out of this week's podcast. MFSB stands for "Mother, Father, Sister, Brother."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - March: Saga “Worlds Apart” Oct 11, 2021

Canadian prog rock band Saga released their fourth album Worlds Apart in September 1981, but it took some time to catch fire. By March 1983 their first single was peaking on the charts. Rupert Hine, producer for Canadian power trio Rush, also produced this album which was both a critical and commercial success. The band consisted of Steve Negus on percussion, Jim Gilmour on lead synthesizer, Ian Crichton on guitar, Jim Crichton on bass and keyboards, and Michael Sadler on lead vocals. Sadler and Jim Crichton were the primary songwriters for the band.

This album seemed to hit a sweet spot between progressive and commercial sensibilities. It also saw a change in the energy level out of Michael Sadler which is attributed to an interesting intervention by Rupert Hine. It is said that Hine had Sadler climb to the rafters of the barn where the recording studio for “Worlds Apart” was located, in order to get the right emotion. The group also toured extensively in the United States where they opened for Billy Squier and Jethro Tull, and they benefitted from airplay on their music video for "On the Loose" and "Wind Him Up" during MTV's first year.

Worlds Apart would hit number 3 on the Top Rock Albums chart, and the single "On the Loose" hit number 26 on the Billboard Hot 100. The album would be certified Gold in 1983, and would help the band win the Juno Award in Canada for "Most Promising Group of the Year."

This album takes us back to some really good days in 1983, and we hope it does the same for you.

Friend of the show John Lynch joins us for this album feature.

On the Loose
The first single from the album benefitted from airplay of its video on the new MTV cable channel. The song is tight, with heavy synthesizer use, and excellent coordinated runs in the keyboards and guitar. The song itself is about what it sounds like - cutting loose in the evening.

Time's Up
This deeper cut discusses the risk of being a daydreamer and a "man of inaction." Don't let the time pass you by, wishing your life away. Note the use of a child's voice and telephone special effects to make the point.

The Interview
Another quintessential 80's sound can be found on this deep track. The singer is talking to himself through multiple personalities. The idea is of an individual trying to piece himself together through the internal interview. "There's one thing I must know, tell me why you can't let go?"

Wind Him Up
The second single from the album is well known and energetic. It is a portrayal of a compulsive gambler who can't break away from the casino. It breaks into multiple sections as would be expected in a prog rock piece, but it remains accessible. "Wind him up, he can't stop. He's wound up tight just like the clock that's winding its second hand down."

ENTERTAINMENT TRACK:

Main Theme from the television series "Little House On the Prairie”
This show concluded its run in March 1983. Michael Landon directed many of the episodes as well as playing Pa Ingalls.

STAFF PICKS:

I Know There's Something Going On by Frida
Bruce's staff pick is from ABBA alumnae Anni-Frid Lyngstad, going by the name Frida. Lyngstad recorded her solo album in February 1982 during the last year of ABBA, and wanted to lave a different sound. The song was written by Russ Ballard of Argent, and was produced by Phil Collins, who also played drums and contributed backing vocals.

Goody Two Shoes by Adam Ant
"Don't drink, don't smoke? What do you do?" Wayne features this new wave pop hit with a distinctive swing beat. When he came over to the States, front man Stuart Leslie Goddard shortened the name of his punk band, "Adam and the Ants" and began touring as "Adam Ant." The song is somewhat autobiographical, as Adam Ant did not drink or do drugs.

Africa by Toto
Our Guest filling in for Brian this week is John Lynch. He brings us a song that has had incredible staying power. Toto's start as session players comes through in the tightness and production value of their songs, with this classic being no exception. You will also have to search far and wide to find lyrics like "sure as Kilimanjaro rises like Olympus above the Serengeti."

Shock the Monkey by Peter Gabriel
Rob's staff pick peaked at number 29 on the charts. The song is a love song about how jealousy can release base, animal instincts. The video flips between Gabriel in a room dressed in a business suit, and Gabriel as a shaman with his face painted. It is a nice finish, as Saga front man Michael Sadler considered Peter Gabriel one of his vocal inspirations.

INSTRUMENTAL TRACK:

Rockit by Herbie Hancock
We finish off this week's podcast with Hancock's instrumental masterpiece. If you haven't seen this video, you're missing out.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - June: Steve Miller Band “Fly Like an Eagle” Oct 04, 2021

Believe it or not, Fly Like an Eagle is the ninth studio album by the Steve Miller Band. Guitarist, lead singer, and founder Steve Miller got his start in Chicago playing the blues. He formed the Steve Miller Blues Band after moving to San Francisco in 1966, and shortened it to the Steve Miller Band not long after its formation. The band started with a psychedelic rock feel in their first albums, transitioning to a more straightforward rock sound with the 1973 album The Joker, and continuing with their 1976 release, Fly Like an Eagle.

This album was largely written by Miller who also produced it and provided vocals, guitar, and keyboards. Additional personnel were Lonnie Turner on bass, and Gary Mallaber on percussion. Miller was not satisfied with the recording studios where he had recorded previous albums, and built his own studio at his home in the Pacific Northwest where he would record his next album. This also explains the multi-year break between The Joker and Fly Like an Eagle.

The Steve Miller Band had experienced commercial success with the album The Joker, but Fly Like an Eagle would take that success to a new level with three hit singles. Fly Like an Eagle would eventually be certified quadruple platinum, and Rolling Stone would declare it the best album of 1976.

Both this album and the next, 1977's Book of Dreams were recorded at the same time. However, Miller decided to release the two as separate albums rather than as a double album. Both would be hits, and would constitute the heart of commercial success from the Steve Miller Band along with 1973's The Joker."

Take the Money and Run
The first single from the album tells the story of Billy Joe and Bobby Sue, a Bonnie-and-Clyde set of criminals, and the Texas police officer chasing them. It is a road trip song, inspired by Miller's trips with family, listening to the radio in the car.

Wild Mountain Honey
This song is a slower and deeper cut off the album, and hearkens back to the psychedelic Steve Miller Band days. "You run for the money but you don't even know about wild mountain honey." Miller plays the sitar on this track.

Serenade
A serenade from the stars! Another deep track, the song's message appears to be both local and cosmic. The guitar has a Spanish feel that gives off a road trip - and trippy - vibe as it switches between major and minor chords. There's also a bit of a lag between the lyrics and the musical beat which gives it an unusual style.

Rock'n Me
The second single from the album hit number 1 on the Billboard Hot 100. Miller said he was inspired by Free's "All Right Now," and it was an anthem for large concert venues. Calling out the cities of the tour was sure to be a crowd pleaser.

ENTERTAINMENT TRACK:

"Gene Gene, the Dancing Machine from the television series “The Gong Show”
This show was raw comedy and a staple of syndicated afternoon reruns when we were growing up. Gene Gene, the Dancing Machine was a technician on the show who would come out and do a dance routine toward the end of the show. Bad, but in a good way.

STAFF PICKS:

Fool To Cry by the Rolling Stones
Brian leads off the staff picks with a mellow number from Mick Jagger and company off the Rolling Stones Black and Blue album. It was the only song from the album to chart. In this ballad, Jagger is talking to his daughter at first, then his lover, and both tell him the same thing - "you're a fool to cry, and it makes me wonder why."

A Trick of the Tail by Genesis
Bruce's staff pick features the first single from Genesis with Phil Collins taking over vocals. The song tells about The Beast who leaves his kingdom of gold to enter the human world. He is captured and put into a carnival freak show, but escapes by convincing his captors that he can take them to his city of gold.

Nobody's Fault But Mine by Led Zeppelin
Wayne rocks out with the hit from Led Zeppelin's Presence album. Blind Willie Johnson originally recorded this song in 1928. Page and Plant took credit for writing it originally, but credited Johnson later and downgraded their credits to "arranged by" rather than claiming to have written it.

Silly Love Songs by Paul McCartney and Wings
Rob gets "soppy" with this upbeat number from Wings. McCartney wrote this in response to John Lennon's critique that McCartney wrote "sentimental slush." Paul McCartney was not afraid to write love songs, and musically asks "what's wrong with that?" here in this pop hit.

COMEDY TRACK:

One Piece at a Time by Johnny Cash and Tennessee Three
We finish off this week's podcast with a novelty song that would be the last top 40 hit from Johnny Cash.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - October: Soup Dragons “Hotwired” Sep 27, 2021

A number of groups came out of the psychedelic pop scene in Northern England and Scotland in the late 80's including Primal Scream, Teenage Fanclub, Jesus and the Mary Chain, and The Soup Dragons. Their third album, Hotwired, was released in October 1992.

The Soup Dragons got their name from a character in a 1970's UK children's television series called "Clangers," which consisted of short films about a family of mouse-like creatures that live on a small moon-like planet. They speak only in a whistled language, and only eat green soup, which is supplied by the Soup Dragon.

The Soup Dragons lineup for this album were Sean Dickson on vocals and guitar, Jim McCullough on backing vocals and guitar, Sushil K. Dade on bass, and Paul Quinn on percussion. They started off as an indie-rock group, but switched to a more dance-rock oriented band when they were without a drummer and started using a drum machine on their second album.

The group received some club play with their first indie-dance track called "Mother Universe," but their first big hit was "I'm Free," a fast paced cover of the Rolling Stones song. They toured the U.S. for two years, and performed on both the David Letterman and Arsenio Hall late night shows.

The Soup Dragons would produce one more studio album after Hotwired, and would disband a year later in 1995.

We think you will enjoy the early 90's rock-dance groove of this most successful album of the Soup Dragon's discography.

Pleasure
Is everybody ready? This first track on the album made it to number 69 on the Billboard 100, and number 14 in the Modern Rock charts. It is about living your life - "Take it to the limit, live it to the full."

Divine Thing
The big hit off the album made it to number 26 on the Billboard 100, and was a staple of the burgeoning stable of alternative rock stations in the early 90's. It is an homage to Glenn Milstead, more famously known as Divine in John Waters movies. The music video for this song is the first to display transgender and drug culture to be placed in daytime rotation in the USA.

Sweet Layabout
This is a bit deeper of a cut. A layabout is a lazy person who is comfortable letting others do things for them. "Well, hallelujah. Why don't you sit there in your chair. 'Cause you ain't nothing but the Devil's clientele."

Mindless
This track is a softer song that describes the initial infatuation of an early relationship. You get mindless over the person and can't think of anything else. "Jesus Christ took his time when inventing you, and Mother Nature couldn't leave our dream come true."

ENTERTAINMENT TRACK:

I Gotcha by Joe Tex (from the motion picture "Reservoir Dogs")
Quentin Tarantino's debut features what Tarantino would become famous for - lots of violence, and great music.

STAFF PICKS:

Jump Around by House of Pain
Rob's staff pick dips into the hip-hop genre. Everlast, DJ Lethal, and Danny Boy formed the band, and the song made it to number 3 in the U.S. A lot of debate was created around what created the “scream” sound, with some thinking it comes from "Get Off" by Prince, and other's thinking it comes from Junior Walker and the All Stars. The University of Wisconsin plays this in the fourth quarter to hype up the crowd.

Jimmy Olsen's Blues by The Spin Doctors
Bruce features a song inspired by the Superman comics. Jimmy Olsen is the junior photographer. Chris Barron was inspired to write this when sneaking into the Brown University cafeteria and seeing a girl who reminded him of Lois Lane. The "pocket full of kryptonite" represents what is special or unique about you.

Life Is A Highway by Tom Cochrane
Brian hits the road with former Red Rider front man Tom Cochrane. This song encourages folks to "seize the day," and get motivated. Cochrane wrote it after a visit to Africa, and seeing the poverty around him. It is interesting that such a positive song came out of a close brush with poverty. Rascal Flatts would cover the song for the movie "Cars."

At the Hundredth Meridian by the Tragically Hip
Wayne stays in Canada with a group much more popular in the Great White North than in the U.S. The hundredth meridian is considered a dividing line between east and west Canada. The Hip stayed together from 1984 until 2017 when lead singer Gord Downie died of brain cancer.

INSTRUMENTAL TRACK:

Forever In Love by Kenny G.
You can't go wrong with a saxophone - or can you?

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - December: REO Speedwagon “Hi Infidelity” Sep 20, 2021

Hi Infidelity would be the biggest selling rock album of 1981, and would be the high water mark for REO Speedwagon. The band at the time was Kevin Chronin on lead vocals, Gary Richrath on lead guitars, Neal Doughty on keyboards, Bruce Hall on bass, and Alan Gratzer on drums.

REO Speedwagon started out in 1967, and the name comes from a 1915 truck called the REO Speed Wagon. Neal Doughty saw the name on the blackboard in his History of Transportation class as an electrical engineering major at the University of Illinois in Champaign, and thought the name was cool. The original lead singer for their 1971 debut album was Terry Luttrell, who would go on to be the vocalist for Starcastle after a breakup that involved Luttrell being left in a cornfield after a bad gig. Kevin Cronin came in for their second album, would leave during the recording sessions on their third album, then return in 1976 for their sixth album.

Cronin and Richrath wrote a lot of the music from 1977 on, and around this time long time bassist Greg Philbin left the band, either because of the changing split in money as the band became more commercially successful, or because of his lifestyle issues affecting the music (depending on who you ask). Bruce Hall joined thereafter for the recording of the album "You Can Tune A Piano, But You Can't Tuna Fish." That was their first top 40 album, including the singles "Roll with the Changes" and "Time for Me to Fly."

Hi Infidelity put them over the top. This was a pop-rock crossover, with more commercial appeal than previous rock-oriented efforts. The big song was the ballad "Keep On Loving You," which was everywhere in early 1981. High Infidelity would be the biggest selling rock album of 1981, taking the top spot on the Billboard 200, and certified 10 times platinum over time.

Thought they had a number of hits through the 1980's, Hi Infidelity would never be topped. Gary Richrath would leave the band in 1989. He reunited with the band in a concert in 1998, in 2000, and again in 2013 for a benefit concert. REO Speedwagon tours today with Doughty, Cronin, and Hall still in the lineup, joined by Dave Amato on guitar (formerly with Ted Nugent) and Bryan Hitt on percussion (formerly of Wang Chung).

Don't Let Him Go
This track opens the album, and was the third single released. Kevin Cronin wrote this hard driving song with a Bo Diddley beat. The song is based on the experiences of all the band members and is basically a plea to all their girlfriends to have patience with them.

Follow My Heart
This is a deeper cut, not one of the singles. It's basically about a girl that the guy knows is bad news, but he can't decide whether to follow his head or follow his heart. Gary Richrath wrote this song with songwriter Tom Kelly.

Tough Guys
Kevin Cronin wrote this as a bit of a rebuttal to the "nice guys finish last" trope. "She doesn't like the tough guys, she doesn't like the rough guys. She's gonna call your bluff guys, and you better believe it's true - she don't like you." The opening clip is from a 1937 "Our Gang" (aka "The Little Rascals") episode. This song wasn't released as a single, but made the mainstream rock chart anyway.

Take It on the Run
The second single from the album was written by Gary Richrath and went to number 5 on the Billboard Hot 100. The song takes on the rumor mill in an interesting way: "Now, I'm telling you, babe, that I don't think its true, babe, and even if it is, keep this in mind." The music video to this song was the ninth video played on MTV's first day in August 1981, but technical difficulties resulted in only 12 seconds of the video airing.

ENTERTAINMENT TRACK:

9 to 5 by Dolly Parton (from the motion picture 9 to 5)
Working women exact revenge on their boss in this satire starring Lily Tomlin, Jane Fonda, and Dolly Parton.

STAFF PICKS:

Dreamin' by Cliff Richard
Brian's staff pick takes us to a famous British singer. Leo Sayer helped write this upbeat song. Richard stated that this was an unusual song for him because it is in a higher range than is typical for Richard. The song was accumulated in the studio, as a verse would be recorded, then the next written.

(Just Like) Starting Over by John Lennon
Rob features a song that took off the charts shortly after Lennon was shot and killed by Mark David Chapman. Lennon was trying to create a sound that he called his "Elvis-Orbison track," and it had a definite 50's feel to it. The song was released in October but took off on the charts after his death.

I Will Follow by U2
Wayne brings us the first single from the debut album by U2. This single was a staple of fraternity parties across the nation at the time. Bono wrote this song as a tribute to his mom who died when he was young. Unusual instruments were used for percussive effect including silverware and breaking bottles.

The Turn of a Friendly Card, part 1 by The Alan Parsons Project
Bruce finishes the staff picks with the first part of a 16-minute suite bearing the same name as the album. The Turn of a Friendly Card was a concept album revolving around gambling, gambling addiction, and what happens to a person who turns to gambling in the midst of a mid-life crisis.

INSTRUMENTAL TRACK:

The Gold Bug by The Alan Parson's Project
An instrumental from "The Turn of a Friendly Card," this song was inspired by a short story of the same name by Edgar Allen Poe.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - November: Queen “A Night At the Opera” Sep 13, 2021

Queen's fourth studio album is the one that would launch them into super stardom and bring them personal financial success as well. A Night at the Opera got its name from the Marx Brothers film, and many consider it to be the best album Queen ever made.

The band lineup was Freddie Mercury on lead vocals, Brian May on guitar, John Deacon on bass, and Roger Taylor on drums. Backing vocals were performed by May and Taylor - John Deacon was the only band member who didn't sing.

The first three Queen albums were produced under a contract that resulted in the band receiving almost none of the money earned by the albums, and the group had to negotiate their way out of the deal with Trident Studios. A Night at the Opera was quite complex, and rumored to be the most expensive album ever made at the time. Recording took place in seven different studios on 24-track tape. June and July of 1975 was devoted to rehearsing and developing new material, and recording was done from August to November. Unlike many bands, the songwriting was done by all four band members. Many innovations were used including multitracked vocals, guitar overdubs, and various instruments including the grand piano, a Wurlitzer electric piano, double bass, gongs and timpani - but no synthesizers.

The album name was inspired by the Marx Brother's movie of the same name, which the band watched on VHS during recording sessions. They would subsequently befriend Groucho Marx, and would again reference a Marx Brothers film with their album "A Day at the Races."

A Night At the Opera would peak at number 4 on the Billboard 200, was the first Queen album to be certified platinum in the U.S., and would be nominated for two Grammy awards.

You're My Best Friend
The second single from the album was the first Queen single to be written by bassist John Deacon, who composed it for his wife while learning to play the piano. Deacon also played the Wurlitzer electric piano on this single, and overdubbed the bass part afterwards.

'39
Brian May wrote and sings this deep cut as a sci fi number. The crew of an exploring ship travels off on a one-year mission, but because of the time dilation effects associated with relativistic speeds they return 100 years later. Mercury and Taylor sang backing vocals on this track, though Freddie Mercury would sing lead when it was performed in concerts.

Love of My Life
Freddie Mercury wrote this track for Mary, and it would be covered by many bands. This song would also become an anthem during Queen concerts in which the audience sings the song, and the band would play only the instruments from the stage without vocals. Brian May played the harp, and Mercury played the piano solo.

Bohemian Rhapsody
A cult classic, this was the first single released from the album, to the chagrin of the record company since it was about twice as long as the typical single at the time. The vocal arrangements were thought up by Freddie Mercury during recording - on a daily basis. He wrote down the arrangements in blocks on a phone book. The song would become a hit during its time, and once again when used in the movie "Wayne's World" in 1992.

ENTERTAINMENT TRACK:

Stardust by David Essex (from the motion picture “Stardust")
This movie chronicles the rise and fall of Jim MacLaine, an international rock star. David Essex plays the lead role and sings this song from the film.

STAFF PICKS:

I Cheat the Hangman by the Doobie Brothers
Bruce starts off the staff picks with a ghost story. Guitarist Patrick Simmons wrote and sang lead on this track with inspiration from the short story by Ambrose Bierce entitled "An Occurrence at Owl Creek Bridge." It is about a ghost returning to his home after the Civil War and not realizing he's dead.

SOS by ABBA
Rob's staff pick is a palindrome, both in the song name and the band. This is the sixth single from ABBA's self-titled third album. ABBA took its name from the first initial of each of the band members. This single made it to number 15 on the U.S. charts. S.O.S. would help define ABBA as a pop group.

Blue Mist by Mama's Pride
Wayne brings us a minor-key track from the pride of Saint Louis - Mama's Pride. The song describes the feelings produced by a break-up. Mama's Pride was a warm-up act for popular 70's bands like Lynyrd Skynyrd, The Allman Brothers Band, Todd Rundgren, and Alice Cooper. The group disbanded in 1982, but has done periodic reunions in Saint Louis since 2003.

Nights on Broadway by the Bee Gees
Brian's track features the Bee Gees just before their launch into falsetto stardom with “Saturday Night Fever.” This is one of the first songs on which the Bee Gees employed some falsetto vocals, yet it retains a more soulful sound than the hits of the later disco era.

INSTRUMENTAL TRACK:

The Hustle by Van McCoy
This disco line dance phenomenon closes out or mid-70's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - October: The Troggs "From Nowhere" Sep 06, 2021

The Troggs were a garage band from Andover, England who would come to be highly influential in the garage band genre of the 60's and the punk movement of the 70's. The name is a shortened version of troglodyte, a mythical cave dweller. The troggs wanted to create an earthy, raw feel in their music, and this inspired the name. Their debut album From Nowhere hit the stores in 1966.

The Troggs were a quartet with Reg Presley on lead vocals, and Ronnie Bonds on drums. Reg and Ronnie had been childhood friends in Andover, and formed The Troggs with Pete Staples on bass and Chris Britton on guitar. This lineup would have a number of hits in 1966 and 1967, including the perennial party song covered by garage bands around the world, "Wild Thing." The popularity of The Troggs would fall off after 1967, and they would have a number of iterations afterwards, but they always remained a quartet. They also would be highly influential on a number of groups including Jimi Hendrix and the Ramones. R.E.M. was influenced by them as well, and the Troggs would record an album with three members of R.E.M in 1992 entitled Athens Andover. Paul McCartney was once asked what band he would choose to be in if he were in a band other than the Beatles, and he chose The Troggs.

The Troggs still occasionally play today, and the sole original member of the band continuing with the group is Chris Britton. If you haven't heard this group before outside of "Wild Thing," we think you will appreciate the appeal of their raw approach to music.

Hi Hi Hazel
This song a hit in the UK, and was written around the idea of a girl who leaves down as an ordinary girl and returns as a drop dead gorgeous beauty. "Hi, hi hi Hazel, nice to see you in the neighborhood."

Wild Thing
Probably the most recognizable Troggs hit, and covered in fraternity parties from then on. This went to number 1, and has been covered by everyone from Jimi Hendrix to Sam Kenison to Cheap Trick, to the Muppets. The song was written by Chip Taylor, who is John Voight's brother.

I Just Sing
This deeper cut has a gritty, aggressive attitude that typifies the sound of The Troggs. "I just go to my bed, lay my hands on my head. I open my mouth and I sing, yeah I just sing. Yeah, I just sing."

With a Girl Like You
This track was recorded in one take, as they also did with "Wild Thing." This was also a hit at the time, that has a more positive "sunshine pop" sound than most songs recorded by The Troggs. It is about a guy who wants to dance with a girl he see's across the dance floor, but can't muster up the nerve to ask her to dance."

ENTERTAINMENT TRACK:

Nashville Rebel by Waylon Jennings
The Nashville Rebel starred Waylon Jennings as an ex army man stranded in Morgan's Grove after being robbed. His family and singing career start from there.

STAFF PICKS:

Bang! Bang! by the Joe Cuba Sextet
Bruce's staff pick started the boogaloo era in New York. Joe Cuba (born Gilberto Calderon in New York) was a conga drummer of Puerto Rican descent, and would become famous in boogaloo music and later in Samba. Boogaloo was popular from 1966 to 1969 after the Palladium Ballroom in New York City lost its liquor license and closed, leading to the decline of mambo.

Black Is Black by Los Bravos
Rob features a track with a strong bass line building to the minor key chorus. Los Bravos were a Spanish quintet with a German lead singer. The lyrics chronicle the loss a boy feels when his girl leaves him.

96 Tears by ? and the Mysterians
Brian's staff pick is from a group who so embraced mystery that the lead singer simply goes by a question mark. They always wore dark glasses as a part of their intrigue. The lead singer claimed that the number "96" has a deep philosophical meaning, but refused to say why.

Knock On Wood by Eddie Floyd
Wayne's staff pick is the original soul song made famous by Amii Stewart during the disco era. Eddie Floyd intended this song to be sung by Otis Redding, but Floyd performed it instead. The backing house band was Booker T. and the M.G.'s, and Isaac Hayes played piano on it.

INSTRUMENTAL TRACK:

Summer Samba (So Nice) by Walter Wandersley
Long before it became synonymous with waiting lines and hold music, this instrumental piece hit the charts in 1966.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - September: Prince & The Revolution “Purple Rain” Aug 30, 2021

In the fall of 1984 there was nowhere you could go in the United States without hearing something off of Purple Rain, the album and the motion picture from Prince and The Revolution. This album was the sixth studio album by Prince, and the first to also bill the band, The Revolution (although the band was hinted at on the album 1999, being written backwards on the album cover). Prince would become a superstar with this album and film.

Prince (aka Prince Rogers Nelson) was born into a musical family. His mother was a jazz singer and his father was a pianist in a jazz group called the Prince Rogers trio. His father, John Lewis Nelson, went by the stage name Prince Rogers, from which Prince got his name. Prince was a multi-instrumentalist, prolific singer-songwriter, producer, actor, and director. He signed his first music contract with Warner Brothers Records at the age of 19, and had achieved considerable success with his albums “Dirty Mind,” “Controversy,” and "1999,” the last of which was a commercial success with “Little Red Corvette” receiving considerable airplay on MTV.

Purple Rain would spend 24 consecutive weeks atop the Billboard 200 chart. Prince required his management to obtain a deal for him to star in a major motion picture in the early 1980's, at a time when he was relatively unknown outside of a few pop and R&B hits. The film is loosely autobiographical, and follows Prince's character, the kid, as his relationships, family, and band fall apart. Things turn around when the kid opens up to others and his career is resurrected by a song with lyrics from his father and music from his band members. Hit songs would include “When Doves Cry” and “Let's go Crazy,” both topping the charts, and “Purple Rain,” which would hit number 2 on the charts.

Prince would go on to be a music icon, and estimates of the number of complete songs written during his lifetime range between 500 and 1000. Prince tragically died of a fentanyl overdose in 2016 at the age of 57.

This is an historic album and a torchbearer of a R&B/rock fusion genre that was literally everywhere in the fall of 1984. We hope you will listen to this album in its entirety.

Let's Go Crazy
“Dearly Beloved....we are gathered here today to get through this thing called 'LIFE'.” Those fantastically quotable lines lead off the album. You get a sense that this will be a different sound with the combination of a R&B beat and a Jimi Hendrix-style screaming guitar more associated with hard rock. This is the second single from the album and a number 1 hit on multiple charts.

Take Me With U
This song is a duet with singer and co-star of the film, Apollonia Kotero, and was the final single released from the album. It was originally going to be on Apollonia's band's album (Apollonia 6), but made it on the soundtrack. Prince intended to have the singer Vanity in the lead role, but Apollonia was chosen when Denise "Vanity" Matthews resigned from Vanity 6.

I Would Die 4U
The fourth single from the album would hit number 8 on the Billboard Hot 100. The lyrics are thoughts on words that Jesus would say to his disciples. This song occurs towards the end of the movie in a mini-concert, and was often paired with the song “Baby, I'm a Star” on radio at the time.

Purple Rain
The title track and third single from the album was originally intended as a country collaboration with Stevie Nicks! According to Nicks, she received a 10-minute instrumental and was asked to write the lyrics, but was overwhelmed at the prospect. Band member Wendy Melvoin inspired a change to the current style with her guitar chords during a practice session. This song also has religious overtones, with the color purple often evoking images of God or end times in Prince's music.

ENTERTAINMENT TRACK:

Theme from the television series “Miami Vice” - Jan Hammer
This show had everyone in thrall, Don Johnson in stubble and scrunched-up jackets, and Jan Hammer on the charts in a rare instrumental hit.

STAFF PICKS:

The Bird by Morris Day and the Time
Bruce leads off the staff picks with another group propelled to stardom by "Purple Rain." Prince had a clause in his Warner Brothers contract that allowed him to recruit and produce other artists for the label, and The Time was one that he assembled in 1981. Prince collaborated on much of the work from The Time, including this third album "Ice Cream Castle." Morris Day and the Time played a rival house band in the movie "Purple Rain."

If This Is It by Huey Lewis and the News
Brian brings us the fourth single from the hugely successful album “Sports.” The video demonstrates Lewis's humor, with beach scenes and the band buried up to their necks. "So let me go, or make me want to stay...If this is it, please let me know." This is the first Huey Lewis song to break into the top 40 in the U.K.

New Girl Now by Honeymoon Suite
Wayne's staff pick features a deeper cut from a Canadian hair metal band. This chronicles the issues that may follow when a guy has a specific type of girl he falls for. The band hails from the Niagara Falls area, and the connection with that popular honeymoon location explains the origin of their name. The sound has hints of new wave with the synthesizer in the background.

A Girl In Trouble (Is a Temporary Thing) by Romeo Void
Rob closes out this week's staff picks with a more pop-oriented song from a decidedly non-pop band. The band, sometimes associated with new wave, really wanted to be considered a punk band. Singer Deborah lyall considered the band to be a reaction against the bleached blonde conformity of the time, and was proud of her Native American heritage. The lyrics portray a more positive “taking care of things yourself” attitude than the minor key would suggest.

INSTRUMENTAL TRACK:

Shortberry Strawcake by Sheila E.
We finish off this week's podcast with another Prince-related artist. Sheila E. had this instrumental track on her album "Glamorous Life."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - July: Ramones “Ramones” Aug 23, 2021

The Ramones are considered the first true punk band by many. Despite never having a lot of commercial success, the band achieved immortality as the founders of a rock genre, and inspired a multitude of bands to follow. Their debut album, self titled as Ramones started it all in 1976. The album came out in February but we're featuring it in the summer of 1976 which is considered the "summer of punk."

The Ramones got their name from Paul McCartney of The Beatles, who would check into hotels using the pseudonym "Paul Ramon." Each band member took on the Ramone name, so the band consisted of Joey Ramone on lead vocals, Johnny Ramone on guitar, Dee Dee Ramone on bass and backing vocals, and Tommy Ramone on drums and backing vocals. The Ramones came out of Queens, New York and got their start in 1974 playing at the Manhattan clubs like Max's Kansas City and CBGB's, where they would be regulars.

While the iconic look of the ban is imitated frequently, at the time of the hippie and glam rock popularity they stood out in their black leather jackets. The music was different as well - high energy, simple chords, and tight, short singles. They played fast, and they played loud!

Recording was fast as well. Sessions for this debut album were completed in a week at a cost of $6,400. The result gave the appearance of a do-it-yourself work which hid the very deliberate work with overdubbing and doubling vocals.

While the debut album was not considered a commercial success at the time, it has grown in stature over the years to the point that it clocks in a number 33 on Rolling Stone's 500 Greatest Albums of all time, and number 1 on Spin Magazine's list of "50 Most Essential Punk Records."

The group would tour almost continually from their founding until they disbanded in 1996. Unfortunately all four of the founding members of the Ramone's have died.

Friend of the show Ted Shomake joins us to highlight this iconic band and album.

Judy Is A Punk
This song refers to Jackie and Judy, two juvenile delinquents who join the Ice Capades and the domestic terrorist Symbionese Liberation Army. They may have died by the end of the song. Clocking in at just over a minute and a half, you'd better listen quick!

Blitzkrieg Bop
If you have only heard one Ramones song, this is likely the one that you've heard. Despite the thinking that the song drops Nazi references, it is really about going to a concert. The band wanted to be a big rock and roll band, and this song was designed to give the audience something to chant, similar to the Bay City Rollers song, "Saturday Night." "Hey! Ho!...Let's go!"

53rd and 3rd
Bassist Dee Dee Ramone wrote this homage to the New York street corner also known as "The Loop," a location notorious for male prostitution in the mid-70's. The song tries to make a bleak reality something fun.

Now I Wanna Sniff Some Glue
Much of the work of the Ramones was designed to be shocking, but not meant to be taken seriously. "Now I wanna sniff some glue. Now I wanna have somethin' to do."

Let's Dance
While the rest of this album is original music, this is a cover of a 1962 song performed Chris Montez and written by Jim Lee. The Ramones took the speed and volume up from the Montez version, but otherwise stayed pretty faithful to the original.

ENTERTAINMENT TRACK:

Theme from the motion picture “Logan's Run"
Actually we are playing the more disco oriented theme from the television series "Logan's Run." but the motion picture of the post-apocalyptic world hit the theaters this month.

STAFF PICKS:

Don't Go Breaking My Heart by Elton John and Kiki Dee
Brian's staff pick features a famous duet inspired by the duets of Motown. John recorded his part in Toronto and Dee recorded her part in London. The original version had Elton John singing over 3/4 of the song, but he was reigned in by the producer. The song was a big hit, clocking in at the top of the charts in both the U.S. and the U.K. Surprisingly, this song is the first number 1 hit in the U.K for Elton John.

Tear the Roof Off the Sucker (Give Up the Funk) by Parliament
Bruce brings us perhaps the most famous P-Funk song, written by drummer Jerome Brailey, Bassist Bootsy Collins, and producer/founder George Clinton. This is off the fourth Parliament album "Mothership Connection." It was a concept album loosely based on an outer space theme, and would create the base for future P-Funk concerts.

Cherry Bomb by the Runaways
Wayne's staff pick brings us back to the punk feel with an all female band. Joan Jett and Lita Ford both got their start in this group. Other members included Jackie Fox on bass, Sandy West on drums, and lead singer Cherie Currie also contributed her name to the title of the song. The Runaways were a "put together" group rather than an organic group.

Tom Tauberts Blues by Tom Waits
Ted Shomake brings us a deep cut which captures the turn in Waits music from commercial to the more gravelly feel his later works would have. The song is about an alcoholic seeking money to go "waltzing Matilda," or going walking around as a vagrant. It is a lyrically dense, heartbreaking song.

INSTRUMENTAL TRACK:

Movin' by Brass Construction
This disco tinged mostly-instrumental takes us out of this episode.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - September: Roger Waters “Amused to Death” Aug 16, 2021

Roger Waters is one of the best known rock celebrities, both as a founding member of Pink Floyd and as a solo artist after leaving the band. Amused to Death is his third solo album, and Waters considers it to be a continuation of The Wall. The name is inspired by the book "Amusing Ourselves to Death" by Neil Postman. The concept of the album is a television where the channels are continually being changed at random by an ape, and critiques the senseless obsession with T.V.

Waters had been politically critical for some time before this album, and he continues that critique as he examines the glamorization of war, greed and egotism, and the dumbing down of nearly everything through media and bureaucracy.

For this effort, Waters would be joined by a strong cast of session talent, including future American Idol Judge Randy Jackson, Jeff Porcaro, Patrick Leonard, and guitar virtuoso and Yardbirds alumni Jeff Beck. Waters also went with a more streamlined approach to the album, utilizing "real people playing real instruments," as he told the Los Angeles Times.

Amused to Death would be Waters last solo work for a long time, as the album "Is this the Life We Really Want?" would not appear for almost 25 years. Amused to Death is a great an underappreciated album, and we hope you will listen to it in its entirety as an excellent post-Pink Floyd concept.

Perfect Sense, Part 1
This song is about a world where live transmissions of wars are viewed as entertainment. With the freshness of the Gulf War from the previous year in mind, Waters had a solid basis for this view of the world. "The monkey looked up at the stars and thought to himself, memory is a stranger, history is for fools."

The Bravery of Being Out of Range
Another song influenced by the Gulf War, Waters found it laughable that the use of cruise missiles and long-range attacks would be considered noble or courageous. This track hearkens back to older Pink Floyd albums, and specifically references the song "Sheep" from the 1977 album "Animals."

Amused to Death
The title track utilizes a lot of sound effects and clips. The song mirrors the Neil Postman book, in chronicling an alien species who comes to earth after the human race has gone extinct before our time. Humanity died out by focusing on television entertainment rather than more important things, and literally amused itself to death.

ENTERTAINMENT TRACK:

Would? by Alice In Chains (from the motion picture soundtrack “Singles")
This Cameron Crowe dark comedy featured a veritable plethora of grunge artists on the soundtrack.

STAFF PICKS:

Constant Craving by k. d. lang
Rob brings us a softer and melancholy staff pick from lang's second solo album. The video for this song takes it inspiration from the Samuel Beckett play "Waiting for Godot." k. d. lang drew initial inspiration from Country music legend Patsy Cline. This song was her biggest U.S. hit, going to number 38 on the charts.

Dizz Knee Land by Dada
Wayne goes alternative with his staff pick. The song was inspired by a marketing promotion that Disney used at the time, having sports stars saying, "I'm going to Disneyland!" right after a big win. Instead of highlighting big wins, the lyrics are "I just robbed a grocery store," or "I just tossed a fifth of gin," or "I just flipped off President George - I'm going to dizz knee land."

Start the Car by Jude Cole
Bruce features the opening and title track from singer/songwriter Jude Cole's third solo album. The lyrics are a declaration that this city is no place to be, and that it is time to leave. The bluesy heartland feel is a nice departure from the grunge music which was in ascendance at the time.

Do I Have to Say the Words? by Bryan Adams
Brian's pick is the fifth single release of Adam's album "Waking Up the Neighbors." The song was originally titled "Rescue Me," but Mutt Lange changed the name, slowed the song, and added a new chorus to transform the song into a ballad. The song was a hit, rising to number 11 on the Billboard Hot 100, and to number 2 in Canada.

COMEDY TRACK:

Smells Like Nirvana by Weird Al Yankovic
The prolific prince of parody turns his sights on the founding fathers of grunge as we close out this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - June: Stray Cats “Built for Speed” Aug 09, 2021

While many bands of the 80's were focusing on the synth-heavy New Wave or screaming guitars of Hard Rock, one band was taking their inspiration from the 50's roots of Rock. The Stray Cats came out of New York in 1979 and developed a devoted following quickly, but moved to the UK after hearing of a revival of the 50's subculture there. Inspired by the Sun Records artists of the 50's, the Stray Cats combined Rockabilly and Punk genres to form their sound.

The Stray Cats were a trio with Brian Setzer on guitar and lead vocals, Lee Rocker on double bass, and Slim Jim Phantom on drums. They continued to tour and record in the UK, and released two albums there in 1981 before turning their interest back to the States. Their debut American album, Built for Speed, was comprised of songs selected from their first two albums released in England, plus the previously unreleased title track.

The group benefitted from having both a unique sound and air play on the then-new MTV. Unlike most music of the time, songs were short and tight, without synthesizers or more modern sensibilities. Also, unlike the music of the time, everything was stripped down to the bare essence in this group. Phantom's drum set consisted of just a few pieces, worlds away from the massive sets fielded by prog rock groups like Asia and Rush. Brian Setzer wrote most of the songs, and had the distinctive look that would become associated with the group.

Unfortunately, Setzer also tired of the group quickly, and the Stray Cats broke up in 1984. Setzer would go on to be the concert guitarist for the Honeydrippers (with Robert Plant as front man). The group would reunite frequently over the years, and each member continued to tour either with their own bands or in support of other musicians.

The group continues to tour off and on today, and released a new album in 2021.

Built for Speed
This is the title track and the only song on the album previously unreleased. It is about cars, and hot rodding on the road. “Well I'm cruising low and I'm cruising mean, well I'm cruising slow in my dream machine. You're my hot rod mama and you're really built for speed.”

Rock This Town
An easily recognizable hit, “Rock This Town” cracked the top 10. This song was the introduction to Rockabilly to many people. It is about hitting the clubs at night, dancing the night away. The Rock and Roll Hall of Fame lists this song as one of the 500 songs that shaped rock and roll. “We're gonna rock this town, rock it inside out.”

Baby Blue Eyes
A deeper cut from the album, this tells the struggle of a guy in love with a pretty girl he just doesn't trust. While in England, the Stray Cats attracted the attention of many famous artists including members of the Rolling Stones, the Who, and Led Zeppelin.

Stray Cat Strut
This track is the most famous of the Stray Cat's tunes, and received significant airplay on both radio and MTV. It reached number 3 on the charts. “I'm flat broke but I don't care. I strut right by with my tail in the air.” Setzer's songs are original but carry the sound of a 50's cover.

ENTERTAINMENT TRACK:

Flying Theme from the motion picture “E.T. the Extraterrestrial”
The film that made Steven Spielberg a household name was released this month.

STAFF PICKS:

Space Age Love Song by A Flock of Seagulls
Rob's staff pick peaked at number 30 on the Billboard charts. This New Wave group is out of Liverpool. When they couldn't come up with a name for the track, guitarist Paul Reynolds suggested the name because he thought it sounded like a space age love song. Mike Score's well-known hairdo was the result of a mistake after his hair was accidentally pushed down in the center before going onstage.

Tainted Love/Where Did Our Love Go? by Soft Cell
Bruce features the first hit from vocalist Marc Almond and instrumentalist David Ball, better known as Soft Cell. Tainted Love was originally recorded as a B-side in 1964 by Gloria Jones, but it didn't chart. Almond heard it when working in a cloakroom, and the duo started performing it with synthesizers instead of guitars. It was a big hit in the U.S. as part of the Second British Invasion. The extended dance version combined Tainted Love with the Supremes' hit “Where Did Our Love Go?”

Wake Up Little Susie by Simon and Garfunkel
Brian's staff pick hearkens back to the early days of rock with a cover of the Everly Brothers song recorded at Simon and Garfunkel's live concert from Central Park. The song did well and was part of the inspiration for Simon and Garfunkel's tour in 1983.

I Want Candy by Bow Wow Wow
Wayne's staff pick features a cover originally performed in 1965. Bow Wow Wow's version had both a rockabilly and punk feel to it. The lead singer was underage at the time, and the risque pictures on the album created considerable controversy.

COMEDY TRACK:

She Got the Goldmine (I Got the Shaft) by Jerry Reed
Jerry Reed's cautionary tale reminds us that it is better to learn how to cook than to marry for food as we close out the podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 - January: Elvis Presley "Aloha From Hawaii via Satellite" Aug 02, 2021

By 1973 Elvis had definitely not left the building. In fact, January 1973 would be the month that Elvis Presley would broadcast a concert live via satellite to 38 countries. The concert would air in the United States on NBC in April 1973, and would be the basis for the album we are featuring - Aloha From Hawaii via Satellite, the four-month delay being a result of a conflict with Super Bowl VII (which Miami Dolphin fans will recall as the culmination of Miami's undefeated season).

Colonel Tom Parker, Elvis's manager, got the idea of a live satellite broadcast from Richard Nixon's 1972 visit to China. There is also speculation that Parker took this step in lieu of an international tour to avoid revealing his status as an illegal immigrant in the United States (Parker was Dutch). The concert was scheduled at the conclusion of the fifty-nine show engagement at the Las Vegas Hilton.

The special was produced by Marty Pasetta, who had produced television specials for others like Perry Como, Glen Campbell, and multiple specials from Hawaii for Don Ho. Pasetta was concerned after seeing what he considered a lackluster live Elvis show in Long Island. Despite a dismissive stance from Colonel Parker, Pasetta took his ideas directly to Presley. He wanted a lower stage with a runway, allowing better audience participation. He wanted mirrors to frame the stage and neon lights to read "Elvis" in the language of all the countries to which the concert was broadcast. Finally, and most controversially, he wanted Elvis to lose weight for the show. Presley was impressed with his frankness, and took up his ideas, even embarking on an exercise routine at Graceland.

Aloha From Hawaii via Satellite would bookend the comeback era for Elvis which was started with his 1968 television special. Elvis would encounter difficulties in his family life, health, and prescription drug use that would eventually result in his untimely death in 1977.

Also Sprach Zarathustra/See See Rider
The Ricard Strauss tone poem made famous in "2001: A Space Odyssey" starts off the concert. The intro leads into the blues standard "See See Rider" first performed by Gertrude "Ma" Rainey in the 1920's, and covered by many performers including Chuck Willis, Mitch Ryder & the Detroit Wheels, and the Animals.

Burning Love
Dennis Linde wrote this song for Elvis in 1972, and it was a big hit, rising to number 2 on the Billboard Hot 100. The track would be the last Elvis song to reach the 1op 10 in the U.S.

My Way
This song is a cover originally performed by Frank Sinatra in 1969. The lyrics are from Paul Anka. Although it remains closely associated with Sinatra, it would also become a staple of Elvis performances in the 70's, and would hit number 22 on the Billboard Hot 100 shortly after Presley's death.

American Trilogy
Country composer Mick Newbury wrote this medley, and it would be popularized by Presley as the showstopper for many of his concerts. The medley includes the 19th century southern song, “Dixie,” the marching hymn of the Union army, “The Battle Hymn of the Republic,” and the African American spiritual “All My Trials.”

ENTERTAINMENT TRACK:

Theme from the television series “Bonanza"
The final episode of this long-running Western TV series aired in this month.

STAFF PICKS:

Papa Was a Rollin' Stone by the Temptations
Bruce's staff pick is a funky and long song, with the album version of the song running 11 minutes and 46 seconds. Originally released by The Undisputed Truth, the Temptations would take this song to number 1, and would win 3 Grammy awards. “Papa was a rollin' stone. Wherever he laid his hat was his home, and when he died, all he left us was alone.”

You Turn Me On I'm a Radio by Joni Mitchell
Rob heads into the folk genre with singer/songwriter Joni Mitchell and this single from her fifth studio album. David Crosby, Graham Nash, and Neil Young all participated in the recording session for this song, but only Nash's harmonica work made it to the final cut. This was Mitchell's first top 40 hit in the United States.

Dixie Chicken by Little Feat
Wayne's Southern Rock staff pick was actually recorded by a Los Angeles band. Bonnie Raitt sings backing vocals on this song. The story is about a guy who marries a girl in a drunken haze, only to be left shortly thereafter.

Living In the Past by Jethro Tull
Brian's pick is a 5/4 metered song by rock flutist Ian Anderson. This is the highest charting track from Jethro Tull. It was a rejection of the happy tone that was fashionable in the post-Beatles music of the time. Despite its success, Anderson did not like it.

FINISHING TRACK:

I Can't Help Falling in Love With You by Elvis Presley
Elvis closed out his concert with this song, and we're closing out this week's podcast the same way..

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - November: Dave Matthews Band “Under the Table and Dreaming” Jul 26, 2021

While Under the Table and Dreaming may have been released in September 1994 as the debut studio album by the Dave Matthews Band, songwriter and guitarist David John Matthews was working as a bartender in 1990 when a friend encouraged him to get together with drummer Carter Beauford and record a demo of a few songs he had written. Matthews also brought in saxophonist LeRoi Moore, and the trio began working on songs in 1991. Beauford recalled the three piece band was, according to Wikipedia “Awful. Not just kind of bad, I mean heinously bad...Sometimes it amazes me that we ever had a second rehearsal.” Fortunately, they did have more rehearsals, as Matthews brought in Stefan Lessard on bass, Peter Griesar as keyboardist (he would leave the band just before the big breakout), and violinist Boyd Tinsley (in 1992).

The Dave Matthews Band built a following similar to the Grateful Dead through constant touring in the 1990's. They were famous for constantly changing their setlist and song arrangement so that no two concerts were the same, they also encouraged fans to record their performances, another similarity to the Grateful Dead. Armed with a solid following in Virginia and a live EP called “Recently” recorded earier in 1994, the DMB would enter the studio with famed producer Steve Lillywhite to produce this certified 6x Platinum album.

There has never really been a time when the Dave Matthews Band hasn't been popular since this debut. When they released their album “Come Tomorrow” in 2018, it debuted at number 1 on the Billboard 200, making DMB the first band to have seven consecutive studio albums debut at the peak.

This is a great album, and we know you will enjoy downloading it for your collection

Ants Marching
This is the second single released, and it reached #18 on the Billboard Alternative chart. It was written back in 1991 about people who live very settled lives, doing the same thing over and over - like ants marching. The album title comes from this song, “He remembers being small - playing under the table and dreaming.”

The Best of What's Around
This is the opening track from the album. It is about a guy cheering up a friend who is down. “See you and me have a better time than most can dream, have it better than the best. So we can pull on through whatever tears at us, whatever holds us down. And if nothing can be done we'll make the best of what's around.”

Lover Lay Down
This is a deep cut off the album, and it is a pretty straightforward love song. “Oh please lover lay down, spend some time with me. Together share this smile.”

What Would You Say
We don't recommend that you look for a deeper meaning in the lyrics from the lead single from the album. While the lyrics are mostly nonsense, we do appreciate the line, “I was there when the bear ate his head - thought it was a candy.” The harmonica will sound familiar to Blues Traveler fans, as John Popper contributes those notes.

ENTERTAINMENT TRACK:

Sympathy for the Devil by Guns 'N' Roses (from the motion picture Interview with the Vampire)
Axl Rose and company provide their take in this cover of the Rolling Stones song for the horror hit based on Anne Rice's novel.

STAFF PICKS:

Plowed by Sponge
Wayne start's this week's staff picks on a rocking track from the Sponge album “Rotting Piñata.” The song lyrics are about trying to achieve a goal and failing. “In a world of human wreckage where I'm lost and I'm found and I can't touch the ground, I'm plowed into the sound.”

I'll Stand By You by the Pretenders
An unusual ballad, Brian brings us a big hit from Chrissie Hynde and the Pretenders. This was the first time Hynde wrote in collaboration with others, songwriters Tom Kelly and Billy Steinberg. Hynde was embarrassed about writing the pop song at first, but warmed up to it over time. The song reached number 16 on the Billboard Hot 100.

Need Your Lovin' by Tesla
Rob’s staff pick is off Tesla’s album “Bust A Nut.” Vocalist Jeff Keith fronts this band made famous in the hair metal era. This track is a love song, but with a stronger beat than would be the case if it were a ballad. Tesla continues to tour today.

6:00 by Dream Theater
Bruce rounds out the staff picks with the opening track from Dream Theater's album Awake. Keyboardist Kevin Moore penned these lyrics, supposedly about a man stuck in a situation looking for a way out, but in reality about Moore's increasing distance from the band and desire to leave. The opening samples are from the 1987 movie “The Dead,” a film adaptation of a James Joyce short story.

INSTRUMENTAL TRACK:

#34 by the Dave Matthews Band
It's a little double dipping on the DMB with this instrumental, which would appear on the CD as the 34th track. A number of bands would “hide” music on distant tracks on their CD releases.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - March: Foreigner “Foreigner” Jul 19, 2021

It may not be surprising that the self-titled debut album from Foreigner was a hit, since all the members had previously worked with successful acts, making this collaboration a bit of a supergroup. British guitarist and songwriter Mick Jones came from Spooky Tooth. Multi-instrumentalist and fellow Brit Ian McDonalds had played in King Crimson. They were joined by another Englishman, drummer Dennis Elliott (from Ferris Wheel and The Roy Young Band). Other members were American, including Al Greenwood on keyboards, Ed Gagliardi on bass, and Lou Gramm on vocals. The band had the name Trigger for their demo tapes, but swapped that name out when they found another band had already taken it. The name Foreigner was suggested by Mick Jones, because with three English members and three American members, at least half the band would be foreigners — wherever they played.

The debut album Foreigner would create three hit singles and would be certified 5x platinum in the US, the first of four albums (this one, Double Vision, Head Games, and 4) from the group to achieve such a high level of success.

Foreigner would prove to be one of the biggest bands of the late 70's through the 80's.

Lou Gramm would split from the group in the 1990, return in 1992, and leave again in 2003. Foreigner still tours today, but Mick Jones is the sole original member of the group.

Feels Like the First Time
The leading track and first single released would be the first hit by the group, reaching number 4 on the Billboard Hot 100. Mick Jones wrote this track prior to the start of Foreigner, when he had met a new love after this previous marriage dissolved. It was a feeling that his life was entering a new phase.

I Need You
This song concludes the album and is a deeper cut with great bass licks and chord progressions. "Many is the time I've cursed the Lord's creations. Ah, but you touched my hand, I loved this new sensation."

Starrider
Another deeper cut with more prominent keyboards, this one features Mick Jones on lead vocals. The song reminds us of "Crystal Ball" by Styx. You might agree it has a medieval or fantasy feel.

Long, Long Way from Home
The third single from the album gives the perspective of a person moving from a small town to a large city, and the loneliness that results. Lou Gramm has said this song is autobiographical, reflecting his move from Rochester, New York to New York City. "I was inside looking outside. Oh, the millions of faces, but still I'm alone."

ENTERTAINMENT TRACK:

Theme from the television series “Eight Is Enough”
The family drama starring Dick Van Patten would debut in March of 1977. It was about a single father raising eight kids.

STAFF PICKS:

Year of the Cat by Al Stewart
Brian opens our staff picks with a haunting tune. The song originated from a riff piano player Tim Renwick would play before concerts. Many of the lyrics were inspired from watching the movie Casablanca. The title comes from a Vietnamese calendar which indicated that 1975 was the Year of the Cat.

Changes in Latitudes, Changes in Attitudes by Jimmy Buffett
Wayne brings us one of the standard songs of summer. The song itself barely cracked the top 40, but has taken on a timelessness with more than just the "Parrot Heads" that attend multiple Buffett concerts. "With all of our running and all of our cunning, if we couldn't laugh we would all go insane."

Georgia Rhythm by the Atlanta Rhythm Section
Bruce features a local Atlanta band who was big in 1977. The Atlanta Rhythm Section was formed from former members of the Candymen and the Classics IV who had come to Atlanta as the session band for Studio One in Doraville in 1970. This song is off their sixth studio album, and the first album to get significant airplay. The big hit was "So Into You," but "Georgia Rhythm" got a lot of airplay in Atlanta for obvious reasons.

Maybe I'm Amazed (live) by Paul McCartney & Wings
Rob wraps up the staff picks with a song originally recorded in 1970 for McCartney’s first album, but never released as a single. This live version was released in February 1977. This touching song was inspired by his romance with his wife, Linda.

INSTRUMENTAL TRACK:

Fanfare for the Common Man by Emerson, Lake & Palmer
This was originally written by Aaron Copeland in response to America's entry into the Second World War. The ELP version came about when Emerson was playing the piece on keyboards. Greg Lake came in with a shuffle pattern on bass, and Palmer added in the drums. The engineer was rolling tape and the first time the band played the song through is what made the album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - September: Kansas “Leftoverture" Jul 12, 2021

Leftoverture is the fourth and most commercially successful studio album by Kansas. Formed out of a complex merger between a band called Saratoga and a prog rock outfit called White Clover, Kansas takes its name from the band's state of origin, as their start was in Topeka. The band consisted of Steve Walsh (keyboards, vibraphone, vocals), Kerry Livgren (electric guitar and keyboards), Robby Steinhardt (violin, viola, vocals), Rich Williams (electric and acoustic guitars), Dave Hope (bass), and Phil Ehart (drums).

Kansas had achieved some success with their first three albums, but had failed to have a hit single. As the record company began applying pressure to the band to secure a hit, Steve Walsh began to experience writers block. Much of the songwriting for Leftoverture fell to guitarist Kerry Livgren, who wrote or co-wrote all the songs on the album. On the last rehearsal day, he contributed one more song, "Carry On Wayward Son," which would become the groups first hit.

The album itself continues a progressive streak established by prior albums through pieces like the multi-part, 8+ minute closing track, "Magnum Opus," but brings a more accessible commercial appeal through songs like "The Wall" and "Carry On Wayward Son." This album and the follow-up "Point of Know Return" would push Kansas into national prominence for arena tours and on the Album-Oriented Rock scene.

Creative differences would eventually drive several members to split from the group in the 80's, but the band would reform by 1985 and continues to tour as of 2021.

Carry On Wayward Son
The hook-laden opening track features Kerry Livgren on lead vocals. Livgren wrote the track and considered this song a continuation of the song "The Pinnacle" from their previous album.

The Wall
Not released as a single, this introspective track is a deep cut both from a commercial and spiritual standpoint. Livgren was in the process of becoming a Christian at the time, and while not written with an overtly Christian message you sense the searching nature regardless.

What's On My Mind
This jam features violinist Robby Steinhardt on vocals, and has a theme of a break-up. The singer is recounting the path of the relationship. "Pardon me, my feelings are showing. I'm only saying what's on my mind."

Miracles Out of Nowhere
This song has Steinhardt and Livgren swapping off on lyrics. There is a mystical, fantasy feel that hearkens to their prog-rock roots. "Here I am, I'm sure to see a sign. All my life, I knew that it was mine. It's always here, it's always there, it's just love and miracles out of nowhere." And you can't go wrong ending the song with a gong!

ENTERTAINMENT TRACK:

Theme from the television series “Charlie's Angels"
"Once upon a time, there were three little girls who went to the police academy." And Kate Jackson, Jaclyn Smith, and Farrah Fawcett-Majors would grace posters around the US for some time.

STAFF PICKS:

Smokin' by Boston
Bruce launches the staff picks with a rocking number never released as a single. Nevertheless, it is well known from Boston's debut album, as is virtually every track on that masterpiece. Brad Delp and Tom Scholz co-wrote this song as part of the "Mothers' Milk" demos from 1973.

Rock 'n' Rollers by Angel
Wayne's tune is off the eponymously named first album by Angel. It is a straightforward rock song about attending a rock concert. Gene Simmons of Kiss discovered the band who dressed all in white. The Angel logo was made as an ambigram, so it looked the same either right side up or upside down.

Roxy Roller by Nick Guilder and Time Machine
Rob's glam rock staff pick is from Nick Guilder, better known for "Hot Child in the City." Four versions of this song came out in 1976, this one and three from three different lead singers of the band Sweeny Todd, one of which was a teenager named Bryan Adams.

Don't Fear the Reaper by Blue Oyster Cult
Brian's pick is famous as the song with more cowbell! Buck Dharma received a lot of criticism for this song from people who believed it encouraged suicide. In reality it was about not fearing death - not living because of being anxious about the end of life. The spirit carries on.

INSTRUMENTAL TRACK:

Magnum Opus by Kansas
This double dipping instrumental is the first movement of an 8-minute epic off Leftoverture. It's subtitle is "Father Padilla Meets the Perfect Gnat." We'll just leave it there.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - October: Joe Satriani "Surfing with the Alien" Jul 05, 2021

New York native Joe Satriani had previously recorded an album in 1986, and ran up some credit card credit card debt in the process. He paid off the debt from his earnings as a member of the Greg Kihn Band, but stayed on a low budget of $13,000 when he recorded his second and all-instrumental studio album, Surfing with the Alien. This would be a break-out album for the guitar virtuoso.

Satriani began playing guitar at age 14 under the inspiration of Jimi Hendrix. Supposedly he heard of Hendrix's death at football practice, and announced he was quitting the sport to become a guitarist. Satriani taught guitar to a number of students including Kirk Hammett of Metallica, David Bryson of the Counting Crows, and perhaps most notably fellow Carle Place High School alumni Steve Vai.

This album relied on drum machines rather heavily, with percussionist Jeff Campitelli recording overdubs to flesh out the pieces. Satriani played on two Kramer Pacer guitars and a Stratocaster guitar for the album, and would change the pickups to get different sounds. The cover artwork was originally a picture of Marvel Comics' Silver Surfer until the price for renewal grew too hefty in 2018, at which time it was replaced with a silver guitar.

Satriani has been a "hired gun" with a number of groups including Alice Cooper, Blue Oyster Cult, Deep Purple, the Yardbirds, and even Spinal Tap for their 1992 album. He is also known for his work with the supergroup Chickenfoot, and for founding the G3 tour.

Surfing with the Alien
This is the first and title track to the album. The title popped into Satriani's head when he was thinking about what it would sound like if aliens came to Earth but were just looking for fun rather than global conquest.

Always with Me, Always with You
This is the most popular track off the album. Joe Satriani wrote it as a love song for his wife, Rubina, and it is an instrumental power ballad.

Circles
If you haven't heard the album as a whole, you likely have not heard this deeper cut. It has a slow start and finish, with a hard thrashing center. It will give you a good sense for Satriani's playing style when using a slower tempo.

Satch Boogie
Satriani composed this hard rocking song after a car accident in 1986 when he was in a neck brace and on pain medication. Supposedly the concept was about what it would sound like if there was a horn section trying to play with Gene Krupa (the jazz drummer on "Sing, Sing, Sing") while his drum set was falling down a flight of stairs. This is the only track which uses live percussion.

ENTERTAINMENT TRACK:

Sweet Little Sixteen by Chuck Berry (from the motion picture Hail! Hail! Rock 'n' Roll)
This documentary film featured two of Chuck Berry's 1986 concerts in celebration of his 60th birthday.

STAFF PICKS:

It's A Sin by Pet Shop Boys
Rob's synth-heavy staff pick is from the English duo of Neil Tennant and Chris Lowe, known as the Pet Shop Boys. The song off their second album covers the struggle of a gay person in a Catholic environment. It was intended as a campy song, but perhaps had more meaning than the duo intended.

Paper In Fire by John Mellencamp
Brian brings us back to small town USA with a hit off Mellencamp's album Lonesome Jubilee. The first single released peaked at number 9 in October 1987. Paper in fire is a reference to Hell from the Bible, taken from the book of Ecclesiastes 7:5-6.

Big Generator by Yes
All roads lead to Wayne's staff pick, and the title track from the Yes album. The Big Generator album followed their immensely successful album 90125, and the lyrics from this song reflects the band's take on the pressure the record labels received to continue producing pop hits. "Praise, oh praise this anthem generator."

I Don't Mind at All by Bourgeois Tagg
Bruce's staff pick is a one-hit wonder from the duet Brent Bourgeois (keyboards, vocals) and Larry Tagg (bass, vocals). This song is off their second album Yoyo, which was produced by Todd Rundgren. This is their biggest hit, which peaked at number 38 on the Billboard Hot 100.

INSTRUMENTAL TRACK:

Blues For Salvador by Carlos Santana
This instrumental is from another long-running guitar virtuoso who would remain an active force in the rock world for decades. This is the title track from Carlos Santana's album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - April: The Who “Tommy” Jun 28, 2021

Believe it or not, many considered The Who to be a band in decline just before the release of their iconic rock opera Tommy. Their recent releases hadn't been as popular as expected. They had a popular stage show, but between Pete Townshend destroying his guitars and/or Keith Moon destroying his drums, the shows were expensive! The double album Tommy would change the trajectory of the group and make them superstars of the rock genre.

Pete Townshend was looking for something different when he created this rock opera. He was dissatisfied with the style of rock advanced by The Beatles and The Beach Boys, which was highly produced but not well suiting for live tours. He had experimented with smaller suites on earlier albums, but Tommy was on a completely different level - a double album telling a cohesive story.

Tommy tells the story of a boy left deaf, dumb, and blind after his father, Captain Walker, kills his mother's lover. After many unsuccessful attempts to cure him, he is left neglected and molested by members of his family. Once he grows older, he finds himself unusually gifted with playing pinball. A new doctor correctly identifies Tommy's issues as psychosomatic, and he is eventually cured. He then briefly becomes a leader of a religious movement, using enforced sensory depravation and pinball machines to enlighten his adherents. His strange practices are soon rejected by his followers.

The album would come out in May of 1969, but its first performance was in April, which is why we are featuring it here.

Pinball Wizard
The first single from the album is one of the ban's most famous songs. It tells of the skills of Tommy Walker from the perspective of a pinball champion "a Bally table king" who declares "that deaf, dumb, and blind kid sure plays a mean pinball!" Elton John would perform this song in the 1975 film adaptation of the rock opera.

The Acid Queen
Pete Townshend is on lead vocals for this song. It chronicles Tommy's experience with a gypsy healer who uses LSD to treat his ailments. On the album the song leads into the instrumental "Underture," which represents Tommy's hallucination. Tina Turner plays the Acid Queen in the 1975 film and sings this song.

I'm Free
This song features Roger Daltry on lead vocals, and tells of Tommy's release from blindness and deafness. It also tells of Tommy's rise to spiritual leader as his popularity skyrockets after his cure. Townshend was partly inspired by the Rolling Stones' "Street Fighting Man" when he wrote this one.

We're Not Gonna Take It
The followers ultimately reject Tommy in this final track of the album. It is actually a suite, with movements including "We're Not Gonna Take It," and reprises of "See Me, Feel Me," and "Listening to You." Townshend had originally intended this song to be a critique of politics before it was incorporated into the rock opera.

ENTERTAINMENT TRACK:

“The Brother's Theme” (from the television series “The Smothers Brothers”)
The Smothers Brothers comedy show would go off the air in April 1969 after clashes with the CBS network censors over their portraying of the Vietnam War.

STAFF PICKS:

The Boxer by Simon & Garfunkel
Bruce's staff pick is the most highly produced of the Simon and Garfunkel songs, taking over 100 hours to record, and recorded at multiple locations. The lyrics are about a person struggling with life and loneliness in New York City. The "lie-la-lie" in the chorus was intended to be a placeholder, but became part of the song.

Gimme Gimme Good Lovin' by Crazy Elephant
Rob picked this one out mistakenly thinking it was "Gimme Summa Lovin'," but this one-hit wonder has a good groove. It is considered psychedelic rock, or garage rock. Super K Productions put this band together, and several covers were done, including one by Dusty Springfield.

Traces by Classics IV
Brian's staff pick features a laid back tune as his staff pick. The single came out in January and peaked in April at number 2 on the Billboard Hot 100. It is about lost love, and dealing with it as the years go on. The Classics IV also performed the songs "Stormy" and "Spooky," the latter of which would be covered by the Atlanta Rhythm Section.

Grazing in the Grass by The Friends of Distinction
Harry Elson wrote the lyrics to what had been a #1 instrumental recorded by Hugh Masekela. Wayne's staff pick features The Friends of Distinction, discovered by NFL great Jim Brown. The original members were Floyd Butler, Harry Elston, Jessica Cleaves, and Barbara Jean Love. They had 3 top 40 hits, and this highest charting one was inspired by seeing cattle in pastures from the tour bus.

INSTRUMENTAL TRACK:

Underture by The Who
This instrumental number from the Tommy double album lets us do a little double dipping on the album feature as we close out the podcast with some observations on Keith Moon.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - November: Bob Seger & the Silver Bullet Band “Night Moves” Jun 21, 2021

If Bob Seger sounds like he's experienced it all on his breakout album Night Moves, well, he kind of has. Seger got his start in the music industry in 1961, and this album is his ninth studio album, though the first to credit the Silver Bullet Band on the album cover. Many of the songs reflect on earlier times, successes and failures of the past, with a wistfulness.

Detroit native Robert Clark (aka Bob) Seger's music has been described as roots rock and heartland rock, and there are similarities between the blue collar sensibilities of Seger's music and others like Bruce Springsteen and John Mellencamp. Segar had his first hit back in 1968 with "Ramblin' Gamblin' Man," but didn't follow up with hit singles afterwards. He turned to working with backing bands, touring with Eric Clapton and joining with the Muscle Shoals Rhythm Section (who would play on four of the nine songs on Night Moves). After forming the Silver Bullet Band in 1974 Segar began seeing some interest with singles like "Katmandu" and the release of the album "Live Bullet" just prior to Night Moves. However, Night Moves was the one that put him over the top where he would remain for the rest of the 70's and 80's.

Many of the songs have a theme of remembering the past, including the title track.

Seger completed his "farewell tour" in 2019. However, we still have an incredible catalogue of music available thanks to Bob Segar. We hope you enjoy this trip down memory lane.

Night Moves
Seger says his title track was inspired after watching the 1973 film, “American Graffiti,” and he realized HE had a story to tell about growing up, and an Italian girlfriend he had one summer. “Ain't it strange how the night moves?” The change in seasons forms a metaphor for growing up - being young in the summertime, and looking back "with autumn closin' in."

Rock and Roll Never Forgets
“So you’re a little bit older and a lot less bolder than you used to be…” Seger wrote this at the ripe old age of 31! While only making it to number 41, this tribute to Rock & Roll and Chuck Berry has taken on a timelessness as a classic rock song.

Sunburst
We felt that the intro to this beautiful deep track has a similar sound and feel to “Dear Prudence” from the Beatles. There are two clear movements in the music from soft, to rocking, to soft again. The song discusses an introverted performer on the stage, comparing him to entertainment in the Roman Colosseum.

Main Street
The second single from the album, Seger is again sharing a peek into his life growing up in Ann Arbor, Michigan. Anne Street was right off Main Street, and there was the pool hall and dancing girls with R&B bands playing on the weekends.

ENTERTAINMENT TRACK:

Theme from the television series “The Muppet Show”)
This variety show would draw in a number of A-list celebrities for an evening of entertainment with Kermit, Fozzie Bear, Miss Piggy, and the rest of the Muppets.

STAFF PICKS:

Tonight's The Night (Gonna Be Alright) by Rod Stewart
Brian features a seduction song from Rod Stewart, and it was actually banned by the BBC for the line "spread your wings and let me come inside." Public demand eventually caused the ban to be lifted, and the song went to number 1 on both the UK and the US shortly thereafter.

Jeans On by David Dundas
Wayne brings us a song by British musician and actor David Dundas. It was first featured as a television advertising jingle for Brutus Jeans, and the popularity of the commercial led to the recording of "Jeans On" as a full length song. "It's the weekend, and I know that you're free so pull on your jeans and come on out with me."

Nights Are Forever Without You by England Dan and John Ford Coley
Bruce's staff pick is from Texas duo Dan Wayland (aka England Dan) Seals and John Edward (aka John Ford) Coley. They originally had a hit with "I'd Really Love to See You Tonight," which was written by Parker McGee who also wrote "Nights Are Forever Without You." Dan Seals would go on to a country career in the 1980's, scoring 11 number one country hits including "Meet Me In Montana."

Blinded By The Light by Manfred Mann's Earth Band
Rob brings us this hit originally written by Bruce Springsteen, but finding fame through Manfred Mann’s Earth Band. Manfred Mann changed the lyrics slightly, and Springsteen has joked about confusion over the lyrics, claiming that “it was not until Manfred Mann rewrote the song to be about a feminine hygiene product that it became popular.” This version hit number 1 on the Billboard Hot 100.

INSTRUMENTAL TRACK:

Theme to the motion picture Carrie
Nothing like finishing out the podcast on a scary note! The motion picture "Carrie" was released in November 1976.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - February: Berlin “Pleasure Victim” Jun 14, 2021

Despite the fact that Berlin would be considered the standard for early 80's European new wave, the band actually originated in the Los Angeles area. The band had no actual connections with Berlin, but chose the name to make them seem more European and exotic than their own Orange County. Pleasure Victim is Berlin's second studio album and the one that was their breakout success.

The group was formed after lead singer Terri Nunn put an advertisement in a musicians magazine that read, “Girl singer looking for a weird rock group.” The other members of the band for this album were John Crawford (bass, synthesizer, vocals, and primary songwriter), David Diamond (synthesizer, guitar, vocals), Daniel Van Patten (percussion), Chris Ruiz-Velasco (guitar), and Ric Olsen (guitar). Ron Learned plays drums on the opening track for the album.

Berlin reveled in controversy, being banned on several radio stations for the lyrics from their second single, "Sex (I'm A...)" and reaping the benefits of the publicity that ensued. Rumors about Nunn's underage appearance in Penthouse also boosted the bands notoriety (the rumors were eventually confirmed).

Terri Nunn had a career as an actress before joining Berlin, and briefly left the group to continue acting. She auditioned for the part as Princess Leia in "Star Wars" in 1976, losing out to Carrie Fisher for that role.

Berlin was influenced by groups like Fleetwood Mac, Jefferson Airplane and David Bowie, and their synth-driven new wave sound is a time stamped icon of the early 80's.

Pleasure Victim
The synth-driven title track was the first single released from the album. The song is about a woman who has finally found the person she wants. “You're the passion in me. You've broken down the system. You're the vision I see - a pleasure victim.”

Sex (I'm A...)
This song is the second single released, and the one that really propelled the group's success. Although many radio stations banned the song, it was a staple of dance clubs everywhere. The song describes a variety of sexual role-playing the woman undertakes. Crawford and Nunn sing this as a duet.

Masquerade
This track is a deeper cut, but still gets some airplay on 80's oriented radio. You really get a sense of Terri Nunn's vocal quality in this tune. The song itself tells of the travails of the singers and bands trying to make it in the music industry.

The Metro
The third single from the album was a big hit on both radio and MTV. John Crawford wrote this song about a reverie on a Paris metro after a breakup.

ENTERTAINMENT TRACK:

“Ain't Nobody's Business” by B.B. King (from the motion picture “The King of Comedy”)
This movie was a satirical comedy, but was a flop. However, it produced a great blues cover from King.

STAFF PICKS:

Dirty Laundry by Don Henley
Brian's staff pick features former Eagles drummer and vocalist Don Henley on his debut solo album after the Eagles had broken up (or as we would learn in the 90's, took a 14-year vacation). It is a scathing indictment of the media. “Well, I could've been an actor, but I wound up here. I just have to look good, I don't have to be clear. Come and whisper in my ear. We love dirty laundry.”

Der Kommisar by After the Fire
Rob brings us a cover of a song originally recorded by Falco in German. After the Fire was started by Yes keyboardist Peter Banks, and evolved from a prog rock band to a new wave outfit. The song lyrics have a spy theme, chronicling a couple trying to avoid the police. The repeating German line translates to “Everything OK, Officer?” This single US hit became a hit after the band had disbanded.

What About Me by Moving Pictures
Bruce's staff pick features a group popular in Australia which was essentially a one-hit wonder in the States. Songwriter Garry Frost was inspired to write the song when he was working with autistic children in his day job, and watched a small boy not being noticed waiting at the lunch counter one day on his lunch break.

Forever Now by The Psychedelic Furs
Wayne's wraps up our staff picks with a fast paced and much deeper piece from a “second British Invasion” group. It is about being in the moment and not wanting the time to end - "Let it stay forever now." Todd Rundgren was producer and a guest musician on this album, and the "wall of sound" approach has Rundgren's imprint.

INSTRUMENTAL TRACK:

(Anesthesia) - Pulling Teeth by Metallica
A surprisingly early instrumental by the band that would come to define thrash metal in the years to come closes out this episode. This is off Metallica's debut album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - June: Tom Jones “Along Came Jones” Jun 07, 2021

This week we introduce you to the debut album from a 24 year-old lad from Wales. Thomas John Woodward - today Sir Thomas John Woodward - is better known as Tom Jones. He got his start as the front man for a beat group called Tommy Scott and the Senators, but they really didn't go anywhere beyond South Wales. Gordo Mills became his manager, took him to London, and renamed him Tom Jones after the Academy Award winning film of the same name released in 1963.

Jones' first hit would be the one for which he is always remembered. "It's Not Unusual" went to number 1 in the UK within a month of its release, and it went to number 10 on the Billboard Hot 100 when released in America. Mills and Les Reed worked quickely with Jones to get an album out to take advantage of the quick success, and the result is this album - Along Came Jones. Jones would have only moderate success with the rest of the songs on the album, but would see more fame when he recorded songs from movies, including "What's New Pussycat," by Burt Bacharach, and the theme song to the James Bond film "Thunderball."

Tom Jones is synonymous with Las Vegas, and he spend a good bit of time there almost from the beginning. His first stint was at the Flamingo in 1967. He made a lot of money in club performances in Vegas rather than in extensive recording. After moderate success with his first few albums, Mills directed Jones more in the direction of the crooner we know today.

We hope you enjoy this early foray into this iconic singer.

I've Got A Heart
This is the opening track on the album, and a very positive song. The boy is singing about having "a heart that really needs somebody, " and "a mind to keep her, to hold her tight, oh yeah, yeah, yeah." Not the most sophisticated lyrics you will encounter, but it is early in the rock era after all..

Whatcha Gonna Do
The album was a mix of cover songs and songs written for Jones, and this is one of the covers. Originally written by American blues and rock singer Chuck Willis, it cautions against running around on your girl.

The Rose
Gordon Mills wrote this song for Jones. It is basically the knights errand to win his love by finding the rose of love. "For my true love I yearn, but I'll never, ever return till I find where that red lady grows."

It's Not Unusual
This is where it all started for Tom Jones. Gordon Mills and Les Reed wrote this song which was released in February 1965, and it entered the charts the week it was released. It was number 1 on the UK charts a month later, and would define Tom Jones' career.

ENTERTAINMENT TRACK:

What's New Pussycat? by Burt Bacharach (from the motion picture What's New Pussycat?)
Woody Allen's first screenplay would become this comedy film. Peter Sellers and Peter O'Toole starred in this movie. Tom Jones would achieve success from singing this song for the soundtrack as well.

STAFF PICKS:

I'll Keep Holding On by The Marvelettes
Rob starts off our staff picks with this female Motown act. They were the first successful Motown act after The Miracles. This song was written by Mickey Stevenson and Ivy Jo Hunter, and peaked at number 34 on the Billboard Hot 100. The original members were Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart Motley, and Wanda Young. Young is on lead for this one.

Help Me Rhonda by The Beach Boys
Brian brings us a well known surfing standard and rebound song. This song has guitarist Al Jardine on lead vocals, and Glen Campbell was playing lead guitar as a session musician. Darryl Dragon (aka The Captain from Captain & Tennille ) is also playing on this track.

Take a Heart by The Sorrows
Wayne's staff pick is the title track off the debut album from “Freakbeat” band The Sorrows. One of the most aggressive R&B bands of their time, The Sorrows were known for their fast guitar solos and thudding drums. They never achieved much success, perhaps because their style of music was just ahead of its time. The song itself cautions against breaking hearts and turnabout.

Feeling Good by Nina Simone
Bruce's staff pick is a song from Broadway recorded by Nina Simone in 1965. It was not released as a single at the time, but has seen a resurgence recently in period pieces and commercials.

INSTRUMENTAL TRACK:

No Matter What Shape (Your Stomach's In) by the T-Bones
This instrumental drew its inspiration from an Alka-Seltzer commercial and was recorded by Dave Pell and members of The Wrecking Crew.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - May: Peter Frampton “Frampton Comes Alive” May 31, 2021

When you think of the greatest live albums of all time, the one at - or very near - the top of the list will be Frampton Comes Alive!, the double album that was the best selling album of 1976, and Rolling Stone magazine's choice for "Album of the Year." While Peter Frampton was well known in rock circles for his guitar work and his previous stints with Humble Pie and the Herd, his solo work was catapulted into the stratosphere with this live album.

Much of the album was recorded in the summer and fall of 1975 at Winterland in San Francisco and the Long Island area of New York. In addition to Peter Frampton on lead vocals, guitar and "talk box," musicians included Bob Mayo on rhythm guitar, keyboards, and vocals; Stanley Sheldon on bass and vocals; and John Siomos on drums.

Frampton left Humble Pie in 1971 when the group began to move towards a harder sound that didn't fit his style. After many years and four studio albums as a soloist, Peter Frampton has achieved some modest success. However, Frampton Comes Alive would change all that, not only by being the best selling album of 1976, but having so much staying power that it would be the 14th best selling album of 1977. It would also result in an invitation for Frampton and manager Dee Anthony to President Gerald Ford's White House at the insistence of Steven Ford, the President's son.

Something's Happening
This track leads off the album. It originally appeared on his third studio album, also entitled "Something's Happening." The energy of the album is obvious from the introduction on through, and the album does an excellent job balancing both the musical quality and the energy of the crowd.

Doobie Wah
Also originally on his third studio album, this tune feels a lot like the Doobie Brothers. This deeper cut is a funky jam. "Do what everybody says is wrong, I don't believe nobody takes too long. Changing your mind, well now, let me up. I don't believe that kind would drink my cup."

Show Me the Way
Now, this one has received considerable air play, and you can hear a little of Frampton's "talk box" in it. It is the first single released from the album. The lyrics are a man seeking guidance like a drowning person seeking a life preserver.

Baby, I Love Your Way
Another popular cut from the album, this romantic cut features acoustic guitars and a mellow keyboard part. The lyrics describe a man wanting to spend every moment with his love. This song has been successfully covered by Will to Power and Big Mountain.

ENTERTAINMENT TRACK:

Get the Funk Out Ma Face The Brothers Johnson (from the motion picture “Mother, Jugs and Speed”
This comedy starred Bill Cosby (Mother), Raquel Welch (Jugs), and Harvey Keitel (Speed) as employees of an ambulance service.

STAFF PICKS:

Takin' It To the Streets by the Doobie Brothers
Bruce starts the staff picks with the first single from the album of the same name. This is the first Doobie Brothers song with Michael McDonald on lead. McDonald wrote the lyrics to this song inspired by a college essay from his sister Maureen, and the lyrics are from the perspective of a person living in poverty in the inner city.

Let Your Love Flow by the Bellamy Brothers
Rob features a country/rock crossover written by Larry Williams in 1975. The Bellamy brothers were session musicians from Tampa, and covered this song after Neil Diamond passed on it. It made number 2 on the adult contemporary charts and number 21 on the country charts. "Let your love flow like the mountain streams."

E.T.I. (Extra Terrestrial Intelligence) by Blue Oyster Cult
Wayne's staff pick rocks out on this tune from BOC's album "Agents of Fortune." The lyrics describe a search for UFO's and extraterrestrials in a stream-of-consciousness style.

Strange Magic by Electric Light Orchestra
Brian's pick finishes off our staff picks with a softer piece from Jeff Lynne and E.L.O. off the album "Face the Music." The song is about a captivating woman in a trippy style with the strings you have come to expect from E.L.O.

INSTRUMENTAL TRACK:

Breezin' by George Benson
George Benson's album of the same name won multiple Grammys and became one of the best selling jazz albums of all time. This instrumental number leads off the album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - December: Cheap Trick “Dream Police” May 24, 2021

Dream Police is the fourth and most successful studio album from Cheap Trick. It hit number 6 on the Billboard 200 Album chart, and was certified platinum only a few months after its release. Robin Zander (lead vocals, rhythm guitar), Rick Nielsen (lead guitar, backing vocals), Tom Petersson (bass, backing vocals), and Bun. E. Carlos (percussion) would get more complex on this album, incorporating orchestration and lengthening the tracks.

Cheap Trick formed in 1973 by Tom Petersson and Rick Nielsen, and this album’s line up is the original members. Dream Police was completed and ready to release in early 1979, but the group decided to delay the release due to the success of their live album “Cheap Trick at Budokan.” Cheap Trick had a big following in Japan, and that energy really shows on the live album.

Cheap Trick has a feel somewhere between new wave and rock, and their hits are spread out fairly evenly on their albums. In this case, there are two hits, the title track and "Voices," and the rest of the album would be deeper cuts. This makes this album an enjoyable one to hear from start to finish.

Cheap Trick was inducted into the Rock and Roll Hall of Fame in 2016.

Dream Police
The title track and lead song off the album reached the top 30 on the charts, all the way to number 26. Songwriter and guitarist Rick Nielsen describes the song as part "Big Brother is watching you" and part trying to capture a deep thought from R.E.M. sleep.

Way of the World
One of the more orchestral tracks, this song was co-written by Zander and Nielsen. It was released as a single, but didn't get much airplay. The orchestration reminded all of us of E.L.O.

I'll Be With You Tonight
A deep track off the album, this song was co-written by the entire band. It has a classic "Cheap Trick" feel to it, that you would recognize as the band even if you hadn't heard it before.

Voices
This song was the second single released from the album in December, and reached number 32. When it was originally recorded, bassist Tom Petersson sang lead, but it was re-recorded for the album with Robin Zander on lead. Many vocals are layered in on this track, and session guitarist and Toto band member Steve Lukather plays on this track.

ENTERTAINMENT TRACK:

Rainbow Connection by Kermit (from the motion picture “The Muppet Movie”)
Kermit, Fozzie Bear, Miss Piggy, and the rest of the Muppets made their big screen debut with this hit movie.

STAFF PICKS:

This Is It by Kenny Loggins
Bruce's staff pick moved from a love song to a more spiritual thing when Loggins' father faced a serious health issue. Loggins' lyrics reflected a person who is suffering through pain, looking for a miracle, and needs to "stand up and fight." Michael McDonald co-wrote the song and his distinctive voice is easy to pick up as backing vocals. It reached number 11 on the Billboard Hot 100 and won a Grammy Award.

An American Dream (featuring Linda Ronstadt) by the Dirt Band
Wayne features the group formerly known as the Nitty Gritty Dirt Band, dealing with the issue of wanting to go to Jamaica and not having the money to live so richly. Rodney Crowell originally wrote this song in 1978, and The Dirt Band would take it to number 13 on the Billboard Hot 100 as a cover.

We Don't Talk by Cliff Richard
Brian's staff pick is a synth-heavy breakup song from UK superstar Cliff Richard. Richard became a Christian in the 60's, and releases a Christmas song every December which is usually a top 20 song in the UK. This is Richard's biggest selling song globally.

Tusk by Fleetwood Mac
Rob brings us the title track from Fleetwood Mac's follow-up to the highly successful Rumors album. This song is famous for utilizing the USC Trojan marching band, setting a record for the most number of musicians performing on a single.

COMEDY TRACK:

Money by The Flying Lizards
This spoken word novelty song picks up where the Beatles left off on this Motown song.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - March: The Standells “The Live Ones” May 17, 2021

The Standells were a Los Angeles garage band formed in the early 60's, often referred to as an early punk band. The lineup was Larry Tamblyn on organ and vocals, Tony Valentino on guitar, Gary Lane on bass, and former Mouseketeer Dick Dodd on drums and lead vocals. The name came from Tamblyn and Valentino, and referenced their standing around booking agents, trying to get a job.

The group made use of their Los Angeles roots by appearing in several low budget films in the 1960's including “Get Yourself a College Girl” in 1964 and the cult classic “Riot on Sunset Strip” in 1967. They also appeared on the television series “The Munsters” as themselves in the episode “Far Out Munster.” They also appeared on The Bing Crosby Show under a pseudonym “The Love Bugs.”

The Live Ones EP was recorded in March 1966, and showcases both the sound and the attitude of The Standells. The songs are short like most songs of the era, and make extensive use of the organ in the music.

The Standells big hit was “Dirty Water,” a reference to Boston Harbor and Charles River which was notorious for its pollution at the time. Their first major gig was at The Oasis in Honolulu, which may explain the surfer influence. In 1966, The Standells toured with The Rolling Stones.

The Standells continue to perform today, though the lineup has changed over time.

Mr. Nobody
This song is about a guy hitting on the author's girlfriend. He isn't having any of it. “So you can take your fancy car and drive away real far. The world is full of nobodies like you are.”

Why Pick On Me?
If you've ever been attracted to a flirtatious girl who is there one moment and gone the next, you can identify with this tune. The lyrics that bring it home are, “candy kisses don't mean a thing if only flies those kisses bring.”

Sometimes Good Guys Don't Wear White
This track references the contrast between blue collar workers and white collar workers. When white collar workers thumb their nose at blue collar workers, sometimes the good guy isn't the one wearing white! “Everyday I work Hard. At night I spend restless time. Those rich kids and all their lazy money, they can't hold a candle to mine.”

Gloria
The Standells covered this garage band standard by Van Morrison and his band Them. Many bands covered this song, perhaps the most popular of these covers was done by The Doors.

ENTERTAINMENT TRACK:

“Born Free” by Matt Monro (Main Theme to the motion picture “Born Free”)
This movie was released in March 1966, and told the tale of a couple who raised a lion cub and released it back into the wild.

STAFF PICKS:

Batman by Jan and Dean
Rob starts our staff picks with a cover from the campy cult classic superhero show of the 60's. A number of groups covered the song from the television show. Jan and Dean were football players who met while singing in the shower after practice and decided to form a band. They had a number of surfer inspired hits at the time.

I Fought The Law by The Bobby Fuller Four
Bruce's staff pick is a song covered by The Clash in 1978. The Bobby Fuller Four had success covering this song in 1966, but the original goes back to 1959 when Sonny Curtis recorded it with the Crickets after he took the place of the late Buddy Holly. Just six months after the song hit the charts, Bobby Fuller was found dead from asphyxiation in his mother's car. The death was ruled a suicide, but many believe he was murdered.

The Ballad of the Green Berets by Staff Sargent Barry Sadler
Brian's staff pick is a positive, popular patriotic song. This would prove an unusual popular song as the protest song became more entrenched in rock music. This was the number 1 song of 1966. Barry Sadler released an album by the end of the year, though none of his other songs would prove as popular.

I Spy (for the FBI) by Jamo Thomas
Wayne's closes out our staff picks this week with a Chicago group taking a Motown feel. It peaked at number 98 in the US, though it did slightly better in the UK.

INSTRUMENTAL TRACK:

Hi Heel Sneaker by the Ramsey Lewis Trio
We close out this episode with a jazzy number from Chicago-based Ramsey Lewis.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - May: Dire Straits “Brothers In Arms” May 10, 2021

Although they had been steadily growing in popularity since their debut in the mid-70's, Dire Straits would become a household name with their fifth studio album, Brothers In Arms. Between the catchy hooks accessible on both rock and adult contemporary radio, and the video-driven appeal of the group on MTV, DIre Strats became an arena group in 1985.

This album found Dire Straits composed of John Illsley on bass, Terry Williams on drums, Alan Clark on piano and organ, Guy Fletcher on synthesizer, and of course the primary driver, songwriter, and co-producer for the album was Mark Knopfler. Additionally, Jazz drummer Omar Hakim was brought in to re-record much of the percussion work, though Williams remained the drummer for the band.

Knopfler was quite the perfectionist when it came to sound, and this album would be the first to be recorded entirely digitally. It is listed in the Guinness Book of World Records as the first compact disc to sell a million copies.

The success Dire Straits had with this album may have led to the groups undoing. Knopfler was uncomfortable with the fame, thinking that people were coming to the shows for the celebrity rather than the music. The group would take a hiatus following the "Brothers In Arms" tour, and would produce one more studio album before disbanding. Knopfler would go on to produce solo work as well as collaborate with other artists including Eric Clapton , Thomas Dolby, and Bob Dylan. Dire Straits was inducted into the Rock and Roll Hall of Fame in 2018.

So Far Away
This is the opening track on the album and the lead single in the UK, released in April of 1985, ahead of the album. It would be the third single in the US where it hit number 9 on the Billboard Hot 100. It is about carrying on a long-distance relationship.

Your Latest Trick
A melancholy deep cut, this song features Randy Brecker on trumpet and Michael Brecker on saxophone. It is clearly referencing prostitution, but it has a feel of loneliness and emptiness. Some say it is about a relationship and some say it is about society in general. The night is over, everyone is going home, and the guy is left alone wondering what happened.

One World
Another deep cut, and more blues-oriented. "Can't get no remedy on my TV, it's nothing but the same old news. Well, they can't find a way to be one world in harmony. Can't get no antidote for blues." Tony Levin was brought in to play bass on this one.

Walk of Life
This hit almost didn't make the album. Co-producer Neil Dorfsman voted against its being included, but the band outvoted him. It made it to number 7 on the US charts, and was one of their biggest commercial hits in the UK, peaking at number 2 there. It is about the street musicians in London playing standards in the subways.

ENTERTAINMENT TRACK:

This is Not America by Pat Metheny and David Bowie (from the motion picture The Falcon and the Snowman)
This show about American kids turned Soviet spies was in the theaters in February 1985, and this song was on the charts in May.

STAFF PICKS:

Obsession by Animotion
Wayne kicks off our staff picks with a synth pop hit that was a staple of every dance floor in 1985. Animotion covered this song, originally performed by Holly Knight and Michael Des Barres in 1983. The song was developed at first thinking about the obsession of drugs, but it transformed into an obsession with a person when it was done.

Smuggler's Blues by Glenn Frey
Brian's staff pick was well known at the time from Miami Vice. "You be cool for 20 hours and I'll pay you 20 grand." One of the things that made Miami Vice such a popular draw was its use not just of cool actors in Miami, but also using cameos from the music world. Glenn Frey appeared as a smuggler in the episode where "Smuggler's Blues" was played.

Sussudio by Phil Collins
Rob's staff pick is the lead track from Collins' third solo album "No Jacket Required." The drum machine and horns made this a polarizing song, with lots of people loving it and lots hating it. It was a big hit in the summer of 1985, and Phil Collins has mentioned that this song is the one most often sung to him when strangers approach.

Marlene on the Wall by Suzanne Vega
Bruce closes out the staff picks with a song inspired by Marlene Dietrich. Singer songwriter Suzanne Vega heard Dietrich responding to a controversial statement, "You have lead many men to death with your body." with the perfect response, "Give me a kiss." This was the lead track off Vega's debut album, dealing with loneliness and a strained relationship.

INSTRUMENTAL TRACK:

The Lady In My Life by Stanley Jordan
Jazz guitarist Stanley Jordan covers a deep cut from Michael Jackson's Thriller album to close out this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - November: Steely Dan “Aja” May 03, 2021

Quick! Name a song by Steely Dan. Chances are good that the song you picked is off this sixth studio album, the iconic Aja. Steely Dan had already become a successful jazz rock group by this time, but Donald Fagen and Walter Becker created their most successful album by far with this one.

By the time this album was produced, the group had been reduced to the duo who were responsible for the lion's share of the music. Fagen and Becker assembled a large group of session musicians to make this album, including well known vocalists like Michael McDonald of the Doobie Brothers and Timothy B. Schmit of the Eagles.

Donald Fagen has said that the album name was inspired by a high school friend whose Korean wife’s name was Aja.

Many consider this album and Gaucho, the following Steely Dan studio album, to be two of the founding albums to a genre that would become known as yacht rock. However, the heart of this music is undoubtedly jazz.

Black Cow
The album starts with this song which has been interpreted a lot of ways, from a commentary on a troubled relationship to self-doubt, to a track inspired by Thelonious Monk. The song describes a girl sitting at a counter, and a Black Cow is a fountain drink like a Coke float.

Deacon Blues
The opening lines describing the "expanding man" may have been inspired from sci-fi author Alfred Brester's 1950's novel "The Demolished Man." The song itself is about having a name for the nerds and the losers of the world, and compares football powerhouse Alabama and their name as "the Crimson Tide," to the proposed name for the loser. Becker and Fagen considered this song somewhat autobiographical.

Peg
This track features backing vocals from Michael McDonald. The song is about an actress in a photo shoot being promised fame. While some speculated that the song referenced Broadway and Hollywood star Peg Entwistle, Donald Fagen stated that "we just wanted a dotted half note for that spot and Peg was short enough to fit with the music."

Josie
This song finishes off the album and is a bit more influenced by Delta blues than the more jazzy tracks on the album. This may be because the song was written well before the rest of the recordings for Aja. The song tells about a popular girl from a blue collar town, who always creates excitement when she returns to town. Timothy B. Schmit plays bass and is on background vocals for this track.

ENTERTAINMENT TRACK:

“The Lonely Man” - theme from the television series “The Incredible Hulk”
Long before the MCU, we were introduced to David Banner in this weekly show, who struggled to escape the curse of turning into the Hulk when he became angry. Bill Bixby played David Banner, and Lou Ferrigno became famous as the green-muscled Hulk.

STAFF PICKS:

“Free 'n' Easy” by Uriah Heep
Wayne's rocking staff pick highlights an underrated prog rock/heavy metal group. This is not a single, but a deep cut off Uriah Heep's eleventh album.

“Baby What a Big Surprise” by Chicago
Rob brings us this well known tune with Peter Cetera taking his turn as lead vocalist of Chicago. Cetera was attempting to repeat the success of "If You Leave Me Now" with this song. Interestingly, this song is the only one on the album Chicago XI to feature Cetera on lead vocals.

“I Know a Little” by Lynyrd Skynyrd
Bruce's staff pick was written by guitarist Steve Gaines, and features his talented picking. This song is off the last Skynyrd album before the plane crash that killed several band members including front man Ronnie Van Zant and Steve Gaines. Gaines had just joined the band, so this would be his first and last studio album as a member of Lynyrd Skynyrd.

“Cold As Ice” by Foreigner
Brian's pick is a great tragic song about a materialistic woman who will some day face the consequences of her selfish ways. This is off Foreigner's debut and self-titled album.

INSTRUMENTAL TRACK:

“The Entertainer” by Scott Joplin
Billy Dee Williams starred in the biographical film "Scott Joplin," which was released in November 1977.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 - October: Red Hot Chili Peppers “Blood Sugar Sex Magik” Apr 26, 2021

Today the Red Hot Chili Peppers are a well known by all as one of the alternative rock founders, and that fame began with Blood Sugar Sex Magik, their fifth studio album. This was the first album created under their new Warner Brothers label, and was recorded at the Houdini mansion in Los Angeles. Front man Anthony Kiedis, guitarist John Frusciante, and bassist Flea moved into the former house of Harry Houdini for the duration of the recording session, but drummer Chad Smith did not. Kiedis claims that Smith wouldn't stay in the house because he thought it was haunted, through Smith denies this.

Flea and Kiedis met in high school during a brawl, and eventually decided to form a band. The original lineup consisted of Hillel Slovak on guitar and Jack Irons on drums. Slovak died of a drug overdose after the group's third album, replaced by Frusciante. Irons left the group in reaction to Slovak's death, not wanting to be in a group where his friends were dying. Irons would be replaced by Chad Smith. Unfortunately, drug use and abuse would plague the group long after Slovak's overdose.

The band's fourth album entitled Mother's Milk would become a success, with the single cover of Stevie Wonder's “Higher Ground” leading to mainstream interest.

While Blood Sugar Sex Magik was the start of mainstream popularity for the Red Hot Chili Peppers, it would mark the end for guitarist John Frusciante. Frusciante enjoyed being in the underground music scene, and hated the popularity the group was experiencing. He left the group in 1992 in the middle of their world tour. Frusciante would eventually rejoin the group in 1998.

Under the Bridge
This is the track that put the Red Hot Chili Peppers on the mainstream map. Anthony Kiedis wrote this song about the hopelessness and loneliness he felt as a result of dependence on narcotics. He was reluctant to share the lyrics with the group, because he didn't think it fit well with the rest of their repertoire. However, the group took it in and it became a big breakthrough hit for them.

Give It Away
The first single from the album originated in an ongoing jam session between John Frusciante and bassist Flea. The lyrics were inspired by selflessness that Kiedis observed from his girlfriend when she gave away clothes in her closet that Kiedis liked. The idea of giving things away was new to him, as he expected from his upbringing that you had to take what you wanted, because no one would give it to you.

If You Have to Ask
This is a deeper cut from the album, with a funky guitar intro and stream-of-consciousness rap lyrics.

Breaking the Girl
The fourth single from the album was inspired by the turbulent relationship between Anthony Kiedis and his former girlfriend, Carmen Hawk. Frusciante wrote the music under inspiration from Led Zeppelin's "The Battle of Evermore." The video features a cameo by River Phoenix, and features guitarist Arik Marshall on guitar. Marshall briefly replaced Frusciante, though he did not play on the track itself.

ENTERTAINMENT TRACK:

Theme from the animated television series “X-Men”
The animated series for Marvel's X-Men premiered in October of 1991, ushering in a new era of superhero cartoons.

STAFF PICKS:

Rush by Big Audio Dynamite II
Wayne starts the staff picks with the second iteration of a group headed by Mick Jones of The Clash after leaving that group. The song mixes disparate styles and samples, including The Who's "Baba O'Riley." "Somehow I stayed thin while other guys got fat."

Dreamline by Rush
Bruce's staff pick is the lead track from Rush's Roll the Bones. Dreamline is about being young and ready to test your mettle against the world, "learning that we're only immortal for a limited time."

Shiny Happy People by R.E.M.
Brian features Athens, Georgia's favorite sons playing a piece inspired by a line from Chinese propaganda posters, “shiny happy people holding hands.” It was used ironically, as this was only two years after the Tiananmen Square crackdown in which hundreds were killed. Kate Pierce of the B-52's, another Athens band, joins for the female vocals.

Hole Hearted by Extreme
Rob finishes out the staff picks with an acoustic driven song with great harmonies off the fourth single from Exreme's Pornograffiti. Nuno Bettencourt wrote this - on the toilet - when he got his first 12-string. Led Zeppelin's third album was an inspiration.

INSTRUMENTAL TRACK:

Wham! by Stevie Ray Vaughan and Double Trouble
This blues instrumental is off "The Sky Is Crying," a compilation of songs released in November of 1991 after the death of Stevie Ray Vaughan.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - November: Tom Petty and the Heartbreakers “Damn the Torpedoes” Apr 19, 2021

Damn the Torpedoes is the third studio album by Tom Petty and the Heartbreakers, and is the album where the group truly broke out into serious commercial success. They had done well with their first album, with "Breakdown" breaking into the top 40, and "American Girl" receiving some air play. But this album took the group to a different level. Damn the Torpedoes was their first top 10 album, peaking at number 2 on the Billboard album charts for 7 weeks. They were unfortunately kept out of the number 1 slot by the release of Pink Floyd's The Wall.

Tom Petty and the Heartbreakers are Mike Campbell on guitars and keyboards, Benmont Tench on keyboards and backing vocals, Ron Blair on bass, Stan Lynch on drums and backing vocals, and of course Tom Petty on lead, rhythm guitar, and harmonica. Petty also produced the album.

Damn the Torpedoes takes its name from Admiral Farragut's famous Civil War quote, but also reflects an attitude that the band was feeling. At the time ABC Records was their distributor and assigned the contract to MCA. Petty said that they couldn't assign the contract without permission. MCA sued, and Petty declared bankruptcy as a strategic move to keep MCA at bay. They finally settled by signing a new contract with Backstreet Records, which was an MCA subsidiary.

The times were good for Petty's style of throwback rock and roll. Disco was quite commercial and beginning to wane, and New Wave was just beginning its run. MTV would also be a couple of years in the future. The rock world was starved of solid rock and roll, and Petty was ready to step into the void with tight, radio-friendly singles

We think this album is a winner, but as you know, even the losers get lucky sometimes!

Refugee
This is the second single from the album, released in January 1980. It went to number 15 on the Billboard Hot 100. Petty and Mike Campbell wrote this, and it was one of the first songs Campbell wrote. The song reflects the band's reaction to the pressures of the music business, and the struggle they had with MCA.

What Are You Doin' In My Life?
A deeper cut, this track is about a stalker girl that the guy can't make go away. "Well, you're the last woman in the world that thrills me. Now you got my girlfriend trying to kill me. Honey, my friends think that I've gone crazy. Can't you figure out that you ain't my baby?"

Even The Losers
Believe it or not, this was not released as a single on the album outside of Australia. There's a story behind this song. Petty had a crush on a girl named Cindy in junior high school. Years later in Gainesville, Florida, he hooked up with Cindy. The next morning, Cindy told him their relationship consisted of only that night. During that night, Petty realized that he needed to be in a rock and roll band, and this song sums up that night.

Don't Do Me Like That
This is the first single from the album. Petty wrote the song back in 1974 with a band called Mudcrutch. This was Petty's first top 10 hit, reaching number 10 on the Billboard Hot 100. The singer relays the story of a friend who got his heart broken, and asks that his girlfriend not do the same. I really like the sound of the organ on this piece.

ENTERTAINMENT TRACK:

The Rose by Bette Midler (Main Theme from the motion picture The Rose)
The song was a huge hit for Midler. She played the main character, Mary Rose Foster, in this movie loosely based on the life of Janis Joplin.

STAFF PICKS:

You're Only Lonely by JD Souther
Rob starts off the staff picks with a track from Detroit born, Amarillo raised JD Souther. His former roommate, Glenn Frey, sings backup on this song, along with Phil Everly and Jackson Browne. JD Souther co-wrote a number of songs for the Eagles, which explains why this song may have a bit of an Eagles sound to it.

Driver's Seat by Sniff N' The Tears
Wayne's brings us a one hit wonder. It maintains a simple chord structure throughout, but builds in intensity as the song progresses. Although we think of it as a driving song, the lyrics are really about disjointed feelings following a breakup, and not understanding how things would be over with someone you had been with so long.

Good Girls Don't by The Knack
Brian's staff pick was the follow-up to the massive hit "My Sharona." Lead man Doug Fieger wrote this song in 1972, but couldn't get anyone to pick it up at the time. He hated it by the time The Knack tried it, and they got it right in one take.

Jane by Jefferson Starship
Bruce brings us a hit from Jefferson Starship while Georgia native Mickey Thomas was front man. It peaked at number 14 on the Billboard Hot 100. Bassist David Freiberg wrote the lyrics (along with Jim McPherson) inspired by an old girlfriend.

INSTRUMENTAL TRACK:

Is There Anybody Out There by Pink Floyd
When The Wall kept Damn the Torpedoes stuck at number two, Tom Petty told Westwood One, "I love Pink Floyd but I hated them that year."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - March: Nazareth “Hair of the Dog” Apr 12, 2021

Scottish band Nazareth finally found international success with their sixth studio album, Hair of the Dog. This album featured the well known (but often mislabeled) title track as well as an unusual but highly popular cover of the Everly Brothers song “Love Hurts.”

Nazareth was originally formed in 1968 from the remaining members of a group called the Shadettes. They took the name Nazareth from the town of Nazareth, Pennsylvania. The classic rock song "The Weight" by The Band names this town in it's first lines, "I pulled into Nazareth, was feelin' about half past dead..." The band members were Darrell Sweet on drums, Pete Agnew on bass, Manny Charlton on guitar and synthesizer, and Dan McCafferty on vocals. They moved to London in 1970 and slowly built success over their first five studio albums and opening on tour for acts like Deep Purple.

Although their success was building, Hair of the Dog was simply at a different level that gave the group the appearance of overnight success. The album has a raw feel and attitude. It was the first one produced by Manny Charlton, who would later produce the iconic album "Appetite for Destruction" for Guns N Roses.

Nazareth continues to tour today, though Peter Agnew is the remaining original member. Darrel Sweet died in 1999 of a heart attack while on tour. Manny Charlton left the group in the 80's to focus on producing. Front man Dan McCafferty retired in 2013 for health reasons.

Folks, this is straight up mid-70's rock. Enjoy!

Love Hurts
A surprising choice for a 70's rock band, this Everly Brothers cover was quite good, and was Nazareth's biggest hit, entering the top 10 in ten countries. Somehow Nazareth tapped a raw emotion in this song, and Dan McCafferty's choice to sing it an octave higher contributes to that. Perhaps it was a precursor to the hair ballads that were to come in the 80's.

Rose in the Heather
This deeper cut is a lower tempo instrumental that finishes off "Beggars Day" on side two, written by Nils Lofgren, a member of the E. Street Band.

Whiskey Drinkin' Woman
This is where this Scottish band takes inspiration from Southern Rock, and pulls it off well. The song tells a story of blues, where a man is in love with an alcoholic and doesn't know what to do. "That whiskey drinkin' woman is makin' a poor man out of me."

Hair of the Dog
An iconic track, complete with talking guitar and more cowbell! This song is often assumed to be entitled "Son of a B***h," but the record label knew that no song with that title would sell in Sears and other stores. The name chosen was a play on words, as it was originally spelled "Heir of the Dog."

ENTERTAINMENT TRACK:

The theme from the television series “Gunsmoke”
This long running western finished it's television run in March 1975. It began as a radio series in 1952 and the television series began in 1955, making it one of the longest running TV series in history.

STAFF PICKS:

How Long by Ace
Rob's staff pick has a distinctive bass opening, and is the debut single by Ace. It might seem like a story of infidelity in relationships, but Ace's bass player Terry "Tex" Comer was found to be secretly playing for two other bands. This is a favorite song for Phil Collins. Lead singer Paul Carrack would have a further connection with Genesis when he joined Genesis guitarist Mike Rutherford in the band Mike and the Mechanics.

Roll on Down the Highway by Bachman Turner Overdrive
Bruce's staff pick channels the popularity of truckers and trucking in the mid 70's. Fred Turner and Robbie Bachman wrote the song. Randy Bachman had been contracted by Ford to do music for a commercial, but they didn't take the jingle. The band worked it into a full song.

Fire by the Ohio Players
Brian cranks up the funk with this Billboard number 1 hit. Leroy "Sugarfoot" Bonner wrote the lyrics about a woman so hit she's starting a fire. Stevie Wonder heard an early demo of the song and predicted it would be a hit.

Long Tall Glasses by Leo Sayer
Wayne finishes off the staff picks with a song about a hobo looking for a meal in a fancy restaurant. When he sits down, "then somebody grabbed me, threw me out of my chair, said 'before you can eat, you gotta dance like Fred Astaire.'"

INSTRUMENTAL TRACK:

Constipated Duck by Jeff Beck
The guitar virtuoso Jeff Beck closes us out this week with an interestingly-named instrumental piece from his album Blow by Blow.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 - November: U2 "Achtung Baby" Apr 05, 2021

If "The Joshua Tree" was the album that propelled Irish band U2 to the stratosphere of rock success, Achtung Baby was the album that would cement them in that status permanently. The band was coming off mixed success with their hybrid live/studio album "Rattle and Hum," and were struggling directionally. The band felt that they were not prepared for the success they had received, or as drummer Larry Mullin, Jr. put it, "we were the biggest, but we weren't the best.”

Achtung Baby draws its inspiration from German reunification, much like the Joshua Tree and Rattle and Hum drew inspiration from America. U2 began recording in Berlin at Hansa Studios. They arrived just before German reunification. Rather than being inspired by reunification, the band found places gloomy and neglected. Morale continued to falter as they struggled with the direction of the album, and actually considered breaking up. With the encouragement of producer Brian Eno, the band continued on, and recommitted themselves to the group after returning to Dublin during Christmas. Recording was relocated to Dublin in February of 1991.

Musically, the album has a more Eurocentric feel. Bono and the Edge were gravitating to electronica and new sounds while Clayton and Mullin, Jr. preferred sounds more reminiscent of classic rock. The synthesis created a sound that was less "over the top" than previous U2 works, and really opened up the commercial success of the group.

While the sound might be less "over the top," the forthcoming tour called "Zoo TV" was the epitome of "over the top." By this time, U2 was performing not in concert halls, but in stadiums.

This is an album that will definitely get your attention.

Even Better Than the Real Thing
This second track on the album was the fourth single released. The song originated from a guitar riff created during the "Rattle and Hum" sessions. The song is about the instant gratification of commercialism and its effects on society. There's a more "techno" sound in this song, with the guitar delays and the double octaves throughout.

Mysterious Ways
What a great hook at the start of this song! Jesus Jones was an influence on the group at the time, and you can feel it on this track. The song itself is an idealization of women, and the trap of separating them into angels and devils. The video was shot in Morocco and used a belly dancer to portray that "she moves in mysterious ways."

One
This is the song that brought the group back together when they were struggling in their recording sessions in Berlin. The song itself is vaguely about relationships and may have been influenced by the dissolution of the Edge's marriage to Aislinn O'Sullivan.

Until the End of the World
This deeper cut from the album is set in a Biblical setting with Bono singing as Judas in a conversation with Jesus. "We ate the food, we drank the wine. Everybody having a good time except you. You were talking about the end of the world." It was never released as a single.

ENTERTAINMENT TRACK:

Theme from the motion picture “The Addams Family”
The movie based on the 60's television series was released in November.

STAFF PICKS:

“Everything About You” by Ugly Kid Joe
Wayne kicks off the staff picks with a song off the EP Ugly As They Wanna Be. The song describes everything the singer hates. The name of the group is a spoof on the name of the group "Pretty Boy Floyd," and they have been described as the last glam metal band.

“Lies” by EMF
Rob takes us into the British alternative rock scene. This is off EMF's debut album Schubert Dip. EMF takes its name from a fan club of the band New Order called "Epsom Mad Funkers." The album made it to number 3 on the UK charts, though it didn't do as well in the United States.

“The Sky is Crying” by Stevie Ray Vaughan and Double Trouble
Bruce's Brings us a song posthumously released after Vaughan's helicopter crash in 1990. It was originally recorded by Elmore James in 1959, and was performed by The AllmanBrothers Band at Duane Allman's funeral in 1971. Jimmie Vaughan compiled the songs on this album, also called "The Sky is Crying," and all but one song had not been released previously.

“Something to Talk About” by Bonnie Raitt
Brian's pick is Bonnie Raitt's breakout single. Originally written by Shirley Eikhard, the song is about friends in a small town where everyone knows everyone else's business. If everyone is assuming we're a couple, maybe we should give them something to talk about!

INSTRUMENTAL TRACK:

“Where's My Thing” by Rush
This instrumental from Roll the Bones came after several songs started as instrumentals but became perfect for a particular lyric. Finally, drummer and lyricist told the band “You keep promising to do this instrumental, and I'm not giving you any more lyrics until you write this thing.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - June: Night Ranger “Midnight Madness” Mar 29, 2021

Night Ranger was a reliable hit machine in the mid-80's and their second studio album Midnight Madness was the one that solidified this reputation. The group originally started as a trio with Jack Blades on bass, Brad Gillis on guitar, and Kelly Keagy on drums. Keyboardist Alan Fitzgerald came out of the group Montrose to join the band, and he recommended guitarist Jeff Watson. The group was originally called Stereo, then changed their name to Ranger. The name was modified to Night Ranger to avoid a trademark infringement with a country band of the same name.

Night Ranger honed their skills opening for Sammy Hagar (Fitzgerald worked with Hagar in Montrose), Ozzy Osbourne, and ZZ Top. Their popularity began to rise with the release of their first album “Dawn Patrol,” and exposure on MTV, although only one single appeared in the top 40 - “Don't Tell Me You Love Me” peaked at number 40.

Midnight Madness would move the group from opening act to mainstream success with three singles including the massive hit ballad “Sister Christian,” written about Kelly Keagy's sister Christine. “Sister Christian” hit it's peak at number 5 on the Billboard Hot 100 chart, but was actually set to record back during their "Dawn Patrol" studio sessions. Night Ranger held off on recording it at that time, wanting to establish themselves as a rock group rather than a ballad group.

"(You Can Still) Rock in America" peaked at number 51 in June, and that is why we're featuring the album for this month although it came out in October 1983.

Night Ranger has been described as pop metal or glam metal, but it is straightforward 80's rock & roll. One of the things that made Night Ranger unusual is that with their five members they had two lead guitarists, and two lead singers. This may have given Night Ranger a depth of skill that wasn't common in rock groups at the time.

We hope you have fun remembering this rocking group and album!

(You Can Still) Rock in America
This hard rocking anthem would miss the top 40, peaking at 51. The song originated during a tour with Sammy Hagar. The rock magazines were trending towards New Wave, and the covers inspired Jack Blades to write about it. Hey! You can still rock in America!

Why Does Love Have to Change
A deeper track, this song is a good example of their dual lead guitars. Jeff Watson and Brad Gillis both were capable of holding the lead. Brad Gillis' training began with a 12-string, and many of their pieces show a crisp picking style. Gillis is the only Night Ranger member to appear at every Night Ranger live performance.

Let Him Run
Another deep track, this final song on the album is more of a rock ballad with a 12-string feel. It is about letting someone go in a relationship and moving on. "Let him run, let him see what he has done."

When You Close Your Eyes
This fast ballad was a hit at the time, and hearkens back to an early relationship - trying to figure things out. It's wistful but positive at the same thing. The video is classic 80's. "I remember when we learned about love in the back of a Chevrolet, when it felt so good to be young. Feels like yesterday."

ENTERTAINMENT TRACK:

Theme from the motion picture “Ghostbusters” by Ray Parker Jr.
This is the movie where you found out just how dangerous the Stay-Puff Marshmallow Man could be. Don't cross the streams!

STAFF PICKS:

Eyes Without a Face by Billy Idol
Bruce's staff pick starts us off with a hit single inspired by a French horror film from the 1960's. The song itself is about the end of a hopeless love affair. Idol's then-girlfriend Perry Lister sings the French part, "Les yeux sans visage" meaning "eyes without a face."

Oh Sherrie by Steve Perry
Brian features Journey front man Steve Perry with his hit single as a solo artist off the album "Street Talk." The song was written about his then girlfriend, Sherrie Swafford, who also appeared in the music video. Many think the success of Perry's solo project was a foreshadowing of his exit from the band, though he remained in Journey for several years afterward.

Two Tribes by Frankie Goes to Hollywood
Wayne's staff pick was bigger in Europe than America, and bigger than his hit "Relax" on the continent. The song is an anti-war protest, and the video features portrayals of American President Ronald Reagan and Soviet Chairman Konstantin Chernenko in a fight with onlookers gambling on the fight and eventually joining in.

I'll Wait by Van Halen
Rob brings us a fast ballad off the hugely successful album 1984 - the last appearance of Van Halen with David Lee Roth as front man for many years. The song is about getting the girl, and waiting for the right opportunity. An interesting bit of trivia is that Michael McDonald (from the Doobie Bros) collaborated with Van Halen for this track.

INSTRUMENTAL TRACK:

Close (to the Edit) by Art of Noise
New Wave/electronica finishes us out this week. The song takes samples from several Yes song. The Art of Noise had a well known and somewhat controversial video.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - March: Blood, Sweat & Tears “Blood, Sweat & Tears” Mar 22, 2021

Jazz-rock band Blood, Sweat & Tears waited until their second studio album to eponymously name it Blood, Sweat & Tears. This band would defy convention in many ways. It was a large band, boasting nine full-time members, and adding a tenth in trumpet player Alan Rubin for one song. They also played a complex mix of progressive music that would come to be called "jazz-rock." This album would be the first with David Clayton-Thomas on lead vocals, and would spend seven weeks at the top of the album charts. It would also be a critical success, netting the band a Grammy Award for Album of the Year in 1970.

Al Kooper, the original band leader and rock legend, started the group. The sound was inspired by the sound of the Buckinghams and Maynard Ferguson. Kooper left after the second album, and David Clayton-Thomas came in as front man. There were over 100 members in Blood, Sweat & Tears over the years, including Bo Bice of "American Idol" fame. The group name came from a Winston Churchill speech.

Blood, Sweat & Tears was the number 1 album at the time that the Woodstock music festival was held in August of 1969, and at $15,000 they were the highest paid band to appear at Woodstock behind Jimi Hendrix. For some reason, they decided not to get filmed for the gig, and as a result they are not seen in all the documentaries and retrospectives on that historic concert. It is almost as if Blood, Sweat & Tears were erased from history. On top of that, they didn't get their $15,000 at the end of the concert either!

A couple of other factors cause Blood, Sweat & Tears to be overlooked. Their songs tend to be longer during a time when singles were no longer than 3 minutes for radio. They also toured eastern Europe in 1972 to show off rock and roll music, sponsored by the U.S. State Department. The counter culture considered this a sell out, and many of their Vietnam-era protest fans abandoned Blood, Sweat & Tears because of it.

Get ready to ride a painted pony and let the spinnin' wheel spin!

Smiling Phases
This very jazzy track is a cover of a song originally done by Steve Winwood and Traffic. The idea is of the song is that you put a smile on no matter what life throws at you. Keep on smiling and moving forward - don't let the obstacles get you down.

You've Made Me So Very Happy
This well known track peaked at number 2, and is a cover of a Motown song done originally by Brenda Holloway in 1967. They tried to do this song with Al Kooper on their first album, but Kooper's voice wasn't well-adapted to it. They tried it at a live show with David Clayton-Thomas, and it worked.

And When I Die
Another cover that peaked at number 2, this song was written by 17 year-old Laura Nyro and was originally performed by Peter, Paul & Mary. Blood, Sweat & Tears picked up this song when Nyro was dating the bass player. Their cover version went to number 2. It is about recognizing the limited time you have on this earth and making the most of it. That's pretty profound lyrics for a 17 year-old!

Spinning Wheel
The big single of the album was this well known hit, peaking at - you guessed it - number 2. It compares life to riding on a carousel. Things come and things go, "what goes up must come down." Enjoy the ride.

ENTERTAINMENT TRACK:

Main Theme to the television series “Marcus Welby M.D.”
Robert Young of "Father Knows Best" fame would star in this long-running series that would take on several controversies during its 7-year run. The pilot for the series aired in March of 1969.

STAFF PICKS:

Day after Day (It's Slippin' Away) by Shango
Rob starts our staff picks with this calypso one-hit wonder. It is known as a novelty act about how the earthquakes in California will cause the whole coast to slide into the Pacific - "you better get ready to tie up the boat in Idaho!"

Everyday People by Sly & The Family Stone
Brian features a big hit from the fusion group Sly & The Family Stone. Everyone is essentially the same and we need to learn to live together. The group was known for combining musical styles and its members' ethnic diversity during a time of racial tensions.

Time of the Season by The Zombies
Bruce's staff pick was a surprise hit by the group led by keyboardist Rod Argent and vocalist Colin Blunstone. It took about a year to catch on before hitting number 3 on the Billboard Hot 100 in March 1969. It has become sort of a counterculture anthem in pop culture, and is frequently used in Vietnam-era scenes and flashbacks.

Rock Me by Steppenwolf
Wayne's staff pick is a deeper cut, though it hit the charts and peaked at number 10 at the time. Lead singer John Kay wrote this one. It has a deeper meaning as a kind of protest song. Canadian band Steppenwolf was nominated to the Rock & Roll Hall of Fame in 2017, though they didn't make it in.

INSTRUMENTAL TRACK:

Variations On a Theme by Erik Satie (1st Movement) by Blood, Sweat & Tears
We're once again double dipping on our featured album. Blood, Sweat & Tears had a number of instrumental pieces on their albums, and this one is the opening track.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - September: Blues Traveler “four” Mar 15, 2021

Blues Traveler formed as a high school garage band in Princeton, New Jersey in 1987, and their fourth studio album, aptly named four, was their true breakout album.

Blues Traveler is composed of guitarist Chan Kinchla, bassist Bobby Sheehan, drummer Brendan Hill, and front man, harmonica player, and primary songwriter John Popper. Sheehan would die in 1999 and be replaced by Tad Kinchla. The group would add Ben Wilson on keyboards in 2000. This group is hard to define from a genre standpoint, as they have a little prog rock, a little psychedelic, a little funk, and surprisingly for a band originating in New Jersey, a little Southern rock. The name was inspired by a character from the movie "Ghostbusters." They were called Blues Band at the time, and became Blues Traveler after getting the idea from Gozer the Traveler.

The group moved to New York where they shared an apartment with their high school friend Chris Barron. Barron, Popper and Hill were briefly in a band called The Trucking Company. After Popper and Hill left The Trucking Company to focus on Blues Traveler the group changed their name - to the Spin Doctors.

Like the Grateful Dead, Blues Traveler is known as a jam band, and they encourage fans to record their live performances. They also started the H.O.R.D.E. festival (Horizons of Rock Developing Everywhere).

The album four is a great showcase of the talents of this band, and there is a lot of variety in the tracks. We think you'll be "hooked" on this funk/rock/psychedelic jam session.

Hook
This is the second single from the album, and it peaked at number 23 on the Billboard Hot 100. The song is a tongue in cheek critique of the music industry. A "hook" is a riff or phrase in music that becomes a sort of earworm in your mind. The lyrics make the case that the artist can basically sing anything as long as the hook is good. In fact, the chord progression is built on Pachelbel's Cannon in D, one of the oldest music hooks around.

Stand
A funky deep cut, Stand is about making a decision to move forward despite obstacles. Popper wrote this song shortly after a motorcycle accident had him on stage performing in a wheelchair with the band. Despite the difficulty of both being overweight and recovering from injury, John Popper pressed on. By the way, Paul Shaffer of David Letterman Show fame is playing keyboards on this piece.

Look Around
A softer deep cut, this track is about carrying on after setbacks and heartbreak, and not giving up. "If you want peace then live alone. If you want to hide then find a stage. Each a brief but perfect home to accommodate your rage."

Run-Around
This is the big hit from the album. The song is about being stuck in the friend zone, and was inspired by a crush John Popper had on a female bass player who briefly worked with the band. The video is a great parody of "The Wizard of Oz," where Blues Traveler is secretly playing a set behind a curtain while a more photogenic band is on stage.

ENTERTAINMENT TRACK:

Main Theme from the television series The Magic School Bus
The children's educational series featured teacher Ms. Frizzle (voiced by Lily Tomlin)

STAFF PICKS:

Stay (I Missed You) by Lisa Loeb
The movie Reality Bites had a killer soundtrack, and this may be the most famous song from the film. Brian tells about how Lisa Loeb was brought to the film soundtrack by actor Ethan Hawke while she was unsigned to a recording contract.

All I Wanna Do by Sheryl Crow
Rob's staff pick is from Crow's debut album, and this single was on the charts this month. The lyrics originate from a poem called "Fun" by Wyn Cooper. The lyrics chronicle what life might look like from a bar stool, sitting around drinking all day. Sheryl Crow became a celebrity after the release of this album entitled "Tuesday Night Music Club."

Seether by Veruca Salt
Wayne takes the tempo up with this rocking staff pick. Nina Gordon and Louise Post front this alternate rock band, and sing about rage and animalistic instincts that build up over time. "Can't fight the seether, I can't see her till I'm foaming at the mouth."

Lucas With the Lid Off by Lucas
Bruce brings us a track from Danish rapper Lucas Secon built on a tune from Benny Goodman's "When Buddha Smiles," originally penned in 1935. The video was a complex shot done in one continuous take with no edits, cuts, or enhancement.

INSTRUMENTAL TRACK:

L.A. by Widespread Panic
Jam band Widespread Panic takes us out on this podcast with this instrumental track.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - December: The Beatles “The White Album” Mar 08, 2021

By the time the ninth studio album was put out, The Beatles had achieved astounding critical and popular success. Their only double-album was self-titled. However it has become known as The White Album because, unlike the color and art of the prior Sargent Peppers album, this one was entirely without color, white, with simply the name "The Beatles" on the cover. Much of the songs on the album were created while the band was on a Transcendental Meditation retreat in India, and that influence can be felt in the scaled down, often acoustic feel of the songs.

The band was also beginning to fragment, and arguments or hurt feelings would cause some of the songs to be recorded by just part of the group. Yoko Ono would become a constant presence with Lennon in the studio, contributing to the tension.

Despite the iconic status the album achieved virtually from its release, there were still detractors. Some criticized songs like ”Back in the U.S.S.R.” to be too sympathetic of communism and accused the group of trying to brainwash American youth. Those on the left found the non-activist message of songs like “Revolution” to be a betrayal of leftist ideology during a period of intense social upheaval. And perhaps most famously, Charles Manson claimed inspiration for his violence in many songs from the album.

Today, The White Album is rightfully considered one of the greatest albums of the rock era. We hope this podcast will encourage you to explore the album more fully.

Back In the U.S.S.R.
Mike Love of The Beach Boys was one of the participants in the Transcendental Meditation retreat. McCartney was encouraged by Mike Love to create a Soviet version of "California Girls." with this song. The name of the song was inspired by Chuck Berry's "Back In The U.S.A." McCartney plays drums on this single, as Ringo Starr briefly quit during this time.

Dear Prudence
The inspiration for this Lennon-penned song is Prudence Farrow, Mia Farrow's sister, who was also at the TM retreat. Prudence took the meditation so seriously that she fell into a catatonic state, which obviously worried the entire group. The song was written to lift her spirits. McCartney also played drums on this song in Starr's absence.

While My Guitar Gently Weeps
George Harrison matured greatly as a songwriter on this album, and this is one of his more famous contributions. Lennon and McCartney were not enthusiastic about including this song, but relented when Harrison brought his friend Eric Clapton in to play (uncredited) on this song. The members of the Beatles were at each others throats at the time, and Clapton's presence exerted a calming influence on the band. This was also the first song in which Ringo Starr played drums after his return to the group.

Helter Skelter
After reading an interview of Pete Townshend in which he described a Who track, Paul McCartney was inspired to write the "loudest, nastiest, sweatiest rock number we could." This track is infamously associated with Charles Manson and the Tate-LaBianca murders.

ENTERTAINMENT TRACK:

“Baby What You Want Me to Do” by Elvis Presley
This month saw the release of Elvis's TV Comeback Special, "If I Can Dream." It was the highest rated show for the year of 1968.

STAFF PICKS:

“Hooked on a Feeling” by B.J. Thomas
Bruce gets the staff picks started this week with a song made famous by the motion picture "Guardians of the Galaxy." Written by Mark James, B.J. Thomas did the original in 1968. The track would be covered by Jonathan King in 1971, and then by Blue Swede in 1974, the Blue Swede cover being the one with which most are familiar.

“Cinnamon” by Derek
Rob's upbeat staff pick was designed so that singer Johnny Cymbal could avoid being pigeonholed as a novelty singer. As a result, he went by the name, “Derek” for this release — which was his brother's name, Derek Cymbal.

“I Got a Line on You” by Spirit
Wayne's pick is another upbeat track, this one from the Spirit album "The Family That Plays Together." The album got its name because lead guitarist was playing with his stepfather as drummer. Jay Ferguson was also in this band, who wrote the score for the American version of the television series "The Office." This track peaked at number 25.

“Kentucky Woman” by Deep Purple
Brian features an unusual cover of Neil Diamond's 1967 original in a style that some call the first heavy metal song. The song was on the psychedelic and Arthurian album entitled "The Book of Taliesyn."

INSTRUMENTAL TRACK:

“Joy of a Toy” by Soft Machine
This prog rock/psychedelic instrumental takes us out this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - September: Pat Benatar “Crimes of Passion” Mar 01, 2021

Patricia Mae Giraldo, better known as Pat Benatar, became one of the most prominent female rock stars when she made her debut in 1979. Her most successful studio album was this second album, Crimes of Passion, which would benefit from play on rock stations around the country and the new music video media spearheaded by MTV.

Benatar had actually abandoned early dreams of a singing career, choosing to pursue health (actually sex education) at Stony Brook University, rather than music at Juliard. She dropped out of Stony Brook after a year, married Dennis Benatar, and worked as a bank teller in Virginia while he was stationed at Fort Lee. Her interest in singing was rekindled after attending a Liza Minnelli concert. She had some local success in Richmond and in New York where she and Dennis moved in the mid-70's, — but the real breakthrough would happen in Halloween 1977 when she performed in a spandex costume. Shortly thereafter she was signed by Chrysalis Records. She ended up divorcing Dennis Benatar thereafter, but would keep his last name as her professional name.

While Pat Benatar achieved strong success on her debut album with the hit "Heartbreaker." Crimes of Passion would make Benatar a household name. The album would spend five consecutive weeks at number 2 on the album charts in January 1981, and would net Benatar a Grammy Award for "Best Female Rock Vocal Performance" of 1980. Pat Benatar would appear on the cover of the October 1980 issue of Rolling Stone along with her guitarist and future husband, Neil Giraldo.

We think you will enjoy this excellent album. At least we will do our best to hit you with our best shot!

Hit Me with Your Best Shot
This song is the second single off the album, but the biggest hit, and her first entry into the top 10. The song was written by Canadian musician, songwriter, and producer Eddie Schwartz, inspired by a therapy session he participated in that involved hitting pillows. This is a true rock anthem.

Little Paradise
This deeper cut leads off side two of the album, and was written by guitarist and soon-to-be husband of Pat Benatar, Neil Giraldo. To us, it feels a little more like Ted Nugent or southern rock.

You Better Run
The first single released from the album is a cover of a song originally performed by The Young Rascals. Although this song missed the top 40 (peaking at number 42 on the Billboard Hot 100), it would become the second music video ever broadcast on MTV after the Buggles' "Video Killed the Radio Star."

Hell Is for Children
This emotional song was written by Benatar, Giraldo, and bassist Roger Capps and is Neil Giraldo's favorite song. Pat Benatar was inspired to write this song by a series in New York about abused children. Later on Benatar and Giraldo would actually create foundation for abused children

ENTERTAINMENT TRACK:

Main theme from the television series “Cosmos”
This popular PBS series premiered in September 1980, and would make Carl Sagan a household name.

STAFF PICKS:

“Introduction/Lola” by the Kinks
Brian's starts our staff picks off with a live version of the 1970's hit about an encounter between a young man and the cross-dressing Lola. In the song the guy meets Lola in Soho, London, but the inspiration was a result of Kinks manager Robert Wace spent an evening in Paris dancing with a cross-dresser.

“Games Without Frontiers” by Peter Gabriel
Wayne's staff pick takes its name from a European TV show, "Jeus Sans Frontieres" where people from different places would play games of skill while wearing strange costumes. The British version of this game show was called "It's a Knockout," and that title also makes it into the song. The song's lyrics are a commentary on war and negotiations between countries being like children on a playground. Kate Bush contributes backing vocals in this song.

“The Legend of Wooley Swamp” by the Charlie Daniels Band
Bruce takes us on a spooky trip to the Wooley Swamp where the ghost of miser Lucious Clay torments the spirits of his killers, the Cable Boys. Today Wooley Swamp is the name of a farm campground and RV park near Raleigh.

“Turn It On Again” by Genesis
Rob finishes off our staff picks with the first single off Genesis' album "Duke," written by band member Mike Rutherford. It is about a man who doesn't do anything but watch TV, and begins to think of the TV personalities as his friends. The song has a complex time signature, with much of the song in 13/8.

INSTRUMENTAL TRACK:

"Dinorah, Dinorah" by George Benson
We're turning to a jazz instrumental by R&B and Jazz artist George Benson to finish off this week's podcast. It was off his 1980 album, "Give Me the Night."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - November: Smokey Robinson and the Miracles “Going to a Go-Go” Feb 22, 2021

When Berry Gordy's Motown Record Corporation began, the first group signed was The Miracles, also known as Smokey Robinson and the Miracles from 1965 to 1972. The group was also the first of Motown's million-selling recording artists, and the first Motown act to appear on American Bandstand. The group would have a nineteen-year run on the American music charts, with over fifty hits, sixteen within the top 20 of the Billboard Hot 100.

Smokey Robinson led the group from its start in 1955 as “The Five Chimes” until he retired from the group in 1972 to take a larger tole as Motown's vice president. Other members included Robinson's wife Claudette, Ronald White, Marv Tarplin, Pete Moore, and Bobby Rogers. In addition to their chart success, Smokey Robinson and the Miracles would have a profound affect on rock and roll, with many of the Miracles' hits being covered by groups like the Zombies, the Who, the Rolling Stones, the Hollies, and the Beatles.

Robinson, whose first name is William, got the name “Smokey” from his uncle. Young William Robinson loved cowboy movies, and his uncle started calling him “Smokey Joe” as a cowboy name. Everyone called him that until he was about 12 years old, at which time he dropped the “Joe” part.

Going to a Go-Go is the first Miracles album to use the name “Smokey Robinson and the Miracles.” It is also the only studio album by the group to chart in the top 10 of Billboards 200 albums chart, peaking at number 8. Smokey Robinson produced the album, and wrote or co-wrote all but one of the songs on it.

We're sure you will enjoy this blast from the past.

Ooo, Baby Baby
The Funk Brothers provide the instrumentals for this pleading song about a man who cheated on his woman and begs forgiveness. It was listed as number 266 on Rolling Stone Magazine's list of “The 500 Greatest Songs of All Time.”

Tracks of My Tears
This iconic song is another of “The 500 Greatest Songs of All Time,” coming in at number 50. The song itself is about putting on a good face for others after a breakup. “Baby take a good look at my face, you'll see my smile looks out of place. Yeah, just look closer, it's easy to trace the tracks of my tears.”

My Girl Has Gone
Marv Tarplin plays a 12-string guitar on this song that tries to put a positive spin on a breakup. “Don't you cry, hold your head up high. Don't give up, give love one more try, ‘cause there’s a right girl for every guy.”

Going to a Go-Go
The up-temp dance song was covered by the Rolling Stones on their 1982 album “Still Life.” Miracles member and co-writer Bobby Rogers said that the song was inspired by the success of the “go-go” clubs that were popular throughout the United States in the 1960's.

ENTERTAINMENT TRACK:

The theme from the television series “Combat!”
This drama series started in black and white and switched to color during its run from 1962 to 1967, and focused on a World War II American squad fighting Germans in France.

STAFF PICKS:

Everyone's Gone to the Moon by Jonathan King
Bruce's staff pick was written and sung by Jonathan King while he was an undergraduate at Cambridge. He went on to become a record producer, songwriter, and entrepreneur. He discovered the band Genesis in 1967 and produced their first album, “From Genesis to Revelation.”

I'm A Man by The Yardbirds
Rob brings us a most politically incorrect tune, originally performed by Bo Diddley in 1955. The Yardbirds covered it this year after Jeff Beck replaced Eric Clapton as guitar.

May the Bird of Paradise (Fly Up Your Nose) by “Little” Jimmy Dickens
Brian's staff pick features 4' 11" tall Jimmy Dickens. The reference was used frequently by Johnny Carson, and the song chronicles some events in the life of a cheapskate.

It Ain't Me Babe by The Turtles
Wayne finishes up the staff picks with a cover of a Bob Dylan song. The song is about a boy telling a girl that he is not the one who will meet her every need. This is the biggest hit of the first album by The Turtles.

INSTRUMENTAL TRACK:

Cleo's Back by Junior Walker & the All Stars
We close out this week's podcast with an instrumental from another Motown group.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - February: Rush “Moving Pictures” Feb 15, 2021

With the release of Moving Pictures, Canadian power trio Rush moved to their highest level of commercial success. Bassist and lead singer Geddy Lee, guitarist Alex Lifeson, and percussionist extraordinaire Neil Peart were established at the top of the prog rock genre, and this eighth studio album would be their most successful studio release in their career, becoming so when it crossed the quadruple platinum level of sales.

The band had originally planned to release a live album at the conclusion of their tour for "Permanent Waves," but Neil Peart encouraged them to change direction towards a new studio release based upon interesting material they were creating during sound checks on tour. The album itself was more accessible than some of their early work. While most songs would clock in at over 4 minutes (and "The Camera Eye" was over 10 minutes long), the pieces were still more radio-friendly than longer pieces like Hemispheres and 2112. The music and lyrics cover topics like travel, individualism, and fame.

The album cover art consists of a group of movers transporting canvas art (moving pictures), onlookers who are crying at seeing the art (moving pictures), and a film crew recording the entire scene (making moving pictures).

There is simply no bad track on this album, and Bruce found it difficult to determine which songs to feature. We encourage you to purchase or download Moving Pictures for your repertoire if you don't already have it.

Red Barchetta
Although not released as a single, this is a fan favorite, and one of their most accomplished lyric stories. Neil Peart's lyrics were inspired from a short story by Richard S. Foster called "A Nice Morning Drive," written in the November 1973 issue of Road and Track magazine. It is about a country drive during a time in the future when cars had been outlawed by "The Motor Law."

Limelight
This piece reflects Peart's mixed feelings about fame, and is the second single from the album. Many times Lee and Lifeson would interact with the public while Peart would remain away from the crowds. Some of the lyrics reflect a line from Shakespeare's "As You Like It," as does the title of their first life album, "All the World's a Stage."

Vital Signs
The last track on side 2 takes a more reggae feel, similar to The Police. It also has more in common with more synth-heavy pieces which would appear on subsequent Rush albums like Signals and Grace Under Pressure. The music is about individuality and conformity, a theme often recurring in Rush's catalogue.

Tom Sawyer
Undoubtedly, this is the most famous Rush song. It was written by Rush in collaboration with lyricist Pye Dubois of the band Max Webster, and pays homage to the free-spirited individualist confidently striding through the world. Although the first single, the leading track to the album, and the most successful song, Tom Sawyer peaked on the Billboard Hot 100 at number 44. Most concerts late in their career would open with this song.

ENTERTAINMENT TRACK:

Main Theme from the television series Diff'rent Strokes
This comedy series addressed many social issues, and would take a more serious tone with a 2-part episode addressing pedophilia in this month.

STAFF PICKS:

Turn Me Loose by Loverboy
Brian's staff pick stays with the Canadian bands, featuring the first breakout hit by Loverboy from their debut album. While the band appreciated the success, they were less pleased with the S&M community, who adopted it as a kind of "theme song" of their practitioners.

Miss Sun by Boz Scaggs
Rob brings us a song first recorded in 1977 by a group of session musicians who would become Toto, and those musicians worked on the Scaggs version as well. The Toto musicians participated in Scaggs' ciritical and commercial hit album "Silk Degrees" in 1976. Miss Sun peaked at number 14 in February. It has a jazzy chord progression.

People Who Died by The Jim Carroll Band
Wayne's staff pick features a punk-infused song from Jim Carroll, whose biography inspired the film "The Basketball Diaries." The movie deals with Carroll's heroin addiction. The song mentions the name of a number of Carroll's friends and acquaintances who had passed away. Jim Carroll himself died in 2009.

I Ain't Gonna Stand for It by Stevie Wonder
Bruce's staff pick highlights a country-oriented song by R&B legend Stevie Wonder. Wonder plays piano and drums on this song, and is joined by backing vocalists Charlie and Ronnie Wilson of The Gap Band. You may also be familiar with a cover of the song done by Eric Clapton in 2001.

INSTRUMENTAL TRACK:

YYZ by Rush
We sneak in one more from Moving Pictures with this instrumental homage to the Toronto airport. The initial percussion is Morse code for the letters YYZ - the three-letter code for Toronto.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - June: The Hollies “The Hollies' Greatest Hits” Feb 08, 2021

One of the last British Invasion groups of the 1960s, and one of the few grroups that never disbanded, was Manchester's own The Hollies. Alan Clarke and Graham Nash founded the group, and after a few iterations joined with Vic Steele (lead guitar), Eric Haydock (bass), and Don Rathbone (drums) in a group known as the Deltas. They would first be known as The Hollies at a Manchester gig in December 1962, taking the name from both the Christmas season and in admiration of Buddy Holly. By 1967, Steele had been replaced by Tony Hicks, and Rathbone by Bobby Elliott. Eric Haydock would be replaced by Ernie Calvert in 1966.

The Hollies' Greatest Hits was released in May 1967 after their fifth studio album, though they had only achieved major U.S. success in 1966. This album showcases their three-part harmonies and the sound reminiscent of many early 60's British Invasion bands. They did covers and songs from other writers at first - a common practice in bands at the time - before becoming comfortable writing their own material.

Though The Hollies had many decades more music and hits to come, Graham Nash would depart a few months after this Greatest Hits collection was released to join his new band, Crosby, Stills & Nash. This collection is a good representation of the early days of this iconic band.

Bus Stop
This was the first U.S. top 10 hit by the group, released in June 1966. Songwriter Graham Gouldman wrote this piece using opening lyrics first written by his father, playwright Hyme Gouldman. Graham Gouldman would later be a member of the band 10cc.

On a Carousel
Clarke, Nash, and Hicks penned this song. These three would form the core of the songwriting for The Hollies after they began writing on their own. Previous hits were from Graham Gouldman or covers. It was originally released in February 1967 as a single, and captures the spirit of young love.

Look Through Any Window
This one hit the charts as a single in the US in September 1965, and was their first top 40 hit. “Look through any window, yeah, what do you see? Smiling faces all around, rushin' through the busy town.”

Stop, Stop, Stop
Released in the US by Imperial records in October 1966, this track has a distinctive sound with a banjo as lead instrument and employing a tape delay to give it an eastern feel. It was inspired when the band was taken to a strip club for the first time. “Stop, stop stop all the dancing. Give me time to breathe.”

ENTERTAINMENT TRACK:

Theme from the motion picture “To Sir With Love”
Sidney Poitier stars and singer Lulu contributes this song (and makes her film debut) in this drama about social and racial issues in an inner city school.

STAFF PICKS:

“Creeque Alley” by The Mamas & The Papas
Rob kicks off the staff picks with an autobiographical piece on how The Mamas & The Papas formed. The line “and no one's getting fat 'cept Mama Cass” could refer to Cass Elliott's weight, ...or to her financial situation, as she was making more money than the rest of the band!

“I Got Rhythm” by The Happenings
Bruce takes us way back with a show tune originally composed by George and Ira Gershwin in 1930. The Happenings were known for playing classic songs in a sunshine pop style. “I Got Rhythm” would make it to number 3 on the US charts with this version.

“From the Underworld” by The Herd
Wayne's staff pick features a 17 year old Peter Frampton! This song was the first UK hit by the group, and was inspired by the story of Orpheus and his flight from Hades. The psychedelic tune was payed on Pirate Radio in the UK, where radio broadcasts were conducted from ship to avoid the BBC.

“Girl, You’ll Be a Woman Soon” by Neil Diamond
Brian's pick is a hit from Neil Diamond addressing the female fans at his concerts directly. Diamond was a sex symbol at the time, and his audience skewed female, as demonstrated by the apparel thrown up on stage.

LAUGH TRACK:

“Ding Dong the Witch Is Dead” by The Fifth Estate
This may be more novelty than comedy, but your ears do no deceive you. That's right, this song from "The Wizard of Oz" made it into the charts this month via this cover by The Fifth Estate.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - February: R.E.M. "Automatic for the People" Feb 01, 2021

By the time that R.E.M. put out their eighth studio album, the band had been a major factor in alternative rock for a decade. Automatic for the People takes a step back from the faster paced music of earlier albums and creates a more pensive, mellow feel with themes of loss and nostalgia for times gone by. Guitarist Peter Buck, bass and keyboardist Mike Mills, drummer Bill Berry, and front man Michael Stipe present a more acoustic landscape with this critically and commercially successful album.

Many of the songs on this album originated during sessions for the previous album, “Out of Time,” recorded at Prince's Paisley Park Studios. The recording was done in multiple locations including Seattle, New Orleans, Miami, Atlanta, and of course R.E.M.'s home town of Athens, Georgia. The band formed from UGA students in 1980 and was one of the earliest alternative rock groups on the scene. R.E.M. lead the charge of the Athens-based music scene.

The album name is a motto originated at Weaver D's Delicious Fine Foods in Athens, Georgia. At one point the album was going to be called "Star." The album cover sports a photograph of a star-shaped sign from the Sinbad hotel in Miami, not far from the studio where some of the tracks were recorded. This album would produce six singles, and reached number 2 on the U.S. Billboard 200 Album charts.

While originally released in October 1992, we're featuring it in May 1993 when "The Sidewinder Sleeps Tonite" single was released in February 1993, the third single from the album. We hope you like this trip back to college rock in the early 90's.

Ignoreland
Although this track was not released as a single, it still made it into the charts. The high energy song finds Michael Stipe throwing out crazy lyrics and phrases about politics, mostly raging against Republicans Ronald Reagan and George H.W. Bush.

Try Not to Breathe
Michael Stipe was writing about his grandmother as she was dying in this folksy track in 3/4 time. The title originated from a session where Peter Buck had the guitar mic near his mouth. The engineer said he was making too much noise, and Buck replied, "OK, take two. I'll try not to breathe." Stipe thought it made a nice title!

Monty Got a Raw Deal
Another folk oriented track, this one is about the actor Montgomery Clift, who starred in The Misfits, From Here to Eternity, and A Place in the Sun. The lyrics were meant as a contemplation on movies versus reality. Guitarist Peter Buck plays a Greek stringed instrument called a bouzouki on this song.

Night Swimming
This soft ballad is almost a chant with its repeating, circular melody. John Paul Jones of Led Zeppelin fame is credited with the string arrangement. If the piano sounds familiar, it might be because Mike Mills recorded the piano using the same instrument that Derek and the Dominos used to record "Layla" many years prior to this. "Every streetlight reveals a picture in reverse..."

ENTERTAINMENT TRACK:

“Pennsylvania Polka” by Frankie Yankovic & His Yanks
The film "Groundhog Day" debuted in February 1993, starring Bill Murray and Andie MacDowell. The film "Groundhog Day" debuted in February 1993, starring Bill Murray and Andie MacDowell. The film "Groundhog Day" debuted in February 1993, starring Bill Murray and Andie MacDowell. ;-)

STAFF PICKS:

Walk On the Ocean by Toad the Wet Sprocket
Brian's staff pick starts us off with the group named from a Monty Python skit. Lead singer Glen Phillips wrote the lyrics in about 5 minutes as a “stream of consciousness” without any real meaning. He had images of water on his mind after a trip to the ocean in Washington state, but nothing beyond that.

Mr. Wendal by Arrested Development
Bruce brings us a little southern hip hop from Atlanta's own Arrested Development. The song tells about an encounter with the homeless Mr. Wendal and about what the rapper learns from a non-materialistic person versus what society says.

I Am the Bullgod by Kid Rock
Wayne's staff pick brings up the energy with a rocking song from Detroit's Robert James Ritchie, aka Kid Rock. This is off his second independent album, and would be re-released on a major label years later. It is a good example of the blend between rap and heavy metal that was making its appearance at the time.

Courage (for Hugh MacLennan) by The Tragically Hip
Rob's closes out the staff picks with a hit from Canadian band The Tragically Hip - off their third studio album. The reference to Hugh MacLennan is a shout-out to the author of a 1959 novel entitled "The Watch that Ends the Night." Lines from that novel are paraphrased in the last verse of the song.

INSTRUMENTAL TRACK:

New Orleans Instrumental No. 1 by R.E.M.
Rob does a little double dipping this week to finish off the episode with an instrumental track from this week's album pick. R.E.M. recorded this in New Orleans in a place that was supposedly haunted.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - May: The Sex Pistols “Never Mind the Bollocks, Here's the Sex Pistols” Jan 25, 2021

We've profiled albums from bands which were a mess in real life before, but it would be hard to identify a more "bad boy" oriented group than the Sex Pistols. We'll also not be profiling any other Sex Pistols studio album…because Never Mind the Bollocks, Here's the Sex Pistols is their sole studio album. The Sex Pistols put out a number of singles ahead of the album, so while the full album was released in October of 1977, their single "God Save the Queen" was released in May of 1977. The Sex Pistols defined Punk Rock in a way that would influence the entire genre for decades.

Members of the group were Glen Matlock on bass, Steve Jones on guitar, Paul Cook on drums and Johnny Rotten (who got the nickname for his bad teeth) on lead vocals. Sid Vicious would come in on bass after Matlock split with the group.

The members didn't get along with each other, didn't get along with the media, the public, or pretty much anyone. They had already had an obscenity-laden interview on television in December 1976 which kept the tabloids busy for days afterward, and "God Save the Queen" continued their infamous image with its broadside against conformity and the crown.

The popularity of the Sex Pistols was a reflection of the underlying resentment towards the tough times in England during the late 70s. Their enduring popularity is a reflection of the punk movement the Sex Pistols helped to found in this short-lived group and album.

God Save the Queen
Also known as "No Future," with lyrics like "God Save the Queen, she ain't no human being," it is not surprising that the BBC refused to play the song. Despite this, it went to number 2 on the charts in the UK. The Sex Pistols leased a boat just before the Queen's Jubilee (25-year anniversary) and played off it past Westminster Abbey and Parliament. They were arrested as they exited the boat.

Submission
This deeper cut takes a different pace than your normal punk song, but plays on words. "I'm on a submarine mission for you baby." Not as submissive as it appears at first, is it? Their manager wanted them to do a bondage-type song, but the band never was known to take instructions very well, and so created this pun on the word as a result.

Pretty Vacant
This third single was one of the first songs written by the group. The track is a rant about appearances masking a lack of substance. "I'm so pretty, you're so pretty...pretty vacant...and we don't care." The music of the Sex Pistols remains loud, and uses simple power chords.

Anarchy in the UK
The Sex Pistol's first single released is iconic. "Don't know what I want, but I know how to get it. I want to destroy the passerby."

ENTERTAINMENT TRACK:

The theme from the television series “The Brady Bunch”
We apologize for the abrupt change! "The Brady Bunch Hour" variety show had its last airing in May 1977.

STAFF PICKS:

Calling Dr. Love by Kiss
Brian's staff pick starts us with more cowbell! Gene Simmons takes lead vocals on a song inspired by a short from "The Three Stooges," entitled "Men in Black," where they were calling various Doctors. Katey Sagal (from Married...With Children) is a backing vocalist on this song.

Heard It In a Love Song by The Marshall Tucker Band
Bruce brings us the highest charting single from Spartanburg, South Carolina's own. The Marshall Tucker Band got their name from a door key to the warehouse whey had rented for rehearsal, which had the name "Marshall Tucker" inscribed on it. Later they found out that the key belonged to a blind piano tuner who had tuned a piano in the rented space just before their arrival.

Lonely Boy by Andrew Gold
Rob's staff pick was on the charts for about two months, and tells a story about a family raising a boy who is the center of their world until his little sister comes along. Linda Ronstadt contributes to the vocals in this track. Andrew Gold had a close association with Ronstadt.

Couldn't Get It Right by Climax Blues Band
Wayne gets his groove on with a two-hit wonder from an English band. The band wrote the song "from absolutely nowhere" after their label couldn't find a standout song for the single from their album. The lyrics were inspired by the band searching for the "Holiday Inn" sign for their motel after a show on their tour in America.

INSTRUMENTAL TRACK:

Cruise Control by the Dixie Dregs
We finish off this week with a long instrumental from the prog rock band the Dixie Dregs. This is likely their most famous song, and is covered by a lot of bands.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - August: The Grateful Dead “In the Dark” Jan 18, 2021

The Grateful Dead are most famous for their status as a tour band, jam band, and cult band. They may be the greatest touring rock group of the rock era. They were originally known as the Warlocks when they formed in 1965 in San Francisco, but had to change the name when they discovered another band already using the title. Jerry Garcia found the word "Grateful Dead" in a dictionary, meaning "the soul of a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial."

Jerry Garcia is the guitarist and vocalist, and probably the most famous member. Bob Weir is also on guitar and vocals, Phil Lesh is on bass, Brent Mydland is on keyboards and vocals, and Mickey Hart and Bill Kreutzmann share duties on drums.

In the Dark is the twelfth studio album by the Grateful Dead, and their most commercially successful album. Although The Dead hadn't recorded in six years, most of these songs would be familiar to "Dead Heads" from their touring lineup, as much of the album had been played since 1982 or 1983. The album got its name because they recorded the baseline tracks for the album in an empty darkened theater with the same lighting they would use on tour in order to capture the "feel" they had for the songs. The cover art had lettering in the shape of an eye, and inside the "eye" are photos of the band members eyes. The CD release had the photos upside down.

Bruce shares with us this masterpiece from the cult phenomenon known as The Grateful Dead.

Touch of Grey
This is the single from the album. It reached number 9 on Billboard's Hot 100, and number 1 on the Mainstream Rock Tracks. It was first performed as an encore on September 15th, 1982 in Maryland. The Grateful Dead encourage to record the music during their tours, and the number of bootleg recordings make it easy to track the original debuts of songs. Touch of Grey is the only Grateful Dead song to hit the top 40, so technically The Grateful Dead are a one-hit wonder!

West L.A. Fadeaway
This blues piece was also originally performed in 1982. Supposedly this is a tribute to John Belushi's death at the Chateau Marmont hotel in 1982. Belushi had appeared onstage with the Dead at least once, in New Jersey in 1980. The opening lyric begin, "I'm looking for a Chateau, 21 rooms but one will do." Jerry Garcia had a bad drug problem in the early 80's and started cutting back on opiate usage in 1985. He slipped into a diabetic coma for several days in 1986, so he was lucky not to have shared Belushi's fate by this time.

My Brother Esau
This is a deep cut — so deep that it didn't make it onto the album. It also didn't make it onto the CD, but was the B-side for the “Touch of Grey” single and made it on the cassette version of “In the Dark.” It is an updated story of the Biblical tale of Jacob and Esau, set in the Vietnam war era. It was originally performed in 1983 in Tempe, Arizona.

Hell In a Bucket
While this song sound smooth and upbeat, the lyrics are dripping with venom towards an ex-lover. While not a single, this song received considerable air play on rock-oriented stations in 1987. "I may be going to hell in a bucket, baby, but at least I'm enjoying the ride."

ENTERTAINMENT TRACK:

“Good Times” by INXS with Jimmy Barnes (from the motion picture “The Lost Boys”)
The movie that started the trend towards young, good looking vampires was released this month with a killer soundtrack. This one was a cover of a song originally done by The Easybeats

STAFF PICKS:

“Painted Moon” by The Silencers
Rob starts off the staff picks with a group from Scotland that formed in London in 1986. The Silencers have been compared to U2, Big Country, and Simple Minds. Painted Moon is off their debut album, “A Letter from St. Paul,” and made it to the top of the charts in August 1987. The Silencers would put out three albums before their popish stile was eclipsed by the grunge movement.

“Detox Mansion” by Warren Zevon
Wayne's staff pick comes from the composer of "Werewolves of London." If this track reminds you of REM, there's a reason: REM is the backing band for this song and this album, "Sentimental Hygeine." The song deals with drug use and recovery. "Well, its tough to be somebody, and it's hard to keep from falling apart up here on Rehab Mountain we gonna learn these things by heart."

“Girls, Girls, Girls” by Motley Crue
Brian's staff pick is a straightforward elegy to strip clubs. Motley Crue takes a lyrical journey around the country to reminisce about famous - or perhaps infamous - "gentlemen's clubs" in different U.S. cities.

“Mary's Prayer” by Danny Wilson
Bruce's staff pick is from a Scottish pop group formed by Gary Clark, Kit Clark, and Ged Grimes. Their originally name was Spenser Tracy, but they changed the name at the last minute under threat from actor Spenser Tracy's estate. The name Danny Wilson comes from a 1952 Frank Sinatra film. The song has a lot of religious imagery, but at its root is a story about a boy losing a girl and missing the days when he meant the world to her.

INSTRUMENTAL TRACK:

“Pipeline” by Dick Dale and Stevie Ray Vaughan
This instrumental track was from the beach movie "Back to the Beach", and hearkens back to the 60's beach music Stevie Ray Vaughan and Dick Dale cover this classic tune for the movie.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - May: Crosby, Stills & Nash “Crosby, Stills & Nash” Jan 11, 2021

It is hard to think of a time in the rock era when Crosby, Stills & Nash were not already a mainstay of the genre, but every rock legend has an origin, and the self-titled debut album first appeared in May of 1969. It was a near-instant success and one of the harbingers of a turn from blues-oriented rock to more acoustic, folk-oriented rock that would usher in the decade of the 70's.

Crosby, Stills & Nash were a supergroup from their debut. David Crosby came from The Byrds, Stephen Stills came out of Buffalo Springfield, and Graham Nash was from The Hollies. Each was a songwriter as well as a vocalist and instrumentalist (Crosby on guitar, Stills on guitar and keyboards, and Nash on guitar). The addition of Neil Young (who has also previously played with Buffalo Springfield) would come after the album was released.

As you listen to this podcast pay attention to the harmonies in the songs. That is the calling card for CS&N. Band members differ on where the trio first sang together. Crosby and Nash maintain that it was at Joni Mitchell's house, but Stephen Stills insists that he would have been too intimidated to sing at Mitchell's place, and that it was at Cass Elliot's (from The Mamas and the Papas) house! Either way the harmonies were so good it was clear that they would have to form a group.

Much of the album is accomplished with multi-instrumentalist Stephen Stills (aka "Captain Many Hands") playing on the tracks, though Crosby and Nash played guitar on songs that they wrote. You can't duplicate this onstage however, so more instrumentalists had to be brought in for the tour — including Neil Young. One of their first stops - only their second concert as a group in fact - would be Woodstock, where they played a set between 3:00 and 4:00 a.m.

Rob brings us this harmonic, folk album. We hope you enjoy it!

Suite: Judy Blue Eyes
This song is one of two hit singles from the album. The song was written by Stephen Stills, inspired by his former girlfriend, Judy Collins. It is a play on words - “Sweet Judy” and written as a 4-part suite. The first section is a pop song, the second section is in half tempo (relative to the first section), the third section picks up the tempo and is more poetic, and the fourth section is in Spanish.

Long Time Gone
This should be a familiar track which is time-stamped from the late 60's. It was written the night that Bobby Kennedy was killed. David Crosby wrote this political, counter-cultural work. “Speak out, you got to speak out against the madness, you got to speak your mind, if you dare. But don't try to get yourself elected. If you do you had better cut your hair.”

You Don't Have to Cry
The first song Crosby, Stills & Nash ever sang together is this deep cut. Stephen Stills wrote this one as a love letter to Judy Collins, trying to convince her to move from New York to California. “Are you thinking of telephones and managers and where you've got to be at noon?”

Helplessly Hoping
This deep cut was the B-side from the single for “Marrakesh Express” The beautiful acoustic work reminded us of songs like Fleetwood Mac's "Landslide" or Kansas' "Dust In the Wind."

ENTERTAINMENT TRACK:

Everybody's Talking from the motion picture “Midnight Cowboy”
Harry Nilsson performs this Grammy award-winning cover from the first X-rated movie to win an Academy Award for Best Picture.

STAFF PICKS:

“Galveston” by Glenn Campbell
Brian's staff pick is one of three songs Jimmy Webb wrote for Campbell (the others being "By the Time I Get to Phoenix" and "Wichita Lineman").

“Just a Little Bit” by Little Milton
Wayne takes us to the Mississippi delta for some blues. Ike Turner discovered Little Milton for Sam Phillips at Sun Records. Little Milton became more famous when he went to Checker Records, a more blues-oriented label. Little Milton was a prolific blues artist.

“It's Your Thing” by The Isley Brothers
Bruce moves from blues to soul with the first hit from the Isley Brothers after leaving Motown Records. Ronald Isley wrote the song while dropping his daughter off at school. It features the lyrics “I can't tell ya' who to sock it to,” an adaptation of a popular line from the time that originally appeared in Aretha Franklin's “Respect.”

“In-A-Gadda-De-Vida” by Iron Butterfly
Rob finishes off our staff picks with the radio version of the 17-minute psychedelic opus. Is it heavy metal, is it acid rock? We can't say, but Songfacts clears up the name as a misnomer. The title was supposed to be "In the Garden of Eden," but someone wrote the name down wrong and the record label decided to stick with "In-A-Gadda-De-Vida" as an eastern-sounding title.

INSTRUMENTAL TRACK:

Theme from "Hawaii 5-0" by The Ventures
Surfs up as we close out this week's podcast with an instrumental from the cop drama which debuted in 1968 and ran for 12 seasons. The Ventures' version of this song was on the charts this month as a top-5 hit.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 - April: Temple of the Dog “Temple of the Dog” Jan 04, 2021

In the aftermath of the death of Andrew Wood, lead singer of alternative rock bands Malfunkshun and Mother Love Bone, a supergroup was formed in tribute called Temple of the Dog and they released an album of the same name. Soundgarden's front man Chris Cornell had been Andrew Woods’ roommate previously, and wrote several songs inspired by Wood. After returning to Seattle from a tour with Soundgarden, Cornell approached Stone Gossard (rhythm guitar) and Jeff Arment (bass) of Mother Love Bone about collaborating. Temple of the dog was rounded out with Mike McCready (guitar), Matt Cameron (drums), and another singer — Eddie Vedder, who was in town to audition with a group soon to be known as Pearl Jam.

Temple of the Dog was recorded in 15 days at the end of 1990, and totally produced by the band. There were no expectations from the record company, making the recording process a lot more relaxed for band members. The album was released in April 1991 and initially sold 70,000 copies. After the artists split company, going to Soundgarden and the newly-formed Pearl Jam, the record company realized that this collaboration between the two bands was a real gem, and they gave the album new interest with promotion in the summer of 1992.

In retrospect the album and collaboration would receive much critical praise, but the most important aspect of the project was that the group agreed that Andy Wood would have really liked the songs.

We hope you enjoy this early grunge collaboration.

Say Hello 2 Heaven
This was a single from the album and one of two songs Chris Cornell wrote in tribute to Andrew Wood while he was on tour with Soundgarden. Cornell's vocals are distinctive, though this song is a bit of a departure from what you would typically hear from grunge in general and Soundgarden in particular.

Reach Down
This blues-inspired song is perhaps a deeper cut from the album, and is the second song Cornell wrote as a tribute to Wood while on tour before forming Temple of the Dog. It is the second track on the album and contains a long guitar solo tribute from Mike McCready.

Pushin' Forward Back
This driving song in 7/4 time is the second single released from the album, and it has a proto-Pearl Jam feel to it. "Gracious mother held me to her breast until the day I started pushin'."

Hunger Strike
Perhaps the most popular song on the album, this single is a duet between Cornell and Vedder. The lyrics are an anti-capitalist rant against want. The song and video was re-released after the popularity of Pearl Jam was established.

ENTERTAINMENT TRACK:

Theme from the television series "Dinosaurs"
This family-oriented sitcom was released by Jim Henson productions, and had puppets and people dressed as dinosaurs.

STAFF PICKS:

“Groovy Train” by The Farm
Wayne takes us to one of his favorite music spots, Manchester, for this staff pick. The Farm were actually from Liverpool, and the song reached number 6 on the UK charts. This was the first single from their debut album, Spartacus.

“Lift Me Up” by Yes
Rob demonstrates once again that all roads lead to Yes, in this case a lot of members of Yes. The song is from the album Union, and it was their last hit single. Unfortunately, although Arista records was able to bring the group back together, they just couldn't stay together. The song is about a homeless person seeking help.

“Just the Way It Is, Baby” by The Rembrandts
Bruce's staff pick features a duo of Danny Wilde and Phil Solem. This Rembrandts hit tells the story of a girl who is just using a boy. When she realizes her mistake later on the tables are turned, because the boy has moved on. The Rembrandts are best known for the theme song to the television series "Friends."

“Show Me the Way” by Styx
Brian finishes the staff picks this week with a late hit from Styx while Dennis DeYoung was in and Tommy Shaw was out. This song was penned by DeYoung as a prayer during a crisis of faith. It went to number 3 on the charts, giving Styx hits across three decades. .

LAUGH TRACK:

“Ordinary Average Guy” by Joe Walsh
Joe Walsh parodies his earlier hit “Life's Been Good,” with a song about living a boring, average, ordinary life.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - January: Def Leppard “Pyromania” Dec 28, 2020

All right. I got something to say...It's better to burn out than fade away!

Def Leppard would go from a popular band to the stratosphere of rock music with their third album, Pyromania. The band lineup for this album would be front man Joe Elliott, Rick Savage on bass, Rick Allen on drums, Steve Clark on Guitar, Pete Willis on rhythm guitar, and newcomer Phil Collen on guitar. There's an explanation for why the lineup seems a bit guitar-heavy. While the album was being recorded Pete Willis was fired for "excessive alcohol abuse." Phil Collen was brought in as a replacement. However, Willis' rhythm guitar work was used throughout the album.

The band was originally called Atomic Mass when they started in 1977. Elliott proposed the name Deaf Leopard, and then-drummer Tony Kenning suggested changing the spelling to Def Leppard. Just before they started recording at the end of 1978, Kenning left the band. He was replaced by Rick Allen. The entire band was young - Elliott was only 18 when they formed - but Allen was only 15 when he joined!

The band began becoming more popular with their second album, High 'n' Dry, which was produced by Robert John "Mutt" Lange. Mutt Lange would also produce Pyromania and Hysteria, which were the killer albums for the group.

Pyromania is a bit of a transition album, as the songs ranged from hard rocking numbers to more popular MTV-oriented rock. The big hits were staples in the MTV rotation, with "Rock of Ages," and the bit hit "Photograph," which knocked Michael Jackson's "Beat it " off the number 1 "most requested video on MTV. But every song on the album is a good one. We're featuring some of the deeper cuts to give you a sense of how awesome this album is beyond the big hits we know so well.

Rock! Rock! (Till You Drop)
This is the lead track on the album, and received air play on rock-oriented radio despite not being released as a single. It's a pretty straightforward rock anthem. It was originally titled "Medicine Man" according to Wikipedia, and had different lyrics. "So grab a little heat and come along with me, 'cause your mama don't mind what your mama don't see."

Stagefright
This is a deeper cut that was the opening song for their Hysteria tour. It was also a song about picking up groupies at the concert. Def Leppard was legendary for their "activity" with groupies during breaks and solos at the concert.

Die Hard the Hunter
Here is a rare song with a deeper meaning. This deep cut is about war and post-traumatic stress disorder. It talks about a returning soldier who can't leave the war behind. "You got no enemy, no front line. The only battle's in the back of your mind. You don't know how to change from bad to good. You brought the war to your neighborhood."

Foolin'
This track is their third single from the album, and chronicles a love gone bad. "On and on we rode the storm. The flame has died and the fire has gone. Oh, this empty bed is a night alone. I realized that long ago."

ENTERTAINMENT TRACK:

Main Theme from the television series The A-Team
Here is Mr. T's big television role after Rocky III. I love it when a plan comes together!

STAFF PICKS:

Don't Tell Me You Love Me by Night Ranger
Wayne kicks off the staff picks with this hit from Night Ranger's debut album "Dawn Patrol." This has a straightforward rock style with a good balance between dual guitars and keyboards to create a wall of sound. Their first five albums sold over 2 million

Even Now by Bob Seger & The Silver Bullet Band
Rob brings us the second hit from Seger's album "The Distance." Many musicians were used on this album including the Mussel Shoals Rhythm Section, Glenn Frey, and Bonnie Raitt. Seger worked with the Eagles on their song "Heartache Tonight."

Sexual Healing by Marvin Gaye
Brian's staff pick takes the pace down with this iconic ballad - one of the first songs to use the Roland TR808 drum machine. The song was inspired by a visit from author David Ritz, and an observation that Gaye needed to break away from pornography - he needed sexual healing! Ritz wrote the song.

Atomic Dog by George Clinton
Bruce cranks up the funk with the last Parliament Funkadelic song to reach number ` on the US R&B Chart. Clinton was still "feeling pretty good" from a night of heavy partying and composed most of the song spontaneously - with David Spradley and Garry Shider standing on either side of him to keep him steady at the microphone. "nothin' but the dog in me!"

INSTRUMENTAL TRACK:

Epilogue (Resolution) by Triumph
Classically trained Rik Emmett would have at least one instrumental on Triumph albums, and this one finishes their sixth album "Never Surrender."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - November: Santana "Santana" Dec 21, 2020

One of the biggest, longest running, and commercially successful bands of the rock era was founded by Carlos Santana, the only consistent member of the band throughout the years. That band of course is simply named Santana, and their debut album was also known as Santana.

Santana has always been about fusion, and you get that with this debut as well. There's jazz, Latin, calypso, funk, and soul in there, all held together by the guitar virtuosity of Mexican-American Carlos Santana. The debut album provides a lot of opportunity to take in Santana's guitar work with about half the songs being instrumentals. Santana came to prominence with their live shows, and of course would be propelled to the top with their concert at Woodstock.

The lineup for this iteration of Santana would of course include Carlos Santana on guitar and backing vocals. Greg Rolie would be on lead vocals and piano, as Carlos Santana usually had someone else on lead vocals in all the different iterations of his band. Rolie would go on to found the band Journey, as would a future Santana member, Neal Schon. Other band members were David Brown on bass, Michael Schrieve on drums, Michael Carabello, Jose "Chepito" Areas, and Marcus Malone on congas and percussion.

The band was formed in San Francisco in 1966 as the Santana Blues Band. Promoter Chet Helms told the band that they couldn't be successful with Latin-infused rock, and recommended that Santana "keep his day job" as a dishwasher at Tick Tock's Drive-In. Time would prove how wrong Helms' advice was. Santana has sold over 43 million albums in the US, and perhaps 100 million worldwide.

Friend of the show Vann Mathis joins us for this podcast.

Soul Sacrifice
If you have seen the documentary about the August 1969 Woodstock music festival you may have heard this instrumental song. This one had three screens projecting, one of the band and the other two scanning people at the concert.

Persuasion
A deeper cut sung by frontman and keyboardist Greg Rolie about a woman that his "put a spell" on a guy, and he can't think of anyone but her. "Like the devil in disguise, something about you baby. You're one, you're one of a kind."

Savor
This is a hard driving instrumental. One thing you get from Santana other than the excellent guitar riffs is a lot of congas.

Evil Ways
This was Santana's second single the band's first hit, topping out at number 9 on the Billboard charts. This song was a cover originally recorded by jazz percussionist Willy Bobo in 1967. It has a great guitar solo.

ENTERTAINMENT TRACK:

The theme from the television series “Sesame Street”
The Sesame Street Kids sing this well-known children's television theme which debuted in November of 1969.

STAFF PICKS:

Sugar, Sugar by The Archies
Brian's staff pick was performed by the cartoon band “The Archies.” Don Kirshner heard it and decided that it needed to be released. After persuading radio stations to play it, the song took off and became the biggest single hit of the year.

Suspicious Minds by Elvis Presley
Mark James wrote this and recorded it in 1968, but Elvis would make it successful in 1969. It was his 18th and last number 1 single. The song itself is inspired by James' relationship with his first wife. He still had feelings for his childhood girlfriend, and his wife had suspicions about that.

Undun by The Guess Who
Rob's staff pick is from Winnipeg's own The Guess Who. Randy Bachman wrote this about a girl he dated who went into a coma after doing drugs. It is Bachman's favorite song done with the band. It was actually the B-side of a song called “Laughing.”

Space Cowboy by the Steve Miller Band
Wayne finishes us off with a song from Steve Miller's third album, Brave New World. It has a psychedelic feel. The main guitar riff borrows heavily from "Lady Madonna" by the Beatles. Steve Miller played at the Monterrey Pops Festival.

INSTRUMENTAL/COMEDY TRACK:

Yakety Sax From The Benny Hill Show
The song was first used on The Benny Hill Show in November 1969. It was composed by James Q. “Spider” Rich and Boots Randolph.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - March: Supertramp “Breakfast In America” Dec 14, 2020

While Supertramp had been on the rock scene for many years at this point (we already featured "Crime of the Century" on an earlier podcast), this sixth studio album would be the one that would make them superstars.

Breakfast in America was originally going to be entitled "Hello Stranger" and explore the conflicts between founders Rick Davies and Roger Hodgson, but decided to take a lighter tone instead. In addition to Davies and Hodgson, Supertramp included John Helliwell on saxophone and other woodwinds, Dougie Thomson on bass, and Bob Siebenberg on percussion. The album cover is iconic, with an image of the New York skyline, and a diner waitress in the place of the Statue of Liberty. Several songs express thoughts or critiques of life in America at the time, but Davies and Hodgson insist that there was no attempt to create an album satirizing the U.S.

There is really not a bad song on this album, and this contributed to its success both commercially and critically. The album was number one on the Billboard 200 album chart for six weeks and was Supertramp's best selling album. It also won two Grammys in 1980 and was nominated for best album of the year.

Hodgson and Davies wrote all the songs on this album, though they did not initially collaborate. Instead they wrote their songs separately and would come together to arrange the songs with the band. These founders were growing increasingly apart in their lifestyles, and Hodgson would leave the group after 1983.

The hits from this album are timeless and well known, so we're going deep on this one. We hope you enjoy it!

Gone Hollywood
The opening track to the album describes a guy who dreams of making it in Hollywood. It starts out bleak, but the protagonist actually makes it. Rick Davies takes the lead on this song which he wrote, and John Helliwell's saxophone work is prominent in this piece.

Oh Darling
This song closes out the first album side. You can see the keyboard-driven approach to this composition which is prominent in this track. Rick Davies authored this piece as well. "I'll make you mine. I'll love you come what may. I'm going to catch you lady, catch you lady."

Lord Is It Mine
Roger Hodgson takes the lead and wrote this sweet, spiritual ballad. Hodgson wrote this piece. "I never cease to wonder at the cruelty of this land, but it seems a time of sadness is a time to understand. Is it mine? Oh Lord, is it mine?"

Casual Conversations
Davies penned this one, and it takes a decidedly lighter tack than the ballad we just played. Casual conversations - how they bore me!

ENTERTAINMENT TRACK:

Theme from the motion picture "Phantasm"
This horror flick premiered in March 1979. The tall man turns the dead into dwarf zombies, but what you remember is the killer floating ball in the mortuary.

STAFF PICKS:

“Lay It On the Line” by Triumph
Wayne's staff pick is from the Canadian power trio led by Rik Emmitt, and is off their third studio album. It demands an answer in a relationship - make up your mind, don't waste my time. "I don't ask for much, the truth'll do just fine."

“Tragedy” by the Bee Gees
Rob puts us in a conundrum with his pick. Is this a disco song? It is a bit more rocking than the typical dance song. Disco or not, it was at the top of the charts at the time. The Bee Gees were made famous from the songs they wrote for the movie "Saturday Night Fever," which they created over a weekend.

“Every Time I Think of You” by The Babys
John Waite fronts Brian's staff pick from The Baby's third studio album. This song goes through a variety of tempos and dynamics. This song went to number 8 on the Cashbox 100. Waite would repeat the title of this song in the opening lyrics to his solo hit "Missing You."

“Sultans of Swing” by Dire Straits
Bruce rounds out the staff picks this week with the first hit off Dire Strait's debut album. The lyrics were inspired by a jazz band performance playing in the corner of an almost-empty pub in South London. The name of the jazz group was the Sultans of Swing.

LAUGH TRACK:

"Rubber Biscuit" by The Blues Brothers
Saturday Night Live originated this blues band headed by Jake and Elwood Blues aka Dan Akroyd and John Belushi.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 - January: Jesus Jones "Doubt" Dec 07, 2020

A little alternative rock, a little electronica, the UK's Jesus Jones had a hit on their hands with their second studio album, Doubt. It was recorded in 1990 and released in January 1991.

The band got their name when founders Mike Edwards (vocals, keyboards, guitar), Jerry DeBorg (guitar), and Ian Baker (keyboards) decided to form the band while vacationing in Spain. They realized while sitting on the beach that they were three "Joneses" surrounded by a bunch of people named Jesus.

Jesus Jones achieved some success with their debut album, but things really took off with this second effort on the strength of the hit “Right Here, Right Now.” The album was written in the days of the fall of the Warsaw Pact, between the fall of the Berlin Wall and the collapse of the Soviet Union. These were incredibly optimistic times, and the music of the album reflects that positivity.

Doubt reached number 25 on the US Billboard top 200, and it topped the UK charts.

Jesus Jones is still touring today, and all the original members are still together.

Join us on this exploration of a time when the future was bright and there was no other place we'd rather be.

Real Real Real
This dance song was the first single off the album. “Do you feel real? If so, I'd like to know.” The track takes its inspiration from a conversation that Edwards had questioning whether you can know if you are real or not. The song peaked at number 4 and was a staple of dance clubs at the time.

Trust Me
You might want to watch your speed if you're driving when this manic deeper cut comes on! “Trust me, I know what I'm doing. I don't do anything in half measures.” Jump in the mosh pit!

Right Here Right Now
This is the single that truly launched Jesus Jones into the stratosphere. It was the most played song on college radio in 1991, and hit number 2 on the Billboard charts. “I saw the decade in, when it seemed the world could change at the blink of an eye.” The track epitomizes the feeling of optimism as communism ended and we were “watching the world wake up from history.”

International Bright Young Thing
Get your dance shoes on. This was the third single released from the album after “Real Real Real” and “Right Here Right Now.” The track chronicles the band finding all these positive people around the world with similar thoughts about the future. It was a top 10 hit in Britain.

ENTERTAINMENT TRACK:

The theme from the television series “Twin Peaks”
The cult classic mystery series from David Lynch was on television in 1991.

STAFF PICKS:

Remember My Name by House of Lords
Brian starts off our staff picks with a power ballad from Connecticut-based House of Lords. Gene Simmons discovered this band — former Angel members. The band featured a number of guest musicians on this second album entitled “Sahara.”

Rocket O Love by The Knack
In case you thought The Knack had finished their run in 1979…Bruce dispels the thought with this single from their fourth album “Serious Fun.” It was a top 10 hit for them in 1991. Unfortunately they wouldn't get much more commercial or critical success, and A&R decided the shelve their second single.

The Ballad of Jenny Ledge by Toy Matinée
Rob's staff pick takes a deep and prog rock turn from a short-lived group — and one of his favorites. The song is loosely based on the girlfriend of Toy Matinée front man Kevin Gilbert. Jenny Ledge enjoyed music as just another pleasure, but her boyfriend wanted her to take it more seriously. Ledge winds up running off with an Elvis impersonator.

More by The Sisters of Mercy
Wayne finishes us off with a hard rocking 8-minute epic. UK-native The Sisters of Mercy started in 1980 and has a Billy Idol feel with a "club" twist. The group uses a drum machine instead of a drum set. The Sisters of Mercy still tour and produce new music, but they don't release new music - you have to attend the concert to hear the new works.

INSTRUMENTAL TRACK:

Righteous by Eric Johnson
This podcast concludes on another positive note with instrumentalist and guitar virtuoso Eric Johnson.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Christmas Songs That Rock (III)! Nov 30, 2020

Believe it or not, we've made it to the Christmas season 2020 - and for some of us, its about time! We hope your Christmas is a good one, and hope you get a chance to listen to some of these Christmas Songs that Rock on this Rabbit Hole episode!

“Step Into Christmas” by Elton John
This original song by John and Taupin has become a standard since it was originally released in 1973 as a single, and as a bonus track on the Caribou album.

“Gabriel's Message” by Sting
A cover of an obscure Basque folk carol based on the Annunciation by the archangel Gabriel that Mary would be the mother of Jesus— sung as only Sting could.

“Christmas/Sarajevo 12/24” by Trans Siberian Orchestra
You know Wayne will bring us a rocking song and this instrumental number by former members of Savatage is no exception.

“Sock It To Me Santa” by Bob Seger and The Last Heard
This rocking Christmas tune from the 60's reminds us that Bob Seger has been in the music business for quite a while.

“Merry Xmas Everybody” by Slade
This non-album release in 1973 from Slade may not be that well known in the United States, but it is amazingly popular year after year in the UK.

“Christmas Is the Time to Say 'I Love You'” by Billy Squier
Squier dropped this original Christmas hit in 1981, and launched a video on MTV using many of the MTV VJ's of the day in starring roles.

“Back Door Santa” by Jet
Let the double entendres roll with this blues-based rocker.

“Christmas on the Bayou” by Lonnie Brooks
We drift into the bayou blues with this New Orleans-style cut from Alligator Records.

“Christmas Fais Do Do” by Marcia Ball
And we're staying on the Bayou for this zydeco tune. A Fais Do Do is a Cajun dance party. A Christmas tradition in Louisiana is building bonfires on the levees.

“Santa Claus Wants Some Lovin'” by Tinsley Ellis
Bruce brings this cover of Albert King's 1974 blues Christmas riff. Atlanta's own Tinsley Ellis performs this version. Bill Murray and George Clooney performed an interesting version of it that you can catch on youtube as well.

“Don't Believe in Christmas” by The Sonics
Rob brings us this tune by the Tacoma, Washington-based group The Sonics. It was developed back in 1965 - in less than 24 hours when they were asked to do a live show with other rockers.

“Christmas in Dixie” by Alabama
This has become almost a Christmas standard in the South. Fort Payne, Alabama's finest call out a number of locations around the US, and especially focusing on locations in the southeast in this 1982 original.

“I'll Be Home For Christmas” by the Carpenters
This 1978 cover goes back to Bing Crosby in 1943, when it was written to honor servicemen away from home during World War II. We hope that if you aren't able to make it home for whatever reason, you will know that you are home in your dreams, and in the dreams of your loved ones.

LAUGH TRACK(s):

“O Holy Night” by Eric Cartman
And this is the point where we ruin your memories of a classic Christmas hymm by taking you to the South Park version.

“The Chimney Song” by Bob Rivers & Twisted Radio
"There's something stuck up in the chimney and it doesn't move around, and it's been a week since Christmas..."

“Silver Bells” by Paul Simon, Billy Joel, and Steve Martin
Rob closes us out with this rare item spontaneously created by Joel, Simon, and Martin. I'm not sure how Paul Simon and Billy Joel kept going when Steve Martin gets going on his monologue about what Christmas means.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 — February: The Outfield “Play Deep” Nov 23, 2020

The tight, well produced sound of Play Deep would make you think that this is the third or fourth album from The Outfield, but this was their debut studio album, and it went triple platinum in the United States. Percussionist Alan Jackman, guitarist/keyboardist (and songwriter) John Spinks, and bassist/lead vocalist Tony Lewis had worked together since the late 70's, and were in a band called The Baseball Boys when Columbia Records signed them in 1984. Their manager suggested that the name was a little too "tacky," and this prompted the shift to The Outfield.

The band was signed largely on their being an “American sounding” group in England. This would lead to a successful US debut. Unfortunately, they would suffer for that in their home country, and The Outfield would never have a hit album in the UK.

Some refer to their sound as power pop, or pop rock. The Outfield would have been heard more on pop stations than on rock stations in the 80's. There's a little new wave mixed in, and it is very well produced.

John Spinks passed away in 2014 of liver cancer, and unfortunately Tony Lewis passed away a few weeks before the release of this podcast. So in a way, this is a tribute to a great “All American Sounding” band. RIP boys.

I Don't Need Her
This deeper cut reminds us of Big Country or U2, with rich harmonies and a distinctive echo. "I'm so glad that I don't need her and I'm too tired of trying to please her, but in the end I just can't leave her. Can't leave her tonight."

61 Seconds
You will definitely notice the mid-80's sound of this upbeat track. It is a song for the nameless worker in a large business. "61 seconds is all it takes for the 9-to 5-man to be more than one minute late." It's so hard to think of work as 9-to-5 anymore.

All the Love
This track was one of the singles from the album. It went to number 14 on the Billboard Album Rock Tracks chart. Most of the songs on this album have a similar sound, with high harmonies, prominent echo, and well-produced effects overall.

Your Love
It is amazing how big this song became. This track made it to number 6 on the Billboard Hot 100 charts, and is a completely fictional story about “Josie.” It took the group about 20 minutes to write the song - apparently inspired by The Who - and the band was shocked with how well it did.

ENTERTAINMENT TRACK:

“Pretty in Pink” by The Psychedelic Furs
The "Brat Pack" were prominent in this John Hughes film. The soundtrack to "Pretty in Pink" is a who's-who of mid-80's new wave bands.

STAFF PICKS:

Rock Me Amadeus by Falco
Wayne leads off with Austrian musician Falco's song with the distinction of being the only German language song to hit number 1 on the Billboard Hot 100 in the United States. It was inspired by the Oscar award-winning movie "Amadeus."

Life in a Northern Town by the Dream Academy
Bruce's staff pick is the biggest hit for The Dream Academy, and features some unusual instruments for the rock genre, including tympani and oboe. It is an elegy to Nick Drake who died in 1971, and parts of the song were composed on Drake's guitar.

Kyrie by Mr. Mister
Brian's pick was inspired by a portion of the Catholic/Orthodox mass by way of the Episcopal church. Kyrie Eleison means "Lord have mercy." This track was a follow up to Mr. Mister's hit "Broken Wings."

Manic Monday by The Bangles
Rob's staff pick was actually written by Prince. He originally intended it for Apollonia 6, but would be a hit for The Bangles. It reflects the travails of a working woman going to the office every week.

COMEDY TRACK:

The Super Bowl Shuffle by The Chicago Bears "Shuffling Crew"
The Chicago Bears put out a rap video in the midst of their quest for a Super Bowl win. They would indeed win the Super Bowl, and this song peaked at number 41 in February 1986.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - November: Billy Idol "Rebel Yell" Nov 16, 2020

Did the artists make MTV, or did MTV make the artists? There is no doubt about the complementary relationship between the then-new music video channel and rocker Billy Idol. He had exploded on the scene with his debut solo album featuring hits such as "White Wedding" and "Dancing With Myself." His popularity would continue with his second studio album, Rebel Yell.

Born as William Michael Albert Broad, Billy Idol found his studio name in a schoolteacher's derogatory description of him as "idle." Billy Idol got his start in the punk scene. He started performing with a retro-rock band called Chelsea in 1976, but quit after a few weeks to co-found a punk band called Generation X. While the music was punk, the image Idol created was more 1950's Elvis-styled rocker with a dash of glam rock thrown in.

Billy Idol was a prominent member of the "second British invasion" on MTV in the early 80's, and would see mainstream success with Rebel Yell. Singles like the title track and "Eyes Without a Face" got heavy airplay on rock stations in the US. Idol's iconic look and "whiplash smile" was especially appealing to the new media of music videos shown prominently on MTV but also on other stations both on cable TV and the airwaves.

If you enjoyed music videos back in the day, this episode will leave you saying "more, more more!"

Daytime Drama
This slower and deeper cut was the second track on the album and was not released as a single. It compares life and relationships to a soap opera. "Beautiful star of my daytime drama...you're my hope for a future."

Blue Highway
A faster rocking song, this track was also not released as a single. However it was the B-side to the single "Flesh for Fantasy," and it did get significant airplay on rock stations at the time.

Flesh for Fantasy
This track was the third single from the album and a significant hit, peaking at 29 on Billboard's Hot 100. It is heavily produced, and while a rock song it also was played in dance clubs as well. "Face to face and back to back, you see and feel my sex attack. Sing it!"

Catch My Fall
Perhaps less popular than other album singles, this was the fourth single from the album. It has a new wave feel as well, and continues to have a dance beat. The saxophone is played by Mars Williams.

ENTERTAINMENT TRACK:

"Bob's Major Award" (from the motion picture “A Christmas Story")
This now-classic Christmas movie was surprisingly not that successful as a first run movie in 1983. This song gets its title from the "leg lamp."

STAFF PICKS:

“The Safety Dance” by Men Without Hats
Rob's staff pick spent 4 weeks at number 3 on Billboard's hot 100, and was another big hit from MTV. The song was meant to be a statement about people "pogoing" - flailing around on the dance floor in a way that could cause people to get hurt.

“Mean Streak” by Y&T
Wayne features a heavy metal song from a group originally known as "Yesterday & Today." Y&T formed in 1974 in Oakland, and opened for a number of bands like Wild Cherry and Kiss. The lead singer is still performing with the group, but unfortunately all other members have died. Lars of Metallica credits Y&T with inspiring him to become a musician.

“Mama” by Genesis
Bruce's staff pick is the opening track to Genesis' self-titled album. This dark song is about a young man with a mother fixation towards an older prostitute. Mike Rutherford wrote the electric drum machine parts that start the song and continue throughout the piece.

“This Time” by Bryan Adams
Brian closes out the staff picks with the lead track from Adam's "Cuts Like a Knife" album. Bryan Adams was another beneficiary of MTV's influence, and this album was his breakthrough hit.

LAUGH TRACK:

Jim Carrey premieres on Johnny Carson
This month marked the first time Canadian Jim Carrey appeared on American television on "The Tonight Show." He would go on several years later to fame after his stint on the television show "In Living Color"

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - June: Billy Squier "Don't Say No" Nov 09, 2020

This second studio album is the one that would put Billy Squier at the top of the arena rock world in 1981. Don't Say No would produce Squier's first breakthrough single, “The Stroke,” a critique of the music industry, and the album would continue to contribute singles and AOR hits as it remained on the Billboard album charts for over 2 years.

Billy Squier got his start in the Boston music scene in the late 60's, playing in locally successful groups through the 70's, and releasing a moderately successful solo album in the spring of 1980. Squier approached Brian May of Queen about producing his second album, but May had scheduling conflicts that kept him from working with Squier. However, Brian May suggested Squier work with Reinhold Mack who had produced “The Game” for Queen. Billy Squier would later continue his connection with Queen, opening for the band during their 1982 tour.

Billy Squier wrote his own songs and was a multi-instrumentalist, playing guitar, piano, and percussion.

Squier left the music scene in the early 90's with the advent of grunge, but he often tours with Ringo Star as a part of his All Star Band. He also does one-off concerts for charity, but spends much of his time in New York City with his wife.

Are you ready for some early 80's arena rock? Don't Say No!

In the Dark
This song was the second single from the album, and the lead song for the album. Some think that this song is about lovers keeping their cheating relationships secret. This album is considered to bridge the hard rock sounds of the 70's with heavy metal of the 80's. It has a Zeppelinesque feel to it.

Don't Say No
The title track is the last song on the album, and a deeper cut that was never released as a single. It has an interesting “fade in” effect to kick it off.

My Kind of Lover
While this third single narrowly missed the top 40 (it made it to number 45), it was heavily played at the time. It has a pop sentiment to it, but is a pretty straightforward song about sex and chasing a woman.

Lonely Is the Night
Surprisingly, this song was not released as a single, and did not make Squier's greatest hits album. It's about a guy watching streetwalkers. It was the B-side of “In the Dark,” and received heavy air play on rock radio.

ENTERTAINMENT TRACK:

The theme to “Raiders of the Lost Ark”
This classic adventure film starring Harrison Ford as Dr. Indiana Jones made its debut in the summer of 1981. This iconic tune is instantly recognizable today.

STAFF PICKS:

I Missed Again by Phil Collins
Rob's staff pick is from “Face Value,” Phil Collins' debut solo album. The original name of the song was "I miss you, babe," but the band convinced him to change the name and lighten it up. "Would you say if I was wasting my time or did I miss again? ...I think I missed again."

All Those Years Ago by George Harrison
This tribute to John Lennon was originally intended as a song for Ringo Starr, but George Harrison brought it back to himself after the death of Lennon the previous winter. Brian brings us his favorite Beatle. Ringo, John and Linda McCartney played on this song, the first time they all appeared on a song together since 1970.

Snowblind by Styx
Bruce's staff pick features baritone James Young and tenor Tommy Shaw trading lead singer duties in this song about the dangers of cocaine. It also created a stir when some groups insisted that there were backward masking messages from the devil embedded in the track. This upset the band, who would make an entire concept album about censorship with their next effort, “Kilroy Was Here.”

Nether Street by Bodast
Wayne finishes us off with a song recorded by a prog rock group that broke up in 1969 when guitarist Steve Howe joined Yes. You'll recognize the riff because it is embedded in Yes's “Starship Trooper.” The album was not released until June 1981.

LAUGH TRACK:

The Spanish Inquisition by Mel Brooks
The comedy “History of the World, Part I” by Mel Brooks brought us one of the most politically incorrect musical numbers ever penned. "The Inquisition! What a show!"

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - August: Bruce Springsteen “Born to Run” Nov 02, 2020

Born to Run was Bruce Springsteen's third studio album, and the first unarguably successful commercial album. While he had previously achieved critical success with many industry insiders comparing him with Bob Dylan, his two prior albums had been more of a regional hit. With Born to Run, Springsteen had both time and money to make the album, and went for a “wall of sound” approach. Wikipedia mentions that he wanted it to sound like “Roy Orbison singing Bob Dylan, produced by Phil Spector.” With regard to the lyrics, Springsteen said this album was “the album where I left behind my adolescent definitions of love and freedom - it was the dividing line.”

To call this commercially and critically successful is an understatement. Born to Run is a giant of an album. It produced two singles, "Tenth Avenue Freeze-out" and "Born to Run," and these are timeless rock classics. But almost the entire album can be heard on classic rock stations regularly.

The songs were all composed on piano instead of guitar, and the songs tend to reflect this in their introductory instrumentation. Each album side starts with a song about escape (Thunder Road, Born to Run), and ends with a song about defeat (Backstreets, Jungleland). And of course you get not only the monster sounds and lyrics of Springsteen, but also the instrumental virtuosity of the E. Street Band. This is another example of an album that should be heard from cover to cover to get the full experience of it.

Alright, folks, it's time to run with The Boss!

Jungleland
This isn't really a song, but more of an opera or an epic tragedy. This track closes out the album and tells the tale of Magic Rat and the barefoot girl. It's got scenes of life on the streets and in the gangs in New Jersey in the city they call Jungleland. It was 19 months from the first rehearsal of this song until it's completion. Saxophonist Clarence Clemons' solo supposedly took 16 hours alone to record, and takes up 3 minutes of this 9+ minute song. That length is why we're only profiling three songs from the album this week.

She's the One
This is a deeper cut with a Bo Didley Beat. It is the B-side of "Tenth Avenue Freeze-out" and got a bit of air play on rock stations as a consequence. "There's this angel in her eyes that tells such desperate lies and all you want to do is believe her."

Thunder Road
Bruce (the one profiling this album, not the songwriter) thinks this may be the song with the finest lyrics top-to-bottom that Springsteen ever wrote. It tells of a visit to Mary's house, and uses automobile and motorcycle imagery to describe a plea from the suitor for Mary to run off with him “if you're ready to take that long walk from your front porch to my front seat. The door's open, but the ride ain't free.”

ENTERTAINMENT TRACK:

The Time Warp (from the motion picture “The Rocky Horror Picture Show”)
Yes, that timeless classic from the midnight movies had its origin this summer. It's just a jump to the left, and then a step to the right!

STAFF PICKS:

Man on the Silver Mountain by Rainbow
Wayne features the distinctive guitar riff of Ritchie Blackmore and Ronnie James Dio's vocals from Rainbow, Blackmore's group after leaving Deep Purple. The original vinyl release was a gated gold sleeve, but the record company reduced it to a single sleeve.

Por Amor Viviremos by The Captain and Tennille
Rob brings us the Spanish version of "Love Will Keep Us Together." The Captain and Tennille had both the English language and Spanish language versions on the charts this month. "Love Will Keep Us Together" was originally done by Neil Sedaka in 1973, but this cover became identified with The Captain and Tennille.

I'm Not In Love by 10cc
Brian's staff pick incorporates the backing of a wordless choir, with 256 voices overdubbed. The song itself is about expressing love without saying "I love you." The song was almost discarded, but when they heard the secretary and window cleaner singing it they decided to keep it. The whispered voice was from the secretary at Strawberry Studios.

How Sweet It Is (To Be Loved By You) by James Taylor
Bruce finishes on a lighter note with this cover of Marvin Gaye's original 1965 hit. Taylor would take this one to number 1, and it would be the most successful remake of the song (the original went to number 3). Taylor's then-wife Carly Simon is on harmony vocals, and David Sanborn joins on saxophone.

LAUGH TRACK:

I Like Beer by Tom T. Hall
We finish off this week with a cold one in a polka genre.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - June: The Association “And Then...Along Comes The Association” Oct 26, 2020

The Association released their debut (and most successful) album, And Then...Along Comes The Association in June 1966. They had received some success with non-album releases prior to this, but the album itself would become one of the best selling albums of the year.

The Association was known as sunshine pop, which incorporated elements of both folk rock and psychedelic music. The group was formed originally by Jules Alexander (guitar) and Terry Kirkman (wind instruments, percussion) who met in Hawaii in 1962, then reconnected in Los Angeles in the mid-60's. They joined with Russ Giguere (rhythm guitar, percussion), Brian Cole (bass, woodwinds), Ted Bluechel, Jr. (drums, rhythm guitar, bass), and Jim Yester (rhythm guitar, keyboards) to make this album. All group members contributed to vocals, and the group was known for their harmonies.

The Association was first known as The Men, and played as the house band for The Troubadour where they would play with musicians such as Mama Cass Elliot and David Crosby. The Association would continue touring for decades, though with over 20 members throughout the time.

Enter the Young
This deep cut is the lead song from the album. It gives a good sense of the harmonies of the group. The lyrics are an ode to the younger generation. "Enter the young, yeah. Yeah, they've learned how to think. Enter the young, yeah. More than you think they think."

Your Own Love
Another deep cut seems representative of the sounds typical of television shows of the time. Russ Giguere takes the lead vocal duties on this one.

Along Comes Mary
This is a hit from the album. The phrase itself was somewhat controversial, because "Mary" was a euphemism for marijuana, though the band never confirmed this. Either way, Mary improves the life of the singer - "When we met I was sure out to lunch, now my empty cup tastes as sweet as the punch." Jim Yester was on lead vocals for this hit.

Cherish
A ballad would be the biggest hit off the album, and would have decades-long staying power. Kirkman and Giguere share lead vocal duties. The single runs 3 minutes and 13 seconds, but it was listed as "3:00" because radio programmers discouraged songs over the 3-minute limit.

ENTERTAINMENT TRACK:

Theme from the television series “The Dick Van Dyke Show”
This comedy would end its run in June 1966.

STAFF PICKS:

“Opus 17 (Don't You Worry "Bout Me)” by The Four Seasons
Bruce features the Jersey Boys in their prime. This is the second single released after the title song from the album "Working My Way Back to You." The song was written by Sandy Linzer and Denny Randell, who also wrote "Let's Hang On." There are 5 key changes in this 2-1/2 minute song.

“Dirty Water” by The Standells
Wayne's staff pick mocks the city of Boston, Massachusetts and it's then infamously polluted Charles River and Boston Harbor. Some elements of this song from the Los Angeles garage band were inspired by a Mugging of their producer, the women's curfew at Boston University, and even a mention of the Boston Strangler. Fans of the Bruins and Red Sox will recognize this tune from hockey and baseball games.

“Red Rubber Ball” by The Cyrkle
Rob's staff pick was written by Paul Simon and Bruce Woodley, and reached number 2 on the charts. Simon offered the song to the band when they were opening for Simon and Garfunkel on tour. It’s a fun, positive song - "The morning sun is rising like a red rubber ball."

“Kicks” by Paul Revere & the Raiders
Brian finishes off the staff picks with a minor key song. This is the first anti-drug song of the rock era. It was written by Barry Mann and Cynthia Weil as a warning to a friend about the dangers in drug use.

COMEDY TRACK:

“You Can't Roller Skate in a Buffalo Herd” by Roger Miller
This comedy track finishes off our session this week. Stay away from those buffalo herds, but you can be happy if you want to!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - September: Blondie “Eat to the Beat” Oct 19, 2020

Blondie had already established mainstream success by the time they released Eat to the Beat, their fourth studio album. Their previous album featured the hit singles “One Way or Another” and “Heart of Glass.” While not duplicating the commercial success of its predecessor, Eat to the Beat would nevertheless showcase Blondie's diversity while continuing to draw a mainstream audience led by the hit song “Dreaming.”

Blondie was an American band formed in 1974 by guitarist Chris Stein and vocalist (and former Playboy Bunny) Debbie Harry. The name of the group was originally called “Angel and the Snake,” but they changed the name to Blondie based on catcalls Harry often heard from truck drivers on the road. Blondie was a six person band for Eat to the Beat, with Harry and Stein joined by Frank Infante on guitar, Nigel Harrison on bass, Jimmy Destri on keyboards, and Clem Burke on drums.

The band came out of the punk and new wave genre originally, but had already achieved crossover appeal (and accusations of selling out) with the disco-influenced “Heart of Glass.” Eat to the Beat would see further diversity in genre and sound bringing rock, reggae, and disco-influenced tracks complementing the synth-heavy new wave sensibilities.

If your familiarity with Blondie is limited to the hits played on top 40 radio, you will be impressed with the variety of sounds and genres represented on this single album..

Dreaming
This song was written by Harry and Stein, and was inspired by ABBA. There is a lot of energy in this song, and the drums are a big part of that. The drummer, Clem Burke, was "blowing through the song," and deliberately overplaying it on this fast-paced take — they ended up using this one for the track.

The Hardest Part
The funky sound of this deep cut characterizes the diversity in the album. The song itself is about a heist. “The hardest part of the armored guard...big man of steel behind the steering wheel.”

Shayla
Led by a synth prelude, this song depicts a woman who works in a factory. There's an alternative, almost “coffee shop” feel to this one, and it truly showcases Debbie Harry's range in vocal talents.

Atomic
We're getting a western or surf music-influenced sound with this fourth track. Destri and Harry were attempting something similar to “Heart of Glass,” and there is a definite dance feel to the song. The bass solo in the middle of the song is a nice touch.

ENTERTAINMENT TRACK:

The theme from the animated television series “Scooby-Doo”
The character "Scrappy-Doo" was introduced to the Scooby-Doo lineup...beginning the start of a long line of mediocre to horrible cartoons.

STAFF PICKS:

Pop Muzik by M
Wayne leads off the staff picks with a one hit wonder from a new wave and synthpop music project from London. M was musician Robin Scott, his brother Julian bass, and his wife Brigit on backing vocals and other backing musicians known as "The Factor." It is sung from the perspective of a disc jockey spinning records at a dance club..

Lonesome Loser by the Little River Band
Brian brings us the distinctive harmonies of the Little River Band. While the band is from Australia, the founding members were from the UK. The song is about a guy who is "unlucky in love," but keeps trying rather than taking a hard look at himself and realizing that he won't find love without getting himself right first.

Sail On by The Commodores
Bruce's pick features the close harmonies and excellent piano work of Lionel Richie and company from The Commodores and their seventh studio album. The song itself is a break-up song, but it is more resigned than angry or sad. "It was plain to see that a small town boy link me just-a wasn't your cup of tea, I was wishful thinking."

Goodbye Stranger by Supertramp
Rob's staff pick is off Supertramp's sixth and fantastically successful studio album “Breakfast In America.” Surprisingly, this song did not do well in the UK, but made it to number 15 in the States. "And I will go on shining, shining like brand new, and when I look behind me my troubles will be few." Davies and Hodgson wrote the songs, and wrote separately.

INSTRUMENTAL TRACK:

Regatta de Blanc by The Police
Stewart Copeland, Andy Summers, and Sting make their third appearance as our instrumental track with the title track to their second studio album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - July: AC/DC “Back In Black” Oct 12, 2020

Fresh off their success with Highway to Hell, Australian band AC/DC was planning a follow-up when tragedy struck. Front man Bon Scott was found “dead by misadventure” after a drinking binge. The group would have to audition a replacement for their seventh studio album, and Brian Johnson was brought in on lead for Back In Black.

The new album was recorded in Nassau in the midst of a batch of tropical storms - a fact referenced in the opening lines of “Hells Bells.” In addition to front man Johnson, the group was comprised of lead guitarist Angus Young, his brother Malcolm Young on rhythm guitar, Cliff Williams on bass, and Phil Rudd on drums.

Back In Black was an immediate commercial success. It is considered one of the greatest heavy metal albums of all time. The group deliberately avoided using any of Bon Scott's lyrics for the album — not wanting to be perceived as profiting from their band mate's death. The album's all black cover was done in mourning for Scott. The album was so successful that many of their previous albums entered the charts, riding the coat tails of Back In Black.

Shoot to Thrill
"Shoot to thrill, play to kill, too many women with too many pills." This high energy song is typical of the album as a whole. The song itself was inspired by a story Johnson read about a drug dealer selling narcotics to depressed housewives.

What Do You Do For Money, Honey
Folks, let's face it: there's just not a lot of subtlety in AC/DC lyrics. It's pretty much all about sex, drugs, and rock-n-roll. "You're lovin' on the take and you're always on the make/Squeezin' all the blood outta men. Yeah, we're standin' in a queue just to spend the night with you. It's business as usual again."

Have a Drink On Me
This track was the B-side to the single "Shook Me All Night Long." and followed that song on the album. The song is about (get this) having a drink on me. ;-)

Rock and Roll Ain't Noise Pollution
While the song takes a slow blues start, it kicks in with straightforward, head banging rock. This is the final track on the album, and the fourth and final single released from the album. The B-side to this single was "Hells Bells," the lead-off track for the album.

ENTERTAINMENT TRACK:

I'm Alright by Kenny Loggins (from the motion picture "Caddyshack")
You have to have the dancing groundhog in your head for this one! Caddyshack and Airplane were both released in the summer of 1980. Actor Bill Murray's riffs throughout Caddyshack are legendary.

STAFF PICKS:

“Boulevard” by Jackson Browne
Rob's staff pick is inspired by Hollywood Boulevard and the runaway kids on the street. Life is hard on the Boulevard, but that doesn't mean this is where you will always be. This song from the album "Holdout" was one of Browne's most successful songs. "Everybody walks right by like they're safe or something. They don't know."

“Snortin' Whiskey” by the Pat Travers Band
Wayne's staff pick cranks the volume up to 11 on a high energy blues-tinged rock anthem. There's little doubt about what the song means when it leads off with the lyrics "Snortin' whiskey, drinkin' cocaine."

“Emotional Rescue” by the Rolling Stones
Bruce gets himself in trouble this week by picking this less-than-popular disco-influenced song. Although Keith Richards contributes backing vocals, it is said that he did not like the whole disco vibe. Although it was a number 1 rock song, the Rolling Stones never played it live until 2013.

“All Night Long (live)” by Joe Walsh
Brian redeems the staff picks by bringing this Joe Walsh live classic. It made it on both the rock and country charts. This song appeared on the soundtrack to the motion picture "Urban Cowboy."

LAUGH TRACK:

“Gimme Some Lovin'” by The Blues Brothers
Another motion picture comedy that hit the theaters in 1980 featured lots of cameos from blues and soul icons.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

What the Riff Remembers Eddie Van Halen Oct 10, 2020

Join What the Riff as we take a moment to reflect on the music and impact that Eddie Van Halen had on our lives as teenagers in the late 70s and early 80s. Eddie lost his long battle with cancer on October 6, 2020. He will be missed, but his mastery of the guitar will undoubtedly continue to inspire artists through eternity. We only feature 4 tracks in this bonus episode: “Eruption” from Van Halen 1, “Source of Infection” from OU812, “Girl Gone Bad” from 1984, and “And the Cradle Will Rock” from Women & Children First. Let us know how this affects you in a comment or review — or share your thoughts on our Facebook page. Eddie, we miss you. Rest in Peace, and may God bless your family. (Please check out Episode 17 - Fair Warning, and Episode 86 - Van Halen 2 for more awesome Van Halen tracks). Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel. Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share. Of course we'd love for you to rate the show in your podcast platform! **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1971 - November: Harry Nilsson “Nilsson Schmilson” Oct 05, 2020

Sometimes called "the American Beatle," Harry Nilsson was cited by the Beatles as their favorite American group during a 1968 press conference. Nilsson Schmilsson was Harry Nilsson's (known professionally as Nilsson) seventh and most commercially successful album.

Nilsson grew up without a father and was poor. He began working early in life, and worked on computers in a bank by night, pursuing songwriting by day. Nilsson would come to work for Phil Spector and would write for a number of artists including the Monkees and Little Richard before going out on his own. He established a solid reputation as a songwriter through hits such as "Everybody's Talkin'" from the Midnight Cowboy soundtrack, and through pieces such as "Best Friend," the theme from the television show "The Courtship of Eddie's Father." Nilsson was one of the few major artists of the era to achieve commercial success without ever touring.

Nilsson also established a different type of reputation, indulging in excessive drinking and drug use, and instigating with famous people to do the same. One of the more infamous occasions was Harry Nilsson's involvement with John Lennon's "lost weekend" in the 1970's.

Nilsson was connected to virtually everyone in the music industry and his funeral was attended by some of the biggest names. If you haven't been acquainted with Harry Nilsson before, you may be surprised by how familiar his songs are to you.

Jump Into the Fire
This song has a more hard rock style than is typical of Nilsson's other work. It gained further recognition following its inclusion as the soundtrack to a pivotal scene in Martin Scorsese's 1990 film "Goodfellas."

Without You
This slower track was written by Badfinger and shows off Nilsson's 3-1/2 octave singing range. Nilsson's cover went to number 1. Mariah Carey also took a cover of this song to number 1.

Gotta Get Up
The transition from a carefree youth to adult responsibility can be a difficult one, and this song discusses that dread of facing responsibility. You may recognize this as the "reset" song in the Netflix series "Russian Doll."

Coconut
This calypso number was a novelty song featuring four characters (the narrarator, the brother, the sister, and the doctor) al sung in different voices by Nilsson. The entire song is played using one chord, C7. Nilsson wrote the word "coconut" on a matchbook during a vacation in Hawaii, thinking it would make a great lyric for a song. He wrote the song in his car after finding the matchbook while driving in Los Angeles.

ENTERTAINMENT TRACK:

Finale from the motion picture "Fiddler On the Roof"
This musical comedy film was based on the Broadway musical of the same name about life in a Jewish community in pre-revolutionary Russia.

STAFF PICKS:

“Sunshine” by Jonathan Edwards
Rob brings us a country-folk song off Jonathan Edwards debut album. Originally, this song was not going to be on the album, but the engineer accidentally erased the master of another song and put this one on the album instead. It was fortuitous, because it would go to number 4 on the charts.

“Imagine” by John Lennon
Brian's staff pick is perhaps the most iconic John Lennon song. Inspired by Yoko Ono, the song asks the listener to imagine the absence of all the things that divide us. .

“Where Did Our Love Go” by Donnie Elbert
Bruce features this cover of a Supremes hit from 1964. Elbert took the song to number 15 in 1971. Donnie Elbert was a soul singer and songwriter who grew up in Buffalo. This was one of his biggest songs. You may also be familiar with a cover by Soft Cell, done as an outro to "Tainted Love."

“Get It On” by T. Rex
Wayne's staff pick is from the glam rock group T. Rex. This was their only hit in the United States. Front man Marc Bolan claimed to have written this song out of a desire to record Chuck Berry's "Little Queenie," and said that the riff was taken from that tune.

COMEDY TRACK:

“Shanty” by Jonathan Edwards
If you grew up in Atlanta in the 80's you will recognize this song from the 96 Rock "5 O'clock Whistle."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - July: Hootie and the Blowfish “Cracked Rear View” Sep 28, 2020

While Cracked Rear View is the debut studio album for the band, Hootie and the Blowfish had been a fixture of the Columbia, South Carolina college scene since the mid 80's. Guitarist Mark Bryan was attending the University of South Carolina, and heard Darius Rucker singing in the dorm room showers. They started a band called the Wolf Brothers, playing cover songs. Bassist Dean Felber went to high school with Bryan, and original drummer Brantley Smith completed the group. Smith would later leave the group to go into music ministry, and was replaced by Jim Sonefeld on percussion. The group got their name from two college friends' nicknames.

Cracked Rear View is the 19th best selling album of all time in the United States, and would reach its first platinum status by January 1995, a feat that would become 21-times platinum by 2019. The group self-published a couple of cassette demos in the early 90's, and self-released a small batch of EP's called Kootchypop in 1993.

It is difficult to pigeonhole the genre of the band. Some call it roots rock, some alternative rock. It has been called jangle pop, folk rock, heartland rock, and even country. Perhaps that last reference alludes to Darius Rucker's decision to go solo in country music later (because it was not the sound of the band). Whatever you call it, the sound was incredibly popular in the mid-90's. As a result, Hootie and the Blowfish won "Best New Artist" in the 1996 Grammy Awards.

There's really not a bad track on this album, folks. The songs are tight, melodic, and well-produced, almost “anti-grunge” in comparison to another popular genre at the time. We hope you enjoy this exploration of South Carolina's finest - Hootie and the Blowfish!

I Only Wanna Be With You
This is the third single from the album, and the biggest hit, peaking at number 6 on the US charts. All of the band members are credited as songwriters. Bob Dylan is also credited. The song references several Dylan songs and in fact includes the lyrics, “putting on a little Dylan.” Apparently after the song became a hit, Dylan's publishing company pushed legal action and settled out of court — even though they had been made aware of the lyrics beforehand and had no issues.

I'm Goin' Home
This is a deeper cut about a boy losing his mother. "And the angel sing, sha la la la, sha la la la, I'm going home." There's a wistfulness in a lot of these songs despite the sound being rather upbeat.

Time
The fourth single off the album peaked at number 14 in February 1996, showing how long this album remained relevant on the charts! The lyrics are about time not being a friend. “Can you teach me 'bout tomorrow and all the pain and sorrow running free. 'Cause tomorrow's just another day and I don't believe in time.”

Let Her Cry
Darius Rucker described writing this song to KDFI Studios. After listening to “She Talks to Angels” by The Black Crowes for the first time, and listening to a record by Bonnie Raitt, the lyrics to the song came to him in one stream of consciousness.

ENTERTAINMENT TRACK:

Rebel Rouser by Duane Eddy (from the motion picture “Forrest Gump”)
Tom Hanks would solidify his status as A-list and celebrity talent with his second Best Actor Oscar in a row for his role in this film.

STAFF PICKS:

Cruisin' for a Bruisin' by The Reverend Horton Heat
Wayne's staff pick showcases the rockabilly style of this group who is still out touring. The lyrics are about a couple of guys about to fight over a girl. There's a little bit of a surfing music and a little blues style to this as well.

Prayer for the Dying by Seal
Rob brings us the haunting sound of Henry Olusegun Adeola Samuel, better known as Seal. His song “Kiss from a Rose” would appear on the soundtrack to Batman Forever. Producer Trevor Horn handled both this second album and Seal's debut album.

You Better Wait by Steve Perry
Brian's staff pick is a solo effort from Journey's iconic front man. This is from his second solo album “For the Love of Strange Medicine.” The song is about a girl who runs away and loses herself in the city.

Come Out And Play by The Offspring
Bruce finishes our staff picks with this breakout hit from Smash, the third album by The Offspring. "Gotta keep 'em separated" came from when front man Dexter Holland was in med school experimenting with bacteria in a cooling flask. The phrase came to him when the samples were interacting with each other.

INSTRUMENTAL TRACK:

Big Sky by The Reverend Horton Heat
We go back to the rockabilly genre for this instrumental number from “the Right Reverend” to finish off this week's episode.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - November: The Police “Zenyatta Mondatta” Sep 21, 2020

Power trios were unusual in the punk and new wave scene of the late 70's, but The Police were a notable exception. By November 1980 they were putting out their third studio album, Zenyatta Mondatta which would be the second of four albums to hit the number 1 slot in the UK, continuing their meteoric climb to super stardom on both sides of the pond. The Police only put out five albums, a surprisingly small discography for how famous the band would become.

Drummer, Stewart Copeland formed the band with Sting and guitarist Henry Padovani originally; with the more experienced and successful Andy Summers joining from a group called Strontium 90 a bit later. Padovani left to join another group, and the trio began their rise to stardom.

The Police were powered by the frenetic drumming of Stewart Copeland, guitarist Andy Summers, and front man and bassist Sting. The band was influenced by reggae and punk origins, but also took a turn towards new wave and progressive sounds that found a substantial commercial audience

Zenyatta Mondatta was recorded quickly (in a three-week period) and released in October 1980 just before the start of their world tour. While the band felt it rushed - they actually laid down the last track at 4:00 a.m. the day of their tour - it was received well by both critics and the public.

De Do Do Do, De Da Da Da
“That's all I want to say to you.” Sting wrote this as a comment on how people like simple songs. This was the first single off the album, and actually had some interesting lyrics despite the simple sounding name - “poets, priests and politicians have words to thank for their positions. Words that scream for your submission and no one's jamming their transmission.”

Canary in a Coalmine
This frenetic reggae song is a deeper cut, though it got its share of play on rock radio at the time. The lyrics seem appropriate today. “You say you want to spend the winter in Firenza. You're so afraid to catch a does of influenza. You live your life like a canary in a coal mine. You get so dizzy even walking in a straight line.” — could be about today!

Driven to Tears
This political song chronicles the divide between the rich and the poor, and has a jazz influence. This is the first politically-themed song written by Sting for the group. Sting saw a program about starving children in Africa, and the idea that people can afford televisions but not food for children drove him to tears.

When the World Is Running Down (You Make the Best of What's Still Around)
Also written by Sting, this song reached number 3 on the Billboard charts in 1981. It is about making lemons from lemonade in a post-apocalyptic world.

ENTERTAINMENT TRACK:

The theme from the television series “Bosom Buddies”
Tom Hanks got his start on this brief series about two men who dress as women to get a spot in an all-girls' apartment complex.

STAFF PICKS:

Once in a Lifetime by Talking Heads
Bruce features a well known piece co-written by David Byrne and producer Brian Eno. It is about life passing you by. The music reflects Afrobeat jam sessions, and the lyrics were inspired by Byrne listening to preachers delivering sermons. The music video was created by Byrne and Toni Basil.

Stop This Game by Cheap Trick
Wayne brings us a deeper cut with a more progressive rock feel. George Martin (known as the 5th Beatle) produced the album from which this song is pulled. Cheap Trick was a very popular live act in the late 70's and early 80's.

The Logical Song by Supertramp
Brian's staff pick is a live version of Supertramp's hit from the album "Breakfast In America." It chronicles the disillusionment of higher education that teaches lots of things but leaves out important aspects of identity. And of course, you can't go wrong with a sax!

Touch and Go by The Cars
Rob's staff pick is the synth-heavy debut single from the album Panorama. John Lennon mentioned "Touch and Go" in his final interview. He suggests that the song is a 50's song with 80's style.

INSTRUMENTAL TRACK:

The Other Way of Stopping by The Police
Stewart Copeland, Andy Summers, and Sting take us out with this instrumental track from "Zenyatta Mondatta." The name comes from a Bob Newhart comedy skit.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - April: Hole "Live Through This" Sep 14, 2020

Courtney Love's band Hole released their second album, Live Through This one week after the death of Kurt Cobain, Love's husband and front man for the grunge giant Nirvana. Hole originated in the punk rock scene, but are often identified with the grunge movement due to Love's relationship with Cobain and their move to Washington to write this album.

In addition to frontwoman Love, the band consisted of Eric Erlandson on lead guitar, Kristen Pfaff on bass, and Patty Schemel on drums. Love and Erlandson wrote the songs, and Pfaff and Schemel were newcomers to the group, replacing bassist Jill Emery and drummer Caroline Rue who had left over creative differences.

The album was noted for a toned-down and more melodic approach to things than their debut effort. Themes of the album would revolve around aspects of Courtney Love's personal life, including relationships, motherhood, and post-partum depression. A controversy that plagued the album was that much of the work was ghost-written by Kurt Cobain. Band members and producers have consistently denied this, though it is perhaps understandable how a rumor like this would get legs, following on the heels of Cobain's suicide. The only connection between Cobain and the album was that he sang backing vocals on a couple of songs when they were in the recording studio. In fact, many of the tracks were performed during Hole's previous tour.

While Live Through This is considered more melodic than their previous album, that is a relative measure - the album itself is still quite raw and gritty. That didn't keep it from becoming a critical and popular success, going multi-platinum by December 1994. Unfortunately, drummer Pfaff would not live to see this feat, having died of a heroin overdose in June, just before Hole was supposed to embark on a world tour.

Courtney Love would continue through several iterations of Hole, and pursue songwriting, acting, a writer of multiple manga volumes and a memoir.

Violet
This song is the opening track for the album. It was inspired by Love's relationship with Billy Corgan of the Smashing Pumpkins, just prior to her relationship with Cobain. Love said this song was "about a jerk, I hexed him, and made him lose his hair."

Miss World
The second track on the album was the first single. It is about a person who is loved by everyone, but is empty inside and drowning in depression. "I'm Miss World. Somebody kill me."

Asking For It
This deeper cut is about rape. Love talked about a time when she would stage dive, and found her clothes ripped off. Love felt like she was raped by the audience. Love's life and upbringing was a tumultuous one, with rebellion, drugs, and broken family relationships.

Doll Parts
The second single from the album is likely the best known one. It reflects her insecurity with Kurt Cobain. Love and Cobain both went into rehab when Love was pregnant. Unfortunately Cobain would run away from the rehab center shortly before his suicide.

ENTERTAINMENT TRACK:

Theme from Space Ghost for “Space Ghost Coast to Coast”
This comedy spoof of a late night talk show was the first original series produced by the Cartoon Network.

STAFF PICKS:

“Player's Ball” by OutKast
Brian brings us Southern Rap from Atlanta's own OutKast. The song discusses living in the south and living in the hip hop culture. This is off OutKast's debut album entitled "Southernplayalisticadillacmuzik."

“Rocks” by Primal Scream
Bruce's staff pick is off Primal Scream's fourth album "Give Out But Don't Give Up." Bobby Gillespie and Jim Beattie originally formed this Scottish rock band with a psychedelic sound, but went more classic rock and blues with this album.

“Found Out About You” by the Gin Blossoms
Rob's staff pick features the fourth single from the Gin Blossoms' second album, “New Miserable Experience.” The Gin Blossoms formed in Tempe Arizona in 1987, and were identified as alternative rock and “jangle pop.” The name comes from a picture of W.C. Fields describing his ruddy complexion.

“Because the Night” by 10,000 Maniacs
Wayne's pick features a cover originally performed by The Patti Smith Group from 1978. Natalie Merchant fronts 10,000 Maniacs in an Unplugged version of this classic written by Patti Smith and Bruce Springsteen

INSTRUMENTAL TRACK:

Main Theme from the motion picture “Bad Girls”
This instrumental was the soundtrack from a western featuring Madeliene Stowe, Andie MacDowell, and Drew Barrymore.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - October: Ozzy Osbourne "Blizzard of Ozz" Sep 07, 2020

Today Ozzy Osbourne is a household name, and arguably this debut album is where it all started. Before Blizzard of Ozz was released, Ozzy had been fired from his position as front man for the heavy metal band Black Sabbath, and he was certain that he would “go back to Birmingham and the Dole” after that. However, Don Arden, Black Sabbath's manager, had hoped that Ozzy would return to the group, and signed him to Jet Records to record new material in Los Angeles. He sent his daughter to look after Ozzy and "protect his investment." That daughter was named Sharon Arden...and would soon be famous in her own right as Ozzy's wife and manager.

This album was originally intended to be a super group called Blizzard of Ozz, with Ozzy (born John Michael Osbourne, but known as Ozzy since elementary school) on lead vocals, Don Airey (Rainbow) on keyboards, Bob Daisley (Rainbow) on bass, Lee Kerslake (Uriah Heap) on percussion, and virtuoso Randy Rhoads (Quiet Riot) on lead guitar. The band was surprised and upset to find that they had been relegated to "Ozzy's band" when the group name became the title of this solo album.

Blizzard of Ozz was released in the UK in September 1980, and in the US in March 1981. It would go on to 4x platinum status, and would be Ozzy Osbourne's best selling solo album.

And now, for those of you who are ready to hear from The Prince of Darkness, the Godfather of Metal himself, in his prime - “ALL ABOARDDDDDDD! heh-heh-heh-heh!”

Crazy Train
While this song is a classic and staple of metal, it took some time for this first single to achieve that status. It peaked at number 9 on the Billboard charts in July 1981. It is about the cold war - "Hears of a cold war, that's what we've become. Inheriting troubles, I'm mentally numb."

Mr. Crowley
The second single from the album was a lot less well known outside of rock radio at the time. It is about Aleister Crowley, who was an English occultist and magician from the early 20th century. Ozzy had read a book about Crowley and was inspired to write a song by that and a deck of tarot cards they found in the studio. The guitar solo from this piece is a famous one by Rhoads, who would be killed in a plane crash in 1982. Mr. Crowley and Crazy Train were the only singles released from the album.

Goodbye to Romance
This slower-paced song was the first track written for the album, and was Ozzy's way of saying goodbye to his former band. Black Sabbath fired Osbourne in April 1979, claiming that he was "unreliable and had excessive substance abuse issues compared to the other members."

I Don't Know
The opening track from the album was surprisingly not released as a single. However, it did get considerable airplay on rock stations regardless. Some suggest that this song was also about Osbourne's departure from Black Sabbath, but the lyrics sound more like a plea to not expect answers to serious questions from rock and roll singers.

ENTERTAINMENT TRACK:

Theme from the animated TV series “Thundarr the Barbarian”
This staple of Saturday morning animated action shows made its debut in 1980, predicting cosmic destruction in 1994.

STAFF PICKS:

“Rough Boys” by Pete Townshend
Wayne brings us a side project from the Who's Pete Townshend. "Rough Boys" is off his second solo album, but this one sounds just like the Who. It is dedicated to the Sex Pistols, and Stephen Thomas Erlewine of AllMusic described it as a "blistering punk love letter."

“Another One Bites the Dust” by Queen
Rob's staff pick spent 15 weeks on the top 10, making it the longest running top-10 song of 1980. This song has a number of sound effects, but there are no synthesizers used to make the song. "Another One Bites the Dust" was considered for the Rocky III film, but ended up being "Eye of the Tiger" by Survivor when things fell through on "Dust."

“Sometimes a Fantasy” by Billy Joel
Brian features one of many hit singles off Joel's "Glass Houses." The song is about erotic phone call lines - 900 numbers. Joel was careful with the lyrics he chose to avoid issues with censors and moral advocacy groups.

“Late in the Evening” by Paul Simon
Bruce's staff pick is the lead single off Simon's fifth studio album and semi-autobiographical movie "One Trick Pony." Dummer Steve Gadd is playing with two pairs of drumsticks in each hand to give the percussion a fuller feeling. According to Songfacts, the lyrics are based on a drwam that Simon had when he was a teenager of being a rock star.

INSTRUMENTAL TRACK:

“Behind My Camel” by The Police
This instrumental track from the 1980 album release, Zenyatta Mondatta was written by Andy Summers, but hated by Sting and Stewart Copeland. Summers plays both lead guitar and bass on this track, because Sting opted out.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 — August: Lynyrd Skynyrd "(Pronounced 'Lĕh-'nérd 'Skin-'nérd)" Aug 31, 2020

There are only a handful of bands who seem to jump fully formed onto the scene from their debut album, and one of these is certainly Lynyrd Skynyrd with their debut studio release (Pronounced 'Lĕh-'nérd 'Skin-'nérd). Lynyrd Skynyrd is arguably the band that defines Southern rock. Originally formed as “My Backyard” in 1964, the group would take the name “Lynyrd Skynyrd” in 1969, taking the name of a PE teacher (Leonard Skinner) at Robert E. Lee High School — a teacher whose strict enforcement of school policies against boys having long hair resulted in guitarist Gary Rossington dropping out of high school. In addition to guitarist Rossington, the band consisted of front man Ronnie Van Zant, guitarist Allen Collins, guitarist and bassist Ed King, keyboardist Billy Powell, and drummer Bob Burns.

Despite the jam band feel from songs like “Freebird,” the band itself went into the studio with their songs quite perfected, and no improvisation was allowed. The album itself is terrific, and the band vaulted into an incredible popularity after opening for The Who during their Quadrophenia tour.

Skynyrd would produce five studio albums before tragedy struck in a plane crash in 1977 that killed Van Zant, Steve Gaines, Cassie Gaines, assistant road manager Dean Kilpatrick, and the pilot and co-pilot. Other members of the band would suffer serious injuries.

FOTS Bill Cook brings us this iconic Southern Rock album, which happened to be the first album he ever owned.

I Ain't the One
The opening track from the album was written by Gary Rossington and Ronnie Van Zant. It tells a story of a rich girl "tryin' to put a hook on me" when she was found to be pregnant, but "you know and I know, woman, I ain't the one."

Gimme Three Steps
The lyrics that Ronnie Van Zant penned for this well known tale are a true story. Ronnie Van Zant had a fake ID, and made the rest of the band stay in the car while he went into The Little Brown Jug in Jacksonville, Florida. He was confronted by a man with a loaded 44 after dancing with his wife, Linda Lou. Van Zant ran out to the car and wrote the lyrics on the way back to their studio.

Things Goin' On
This deeper cut is appropriate for today. It is influenced by the Muscle Shoals sound, and has a great honky tonk keyboard sound. The song is a warning about social and environmental issues, and the politicians' uncaring attitudes.

Tuesday's Gone
A slower cut, this song has become iconic over time. Stories regarding the meaning of the lyrics conflict to a great degree. Some say it is about a girl who was left behind, while others say it is about a lifestyle that was lost as the band became famous. "Train roll on many miles from my home, see, I'm riding my blues away. Tuesday, you see, she had to be free but somehow I've got to carry on."

ENTERTAINMENT TRACK:

“Rock Around the Clock” by Bill Haley and the Comets
This song was part of the movie "American Graffiti," debuting in the theaters in August 1973

STAFF PICKS:

“Why Should I Care” by Beck, Bogert, & Appice
Bruce features a supergroup formed by Jeff Beck, Tim Bogert (bassist for Vanilla Fudge, Cactus), and Carmine Appice (drummer for Vanilla Fudge, Cactus, and Blue Murder). The song was written by Raymond Louis Kennedy, who also wrote "Sail On, Sailor" for The Beach Boys and "Isn't It Time" by The Babys.

“Half Breed” by Cher
Rob brings us a song about a biracial girl with a white father and a native American mother, and the lack of acceptance she found from both races. Cher had some Cherokee ancestry on her mother's side.

“I Found Sunshine” by The Chi-Lites
Wayne's staff pick brings us the soulful sound of The Chi-Lites from Chi-town — Chicago. They were going to name the band "The Hi-Lites," but decided to make it "The Chi-Lites" in homage to their Chicago. The band charted 21 songs on the hot 100 throughout their career.

“Bad, Bad Leroy Brown” by Jim Croce
Bill brings the staff picks home with acclaimed singer-songwriter Jim Croce's first hit. Leroy made a pass at Doris, and her husband beat him up. Leroy Brown was based on a guy that Croce met in the army. He went AWOL from the army, but was arrested when he came back for his check. Croce knew after listening to him that he would write a song about him one day.

COMEDY TRACK:

“Uneasy Rider” by The Charlie Daniels Band
Continuing the storytelling theme, the late, great Charlie Daniels tells a story about getting stranded in a red neck bar in Mississippi.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - March: The Guess Who “American Woman” Aug 24, 2020

Who is the finest rock band to come out of Winnipeg, Canada? That's right, The Guess Who. In January 1970 they released their sixth studio album, American Woman, and were riding the wave of one of their most commercially successful albums in March. This album took a harder rock direction from their formerly psychedelic and pop sound, and would produce their only number 1 hit in the US, making them the first Canadian band to top the American Hot 100 chart.

The Guess Who got their name in 1965 when their record label, Quality Records, released a single under the name “Guess Who?” They were attempting to build a buzz that the song might be a famous band recording incognito, but the name stuck. At the time of recording American Woman, the group consisted of Burton Cummings on lead vocals, keyboards, and harmonica, Randy Bachman on lead guitar, Jim Kale on bass, and Garry Peterson on drums. All band members contributed backing vocals to the strong harmonies of the group. This album would be Randy Bachman's last with the group (until rejoining in 1983), as he would go on to form Bachman-Turner Overdrive.

Friend of the show Bill Cook stands in for the vacationing Brian Dickhute as we look back on one of Canada's greatest rock bands.

No Time
This first single off the album is a reverse “Dear John” letter. The song was originally on their album “Canned Wheat,” but made a reappearance on this album with a faster tempo. “Seasons change and so do I, you need not wonder why. There's no time left for you.”

American Woman
This title song may be their best known of The Guess Who songs. Randy Bachman started this riff while tuning his guitar during a concert after breaking a string, and turned it into a chart-topping hit. The lyrics reflect the differences between girls in the States and girls in Canada. American women were considered “dangerous” by the band.

8:15
This deeper cut is talking about meeting at a place at 8:15. We enjoyed the jangley guitar and the drum break in this one.

No Sugar Tonight
This track was the B-side from the American Woman single. Randy Bachman had written a song called “No Sugar Tonight,” and Burton Cummings thought it was too short. They added a Cummings song that was “New Mother Nature” to lengthen it. “No Sugar Tonight” was inspired when Bachman saw a tough biker berated by his wife, and she shouted out the final line “And one more thing...you ain't gettin' no sugar tonight!”

ENTERTAINMENT TRACK:

The Intro to ABC's “Wide World of Sports”
The event that came to be known as “the agony of defeat” occurred this month when Vinko Bogataj crashed during a ski jump attempt.

STAFF PICKS:

Celebrate by Three Dog Night
Bruce's staff pick peaked at number 15, and is off Three Dog Night's second studio album called "Suitable for Framing." There are three vocalists for Three Dog Night, and they're all taking lead on this song. Danny Hutton is on lead in verse 1, Chuck Negron is on lead in verse 2, and Cory Wells is on verse 3. The song also features the Chicago horn section.

Love Grows (Where My Rosemary Goes) by Edison Lighthouse
Wayne features a group with Tony Burrows on lead. Burrows would have three hits fronting three different bands - Edison Lighthouse, White Plains, and Brotherhood of Man.

Let It Be by The Beatles
Friend of the show Bill Cook brings us this timeless epic song from the final days of The Beatles. McCartney wrote this song during a time when the rest of his band members were moving on with their lives, and Paul wasn't sure where his life was going. In a dream his mother - named Mary - comes to him and says, "let it be."

(editors note: it looks like Bruce was wrong about Ringo Starr living in Atlanta. He has homes in London, Los Angeles, and Monte Carlo, so don't look for him in Buckhead!)

Always Something There to Remind Me by R.B. Greaves
Rob's staff pick was authored by Burt Bacharach and Hal David. R.B. Greaves recorded this version at Muscle Shoals, and took it to number 27. Most people are probably more familiar with the Naked Eyes version from 1983, which took the song to number 20.

LAUGH TRACK:

Do the Funky Chicken by Rufus Thomas
Nothing finishes off a great podcast quite like doing the funky chicken!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - April: Aerosmith "Toys in the Attic" Aug 17, 2020

With their third studio album Aerosmith really came into their own. Toys in the Attic would be their most commercially successful studio album in the United States, and would spawn two enduring rock anthems.

Aerosmith came out of Boston in 1970 with Steve Tyler on lead vocals and harmonica, Tom Hamilton on bass, Joe Perry on guitar, Brad Whitford also on guitar, and Joey Kramer on drums.

Toys in the Attic was immediately successful and made Aerosmith into international stars. Their first top 40 hit, "Sweet Emotion," came off this album, and its success encouraged listeners to check out the previous Aerosmith albums, bringing them back onto the charts.

Flamboyant front man Steve Tyler was often compared with Rolling Stones frontman Mick Jagger, but the resemblance did not carry over to the music. Aerosmith would tact closer to Led Zeppelin than to the Stones, and would carry high energy vocals and a more funky rock sound.

If you're ready for some hard rocking mid-70's jams, then “WALK THIS WAY!”

Toys in the Attic
This driving title track refers to someone who is completely crazy - similar to phrases like bats in the belfry, or an elevator that doesn't stop on all floors. "Leaving the things that are real behind, leaving the things that you love from mind."

Walk This Way
This iconic song about a teenage boy losing his virginity to a promiscuous cheerleader got its name from a scene in the Mel Brooks comedy "Young Frankenstein." This track was where Aerosmith really exploded onto the scene. The lyrics are almost a rap with their speed, and it would become a true rap song with Run D.M.C.'s cover.

Big Ten Inch Record
A throwback boogie written in 1952 by Bull Moose Jackson, the double entendre actually refers to vinyl records which were originally 10-inch, 78 rpm. Aerosmith kept the cover faithful to the original big band feel. Steven Tyler's harmonica work is prominent in this track.

Sweet Emotion
Another epic track, the lead "talking guitars" announce something different. The song expresses Tyler's frustration with the band and tensions with the band member's wives and girlfriends. This is one of the songs that Van Halen covered in their early days.

ENTERTAINMENT TRACK:

Theme from the television series “Kung Fu”
David Carradine was Kwai Chang Caine, a refugee from China in the American west in the television show, which ended in this month.

STAFF PICKS:

“Don't Call Us, We'll Call You” by Sugarloaf
Wayne's staff pick was inspired by the experience of the band with CBS records. No one would call them back. After they became famous, they turned the tables on the record companies who now wanted to talk to them. You'll hear riffs from The Beatles and Stevie Wonder embedded in the song.

“Amie” by Pure Prairie League
Bruce features a breakup song originally released on their second album in 1972. It did not do well when first released, but gained popularity as an album cut on college radio stations, and was re-released as a single in 1975. On the original album the song is preceded by a short song entitled "Falling In and Out of Love," which is reprised at the end of "Amie." You occasionally hear these together on the radio.

“Philadelphia Freedom” by Elton John
Rob's staff pick was a single without an album when it came out. Elton John was friends with Billie Jean King, who was part of the Philadelphia Freedoms professional tennis team at the time. This song was written as a tribute to her and the team. "'Cause I live and breathe this Philadelphia freedom."

“No-No Song” by Ringo Starr
Brian brings us a lighthearted song from the former Beatle drummer, giving us a whimsical anti-drug message. "No, no, no, no, I don't smoke it no more...I'm tired of waking up on the floor!"

LAUGH TRACK:

“Dynomite” by Tony Camillo's Bazuka
We finish off this week with a track inspired by "Good Times" and J.J. Walker's catch phrase.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 — February: Herman's Hermits “Introducing Herman's Hermits” Aug 10, 2020

Introducing Herman’s Hermits is the the debut album for the band Herman’s Hermits. Front man Peter Noone was an actor on "Coronation Street," a British TV soap opera. The resemblance between Noone and a character named Sherman (from the Rocky and Bullwinkle cartoon) was noted, and this name was shortened to "Herman." The group would start using the name "Herman and His Hermits," and this was also shortened to "Herman's Hermits."

Herman's Hermits were a part of the British Invasion of the early 60's, which included acts like the Dave Clark 5, The Merseybeats, and of course The Beatles. In fact, the group was curated to appeal to American audiences, with a non-threatening clean cut image very different from that of other rock bands like the Rolling Stones and The Who. In addition to their music, the band also appeared in several MGM-produced movies at the time, including the 1968 film, "Mrs. Brown You've Got a Lovely Daughter."

This was a very popular band in the early 60's, posting 12 top-10 songs by the middle of the decade. By 1968, however, music tastes had changed, and Herman's Hermits lost popularity in the United States. They did see a resurgence in the 80's, and toured in the oldies circuits at the time, though with a different lead singer since Peter Noone left the band in 1971.

Peter Noone still tours today, and this would be a great act to catch when he comes to your town.

Mrs. Brown, You've Got A Lovely Daughter
The English accent is exaggerated in this song, a departure from the more common attempts to downplay accents. "Make a bloke feel so proud!" This was not intended to be a single, but it went to number 1 on the charts. The Chipmunks covered this song in 1965 as well.

Show Me Girl
This deeper cut was co-written by Carole King and went to number 19 in the UK. "So if you really care and you're not just wasting my time, come on and show me girl."

Henry the 8th
Another song that promotes the English accent, the name is pronounced, "En-e-ry" in the Cockney style. It is a 1910 British music hall song, but in 1965 it became the fastest-selling song in history. Herman's Hermit took it to number 1, beating out the Rolling Stones "Satisfaction." Interestingly, this is not about Henry VIII, king of England, but about the 8th Henry to marry the widow next door.

I'm Into Something Good
This is another song penned by Gerry Goffin and Carole King, it is surprising that it only reached number 13 despite its enduring popularity. King was inspired by the work of The Beach Boy's Brian Wilson when she wrote this song. It tells of a new love.

ENTERTAINMENT TRACK:

Theme from the television series “Lost In Space”
This science fiction series was playing at the time. "Danger, Will Robinson!"

STAFF PICKS:

“The Boy from New York City” by The Ad Libs
Bruce brings us a doo-wop quintet from Bayonne, New Jersey. Though they continued to record into the 80's, The Ad Libs would only post this hit at number 8 from February 1965. The Manhattan Transfer took a cover version to number 7 in 1981. And The Darts took it to number 2 in the UK in 1978.

“You've Lost That Lovin' Feelin’” by The Righteous Brothers
Rob's pick also features a song well known from its cover version, this time from 1980 by Hall & Oates. According to BMI the original and/or its cover versions was the most played song on American radio and TV for 22 years until 2019, when it was usurped by Sting's “Every Breath You Take.”

“All Day and All of the Night” by The Kinks
Brian's staff pick was influenced by a previous Kink's song “You Really Got Me.” In turn, it also heavily influenced The Doors “Hello, I Love You.” A young session guitarist, Jimmy Page, is rumored to have played on it, though Davies denied it.

“The Midnight Special” by Johnny Rivers
Wayne also brings us a song better known by its cover, this time covered by Credence Clearwater Revival. Johnny Rivers had this folk song in the top 20 in 1965, but the original was recorded in 1905. It talks about the dreams of prisoners to be on the midnight train.

COMEDY TRACK:

“Jolly Green Giant” by The Kingsmen
This comedic track is based on the Jolly Green Giant of green beans fame.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - January: Chicago “Chicago II” Aug 03, 2020

Although commonly called Chicago II, this album is technically the first Chicago album because their first album was under the name The Chicago Transit Authority. They changed their name in 1969 under pressure from the municipal governmental body called the Chicago Transit Authority.

Chicago II is a double album, full of jams and their trademark horns. The first four albums would all be double albums. We're going to feature two songs from this album, although one is actually a seven part song cycle with at least two parts you will identify as well known singles.

Chicago is: Peter Cetera on bass and vocals, Terry Kath on guitar and vocals, Robert Lamm on keybards and vocals, Lee Loughane on trumpet and flugelhorn, James Pankow on trombone, Walter Parazaider on saxophones and flute, and Danny Seraphine on drums.

Chicago describes itself as “rock and roll with horns,” though it is a fusion of many types of music, part hard rock, part jazz, part prog rock, part soft rock, maybe even a little classical music for good measure. Whatever you call it, we enjoy the variety and depth, and hope you will too.

Ballet for a Girl in Buchanan
This is a seven movement song cycle written by trombonist James Pankow. The namesake girl is Terry Heisler, Pankow's ex fiancee who was attending West Virginia Wesleyan College in Buckhannon, West Virginia at the time. Pankow wrote the piece in an attempt to get her back, and also because of his inspiration from classical music song cycles.

Movement 1: Make Me Smile
Terry Kath is on lead vocals for this movement. You have likely heard the single on the radio, which is created by splicing the first movement and the last movement together.

Movement 2: So Much to Say, So Much to Give
This movement features Robert Lamm on lead vocals.

Movement 3: Anxiety's Moment and Movement 4: West Virginia Fantasies
The third and fourth movements are instrumental tracks, and rather straightforward prog rock concepts.

Movement 5: Color My World
Terry Kath returns to lead vocals on a piece that should be familiar as its own single. Frank Sinatra supposedly wanted to record a version of the song if Pankow would write an additional verse. Pankow declined, so we have the song as a long piano intro, one verse, and a flute solo.

Movement 6: To Be Free
This instrumental has a distinct 1970's feel to it, and builds to the final movement.

Movement 7: Now More Than Ever
The final movement is a reprise of the theme from the first movement, Make Me Smile. You will recognize this from the single.

25 or 6 to 4
We can't do a Chicago album without catching Peter Cetera on lead vocals somewhere. Robert Lamm wrote this song about trying to write a song in the middle of the night - 25 or 26 minutes before 4 a.m. (who really knows?)

ENTERTAINMENT TRACK:

Theme from "M*A*S*H"
The motion picture M*A*S*H appeared in January 1970. Only one of the actors from the motion picture would reprise his role in the television series - Gary Rich Burghoff, aka Radar O'Reilly.

STAFF PICKS:

“My Baby Loves Lovin'” by White Plains
Wayne's staff pick is a bubble gum pop hit from the one hit wonder group, White Plains. “She's got what it takes, and she knows how to use it.” Lead vocalist Tony Burrows had 5 hits, all with different one hit wonder groups.

“Come Together” by The Beatles
Rob features the well-known psychedelic hit from the Fab Four. It was inspired by a request from Timothy Leary to write a campaign song for his California gubernatorial run against Ronald Reagan. While Lennon couldn't come up with a campaign song, he did create this one using a Leary quote — “come together.”

“Up On Cripple Creek” by The Band
Brian's cranks up the swamp rock that references his hometown Lake Charles, Louisiana. Robbie Robertson wrote this song about a mountain man and a girl named Bessie. “A drunkard's dream if I ever did see one!”

“I Want You Back” by the Jackson 5
Bruce's staff pick introduces the first hit from the kid who would become the King of Pop. This would start a string of 4 singles what would be consecutive number 1 hits.

INSTRUMENTAL TRACK:

“969 (The Oldest Man)” by The Guess Who
We wind up this week's episode with an instrumental blues number from the album American Woman.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - May: The Go-Go's “Beauty and the Beat” Jul 27, 2020

I can tell what you're thinking: really, What the Riff? The Go-Go's? That's not rock, that's pop! Well we'll agree that their debut album Beauty and the Beat was quite popular, but the group has its roots in the punk movement, not pop music.

With Belinda Carlisle on lead vocals, Charlotte Caffey on lead guitar and keyboards, Gina Schock on percussion, Kathy Valentine on bass, and Jane Wiedlin on rhythm guitar, The Go-Go's were the first and (so far) only all female band to hit the top of the charts writing their OWN songs and playing their OWN instruments.

Their inspiration comes from punk stalwarts like Iggy Pop and The Sex Pistols, and the band was formed before the members actually knew how to play their instruments. They established a reputation in the L.A. punk scene and were eventually signed by I.R.S. Records. Beauty and the Beat combines Punk sensibilities with the upcoming New Wave sound of the early 80's, and the result was both critically and popularly well received. The Go-Go's would be nominated for the Best New Artist Grammy in 1982, and Beauty and the Beat would spend 6 weeks atop the Billboard 200 chart.

So it is OK to rock out to The Go-Go's. But don't worry if you're embarrassed. We won't tell. Our lips are sealed!

We Got the Beat
This is the song that started it all for The Go-Go's. Penned by guitarist and keyboardist Charlotte Caffey, it gained popularity as a demo in the UK in 1980. They were invited to tour with the group Madness at that time, and it's distinctive percussion beat is iconic.

Our Lips Are Sealed
“Pay no mind to what they say. It doesn't matter anyway.” This was the first track on the album and the lead U.S. single. It's pop orientation is also atypical for the group, and The Go-Go's were unenthusiastic about doing the video. The perky, fresh image was very different from their roots.

Can't Stop the World
This deeper cut sounds a little more new wave than the hits off the album. Kathy Valentine's bass licks are prominent on this track. The lyrics are good advice for today. “Things will be alright. Can't stop the world.”

Automatic
This minor key track has a mysterious vibe to it. This song is played in the background on a documentary on The Go-Go's discussing the darker side of the group. There are some cool pauses in the middle of this track.

ENTERTAINMENT TRACK:

The William Tell Overture (Main Theme from "The Legend of the Lone Ranger")
One of the biggest box office failures hit the cinemas this month, and both the star and director of the movie would not respectively act and direct again.

STAFF PICKS:

Swords & Tequilla by Riot
Wayne's staff pick cranks out the rock. Heavy Metal band Riot is out of New York City, and unfortunately didn't catch the fame that later hair bands would gain. This is from their album Fire Down Under. The lead singer was killed in Atlanta when shot during an attempted carjacking.

Ain't Even Done with the Night by John Cougar
Brian brings us an early hit from the album “Nothin' Matters, and What If It Did” by John Cougar. Cougar - soon to revert back to John Mellencamp - was an observational writer, and so his songs are not autobiographical. “It's time to go home, and I ain't even done with the night.”

Find Your Way Back by Jefferson Starship
Bruce's staff pick is off Modern Times, the sixth album by Jefferson Starship, and the second with Mickey Thomas on lead vocals. This song is about regret at leaving a relationship. The chorus comes back to the theme, “find your way back to her heart.”

Somebody's Knockin' by Terri Gibbs
Rob finishes us off with a crossover country song from from talented and blind Georgia native Terri Gibbs. This song hit number 13 on the pop charts. “Lord it's the devil, would you look at him? I've heard about him, but I never dreamed he'd have blue eyes and blue jeans.”

INSTRUMENTAL TRACK:

Primera Invasion by Santana
This instrumental track showcases the talents of Carlos Santana, who had an album on the charts at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1971 - July: The Allman Brothers Band "At Fillmore East" Jul 20, 2020

The Allman Brothers Band recorded their third album live in March 1971 over two days. At Fillmore East would become their breakthrough album, filled with enough blues-rock jams to make it a double, despite the fact that there were only seven songs in total. Brothers Duane and Gregg Allman realized that their strength was rooted in their live shows, and determined that the best showcase for them would be a live album.

The band features Gregg Allman on vocals, piano, and organ, Duane Allman and Dickey Betts on guitars, Berry Oakley on bass guitar, and Butch Trucks and Jai Johanny Johanson on percussion. The band was unusual in having both two lead guitar players and two percussion players.

At Fillmore East went gold about 3 months after its release. Unfortunately, Duane Allman died in a motorcycle accident in Macon at the height of the album's popularity in October 1971. Only 13 months later bassist Barry Oakley also died in a motorcycle accident only 3 blocks away from the place where Duane had died.

Friend of the show Andy Burt features this classic album.

Statesboro Blues
This track opens the album, and was written in 1928 by Blind Willie McTell. The blues group Taj Mahal recorded a version of the song in 1968, and this inspired Duane Allman to perform the song and to play it on the slide guitar. The slide Allman used was a glass vial originally containing cold medicine!

Hot'lanta
This instrumental song is a deeper cut that gets its name from a nickname for Atlanta. Gregg and Duane Allman got their start in Hourglass (which we previously featured), but were not well suited to work in a pop group. Hot'lanta was never recorded in a studio, but was only recorded live.

In Memory of Elizabeth Reed
Another instrumental, this song was a jam based off a track from their second studio album. You get a sense of their jazz influences here, both from Miles Davis and John Coletrane. The song was written for a girl with whom Dickie Betts had an affair. Not wanting to name her, Betts took the name from a tombstone in the Rose Hill Cemetery in Macon, Georgia.

Whipping Post
Perhaps the most famous track on the album, Whipping Post takes up an entire album side. Jerry Oakley wrote the riff, and Gregg Allman wrote the lyrics. The idea is of a man betrayed by a woman who feels completely helpless. The complex meter is unusual for a blues rock band, and shows the versatility and fusion characteristics of the band.

ENTERTAINMENT TRACK:

The theme from the motion picture “Shaft” by Isaac Hayes
Who is the man that would risk his neck for his brother, man? (Shaft) Can ya dig it?

STAFF PICKS:

“Hot Pants” by James Brown
Brian keeps the music Georgia-based with his staff pick from the Godfather of Soul. The official name of this song is "Hot Pants (She Got to Use What She Got to Get What She Wants)," and this is part 1 of a 3-part funk song. Parts 2 and 3 appeared on the B-side of the single for part 1.

“Love the One You're With” by The Isley Brothers
Rob brings us a soulful cover of the Stephen Stills song you've likely heard before. The Isley Brothers would take this version to number 3 on the R&B charts, and it was their 5th top 40 single. The Isley Brothers got their start in the 50's, and brought a fusion approach to gospel harmonies.

“Smiling Faces Sometimes” by The Undisputed Truth
Wayne's staff pick continues the soulful tact with this psychedelic soul production. The Undisputed Truth was known for their unusual costumes and makeup, predating the glam-rock trend. Beware of the handshake that hides the snake. Can you dig it?

“Riders on the Storm” by The Doors
Andy finishes off the staff picks with this song inspired by “Ghost Riders in the Sky.” The dark lyrics were inspired by serial killer Billy Cook, who killed six people while hitchhiking in California. This single was released just before Jim Morrison died in Paris.

INSTRUMENTAL TRACK:

“K-Jee” by The Nite-Liters
This instrumental hit was on the charts at the time, and would make a re-appearance on the disco motion picture “Saturday Night Fever.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - August: (various artists) "Heavy Metal" Soundtrack Jul 13, 2020

In 1977 Leonard Mogel began publishing a dark, illustrated, steampunk, and somewhat erotic science fiction and fantasy magazine called Heavy Metal, and in 1981 an adult animated sci-fi fantasy film by the same name was produced by Mogel and Ivan Reitman. The film would become a mainstay of the midnight movie circuit (along with “the Rocky Horror Picture Show”) throughout the 1980's, and would also lead to a hit album which would peak at number 12 on the Billboard 200 chart.

The movie mirrors a comic book, in that it strings together a number of shorter vignettes into an entire animated movie. The shorts are loosely held together by the frame of the Loc Nar, an orb that is the ultimate evil.

Filled with terrific rock tracks, the soundtrack would become mired with legal issues, causing the CD to not be released until 1995. If you wanted to hear it before that, you needed to buy the LP.

We're only giving you a taste of this album, folks. You really should download and listen to it in its entirety.

Friend of the show Andy Burt stands in for Bruce in this one way ticket to midnight.

Heavy Metal (Takin' a Ride) by Don Felder
This is the title track by once and future Eagles alumnus Don Felder. Fellow Eagles alumni Don Henley and Timothy B. Schmit also contribute backing vocals. The track would be the only Felder solo effort to chart, appearing at number 43. The music is associated with the film episode entitled B-17.

Veteran of the Psychic Wars by Blue Oyster Cult
Penned by Eric Bloom and British author Michael Moorcock, this song appears in the story entitled Harry Canyon. John Candy voices the Sergeant in this segment. The song itself reflects a futuristic soldier exhibiting PTSD.

Heavy Metal by Sammy Hagar
“Headbangers in leather!” This song was written for the movie. “It's a one-way ticket to midnight! Cal it - Heavy Metal.” This iconic track is played in the segment called So Beautiful & So Dangerous.

The Mob Rules by Black Sabbath
The short entitled Taarna contains this track. Ronnie James Dio is the front man for this iteration of Black Sabbath. "If you listen to fools, the mob rules." This is the concluding vignette from the film.

“Reach Out” by Cheap Trick
Wayne doubles up with his out-of-order staff pick, from the Heavy Metal Soundtrack. This track also takes place in the Taarna vignette.

ENTERTAINMENT TRACK

“Bad Moon Rising” by Credence Clearwater Revival
"An American Werewolf in London" was on the big screen at this time, with some amazing special effects in this day. CCR contributed this song as the theme of the film.

STAFF PICKS:

“Gemini Dream” by The Moody Blues
Brian's staff pick comes from a synthesizer heavy hit from prog rock superstars The Moody Blues. It hit number 12 on the charts, and comes from their album "Long Distance Voyager." Justin Hayward and John Lodge co-wrote this song.

“Really Wanna Know You” by Gary Wright
Rob brings us another synth-heavy hit from the artist best known for "Dreamweaver." Wright worked closely with ex-Beatle George Harrison, and developed an affinity for eastern religion which permeates his music.

“Hold on Tight” by E.L.O.
Guest Andy finishes off our staff picks with this somewhat Rockabilly boogie number 2 charting track from the Electric Light Orchestra. It is off their sci-fi themed album “Time.” At the time, it was the most expensive video produced. Interestingly, it only hit number 24 in France despite the fact that it has french lyrics in the song.

COMEDY/INSTRUMENTAL TRACK:

“Birdy Song” by The Tweets
Bruce gets blamed for this comedy song choice to finish off an otherwise awesome podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - May: Hoodoo Gurus "Blow Your Cool!” Jul 06, 2020

We’re headed back down under this week with Australian group Hoodoo Gurus and their third album, Blow Your Cool! The Gurus formed Sydney in 1981 under songwriter, guitarist, and lead singer Dave Faulkner. The group was fleshed out by Richard Grossman on bass, Mark Kingmill on drums, and Brad Shepherd on guitar, harmonica, and vocals. Hoodoo Gurus were most popular on college radio, and this album was released at the peak of their popularity.

The Gurus were influenced by B movies and pop culture of the 60's, and the similarity to the B-52's is clear.

Friend of the show Joel Nabors brings us this album, which he heard at Auburn on WETL. Enjoy this trip back to “college in the 80's!”

Party Machine
This upbeat song features Brad Shepherd on harmonica, and is a song about getting paid, having no obligations for the weekend, and headed out to party. "Dig my words, it's a happening scene! Hitch a ride on the Party Machine."

The Middle of the Land
This track is a little more hard rock oriented, with heavy percussion. It is about evangelical preachers and hypocrisy.

What's My Scene
A catchy guitar riff starts this song which was the most popular one off the album. It's about looking at life and love, and wondering when you're time will come. "Now the stage is set, where's my Juliet, baby?"

Good Times
This is a fun song which features The Bangles on background vocals. There was a planned tour co-headlined between the Hoodoo Gurus and The Bangles, but the skyrocketing popularity of The Bangles at the time resulted in the Gurus being the opening act.

ENTERTAINMENT TRACK:

The theme from the television series “The Twilight Zone”
In May 1987, "The Twilight Zone" motion picture director John Landis was found not guilty of involuntary manslaughter in the death of actor Vic Morrow and two child actors, killed in a helicopter accident.

STAFF PICKS:

“Holy War” by John Butcher Axis
Wayne's staff pick features a rocking song with an easter feel from New England songwriter John Butcher. This song describes people who use religion to fight a holy war. Butcher identified with Jimi Hendrix, and the name Axis comes from the Hendrix album "Axis: Bold as Love."

“Midnight Blue” by Lou Gramm
Brian brings us the lead single from Foreigner frontman Lou Gramm's solo debut. "Life is simple. It's either cherry red, or midnight blue." Cherry red is everything going well, midnight blue is dark and mysterious. They lyrics describe a couple who are broken up, but the boy vows to come back again.

“Weapons of Love” by The Truth
Rob's staff pick digs deep from a group formed in 1982. This is The Truth's best selling single, and the title track from their album of the same name. Weapons of Love peaked at number 7 on the rock charts.

“Just Like Heaven” by The Cure
Joel rounds us out this week with a well-known song from another college rock favorite. It sounds surprisingly upbeat, though still somehow melancholy, from ordinarily dark goth group The Cure. "Spinning on that dizzy edge. I kissed her face, I kissed her head."

INSTRUMENTAL TRACK:

"Initiation" by Helloween
This instrumental track opens German heavy metal Helloween's album "The Keeper of the Seven Keys: Part I."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - January: Alice in Chains “Jar of Flies” Jun 29, 2020

Seattle based Alice in Chains may have been associated with the grunge music for which Seattle was famous at the time, but they departed from the standard grunge scene in many ways. Jar of Flies was actually an EP rather than a standard album, and so was shorter than the extended length albums that many groups were producing during the CD era. While Alice in Chains had more of a heavy metal sound than many of their contemporaries, this album was their second acoustic EP. It was also the first EP to ever debut at number one!

Alice in Chains featured Jerry Cantrell on guitars and vocals, Mike Inez on bass and vocals, Sean Kinney on percussion, and frontman Layne Staley on lead vocals. Kinney and Cantrell formed the group in 1987 with Staley on vocals and original bassist Mike Starr. Starr would leave the group in 1993 to be replaced by former Ozzy Osbourne bassist Mike Inez.

The band name came from a glam metal group also named “Alice in Chains” which Layne Staley had been in previously. That group was defunct, so the name was resurrected. The EP was supposed to simply be a few days' break after touring, but that break turned into over two weeks, and “Jar of Flies” was born.

We hope you enjoy this presentation of WHAT THE RIFF?!? and note that Bruce was out this week, and Fan of the Show, Joel Nabors joins us in his place.

Nutshell
This second track from the EP was written by Cantrell, Inez, and Kinney. The song was the opener when the band performed on MTV Unplugged in 1996. The dark lyrics are thought to reflect frustration with fame.

I Stay Away
A departure from many of their pieces due to the use of strings, Staley wrote the lyrics after coming out of rehab. A huge stadium tour was planned after the EP came out, but Staley had relapsed and they had to drop the tour. This song was nominated for Best Hard Rock Performance Grammy in 1995.

No Excuses
This is the big hit from the album that you’ll recognize. Staley and Cantrell create a dissonant vocal duet in this track which also mirrors the dissonance in their relationship. The song became the first Alice in Chains song to hit number 1 on Billboard's Mainstream Rock Tracks. Surprisingly, it was not released as a single at the time.

Don't Follow
This deeper cut was penned by Cantrell, who begins on lead vocals, with Staley joining on harmony. A softer track, this song also drops the percussion and adds a harmonica.

ENTERTAINMENT TRACK:

“Bed of Roses” by The Indians (from the motion picture "Reality Bites")
The soundtrack to this movie overshadowed the movie itself. Ben Stiller directed and starred in this comedy.

STAFF PICKS:

“Going, Going, Gone” by The Posies
Wayne's staff pick is also a deep cut from the soundtrack to "Reality BItes." The Posies were also from Washington, as was Alice in Chains. The song has a Smithereens feel, and is considered one of the Generation "un-hits." The Posies played with Burt Bacharach for the movie "Ausin Powers: International Man of Mystery."

“Under the Same Sun” by the Scorpions
Rob brings us a softer, deeper cut from the Scorpions. It has an unusual start with a sitar. This is from their 12th studio album. Believe it or not, the Scorpions started way back in 1964, and celebrated their 50th anniversary in 2015. The song is about coming together as one.

“Pincushion” by ZZ Top
Joel Nabors' staff pick features a little ol' band from Texas. This is off of “Antenna,” their 11th album and first with RCA. This would be their last song to chart, and spent four weeks at number 1 on Billboard. “I'm just a pincushion - do everything she ask.”

“Linger” by The Cranberries
Brian brings us an anthem of the 90's. MTV put this alternative song into high rotation at the time. Noel Hogan wrote the music, and the original lyrics were written by Niall Quinn, who was previously the lead singer for The Cranberries. O'Riordan wrote her own lyrics about regret when she joined the group.

COMEDY TRACK:

“Whale and Wasp” by Alice in Chains
We finish off this week by going back to Jar of Flies with this instrumental track.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - August: Wilson Pickett “The Exciting Wilson Pickett” Jun 22, 2020

While you may think of Motown when you first hear Wilson Pickett, this sound is neither from Detroit or its counterpart from Philadelphia. This is from the deep south with the deep soul of the 2 M's - Memphis and Muscle Shoals. The Exciting Wilson Pickett was Pickett's third studio album and firmly established his credentials as one of the leading lights of Soul music.

Pickett grew up in Alabama, and like many soul singers at the time he got his start in church. He had a contentious relationship with his mother who he described as "the baddest woman in my book." Eventually he went to live with his father - and further honed his singing style - in Detroit.

Many tracks on this album were recorded at Muscle Shoals with a backup band called The Swampers. Lynyrd Skynyrd would cite them as they "were known to pick a song or two." The Swampers would tour with Pickett and form an interracial act during a time when this was unusual..

Wilson Pickett was known by a number of names including "Wild Wilson" or "Wicked Pickett," and was known for his wild lifestyle. He would have a number of difficulties with alcohol and cocaine over the decades, which would put him in trouble with relationships and the law. Wilson Pickett was inducted into the Rock and Roll Hall of Fame in 1991.

Wilson Pickett died of a heart attack in 2006, just weeks shy of his 65th birthday.

The Land of 1,000 Dances
This song was a minor hit in 1963 for Chris, Kenner, but became a top 10 hit for Pickett. While he doesn't name 1,000 dances (and the name of the song never appears in the lyrics), he does name 16 including the Pony, The Mashed Potato, and The Twist. You may remember this song from the movie "Forrest Gump."

Barefootin'
The second track featured in today's podcast is also a remake (originally recorded by Robert Parker), with a faster tempo than the original. Check out that horn section by The Swampers.

99-1/2 Won't Do
This is a slower track based off a gospel track transitioned to a love song. "I got to have all your love, night and day. Not just a little part, but all of your heart, sugar, Ninety-nine and a half just won't do."

In the Midnight Hour
This is a signature song he co-wrote, and also connects with gospel songs - I may meet Jesus soon in the morning, maybe in the midnight hour. This song was selected for preservation in the National Recording Registry by the Library of Congress for being "culturally, historically, or artistically significant."

ENTERTAINMENT TRACK:

Theme from the television series “Gilligan's Island”
This comedy was current in 1966, but we all remember this from reruns on afternoon TV after school.

STAFF PICKS:

“Over Under Sideways Down” by The Yardbirds
Bruce brings us a song inspired by Rock Around the Clock by Haley and the Comets. It came out as a single in May 1966, and was on the charts at the time. That's Jeff Beck on the lead guitar, and he also plays bass on this track as well.

“Sunny Afternoon” by The Kinks
Rob's staff pick made it to #14 on the Billboard charts. Brothers Ray and Dave Davies formed The Kinks in 1964, and Ray Davies wrote this song. It is about the massive taxes that the British Labour party was pushing out under Harold Wilson.

“You Don't Have to Say You Love Me” by Dusty Springfield
Brian's staff pick features his favorite female vocalist from the 1960's. Springfield heard this tune originally in Italian, and had new lyrics written for it. She cried when she first heard this song with the new lyrics. A number of artists covered this song, including Elvis Presley.

“Sweet Young Thing” by The Chocolate Watchband
Wayne features an American garage band from California, who sing about a Peeping Tom spotting his “sweet young thing” at a party. Wayne found this group off a compilation album called Nuggets: Original Artyfacts from the First Psychedelic Era 1965-1968.

INSTRUMENTAL TRACK:

“Jeff's Boogie” by The Yardbirds
This instrumental from the B-side of “Over Under Sideways Down” wraps us up this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - October: E.L.O. “Out of the Blue” Jun 15, 2020

By the time they released their seventh studio album, Out of the Blue, British rock band E.L.O., also known as the Electric Light Orchestra was a successful machine for rock hits with a “Beatleseque Pop” sound. The Beatles connection was not random, as guitarist and founding member Roy Wood wanted to introduce strings, violins, cellos, basses, horns and woodwinds to Rock music, and “pick up where the Beatles left off.” ELO was formed by Wood on guitar, Bev Bevan on drums, and Jeff Lynne on vocals and guitars. Over time Lynne would become synonymous with the group.

Out of the Blue is a double album written by Jeff Lynne in less than a month. He was staying in a chalet in the Swiss Alps and couldn't come up with any songs during several weeks of dreary weather. One day the sun came out, and an incredible burst of creativity came upon Lynne as a result. The album makes extensive use of strings, and also a vocoder to produce unusual sounds. The album was accompanied by a tremendous special effects-laden stage show and tour.

Jeff Lynne acquired the rights to the name Electric Light Orchestra from co-founder Bev Bevan in 1999, and tours as Jeff Lynne's ELO today.

Sit back and enjoy - “there ain't a cloud in sight!”

Turn to Stone
This track opens the album. Jeff Lynne stated in a Rolling Stone interview that this is one of his most favorite songs — he loves the "shuffle beat." It was the first singe from the album, and reached number 13 on the US Billboard chart.

Wild West Hero
This is a deeper cut from the album, with a softer, wistful sound and great harmonies. Westerns were a popular genre when Lynne was growing up. The band's cello player played the honky tonk piano. Supposedly Jeff Lynne wrote this in 4 minutes.

Standin' in the Rain
Side three of the double album is subtitled “Concerto for a Rainy Day,” with four tracks about the weather. This deeper cut leads off the concerto, and you can hear a vocoder about 30 seconds in, with a thunder crackle voicing the words "Concerto for a Rainy Day."

Mr. Blue Sky
This well known song is the final track from “Concerto for a Rainy Day,” at which point the sun comes out. The major key and fast pace give this song an amazingly optimistic feel. Rob wants this played at his funeral — “Never mind I’ll remember you this way.”

ENTERTAINMENT TRACK:

“That's All Right” Elvis Presley
The last concert recorded by The King before his death was broadcast in this month. Elvis had passed two months earlier in August 1977.

STAFF PICKS:

Brick House by The Commodores
Bruce's staff pick started as a jam originated by bassist Ronald LaPread. Producer James Carmichael challenged the band to turn it into a song. Band member William King brought it home and his wife, Shirley Hanna-King wrote the lyrics based off the expression “built like a brick $#@!-house.” Drummer Walter “Clyde” Orange sings lead instead of their normal front man, Lionel Ritchie, because the band thought he had the right funky voice for it.

Strawberry Letter 23 by The Brothers Johnson
Brian keeps up the R&B flavor with this Quincy Jones' produced song. It tells the story of the 23rd love letter between two lovers.

Whips and Furs by The Vibrators
You can count on Wayne for a deeper punk cut. He discovered this on a compilation album. Good new-fashioned rock!

Isn't It Time by The Babys
Rob's staff pick was penned by Babys bass guitarist Jack Conrad and songwriter Ray Kennedy. It is Kennedy's story about falling in love with a Mademoiselle. The song alternates between a soft and hard rock sound, and the chorus goes back and forth between the left and right channels. “I just can't find the answers to the questions that keep going through my mind, Hey Babe...isn't it time?”

INSTRUMENTAL TRACK:

The Iron Dream by Hawkwind
We finish off this week's podcast with a prog rock instrumental piece.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - January: The J. Geils Band "Freeze Frame" Jun 08, 2020

This tenth studio album by The J. Geils Band would be a departure from their blues rock and mainstream pieces for which they were known in the 70's, and would be their most commercially successful. Freeze Frame took The J. Geils Band from a regional band to international stardom.

The band consisted of John (J.) Geils on guitar, Seth Justman on keyboards, Stephen Bladd on drums, Danny Klein on bass, Peter Wolf on lead vocals, and Richard Salwitz (aka Magic Dick) on harmonica, trumpet, and saxophone. The album was arranged and produced by keyboardist Seth Justman, and all songs were either written or co-written by Justman.

Part funk, part new wave, Freeze Frame has the band teetering on the experimental edge. Unfortunately the band would not be able to hold up. Front man Peter Wolf left in 1983 because “they wanted to continue in a pop-techno way. It wasn't my thing.” (per Wikipedia). They would record one more album with Seth Justman on lead vocals, then disband in 1985.

There are a lot of hits off this album, and most of the songs will transport you back to a period in the early 80's where MTV was just beginning to “Take Off.”

Join us now before your blood runs cold, and your memory has just been sold!

Freeze Frame
Peter Wolf and Seth Justman wrote this one, and it is the lead song off the album. A freeze frame is a still image taken from a video, and the song uses a number of photography and film terms to tell the story of an obsession with a girl. “test trip, proof sheet love is hard to find.”

Rage in the Cage
This one was not released as a single, but it still got air play, and you may remember the driving harmonica jam. It tells the story of a guy who gets laid off, feels trapped in his town, and only finds relief in his transistor radio. “It don't take a PhD to know I'm goin' nowhere fast. I've got to move - I'm on the move. It don't take much to see this town is livin' in the past. They all just seem to wanna tie me down. Let me hear that radio!”

Flamethrower
This song was the B-side to “Freeze Frame.” It didn't hit the top 40, but it made it to #25 on the R&B charts. The song is about a woman who punches the clock in a blue collar job and cuts loose at night.

Centerfold
This is the big hit off the album, and the track that changed The J. Geils band seemingly overnight. The bad had been a pretty big thing in Boston and Detroit, but they landed on the cover of Rolling Stone Magazine, and on an opening slot touring with The Rolling Stones after this song came out.

ENTERTAINMENT TRACK:

“Arthurs Theme” by Christopher Cross
Dudley Moore's comedy film “Arthur” was in the cinemas at this time.

STAFF PICKS:

“My Girl (Gone, Gone, Gone)” by Chilliwack
Rob brings us the first top 40 US hit by a Canadian rock band named after the sixth largest city in British Columbia! Front man and lead guitarist Bill Henderson said they took the name even though none of the band members were from that city. They liked the way the name sounded like a First Nation word, which fit with the sound that the band was striving to achieve.

“Trouble” by Lindsey Buckingham
Brian's staff pick comes from the Fleetwood Mac guitarist and singer's debut solo album, "Law and Order." Mick Fleetwood contributes to this album on the drums, though Buckingham decided to loop a handful of measures of the drums throughout the song. Though it was a departure from Fleetwood Mac, you still have the feel of that group.

“I'll Fall In Love Again” by Sammy Hagar
Wayne's staff pick features the Red Rocker after his Montrose days, and prior to his time in Van Halen. This song chronicles a man moving on from a broken relationship. "It's alright with me now, I'll get back up somehow. And with a little luck, I'm bound to win - I'll fall in love again."

“Tora, Tora, Tora (Out with the Boys)” by Rod Stewart
Bruce finishes off our staff picks with this 6th single from Rod Stewart's eleventh studio album,“Tonight I'm Yours.” Stewart makes a return to rock after his departure to disco in the late 70's. "I wanna talk about motorbikes, cars and things. No sophistication or designer jeans. I'm no angel, but I know what I like - a little rough and tumble on a Friday night."

COMEDY TRACK:

“Take Off” by Bob and Doug McKinsey
Geddy Lee lends his vocal talents to this track from SCTV's sketch comedians from the Great White North, played by Dave Thomas and Rick Moranis.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - March: Bad Company “Run with the Pack” Jun 01, 2020

English supergroup Bad Company continued their successful streak with their third studio album, Run with the Pack. Frontman/guitarist/panist Paul Rodgers and drummer Simon Kirke came out of the band Free, guitarist/keyboardist Mick Ralph came out of Mott the Hoople, and bassist Boz Burrell was originally with King Crimson. Paul Rodgers' voice is quite distinctive, and you can tell a “Bad Co.” song just from that voice.

The name of the group came from a book of Victorian morals. It showed a picture depicting a child looking up at a ruffian leaning against a lamp post. The caption under the picture read, “Beware of bad company.”

The band would continue until 1982 when Paul Rodgers disbanded the group and left to join another supergroup, The Firm. Bad Co. would reform in 1986 with new personnel, including new frontman Brian Howe (formerly vocalist for Ted Nugent). Rodgers would return to the band in 1998 and Bad Co. would tour off and on until today.

Let's see what happens when we spend some time in Bad Company, shall we?

Live for the Music
Mick Ralphs wrote this track that leads off the album, and was released as a single, though it would be considered a deeper cut. “Live for the music you know you're gonna find a lot to ease my mind.”

Run with the Pack
The album takes its name from this song written by Paul Rodgers, which finishes off side 1. It was also released as a single, and may be familiar to some, especially the introductory piano riff. Rodgers was a primary songwriter for the group. It finishes off with a long outro with a symphonic sound that may remind you of the Moody Blues.

Silver, Blue & Gold
Although this track may be the best known song on the album, it actually was not released as a single at the time. It is a breakup song, but with a beautiful melody and an ultimately positive outlook. “My rainbow is overdue.” Paul Rodgers wrote this one, which leads off side 2.

Young Blood
This cover of The Coasters classic song hit the top 20. It tells the tragic tale of a boy who meets a girl, then meets her father, who causes her to lose the girl. “You'd better leave my daughter alone!”

ENTERTAINMENT TRACK:

The theme from the television series “The Bionic Woman”
After a tragic parachute accident, tennis pro Jamie Sommers becomes The Bionic Woman following in the footsteps of her former boyfriend, Steve Austin

STAFF PICKS:

“Money Honey” by The Bay City Rollers
Wayne's staff pick features an early boy band from Scotland with their follow-up to "Saturday Night." They got their name by throwing a dart at a map of the United States, and taking the name from Bay City, Michigan. The dart landed on Arkansas first, but ...they felt that it wouldn’t work out with Kansas already in full swing!

“Love Is the Drug” by Roxy Music
Rob brings us the lead single from Roxy Music's album Siren. Bryan Ferry lends vocals to this song written by Andy Mackay. The album cover features Jerry Hall as a blue mermaid (siren). “I say go, she say yes, dim the lights, you can guess the rest.”

“Something for Nothing” by Rush
Bruce's staff pick comes off Rush's concept album 2112. It has a libertarian message, based off graffiti that Neil Peart spotted in Los Angeles that read "Freedom isn't for free."

“Fooled Around and Fell in Love” by Elvin Bishop
Brian rolls around to a soft rock hit from guitarist Elvin Bishop, featuring Mickey Thomas on vocals. The song tells the story of a guy who wants to play the field, and accidentally falls in love. Thomas would go on to join Jefferson Starship and have several hits as front man for that group.

COMEDY TRACK:

"Junk Food Junkie" by Larry Groce
The struggle is real, folks! "But at night I'm a junk food junkie. Good Lord, have pity on me!"

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - May: INXS “Shabooh Shoobah” May 25, 2020

Originally named The Farriss Brothers when they formed in 1977, brothers Andrew Farriss (keyboards and Founder), Jon Farriss (drums), and Tim Farriss (guitar) joined with bassist Garry Gary Beers, saxophonist/guitarist Kirk Pengilly, and front man Michael Hutchense not long after high school. They took the name INXS at the suggestion of members of the band Midnight Oil, whom they were supporting at the time.

Shabooh Shoobah is their third studio album, and the first to be released worldwide. While it was released in October 1982, the rise of INXS can be tracked to their performance in the 1983 US Festival on “New Wave Day,” May 28th, 1983. This is the day they made it into the US top 30 with “The One Thing.” The unique name of the album comes from a rhythm sound in the song “Spy of Love.”

INXS was one of the many bands who made it big on MTV, largely on the photogenic appeal of Michael Hutchense. Hutchense and Andrew Farriss met in high school when Farriss broke up a fight in which Hutchense was participating. This album features the band in its “New Wave phase,” with lots of bold synthesizer and a killer sax.

We hope you enjoy this trip down memory lane from the early days of MTV.

Don't Change
This last track on the album has lots of energy, and sounds like a cooler version of A Flock of Seagulls. The video shows the band singing in a commercial garage, and Andrew Farriss's keyboards are placed vertically on the wall. MTV was very new, and bands were still working out their looks for the video age.

Spy of Love
This is a deeper cut off the album which has a Caribbean feel, with the keyboards reminiscent of a steel drum. “I don't mind but what I say, Use that magic for better days.”

Golden Playpen
Another deep cut off the album, and this one reminds us of Athens band REM. “Tossed out of the golden playpen, Beating the drum of pain and pleasure.”

The One Thing
This track is the big hit from the album. Rob says this is an iconic song from his high school days, one of his top 5 of all time. This song was their first MTV Video. Check out Kirk Pingilly on the sax, and the synthesizer work. It is a positive, high energy, driving song.

ENTERTAINMENT TRACK:

“Parade of the Ewoks” by John Williams
We pay homage to the polarizing little creatures from Star Wars: Return of the Jedi in this entertainment track.

STAFF PICKS:

Rainbow in the Dark by Ronnie James Dio
With his staff pick Wayne brings us - DIO! This is the hit single from the album "Holy Diver." Ronnie James Dio is a pure heavy metal vocalist - a heavy metal version of Neil Young. Many believe this song is a reaction to his tumultuous days in the group Rainbow with Ritchie Blackmore.

Photograph by Def Leppard
Bruce brings us the lead single off Pyromania, Def Leppard's third studio album. Frontman Joe Elliott describes this song as about “something you can't ever get your hands on.” This was their first hit single. “So wild and free, so far from me. You're all I want, my fantasy!”

Bang on the Drum by Todd Rundgren
Brian's staff pick hearkens back to the days of 96 Rock in Atlanta, and their “5 o'Clock Whistle.” Rundgren compares this song to “Happy Birthday,” since it is one that everyone knows — but few know the songwriter. “And I get my sticks and go out to the shed and I pound on that drum like it was the boss's head.”

She's A Beauty by The Tubes
Rob's pick features San Francisco based The Tubes. Fee (John Waldo) Waybill is their lead singer, and wrote this song inspired by a kiosk outside a massage parlor in the red light district of San Francisco. The kiosk was the size of a phone booth and had a sign that read “pay a dollar, talk to a naked girl.” The song lyrics changed the sign to “talk to a pretty girl,” which was much more accessible to a wider audience!

COMEDY TRACK:

Galaxy Song by Monty Python
April 1983 was the month when Monty Python released their third feature film “The Meaning of Life,” and this was one of the songs from that movie. We hope you enjoy it!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1971 - March: Jethro Tull “Aqualung” May 18, 2020

There are debates galore about who is the best singer, guitarist, drummer, etc., in the Rock genre, but perhaps we can all agree that the greatest Rock flautist would be Ian Anderson. The trio of Anderson (vocals, guitar, flute), Jeffrey Hammond (bass) and John Evan (keyboards, initially drums) began playing together in the 60's, and while only Anderson would be present from that original trio when the band Jethro Tull was formed in 1967, all three would be back together along with Martin Barre (guitar) and Clive Bunker (percussion) for their fourth studio album, Aqualung.

The band took the name Jethro Tull by default. They performed under a number of names, but were going by “Jethro Tull,” the name of an 18th century agriculturist, when a club manager decided he liked the group enough to invite them for a return engagement.

Aqualung would be the breakout album for the band and would become one of the top albums in Rock history. They maintain their folk and blues roots, but would take a turn towards a more progressive direction here. The album paints pictures of different people, culture, hypocrisy, and the disconnect between organized religion and true spirituality. It is pro-God, and anti-religion.

We hope you enjoy this breakout prog-rock masterpiece.

Locomotive Breath
This song starts in a classic mode, but moves into a driving rock rhythm reminiscent of a train and with Anderson's distinctive flute. It is one of the early back-to-nature songs, describing technology and markets as a runaway train destroying everything in its path

Hymn 43
Ian Anderson is the face, songwriter and creator of Jethro Tull. This deeper cut reflects Anderson's spirituality. The song is about people who use Jesus as a means to accomplish their goals. "If Jesus saves, he'd better save himself."

Cross Eyed Mary
This is a better known song which starts with an introductory flute and moves into a stronger rock bent afterwards. This track is a portrait of a schoolgirl prostitute who prefers older men to her classmates.

Aqualung
The best known epic from the album describes the life and death of a homeless man. There is a connection between this song and Cross Eyed Mary, as the line “eyeing little girls with bad intent” references Mary. “Salvation a la mode, and a cup of tea.” Aqualung refers to the way the homeless man breathes with a rattling breath as he dies.

ENTERTAINMENT TRACK:

Theme from the television series “The Beverly Hillbillies”
by Lester Flatts & Earl Scruggs
After a 9-year run, this series that would become a feature of weekday afternoon reruns completed its time on the prime time networks during this month.

STAFF PICKS:

I Feel The Earth Move by Carole King
Bruce brings us the lead single from King's masterpiece “Tapestry,” which was released in February of 1971. Singer-songwriter Carole King would win 4 Grammy's for Tapestry in 1972, including Album of the Year, and would eventually sell over 25 million copies worldwide.

Free by Chicago
Rob brings us this funky, horn-led song from Chicago III, released in this month. This was a double album, as were their first and second albums.

Amos Moses by Jerry Reed
Brian's staff pick takes us down to the swamps of Louisiana courtesy of musical storyteller Jerry Reed. Amos Moses was a one armed Cajun alligator poacher. This ditty made it to number 8 on the charts.

Give It To Me by The Mob
Wayne takes us to the original Chicago horn section. While more of a local group to Chicago and Las Vegas, The Mob inspired a number of horn-driven bands including Chicago. They wrote a number of songs for other singers and groups.

INSTRUMENTAL TRACK:

Cool Aid by Paul Humphrey & His Cool Aid Chemists
This piece by jazz drummer Paul Humphrey made it to #29 on the hit list.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 — September: Boston “Don't Look Back” May 11, 2020

Back in 1976 Boston took the rock world by storm with their debut, and largely self-produced, album. This highly anticipated second album made its appearance two years later, a span of time which would in retrospect be considered quite fast - no other Boston album would appear for eight years. Don't Look Back was originally entitled "Arrival," until the band discovered that ABBA had already released an album with that name.

Guitarist and producer Tom Scholz considered the album to be rushed out by the record label, and believed it was too short and needed another song. This would begin a multi-year legal battle with Epic Records that would eventually be settled in Boston's favor, but it would also be “a long time” until their third album was released, by which time only Scholz and front man Brad Delp were the only original band members in the lineup.

The album was released in August and sold over four million copies in its first month, eventually being certified 7x platinum by the RIAA. As with their first album, virtually every song will be familiar, as all received significant airplay on rock stations everywhere beyond the three singles released from the album.

Join us as we explore this iconic album and the events of September 1978.

Don't Look Back
This lead song is an iconic staple from the rock era. It has a positive, future oriented feel to it. It is the first song on the album and the first single released. It was one of the most successful songs they released. "I finally see the dawn arriving. I see beyond the road I'm driving." "The sun is shining, and I'm on that road."

The Journey
If it sounds like Don't Look Back is cut off on the radio before the song concludes, that's because there is no break on the album between it and The Journey. This ethereal instrumental track transitions between the lead song and "It's Easy." Scholz considers this his favorite song, and wanted it to be longer on the album.

It's Easy
This is a deeper cut from the album, and was not released as a single at the time. "It's easy taking it day by day."

A Man I'll Never Be
There's a big difference between Don't Look Back, the first single from the album, and A Man I'll Never Be, the second single. This song is more pensive and less self-assured than the opening track, and presents a nice bookend to the first side of the album. "If only I could find a way I'd feel like I'm the man you think I am. And its getting harder every day for me to hide behind this dream you see a man I'll never be."

ENTERTAINMENT TRACK:

Theme from “WKRP In Cincinnati”
Hugh Wilson created this comedy based upon his experience working at pop radio station WQXI in Atlanta.

STAFF PICKS:

She's Always A Woman by Billy Joel
Bruce features the fourth single from Billy Joel's biggest hit album - The Stranger. It was written for his wife Elizabeth Weber. She had taken over management of Joel's career, and took a lot of grief from her adversaries in negotiation for being "unfeminine." But Joel says here, "she's always a woman." She apparently got Joel's finances back on track.

Song on the Radio by Al Stewart
Wayne brings us a surprisingly chill staff pick. This is from Al Stewart's eighth studio album, “Time Passages,” produced by Alan Parsons. Wayne mentions that this is a cruising song on a hot summer night. Stewart refers to his style as creating songs as cinema.

Life's Been Good by Joe Walsh
Rob's staff pick is an autobiographical piece from Eagles alumnus Joe Walsh off his album “But Seriously, Folks.” Like many of his songs, Walsh doesn't take himself too seriously in this song. He had a house in Beverly Hills, but he was never there. The line about “tearing out the walls,” references a real life incident in a hotel with Keith Moon.

Miss You by The Rolling Stones
Brian finishes off our staff picks with a Rolling Stones piece from their disco days, though they referred to it as "R&B." But Charlie Watts (drummer) embraced the disco setting. Billy Preston was riffing on the bass guitar one evening after Bill Wyman had left for the day, and Mick Jagger encouraged Wyman to play in Preston's style.

LAUGH TRACK:

The Thanksgiving Episode from "WKRP in Cincinnati"
WKRP in Cincinnati came to an end in September, 1978, so for our Laugh Track we feature one of the most well-known episodes... “As God as my witness, I thought turkeys could fly.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - February: Fleetood Mac "Rumors" May 04, 2020

This is the album that turned Fleetwood Mac into a household name. Originally formed as a blues band in 1967, Fleetwood Mac had taken a turn to more pop-oriented music with their 10th and self-titled album in 1975. This precursor to Rumors also saw the addition of Lindsey Buckingham and Stevie Nicks to the band after the departure of guitarist Bob Welch. The band toured and promoted that album heavily and their work paid off. But it would be this eleventh album, Rumors, which would solidify their fame. The title was suggested by John McVie because he saw that the band members were writing about each other through the music.

The band was all the walking wounded at the time. Drummer Mick Fleetwood was divorcing, bassist John McVie and keyboardist Christine McVie were separated, and vocalist/guitarist Lindsey Buckingham and vocalist Stevie Nicks were breaking up. All this drama poured into their music.

While not every song was released as a single, virtually every song on the album is familiar based upon its rotation on FM radio. There is a timelessness about Fleetwood Mac, and we mention in this podcast how their popularity crossed generations.

We hope you enjoy this exploration of one of the most successful albums of the 70's.

Don't Stop
This song was written by Christine McVie and is sung by Lindsey Buckingham and Christine McVie. It was the third single released from the album. It is an optimistic look at things after Christine's separation from John McVie to whom she was married for 8 years. Christine McVie was a session keyboardist when Fleetwood Mac first formed, and married John shortly thereafter. Bill Clinton used this music as his theme song during his 1992 Presidential campaign, and persuaded the group to reform and perform this song at his inaugural ball.

Dreams
The second single from the album would be the highest charting song, going to number 1. Stevie Nicks wrote it, and handles lead vocals. It is about all the drama the members were going through - divorce, separation, and break-ups. The band was not all that impressed when they first heard it due to its simplicity in chord structure, but fortunately they decided to include it on the album after all.

Gold Dust Woman
Stevie Nicks also wrote and sang this track, which was not released as a single, but received attention at the B-side to “You Make Loving Fun.” Nicks has described it as about Los Angeles, a bad relationship, and, perhaps most fameously, as a metaphor for cocaine.

The Chain
Clearly the heaviest track on the album, it is the only track on the album for which all five band members received songwriting credit. This is another song in which the relationship struggles of the band are prominent. It was a literal combination of older material, and the intro was spliced in from an old Buckingham Nicks song using a razor blade to cut and splice the tapes. Stevie Nicks wrote most of the lyrics, and Buckingham sings lead.

ENTERTAINMENT TRACK:

Theme from “Sanford and Son” by Quincy Jones
The comedy series starring Redd Foxx came to an end in February 1977.

STAFF PICKS:

“Undercover Angel” by Alan O'Day
Wayne brings us the best known song by singer-songwriter Alan O'Day, who had written songs previously for Helen Reddy and The Righteous Brothers. He also relays a tragedy in his life where he won a Charlie's Angels poster that was never delivered!

“The Things We Do For Love” by 10 cc
Brian's staff pick features great harmonies and a story about a guy walking in the rain to his girlfriend's house. "like walking in the rain and the snow when there's nowhere to go, and you're feelin' like a part of you is dying."

“The First Cut is The Deepest” by Rod Stewart
Rob's staff pick was originally written by Cat Stevens; but this rendition is one of the better known, as sung by “Rod the Mod” Stewart. The Scottish-born singer was known for a high sense of fashion...and football (the soccer type).

“So Into You” by the Atlanta Rhythm Section
Bruce features the first single released of ARS's album "A Rock and Roll Alternative." This was their biggest hit off the album, and would kick off several years of success for the band running through this and the next two albums.

INSTRUMENTAL TRACK:

“Nights Are Forever Without You” by Bob James
This instrumental take on the hit from England Dan and Jon Ford Coley is off jazz pianist Bob James' fourth album, BJ4, which was released in this month.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

2020 — April: Episode 100 “Just the WTR Guys” Apr 27, 2020

If you want to see some grainy footage, this 100th Episode is also available on YouTube. It’s a recorded Zoom call, with a few graphics and photos from the studio.

Wayne discusses the genesis of the idea

When and how did the idea for the podcast come up?
Wayne's radio background and connections with guests for the show
How do we choose who to bring on the show?
How do we handle social media and promotions?

Bruce discusses research and blogging

How do we research for the show?
What websites are good for information about the music and musicians?
How do we decide what the show will focus on?

Brian discusses how we all came together

How did we end up doing this?
When do we record the episodes, and how long do they last?
What is your connection to the music?

Rob discusses the technical aspects of the podcast

What platform and equipment do we use?
How much time does it take to edit and upload the show?
How did we come up with the name?

Each of us discuss our favorite band, songs that are stuck in our heads, hobbies, day jobs, families, and other words of … wisdom?....

We are so grateful for our fans, and we appreciate you downloading this and the other shows. We are especially thankful for our friends who have been with us since episode #1, and we look forward to the next 100.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 — September: Men At Work “Business As Usual” Apr 20, 2020

The debut studio album by Australian band Men at Work was released in April of 1982, but Business as Usual would steadily climb the charts through the year before peaking at the number 1 spot in November. We thought September would be a good month in which to feature it.

Founding member Colin Hay on lead vocals and guitar, was joined by Greg Ham on flute, keyboards, saxophone, and some vocals, Ron Strykert on guitar and vocals, John Rees on bass and background vocals, and Jerry Speiser on drums and background vocals for this iteration. As the band moved forward, Hay, Ham and Strykert would remain, then Hay and Ham when Strykert left in 1985. After the death of Greg Ham in 2012, Colin Hay would revive the name in 2019, and tour with session musicians. Through today, there have been 17 different iterations of Men at Work!

Business as Usual had a number of hits which would keep the band continually on pop stations throughout 1982 and 1983, including their biggest hit “Down Under,” which would introduce the world to the Australian peanut-butter-like spread, Vegemite. It would also inspire a lawsuit, after it was determined that the flute parts bore a striking resemblance to the Aussie folk song, "Kookaburra," written in 1932. The copyright, however, was still valid, and the band was forced to give up 5% of the royalties from 1982 through 2002.

Join us now as we feature a band that comes from the land down under!

Who Can It Be Now?
This is the first single from the album, and was inspired by Colin Hay's experience living in an apartment complex shared with a number of “dealers.” Folks would knock on his door at all hours of the night...leading to the questionable title of the song. Greg Ham is a master on the saxophone on this piece.

Underground
Colin Hay wrote this deeper cut, though it got some air play at the time. The story is built around conspiracy theories, and an underground that shelters the elite. “There's no need for you to fight, boys, hang up all your guns. Find your mask and as best as you can get ready to run.”

Be Good Johnny
Taking inspiration from Johnny B. Goode, this upbeat song finds Colin Hay playing the roll of Johnny's, mom, Johnny's dad, and Johnny himself. Greg Ham handles the spoken lyrics in the middle of the song. It's about a boy who gets in trouble for...daydreaming....

Helpless Automaton
Another deeper cut from the album, this has the true feel of an early 80's new wave song. Greg Ham takes over lead vocal duties here. Hay and Ham got their start in small clubs, — the size where folks on the front row would drop stuff into Ham's saxophone.

ENTERTAINMENT TRACK:

“Without Us” (Theme from “Family Ties”
Here's where Michael J. Fox got his break, as Michael Keaton, “Young Republican” conservative child of former hippies, now turned average American family.

STAFF PICKS:

Somebody's Baby by Jackson Browne
Brian's staff pick is off the soundtrack from the film “Fast Times at Ridgemont High.” Browne calls this song “an unabashed pop song,” and didn't include it on his studio albums.

Gypsy by Fleetwood Mac
Bruce features a song that Stevie Nicks wrote when reminiscing about her days before fame, when she shopped at The Velvet Underground and slept on a mattress with no bed frame! It is also inspired by her friend, Robin Snyder Anderson, who had died of leukemia.

I've Known No War by The Who
Wayne takes up the tempo with a deep cut from The Who's album “It's Hard.” The song tells a story set in the Cold War, where there would be no war, just bombs dropping and the world on fire. Most people assumed at the time that instead of a war between the U.S. and the U.S.S.R., there would just be a quick annihilation.

Someday, Someway by Marshall Crenshaw
Rob's pick gets happier with Crenshaw's top 40 hit from his debut album. Crenshaw was also an actor, starring as Buddy Holly in “La Bamba,” and playing John Lennon in Beatlemania. "Someday, someway, maybe I'll understand you."

COMEDY TRACK:

Valley Girl by Frank Zappa
This song was a huge hit during the day. Frank Zappa's daughter, Moon Unit Zappa, voices the sound of the valley girl. “Gag me with a spoon! Bag your face!”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 — December: Kiss “Alive!” Apr 13, 2020

While they were a moderate regional success as a band with three studio albums, Kiss was most notable for their live performances. They would not be vaulted into super-stardom until this breakthrough live album Alive! was released in September of 1975. It peaked on the Billboard 200 album charts at number 9 in December of that year, and that's why we're featuring this album in this month.

Kiss is well known today not only because of their success as a band, but they also heavily marketed their brand in everything from movies to lunch boxes to a comic book (to which they famously contributed drops of their blood in the ink vat). All members contributed to vocals, and instruments featured Paul Stanley on rhythm guitar, Ace Frehley on lead guitar, Gene Simmons on bass guitar, and Peter Criss on drums. This double album relied on the catalog of songs from their first three studio albums, but the energy of the live show that was captured in this compilation is what drew the fans, and what kept it on the album charts for 110 weeks.

Of course, in addition to their performance, Kiss is known for their outlandish costumes and makeup, with Criss as the Catman, Stanley as Starchild, Frehley as the Spaceman, and Simmons as the Demon, they looked like something straight out of the pages of a comic book. The band would maintain the makeup until the 80's, when they would go into an "unmasked" phase for a decade before returning to their classic over-the-top look.

“You wanted the best, you got the best, the hottest band in the land - Kiss!”

Deuce
This is the first song on side A, and Gene Simmons takes duties as the front man to lead off the album. “Baby if you're feeling good, and baby if you're feeling nice, you know your man is workin' hard - He's worth a deuce.” The track is also special to lead guitarist Ace Frehley, who auditioned for the group to this song.

Hotter than Hell
Never one for subtlety, this song is a tribute to a good looking woman. The back story is that Paul Stanley was hitting on a lady, and he was rejected because she was married. Paul Stanley is on lead vocals here, and he wrote the song as well.

Black Diamond
Paul Stanley start the song in the introduction, then Peter Criss takes on lead singing duties here. The song was originally the closing track to their first studio album, and was often used to close their regular concert set with huge pyrotechnics and the Kiss theatrics that were the signature of the band.

Let Me Go, Rock 'n' Roll
The concluding song on side D is also the only single released from their second studio album. Written jointly by Gene Simmons and Paul Stanley, this song was the final song of the encore for their shows, and make sense to conclude this album as well.

ENTERTAINMENT TRACK:

Sky High by Jigsaw
This song was the main title from the film "The Man from Hong Kong," which was released this month. You get the funk-disco feel that was prevalent at the time.

STAFF PICKS:

Have a Cigar by Pink Floyd
Bruce leads off the staff picks with this Rager Waters-penned screed against the hypocrisy of the music industry. Interestingly, this was sung by Roy Harper, an English fok singer who was in the studio at the time, instead of either Waters or Gilmore. This is one of our more frequent lyric quotes: "The band is just fantastic, that is really what I think. Oh, by the way, which one's Pink?"

Fox on the Run by Sweet
Rob brings us a song reworked from Sweet's European release. After releasing it in 1974, the glam rock band created a more upbeat version for the U.S. This song became a number 1 hit on iTunes in 2016 beacuse of its inclusion in “Guardians of the Galaxy.”

My Little Town by Simon and Garfunkel
Brian's staff pick brings the reunion of Paul Simon and Art Garfunkel. They broke up in 1970, but Simon wrote the song for Garfunkel as a critique of the small blue collar town Garfunkel grew up in. They would perform together again in the third episode of Saturday Night Live. This song appeared on both Paul Simon's and Art Garfunkel's solo studio albums.

Fire on the Mountain by The Marshall Tucker Band
Wayne takes us into the Southern Rock genre with this tragic song about a family moving from the Carolinas to California in the California Gold Rush. “Now my widow she weeps by my grave, tears flow free for her man she couldn't save. Shot down in cold blood by a gun that carried fame, all for a useless and no good worthless claim.” It was written for the Charlie Daniel's Band, but it became one of The Marshall Tucker Band's bigger hits after CDB chose not to use it.

INSTRUMENTAL TRACK:

Fly, Robin, Fly by Silver Convention
While it technically include lyrics...this disco hit is close enough to an instrumental for our purposes.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 — June: Don Henley “The End of the Innocence” Apr 06, 2020

The Eagles had been broken up for almost a decade, and it would be another 5 years before their reunion, but Don Henley was still a huge name in the music world. The End of the Innocence, Henley's third solo studio album, would be a more reflective and less synthesizer-heavy album, and would be Henley's best selling album.

After the break-up of the Eagles, Henley put out “I Can't Stand Still” in 1982, from which the hit single Dirty Laundry would arise. 1984 would see the appearance of “Building the Perfect Beast,” from which the best remembered single would be the monster hit “Boys of Summer.” Henley had established himself as a successful solo artist through these albums.

So, Don Henley had a celebrity status by the end of the 80's, and he would collaborate with many musicians across diverse genres in making this album. The result would cover lots of territory, from the rocking sounds of “I Will Not Go Quietly” to the sad reflections of “New York Minute” and many other musical and emotional stops along the way.

We hope you enjoy our observations on this excellent and pensive work.

The End of the Innocence
This is the title track, the first track on the album, and the first and most successful single. It was co-written and co-produced by Bruce Hornsby, who plays piano on it. Henley is overtly political on this one, and throughout the album. In the David Fincher video for the song, Oliver North is shown in his Iran/Contra congressional testimony during the line, “armchair warriors often fail,” and Reagan is shown during the lyrics, "they're beating plowshares into swords for this tired old man that we elected king."

I Will Not Go Quietly
This is the heaviest song on the album. Most of this album is pretty introspective, but not this one. Axl Rose contributes backing vocals! “Well, don't you ever get lonely? Don't you ever get down? Don't you ever get tired of all the wicked tongues in this town?”

New York Minute
A track with an almost symphonic feeling, this song features a number of well known collaborators. David Paich (Toto) plays piano, Jeff Porcaro (Toto) is on drums, Pino Palladino (session musician for many, including Jeff Beck, the Who, and Nine Inch Nails) is on fretless bass, and Christian Jazz a capella group Take 6 is featured in the chorus. This is one of Henley's songs which made it onto the Hell Freezes Over tour and album when the Eagles reunited in 1994.

The Heart of the Matter
Mike Campbell (of The Heartbreakers) wrote and produced this music. It tells of loss and moving on with forgiveness. "What are those voices outside love's open door make us throw off our contentment and beg for something more?"

ENTERTAINMENT TRACK:

“Batdance” by Prince (from the soundtrack for the motion picture “Batman”)
Michael Keaton would show us his darker side in this first big budget adaptation of the Caped Crusader since the campy 60's series.

STAFF PICKS:

“Headed for a Heartbreak” by Winger
Brian brings us Kip Winger's hit from his debut album. Winger was one of the big hair bands of the late 80's, but Charles Fredrick Kip Winger also has an impressive vocal range and was classically trained.

“Trouble Me” by 10,000 Maniacs
Rob's staff pick features the alternative rock which was about to drift into mainstream. This hit is off their fourth album entitled "Blind Man's Zoo." Natalie Merchant adds a distinctive voice as front woman for the group. The lyrics are inspired by Merchant's father who was sick in the hospital. “Why let your shoulders bend underneath this burden when my back is sturdy and strong?”

“Tehran” by The Offspring
Wayne's staff pick kicks in some California punk rock. The song is an anti-war creed. Interesting that frontman Dexter Holland has a PhD in molecular biology, is a licensed pilot, and has his own brand of hot sauce. The album never came out on CD, only album or cassette.

“Crossfire” by Stevie Ray Vaughan and Double Trouble
Bruce features this track off SRV's fourth studio album, "In Step." It was the first one after he had gone through drug and alcohol rehab, and "In Step" refers to the 12-step program of Alcoholics anonymous. The song itself talks about the almost Darwinian pressure of modern life.

INSTRUMENTAL TRACK:

“Follow Your Bliss” by The B-52's
The Athens band The B-52's were making a strong resurgence in 1989 with their album “Cosmic Thing,” and this instrumental track wraps us up this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1974 — February: The Doobie Brothers “What Were Once Vices are Now Habits” Mar 30, 2020

The Doobie Brothers were already a commercial success by the time their fourth studio album, What Were Once Vices Are Now Habits, was released in 1974. This iteration of The Doobie Brothers features mainstream rock and roll with a folk harmony bent, and the vocals of singer-songwriters Tom Johnston and Patrick Simmons. Tim Porter is on bass, and "Little" John Hartman and Michael Hossack round out the group in the unusual position of dual drummers.

The group got the name The Doobie Brothers from Keith "Dyno" Rossen, who suggested it to Johnston, "because you're always smoking pot." Everyone agreed that it was a stupid name and they only intended to use the name until they came up with something better. They never did, and The Doobie Brothers have been with us for 5 decades.

When they were first starting out, The Doobie Brothers attracted early attention from local chapters of the Hells Angels, and many of their gigs were at biker bars and venues frequented by motorcycle riders.

The Doobie Brothers have been inducted into the Rock and Roll Hall of Fame in the class of 2020.

Another Park, Another Sunday
With a mellow, beautiful melody and chord progression, this track tells the story of the loss of a girl. This is a very relaxing song that takes us back to a laid back memory. Tom Johnston takes lead vocal duties on this first single release from the album.

Eyes of Silver
This is the second single release from the album. While it is well known today, it did not do as well as the modest success that "Another Park, Another Sunday" achieved as a single. Even though the band originated in the San Francisco bay area, this song has more of a southern rock feel to us. We also enjoyed the sound of The Memphis Horns on this one.

Nobody
Originally recorded on their debut album, this song was adjusted and put on the album. This was the third single, though it was about to be overshadowed by the next single coming.

Black Water
Patrick Simmons takes vocal duties on this "swamp rock" hit, which would be the biggest one off the album. Originally the B-side from "Another Park, Another Sunday," DJ's began to pick up on it, and it would become The Doobie Brothers' first million-selling song. Check out that acapella section at the end.

ENTERTAINMENT TRACK:

The theme from the motion picture “Blazing Saddles”
Mel Brooks' comedy film could never be produced today! Brian reminisces about taking a date to this movie. Richard Pryor wrote parts of this film.

STAFF PICKS:

“Come and Get Your Love” by Redbone
Bruce's staff pick is the highest charting single from Redbone, a Native American rock group. It would peak at number 5 on the Billboard hot 100. Brothers Pat and Lolly Vegas, Tony Bellamy, and Butch Rillera make up the group, and Lolly plays the electric sitar. It got a second life when it was on Star Lord's awesome mix tape from the movie “Guardians of the Galaxy.”

“She's Gone” by Hall and Oates
Rob brings us some blue-eyed soul from Darryl Hall and John Oates. Similar to the case with “Nobody,” this is the first release of of the song, which peaked at #60. They would tweak the song and re-release the song in 1976, when it would go to #7 — the version you will recognize more easily. Both Hall and Oates were going through breakups at the time that they wrote the song. The video to this song is...well, definitely pre-MTV!

“Burn” by Deep Purple
Wayne's staff pick brings the tempo up with the title song off Deep Purple's eighth album. The singer is David Coverdale, who co-wrote the song with Ritchie Blackmore. The constant drumming and strong vocals make it a great driving song. The lyrics tell the story of “a witch's last curse as she is burned at the stake.”

“Jim Dandy to the Rescue” by Black Oak Arkansas
Brian takes us down south, and back to a song originally written in 1956 by Lincoln Chase and recorded by Laverne Baker. Ruby Starr and Jim "Dandy" Mangrum take turns on the vocal leads on this high energy boogie.

COMEDY TRACK:

"Energy Crisis '74" by Dickie Goodman
Another montage comedy track from Dickie Goodman takes us out on this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1990 - September: Depeche Mode “Violator” Mar 23, 2020

Depeche Mode made a decision to minimize their pre-production work when they created their seventh studio album. It must have worked, becauce Violator would become their breakthrough international album. Keyboardist Andy Fletcher, keyboardist and vocalist Martin Gore, also keyboardist and drum machinist Alan Wilder, and lead man Dave Gahan had previously hit the charts with their 1984 single “People Are People.” This album would see crossover success led by the monster hit “Personal Jesus.” While the album was released in May of 1990, the last single from the album came out in September 1990.

Depeche Mode is best known as a keyboard-powered synth pop band, primarily successful in Europe up until this time. The band name comes from a French fashion magazine, which had at one time considered making the band give up the name — but they decided to leave things alone. The band was bringing more attention to the magazine, so it was a smart decision to let the band continue with the name.

The name of the album was a bit of a joke, poking fun at heavy metal albums of the time. The group had decided to take a break from the extensive pre-planning that had marked the development of their previous albums. Perhaps the increased spontaneity helped propel this album to a crossover success.

We hope you enjoy this album discussion and thoughts on 1990.

World In My Eyes
This lead song was the fourth and final single from the album, and was released in September 1990. Martin Gore liked this song because of its upbeat tone, though “upbeat” might be a rather fluid description. You get a sense of the keyboard-heavy foundation of the band with this song.

Enjoy the Silence
This hit song was originally written by Martin Gore as a ballad, but the producer, Alan Wilder increased the tempo and made it a dance song. The lyrics are dark, but Martin Gore considered the dark lyrics “more authentic.”

Personal Jesus
This is the monster hit from the album, and boasts a rare guitar riff among the keyboards. This top 40 hit has been covered by a number of artists, including Johnny Cash, Marilyn Manson, and Sammy Hagar. The lyrics are about having someone as an idol in your life - dependent upon you in an unhealthy way. David Gahan, after a wild youth, is now a sacramental convert to the Greek Orthodox Church.

Clean
A deeper cut from the album, this track was heavily inspired by Pink Floyd's “One of these Days” from 1971.

ENTERTAINMENT TRACK:

Theme from “The Fresh Prince of Bel-Air” by DJ Jazzy Jeff and The Fresh Prince
Will Smith made rap accessible, while starting his career as a celebrity through his acting on this comedy show.

STAFF PICKS:

Fly to the Angels by Slaughter
The band name for Brian's staff pick sounds like a heavy metal name picked out of a hat, but it is actually the name of their frontman, Mark Slaughter. The song is a ballad about a friend who has passed away. The song comes from the 1990 album "Stick It To Ya." Fly to the Angels propelled Slaughter to stardom during a time when the Hair Bands were on their way out and Grunge was on its way in.

Mansion on the Hill by Neil Young and Crazy Horse
Wayne brings us the guy that was grunge before grunge was cool. This song and album was recorded with very little production, which gives it a live feel. The Mansion on the Hill is about a place where “psychedelic music fills the air.”

Thunderstruck by AC/DC
Brian's staff pick is the lead single off AC/DC's 12th studio album (11th international release). Angus Young is playing a single string with no picking, just hammer on and pull offs using the second string. The song name came from a toy made by The Ideal Company called ThunderStreak, which was a wooden hydrofoil boat that was powered with a rubber band wind-up propeller.

Candy by Iggy Pop and Kate Pierson
Rob's pick rounds things out with a crossover alternative rock hit. Iggy Pop tells of a lost love from his perspective in one verse, then Kate Pierson (from the B-52's) picks up the next verse from the lost love's perspective.

INSTRUMENTAL TRACK:

For the Love of God by Steve Vai
Guitar virtuoso Steve Vai takes us out on this week's podcast with an eastern influenced instrumental riff.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - November: Blind Melon “Blind Melon” Mar 16, 2020

Their self-titled debut album and its breakthrough single “No Rain” put Blind Melon on the charts. A little alternative, a little hippie throwback, and maybe a little southern rock, Blind Melon is headed by frontman Shannon Hoon. Born in Indianapolis, Hoon was practically born a rock star, with the vocal chops and (unfortunately) the lifestyle to match. Hoon moved to Los Angeles where he formed the band with bassist Brad Smith, percussionist Glenn Graham, and guitarists Stevens Rogers (lead) and Christopher Thorn (rhythm). Some of that “southern roots” feel may come from the fact that three of the band members are from Mississippi, and that much of the work on the album took place in Durham, North Carolina.

Our research suggests the name Blind Melon may come from Mississippi stoners, or from the Cheech & Chong character “Blind Melon Chitlin.”

The success of the album led to extensive touring, and unfortunately to problems that Shannon Hoon would experience with drug and alcohol abuse. Hoon checked into rehab multiple times, but unfortunately succumbed to a drug overdose in New Orleans while touring for their second album in 1995. He was only 28.

Despite being defined as alternative rock, this first album has a 70's feel. That may be attributed to the use of antiquated amplifiers and technology, and only sparing use of overdubs. The album sound is very much representative of what you would hear in a live performance.

We hope you enjoy this dive into a band whose trajectory was cut tragically short.

I Wonder
This track starts off with a quiet acoustic beat, then moves to a classic alternative beat. The song is about addiction and trying to get over it - along the lines of feeling judged. “...now they're watching everything I do - everything I say...”

Holyman
An anti-religious song, perhaps inspired by Hoon's encounter with people encouraging him to go to church. They wanted him to find an anchor in spirituality. Hoon was very intense, and embraced the rock and roll lifestyle, a “heartbreaking cycle of drug use.”

Change
This track is considered to be the most personal look at Shannon Hoon. Written long before the formation of the band, Hoon's mother would later recall him playing this song on the porch of their house in Indiana. “Keep on dreaming, because when you stop dreaming it's time to die.”

No Rain
This is the hit that would put Blind Melon over the top, especially with the “bee video” which made them famous. The “bee girl” on the album cover was inspired by an old picture of drummer Glenn Graham's sister. The bee girl in the video was played by Heather DeLoach (picked because she looked similar to the picture of Graham's sister).

ENTERTAINMENT TRACK:

Love Potion No. 9 by The Clovers
This romantic comedy film starred Sandra Bullock and Tate Donovan. Anne Bancroft was also in this film.

STAFF PICKS:

Walking On Broken Glass by Annie Lennox
Rob's staff pick was from Lennox's solo album “Diva,” after her days with The Eurythmics. The video was a play on the film “Dangerous Liaisons,” complete with costumes - and John Malkovich! Though a pop song, there is a symphonic quality to it.

Digging In The Dirt by Peter Gabriel
Bruce brings us the lead single from Gabriel's album “Us.” It explores issues in Gabriel's life, like the end of his relationship with Rosanna Arquette, and his desire to reconnect with his daughter. The video utilized a lot of stop motion, and won the Grammy award for best short form music video in 1993.

Little Miss Can't Be Wrong by The Spin Doctors
Brian's staff pick picks up the pace. Lead singer Chris Barron actually wrote this song about his stepmother, with whom he had a bad relationship. This was the first single from their debut album “Pocket Full of Kryptonite.”

Not Sleeping Around by Ned's Atomic Dustbin
Wayne's deep track harkens back to the Manchester sound he enjoyed in the early 90's. “The Neds” used two bass players to give them that driving sound. They also impacted the apparel industry by producing over 80 t-shirt designs in 3 years! :-)

INSTRUMENTAL TRACK:

Last Horizon by Brian May
This instrumental comes from the Queen alumnus and guitarist, Dr. Brian May (an actual PhD in astrophysics)

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - July: The Rolling Stones “Aftermath” Mar 09, 2020

In 1966 The Rolling Stones were not the giants that they would come to be in the rock world, but their third album, Aftermath would start their transformation. While their two previous albums had consisted of a significant volume of cover songs (much like the Beatles' early work), Aftermath would be the first album with all original material, primarily written by Mick Jagger and/or Keith Richards, and is considered the group's breakthrough album. Brian Jones would be a multi-instrumentalist on this album, though the estrangement from the rest of the band was already beginning to set in. He would leave the band in 1969, and die a month later at the age of 27.

Brian walks us through this feature and breakout album from one of the greatest groups of the rock era. We hope you enjoy this mid-60's session.

Paint it Black
This track opens the US version of the album. As the title suggests, it is a dark, minor key song. It deals with depression, and the feelings that the individual has that he wants the world to reflect his own dark mood.

Stupid Girl
This deeper cut has been used as an example of misogyny in the music of the Stones, and it is easy to see why. The inspiration is said to be Mick Jagger's rocky relationship with model and actress Chrissie Shrimpton, It's a pretty venomous, with lyrics like "It doesn't matter if she dyes her hair, or the color of the shoes she wears. She's the worst thing in the world. Well, look at that stupid girl."

Lady Jane
Another deep cut, this song might be about Jane Seymour, third wife to Henry VIII, and lady in waiting to Anne Boleyn, the executed second wife of Henry VIII.

Under My Thumb
This is their biggest hit off the album, and if you're looking for proof of male chauvinism in The Rolling Stones, this would be it. "It's down to me, the way she talks when she's spoken to. Down to me, the change has come, she's under my thumb."

ENTERTAINMENT TRACK:

The theme to the television series “Ultraman”
This Japanese science fiction/monster series came to the US with English dubbed in. The show would spawn multiple adaptations over time.

STAFF PICKS:

“Hungry” by Paul Revere and the Raiders
Wayne's staff pick was produced by Terry Melcher. Melcher worked with a number of groups including The Byrds and was a session musician on The Beach Boys "Pet Sounds" He was introduced to ex-con and aspiring musician Charles Manson through Beach Boy Dennis Wilson. Later on, the Manson Family murders would take place in the home in which Melcher had been living, and which had recently been rented to Roman Polanski and Sharon Tate. Melcher believed that Manson wanted to kill Melcher when Sharon Tate was killed, and went into hiding. "Hungry" and the Manson murders made it into the film "Once Upon A Time In Hollywood."

“Sunny” by Bobby Hebb
Rob features a constantly covered classic. Hebb wrote "Sunny" in the days after the JFK assassination and after his older brother Harold was killed. He channeled his grief into a positive direction in writing the lyrics and music of this song - looking for a brighter day.

“Cool Jerk” by The Capitols
Bruce's staff pick from the Detroit trio was based on a dance craze called "the jerk" A particularly sexual version was known as "the pimp jerk," but the band didn't think that name would make it onto the airwaves. Instead, the called it "cool jerk." You may be more familiar with the version by The Go-Go's. It also made an appearance in "Home Alone 2."

“Everybody Loves a Nut” by Johnny Cash
Brian features The Man in Black taking a more comedic turn. This was off his 23rd album of the same name, consisting largely of novelty songs. This one was written by Jack Clement

COMEDY TRACK:

"They're Coming to Take Me Away, Ha-Haa!" by Napoleon XIV
You may have heard this on Dr. Demento. The original came out in 1966.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - October: Stevie Wonder “Songs in the Key of Life” Mar 02, 2020

Even though he was at the top of his game Stevie Wonder almost retired to work with handicapped children in Ghana before this album was made. Instead, he signed what was then the largest recording deal in history, and released what many consider the best of his classic era — the double album Songs in the Key of Life. This album was released in late September, debuted at number 1 (the first artist other than Elton John to do so), and remained there for 13 weeks.

“Songs in the Key of Life” was nominated for seven Grammy Awards in 1977, and won Album of the Year, returning Wonder to the stage for the third time after his wins in 1974 and 1975. The album is full of passion and politics, jazz and funk, and can be nostalgic or melancholy without losing an upbeat feel all the way through. This album really gives you a sense of the multi-talented artist, singer, songwriter, keyboardist, harmonica player, and producer that is Stevie Wonder. He surely has been an influence in Rock and Roll and we are pleased to present this amazing work.

I Wish
This is the lead-off single from the album. It was released a month after the album hit the stores, and takes a nostalgic look back on Wonder's childhood in the 1950's and early 60's.

As
It was a full year after the album was released that this song made its appearance as a single. The song describes how long the singer's love will last in terms like “until the dolphin flies and parrots live at sea...until the day that eight times eight times eight is four.” It flips between major and minor keys, but maintains its positive attitude throughout.

Summer Soft
A deeper cut, this track uses the metaphor of summer and winter to describe loss and transience in relationships. There are a lot of key changes and chord progressions that are classically Stevie Wonder, and he uses them well to give the song a feeling of things constantly moving and changing, which reinforces the theme.

Sir Duke
Stevie Wonder pays tribute to his musical heroes in this well known song. “There's Basie, Miller, Satchmo, and the king of all, Sir Duke. And with a voice like Ella's ringing out, there's no way the band can lose.”

ENTERTAINMENT TRACK:

The theme from the television series “Quincy, M.E.”
Jack Klugman would leave behind his role in “The Odd Couple” to play a starring role as a medical examiner in this show which hit the airwaves much earlier than the popular forensic shows of today.

STAFF PICKS:

“Crystal Ball” by Styx
Wayne features Alabama native Tommy Shaw as writer and lead singer on this Styx classic. Shaw had recently joined the band, and this song would be the title track from their album. It discusses getting a glimpse of your future when life is confusing.

“Let 'em In” by Paul McCartney and Wings
Rob's staff pick is from one of the biggest musicians at the time in his ex-Beatles days. McCartney references members of his real family in this song, then includes Martin Luther, Phil and Don (The Everly Brothers), Uncle Ernie (from the rock opera "Tommy").

“Getaway” by Earth, Wind, & Fire
Brian's staff pick returns to some funky R&B from Earth, Wind & Fire's album “Spirit.” The song was written for a flute player named Bobbi Humphrey, but the demo never made it to her.

“Lowdown” by Boz Scaggs
Bruce features the first major hit from Boz Scaggs. It was co-written by Scaggs and his keyboardist David Paich. Scaggs' session musicians would later on form the band Toto. The genre is a little disco, a little funk, and has been described as blue-eyed soul.

INSTRUMENTAL TRACK:

“A Fifth of Beethoven” by Walter Murphy
This disco take on Beethoven's 5th Symphony was very popular on the dance floors and skating rinks of 1976.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - September: Mitch Ryder & The Detroit Wheels "Breakout...!!!" Feb 24, 2020

Lots of music was coming out of Detroit in the 60's, and one of the high energy groups coming out of the Michigan rock scene was Mitch Ryder & The Detroit Wheels. The group had crossover appeal with a little soul, a little funk, and a lot of energy. Breakout...!!! was their second album, and was indeed a breakout for this Motor City band.

Mitch Ryder (stage name for William Sherille Levise, Jr ) was originally a backup singer with a soul band, but racial animosities forced the white Mitch Ryder to move on. Much of the music done by Mitch Ryder & The Detroit Wheels was cover songs.

The group was legendary for their onstage presence and intensity. Breakout...!!! was an album compiled and released only after the songs had been released as singles.

Walking the Dog
This song is a cover performed by Rufus Thomas, and was done by many groups.

"Ooh Poo Pah Doo"
If you get the image of a toga party when listening to this music, you're not alone! This song was originally written and performed by Jessie Hill, and was a hit for Hill in 1960. You get a sense for Ryder's vocal chops on this one.

Little Latin Lupa Lu
This Righteous Brothers cover was mentioned in the film “Hi Fidelity.” The sound of a revved up R&B permeates all of the rock genre.

Devil With A Blue Dress On
One of the more famous Ryder songs, this was first recorded by Shorty Long in 1964, but Ryder's version would pick up the tempo, and proved more popular than the original.

ENTERTAINMENT TRACK:

Theme from the television series “Star Trek”
This long-standing staple of the science fiction genre got its start in 1966, and the original series would run for (only!) 3 years.

STAFF PICKS:

“Working In The Coal Mine” by Lee Dorsey
Rob presents a song written by producer Allen Toussaint, and recorded by New Orleans native Lee Dorsey. Dorsey was in boxing and auto repair before becoming a singer. You may be more familiar with the Devo version of this cover recorded in 1981.

“Sunshine Superman” by Donovan
Bruce features the title track from Donovan's third album. This would be his breakthrough song. John Paul Jones and Jimmy Page were in this band, and would go on to fame in Led Zeppelin. ...“Superman or Green Lantern ain't got a-nothin' on me.”

“Who Do You Think You Are?” by The Shindogs
Brian's staff pick features the harmonies of LA-based Shindogs, who were formed as the house band for the ABC television show “The Shindigs.” They remained with the show until it's cancellation in 1965, and continued on until shortly after this song was released.

“I'll Keep Holding On” by The Action
Wayne's staff pick was a mod group, playing soul-influenced pop music in London. They had no hits, but were a warm-up band for The Who, and were known as a great live band. This song was originally recorded by a Motown group called The Marvelettes.

INSTRUMENTAL TRACK:

“Wade in the Water” by Ramsey Lewis Trio
We finish off this week with a horn-based instrumental gospel song on the charts at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - October: Loverboy “Get Lucky” Feb 17, 2020

After doing well with their 1980 self-titled album, Canadian rock band Loverboy would head into the stratosphere with their second studio album entitled Get Lucky. Benefiting from a photogenic lead singer (Mike Reno) clad in read leather pants, Loverboy would ride the MTV wave to the top of the rock and pop charts. Loverboy was founded in 1979 by front man Mike Reno and guitarist Paul Dean, who met when Reno was working at a steakhouse and heard Dean playing guitar in a bus station behind the restaurant. Success came quickly, with hits like "Turn Me Loose” and "The Kid is Hot Tonite” from their first album.

The name Loverboy came from Paul Dean's dream inspired by the Cover Girl fashion magazine. “Cover Boy” then became “Loverboy,” and the name stuck.

Loverboy is still out performing, and Reno still wears the headband. While it made a fashion statement at the time, he claims it was to keep the sweat from getting in his eyes. The band is the same in its entirety today, except for Scott Smith, their original bass player, who was lost at sea when a rogue wave hit his sailboat. He was replaced by bassist Ken "Spider" Sinnaeve in 2001.

Grab your red leather pants and sing along with this hit album.

When It's Over
This their second single, and the second track on the album. It made it to number 26 on the charts. It tells the story of a guy waiting for the failure of a bad relationship so he can get the girl.

Working for the Weekend
You will recognize this track from the starting cowbell if you ever heard 96 Rock's “5 O'Clock Whistle” back in the day. This is the lead single from the album, and went to number 29. Paul Dean was walking on the beach on a Wednesday afternoon, thinking about how everyone was busy at work, waiting for the weekend. With the band’s feedback, the line "waiting for the weekend" became "working for the weekend."

Lucky Ones
A hopeful track, this song gives the album its name. “Don't ask me how, but guess who hit the big time?”

Take Me To the Top
A deeper cut - though still a hit single on a single-heavy album. The synthesizer intro is distinctive. This track was actually a demo that made it right onto the album without a studio version.

ENTERTAINMENT TRACK:

Theme from the Motion Picture “Halloween II”
You have to have a creepy theme from a spooky movie if your profiling music from October, right? Villain Michael Myers also debuted on television for the first time in October 1981, as the original "Halloween" appeared on the networks - heavily edited.

STAFF PICKS:

“Talk Dirty” by John Entwistle
Wayne's staff pick brings us a solo outing from “The Ox,” John Entwistle, bassist from The Who. This song was a minor hit at the time, when members of The Who were engaged in solo projects. Joe Walsh takes lead guitar duties on this one.

“Destroyer” by The Kinks
Bruce features a hit off their 19th album that was incredibly popular for a rock song at the time. The Kinks make reference to two previous songs, "Lola" and "All Day and All of the Night." Stop! Hold on! Stay in control...

“Tryin' to Live My Life Without You” by Bob Segar
Brian's staff pick is a live rendition of a song originally written by Larry Williams and released by Otis Clay in late 1972. Segar's version went to number 5, so it was much more popular than the original.

“In Your Letter” by REO Speedwagon
Rob features a do-wop song from REO Speedwagon's hit album “Hi Infidelity.” Despite the 60's sound, this song is not a cover. Keyboardist Gary Richrath wrote this song after finding a letter from his ex-wife indicating that his wife had left him...for their drug dealer.

INSTRUMENTAL TRACK:

Theme from the Television Show “Hill Street Blues” by Mike Post
This instrumental theme was on the charts at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - July: Pink Floyd “A Saucerfull of Secrets” Feb 10, 2020

In its second album, Pink Floyd would begin its transition from a psychedelic 60's era band to what would become an icon of the rock genre. A Saucerful of Secrets is a strange album, and the only one in which Pink Floyd would consider themselves to be a five piece band. Frontman Syd Barrett had begun his slide into insanity, and was too unstable for the band to rely on him for concerts and recordings. They brought in David Gilmour to supplement Barrett on guitar, while Nick Mason (drums) Roger Waters (bass) and Richard Wright (keyboards) continued in their roles. Barrett would leave before the album was completed, but his shadow would hang over the band for the rest of their days.

The compilation itself retains much of the psychedelia of their first album, but there are moments where you can sense the movement of the band to what they would become, though that transition would take several years. Nick Mason considers this album to be his favorite; however, it would not crack into the top albums until 2019.

Brian leads us through this strange trip to explore this experimental and transitional album.

Jugband Blues
This song finds Syd Barrett on vocals, his last studio song with the group, and the only one on the album where he does so. Barrett would famously never recover from his mental illness, and the band would transition to David Gilmour on guitar (and often vocals) afterwards.

Let There Be More Light
This track is sung by Roger Waters, and you can get a sense of Gilmour's influence here as well. At their concerts, Pink Floyd would project images of bubbles on the wall as an early high tech psychedelic effect..

Remember a Day
Rick Wright keyboardist for the group, wrote this song and takes the lead on vocals as well. The song has a “white rabbit” feel to it, and seems more professionally produced, though it continues the acid rock trip. Pink Floyd was an underground band at the time, and some classify the music of the time as “space rock.”

Set the Controls for the Heart of the Sun
If there is a hit off the album, this is it. Roger Waters wrote and sang this song, and it definitely fits the “space rock” description. This is the only song on the album in which all five of the Pink Floyd members participated.

ENTERTAINMENT TRACK:

“Yellow Submarine” by The Beatles
Drummer Ringo Starr takes his turn on vocals for this Beatles tune which was the main theme to their motion picture of the same name.

STAFF PICKS:

“The Look of Love” by Sergio Mendes & Brasil '66
Bruce's staff pick was written by Burt Bacharach, with lyrics by Hal David, and was originally recorded by Dusty Springfield for the James Bond film “Casino Royale” in 1966. Sergio Mendes & Brasil '66 performed their rendition on the Academy Awards telecast in April 1968, and it actually did better than the Springfield version, peaking at number 4 on the charts.

“Mony Mony” by Tommy James and the Shondells
Rob features an often-covered hit. This version made it to number 3 in the U.S. The title came from James seeing the Mutual of New York building. The initials - M.O.N.Y.- inspired the title. Most of us are more familiar with the Billy Idol version from the early 80's: Get Laid Get ____ed!

“Daylight Stranger” by Gary Puckett and the Union Gap Band
Wayne brings us back to 1968 psychedelia with a deeper cut. The band was discovered by Jerry Pooler, who wrote most of their songs. You could find them dressed as Union soldiers for their concerts.

“Dream a Little Dream of Me” by Mama Cass
Brian features this 1931 cover by Mama Cass. The depression-era song was popular over many decades. This is one of three versions which have charted, including the one by the cast of the television show “Glee” in 2010.

INSTRUMENTAL TRACK:

Theme from the motion picture “The Good, The Bad, and The Ugly”
How do you type a whistle??? This well-known instrumental made it onto the charts in July 1968.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1989 - April: Tom Petty "Full Moon Fever" Feb 03, 2020

Despite the fact that he was a household name by 1989, Full Moon Fever is the debut solo album by Tom Petty, since his other albums were as Tom Petty and the Heartbreakers. It was a little straining on the members of the Heartbreakers, but everyone but drummer Stan Lynch contributed to Full Moon Fever. It was even recorded in Heartbreaker guitarist Mike Campbell's garage studio. Members of the Traveling Wilburys participated as well (except for Bob Dylan), and Jeff Lynne (ELO) produced it along with Petty and Campbell.

Full Moon Fever was recorded at the same time as the first Traveling Wilburys album, and was interrupted to allow time for the Wilburys recording.

We hope you enjoy this solo effort from the late Tom Petty, who passed in 2017.

Runnin' Down a Dream
This is the second single from the album, following "I Won't Back Down." It reached number 23 on the billboard hot 100. The mention of "me and Del were singin' 'Little Runaway'" references Dell Shannon's Runaway, which hit number 1 in 1961. Check out that outro "Attention, CD Listeners."

I'll Feel a Whole Lot Better
The Byrds originated this cover song. It was first released in June 1965, and was written by Byrds founding member Gene Clark. Petty's cover starts the second side of the album, was the fourth single, and hit number 18 on the US Rock Chart. It's a nice, tight single, as are many of the pieces on the album. You may recognize this song from the soundtrack of "Dumb and Dumber"

A Face In The Crowd
Petty and Jeff Lynne wrote this one, and you can readily sense Lynne's influence. It was the fourth singe, and peaked at number 46 on the Hot 100 Chart. This is a rare, melancholy song from what is a mostly upbeat album.

Yer So Bad
A humorous song also written by Petty and Lynne. "My sister got lucky, married a yuppie. Took him for all he was worth. Now she's a swinger, dating a singer. I can't decide which is worse."

ENTERTAINMENT TRACK:

“Wild Thing” from the motion picture Major League
This classic was played when Charlie Sheen's character came out to pitch. The song is performed by X.

STAFF PICKS:

"Stand” by R.E.M.
Brian features the Athens, GA stars, who encourage us to get involved in our local communities and businesses. Peter Buck came up with what he thought was a "stupid guitar riff," and Michael Stipe decided to "write some stupid lyrics." The result was nevertheless a hit.

“I'll Be You” by The Replacements
Wayne's staff pick showcases the biggest hit by The Replacements during a time when alternative music was becoming popular on the hit charts. The Replacements disbanded in 1991, just before alternative music exploded into grunge.

“Voices of Babylon” by The Outfield
Rob's staff pick is a lesser known hit than "Your Love," which gets a lot of play at football stadiums. The Outfield is a trio from Britain, and got their name when their manager objected to their original name "The Baseball Boys."

“Jelly Roll” by Blue Murder
Bruce closes out the staff picks with this hair band epic. John Sykes, co-writer of many of Whitesnake's hits, plays the 12 string and electric guitar in this supergroup which also contained drummer Carmine Appice (Vanilla Fudge) and bassist Tony Franklin (The Firm).

INSTRUMENTAL TRACK:

“Memphis Train Blues” by R.E.M.
The B-side from R.E.M.'s single "Stand" finishes us off for this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - February: MC5 "Kick Out the Jams" Jan 27, 2020

When you're looking at revolution-focused rock of the late 60's, you have to put MC5 near the top of the pantheon. Their debut album, Kick Out the Jams, was also a live album, and captures the rage and the energy that would inspire the garage band and punk movement in the years to come. MC5 stands for "the Motor City Five," and was frontman Rob Tyner, lead guitarist Wayne Kramer, rhythm guitarist Fred "Sonic" Smith, bassist Michael Davis, and Dennis Thompson on drums. This is a raw "punch in the gut" album, underground, very rebellious. MC5 was politically active, and was one of the bands playing for the protesters at the 1968 Democratic Convention.

The band would be broken up by 1972, but not before creating a legacy that would inspire bands for decades to come.

Get ready for some loud, angry rock and roll!

Rocket Reducer #62 (Rama Lama Fa Fa Fa)
The song is the last track on the first side of the album, and with lyrics like "you can lay it down on me, momma any old time. We can shimmy so good, We'll both be stoned o-mind," it is pretty easy to see the sex and drugs in this rock and roll.

Come Together
This track has a sound similar to The Who, and was a call to arms for the anti-capitalist left. Between the drug references and the explicit lyrics, MC5 would find their albums banned from many of the record stores at the time.

Ramblin Rose
This is a cover song originally recorded in 1962 by Jerry Lee Lewis, and by Ted Tyler in 1965. It was originally a country rock song, but Tyner puts a falsetto twist on it. This is the first track on the album.

Kick Out the Jams
The title track of the album would be the signature song of MC5, and would be covered by numerous people through the years. You're not going to find ballads from this group, and this song is a call to get rid of the easy listening stuff and get loud!

ENTERTAINMENT TRACK:

“Tra La La” by The Banana Splits
The Banana Splits was a Saturday morning TV show in the late 60's. It featured costumed characters and a variety of short kids shows in serialized format.

STAFF PICKS:

“If I Can Dream” by Elvis Presley
Bruce picks The King this week. This song was recorded in June 1968, two months after Martin Luther King, Jr. was assassinated, and contains direct quotations from MLK. It was first released as the finale to Presley's 1968 comeback special, and was on the charts in February 1969.

“For Once In My Life” by Stevie Wonder
Brian's staff pick was originally written in 1966, and recorded by a number of people including Frank Sinatra and Tony Bennett. Earlier versions of this song were done as a ballad before Stevie Wonder picked up the tempo.

“Son of a Preacher Man” by Dusty Springfiled
Rob's features the Memphis sound of this British native. It was originally intended to be sung by Aretha Franklin but Dusty Springfield does it justice. This was her last top 10 hit, but Springfield was also on a hit from 1987 - “What Have I Done to Deserve This” by the Pet Shop Boys.

“Anything You Choose” by Spanky and Our Gang
Wayne's staff pick is a deeper cut from Elaine “Spanky” McFarlane and her band. McFarlane got her nickname from the similarity of her last name to George McFarland, who played Spanky in "The Little Rascals" serial in the 30's. This song has an Elvis feel and a great horn section.

INSTRUMENTAL TRACK:

"Hang 'Em High" by Booker T and The MG's
We finish up with this instrumental covering the theme from Clint Eastwood's western film of the same name. This keyboard-heavy rendition entered the charts this month.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - April: Van Halen “Van Halen II” Jan 20, 2020

As Diamond Dave would say, "I heard you missed us - we're back!" Back with David Lee Roth, Michael Anthony, and Alex and Eddie Van Halen, this time delving into their second studio album, conveniently entitled Van Halen II. Hot on the heels of their debut album released less than a year prior, Van Halen hit the studios for this second album a week after completing their world tour, and wrapped it up within a week.

The big hit from this album was "Dance the Night Away," Van Halen's first top 20 hit, and inspired by Fleetwood Mac.

The album notes had a shout-out to the Sheraton hotel in Madison, Wisconsin, which the band trashed the 7th floor while on tour.

We hope you enjoy this fun and hard rocking second effort (and second podcast featuring the group) from Van Halen!

You're No Good
This is no Linda Ronstadt cover. Originally performed in 1963 by Dee Dee Warwick, this song was covered by a number of groups, most notably Linda Ronstadt in 1975. We like Van Halen's version just a wee bit better! Check out the dueling screams from Roth's voice and Eddie's guitar.

D.O.A.
A rocking deep cut - Dead Or Alive was the B-side from the single "Beautiful Girls." Roth tells a down and out story in a proto-rap style: Broken down and dirty, dressed in rags/from the day, my Mama told me boy, you pack your bags"

Women In Love...
The intro to this song features tap harmonics in the guitar solo leading into this original song. Eddie Van Halen said this song was "a tale about a guy losing a girl to another chick."

Beautiful Girls
Here's the other big hit from the album (Dance the Night Away being the first). This is a fun, syncopated beach song: "She had a drink in her hand, she had her toes in the sand, and wooh! What a beautiful girl!"

ENTERTAINMENT TRACK:

Theme from the Television Series “All In the Family”
The final episode of "All In the Family" would air in April 1979.

STAFF PICKS:

"Roller” by April Wine
Wayne's staff pick brings us Canadian rockers April Wine. With three guitars (a rhythm and two leads), this hit describes a woman at the high stakes tables in the casino. It retains that 70's hard rock feel. April Wine was often selected as a "warm-up band" for bigger acts.

“Crazy Love” by Poco
Bruce takes the tempo down a bit with this biggest hit from the California country rock group Poco. This song was originally intended to be a song for the Cotton-Young band, but ABC Records had the group continue with the Poco name.

“Blow Away” by George Harrison
Brian's staff pick features former Beatles guitarist George Harrison. This song was considered a disco song by Harrison, and he said that it was one of the simplest compositions he ever wrote. The song arose from - believe it or not - frustration over a leaky roof.

“I Want You to Want Me” by Cheap Trick
Rob finishes off the staff picks a track that is identified by its live version much more than its studio cut. The studio version came out in 1977, but the live version dropped in April 1979, and Rob profiles the two. This is Cheap Trick's biggest hit.

INSTRUMENTAL TRACK:

“Take It to the Top” by Dixie Dregs
We wrap up this week's podcast with this prog rock group well known for their highly talented instrumental work.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - November: Cream “Disraeli Gears” Jan 13, 2020

Cream was the original rock supergroup. Drummer Ginger Baker, Bassist Jack Bruce, and guitarist Eric Clapton were already recognized for their individual talent, and the name of the group would reflect their status as “the cream of the crop.” DIsraeli Gears is their second studio album, and was the album that would propel them to fame in the United States.

Cream was considered not only a supergroup, but was a proto-progressive band, a jam band, and perhaps an early heavy metal band due to their penchant for recording at high volume.

The group was formed by Ginger Baker, and Eric Clapton wanted Jack Bruce to join. Surprisingly, Bruce was invited to join. Baker had fought with Bruce and thrown him out of an earlier band, but they decided to try to work together. They made it as a group for four albums before egos and disagreements would drive them apart.

We hope you enjoy this exploration of the psychedelic rock of Cream.

Sunshine of My Love
This song was written at sunrise, and has one of the most famous starting riffs in the rock genre. This was the second single of the album, and is dedicated to Jimi Hendrix.

Strange Brew
This was the first single from the album, and hearkens back to the blues style that Clapton played in The Yardbirds.

SWLABR
The song is an acronym: She Was Like a Bearded Rainbow," and is a psychedelic song. It was the B-side for "Sunshine of My Love."

Tales of Brave Ulysses
Another psychedelic track, this was co-written by Eric Clapton and Martin Sharp, who drew the cover art for the album. It hearkens to the mythology of Odysseus, also known as Ulysses

ENTERTAINMENT TRACK:

“Magical Mystery Tour” by The Beatles
The Beatles produced a movie that accompanied the album of the same name, and it was a hit on the charts in 1967.

STAFF PICKS:

“Soul Man” by Sam and Dave
Bruce's presents a tune from “The Sultans of Sweat.” Sam and Dave met in Miami when both were performing on the gospel circuit. This song was written by Isaac Hayes and David Porter. This is their biggest hit, their first gold record, and led to the name of this genre, “Soul Music.”

“Georgia Pines” by The Candymen
Rob brings us a song by the group that began as the back-up band for Roy Orbison. They started out in Dothan, Alabama as “The Webs,” but changed their name when they landed the gig with Orbison. After their breakup, their front man would join a little session band in Atlanta known as “the Atlanta Rhythm Section.”

“How Can I Be Sure” by The Young Rascals
Brian's staff pick is the second hit by the Yong Rascals, following up for "Groovin'". Many would cover this song, including David Cassidy and Dusty Springfield in the 70's.

“Let It Out” by The Hombres
Wayne's staff pick was the #12 hit in November 1967. With its distinctive spoken lyrics, this song by the one-hit wonder, “The Hombres” would be covered by several bands as well.

INSTRUMENTAL TRACK:

"Maroc 7" by The Shadows
This surf-style instrumental takes us out for the week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

What The Riff Remembers Neil Peart Jan 11, 2020

Rock legend Neil Peart passed on January 7th 2020 after a battle with brain cancer. Peart affected all of us in a significant way through his work as percussionist and lyricist for the rock band Rush, and we wanted to take a moment to say what his life and work meant to us as we play three songs - “Fly By Night” (from Peart's first album with the band), “The Spirit of Radio” (a great example of both his expertise on drums and his quality of lyrics), and “Closer to the Heart” (a hope-filled tribute). Our thoughts and prayers go out to Peart's family and friends. Rest in Peace, and thank you for making invisible airwaves crackle with life during your time on this earth.Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel. Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share. Of course we'd love for you to rate the show in your podcast platform! **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - July: Guns N' Roses “Appetite for Destruction” Jan 06, 2020

It is unusual for a band's debut album to be a serious hit, but Appetite for Destruction was such a success that it catapulted Guns N' Roses to celebrity status seemingly overnight. The emphasis is on “seemingly,” because it would actually take several months to catch on. Seven months after the album was released it had only sold 200,000 albums. MTV wouldn't play GNR because of their overt focus on sex and drugs. They finally were played on an episode of “Headbangers Ball” at 4:00 a.m. on the East Coast. That was all it took for the band to see the turnaround.

Paul Stanley of Kiss met the band prior to their being signed, and described them as “a bunch of wastoids.” He was surprised at the energy the band displayed when on stage that night, however.

With a straightforward focus on sex, drugs, and Rock and Roll, Appetite for Destruction featured Slash on guitar and Axl Rose on lead vocals. Other band members on this album were Izzy Stradlin on guitar, percussion, and backing vocals, Duff McKagan on bass, and Steven Adler on drums.

Steve Hardin joins us once again as guest host to present this album in Brian's absence.

Welcome to the Jungle
This is one of two big hits off the album, and reflects the thoughts of the band on life in Hollywood, and the big city where anything goes. This is the song that was played at 4:00 a.m. on MTV, touching off the album's meteoric rise after lackluster sales for the previous months.

Nightrain
This is one of the early songs from the band, complete with cowbell! The name supposedly comes from “Night Train Express,” a fortified flavored wine.

Mr. Brownstone
Izzy Stradlin originated this song, with the rest of the band adding on. It tells of a descent into heroin addiction. The subject of the song starts getting up at a regular time, and by the end of the lyrics is “getting up whenever.”

Sweet Child of Mine
This is the other big hit off the album, and was popular on both pop and rock stations. Axl Rose wrote the words inspired by his girlfriend at the time, Erin Everly.

ENTERTAINMENT TRACK:

“La Bamba” by Ritchie Valens
The docudrama telling of the life of Ritchie Valens was released this month in 1987.

STAFF PICKS:

“Kiss Him Goodbye” by The Nylons
Bruce's staff pick features a Canadian a cappella quartet covering Paul Leka, Gary DeCarlo, and Dale Frashuer's 60's hit "Na Na Hey Hey Kiss Him Goodbye." This song is a standard of sports events since being used by the White Sox in 1977.

“Lips Like Sugar” by Echo and the Bunnymen
Wayne brings us into the college rock genre with this alt-rock crossover from this group from Liverpool. Echo and the Bunnymen formed in 1978 and are still touring and producing records today. While never a top 40 hit, “Lips Like Sugar” was a staple of college radio.

“Jane's Getting Serious” by Jon Astley
Rob's staff pick continues the alt-rock theme. Jon Astley was a record producer, producing albums for The Who, Corey Hart, and Blondie, among others. This song only reached number 77, so Jon Astley is technically a “no hit wonder.” It was used in a catsup commercial, though!

“Back to Paradise” by 38 Special
Steve Hardin features a song from "Revenge of the Nerds II: Nerds In Paradise." The song is on a 38 Special Greatest Hits album, but never made it onto any of their studio albums.

INSTRUMENTAL TRACK:

“Fractured Too” by Ace Frehley
This week's instrumental song is from the Kiss alumnus' solo album “Frehley's Comet.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - February: Heart “Dreamboat Annie” Dec 30, 2019

Heart hailed from and played in the Seattle area, but recorded this debut single in Vancouver, Canada. Dreamboat Annie appeared in Canada in the summer of 1975 and debuted in America on Valentine's Day 1976. In a male-oriented rock world the unusual sound of a female-fronted rock ensemble would both draw appeal and create friction that would drive a wedge between the group and their original Mushroom Studios label and propel them on to further success. Heart would go on to be almost a celebrity group in the MTV age of the 80's, but chafed against the insulting sexuality that the video producer's preferred.

Ann Wilson is the lead singer and her sister Nancy is on guitar.

Magic Man
The synth-driven track would be their second single released in both the U.S. and Canada, following different first singles in both countries. This song is about Mike Fisher, Ann's boyfriend at the time, and is somewhat autobiographical.

Crazy On You
This track would be the first single released in the U.S. Nancy's guitar work serves as a prelude to the song. This song is also about Mike Fisher, and about a culture that appeared to be falling apart with the Vietnam War, gas shortages, and other crises of the 70's. Nancy references the Moody Blues as an inspiration for this song.

Soul of the Sea
This deep track is a softer, peaceful sound, again led by Nancy Wilson's guitar. It has a prog rock feel in multiple movements.

Dreamboat Annie
The album's title track is a less rock oriented and more acoustic and harmonic feel. It was released in four cuts - an acoustic version, the album version, a reprise, and a sequel. It hit number 17 on the adult contemporary chart.

ENTERTAINMENT TRACK:

Theme from the television series S.W.A.T. by Rhythm Heritage
A radio charting track with a funky beat announced the start of the late night cop show.

STAFF PICKS:

“December 1963 (Oh, What a Night)” by The Four Seasons
Bruce's staff pick is the highest and last charting song by the Four Seasons. It hit #1 in March of 1976. The song was originally entitled "December 5th, 1933" and marked the repeal of Prohibition, but Frankie Valli persuaded keyboardist and writer Bob Gaudio to change it to a more nostalgic homage to Gaudio's affair with his soon-to-be-wife in the sixties.

“Squeeze Box” by The Who
Rob features the double entendre-filled hit from Pete Townshend that made it to #16 on the Billboard 100. Townshend wrote it after learning the accordion, and was surprised both that The Who recorded it, and that it was a hit.

“Never Been Any Reason” by Head East
Wayne's staff pick cranks up the 70's volume with this one-hit wonder. The song was recorded on their own label, as the band wanted to record this anthem their way.

“Dream Weaver” by Gary Wright
Brian's staff pick drifts into the Eastern-influenced music. In 1972 Wright accompanied George Harrison to India, and was inspired by the Indian culture and philosophy. Though Wright wrote the song on his guitar in about an hour, the track itself has no guitar. The song went to number 2 on the charts.

COMEDY TRACK:

“The White Knight” by Cledus Maggard and The Citizen's Band
We finish off this week's podcast with a CB-inspired comedy track which serves as a cautionary tale about relying too much on reports about the police from the CB radio.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - December: Eagles “Hotel California” Dec 23, 2019

The fifth studio album by the Eagles would become their biggest commercial success (not counting Greatest Hits (1971-1975), another monster album in its own right). Hotel California has been certified 26x platinum, and virtually every track was played on rock stations, not just the singles "New Kid in Town", "Life in the Fast Lane" and the title track, "Hotel California."

This album was recorded after Bernie Leadon had left the group. This multi-instrumental founder was a strong country influence, and when he was replaced by rocker Joe Walsh the group took on a stronger rock orientation. “Hotel California” is a bit of a concept album with the word “Hotel” signifying the daily experience of the band members, and the word “California” taking on a mythological symbolism for the state, the United States, and/or the West. The songs speak of loss of innocence, corruption, illusion versus reality, and of course strained and broken relationships.

Friend of the show, Steve Hardin joins us in this week's episode.

We hope you enjoy this look at one of the most storied albums of the 70's.

Try and Love Again
Bassist and high tenor Randy Meisner wrote and sings lead on this track about starting over after a broken relationship. "right or wrong, what's done is done, it's only moments that we borrow. But the thoughts will linger on of the lady and her song when the sun comes up tomorrow." Meisner would be replaced by Timothy B. Schmit after this album.

Wasted Time
Don Henley takes on lead duties for this break-up song. Drummer Henley would take lead singer duties for about half the songs on the album. "So you can get on with your search, baby, and I can get on with mine. And maybe someday we will find that it wasn't really wasted time."

New Kid in Town
Glen Frey takes the lead on this song, which was the first single from the album. Don Henley has the main harmony vocals, and would attrribute the song to the fleeting nature of fame, especially in the music business.

The Last Resort
Henley wrote and sings this epic protest song about finding Paradise in California, and destroying it. The group would have to re-record it a number of times because the studio they were using in Miami was adjacent to a studio Black Sabbath was using to record Technical Ecstasy, and the sound kept bleeding through the walls.

ENTERTAINMENT TRACK:

”Rocky (Gonna Fly Now)” from the motion picture "Rocky"
Sylvester Stallone wrote and starred in the movie which would launch his career

STAFF PICKS:

“The Wreck of the Edmund Fitzgerald” by Gordon Lightfoot
Rob's staff pick tells the story of a shipwreck in Lake Superior that occurred on November 10th 1975. Lightfoot was inspired by an article in Newsweek called "The Cruelest Month." The Edmund Fitzgerald was the largest ship on Lake Superior.

“Fly Like an Eagle” by Steve Miller Band
Friend of the show Steve Hardin brings us the intro and the song proper from Steve Miller Band. It rose to #2 on the charts, held back by Barbara Streisand's "Evergreen" from A Star Is Born. The band had been playing the song in concert since 1973, but it didn't make it to an album until now.

“It's a Long Way There” by Little River Band
Wayne brings us the first hit in the United States by Australia's Little River Band. This would begin a string of hits from the band with a west coast feel and tight harmonies.

“Beth” by Kiss
Bruce features an unusual ballad from the normally hard rocking Kiss. Ironically, this is the highest charting single by the group, hitting #7 on Billboard's Hot 100.

LAUGH TRACK:

"Disco Duck" by Rick Dees
This week's podcast finishes off on a fowl note.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - March: Spinal Tap “This is Spinal Tap” Dec 16, 2019

In a What the Riff first, we are reviewing an album by a fictional band this week! In March, a mockumentary directed by Rob Reiner hit the theatres about English heavy metal band Spinal Tap. The soundtrack from that movie, This Is Spinal Tap, would produce...well...perhaps not hits per se, but a lot of fun songs that are actually quite good for those of us who don't take things too seriously. It started out as a sketch on a TV show, but the actors who play the band members actually play their own instruments. The film contains a lot of impromptu interviews interspersed with songs from the band.

This is Spinal Tap:

David St. Hubbins (Michael McKean) - vocals
Nigel Tufnel - guitar
Derek Smalls (Harry Shearer) - bass
Viv Savage (David Kaff) - keyboards
Mick Shrimpton (R.J. Parnell) - drums

The film would feature a number of comedy sketches including the amplifier sketch ("ours goes up to 11!"), getting lost backstage, and an unfortunately sized mock-up of Stonehenge.

We hope you enjoy this funny album pick.

Listen to the Flower People
This track spoofs the hippie rock songs of the '60's. A back story was created for the band, and this was an example of some of their early work.

Tonight I'm Gonna Rock You Tonight
The objective of this song is to be a straightforward rock anthem with poor quality lyrics.

BIg Bottom
If there is a "hit" off this "album" it would be this one. Borrowing heavily from Queen's "Fat Bottomed Girls" but well before Sir Mix-A-Lot's "I Like Big Butts," the lyrics are self-explanatory.

Hell Hole
This is the first song on the soundtrack.

ENTERTAINMENT TRACK:

”Against All Odds (Take a Look at Me Now)” by Phil Collins
This song from the movie "Against All Odds" received the most airplay of any song in the 80's.

STAFF PICKS:

"Nobody Told Me" by John Lennon
Brian's staff pick was originally recorded in 1976, and was released in 1984 after not making the cut for the album "Double Fantasy." John Lennon had been killed in December 1980.

"New Moon on Monday" by Duran Duran
Rob's staff pick brings us one from Duran Duran at the height of their 80's popularity off their album "Seven and the Ragged Tiger." The album title was taken from the five band members and two managers (seven) and the Ragged Tiger was success.

"Shooting Shark" by Blue Oyster Cult
Bruce brings us a melancholy melody from Blue Oyster Cult based on a poem by Patti Smith, the "Punk Poet Laureate." This pick features Randy Jackson of American Idol fame on bass.

"All Lovers Are Deranged" by David Gilmour
Wayne finishes off our staff picks this week with Pink Floyd alumnus David Gilmour's solo effort. Pete Townshend wrote this song.

LAUGH TRACK:

"Mighty Mouse" by Andy Kaufman (kind of)
Andy Kaufman did a version of "Mighty Mouse" on Saturday Night Live, that you need to see.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Christmas Songs that Rock (II) Dec 09, 2019

When we did our Rock-and-Roll Christmas "rabbit hole" episode last year we realized that there are just too many Rocking Christmas songs to be held in a single podcast. So we're coming back to you this year with another selection of Christmas songs that rock!

“God Rest Ye Merry, Gentlemen” by- Ronnie James Dio
This selection from the former Rainbow and Black Sabbath front man puts a metal twist on a 16th century carol.

“God Rest Ye Merry, Gentlemen” by The Barenaked Ladies
A more mellow take on the same song features stripped down acoustics and harmonies. Sarah McLachlan is featured in this cover.

“Happy Xmas (War Is Over)” by John Lennon
Brian features the well-known original piece from John Lennon and Yoko Ono from 1971. They are joined by the Harlem Community Choir

“Christmas” by The Who, from “Tommy”
Rob brings us a deep cut from the rock opera Tommy. In this vignette, Tommy's father questions how Tommy can be saved given his inability to see, hear, or speak.

“Do They Know It's Christmas?” by Band Aid
This 1984 compilation was created as a means of providing support to famine victims in Ethiopia. Bob Geldof and an all-star cast of singers was assembled including Sting, Bono, Bananarama, Boy George, and Simon Le Bon.

“Stone Soul Christmas” by Binky Griptite
Wayne puts the soul in Christmas with this 2011 effort. Binky Griptite is a DJ in New York and was the guitarist for the Dap-Kings.

“Christmas Presents Blues” by Jimmy Reed
Wayne keeps the funk going with this rousing bass line and double entendre laden tune from 1971.

“I'm Your Santa” by Lil' Ed and the Imperials
We drift into the blues with this New Orleans-style cut from Alligator Records.

“Celebrate Me Home” by Kenny Loggins
Bruce features one from Loggins' debut solo album in 1977. While this has now become a Christmas standard, it was not released as a single at the time, and was not intended to become a standard.

“Baby It's Cold Outside” by Frank Loesser
Brian's pick is the Dean Martin 1959 cover of this classic. Loesser originally wrote this as a housewarming song. When MGM bought the song, Frank's wife was furious that he had sold it.

“All I Want for Christmas Is You” by Mariah Carey
Bruce took a little heat from the boys when he brings us this original piece from 1994 that has become a best-selling modern day Christmas song. Its Carey's biggest international hit, and the best selling Christmas single by a female artist overall.

“Oh Tannenbaum” by Vince Guaraldi
Christmas wouldn't be the same without “A Charlie Brown Christmas.” This piano jazz cover of the classic Christmas carol takes you to that show, and a rather dinky tree.

“Come Home for Christmas” by the Eagles
This 1978 cover is the first Eagles song to feature Timothy B. Schmit on bass after Randy Meisner left. The original version was released in 1960 by pianist Charles Brown.

“Same Auld Lang Syne” by Dan Fogelberg
Brian features an autobiographical story from Fogelberg. This happened when he was returning home to Peoria when Jill went out for Egg Nog and Dan went out for whipping cream. Fogelberg did not reveal the name of he old flame, but she came forward after his death.

LAUGH TRACK:

“Walking Round in Women's Underwear” by Bob Rivers
Wayne brings us into our "Laugh Track" part of the podcast with this comical take on Christmas and cross-dressing.

“Hanukkah Song” by Adam Sandler
We finish off with this comical take on the Jewish holiday from Adam Sandler, where we find out that David Lee Roth, Henry Winkler, William Shattner, and Leonard Nimoy are all jewish. But OJ Simpson is NOT!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1987 - March: U2 “The Joshua Tree” Dec 02, 2019

There are a handful of albums that have never lost their popularity, but just get stronger over time, and The Joshua Tree would certainly be one of these giant albums. The fifth studio album by U2 would see the group coming back from the experimental feel of their previous album, The Unforgettable Fire, and taking on a more conventional approach. The Joshua Tree took the theme of "America" as the band had been spending significant time on tour in the country, and Bono was reading American novelists like Flannery O'Connor at the time. The Edge was inspired by American blues and country artists, and several tracks on the album have a blues feel.

Autumn Fischer from WSB Radio’s “The Von Haessler Doctrine” (SFW) as well as her own podcast “One Topic” (NSFW) joins us for this week's fun and shenanigans.

Where the Streets Have No Name
This first track on the album takes its name from the idea that you can tell a person's religion and income based on the Belfast street on which they live. The repeating arpeggio with a delay effect that kicks off the song is a signature sound for the band.

One Tree Hill
This song references a volcanic peak in New Zealand which his an important memorial place for the Maori people. It was written in memory of Greg Carroll, a Maori roadie for the band who was killed in a motorcycle accident in Dublin in 1986.

Bullet the Blue Sky
Bono was inspired to write these lyrics as a protest song after a trip to Nicaragua and El Salvador. He saw the toll that the US military intervention in the region placed on local peasants. It has taken on different meanings in concerts, from consumerism to handgun violence to Nazism. The tune started as a jam session.

In God's Country
The idea of this track is that the US is a desert rose, or a siren - both sad and seductive. It also talks about the lack of political ideas in the West, portraying western thought as an arid place.

ENTERTAINMENT TRACK:

“At This Moment” by Billy Vera and the Beaters
This song was featured in the movie “Blind Date,”and was earlier used in the TV Sitcom "Family Ties."

STAFF PICKS:

“We're Ready” by Boston
Wayne takes us to Boston's third studio album. It was a long time between their second and third efforts, and this one was perceived as a bit of a disappointment. However, the album still maintains that distinctive Boston sound.

“Mandolin Rain” by Bruce Hornsby and the Range
Brian's staff pick features the incredible piano work of Bruce Hornsby from his first album “The Way It Is.” The song is about a failed southern romance.

“Heartbreak Beat” by The Psychedelic Furs
Rob brings us into the alternative rock genre. The band called themselves “The Psychedelic Furs” to separate themselves from the punk movement, who didn't care for psychedelic music. This was their only top 40 song in the U.S.

“(I Just) Died In Your Arms” by Cutting Crew
Special guest Autumn Fischer features the "echo snare" sound of British band Cutting Crew from their debut studio album. She became a fan of this song from the radio on Grand Theft Auto.

“Baby Grand” by Billy Joel
Bruce's staff pick finishes us off this week. It features a double piano duet with Joel and piano legend Ray Charles. Billy Joel named his daughter Alexa Ray, with the middle name being for Charles. When Charles reached out about doing a duet, Joel wrote this song in a single night, using "Georgia On My Mind" as the template for the style he wanted to achieve.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - January: Led Zeppelin “Led Zeppelin 1” Nov 25, 2019

We return to one of the true giants of the rock era as we take a dive into Led Zeppelin's debut album, known as Led Zeppelin 1. Band members Robert Plant, Jimmy Page, John Paul Jones and John Bonham recorded this album prior to securing a recording contract. It was recorded in 36 hours at a cost of 2,100 pounds. Founder and guitarist Jimmy Page produced the album.

The tracks are a mix of old blues songs and original material, and feature both Page's stirring guitar riffs and Plant's soaring vocals. Originally touring as The New Yardbirds, they changed their name to Led Zeppelin supposedly after Who drummer Keith Moon commented on The New Yardbirds “going over like a lead zeppelin.”

This first album had only one single (“Good TImes, Bad Times”), but most of the tracks would get in the rotation on album-oriented rock stations throughout the U.S.

Join us as we take in this rock-and-roll blues debut by one of the masters of the genre.

Babe, I'm Gonna Leave You
This track alternates between soft acoustics and driving rock. This was originally composed by Anne Bredon and was covered by Joan Baez in the early 60's before Led Zeppelin's cover.

You Shook Me
A deeper blues track was written by Willie Dixon, and was originally recorded by Muddy Waters in 1962, and by Jeff Beck in 1968. This version is slow and somewhat psychedelic, but maintains a heavy feel throughout this long song.

Communication Breakdown
One of the well-known tracks from the debut album, it is surprising to realize that this was not a single at the time.

I Can't Quit You Baby
This is another Willie Dixon cut, with a distinct feel of the Mississippi delta. It was first recorded by Otis Rush in 1956. "I can't quit you baby, but I've got to put you down for a while."

ENTERTAINMENT TRACK:

Theme from the Television Series “Bewitched”
Dick York, the actor who played Darrin Stephens (father of Elizabeth Montgombery's Samantha) on the show, collapsed on the set and was replaced by Dick Sargent. The show continued with the completely different actor until 1972 with no mention of the change.

STAFF PICKS:

"Ramblin', Gamblin' Man” by The Bob Seger System
Wayne's staff pick features a driving drum beat and the Hammond organ from Detroit's Bob Seger. This was inspired by the Spencer Davis group, and would be Seger's first hit, and only hit until the “Night Moves” album in the 70's.

“Build Me Up, Buttercup” by The Foundations
Rob features this pop song which has been used by the Los Angeles Angels baseball team among many others. It was written by Mike D'abo, vocalist for Manfred Mann.

“Ray of Hope” by The Rascals
Bruce's staff pick features the New Jersey hit machine known as The Rascals. This song was inspired by the assassination of Robert F. Kennedy in June of 1968. "But there's people who win without making fists. Our world won't survive lest we think like this."

“Touch Me” by The Doors
Brian finishes off the staff picks with this Jim Morrison hit. The original name of the song was going to be "Hit Me," but thankfully, Morrison convinced the band to make the change to "Touch Me."

INSTRUMENTAL TRACK:

“Soulful Strut” by Young Holt Unlimited
Our instrumental close is a well-known riff you may recognize - it was a hit at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991-July: Crowded House “Woodface” Nov 18, 2019

New Zealander Neil Finn founded the indie rock band Crowded House with Austrailian drummer Paul Hester and Australian bassist Nick Seymour. For their third studio album Woodface, Neil's older brother and Split Enz alumnus Tim Finn would join the band. In fact, much of the material recorded for Woodface was originally intended for a Finn brothers album, and made it onto the this album after Capitol Records passed on many of the new songs that were originally intended for the album.

Neil Finn has always been a strong singer-songwriter through many bands (including Crowded House), and is currently touring with Fleetwood Mac.

Eric Von Haessler from WSB Radio and The Von Haessler Doctrine joins us again on What the Riff to cover this excellent and underrated album.

Chocolate Cake
The opening track on the album was an album about the excesses of America and the West. “The excess of fat on your American bones will cushion the impact as you sink like a stone.” It's a bit of a novelty track with a “National Enquirer” feel.

Its Only Natural
This beautiful track reflects a long relationship. “It's only natural that I should want to be with you. It's only natural that you should feel the same way too.”

Weather with You
This track with an eastern-influenced sound and a vocal duet encourages the listener to not be affected by circumstances, but instead to “take the weather with you.”

4 Seasons in One Day
Another “weather related title” brings the lyrics, “Even when you're feeling warm, the temperature can drop away like 4 seasons in one day.” There's a distinct Beatles inspiration from this track, and the lyrics are incredibly deep.

ENTERTAINMENT TRACK:

“7 and 7 is - Love” (from the movie, “Point Break”)
The movie Point Break was a surfing-themed film, and this track reflects that surfer image.

STAFF PICKS:

"Saving My Heart" by Yes
We say, “All roads lead to Yes,” and it is true for Bruce's staff pick. This song is from the album “Union,” which combines the current Yes members with former Yes members John Anderson, Bill Bruford, Rick Wakeman, and Steve Howe.

“Walking in Memphis” by Marc Cohn
Brian's staff pick takes us 10 feet off of Beale. The song is somewhat autobiographical, describing Marc Cohn's experience on a trip to Memphis, Tennessee; where he met Muriel in The Hollywood Cafe, and attended a service by the Reverend Al Green.

“Too High” by The Mighty Lemon Drops
Wayne brings us a deep and psychedelic cut from the Manchester scene that would eventually become popular with The Stone Roses and Oasis. This is off their fourth studio album “Sound...Goodbye to Your Standards.”

“More Than Words” by Extreme
Rob finishes our staff picks with this acoustic ballad from Gary Cherone and Extreme. This is the third single from their album “Pornograffitti.” The band would eventually come to resent the popularity of the song.

INSTRUMENTAL TRACK:

“Kind of Bird” by The Allman Brothers Band
An instrumental jam with a Southern flair takes us out on this week's What the Riff.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - September: Counting Crows "August and Everything After" Nov 11, 2019

Berkeley, California's Counting Crows seemed to become overnight sensations with their debut album August and Everything After. Lead man and pianist Adam Duritz and guitarist David Bryson came out of a group called The Himalayans, originally starting as a duet. Over time they formed the group, adding keyboardist Charlie Gillingham, guitarists Dan Vickrey and David Immergluck, bassist Millard Powers, and percussionist Jim Bogios. In a time when grunge was on the ascendancy, the Counting Crows drew inspiration more from Van Morrison and the coffee house than from Kurt Cobain and Seattle. Duritz' lyrics are a powerful draw for the band. Ironically, despite the fame-chasing lyrics of their breakthrough single, "Mr. Jones," Adam Duritz was never very comfortable with the fame that came with the success of the Counting Crows.

We hope you enjoy this lyric-rich album.

Round Here
The first track on the album describes a man walking away from a home and a woman, only to discover that he is walking away from himself. The lyrics talk about all the things he can now do, but while these freedoms are important to children, they are not very significant to adults.

Omaha
This is a deeper cut off the album, and was tried by Duritz in many previous bands before finally feeling like he got it right with this iteration. In April 1994, the city of Omaha, Nebraska designated this song the “official song of the city.”

Anna Begins
Another deep cut, this song was inspired by a relationship Duritz had with an Australian named Anna. The relationship could not survive the geographic distance. “She's talking in her sleep, it's keeping me awake, and Anna begins to toss and turn. And every word is nonsense but I understand, and Oh Lord, I'm not ready for this sort of thing.”

Rain King
A big hit off the album, "\“I've been here before, and I deserve a little more.” The song was written in 40 minutes after watching the film “Dr. Zhivago.”

ENTERTAINMENT TRACK:

“The X-Files” by Mark Snow
The long-running science fiction television series featuring Mulder and Skully began in 1993. The truth is out there!

STAFF PICKS:

“Creep” by Radiohead
Brian features the ultra-depressing lyrics of Thom Yorke. The song was inspired by an obsession York had with a stranger. When he confessed his obsession, the result was decidedly not a good one.

“I Would Do Anything for Love (But I Won't Do That)” by Meat Loaf
Bruce features the longest single in history to make it to #1 on the charts, clocking in at 7:58. Meat Loaf won a Grammy for this song from the sequel album to 1977's “Bat out of Hell.”

“My Sister” by The Juliana Hatfield Three
Wayne brings an alternative track that was big on the radio, but didn't make it to the charts. It is told from the perspective of a little sister or brother looking up to a big sister, with the love-hate relationship that comes with it.

“Crazy Mary” by Pearl Jam
Rob's staff pick was originally a folk song written by guitar player Victoria Williams. Pearl Jam put this cover on a benefit album for Williams after she was diagnosed with multiple sclerosis. Williams sings in the background.

INSTRUMENTAL TRACK:

“Food Innuendo Guy” by Adam Sandler
This song really mashes our potatoes.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - August: Huey Lewis and the News “Fore!” Nov 04, 2019

Huey Lewis and keyboardist Sean Hopper started their career with a jazz-funk band called Clover in San Francisco in 1972. After spending some time in the UK and working with Thin Lizzy, Lewis joined with Hopper and members of another San Francisco band called Soundhole to become "Huey Lewis & The American Express." The name was changed to Huey Lewis & The News when Chrysalis records brought up concerns about trademark infringement from the credit card company.

Fore! is the fourth studio album from Huey Lewis and the News, and continued the band's string of hit singles from their third album called "Sports." Huey Lewis himself was a bit of a celebrity at this point, and made a cameo in "Back to the Future" where he judged Marty McFly's band as they auditioned with a hard rock version of Huey Lewis and the News' "The Power of Love."

We hope you enjoy this journey into the throwback do-wop rock of Huey Lewis and the News!

Jacob's Ladder
The first track on the album was written by Bruce and John Hornsby, and went to number 1 in 1987. The imagery contrasts getting through life one day at a time against the televangelist caricature.

Whole Lotta Lovin’
This is a deep cut off the album, about being on the road and away from the one you love. The lyrics are pretty funny.

Naturally
Bruce's favorite song on the album us another deep cut, this time a cappella. If you sang in groups of any type during the 80’s, you know this song.

Hip To Be Square
This is one of the hits off the album that represents the time very well. Lewis intended this to be ironic, not an anthem for squares around the world, but the band did have a clean cut, conservative image. They were a little older than many of the superstar groups and didn’t tend to trash every hotel they stayed in. Still, Lewis was the child of beatniks, and bristles a little with the idea that he relishes squareness. Members of the San Francisco 49ers are singing backup here, including Joe Montana and Ronnie Lott.

ENTERTAINMENT TRACK:

”Ruthless People” by Mick Jagger
This track was the theme to a comedy film with lots of stars and lots of plot twists, and the song was moving up the charts.

STAFF PICKS:

"Tuff Enuff" by The Fabulous Thunderbirds
Brian features the Texas based group with Stevie Ray's brother Jimmy Vaughan on guitar. This song peaked at #10 on the Billboard Hot 100.

"Shake Me" by Cinderella
Wayne comments that the hair bands were making their mark on the rock scene at the time. This is Cinderella's first single off their album “Night Songs”

"Welcome to the Boomtown" by David & David
Rob's staff pick walks the alternative rock path. This storytelling song references the allure of riches and drugs - “all that money makes such a succulent sound.”

"The Hunter" by GTR
Bruce's staff pick features a one-album supergroup composed of guitarist Steve Hackett of Genesis and Steve Howe of Asia and Yes.

INSTRUMENTAL TRACK:

"Bass Case" by Quiet Riot
We finish off this week's podcast with a rare bass solo piece.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - January: Small Faces “There Are But Four Small Faces” Oct 28, 2019

One of the most famous of the British "mod" groups, Small Faces was founded by Steve Marriott, Ronnie Lane, Kenney Jones, and Jimmy Winston (although Winston had been replaced by Ian McLagan by this album). Small Faces was solidly in the psychedelic rock category. Small Faces toured with The Who, a group also known as a "mod" group. The name comes from the fact that all the members were under 5' 9". There Are But Four Small Faces was an international alternative to their eponymous second album released in 1967 in Britain.

Talk to You
This song was a more blues-oriented track than psychedelic.

Here Come the Nice
This track is a more typical psychedelic song, and was surprisingly able to make it past the censors of the day, since it was a tribute to a drug dealer.

Itchycoo Park
This song is a tale of kids skipping school and drinking in a place they called Itchycoo Park. They really didn't intend to release this track, but it went to number 16 in the U.S. anyway. However, this song was banned by the censors in the UK.

Tin Soldier
Marriott wrote this more rock-oriented song, and took it with him when he went to Humble Pie. It was written for a model named Jenny Rylance, whom he would later marry.

ENTERTAINMENT TRACK:

The Theme from Rowan & Martin's "Laugh-In"
This edgy show premiered in January 1968
STAFF PICKS:

“Think” by Aretha Franklin
Bruce's staff pick is from the Queen of Soul, off her 13th studio album. This was the only song off the album that was written by Franklin.
“Different Drum” by The Stone Poneys featuring Linda Ronstadt
Ronstadt's vocals on this track make this style of performance the sound that would define this song, though it would be covered multiple times.

“Judy in Disguise (with Glasses)” by John Fred and His Playboy Band
Brian's staff pick was a parody of the Beatles' "Lucy in the Sky with Diamonds," a parody that John Lennon enjoyed. Brian knew John Fred during his childhood in Baton Rouge, so this is a staff pick with special meaning.

“Bend Me, Shape Me” by American Breed
This horn-driven piece is another song that was recorded by a number of groups, but this is the best known version. American Breed would be a one-hit wonder, but would have success writing commercial jingles.

INSTRUMENTAL TRACK:
“Love is Blue” by Paul Mauriat and His Orchestra
This orchestral instrumental song was a top hit at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1972 - June: David Bowie “Ziggy Stardust” Oct 21, 2019

The actual title of David Bowie's fifth studio album is The Rise and Fall of Ziggy Stardust and the Spiders from Mars. This influential album from the highly creative David Bowie would become the standard bearer of early 70's glam rock. This genre was outrageous, decadent, and a departure from the heavier, revolutionary political tone of late 70's rock music. Bowie created a character named Ziggy Stardust - an androgynous, bisexual rock star channeling aliens to save the earth from destruction which was only 5 years away. Bowie would later struggle to keep his own identity from being lost in that of Stardust. We hope you enjoy this journey into this iconic glam rock work.

“Ziggy Stardust”
The title track introduces the character, but doesn't appear to have actually been released as a single. However, it received significant airplay on the FM rock radio stations.

“Hang On to Yourself”
This track is less glam rock and more punk rock. The Ziggy Stardust album wasn't written as a concept album from the start, but morphed into that somewhat organically. That means that the songs themselves stand alone well, and there is variety in the type of songs you hear.

“Starman”
This song was the last to be recorded for the album, and was the first single released. Supposedly the powers-that-be had not "heard a single" from the album, which led to the addition of Starman.

“Suffragette City”
Believe it or not, this most famous of the tracks from the Ziggy Stardust album was the B-side to the "Starman" single. Bowie originally offered this song to the band "Mott the Hoople" when they were having difficulties but they didn't take it. They did record "All the Young Dudes," also by Bowie.

ENTERTAINMENT TRACK:

“The Candy Man” by Sammy Davis, Jr.
This cover from the movie "Willy Wonka and the Chocolate Factory" released the prior year would become one of Sammy Davis Jr's. biggest hits.

STAFF PICKS:

“Hold Your Head Up” by Argent
Rod Argent, formerly of The Zombies, formed this group who played this rock anthem. It was released as a single in 1972 before making it to an album, and was their only U.S. hit.

“Old Man” by Neil Young
Brian's staff pick takes a mellow and reflective approach with lyrics inspired by Young's relationship with an older owner of a ranch that Young bought. This is off the Harvest album.

“Long Cool Woman (In a Black Dress)” by The Hollies
Wayne brings us some swamp rock with his pick. This is one of the more rocking songs by The Hollies, with lyrics inspired by bootlegging days of the Prohibition era.

“Hot Rod Lincoln” by Commander Cody and His Lost Planet Airmen
This is a cover of a song released and written by Charlie Ryan back in 1955. It has been recorded a number of times, but this one is the most popular version.

INSTRUMENTAL TRACK:

“Amazing Grace” by The Pipes and Drums and Military Band of the Royal Scots Dragoon Guards
This spiritual piece actually made it on the top 40 at the time.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - October: Drivin' N Cryin' “Scarred but Smarter” Oct 14, 2019

Athens, Georgia may have been known as the music hotbed during the middle 80's, but Drivin' N Cryin' out of nearby Atlanta was benefitting from the Georgia focus as well. Scarred But Smarter was their debut album created on a shoestring budget, with songs that reflect the sound of the Athens scene (where the album was recorded), but with lyrical depth and variety. After several down years, Drivin' N Cryin' is on the upswing again, and you can catch them on tour today.
We are thrilled to have Eric Von Haessler of "The Von Haessler Doctrine" (WSB Radio) join us to present this great album. Eric’s knowledge on the band is extensive, as he produced and directed the 2012 documentary, “Scarred by Smarter: Life n Times of Drivin n Cryin.” Fans should check it out on Amazon Prime!

Scarred but Smarter
This rocking title track from the album is about picking yourself up and learning from the difficulties of life. "There's always a chance to get restarted to a new world, new life, scarred but smarter."
Keys to Me
This track discusses the hope that someone will "get" you, even if you don't understand yourself. "Turn me around and listen you to me."

Bring Home the Bacon
"Bring home the bacon and take out the trash, it's just another matter of fact." You can sense the Beatles influence in this song. This slower track provides a sense of the variety on the album.

Stand Up and Fight for It
This song in 3/4 time encourages living the life that you want to live, and don't let others define you.

ENTERTAINMENT TRACK:
“Jumpin' Jack Flash” by the Rolling Stones
Whoopi Goldberg starred in the movie with this title, featuring the song from decades past.

STAFF PICKS:
“The Future's So Bright, I Gotta Wear Shades” by Timbuk3
Bruce's staff pick was popular on the Georgia Tech campus and at graduations at the time, but the line wasn't supposed to be taken so optimistically. It referenced nuclear holocaust.

“To Be a Lover” by Billy Idol
Rob picked this hit single off Idol's “Whiplash Smile” album, which was a cover originally co-written and performed by Booker T. Jones and William Bell in 1968. The original title was "Forgot to Be Your Lover."

“Don't Forget Me When I'm Gone” by Glass Tiger
Brian's staff pick features a Canadian group who got a boost with a credit and a guest appearance by Bryan Adams on this song. This is off their first album “The Thin Red Line.”

“Will I Ever Understand You?” by Berlin
Despite the name, Wayne points out that this band actually originated from California. This deeper cut describes a person looking in the mirror trying to understand herself.

LAUGH TRACK:
“Addicted to Spuds” by Weird Al Yankovic
We finish off this episode with Weird Al's parody of the Robert Palmer classic.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 - October: Genesis “Genesis” Oct 07, 2019

Most bands make their first album the eponymous one, but Genesis waited until their twelfth studio album to name it Genesis. This one continues the trend toward pop that started with "Abacab" and "Three Sides Live," but maintains the prog rock and art rock connections of their roots. By this time Genesis consisted of Mike Rutherford on keyboards, Tony Banks on guitar, and Phil Collins on drums and lead vocals. Collins would become a celebrity shortly after this album was released.
Folks, there's not a bad song on this entire album. We hope you enjoy this salute to Genesis as much as we enjoyed making it.

“Home By the Sea”
This deep cut tells the story of a burglar who unwittingly breaks into a haunted house, and is subjected to the stories "As we relive our lives in what we tell you." The album cut for this song drifts into a largely instrumental and percussion piece called "Second Home By the Sea."

“Illegal Alien”
Phil Collins dons a fake accent for this political but tongue in cheek take on the American immigration situation in 1983. The bridge consists of a sample of street sounds. "Over the border there lies the promised land where everything comes easy. You just hold out your hand."

“Job to Do”
This rocking deep cut has a keyboard sound more reminiscent of Abacab. Collins would pull away from intensely focusing on Genesis to spend more time with family after this album. Genesis is unusually talented at the transitions in their songs.

“Silver Rainbow”
This low key track has a lot of fantasy and prog rock elements. "But if you're sitting there beside her and a bear walks in the room, and you keep on going, 'cause you're unaware..."

ENTERTAINMENT TRACK:
R.E.M. - Radio Free Europe R.E.M. made their debut on the David Letterman show this month.

STAFF PICKS:
“It Must Be Love” by Madness
Brian's staff pick is from the group better known for "Our House." This song received some air play on radio and video, but Madness was much more popular in the UK.

“Promises, Promises” by Naked Eyes
This first wave, synth-driven song screams early 80's. Naked Eyes formed after the breakup of the band "Neon." The other members of "Neon" formed the group "Tears for Fears."

“Monkey On Your Back” by Aldo Nova
Bruce's staff pick is from Canadian singer and producer Aldo Nova, and tells a story of lives destroyed by drugs, "a dragon that bites a hole in his arm at night."

“Mirror Man” by the Human League
Rob continues the synth pop trend of this week. The Human League sang with a British accent, somewhat unusual in the music of the time. The Human League still tours today. The Mirror Man was revealed to be Adam Ant many years after the song's release.

LAUGH TRACK:

“Far From Over” by Frank Stallone
This is the only top 10 song from "Staying Alive," the underwhelming sequel to “Saturday Night Fever.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 - July: ZZ Top “Tres Hombres” Sep 30, 2019

Yes, those bearded wonders, the trio of ZZ Top would find their breakthrough hit in LaGrange off their third album entitled Tres Hombres. With Billy Gibbons on guitar, Dusty Hill on bass, and Frank Beard (ironically the only member without a beard) on drums, ZZ Top would begin their climb to stardom via Texas blues/rock with this album. ZZ Top started in 1969 in Houston, Texas and are still playing together today after 50 years.
We hope you enjoy this treat from the Texas blues trio as much as we do.

Waitin' for the Bus
Have Mercy! This is the first track on the album, and was inspired by "people watching" at the bus stop.

Jesus Just Left Chicago
The second track on the album has no noticeable break from the first, and you will often hear the two played together on the radio. Billy Gibbons said that this song was a gospel-inspired blues number.

Beer Drinkers and Hell Raisers
This hard driving Southern rock piece originated in a stop ZZ Top took one night at a roadside bar near El Paso to avoid a windstorm.

Have You Heard? This deep cut combines gospel and straight blues. Both Billy Gibbons and Dusty Hill were offered $1 million to shave their beard, and they turned the money down. George W. Bush declared May 15th, 1997 "ZZ Top Day" as governor of Texas.

ENTERTAINMENT TRACK:
Theme from "Match Game"
We're pretty sure the entire crew of this game was toasted the entire time.

STAFF PICKS:
“Walk Like a Man” by Grand Funk
Wayne's staff pick was a hit from the album "We're an American Band." Grand Funk Railroad had truncated their name to Grand Funk by this time.

“Diamond Girl” by Seals & Crofts
Rob features the softer side of rock with his pick, also from a Texas group. There were several hits from Seals and Crofts during the 70's.

“Brother Louie” by Stories
Bruce features a funky story about an interracial relationship and the intolerance of the couple's families.

“Give Me Love (Give Me Peace on Earth)” by George Harrison
Brian's pick features Beatles alumnus Harrison in an acoustic-leaning prayer for peace. George Harrison was reluctant to talk to the media, preferring to have his song speak for themselves.

COMEDY TRACK:

“Watergate” by Dickie Goodman
This comedy collage spoofs on the scandal of Watergate and finishes us off for this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - April: The Cars “Heartbeat City” Sep 22, 2019

On Sunday, September 15th 2019, Ric Ocasek of The Cars passed away at his townhouse where he was recovering from surgery. This group was a staple of radio and video throughout the later 70's and 80's, and their album Heartbeat City propelled them to super-stardom both with the number of singles off the album and heavy video airplay on MTV.
We covered The Cars' debut album on What the Riff?!? Ep. 28, but it seemed appropriate to make this group the first one we feature twice as a tribute to Ocasek and his work as front man of the group. We hope you enjoy this “Drive” down memory lane and keep Ocasek's family in your prayers.

“Magic”
This is one of the five single hits produced by this album. The video featured Ocasek "walking on water" in a pool at the Hilton estate. During the production, the Plexiglas used to facilitate the stunt cracked, dumping Ocasek in the water.

“Looking for Love ”
This deeper cut has a more New Wave feel. Ric Ocasek was the songwriter for The Cars.

“You Might Think”
The funny and strange video for this cut is iconic, and beat out Michael Jackson's ultra-successful “Thriller” for MTV Video of the Year.

“Heartbeat City”
The title track received radio airplay as the B-side of “You Might Think” in the U.S., but was not actually released as a single. Who is Jackie, and what took her so long?

ENTERTAINMENT TRACK:

“The Theme from Friday the 13th” by Harry Manfredini
This month saw the release of the fourth iteration of the Friday the 13th movies was called “The Final Chapter”... but obviously wasn't the end.

STAFF PICKS:

“99 Red Balloons” by Nena
This song had two versions, and English language version and a German version. The German version was surprisingly popular in America. The song itself tells the story of worldwide destruction from war initiated after mistaking 99 helium balloons for an aerial attack.

“Balls to the Wall” by Accept
The title of Wayne's heavy staff pick references the throttles on a jet fighter. Full throttle is pushing the ball at the top of the throttle all the way forward. It means going full out. Like Nena, Accept is also from Germany.

“Rebel Yell” by Billy Idol
This title track from Idol's second studio album. Though the song is about a one-night stand, the title was inspired by a late night session Idol had with Mick Jagger, Keith Richards, and Ron Wood taking swigs from a bottle of Rebel Yell bourbon whiskey.

“So You Ran” by Orion the Hunter
This group was made up of two artists from the group Boston, and the lead vocalist would actually join Boston to handle lead vocal duties on Boston's fourth album “Walk On” in Brad Delp's absence. This album is kind of hard to find these days — and the song is not on iTunes.

INSTRUMENTAL:

“Drive” by the Cars
We finish off this week with an instrumental version of the biggest hit off “Heartbeat City.” This one was originally sung by Benjamin Orr (who died of pancreatic cancer in October of 2000) rather than Ocasek, but the voiceless version seemed appropriate. Rest in peace gentlemen, and thank you for the music!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1974 - October: Ted Nugents Amboy Dukes “Tooth, Fang & Claw” Sep 16, 2019

With Tooth, Fang, and Claw, the Motor City Madman released this seventh and final album as Ted Nugent's Amboy Dukes. When they started in the 60's the Amboy Dukes were more popular, but over time Ted Nugent's star would overshadow the group until finally Nugent would go out on his own. Over time, Ted Nugent's personality and politics have become so prominent that it can overshadow his musicianship, and it is good to remember how incredible he is as a guitarist.
Join us as we explore this hard rocking album.

“Sasha”
This track is more mellow than what we've come to expect from Nugent. The song is about Ted Nugent's daughter and how her presence affects his outlook.

“The Great White Buffalo”
The lyrics on this track reflect Nugent's passion for both hunting and Native Americans, and reflect the wasteful approach taken by American hunters in the late 19th century towards the buffalo.

“No Holds Barred”
This deeper cut really showcases Nugent's guitar chops. He plays a 1962 Gibson Byrdland, and his style is clear in this straightforward rock song.

“Living in the Woods”
Another deep cut has "classic Ted" lyrics about hunting, outdoor living, and "feeling good, I got my face in the wind." When he was younger, Ted's military father would only buy him a guitar if he promised to practice daily. Clearly the practice paid off!

ENTERTAINMENT TRACK:

“The Liberty Bell March” by John Philip Sousa
Any fans of the British comedy show "Monty Python's Flying Circus" will recognize this theme song immediately. The Flying Circus ended its run in the UK in this year, but started a run in the US on PBS in syndication at the same time.

STAFF PICKS:
“Can't Get Enough” by Bad Company
Paul Rodgers' distinctive work as lead man of BadCo made the group one of the signature groups of the 70's. This hit single was off their first studio release, and still one of their best.
“Overnight Sensation (Hit Record)” by The Raspberries
This is the hit off the fourth and last studio release from Eric Carmen and The Raspberries. This Cleveland-based group has great harmonies and piano riffs.
“Billy, Don't Be a Hero” by Bo Donaldson and the Heywoods
Rob's pick is a storytelling song that reflects the anti-war sense that was prominent in the mid-70's. It was also ranked by Rolling Stone as number 8 of the "10-worst songs of the 1970's"

Rock Me Gently” by Andy Kim
Wayne makes a rare decision of a #1 hit song as his staff pick with this soulful, funky effort by Canadian Andy Kim.

INSTRUMENTAL TRACK:
“Pick Up the Pieces” by Average White Band
Another funky hit takes us out this week on an instrumental note.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

What the Riff Remembers Eddie Money Sep 14, 2019

Today we take a moment to remember one of our favorite artists, Eddie Money, who passed away yesterday, Friday, September 13, 2019. Nothing fancy, just three songs: Two Tickets to Paradise, Baby Hold On to Me, and I Want to Go Back. We hope you enjoy sharing our memories and remembering the joy that music brings, and the sadness that comes when we lose somebody special. RIP Eddie Money.Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel. Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share. Of course we'd love for you to rate the show in your podcast platform! **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1990 - August: Queensryche “Empire” Sep 09, 2019

The fourth Queensrÿche studio album followed what was to become a classic concept album entitled "Operation: Mindcrime." The successor to this prog rock masterpiece would be their most commercially successful release. “Empire” is filled with hard charging, somewhat melancholy metal singles and their subdued masterpiece hit, "Silent Lucidity." In a time when hair bands were waning and grunge had yet to take over, Queensrÿche was a welcome heavy metal/prog rock alternative. We hope you enjoy this exploration of this underrated and talented band.

Another Rainy Night (Without You)
This song was the fifth track and the fifth single from the album. It is a Seattle inspired song about loneliness, and waiting for someone in the rain.

Empire
The title track is about drug and gang warfare. The spoken section is a protest about the amount of spending on law enforcement compared to things like national defense and space exploration.

Silent Lucidity
This is the hit off the album, and Queensrÿche's only entry into the Billboard Hot 100. It is about lucid dreaming, where you realize you are dreaming while still in the dream. "I'm smiling next to you in silent lucidity."

Jet City Woman
This track returns to the theme of loneliness. It was written about Geoff Tate's first wife, who was a flight attendant. Seattle is known as the Jet City.

ENTERTAINMENT TRACK:

“My Blue Heaven” by Fats Domino
This 50's hit was on the soundtrack from the movie "My Blue Heaven," starring Steve Martin, and was based on the life of Henry Hill, a mobster in the witness protection program.

STAFF PICKS:

“Joey” by Concrete Blonde
Rob's staff pick is an early alt rock hit about an alcoholic, loosely based on Mark Moreland from Wall of Voodoo.

“Enjoy the Silence” by Depeche Mode
Brian brings us a dance/electronica hit that was originally intended to be a ballad, but the band picked the tempo up before it hit the album.

“Hard to Handle” by The Black Crows
Wayne had a difficult time finding a staff pick for this month until he located this song from Georgia's own Black Crows. This was a remake of an original from Otis Redding.

“Epic” by Faith No More
This song was controversial, both because of front man Mike Patton's similarity in style to Red Hot Chili Peppers frontman Anthony Kiedis, and because of the use of a fish out of water in their video for the song.

INSTRUMENTAL:

“D.F.W.” by The Vaughan Brothers
This instrumental from Stevie Ray Vaughan and Jimmy Vaughan was on the charts after Stevie Ray Vaughan had died in a helicopter crash.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 — December: Jim Croce “I Got a Name” Sep 02, 2019

When you list the greatest singer/songwriters of the rock era, it will not be long before the name Jim Croce appears. Rob shares that this fifth and final album entitled “I Got a Name” was posthumously released in December after Croce’s tragic death in an airplane accident in September of 1973. The pilot struck a pecan tree at the end of the runway - the only tree in the area - killing all 5 on board a small plane in Nachez, Louisiana. Croce was the child of Italian immigrants and grew up in south Philadelphia. He got his start playing fraternity parties and coffee houses. We hope you enjoy this feature album from this outstanding folk rock singer-songwriter who passed too soon.

“I Got a Name”
This well known title track was the first single from the album, released the day after Croce's death.

“Lovers Cross”
This song is about the downsides of a relationship in which one partner is too dependent on the other for their happiness. “And bridges are meant for burnin' when the people and memories they join aren't the same.”

“Five Short Minutes”
And this one is a cautionary tale about sleeping with groupies who are too young! “Because five short minutes of lovin' done brought me twenty long years in jail.”

“Working at the Carwash Blues”
This track tells the story of an ex-con who got a job at a car wash after his time in prison. It was the fourth single released. Gonzo did a cover of this song on “The Muppet Show.”

ENTERTAINMENT TRACK:

“The Entertainer” from the movie “The Sting”
This Scott Joplin ragtime song was featured in the blockbuster film "The Sting" starring Robert Redford and Paul Newman.

STAFF PICKS:

“Midnight Train to Georgia” by Gladys Knight & The Pips
This Grammy-winning song was a cover of a song originally entitled “Midnight Plane to Houston,” and Bruce adds, it was inspired by a conversation writer Jim Weatherly had with Farrah Fawcett.

“Smokin' in the Boy's Room” by Brownsville Station
Brian's staff pick is perhaps better known from the Motley Crue cover. It was originally entitled “Smokin' in the Theater,” and was the song that moved Brownsville Station from a regional band to a national one.

“If You Wanna Get to Heaven” by Ozark Mountain Daredevils
Wayne picks a southern country-rock song. The Ozark Mountain Daredevils hailed from Springfield, Missouri, and chose to stick around the state rather than chase a larger audience in Los Angeles or other cities with a larger music scene.

“Hello, It's Me” by Todd Rundgren
Rob's staff pick is one of the big songs from Philly's Todd Rundgren. This song was recorded three different times, this one being his solo hit.

INSTRUMENTAL TRACK:

“Love's Theme” by Love Unlimited Orchestra
We exit this podcast on an instrumental disco hit that was from a group formed by Barry White.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - June - Stone Temple Pilots - Purple Aug 26, 2019

Debuting at #1 on the Billboard 200 chart, Purple would establish the Sone Temple Pilots as a superstar group. This second studio album from San Diego-based STP would continue the grunge sound, but would expand a bit into other styles like psychedelia, country, acoustic, alternative, and mainstream rock. Stone Temple Pilots was influenced by Aerosmith, and the band members were fans of Kiss. The band was one of the most commercially successful bands of the 90's. The band was originally known as Mighty Joe Young, but changed the name when another performer laid claim to the name.

Get your grunge on as Rob profiles this hit-laden album.

“Big Empty”
The slide guitar gives this track an interesting mix of country and grunge. This was the first single from the album. It was featured on MTV Unplugged before the album was released.

“Vasoline”
The second single released from the album was also the second most successful track from the album. The name of the song is attributed to a misheard lyric - "Flies in the vasoline" instead of "Life in the Fast Lane" by the Eagles. The song is about being stuck in a place or situation.

“Lounge Fly”
The opening riff of this deeper cut was used on MTV's news breaks in the 90's. Interestingly, STP was voted "best new band" by Rolling Stone readers, and "worst new band" by the critics in the same Rolling Stone magazine.

“Interstate Love Song”
This is THE hit off the album, and what a hit! It was at number 1 for fifteen weeks. It was displaced by “Vasoline” for 2 weeks, keeping Stone Temple Pilots in the number 1 slot for 17 solid weeks. If they sound familiar, the chords are taken from Jim Croce's "I've Got a Name."

ENTERTAINMENT TRACK:

Theme to "The Lion King"
This animated movie from Disney was a huge hit in 1994. Some see strong similarities between this movie and "Kimba the White Lion," a Japanese film from the 60's.

STAFF PICKS:

“Shakermaker” by Oasis
Bruce's staff pick highlights a track off Oasis' debut album. Oasis lost a lawsuit for borrowing "I'd like to teach the world to sing" from the iconic Coca-Cola commercial. Apparently "irony" is not a good legal defense.

“Crazy” by Aerosmith
Steven Tyler and Aerosmith were superstars in the 90's on the strength of songs and videos like this. Alicia Silverstone featured in a number of Aerosmith videos. This one also featured Steven Tyler's daughter Liv Tyler who would go on to star in the "Lord of the Rings" trilogy.

“Selling the Drama” by Live
Wayne's staff pick is the first single off Live's album "Throwing Copper." It is an anti-televangelist song.

“Loser” by Beck
This loose string song has been described as folk based hip-hop. "I'm a loser, baby, so why don't you kill me?" "And my time is a piece of wax falling on a termite that's choking on the splinters."

INSTRUMENTAL TRACK:

“Walking at Night” by Boston
This instrumental track off Boston's "Walk On" closes us out this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - January - Styx - Equinox Aug 19, 2019

This week, Wayne brings us Equinox, the fifth studio album by Styx. This would be their first album for A&M Records and their last album with guitarist John Curulewski. He would be replaced by guitarist and singer Tommy Shaw on their next release, “The Grand Illusion,” at which point Styx would take the form which most of us remember as one of the groups that make up the soundtrack of our childhood. Equinox would only go to #58 on the album charts, but would see a resurgence with the release of The Grand Illusion in 1977.

Midnight Ride
James "JY" Young takes the vocal duties on this track, also written by Young. It is a fast, rocking song about a one-night stand with a groupie.

Lorelai
This track is the biggest hit from the album and features the vocals of both James Young and the distinctive sound of Dennis DeYoung. The name of the album was from a brainstorming session, and “Equinox” was the only name that everyone didn't hate. Lorelai was the name of a water fairy.

Prelude 12
This song is performed and written by John Curulewski. This instrumental on a 12-string guitar is the prelude to Suite Madame Blue, and is often missed when that song is played on the radio or Spotify.

Suite Madame Blue
This well-known epic was written for the US Bicentennial. Wistful yet positive despite its minor key, the song calls for reflection and responsibility. The song was done in one day.

ENTERTAINMENT TRACK:

Theme from "Laverne and Shirley"
This television series spin-off from "Happy Days" would debut in January on ABC.

STAFF PICKS:

“Dream On” by Aerosmith
There is no mistaking the opening riff from this epic pick by Brian. It was originally released in 1973, but had its album re-release in December 1975 and was marching up the charts in January. Steven Tyler was not originally comfortable singing in the higher octaves, but fortunately overcame that fear.

“Island Girl” by Elton Jon
Rob's staff pick was #1 for three weeks, and was the first single from the album "Rock of the Westies." Kiki Dee is on background vocals on this Caribbean-influenced hit.

“50 Ways to Leave Your Lover” by Paul Simon
Bruce's staff pick is the second single off Simon's album "Still Crazy After All These Years." This is Simon's sole #1 hit as a solo artist.

“Tower” by Angel
Wayne cranks things back up with his staff pick from a group discovered by Gene Simmons of Kiss. Angel had a prog rock vibe and dressed in all white during their performances. "Tower" is a medieval themed track.

LAUGH TRACK:

“Convoy” CW McCall
We finish off this episode with this ode to the CB radio. Citizens Band was pretty much the social media app of the 70's.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - March - Soundgarden - Superunknown Aug 12, 2019

Brian has us riffing on Soundgarden. If they were “superunknown” at the time, it wouldn't last past the release of this fourth studio album. Soundgarden would break into super stardom with this heavy hitting, 5-time platinum effort. The strength and distinctiveness of Chris Cornell's vocals are obvious. Sometimes called Stoner Rock, Soundgarden would be a key element in solidifying the "grunge" sound of Seattle. They won two Grammy awards for "Black Hole Sun" and "Spoonman." The album cover is a distorted image of the band members and is known as "the screaming elf."

Black Hole Sun
This is one of the big hits from the album. There were 15 tracks on this album, clocking in at over 70 minutes, exploiting the longer format of CD's relative to vinyl.

The Day I Tried to Live
This track released as a single was a deeper cut not often heard outside of rock stations. The strategy employed by Soundgarden was to have each musician to create his own work, then collaborate after the song was written.

Fell on Black Days
Another hit single from the album, Cornell said that this song was about realizing "you're unhappy in the extreme."

ENTERTAINMENT TRACK:

Theme from "The Naked Gun 33 1/3"
This music track was used for both the "Naked Gun" movies and the "Police Squad" TV series.

STAFF PICKS:

“Mr. Jones” by Counting Crows
Rob's staff pick is the first radio hit from "August and Everything After," released in December 1993. They also did the song "Accidentally in Love" for one of the "Shreck" movies. "We all want to be big, big stars, but we've got different reasons for that."

“Return to Innocence” by Enigma
Bruce's staff pick highlights the use of sampling popular at the time. The drum beat is from Led Zeppelin's "When the Levee Breaks." Unfortunately the Taiwanese chant sampled was copyrighted, resulting in a series of lawsuits.

“Cannonball” by Breeders
This alternative rock hit from the Dayton-based Breeders is off their second album entitled "Last Splash." "I know you're a libertine. I know you're a cannonball."

“Mary Jane's Last Dance” by Tom Petty & The Heartbreakers
Brian closes out Stafff Picks with this song, originally going to be called "Indiana Girl," but Petty revised it to it's current form. There's not too many videos emphasizing necrophilia, but this is one of them.

INSTRUMENTAL TRACK:

“Train in the Rain” by Bruce Cockburn
We finish off this week with a laid back fingerstyle guitar track.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1988 - February - The Church - Starfish Aug 05, 2019

Bruce presents the fifth album by Australian rock band The Church. It would be their breakthrough album for international success. After starting as a new wave band in 1980, The Church drifted into a little alternative, a little psychedelic, a little goth - some would call it dream pop. The lyrics and music are both a little dark and wistful, a result of their recording far from home in Los Angeles, and pouring their feelings of being in a strange place they didn't really like into their music. Arista was their new label for this studio album, and despite the homesickness of the band, their work in LA paid off with a great album.

Destination
This is the first track on the album and describes a dystopian totalitarian bureaucracy. "It's not a religion, it's just a technique, it's just a way of making you speak. Distance and speed have left us too weak, and destination looks kind of bleak."

Reptile
The second hit from the album is a song about a bad relationship. "Go now, you've been set free. Another month or so, you'll be poisoning me with your lovely smile."

Under The Milky Way
This is the first and biggest hit from the album with a great 12-string acoustic foundation. The title is inspired by a music hall in Amsterdam that is in a former milk factory. The name of the hall is Melkweg, Dutch for "Milky Way."

ENTERTAINMENT TRACK:

“With A Little Help from My Friends” by Joe Cocker
This was the theme song from "The Wonder Years" TV series.

STAFF PICKS:

“Tunnel of Love” by Bruce Springsteen
Brian's staff pick is off the solo (minus the E. Street Band) album from The Boss. The tunnel of love is an amusement park ride in Asbury Park Boardwalk, and is a metaphor for the ups and downs of a relationship.

“Rhythm of Love” by Yes
Wayne's staff pick takes a prog rock turn with a Beach Boys harmony feel. All roads lead to Yes, in this case off their 12th studio album "Big Generator."

“Devil Inside” by INXS
The Australian group had a huge album in "Kick", and Rob's staff pick is one of the hits off this album. "The future uncertain, but certainly slight." HBO used this song on the trailer for the fourth season from "A Game of Thrones."

“It's The End Of The World As We Know It (And I Feel Fine)” by REM
This fast talking hit off the 1987 album “Document” channels Bob Dylan's stream-of-consciousness approach from "Subterranean Homesick Blues."

LAUGH TRACK:

“You Talk Too Much” George Thorogood & the Destroyers
We go out this week on George Thorogood's comedic rant about a girlfriend who just won't stop talking.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - October - Toto - Hydra Jul 29, 2019

Coming off the success of their debut album, Toto took a turn toward the progressive rock sound with their sophomore studio album, Hydra. While many LA bands were hitting the club circuit, Toto was making their mark in the studios. The members of Toto are some of the most sought-after session musicians, but the band itself is made of high school friends and family, many of whom came from musical families and circles. Jeff Porcaro claimed that the name came from the Latin phrase “in toto,” meaning “all,” or “as a whole.”

Musical Fact Finder and Friend of the show Doug Aiken profiles this album from his favorite band!

99
This is the one hit off the album with its distinctive piano structure. The song was inspired by George Lucas' film THX-1138 in which people no longer have names, only numbers.

Mama
This track has a classic Los Angeles sound with smooth grooves - think George Benson or Steely Dan. There is a stripped-down sound to this music, making good use of space instead of the "wall of sound" more common in prog rock works.

Hydra
The title track from the album is a prog rock opus, complete with fantasy monsters and damsels in distress.

ENTERTAINMENT TRACK:

Theme from "Wonder Woman"
Folks, I think it’s safe to say we're all big fans of Lynda Carter, the original TV Wonder Woman

STAFF PICKS:

“Children of the Sun” by Billy Thorpe
Wayne's staff pick keeps the prog rock fun continuing, with Billy Thorpe's space opera rock anthem. This was a timely hit during a period when interest in UFO's and extraterrestrials was peaking. Listen to this song with headphones to get the full effect.

“Fins” by Jimmy Buffett
Bruce's staff pick brings us to the Caribbean where Buffett tells the story of a bunch of guys hitting on the girls. “You've got fins to the left, fins to the right, and you're the only bait in town.”

“My Sharona” by The Knack
You can't cover 1979 properly without hitting this song. Rob shares this was Capital Record's fastest chart runner since The Beatles, and the top pop song from 1979. Lead vocalist Doug Feiger was dating a girl named Sharona, and the lyrics came to him in about 15 minutes.

“Get it Right Next Time” by Gerry Rafferty
Let the yacht rock roll. Brian highlights a smooth hit from the "Night Owl" album with a positive theme. And you can't go wrong with a sax!

“Last Train to London” by ELO
Doug Aiken's staff pick picks up a disco-leaning song from ELO's album "Discovery." Jeff Lynne sites the inspiration for this song as the number of trains the band had to take to and from London at the time.

INSTRUMENTAL TRACK:

“Rise” by Herb Alpert
This instrumental hit made Herb Alpert the only artist to have both a vocal and instrumental number 1 hit.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - November - Bryan Adams - Reckless Jul 22, 2019

His fourth studio album would move Bryan Adams from a successful singer-songwriter to super-stardom. The multi-platinum album, “Reckless” is packed with hits, as six of the ten tracks would hit the charts including the evergreen hit “Summer of 69.” Adams took some time off following his multi-year tour "Cuts Like a Knife," and that brief retreat would result in a burst of creativity that would result in many of this album's hits.

Friend of the show Vann Mathis joins us for this podcast.

“One Night Love Affair”
This track was the fifth single to hit the charts, and the title is pretty self-explanatory.

“Run to You”
This debut single from the album starts with a great guitar riff, and describes an ongoing affair, unlike the first track we profiled.

“Somebody”
This track was the second single off the album with a straightforward rock sound and a catchy chorus.

“Kids Wanna Rock”
We pick up the pace, leaving the love songs behind with this strong rock track. Even though not released as a single, it still made it to number 42 on the charts.

ENTERTAINMENT TRACK:

Theme from “A Nightmare on Elm Street”
The horror movie that would become a classic was released in November 1984.

STAFF PICKS:

“I Can't Drive 55” by Sammy Hagar
Hagar's protest song against the National Maximum Speed Law is enough to get your foot pressing a little heavier on the gas. Bruce explains it was inspired by a late night ticket for driving 62 in a 55 that Sammy Hagar received.

“Girls with Guns” by Tommy Shaw
Vann Mathis' staff pick is a fast paced throwback to the 80's from Styx alumnus Tommy Shaw. Styx band mate Dennis DeYoung was also doing solo work at the time. The video was filmed from one camera in a continuous take.

“Hello Again” by The Cars
Rob presents this fourth single from the album "Heartbeat City." The Cars were a huge hit on MTV, with well produced, awared winning videos. They balanced well between pop hooks and experimental new wave music.

“Turn Up The Radio” by Autograph
Wayne's staff pick is a mid-80's rock anthem. This is the lead single off the album "Sign in Please," and was their only top 40 hit. "Day in, day out, all week long, things go better with rock!"

“Sea of Love” by The Honeydrippers
Brian goes in a sentimental direction with Robert Plant's cover of Phil Phillips from Lake Charles, Louisiana. Phillips original version was a one-hit wonder in 1959. Paul Shaffer was on keyboards in The Honeydrippers.

LAUGH TRACK:

Ray Stevens - “The Mississippi Squirrel Revival”
Ray Stevens takes us out this week with his memories of what happened when a squirrel got loose in the church.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - May - The Jimi Hendrix Experience - Are You Experienced Jul 15, 2019

Undoubtedly the most influential electric guitarist of the rock era, Jimi Hendrix burst on the scene in the form of “The Jimi Hendrix Experience” with his debut album, “Are You Experienced.” The band was formed by Mitch Mitchell on drums and Noel Redding on bass, but the centerpiece was Jimi Hendrix on lead and lead guitar. Creative with the distortion, fuzz, and other guitar effects, Hendrix played left-handed, played a light string, and tuned his guitar down a half step, giving him even more power and range with his playing. Hendrix would sadly live only a little over 3 years after the release of this album, but his influence echoes through the decades of rock music.

Friend of the show Vann Mathis joins us for this podcast.

Foxy Lady
The third single issued in the U.S. only peaked a number 67 on the Billboard hot 100, and is now a well known staple of the Hendrix repertoire. This song contains "the Hendrix chord," a dominant 7th sharp 9th.

Manic Depression
This jazzy track with a triplet beat describes a challenging romantic experience.

Third Stone from the Sun
This longer and deeper cut has a science fiction motif. It chronicles an alien encounter with the planet Earth. The aliens determine that the only intelligent life on the planet are the chickens.

Purple Haze
The second single from the album was the first single written by Hendrix. Rolling Stone ranks this song as number 2 on "the greatest guitar songs of all time," behind only Chuck Berry's "Johnny B. Goode"

ENTERTAINMENT TRACK:

“A Guide for the Married Man” by the Turtles
This is the title track from the comedy film "A Guide for the Married Man."

STAFF PICKS:

“At the Zoo” by Simon and Garfunkel
Rob's staff pick was originally written for "The Graduate" but was cut from the movie, and it was subsequently used on a studio album. Multiple zoos have used this song in their advertising.

“Mirage” by Tommy James and The Shondells
Brian shares that the producer of the track "I think we're alone now," accidentally played it backwards, and the band decided to make the resulting melody into a song in its own right.

“Ain't Nothing But a House Party” by The Showstoppers
Wayne's staff pick highlights the sound known as the “Philadelphia Soul.”

“A Little Bit Me, A Little Bit You” by The Monkees
Vann Mathis makes a staff pick written by Neil Diamond. This is the first Monkees release featuring Davy Jones on lead, which was controversial...because the rest of the band wasn't consulted about it.

“Friday on My Mind” by The Easybeats
Bruce's staff pick was a part of the 96 Rock “5 o'clock whistle.” Who remembers that? Interestingly, the song takes a minor key when referencing the weekday, and turns to a major key when it gets to Friday.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - April - Thomas Dolby - The Golden Age of Wireless Jul 08, 2019

With this debut album Thomas Dolby merged a synth-driven electronica sound with the new wave sensibility cresting on the airwaves in the early 80's. The Golden Age of Wireless would follow a loose theme of radio and communication in its tracks. Thomas Morgan Robertson's affinity for keyboards, tapes, and electronics earned him the nickname "Dolby" from his friends, and he stuck with it for a stage name after a few legal documents from the Dolby Corporation. This debut album did well on both sides of the Atlantic, and several songs would become staples of both radio and video during this time. So, let's step into this phenomenal new wave album - “it's poetry in motion!”

“She Blinded Me with Science”
Interestingly, this hit song from the album wasn't actually on the album in it's first US release, but was placed there on the second release. Dolby pitched the video on a storyboard before the song was written.

“One of Our Submarines”
This eerie track was the "B" side to She Blinded Me with Science. Dolby had an uncle who died on a submarine in World War II.

“Airwaves”
There were multiple versions of this song, this version being more keyboard-driven. Dolby did much of the instrumental work on this album, but also had a number of guest musicians as well.

“Europa and the Pirate Twins”
In the story, Europa was a girl from Dolby’s childhood who had to move. They swore that they would be "the pirate twins" forever, but that would not happen after she became famous.

Fun fact: Thomas Dolby was the keyboard player behind Foreigner's "Urgent."

ENTERTAINMENT TRACK:

“Theme from WKRP in Cincinnati”
This TV series would finish its run in 1982.

STAFF PICKS:

“Harden my Heart” by QuarterFlash
The lead singer, Rindy Ross, also plays the saxophone. Her husband, Marv Ross, plays guitar in the band. The band still plays from time to time, and is now based in Portland, OR.

“Do You Believe in Love” by Huey Lewis and the News
Bruce's staff pick highlights the first top 10 hit by what would be a mainstay group of the 80's. The video maintains a humorous edge with the band singing in a girl's bedroom. There are great harmonies in this hit.

“Don’t You Want Me Baby?” by The Human League
"You were working as a waitress in a cocktail bar when I met you." Brian's staff pick isn't a love song, but a power struggle. This was one of many songs propelled up the charts by the influence of MTV.

“Genius of Love” by the Tom Tom Club
This dance-oriented song is the only top 10 hit by The Tom Tom Club. Rob shares that this group is a husband and wife team who were originally members of The Talking Heads. They recorded this song while on hiatus from the more famous group.

INSTRUMENTAL TRACK:

“DNA” by The Flock of Seagulls
We close out this episode with an instrumental cut from the band best known for the song "I Ran."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - June - The Smithereens - Especially for You Jul 01, 2019

Especially for You is the debut full-length album from “The Smithereens.” This platinum-selling album was almost a "greatest hits" because the New Jersey band had been playing for 5 years before releasing this album. The Smithereens filled a void in the mid-80's pop scene that would become categorized as Alternative Rock or College Rock, and there are a number of hits from the group that hold up well today. In retrospect, the album is just solid, straightforward rock-and-roll.

Friend of the show Doug Aiken joins us for this, Episode 57 of our What the Riff podcast as we musically travel back to the mid-80's.

Mr. Eliminator
This instrumental song wasn't on the album, but was a bonus track on the CD and was on the B-side to "Blood and Roses." It was completed in one take.

Groovy Tuesday
This co-written song was inspired by "The Who Sell Out." The initial title of the album was going to be "Groovy Tuesday."

Behind a Wall of Sleep
This track is a "crush song," about a girl in another band in the area.

Blood & Roses
This is one of the big hits from the album. The bass line was inspired from a riff heard while passing by the club. The lyrics are a poetic tribute to a woman who committed suicide.

ENTERTAINMENT TRACK:

“Oh Yeah!” by Yellow
Bueller? Bueller? This became a classic after appearing on the film “Ferris Bueller’s Day Off”

STAFF PICKS:

“Hyperactive” by Robert Palmer
This was the follow-up to "Addicted to Love" and remained in the charts for about 12 weeks. Rob shares that shortly after this album Palmer formed The Power Station with members of Duran Duran.

“Suzanne” by Journey
Brian brings one of the hits off "Raised on Radio." It was one of three to hit the top 40 from the album. The follow-up to "Frontiers" would be the last Journey album with Steve Perry. Randy Jackson played bass on the tour.

“Something About You” by Level 42
Bruce's staff pick is the only top 10 hit by the group in the US. There are surprisingly complex lyrics for a pop song "drawn into the stream of undefined illusion, those diamond dreams, they can't disguise the truth that there was something about you."

“Locked In” by Judas Priest
Doug Aiken's pick takes the intensity up a notch...or three. The album "Turbo" from which the track comes was promoted using spoofs of commercials from the day.

“Home” Public Image Limited
Wayne's pick keeps the intensity up, but from a more punk genre than heavy metal. Johnny Rotten from the Sex Pistols is the lead singer of this group, Ginger Baker from Cream is the drummer, and Steve Vai is on guitar.

INSTRUMENTAL TRACK:

“Chase the Ace” by AC/DC
We exit the podcast with this instrumental from the heavy metal stars from down under.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1979 - January - Elvis Costello and The Attractions - Armed Forces Jun 24, 2019

With his third studio album, the creative and unlikely rock star Elvis Costello took a turn from the punk style of his previous album and moved towards new wave music. Armed Forces was also the first album to name The Attractions as a part of the rock group fronted by Costello. Many of the tracks on this album reference British imperialism. Elvis Costello has a way of creating an upbeat sound while weaving in poignant, even depressing lyrics. This is a difficult artist to pin down. He follows his own muse, but finds a way to remain popular over the decades. Join us as we profile this breakthrough album from the end of the 70's decade.

Moods for Modern
The management company came up with the stage name Elvis Costello for Declan McManus. This song is about letting a girl go. "I let you into foreign fingers."

Oliver's Army
This track had a video which was aired on the first day of MTV's broadcast. The lyrics of this protest song are based off a trip that Costello took to Ireland. The Oliver referenced in the title is Oliver Cromwell.

Accidents Will Happen
This song would be considered the hit off the album, and references Costello's first marriage and the seductiveness of the rock life and an affair on the road.

(What's So Funny 'Bout) Peace, Love, and Understanding
A rare cover song was written by Nick Lowe, who also produced the album. Costello supposedly used the pseudonym "Napoleon Dynamite" in 1982.

ENTERTAINMENT TRACK:

Theme from "The Dukes of Hazzard" by Waylon Jennings
This TV show was particularly popular in Georgia, despite the fact that there is no Hazzard County in Georgia.

STAFF PICKS:

”Hold the Line“ by Toto
Bruce's staff pick highlights the iconic piano riff from the hit off Toto's debut album. The drum licks channel a "Sly and the Family Stone" groove.

“Blue Morning, Blue Day” by Foreigner
Rob chose this hit featuring Lou Graham's distinctive vocals with a well-balanced instrumental riff in a minor key. "But honey don't telephone, 'cause I won't be alone, I'll need someone to make me feel better."

“Take Me To the River” by the Talking Heads
Brian returns to the new wave theme. David Byrne fronts this New York City band covering a song originally written by Rev. Al Green. It was also covered by Bryan Ferry and Foghat.

“Can't Keep a Good Man Down” by Eddie Money
A driving deeper cut from "the money man" off his second album ends our staff picks with Wayne. Though not as popular as many tracks from his debut album, this song has a positive feel to it.

INSTRUMENTAL COMEDY TRACK:

“I Will Survive” by Gloria Gaynor
Bruce "calls an audible" for this week's concluding track...how, we’ll never know...

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - November - The Seekers - Best of the Seekers Jun 17, 2019

The Seekers were an Australian folk pop quartet, the first Australian group to see significant success in the U.K. and the U.S. The Seekers were voted "Australians of the Year" in 1967. Judith Durham joined what was originally an all-male quartet, and their style was hard to define - too pop to be folk, too folk to be pop. That didn't keep them from achieving success, as they were the first Australian group to reach number 1 in the UK with a debut record - a feat that neither The Beatles nor The Rolling Stones achieved. We hope you enjoy this "proto-rock" hit from the 60's.

I'll Never Find Another You
"I could search the whole world over until my life is through, but I know I'll never find another you."

A World of Our Own
Upbeat and uplifting, this track discusses leaving the rest of the world behind. "And I know you will find they'll be peace of mind when we live in a world of our own."

The Carnival is Over
This is an adaptation of a Russian folk song, and is one of the top 50 best selling singles in the UK.

Georgy Girl
This well known track is from the movie of the same name, and was named for an academy award. Judith considered this song somewhat autobiographical.

ENTERTAINMENT TRACK:

Theme from "The Odd Couple"
This 1965 Broadway play became a film in 1968, on its way to becoming a TV series in 1970.

STAFF PICKS:

“Good Times” by the Easy Beats
Another Australian band is featured as Wayne's staff pick. This party song has been covered by a number of groups.

“Stormy” by Classics IV
Bruce found a connection here he likes! This band started out in Jacksonville, Florida and moved to Atlanta. Guitarist JR Cobb would join the Atlanta Rhythm Section later on, who would cover another Classics IV tune.

“Elenore” by The Turtles
Rob shares that the opening sounds like Three Dog Night's "One is the Loneliest Number," which would come out a year later. This was intended to be a parody of their hit "Happy Together," but the song actually worked. "Your my pride an joy, etc."

“Gentle on My Mind” by Glen Campbell
Brian wraps it up with this multi-song artist. John Hartford wrote this song, which became the flagship song for Glen Campbell. Hartford was inspired by the film "Dr. Zhivago," and wrote the song in about 15 minutes. It won 4 Grammy awards in 1968.

INSTRUMENTAL:

“Wonderwall To Be Here” by George Harrison
This instrumental was on the soundtrack from the film "Wonderwall." It is Harrison's first solo effort, and also the first solo effort from any of The Beatles.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1988 - April - The Godfathers - Birth, School, Work, Death Jun 10, 2019

Sometimes classified as alternative rock or new wave, London band The Godfathers has a British punk feel to it with their stark lyrics and cynical style — one that Wayne loves and appreciates! Peter and Chris Coyne formed this five piece group, and dressed in mafia-style suits with skinny ties. When they toured the United States, Living Colour was their opening act. Their sound is "brass knuckles punches," and "body slamming production." Join us on this journey as we explore Birth, School, Work, Death - a rough and tumble yet melodic album.

S.T.B.
This song was the first one that Wayne thought really rocked.

Cause I Said So
How many of us heard this phrase when we were young? You sense the angst of their working class background. Lots of their songs have a "worst case scenario" feel to it.

If I Only Had Time
This is Wayne's favorite Godfather's song. "If I only had time, I would come up with the perfect crime." Front man Peter Coyne was in six of the seven "Harry Potter" movies.

Birth, School, Work, Death
This title track is definitely the hit off the album. This describes life as it is - though perhaps quite summarized. The video to this song received considerable airplay on MTV at the time.

ENTERTAINMENT TRACK:

“Pump Up the Volume” by M.A.R.S.S.
This song was a track off the Michael J. Fox movies "Bright Lights, Big City."

STAFF PICKS:

“Electric Blue” by Icehouse
Rob digs this song by Australian synth-pop band Icehouse that was actually co-written by John Oates, giving it a definite "Hall & Oates" feel. The video features a prominent mullet and Paris Jefferson, best known as Xena, Warrior Princess.

“Shattered Dreams” by Johnny Hates Jazz
Bruce's staff pick features some minor key angst. Interestingly, the group was discovered while performing in a jazz club. The video was produced by David Fincher of "Fight Club" fame.

“Kiss Me Deadly” by Lita Ford
Brian's rocking staff pick features the queen of heavy metal/glam rock. Sharon Osbourne produced the album.

“Only A Memory” by The Smithereens
Continuing the angst theme, this great break up song was released in April. "I search the room but you're not there, your perfume lingers everywhere."

COMEDY TRACK:

“Eat It ” by "Weird Al" Yankovic
Although this spoof was originally released in 1984, it also appeared on Yankovic's Greatest Hits album, released in 1988.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - March - The Producers - The Producers Jun 03, 2019

This will be a familiar band to those of us who grew up in metro-Atlanta in the 80's, and will be a treat to the rest. The Producers got national airplay in the 80's with their new wave, high energy sound. Both this debut album and their follow-up "You Make the Heat" were big, and they probably hit the height of their popularity when they headlined MTV's New Year's Rockin' Eve party in 1982. The Producers (Van Temple, Kyle Henderson, Bryan Holmes, and Wayne Famous) are still playing — so make a point of seeing them live when they play nearby. We hope you enjoy this fantastic album and group.

“What's He Got?”
This track tells about a girl running after a guy with money, and was one of the hits from this debut album.

“I Love Lucy (she don't care)”
“This story has no mystery. There is no hope for jerks like me." A number of tracks from the album have that "I'm a loser" theme that is often heard in alternative rock tracks.

“Who Do You Think You Are?”
“Hey! man, I'm aware of your position. Hey! man, luck has made you the man in charge.”
Wayne Famous was well known for his dancing on stage, and for playing the synthesizer slung over his neck like a guitar.

“What She Does to Me”
This track is also known as "The Diana Song." because of the bridge. This is the biggest hit from the album, peaking at number 63 in July of 1981.

ENTERTAINMENT TRACK:

“Flash Gordon Theme” by Queen
Queen did the music for this sci-fi movie, and this song was moving up the charts in March of 1981.

STAFF PICKS:

“Treat Me Right” by Pat Benatar
Brian's staff pick showcases one of the hits from 1980's "Crimes of Passion" album. Nick Giraldo is a great (and underrated) guitarist on this track.

“Hey Nineteen” by Steely Dan
One of Rob’s favorites, Steely Dan had tremendous success at this time. This track from the album "Gaucho" discusses a relationship with a much younger woman. Walter Becker and Donald Fagen used 42 different musicians in the making of this album.

“I have the Skill” by The Sherbs
Wayne brings something a little less known. This group, formerly known as Sherbet was one of Australia's most popular acts at the time. This is their highest charting hit in the U.S., but got no tracking in their native Australia.

”Romeo and Juliet” by Dire Straits
Mark Knopfler and company bring us Bruce's staff pick. This track makes reference to West Side Story and of course Shakespeare. Knopfler wrote this song thinking about his own romance with Holly Vincent.

INSTRUMENTAL TRACK:

“Ides of March” by Iron Maiden
Wayne brings the rock cred up a notch with this instrumental metal piece.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

SUMMER SONGS THAT ROCK - One Year Anniversary May 27, 2019

Folks, it's amazing to realize that the What The Riff podcast has been around for a year! To celebrate, we're focusing this Memorial Day week on rock-and-roll songs of summer. Our memories of summers past have always been tied to the music of the time, and we suspect that is the same for you as well. Whether cruising with the top down, hanging out with friends, or playing your boom box on the beach or at the pool, the right song will “take you back” and the memories come flooding through. We hope you enjoy this special rabbit hole edition as we look at summer songs that rock!

“Summertime, Summertime” by the Jamies
We go back a little earlier than typical with this song from 1958. It has a "sacred harp" sound, and its introductory riff has been covered multiple times.

“Dancing in the Street”
by Martha Reeves & the Vandellas
by David Bowie & Mick Jagger
by Van Halen
Here is a fine example of a song that has been covered multiple times in a number of styles. The consensus of the What The Riff?!? guys is that the Van Halen version is the best. What do you think?

Surfin' U.S.A. by the Beach Boys
Perhaps the group most identified with summer in the 60's. You can't do a summer rock episode without having The Beach Boys make an appearance.

“Wipe Out” by The Surfaris
The most famous instrumental surfing song. What a distinctive percussion and guitar riff!

“In the Summertime” by Mungo Jerry
We make our way into 1970 with this easy-going groovey track.

“Summer in the City” by The Lovin' Spoonful
What an awesome line: "Hotter than a matchhead." This song drifts back to a psychedelic 1966, and reminds us of the pre-air conditioning days of summer in the South.

“School's Out” by Alice Cooper
Everyone remembers this anthem playing at the end of school, marking the start of summer.

“Rockaway Beach” by The Ramones
Here is a punk genre summer song from the 70's. This one hearkens to the surfing songs of the 60's.

“Summertime Blues”
by Eddie Cochran
by The Who
by Rush
Here's another example of an original with multiple covers, from 1958 to 1976 to 2004. Were you even aware RUSH did this cover?

“Margaritaville ” by Jimmy Buffett
This 1977 classic is a mandatory summer song, and brings up the drinks of summer.

“Summer Nights” by John Travolta & Olivia Newton-John
While this tune is not exactly a rock song, it was a huge summer classic from the 70's, and we did not feel right leaving it out! ... but we don’t listen to the whole thing...

“Suddenly Last Summer” by The Motels
Drifting into the 80's, The Motels lead off a set of summer songs with female leads. There's a wistfulness with this track we’re all digging.

“Cruel Summer” by Bananarama
Bananarama had a string of hits in the 80's, including this summer song in a minor key.

“Walking on Sunshine” by Katrina & The Waves
And we switch to a 1985 hit that is more upbeat and positive. This was the biggest hit for Katrina and the Waves, almost (but not quite) their "one hit wonder.“

“Holiday Road” by Lindsey Buckingham
This 1983 hit was made famous by “National Lampoon's Vacation” movies, and appeared in subsequent movies in the series. To us, it sounds a little bit like Kenny Loggins, maybe.

“Mas Tequila” by Sammy Hagar
We step outside our normal chronology with this track from 1999. But it just FEELS like summer.

“Blister in the Sun” by the Violent Femmes
A 1983 track, this one is a more alternative rock summer song with a distinctive guitar riff.

“Miserlou” by Dick Dale
We finish off this rabbit hole episode with an instrumental from the King of the Surf Guitar, and from the movie "Pulp Fiction."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - July - The Smiths - The Queen is Dead May 20, 2019

When you think of college alternative rock of the 80's, the group you are most likely to have in your head is The Smiths. Their third studio album, “The Queen Is Dead,” continues their brand of Manchester Brit-pop, decidedly pessimistic, but with accessible muscial hooks. The Smiths’ sound is largely due to the collaboration between front man Morrissey and guitarist Johnny Marr - sophisticated, critical, and downright depressing. Still this influential group has had a staying power beyond their contemporaries. Tim Andrews brings us this complex and bleak album as he guest-hosts this week's episode.

The Queen Is Dead
This anti-royalty track criticizes the royal family and the continual media frenzy around them. Morrissey considered royalty to be "a hideous joke."

Frankly, Mr. Shankly
This track describes a letter written by an unhappy worker to his tyrannical boss.

I Know It's Over
This emotional ballad depicts a man at the end of a bleak life. "I know it's over - still I cling, I don't know where else I can go."

There Is a Light That Never Goes Out
This is a better known track from the album. The music sounds upbeat until you catch the lyrics: "And if a double-decker bus crashes into us, to die by your side is such a heavenly way to die."

STAFF PICKS:

Billy Joel - Big Man on Mulberry Street
Bruce's staff pick highlights a jazzy deep cut from Joel's album "The Bridge." This song made an appearance as the music behind a dream sequence from the TV show "Moonlighting."

Van Halen - Dreams
This synthesizer-heavy hit from the Sammy Hagar era of Van Halen is off "5150," the first Van Halen album with Hagar as frontman. Rob loves the irony that “ 5150” is the California Welfare and Institutions code for an insane person.

GTR - When the Heart Rules the Mind
Brian brings this supergroup featuring Yes guitarist Steve Howe and Genesis guitarist Steve Hackett. GTR only had this single album, and this track was their biggest hit.

David Lee Roth - Yankee Rose
Wayne reminds us that both Van Halen and David Lee Roth had hits at this time. Steve Vai was Roth's guitarist on this song. Although you might think this was another song about girls, this song is actually about the Statue of Liberty on which refurbishment was completed at the time.

The Fixx - Secret Separation
Tim's staff pick features the UK band famous for their earlier album "Reach the Beach." This later hit has great harmonies

INSTRUMENTAL TRACK:

REM - The White Tornado
This instrumental off the collection album "Dead Letter Office" closes out our podcast for the week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - December - The Byrds - Turn Turn Turn May 13, 2019

Brian presents the second album by The Byrds as they continued their folk rock mix of vocal and twelve-string guitar harmonies originally explored in their debut album released earlier in the year. There are two songs from Bob Dylan - "The Times They Are A-Changin' and "Lay Down Your Weary Tune" - along with a number of other covers.

Join us as we explore the album Turn! Turn! Turn! as well as the famous title track and several other excellent songs from The Byrds.

“Oh! Susannah”
This Stephen Foster cover was originally intended as a joke, but they received a positive reception regardless. There aren't too many songs originally written over 100 years prior.

“Set You Free this Time”
This track features the 12-string Rickenbacker guitar, common in many of the songs from The Byrds, and has a San Francisco feel. The Byrds were originally from Los Angeles.

“It Won't Be Wrong”
This brief track showcases the vocal harmonies of The Byrds, reminiscent of The Mamas and The Papas.

“Turn, Turn, Turn”
The well-known title track was written by Pete Seeger and originated in the book of Ecclesiastes from the Bible. There was a guitar solo in this song, a rarity at the time. It is a reaction to the tumultuous times of the mid-60's. "A time for peace - I swear it's not too late."

ENTERTAINMENT TRACK:

“Christmastime Is Here” by Vince Guaraldi Trio
The first airing of "A Charlie Brown Christmas" occurred this year.

STAFF PICKS:

“Fever” by The McCoys
Originally recorded by Little Willie John and covered by lots of people, most famously by Peggy Lee, The McCoys were moving up the chart with this cover at the time. The McCoys featured Rick Derringer who would go on to play in the Edgar Winter and Johnny Winter bands.

“Seesaw” by Don Covay
Wayne's pick goes into the R&B genre. Aretha Franklin would chart even higher with her version of this Don Covay original. There is a great horn section in this track. "Your love is like a seesaw."

“Flowers on the Wall” by The Statler Brothers
Rob's pick goes into the country genre with this debut single. Check out that bass voice in the vocal harmony. The Statler Brothers were members of Johnny Cash's band at the time that this song was recorded. The name "Statler" came from a brand of tissue in their hotel.

“Let's Hang On” by The Four Seasons
Brian closes out Staff Picks with the distinctive high tenor that can only be Frankie Valli. He was recording both with The Four Seasons and his solo work at the time.

LAUGH TRACK:

“The Drinking Mans Diet” by Allen Sherman
Allen Sherman was a precursor to "Weird Al" Yankovic - a comedian who produced spoof songs like this track. "Drink, drink, everyone drink!"

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - March - Duran Duran - Duran Duran (the wedding album) May 06, 2019

After stratospheric commercial success in the 1980's, Duran Duran had been on a downswing before releasing this seventh studio - and second self-titled - album. They would hit the top 5 once again with what became known as “The Wedding Album” due to the album artwork showing wedding pictures from the band members' parents. This album was a comeback and reinvention of the group for the 90's. It has a wide variety of sounds and tempos, but maintains the distinctive harmonies for which Duran Duran was known. Join us a Rob takes us through this excellent album.

Too Much Information
This rocking track starts the album, and gives a sense of the information overload that was just beginning in 1993. While there was a sense of the old Duran Duran at times, The Wedding Album really serves as a reinvention of the group.

Love Voodoo
This is a more club/dance-oriented track in a minor key. Duran Duran became superstars on the strength of MTV as "new romantics."

Shelter
This has a James Bond feel, and is a good song to hear with headphones. It continues the dance feel with interesting percussion crashes and vocal effects. **

Ordinary World
This is the first single released from the album, and it hit number 1. Much slower than the dance oriented tracks, this shows some of the diversity of the album. The single was released several months in advance of the album.

ENTERTAINMENT TRACK:

Theme from “The Late Show with David Letterman”
March 1993 marks the start of David Letterman on CBS after being passed over for host of The Tonight Show on NBC in favor of Jay Leno.

STAFF PICKS:

“Blood and Thunder” by Ultra Vivid Scene
Wayne showcases a hidden gem with a southern rock feel. Kirk Ralske was the driving force behind this alternative rock band.

“Pride and Joy” by Coverdale Page
Bruce's pick highlights a rock/blues track by the supergroup formed by Whitesnake's David Coverdale and Led Zeppelin's Jimmy Page.

“Romeo” by Dolly Parton and Friends
Brian crosses over to the country genre with a supergroup including Mary Chapin Carpenter, Pam Tillis, Tanya Tucker, Kathy Mattea, and Billy Ray Cyrus.

“Two Princes” by The Spin Doctors
This song hit number 7 on the US tracks, and the highest international charting song for the group. The syncopated percussion was typical of 90's alternative rock. Believe it or not, the Spin Doctors performed a special version of this on Sesame Street.

COMEDY TRACK:

“Come to Butthead”
We finish off this session with a comedy song based on MTV's "Beavis and Butthead" cartoon created by Mike Judge. “SCHUTTUP BEEVITH!”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - August - Boston - Boston Apr 29, 2019

With their self-titled debut album, Boston burst onto the stage with a sound that would come to define classic rock - "the Boston sound." Although an instant hit (it was the second best selling debut album in US history), it took several years for the demo tape to be accepted by a record label, and then would require some evasion of the label's wishes for MIT graduate Tom Scholz to be able to create the full album in his basement studio instead of taking it to Los Angeles. Driven by Brad Delp's soaring tenor vocals and Tom Scholz' work on virtually everything else, this album is a must-have in any rock lover's catalog - and that's more than a feeling!

Foreplay/Long Time
The instrumental prelude "Foreplay" with its distinctive triplet pattern is one of the first songs written, dating back to 1969. "Long Time" features the switch between acoustic and electric guitar that would be one of several signature features of the Boston sound.

Peace of Mind
This is the third single from the album. Scholz was working at Polaroid as a design engineer when he was shopping this album, and this song reflects Scholz thoughts on corporate life.

Hitch a Ride
This mellow track has a little bit of a hippie feel, but maintains a positive vibe that you see in the tracks on this album. The production on this track is amazing.

Rock and Roll Band
While this track might sound autobiographical, it is actually the opposite - it took a long time and a lot of work for Boston to get accepted. The band had never played live when the song was written.

ENTERTAINMENT TRACK:

**Theme from "What's Happening" **
This TV show featured Dwayne, Raj, Dee, and Rerun. Hard to believe that Rerun was considered overweight by 1970s standards...

**STAFF PICKS:
**

“Last Child” by Aerosmith
Rob's staff pick features another band from Boston, Aerosmith. Steven Tyler and Brad Whitford wrote this track for the album "Rocks", and if you listen, it has a similar sound to David Bowie's "Fame."

“Devil Woman” by Cliff Richard
It may have come out in August, but this is definitely a Halloween song. Cliff Richard is considered the "English Elvis," selling over 250 million records in his career.

**“Afternoon Delight” by Starlight Vocal Band **
Brian's staff pick takes the tone down with this number 1 hit from the time. Starlight Vocal Band featured tight harmonies, and would parlay the song into a variety show, for which David Letterman would be a writer.

“Still the One” by Orleans
Bruce's staff pick also features close harmonies and a very positive take on long-term relationships. Joanna and John Hall wrote the song. Band co-founder John Hall would go on to be a congressman from New York.

***INSTRUMENTAL:
*
**

“Nadia's Theme” by Henry Mancini
This instrumental hit was inspired by Romanian gymnast Nadia Comanici's scoring the first "perfect 10" in the 1976 Summer Olympic games.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1980 - August - The B-52's - Wild Planet Apr 22, 2019

Folks, it's time to party! With their second studio album, Wild Planet, Athens-based band, The B-52's continued their new wave, high energy weirdness. Front man Fred Schneider's frequently spoken vocals and Kate Pierson and Cindy Wilson's harmonies give The B-52's a very distinctive sound — the beehive hairdo sported by Kate and Cindy gave the band its name. There's not a bad song on the entire album. We hope you enjoy this week's very upbeat installment of What the Riff!

Party Out of Bounds
This track starts the album with a high energy party song. The B-52's are clearly identified with fun, and they never took themselves too seriously.

Give Me Back My Man
Cindy Wilson takes the lead vocals on this track, which was the second single released from the album.

Private Idaho
This is the hit track from the album, and a staple of the party circuit from high school dances to college bars. "Don't be blind to the big surprise - swimming round and round like the deadly hand of a radium clock."

Strobe Light
A more risque song was the third single released from the album. The B-52's would take a hiatus in 1985 when band mate Ricky Williams died, but then, they came back better than ever.

ENTERTAINMENT TRACK:

Theme from "Xanadu" by Olivia Newton-John
No hit movie here, but Jeff Lynne of ELO partners with Newton-John on this hit song from 1980.

STAFF PICKS:

“In America” by the Charlie Daniels Band
Bruce shares this hit from CDB's "Full Moon" album, which channels the anger that a lot of Americans had over the Iran hostage crisis. Daniels saw this point as a revitalization of American patriotism.

**“Don't Misunderstand Me” by Rossington Collins Band **
Wayne brings some southern rock to us in his staff pick. The surviving members of Lynyrd Skynyrd after the tragic plane crash formed this band with a female lead (Dale Krantz). The band would stick around for two studio albums.

“Misunderstanding” by Genesis
This hit off the album “Duke” was written by Phil Collins, and was originally intended for Collins' solo album. Rob points out that if you listen, the song was clearly inspired by Toto's "Hold the Line" and The Beach Boys "Sail on Sailor."

“Don't Ask Me Why” by Billy Joel
Brian's staff pick is an all acoustic song from Billy Joel's album, “Glass Houses.” Joel would win his first Grammy for this album. "You are still a victim of the accidents you leave as sure as I'm a victim of desire." The piano solo consists of 15 overdubbed pianos!

INSTRUMENTAL TRACK:

“Star Wars-The Empire Strikes Back Medley” by MECO
We finish off with a disco-esque medley based on the popular Star Wars saga. Remember this age of album medleys?

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - August - Big Brother & the Holding Company - Self Titled Apr 15, 2019

Almost everyone is familiar with Janis Joplin as a fixture sound of the late 60's, but some may not know that she got her San Francisco start with Big Brother and the Holding Company on their self-titled debut album in 1967. Joplin was ostracized in high school, and you can get a sense of her as a lonely soul through her singing. She joined Big Brother and the Holding Company in 1966, which was an established band at the time. Joplin would move on to become a superstar soon, but this gives you a taste of her early work.

Cuckoo
This minor key track is about a gold digger, and features Joplin's unmistakable voice prominently.
Big Brother and the Holding Company - Call on Me "I need you, darling, like the fish needs the sea, don't take your sweet, sweet love from me."

Intruder
Janis Joplin wrote this song, and it has a more psychedelic sound. Joplin was inspired by Otis Redding's style.

Down on Me
This blues track is the big song off the album, though it wasn't a top 40 hit. It talks about how the world is "down on me."

ENTERTAINMENT TRACK:

“Foggy Mountain Breakdown” by Flatt & Scruggs
This bluegrass song is from the movie "Bonnie and Clyde" which was in the theater at the time.

STAFF PICKS:

“Windy” by The Association
Brian's staff pick was a feature of AM radio at the time. This is about a fictional character dreamed up by folk singer-songwriter Ruthann Friedman. The Association was also a staple of television variety shows.

**“I Thank the Lord for the Night Time” by Neil Diamond **
Rob's pick by this well-known artist considered this song "as close as this white Jewish kid from Brooklyn could come to being a Gospel singer!"

“Heroes and Villains” by The Beach Boys
This song that Bruce brought was originally intended to be the centerpiece of the epic and unreleased album “Smile.” It appeared as the opening song to the substitute album “Smiley Smile.”

“I Happen to Love You” by The Electric Prunes
Wayne's deep cut staff pick reflects the psychedelic nature of the time. It reflects the nervousness associated with a passionate love affair. Carole King was a co-writer on this song.

**“The Ballad of Bilbo Baggins” by Leonard Nimoy **
A cult classic from the original actor playing Star Trek's "Mr. Spock" finishes out this week's podcast. It played on the popularity of both Star Trek and Tolkien's works.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 - September - Elton John - Goodbye Yellow Brick Road Apr 08, 2019

ALBUM SPOTLIGHT:
Elton John — Goodbye Yellow Brick Road”
September, 1973

Friend of the Show John Lynch returns to help us showcase this monster rock album from 1973.

**Saturday Night's Alright for Fighting **
This well-known track was inspired by Taupin's experience in local pubs as a lad — it was banned on a number of radio stations because of fears that it would inspire violence. At age 15, Elton John was actually playing in pubs.

ENTERTAINMENT TRACK:
**Super Friends Theme Song **
This staple of Saturday morning cartoons featured DC superheroes...“Meanwhile, back in the Halls of Justice...”

STAFF PICKS:

**Looking Glass - “Jimmy Love Mary-Anne” **
Wayne brings us the yacht rock this week. If you think this sounds like "Brandy," there's a reason for it. This is their follow-up top-40 hit. Story songs like this were popular in the early '70's.

**The Edgar Winter Group - “Free Ride” **
Bruce's staff pick brings the boogie from the debut album from The Edgar Winter Group. Ronnie Montrose and Rick Derringer were also on this album.

Jim Croce - Bad Bad Leroy Brown
Special Guest Host stepping in for Brian, John Lynch introduces another storytelling song with amazing lyrics like, "badder than old King Kong, and meaner than a junkyard dog." Unfortunately, Croce would die in a plane crash in this month.

Chicago - Just You 'n' Me
Rob takes the tempo down with a horn-driven hit. This was the second single released from "Chicago VI." The song was inspired by an argument that trombone player James Pankow had with his girlfriend - shortly thereafter his wife.

LAUGH TRACK:

**Bobby "Boris" Pickett and the Crypt Kickers - Monster Mash **
Ahead of Halloween 1973, this song was moving up the charts. Originally released in 1962, the song was re-released in 1973.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 - December - Matthew Sweet - Girlfriend Apr 01, 2019

With his third studio album, Girlfriend, alternative rock artist Matthew Sweet saw his career launched to the next level. Although originally from Nebraska, Sweet connected with REM so much that he met up with them and left home to became a part of the music scene in Athens, Georgia. The album cover is of a 50’s actress named Tuesday Weld. The album was written after Sweet went through a divorce, and that may drive some of the creativity exhibited - a kind of therapy for the artist. Join us as Wayne takes us on this tour of pre-grunge alternative rock.

I've Been Waiting
This “power pop” song feels a bit like REM, with whom Sweet found an affinity. The album overall has a “soft grunge” feel, as it fits between grunge and the lighter pop sounds of the day.

Evangeline
This track is based off a character in a comic book. Evangeline is a weapons-wielding nun who works for the Vatican, and the song is told from the perspective of Johnny Six.

Does She Talk
This deeper track has a heavier, blusey sound. "She's just your size, she's sexy, she's beautiful, does she talk? 'Cause, man, you can't teach a slithering snake how to talk."

Girlfriend
This is the #1 hit from the album — and the namesake. Matthew Sweet's songs have been featured on many movies and TV shows, including "Scrubs," Smallville," and "Buffy the Vampire Slayer."

ENTERTAINMENT TRACK:
Theme song from “Ren and Stempy”
Nicktoons premiered this cartoon in August of 1991.

STAFF PICKS:

**Rush - “Roll the Bones” **
Bruce's staff pick is the title song from their 14th studio album. The Roll the Bones album was Rush's biggest success since Moving Pictures, and is built around the concept of chance.

**Van Halen - “Standing on Top of the World” **
Rob features a positive, upbeat song from Van Halen's third studio album with Sammy Hagar as frontman, and the only song off the album to make it to the top 40.

Nirvana - “Smells Like Teen Spirit”
With such a distinctive opening riff, you know it's Nirvana. This monster hit brought to us by Brian is off "Nevermind," the group's second studio album.

Ozzy Osbourne - “I Don't Want to Change the World”
Yes… there was still heavy metal in 1991 between the alternative and the grunge sounds. This track won a Grammy for best Metal Performance.

INSTRUMENTAL/LAUGH TRACK:
**Van Halen - 316 **
This soft instrumental pays tribute to Wolfgang Van Halen who was born on March 16th, 1991, and is now a member of the band.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984- February - The Pretenders - Learning to Crawl Mar 25, 2019

February 1984— The Pretenders— “Learning to Crawl”

Coming after a hiatus and the tragedy of losing two band members to drug overdoses, The Pretenders third studio album was perhaps a surprisingly successful endeavor. The name “Learning to Crawl” pays homage to Chrissy Hynde's daughter, Natalie Rae Hynde, who was indeed learning to crawl at the time. There's a sense of loss that comes from this album in tracks like “My City Was Gone” or “Time the Avenger,” but there's also an acknowledgment of more mundane activities in songs like “Watching the Clothes.” This is a great album from one of Rock's strong female leads, and we hope you enjoy it as much as we do.

“Middle of the Road”
This is the first track on the album, and has a bit of a new wave feel. This song was released as a single in 1983, ahead of the album release, as were several tracks off the album. Check out the guitar riff and the harmonica solo on this one.

“Time the Avenger”
This one has a Romantics feel to it. "No one is perfect, not even a perfect stranger." Hynde spent some time in London with groups like The Clash and The Damned.

“Watching the Clothes”
Here's a deeper cut inspired by the death of a friend and spending time in the laundromat.

“My City Was Gone”
Anyone who has heard the Rush Limbaugh program bump music has heard this track. The inspiration for this was Hynde's return to her hometown and the changes she saw over time. “And my pretty countryside had been paved down the middle by a government that had no pride.”

ENTERTAINMENT TRACK:

“Never Say Never” by Romeo Void, from the movie, Reckless
This cult classic was featured in the 1984 movie "Reckless," a movie with a soundtrack that was more popular than the film.

STAFF PICKS:

“What if I’d Been the One” by 38 Special
This Southern Rock track was off of 38 Special's album "Tour de Force." The lyrics are quite depressing despite the upbeat sound of the tune itself. Bruce went local as the album was recorded at Studio One in Doraville, GA.

“Take Me Away” by Blue Oyster Cult
Wayne doesn't disappoint with his rocking pick. This alien abduction track is from the later BOC days. "I lift my eyes and say, 'come on and take me away.'"

“Hyperactive” by Thomas Dolby
“Why don’t you tell me about your childhood...” Rob's staff pick drifts into the techno-pop new wave. Dolby had originally intended this song for Michael Jackson, but after getting no response from the King of Pop, he decided to do it himself.

“I Want a New Drug” by Huey Lewis & the News
Brian closes the staff picks with Huey Lewis's hit off the third album "Sports." This propelled Lewis and the band to super-stardom, and this track was on the top of the pop and dance charts.

INSTRUMENTAL OR LAUGH TRACK:

“The Attitude Song” by Steve Vai
Vai was the lead guitarist for David Lee Roth's band when he went solo. Vai is very well known among guitar artists as a virtuoso, and this instrumental demonstrates why.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977- Sept - Meat Loaf - Bat Out of Hell Mar 18, 2019

September 1977 — Meat Loaf — “Bat Out of Hell”

Is it Opera? Is it Rock? Is it toxic masculinity - or maybe adolescent half-formed not-too-deep masculinity? From the beginning, Bat Out Of Hell has been hard to define, and it took a long time for Meat Loaf, composer Jim Steinman, and producer Todd Rundgren to get the concept album picked up. However, the staying power of this evergreen album is undeniable, with over 43 million sold to date, and 200,000 albums sold per year even today. If you found that overwhelming, well, you took the words right out of my mouth!

We hope you enjoy our journey into the depths of this so-uncool-its-cool debut studio album.

“Bat Out of Hell”
This opening title track comes in at an epic 9:52 run time, and it is not the only long track. This album is great to hear as a whole. Todd Rundgren does the “motorcycle guitar solo” you’ll hear. Meat Loaf certainly has a distinctive, almost operatic voice.

“Two Out of Three Ain't Bad”
Meat Loaf got his start in theater, and this pop hit single gives credence to his theatrical influence. Meat Loaf won a lot of fans for his role as Eddie in “The Rocky Horror Picture Show.” Several tracks off this album were made into videos, which helped drive the popularity of the album.

“Paradise By the Dashboard Light”
This track is a cheeky take on parking make-out sessions. There is a Rocky Horror feel to this almost comedic multi-movement work. The song is filled with double entendres, plot twists, and a Phil Rizzuto baseball sequence.

ENTERTAINMENT TRACK:

“Theme from CHiPs”
This cop show debuting in 1977 launched Erik Estrada's career

STAFF PICKS:

“In the City” by The Jam
Wayne highlights a British punk band, reminiscent of the Kinks and the Who. While they made a big splash in the UK, they never took off in the States.

“Cat Scratch Fever” by Ted Nugent
Brian shares a pick from the Motor City Madman is easy to identify from the screaming guitar intro. Nugent often took the stage wearing only a loincloth back in the day.

“We Just Disagree” by Dave Mason
Rob's staff pick takes a more mellow direction with the second single released off Mason's album. Great harmonies and a 12-string guitar make this Traffic alum's hit memorable.

“Jungle Love” by the Steve Miller Band
This hit off the tenth studio release from Steve Miller only took only 30 minutes to complete on the last day of recording, says Bruce. "You treat me like I was your ocean - you swim in my blood when it's warm."

LAUGH TRACK:

“Grandmother’s Song” by Steve Martin
Steve Martin's comedy takes us out on this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1984 - May - Stevie Ray Vaughan and Double Trouble - Couldn’t Stand the Weather Mar 11, 2019

May 1984 — Stevie Ray Vaughan and Double Trouble — “Couldn’t Stand the Weather”

Many consider Stevie Ray Vaughan and Double Trouble to have single-handedly revived the blues in the 1980's. This second album contains both covers and original songs from Vaughan, instumentals, jazz, and of course blues. Couldn't Stand the Weather has a timeless quality to it even 35 years later. And did we mention the strength of Stevie Ray Vaughan's guitar chops? There's not a bad track on this ablum from one of the guitar world's greatest players who was lost before his time.

We hope you enjoy this trip back to the 80's!

“Scuttle Buttin”
This instrumental track opens the album and showcases the phenomenal guitar virtuosity of Stevie Ray Vaughan.

“Couldn't Stand the Weather”
Here is the title track, and a fast-paced boogie-blues number. Stevie Ray Vaughan wrote this song, and about half the tracks on the album. Jimmy Vaughan is on rhythm guitar on this track.

“Voodoo Child (Slight Return)”
This is a great juxtaposition of two world-class guitarists. Jimi Hendrix did this song originally, and Stevie Ray Vaughan's style is amazing on this track.

“Cold Shot”
We finish off this album feature with a straight up blues number originally written by Michael Kindred & WC Clark. Don't let our love go bad!

ENTERTAINMENT TRACK:

“If You Were Here” off the soundtrack from “16 Candles” by the Thompson Twins
If this song doesn’t make you think 1980s, well then...Molly Ringwald finally gets the boy in this John Hughes classic.

STAFF PICKS:

“Sister Christian” by Night Ranger
Rob's piano-driven staff pick was the second single from the album “Midnight Madness.” Drummer Kelly Keagy was inspired to write the song by his sister Christie, and how quickly she had grown up. The title morphed from “Sister Christie” to “Sister Christian.”

“Show Me” by The Pretenders
Brian riffs on this happy tune fromThe Pretenders’ third album and hit “Learning to Crawl.” Show me the meaning of the word - the word is “love.”

“Whisper to a Scream (Birds Fly)” by Icicle Works
In an unusual move, Wayne goes New Wave with his staff pick. This angst-filled one-hit wonder takes you back to MTV at its peak.

“Too Young to Fall in Love” by Motley Crue
Bruce channels perhaps the ultimate hair band — Motley Crue — who truly embraced the sex, drugs, and rock & roll lifestyle. This is the third single off their second album “Shout at the Devil.”

LAUGH TRACK / INSTRUMENTAL:

“Stang’s Swang” by Stevie Ray Vaughan and Double Trouble
We return to Stevie Ray Vaughan in a jazz selection, the last track off their album.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - July - Dream Theater- Images and Words Mar 04, 2019

July 1992 — Dream Theater — “Images and Words”

Is it Metallica? or Triumph? or Rush? Although “Images and Words” was their second studio album, the addition of James LaBrie as front man makes this album feel like the first complete outing for Dream Theater. While they only have one “hit” in the repertoire, this group is a giant in the progressive rock genre. The musicality of each member of the group gives Dream Theater an ability to take a variety of styles from driving thrash metal to soft ballads to an almost orchestral “wall of sound.” This album is their most commercially successful to date and gives a good sense of their diversity.

“Friend of the Show” John Lynch joins us in Brian's absence as we delve into this prog rock gem from 1992.

“Pull Me Under”
This is the hit off the album. Clocking in at over 8 minutes, a scaled down version hit MTV and gave Dream Theater some exposure to a larger audience. You can see elements of Metallica and Queensryche in this gritty piece.

“Another Day ”
Guitarist John Petrucci wrote this piece while his father was battling cancer. The soprano sax is provided by Jay Beckenstein, co-founder of Spyro Gyra. This is the first piece that attracted Bruce to Dream Theater.

“Surrounded”
Keyboardist Kevin Moore contributed this piece, and you can sense the synthesizer lead pretty strongly. Complex meters typical of prog rock come through, but it's still an accessible piece.

“Wait for Sleep”
This short, beautiful ballad features LaBrie's vocals and Moore's piano work.

ENTERTAINMENT TRACK:

“Birth of a Penguin” from “Batman Returns” by Danny Elfman
The film “Batman Returns” came out in the summer of 1992, and featured a cast of stars including Michael Keaton, Michelle Pfeiffer, and Danny DeVito as the Penguin.

STAFF PICKS:

“Pretend We’re Dead” by L-7
Wayne brings us this all-female punk rock group who dropped this tune on their third and most successful album release. They have quite a past....

“November Rain” by Guns N’ Roses
Rob continues Bruce's bent toward long tracks -- bringing us the longest single that ever made it in the Billboard top 10 - at over 8 minutes! Axl Rose came up with this song in 1983 (apparently what he would play anytime a piano was in front of him) - and it became an epic, multi-layered song in 1992.

“Under the Bridge” by Red Hot Chili Peppers
Friend of the Show John Lynch picks one of his favorite band -- showcasing the single that truly put the Red Hot Chili Peppers on the map. The song is about Los Angeles - the city of Angels.

“The Church of Logic, Sin, and Love” by The Men
Bruce's staff pick focuses on a one-hit wonder with a largely spoken word composition. We had to go to YouTube to find it in a video — which epitomizes many of the stereotypes of the early nineties, including the goatee... and televisions in swimming pools.

LAUGH TRACK:

“Kashmire” by Dixie Dregs
This week's instrumental track returns to a well-known progressive rock theme covered by a strongly talented band with Southern roots. This one was recorded live at Center Stage in Atlanta.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1969 - August - Humble Pie - As Safe as Yesterday is. Feb 25, 2019

August 1969 — Humble Pie — “As Safe as Yesterday is”

Wayne presents this incredible album featuring both Steve Marriott and Peter Frampton on vocals and guitar. It is easy to see how Humble Pie was such a powerful - but underrated - rock band at the end of the 60's. Their debut album “As Safe as Yesterday is” was a UK release, and remains surprisingly hard to pin down in genres with its mix of pop, rock, and blues - it was even one of the first albums to be described as “heavy metal.” Let's take a look at this groundbreaking album and see for ourselves how we would describe it.

“Stick Shift”
Peter Frampton wrote this psychedelic-leaning song, which was the second track on the album. Frampton was 18 years old at the time, and this was his second band.

“Bang ”
This rocking piece leads off side two of the album. Steve Marriott wrote this blues laden, almost southern rock track. By the way, the origins of the phrase "humble pie" are from a peasant's dish of deer innards, though now it is more similar to the phrase "eating crow."

“As Safe as Yesterday Is”
This lengthy title track is one of Wayne's favorite. Frampton's vocals are prominent on this song. Frampton would leave the group in 1971. The drum work is reminiscent of The Who, with moments that sound like Robert Plant and Jethro Tull.

“Natural Born Bugie (Woman)”
This one is very similar to southern Rock, which is interesting given the UK origins of the band. "Looking like the cover of a 20-dollar magazine." Steve Marriott tried to revive Humble Pie in 1991, and had gotten together with Frampton about it when he tragically died from a cigarette fire in bed.

ENTERTAINMENT TRACK:

“The Pusher” by Steppenwolf
The motorcycle cult classic "Easy Rider" was released in 1969, and produced or inspired a number of songs popular at the time, including this very dark blues riff.

STAFF PICKS:

“Marrakesh Express” by Crosby, Stills & Nash
Brian's staff pick was inspired by Graham Nash's trip to Morocco. Nash rode the train from Casablanca to Marrakesh, moving from first class on down to the lower class cars, encountering different types of people and situations along the way.

“One” by Three Dog Night
Rob's staff pick starts with a beat that was inspired by the busy signal on a phone line. This song made it to number 5, and was Three Dog Night's first gold record.

“Polk Salad Annie” by Tony Joe White
Bruce's staff pick takes us to backwoods Louisiana for some swamp rock, and a "poke sallet" - a dish of cooked greens made from a common weed in the southern U.S. Elvis Presley would make this popular as a staple on his tours.

“Questions 67 & 68” by Chicago
Wayne's staff pick hearkens back to the first album from The Chicago Transit Authority - known as Chicago after the governmental organization sued them.

LAUGH TRACK:

“A Boy Named Sue” by Johnny Cash
We finish off this podcast with Johnny Cash's humorous song about a boy who had to grow up with a decidedly feminine name.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 - October - The Who - Quadrophenia Feb 18, 2019

October 1973 — “Quadrophenia

By the time this sixth studio album (and second rock opera) rolled out in 1973 The Who were already icons in the Rock genre. The double album Quadrophenia tracks the downward spiral of a young “mod” named Jimmy in 1965 Brighton, UK. Some of the most well known Who songs originate from this rock opera including "The Real Me," and "Love, Reign O'er Me."

We're joined this week by “What the Riff Friend” Tim Andrews from WSB radio and the Radio Labyrinth podcast to co-host as we delve into this giant group and album.

“I’m One”
This song tells the story of one of Jimmy's introspective moments.

“The Punk and the Godfather”
This deep cut showcases that iconic Who sound. Pete Townshend wrote Quadrophenia in its entirety. Keith Moon's percussion work is particularly strong on this track.

“I've Had Enough”
This song ends the 1979 movie, and serves as a fitting finale to Jimmy's story. After losing his job, his girl, and his scooter, he finds that his hero, “Ace Face” (played by Sting) is actually a bellhop in the local resort.

“The Real Me”
Wayne considers this “the ultimate Who song.” This rocker comes with the whole package, especially Daltry's vocals and Entwistle's bass work.

ENTERTAINMENT TRACK:

“Theme from Kojak”
You all remember this 70s cop show with the bald, lollipop-licking detective played by Telly Sevalis? “Who loves ya' baby?”

STAFF PICKS:

“D’Yer Mak’er” by Led Zeppelin
Brian's staff pick highlights this reggae-leaning hit from the album “Houses of the Holy.” The title is a play on words, as it should be properly pronounced similar to “Jamaica.”

“Higher Ground” by Stevie Wonder
Bruce presents this soulful hit from Stevie Wonder's “Innervisions” album. This one references reincarnation.
The Red Hot Chili Peppers covered this song in 1989.

“Live and Let Die” by Wings
Rob highlights this James Bond movie song with lots of tempo changes and full orchestration. Paul and Linda McCartney did this first rendition, and Guns N Roses would cover this song with great success in the 1990's

“Tell Her She’s Lovely” by El Chicano
Wayne brings us a Latin vibe from an artist he recalls from his 1973 past living in California.

LAUGH TRACK:

“Basketball Jones” by Cheech & Chong
Tim brings us this pick highlighting a novelty song from Cheech and Chong. Believe it or not, these awesome artists “chimed in” as well: George Harrison, Billy Preston, Carole King, Michele Phillips, and others who were in the studio at the time. This fun track made it all the way to number 15 on the pop charts.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - June - Collective Soul - Hints, Allegations & Things Left Unsaid Feb 11, 2019

June 1993 — “Hints, Allegations & Things Left Unsaid” by Collective Soul

Our first Podcast with a special guest. Steve Hardin teams up with Rob to present Stockbridge, Georgia-originating band Collective Soul. They didn't set out to be a world famous band. In fact, frontman Ed Roland wrote what would be the band's debut album as a demo in his basement, hoping to sell songs to others as a songwriter rather than perform songs in his own band. “Hints, Allegations and Things Left Unsaid” would instead become a hit on indie radio (WRAS album 88.5 FM from Georgia State), and the debut album is their demo recording basically untouched. The album cover is originally from a poster for the broadway musical "Sweeney Todd - the Demon Barber of Fleet Street."

“In a Moment”
This was one of many hits from the album. The name of the album is said to have been inspired by lyrics from Paul Simon's song “Call Me Al” - “All along, along, there were incidents and accidents, there were hints and allegations.”

“Goodnight Good Guy”
As Wayne says, “this song bounces.” Check this one out with headphones to appreciate the left-right feel of the music.

“Burning Bridges”
Ed Roland was on lead, and his brother Dean played rhythm guitar. During the 1990's, Collective Soul had a couple of hits every year, becoming an easily recognized group behind the distinctive lyrics of Ed Roland.

“Shine”
You get hints of Roland's Christian upbringing in his lyrics, especially in this song - their biggest hit. The track leads with grunge inspired riffs, and that iconic hook, “yeah!”

ENTERTAINMENT TRACK:

“Theme from Jurassic Park”
Steven Spielberg produced one of the first movies with truly awesome CGI special effects.

STAFF PICKS:

“Whiskey Soul Woman” by Drivin' N' Cryin'
Wayne's pick is from the heavy rocking fifth album "Smoke." Check out the Amazon Prime documentary on Drivin' N' Cryin' entitled "Scarred but Smarter."

“Livin’ on the Edge” by Aerosmith
Brian's staff pick was the first single from the Aerosmith album “Get a Grip.” Guitarist Joe Perry indicated that this track was inspired by the Los Angeles riots

“Shake My Tree Guest” by Coverdale Page
Host Steve Hardin showcases this one. David Coverdale and Jimmy Page collaborate on this hit album with a Led Zeppelin-esque feel.

“Big Gun” by AC/DC
Rob's staff pick to end this podast is straightforward AC/DC. This track is heard on the soundtrack from the Arnold Schwarzenegger movie “Last Action Hero,” and was AC/DC's first number 1 hit on album rock charts in 1993.

LAUGH TRACK:

“Lunch Lady” by Adam Sandler
This laugh track originated from a skit on Saturday Night Live featuring Chris Farley.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1973 - February - Alice Cooper - Billion Dollar Babies Feb 04, 2019

February 1973 — “Billion Dollar Babies” by Alice Cooper

Brian presents one of the biggest early 1970's glam rock groups — Alice Cooper. Their sixth studio album entitled “Billion Dollar Babies” was released in 1973, and was their most successful album to this date. Detroit native and front man Vincent Furnier took on the “Alice Cooper” persona for this highly theatrical act, complete with makeup, tuxedo, and top hat. The title of the album is a tongue in cheek look at the rise of the band itself — referring to themselves as "Billion Dollar Babies."

Come along as we dig into this exceptionally entertaining and well-produced glam rock band.

“Hello Hooray”
This opening song was recorded earlier by Judy Collins, and the band intended it to be “Alice Cooper meets cabaret.”

“Elected”
This driving piece is the second single released from the album, and is a satirical look at the election process. It is a rewrite of their earlier song from 1969 entitled "Reflected." There's a surprisingly good horn section in there as well.

“Billion Dollar Babies”
The title track reflects their success in such a short period of time. Take a listen to this one in stereo or headphones to get the full effect.

“No More Mr. Nice Guy”
“No more Mr. cle-e-e-ean!” This song is the most popular track off the album. Amazingly, the shock rock front man appeared on The Muppet Show to sing this back in the day!

ENTERTAINMENT TRACK:

“Dueling Banjos” — from the movie “Deliverance”
This Burt Reynolds movie was filmed on the Chattooga River in Georgia, and may be one of the most notable banjo riffs of all time. The movie was released in 1972 and was still popular in 1973.

STAFF PICKS:

“Dancing in the Moonight” by King Harvest
Bruce shares this one-hit wonder sung by a Paris-based American group. It has that smooth, folk oriented sound that was quite popular back in the day. It could be an undercover werewolf song - jury's still out on that.

“The Night the Lights Went out in Georgia” by Vicki Lawrence
Rob’s a fan of the Carol Burnette show, and this was sung by comiedienne Vicki Lawrence. Her husband wrote the song, and when he was turned down by some famous female vocalists, Lawrence took it on, and took it to the top of the charts.

“My Woman from Tokyo” by Deep Purple
Wayne's rocking and riffing on this one. Although a big hit for Deep Purple, the band didn't like the song. It never actually came out as a single, and the band didn't play the song in concert until 1986.

“Walk on the Wildside” by Lou Reed
Brian closes out staff picks with this controversial art rock hit profiling alternate lifestyles in New York City. This is off Reed's second solo album, and the backing vocals are performed by a group called the Thunder Thighs.

LAUGH TRACK:

“Dead Skunk” by Loudon Wainwright III
This fun song is an ode to an odor we have all experienced on a country road. “I one'd it...I two'ed it...

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - January - Atlanta Rhythm Section - Champagne Jam Jan 28, 2019

January 1978 — “Champagne Jam” by Atlanta Rhythm Section

Bruce has a special place in his heart for this classic. The Atlanta Rhythm Section - also known as ARS - started as a session band for Studio One in Doraville, GA. Champagne Jam is their eighth and most successful album, going platinum by September of 1978. This was a time when Southern Rock was hitting a peak with Lynyrd Skynyrd, Molly Hatchett, The Charlie Daniels Band and others. ARS crafted a more laid back style within the genre on the strength of Ronnie Hammond's vocals.

Join us as we explore this local Atlanta favorite. By the way, the Atlanta Rhythm Section is still touring as of now, and you are especially likely to catch them at one of the metro-Atlanta venues.

“Large Time”
This opening track is a tribute to Lynyrd Skynyrd, who had lost band members in a plane crash in October 1977. ARS toured with Skynyrd frequently.

“Not Gonna Let it Bother Me Tonight”
One of the hits from the album, this track hit #14 on the charts. “I just can't beat that old dog eat dog, the rats keep winnin' the rat race."

“Evileen”
This is a deeper cut, with some cool lyrics and key changes. “She's a witch, a bit of a bitch, she's a necessary evil but she's got what I need, Evileen.”

“Champagne Jam”
The title track is a fan favorite, and a mainstay of ARS's concert lineup. ARS hosted a rock festival called Champagne Jam in September 1978. “Don't want no whiskey, gimme some high class booze.”

ENTERTAINMENT TRACK:

Theme from “Close Encounters of the Third Kind”
This symphonic track was from Steven Spielberg's popular film about alien encounters and UFO's — a very common discussion in the culture of 1978.

STAFF PICKS:

“Isn’t it Time” by the Babies
Brian loves this great piano-driven track from the John Waite-fronted band. The lyrics deal with an encounter between a man and a woman - deciding whether or not to take the relationship further.

“Ebony Eyes” by Bob Welch
Rob shares that Welch had been with Fleetwood Mac before this solo effort. This is the second hit from the album “French Kiss.” Check out that fuzzy guitar riff.

“Young Fast Scientific” by the Dictators
Wayne takes the tempo UP on this proto-punk track. The Dictators were never that popular but were a big influence on the punk rock movement.

“Godzilla” by Blue Öyster Cult
Bruce closes out the staff picks with “Oh No! There goes Tokyo!” Although it was played pretty regularly on rock stations, it is surprising that this song never made it on the Billboard charts. This “Cult” classic was certified gold in January 1978.

LAUGH TRACK:

“Rocket Man” by William Shatner
We....could...not resist.....In January 1978, Shatner appeared on the televised Saturn Awards and presented this Elton John hit in lyric poem format. Folks, you just have to hear this one (and check out the video on Yout Tube) to believe it.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - January - The Beatles - Beatles for Sale Jan 21, 2019

January 1965 — “Beatles for Sale” by The Beatles

By the start of 1965 The Beatles were already a household name, with Beatlemania reaching its peak the year before. Their fourth album released in the UK, Beatles for Sale, would continue their prolific work with a turn to more introspective lyrics and a handful of cover songs. The Beatles entire catalog is incredible, and this album contains some of the best examples from their height.

Join us on this brief time machine ride back to the beginning of the rock era.

“I’ll Follow the Sun”
The Beatles were putting out an album every 6 months at this time. This song was a softer, more folk oriented track than many of their upbeat tunes.

“Baby’s in Black”
This track is perhaps a foreshadowing of Eleanor Rigby in its lyrics. Lennon and McCartney's harmonies are always a striking feature of the early to mid-Beatles music catalog, and this song showcases that well.

“Eight Days a Week”
A well-known track. The original title was “Eight Arms to Hold You,” but (thankfully) it was changed before the song came out.

“I’m a Looser”
A low key tune that is more negative, and perhaps emotionally self-reflective. The harmonica work is inspired by Bob Dylan.

ENTERTAINMENT TRACK:

“Johnny Quest” - theme
Great instrumental work from this 60's vintage cartoon.

STAFF PICKS:

“You Really Got Me” by the Kinks
Their third single would be their first number 1 hit. Rob shares this love song for street kids. They got their fuzzy guitar sound by slicing the amps with a knife.

“Do You Love Me (now that I can dance)” by the Dave Clark Five
Bruce riffs on the second British Invasion group that performed this cover of the Motown hit by the Contours.

“Downtown” by Petula Clark
Tony Hatch was inspired to write this song after visiting Times Square, and took the song to Petula Clark in Paris, as explained by Brian.

“She’s not There” by the Zombies
This debut single for The Zombies is about a girl who left her boyfriend for another guy. Wayne shares that Santana also covered this song successfully in the 70's.

LAUGH TRACK:

“Hawaii Tattoo” by The Waikikis
This instrumental track from the Aloha State takes us out on this EARLIEST of our "What the Riff" months.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 - September - Pearl Jam - Ten Jan 14, 2019

September 1991 — “Ten” by Pearl Jam

Bursting out of what was becoming the Seattle scene Pearl Jam achieved mainstream success with its debut album, anachronistically named Ten. The popularity of the album was slow coming, but has shown a staying power over the decades. Often identified with the grunge movement, and considered highly influential, Pearl Jam nevertheless defies labels. Their strong melodies and melancholy, open lyrics evoke not only grunge, but metal, alternative rock, and straightforward hard rock.

Join us as we focus on what Wayne considers "the month that changed rock and roll."

“Once”
This is the first track, and leads with a strong guitar riff and Vedder's powerful voice.

“Why Go”
This is the second track. Though considered a part of "the grunge bandwagon," Pearl Jam's album was recorded before Nirvana's “Nevermind” hit the charts.

“Jeremy”
A compelling song written about a middle school boy who committed suicide in class. Eddie Vedder read about the story in the Dallas Morning News and was inspired to write Jeremy.

“Oceans”
This is a deeper cut, “The sea will rise, please stand by the shore, oh, oh, oh, I will be, I will be there once more.”

ENTERTAINMENT TRACK:

“Home Improvement” - theme
Tim Allen's very successful sitcom debuted this month.

STAFF PICKS:

“Wild Hearted Son” by the Cult
Brian says this track and album was inspired by the plight of the Native American. The picture used on the cover of The Cult's album resulted in a $61 million lawsuit.

“Heavy Fuel” by Dire Straits
Mark Knopfler leading his group in one of the last hits of his Dire Straits days before going solo. Rob gets a chuckle out of the song ironically extolling the virtues of “cigarettes, hamburgers, Scotch, lust, money, and violence.”

“Three Strange Days” by School of Fish
Bruce shares this one-hit wonder from a short-lived alt rock band — leads off with a buzzing guitar over a straightforward percussion beat.

“Winds of Change” by the Scorpions
Wayne closes out the Staff Picks with this pick — inspired by the opening of the Soviet Union, and the failed coup that would bring about that empire's demise.

LAUGH TRACK:

“Things that Make You Go, Hmmmm....” by C+C Music Factory
We take this hip hop song with its tongue-in-cheek approach to life events as our cue to wrap up this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - February - The Firm - The Firm Jan 07, 2019

February 1985 — “The Firm” by The Firm

If you're forming a rock group for success in the 1980s, you can't go wrong with Paul Rodgers (Bad Company) on lead and Jimmy Page (Led Zeppelin) on guitar. Throw in Tony Franklin on bass and Chris Slade on drums, and you have the supergroup known as The Firm. Their self-titled debut album was propelled to the top of the charts on the strength of their hit “Radioactive” and “Satisfaction Guaranteed.” Chris Slade suggested the name of the group, initially as a joke based partially on the fact that Rodgers’ previous group was “Bad Company,” and everyone gravitated to it immediately. The Firm only put out two albums before the members went their separate ways.

Join us as we explore this soulful supergroup.

“Radioactive”
This was the big commercial success on the album reaching number 28 in the U.S.

“Closer”
You can hear Jimmy Page's influence on this track. "The main aim is to play some rock and roll and have some fun." was a quote from Page about the formation of the group.

“Money Can't Buy ”
This track has a heavy Paul Rodgers influence. You really get a good sense of Rodgers’ vocal strength here. Tony Franklin was famous for playing the fretless bass.

“Satisfaction Guaranteed”
This song got some great airplay back in the day. It has a slow anthem quality to it, combining both elements of Led Zeppelin and Bad Company.

ENTERTAINMENT TRACK:

“Lunatic Fringe” - performed by Red Rider
This track is off the soundtrack from the movie “Vision Quest.” A soundtrack is LOADED with talent of the day.

STAFF PICKS:

“How Soon is Now” by The Smiths
The Smiths were a staple of alternative rock in the mid-'80s. Bruce shares their most popular song, but it didn't go very high in the charts because it had been released previously as a B-side. The reverb is distinctive and the lyrics are melancholy.

“Relax” by Frankie Goes to Hollywood
Wayne steps away from his typical HARD ROCK and presents this song that is easy to identify with 1985, although it was controversial due to its lyric content. It was banned in the UK at the time. Frankie say...Relax!

“California Girls” by David Lee Roth
One of Brian’s favorite videos — Roth shows off his entertainment chops on the video to this Beach Boys cover. This solo effort may have added fuel to the fire that eventually resulted in the departure of David Lee Roth from Van Halen.

“Call to the Heart” by Giuffria
Rob shares one of the precursors to the hair bands of the late '80s. Gregg Giuffria had a Steve Perry-esque sound. The album peaked at #26 on the album charts.

LAUGH TRACK:

“I Drink Alone” by George Thorogood and the Destroyers
We close out on this podcast with some amazing lyrics....“Every morning just before breakfast, I don't want no coffee or tea. Just me and by good buddy Wiser, that's all I ever need!”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1986 - May - Peter Gabriel - So Dec 31, 2018

“So” by Peter Gabriel

Bruce is excited about this blockbuster hit album. After four solo albums without a name, the record company finally persuaded Peter Gabriel to name this fifth album. So is a synthesizer-heavy album influenced by world music. It shows Gabriel's experimental side, but it was a more approachable album than his other releases, and it was a huge hit in the mid-'80s both on radio and MTV. Gabriel went from a cult star to a mainstream star in the rock genre very quickly with this five-fold platinum album. There's really not a bad track on this album, and the majority of the songs received airplay.

Join us as we have a BIG TIME with this SLEDGEHAMMER of an album!

“In Your Eyes”
This song leads off side two. Gabriel wanted to make it the last song, but the bass line is so strong that it needed to be near the front of the album to give the record stylus room to vibrate. This track became popular after the release of the movie "Say Anything."

“Red Rain”
Red Rain This track leads off the album. Gabriel wanted it to "crash at the front." Stewart Copeland (Police) does the symbol work at the front of this dark, melancholy song.

“That Voice”
This one qualifies as a deeper cut. Nice bass work by Tony Levin on this heavily layered exploration of conscience - the voices in your head.

“Big Time”
Emblematic of the yuppie culture of the ‘80's, this song satirizes the "bigger is better - greed is good” culture of the time. Stewart Copeland (of the Police) is on drums, while Tony Levin is fingering the bass and Jerry Marotta is playing the strings on the bass with drumsticks to give it the "slap bass" sound.

ENTERTAINMENT TRACK:

“Danger Zone” - the theme from “Top Gun” by Kenny Loggins
This tune was a hit from the mega-hit movie “Top Gun” featuring Tom Cruise. It’s actually a good soundtrack!

STAFF PICKS:

“I Wanna be a Cowboy” by Boys Don’t Cry
Brian! Oh, Brian — I mean, Ted! Oh, Ted! Fighting off danger! This one hit deadpan comedy wonder could be heard in all the clubs in 1986.

“All the Things She Said” by Simple Minds
Rob shares the third single from Simple Minds’ seventh studio album, and it’s a great track. The B-side to the single is a live version of “Don't You Forget About Me,” their most famous song (but one that the lead singer hated).

“Touch & Go” by Emerson, Lake, & Powell
Wayne goes for ELP...but not Palmer in this case! Cozy Powell takes over percussion duties from Carl Palmer, who was unavailable to reform Emerson, Lake, & Palmer due to his work with the supergroup, Asia. The synthesizer melody is based on an English folk tune called “Lovely Joan.”

“No One is to Blame” by Howard Jones
Bruce closes out staff picks with this one. Jones originally put out this song on his “Dream Into Action” album. It became a hit after Phil Collins produced the re-recording, and added the drum work and backing vocals. This track appeared on Jones' third album entitled "One to One."

LAUGH TRACK:

“The Chicken Song” by Spitting Image
This number one song in Britain was from a comedy TV show which used puppets designed to look like famous politicians and celebrities. This is where Genesis got their video for “Land of Confusion.” Check out the video.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - October - Led Zeppelin - Led Zeppelin III Dec 24, 2018

“Led Zeppelin III” by Led Zeppelin

Brian presents this CLASSIC album, “Three” — by Led Zeppelin. Giants of the rock genre and precursors to the heavy metal sound, Led Zeppelin would set the standard for decades as one of the big four (along with The Beatles, The Rolling Stones, and The Who) super groups of Rock and Roll. Powered by Jimmy Page on guitar, John Paul Jones on bass, Robert Plant on vocals, and John Bonham on percussion, Led Zeppelin was a household name in the rock world by 1970 when they released their third album, simply known as Led Zeppelin III. This album is a great one, but often underrated due to the fame of Led Zeppelin's second and fourth albums. Today we travel back to October 1970 to check out Led Zeppelin III and a number of other tunes at the turn of the decade.

“That's The Way”
This track has a heavy folk and acoustic influence. The album was recorded using a mobile studio, and takes a much mellower tone as a whole than many of the other Led Zeppelin albums. The song was originally called "The Boy Next Door."

“Tangerine”
This song was written in 1968 while Jimmy Page was still with The Yardbirds. Less acoustic than "That's The Way," but still a mellow, almost Pink Floyd feel.

“Gallow's Pole”
This is an updated arrangement of a folk song called "The Maid Freed from the Gallows." John Paul Jones plays mandolin, and Jimmy Page plays banjo on this song, while Plant's vocals soar.

“Hey, Hey, What can I do”
Originally cut as a B-side to "The Immigrant Song," this song was re-released on their Coda album. "I said I got a little woman and she won't be true!" "Gonna leave her with the guitars playing."

ENTERTAINMENT TRACK:

Theme from “Sesame Street”
The Public Broadcasting Service (PBS) began broadcasting in 1970, ad Sesame Street was one of the first and key shows.

STAFF PICKS:

“Empty Pages” by Traffic
Rob's pick has a funky jazz feel. Steve Winwood's distinctive vocals front this psychedelic group. From the fourth Traffic album “John Barleycorn Must Die.”

“All Right Now” by Free
Paul Rodgers fronted this short-lived group, which is why it sounds so similar to Bad Company. “Now don't you wait, or hesitate, let's move before they raise the parking rate!”

“Green-eyed Lady” by Sugarloaf
Wayne points out the iconic bass line. A “two hit wonder,” this American band had two big hits, “Don't Call Us, We'll Call You,” and this song.

“Out in the Country” by Three Dog Night
Brian highlights this song written by Paul Williams. There was a huge environmental movement in 1970, and this song taps into that energy.

LAUGH TRACK:

“A Girl Named Johnny Cash” by Jane Morgan
A parody of...a parody... kind of like Inception, maybe? We finish up with Morgan's spoof of Johnny Cash's spoof entitled “A Boy Named Sue.”

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1988 - August - Jane's Addiction - Nothing's Shocking Dec 17, 2018

“Nothing’s Shocking” by Jane’s Addiction

Wayne presents this album, “Nothing's Shocking,” — the first studio album by Jane's Addiction. This alternative rock band from Los Angeles had released a self-titled live album in 1987. Perry Farrell was the lead singer and writer for the group. The group would break up in the early 90's over how to split the money. Although tensions in the band would drive the split, their heavy, angry, wall-of-sound approach would lead the way for the grunge music to come a few years later.

We hope you enjoy this heavy hitting feature.

“Idiots Rule”
This funky rock song with special guest Flea (of Red Hot Chili Peppers fame) on horns starts heavy and drives on through the track.

“Ocean Size”
This track explains the mentality of a surfer, and the desire to be near the waves. Perry Farrell wrote this at a low point in his life.

“Had a Dad”
Here is a rare guitar solo at the beginning of the song. This track is about Eric Avery finding out that the person he believed was his biological father was actually his stepfather.

“Mountain Song”
Not really about a mountain, but about coming down from an acid trip. This song got a little air play at the time, though not as much as “Jane Says.”

ENTERTAINMENT TRACK:

Theme from “Roseanne”
This was the first run of the show — it launched in August of 1988 and ran through 1977.

STAFF PICKS:

“Look Out Any Window” by Bruce Hornsby and the Range
Brian shares this single from Hornsby's second studio album. It features complex piano work and progressive lyrics.

“No Smoke without a Fire” by Bad Company
Rob picked this hit from the post-Paul Rodgers days. It features vocalist Brian Howe on this late 80's hit.

“The Only One” by Jimmy Page
This was from Page's lone solo album, and Bruce got into it. It was an obvious hit with Led Zeppelin front man Robert Plant's vocal contributions. Jason Bonham is on drums as well

“Let it Roll” by Little Feat
The re-formed Little Feat produced this fast moving and very popular track with a Southern Rock boogie feel. Wayne says, “She's like a smooth stretch of highway.”

LAUGH TRACK:

“Don’t Worry, be Happy” by Bobby McFerrin
We feature the opposite of an instrumental piece on this acapella track to finish up the session this week. Be Happy, folks!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - June - The Cars - The Cars Dec 10, 2018

“The Cars” by the Cars

This was one of the first albums Rob bought after he got his first Stereo System. The Cars are from Boston and clearly evolved out of the NEW WAVE trend. Ric Ocasek and Benjamin Orr met in Cleveland, Ohio in the 1960s, and released this hit-filled debut album in June of 1978. It reached 18 on the Billboard Charts, and the band was rewarded by Rolling Stone Magazine fans as “Best New Artist” that same year. Ric Ocasek and Benjamin Orr take turns on vocals on these synthesizer-heavy tracks. The Cars was a name selected for because it was easy to spell, hard to forget, and appeared at the top of the alphabet, which made it an easy group to find in the record store.

In April 2018, The Cars were inducted into the Rock and Roll Hall of Fame, we hope you enjoy these picks and “like the way she dips.”

“Moving in Stereo”
One of the coolest ways to use stereo, this song has an eerie quality to it, that you just can't ignore. Sung by bassist Benjamin Orr,
you may remember it from “Fast Times at Ridgemont High” as Judge Reinhold character’s dreams about Phoebe Cates’ removing her top.

“Bye Bye Love”
Originally performed, and recorded by Ocasek, Orr and Elliot in their first band, “Cap’n Swing,” this is Ocasek singning.

“My Best Friend's Girlfriend”
The band Nirvana actually performed “My Best Friend’s Girl” at their final concert on March 1, 1994 in Munich.

“It’s All Mixed Up”
Ric Ocasek’s “icy-cool” vocals garnered the attention of most fans, but Benjamin Orr’s voice adds a warm quality you can’t ignore.
Keyboardest, Hawkes exchanged the keyboard for the SAX — the only one in the Cars’ library.

ENTERTAINMENT TRACK:

“Diff'rent Strokes” by The Edwin Davids Jazz Band
Gary Coleman's vehicle to fame was this family TV show.

STAFF PICKS:

“Hot Child in the City” by Nick Gilder and Time Machine
Wayne shares this hit off Gilder's second solo album -- a popular one at the skating rink. The lyrics are much darker than they appear at first, as it focuses on exploitation of girls in what would come to be known as sex trafficking.

“Baby Hold On” by Eddie Money
This hit is from Eddie Money's self-titled debut album, and one of Brian's favorites. The album went to number 37 on the strength of this song and "Two Tickets to Paradise."

“Kill the King” by Rainbow
Bruce shares how Ronnie James Dio and Ritchie Blackmore teamed up in this early heavy metal band. Blackmore tended to be a critic of the band members, and this would be Dio's last album with Rainbow before he went on to take over front man duties for Ozzy in Black Sabbath.

“Imaginary Lover” by Atlanta Rythm Section
“Imaginary Lover” is a 1978 hit single by the Atlanta Rhythm Section, the first release and greatest hit from their album Champagne Jam.
If you play it at 45 Speed, it sounds like Stevie Nicks. According to Rolling Stone Magazine, “An FM station accidentally played the Atlanta Rhythm Section album cut “Imaginary Lover” at the wrong speed – 45. Favorable calls began to light up the switchboard, so the disc jockey let it play. Speeded up, the song sounded unmistakably like Fleetwood Mac, with Stevie Nicks warbling lead vocals.”

“News quickly reached Nicks in Los Angeles. She rushed out to buy the record and played it at the wrong speed. “I got chills,” says Stevie. “It sounds exactly like something I’d sing, the way I’d sing it. I even played it for Christine [McVie], mixed in with some other demos for the new album. She complimented me on it.”

LAUGH TRACK:

“Feels So Good” by Chuck Mangione
This popular jazz instrumental hit from the summer of 1978 takes us out for this What the Riff session.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Episode 27: Christmas Songs that Rock Dec 03, 2018

Episode 27 — Christmas Songs that ROCK

We're trying something new in this podcast, folks. As Christmas approaches, we're highlighting some of the Rock and Roll Christmas songs we've heard over the years. From the sublime to the slightly corny, covers to originals, Rock music has lent its voice to the Advent season. Join us this week as we review some of the classics and deeper cuts that have made for a Rock and Roll Christmas season.

Bing Crosby and David Bowie - Peace on Earth/Little Drummer Boy
This song was featured in September of 1977 for "Bing Crosby's Merry Old Christmas," which would be the last of Crosby's Christmas specials. It was surreal to see the glam rock Bowie paired with American icon Crosby in this inter-generational duet. Bowie balked at performing "The Little Drummer Boy," and so creators Ian Fraser,Larry Grossman, and Alan Kohan added the "Peace on Earth" counterpoint.

Twisted Sister - O Come All Ye Faithful
Not exactly a classic of the genre here. Twisted Sister simply puts the words to “O Come All Ye Faithful,” with the music from their well known classic “We're Not Gonna Take It.”

Cheap Trick - I Want You for Christmas
Here's Cheap Trick's take on Christmas, just taking their hit "I Want You To Want Me" and converting it to a Christmas song. Not original, not a lot of staying power, but if you prefer your Christmas tunes to have a certain lounge lizard appeal, this may be what you're looking for.

Chuck Berry (and Lemmy) - Rudolph Run
From 1958, Berry takes his turn at a Christmas song which has become a standard over time. This tune was very similar to his hit “Johnny B. Goode.” Also featured is the 2008 remake by Lemmy Kilmister (of Motorhead fame), Billy Gibbons (ZZ Top), and Dave Grohl (Nirvana) in a distinctly crunchier take on the compilation “We Wish You a Metal Christmas.”

Elvis Presley - Silver Bells
Jay Livingston and Ray Evans wrote this song which was originally performed by Bob Hope and Marilyn Maxwell in the movie “The Lemondrop Kid” in 1950. Presley covered this song in 1971 for his Christmas album at the height of his comeback era. Presley never performed outside the United States.

The Kinks - Father Christmas
From 1977, this original song tells the story of a department store Santa who gets beat up by some poor kids looking for money. Over time this has become a classic Rock Christmas song, covered by a number of artists. You'll hear this tune on "That 70's Show" and "Bob's Burgers."

Queen - Thank God It's Christmas
Another original song from 1984, this song was on the UK charts for 6 weeks.

Da Surfones - Waikiki Christmas
It's not the Beach Boys, but close. Because who needs a White Christmas?

Suddenly, Tammy! - Rock 'n Roll Santa Claus
Alright folks, listen to this tune and see how many snippets you can identify.

Gary Walker and the Boogie Kings - Santa's Got a Brand New Bag
And, this is not James Brown. Another Christmas take on a prior hit, this time it's "Papa's Got a Brand New Bag"

James Brown - Santa Go Straight to the Ghetto
The Godfather of Soul has to get into the Christmas spirit.

Run D.M.C. - Christmas in Hollis
From 1987, this song was played in the 1988 (arguably) Christmas movie “Die Hard.”

James Slater - All I Want from Santa (is a girl from Atlanta)
This was a big hit in metro-Atlanta when it came out in 1983. Slater wrote this song for an upcoming gig in Atlanta, and it got solid air play on 96 Rock (WKLS) at this time.

The Waitresses - Christmas Wrapping
I know what boys like...for Christmas, perhaps. This Ohio group has another hit on their hands for the holidays.

Greg Lake — I believe in Father Christmas
They said there'd be snow at Christmas, they said there'd be peace on Earth. The instrumental riff is from the "Troika" portion Prokofiev's "Lieutenant Kije"

Bob and Doug McKinsey - The Twelve Days of Christmas
Our friends from SCTV and the Great White North close out the podcast with this comedy track from 1981.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - July - Escape - Journey Nov 26, 2018

JULY of 1981 “Escape” by Journey

Brian hosts this seventh album from JOURNEY — Escape, which catapulted the rock group into the stratosphere on the strength of Steve Perry's soaring vocals, Neal Schon's hook-laden guitar riffs, and newcomer Jonathan Cain's keyboards and songwriting. The album artwork featured a stylized scarab spaceship breaking out of a sphere.

This album transitions from a straightforward hard rock vibe with "Keep on Runnin'" to a more mellow rock sound with Perry's well-known ballad "Open Arms." You just can't go wrong with this classic album.

“Escape ”
The title track from the album is fast-moving and features lots of high notes from Steve Perry.

“Stone in Love”
This track is one of many hits off this album, with a great bass counter melody, a fantastic guitar riff, and soaring harmonies.

“Keep on Runnin'”
Neal Schon's influence is clear in this heavier, faster, deeper cut. Perry's and Schon's relationship appears to have improved since Journey's Hall of Fame induction.

“Still they Ride”
Time for “couples skate.” Perry's vocal range is highlighted in this somewhat deeper cut ballad. The songs on this album are so popular that it is difficult to identify a deep cut.

ENTERTAINMENT TRACK:

“Believe it or Not” from the TV Show, “The Greatest American Hero” — by Joey Scarborough
This is the theme from the TV show "The Greatest American Hero" by one of the greatest THEME SHOW writers of them all...Mike Post.

STAFF PICKS:

“Urgent” by Foreigner
Bruce shares that the producer for this album had the band work with Thomas Dolby to specifically get the sound he wanted. Junior Walker was the Motown saxophone player on this song.

“Riding with Angels” by Samson
That familiar voice is Bruce Dickinson, better known as the front man for Iron Maiden — another of Wayne's favorites. Believe it or not, Russ Ballard originally wrote and performed this song.

“Talk to Ya Later” by the Tubes
Rob takes us through this cautionary tale about a one-night stand that...refuses to leave. Surprisingly, this song is co-written by David Foster.

“The Breakup Song” by the Greg Kihn Band
Off their fourth studio album "Rock Kihn Roll," this is a lament that the great breakup songs of the 60's aren't around. According to Brian, “they don't write 'em like that anymore.”

INSTRUMENTAL / LAUGH TRACK:

“Elvira” by the Oakridge Boys
If you were around in 1981, you heard this song...and you probably enjoyed watching another, ELVIRA, mistress of the Dark.
Check out that ultra-deep bass.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1976 - April - 2112 - Rush Nov 19, 2018

APRIL of 1976 “2112” by Rush

Bruce brings us one of his all-time-favorites. This album is the one where Rush became RUSH. In the wake of "Caress of Steel" their third album which was neither a commercial nor a critical success, Mercury Records considered dropping the band. Ray Daniels, manager for Rush, negotiated to have the group make one more album. The label wanted them to make more accessible songs — shorter— with more singles. NOPE. Instead, Geddy Lee, Alex Lifeson, and Neil Peart created an album in which the entire first side was an Ayn Rand-influenced distopian sci-fi epic!

Join us as we take a journey past the Temples of Syrinx where creativity and individualism have been banned in the year 2112.

“2112 part 1 - Overture”
This was the last song recorded of the 2112 epic. It is an instrumental summary of the entire piece, similar to classical symphonies of the past, and has a brief nod to the 1812 Overture.

“2112 part 2 - The Temples of Syrinx”
Geddy Lee's lyrics are very high and sometimes unintelligible. This portion introduces the powers that rule the world - the priests of the temples of Syrinx, who ban creativity and individualism.

“2112 part 3 - Discovery”
We are introduced to the protagonist, who finds a guitar and learns how to play it. What can this strange device be? Rush received a lot of criticism for writing an Ayn Rand - inspired piece.

“2112 part 4 - Presentation”
The priests are not as excited about the discovery as the protagonist expects. They destroy the guitar.

“2112 part 5 - Oracle: The Dream”
Alex Lifeson rips off a great guitar solo to start this section. Lifeson and Lee have been friends since the 8th grade. This section tells of a dream of another planet outside the Solar Federation where creative people still live.

“2112 part 6 - Soliloquy”
It was all a dream, and the protagonist takes his life rather than live in captivity.

“2112 part 7 - Grand Finale”
But was it all a dream?

ENTERTAINMENT TRACK:

“Keep Your Eye on the Sparrow” from the TV Show, Baretta
Robert Blake's hard knock cop show.

STAFF PICKS:

“Elliptical Seasons” by Star Castle
Wayne was excited that this progressive rock group from Illinois has a similar feel to Yes. Terry Luttrell, frontman for Starcastle, was also the frontman for REO Speedwagon

“Golden Years” by David Bowie
Rob shares that this was written and recorded for (and ultimately rejected by) Elvis Presley by the ever-changing and terribly creative David Bowie. This song reached number 10 on the charts.

“Union Man” by the Cate Brothers
Brian likes this track because in the mid 60's the Cate Brothers were a "country soul" act from Arkansas, but had their "one hit wonder" with this funk rock fusion song in 1976.

“Sara Smile” by Hall & Oates
Bruce is bringing this top 10 hit, written about Hall's then-girlfriend, Sara Allen, who contributed to a number of songs including “Private Eyes” and “Maneater.”

INSTRUMENTAL / LAUGH TRACK:

“Lumberjack Song” by Monty Python
I'm a lumberjack and I don't care....Monty Python received a big boost in 1976 when PBS began replaying their "Flying Circus" show from the BBC

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - July - Pictures at Eleven - Robert Plant Nov 12, 2018

JULY of 1982 “Pictures at Eleven” by Robert Plant

With drummer John Bonham's death in 1980, Led Zeppelin disbanded. “Pictures at Eleven” was Zeppelin front man Robert Plant's debut solo album — one that Rob appreciated even more than Zepplin. Plant put together an excellent collection of talent to help out, including Genesis drummer Phil Collins and ex-Rainbow drummer Cozy Powell, session guitarist Robbie Blunt, and Black Sabbath keyboardist Jezz Woodroffe. “Pictures at Eleven” was released in June 1982 and hit number 5 on the Billboard 100 in July.

We hope you enjoy “Burning Down One Side” of this trip down the 1982 memory lane.

“Burning Down One Side”
It is hard to get away from the Zeppelinesque sound on this biggest hit from the album. Phil Collins is on drums on this one.

“Pledge Pin”
The beat takes an uptick on this track. Raphael Ravenscroft of Baker Street fame is jamming on the sax here.

“Slow Dancer”
A little slower piece, with a mysterious, “Kashmir” feel. This album showed that Robert Plant was more than just a singer. This is perhaps the closest to Led Zeppelin of the songs we feature from the album.

“Fat Lip”
This is a more mellow, folksy track, which feels more like Dire Straits. A Roland drum machine, an early synthesized drum, was used on this song.

ENTERTAINMENT TRACK:

“The Wrath of Kahn” from Star Trek II
The most popular Star Trek movie which brought back the Star Trek franchise.

STAFF PICKS:

“Psychobabble” by The Alan Parsons Project
Wayne shares this hit from the Eye in the Sky album. “ I don't care, it's all psychobabble rap to me.” This track also has some similarity to the Beatles' "A Day in the Life."

“I Think I’m in Love” by Eddie Money
Brian's pick is a familiar hook-laden single from Eddie Money's 1982 album "No Control."

“Avalon” by Roxy Music
Bruce presents this title track from Roxy Music's eighth and final album. This adult-oriented low-key song was recorded in Nassau.

“Slit Skirt” by Pete Townshend
This song is off the album “All the Best Cowboys have Chinese Eyes.” Rob's favorite lyric, “No one respects the flame like the fool who's badly burned.” Lots of key changes in this track. “But unlike me she don't work out her frustration in the gym.”

INSTRUMENTAL / LAUGH TRACK:

“Sirius” by the Alan Parsons Project
We close out this episode with this fantastic instrumental famous for its use in sports venues, especially the Chicago Bulls during the Michael Jordan era.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1971 - June - One World - Rare Earth Nov 05, 2018

JUNE of 1971 “One World” by Rare Earth

Detroit-based Rare Earth brought a funk rock fusion sound to the scene. Motown was looking to expand its repertoire and signed Rare Earth to a yet-to-be-named record label more focused on white rock acts. When members of Rare Earth suggested that they name the record label "Rare Earth," Motown surprisingly decided to do so. Rare Earth had a string of successes in the late 60's and early 70's, and this fourth album entitled One World was one of these successful albums. Rare Earth was a conservation minded group, but did so with a positive and psychedelic slant. We hope you enjoy this venture into a great album from Rare Earth.

“The Seed”
This is an environmentally focused track. Does the seed bloom or does it die?

“Any Man Can Be a Fool”
This track talks about what it means to be a man. Lots of solid rock groups came out of Detroit at the time, including Grand Funk Railroad, Alice Cooper, and Ted Nugent.

“When I Die”
The Vietnam War was a big issue at the time, and this song tells of a solder who wants to make sure his body is brought home. The great harmonies and the chromatic progression with a minor key slant set the tone nicely.

“I Just Want to Celebrate”
This is the big hit off the album, and is a mainstay of rock and roll funk. It has a positive, soulful sound, and was a top 10 song at the time.

ENTERTAINMENT TRACK:

“Pure Imagination” by Gene Wilder
You’ll recognize this piece from "Willy Wonka and the Chocolate Factory," which was released in June 1971.

STAFF PICKS:

“Indian Reservation” by Paul Revere and the Raiders
Rob shares that this song was actually written in 1959, and a hit in 1968. When Paul Revere and the Raiders covered it in 1971, this song became their only hot 100 number 1 hit.

“(I Know) I'm Losing You” by Rod Stewart
Bruce shares this cover — perhaps the best known iteration of the Temptations song. A number of people covered it, including Rare Earth in 1970. Most (perhaps all) of The Faces played on this song.

“Me and You and a Dog Named Boo” by Lobo
This soft rock song went to number 5 on the Billboard hot 100. Brian loves it, and feels It reflects the back-to-earth feel that was popular in the early 70's.

“Could’ve Been a Lady” by Hot Chocolate
This is the original soul rock version that was covered by April Wine a year later. This is a solid break-up song. Wayne points out that Hot Chocolate is better known for their song "You Sexy Thing."

LAUGH TRACK:

“Chick-a-Boom” by Daddy Dewdrop
This comedy song finishes off our episode this week. Don't you just love it?

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1982 - March - Asia - Asia Oct 29, 2018

MARCH of 1982 “Asia” by Asia

In early 1981 with the apparent demise of prog-rock supergroups Yes and Emerson Lake & Palmer, a new supergroup began. With Jon Wetton (King Crimson) on vocals and bass guitar, Steve Howe (Yes) on lead guitar, Geoff Downes (Yes and The Buggles) on keyboards, and Carl Palmer (Emerson, Lake, and Palmer) on drums, Asia began work on this self-titled debut album which would rocket up the charts with a combination of complex musicality and tight, accessible tracks. The continuing popularity of MTV would help propel this supergroup to commercial success that would last beyond The Heat of the Moment. We hope you enjoy these 4 tracks presented by Bruce.

“Only Time Will Tell”
This track written by Downes and Wetton tells a tale of a man leaving the woman he loved after finding out that she was just using him for her own gain. He predicts that she will have a lonely future, but "only time will tell."

“Sole Survivor”
Downes and Wetton wrote most of Asia's songs on the debut album including this one. This deeper cut is a great choice for motivation during training runs - but if you're going out for a bike ride, don't forget your helmet!

“Time Again”
Despite its success, this album received criticism. Prog rock fans panned it for being commercially oriented, and pop music critics considered it too progressive.

“Wildest Dreams”
This is an anti-war song which was a commercial success.

ENTERTAINMENT TRACK:

“Theme for Magnum PI” by Mike Post
This was one of Mike Post's many hits from the 80's for television. The detective drama featured Tom Selleck, the lead actor in this TV show, who was originally approached by Steven Spielberg to play the lead in the Indiana Jones movies. Selleck had to turn it down due to his commitment to Magnum PI.

STAFF PICKS:

“Run to the Hills” by Iron Maiden
Perhaps the most famous song from heavy metals' Iron Maiden, Wayne describes how this driving track is inspired by the plight of Native Americans.

“867-5309/Jenny” by Tommy Tutone
Perhaps the most famous song from heavy metals' Iron Maiden, Wayne describes how this driving track is inspired by the plight of Native Americans.

“Pretty Woman” by Van Halen
Several songs off Van Halen's Diver Down album were covers, including this one originally written by Roy Orbison. One of Rob's favorites.

“Fantasy” by Aldo Nova
This is the most popular song from Canadian singer and producer Aldo Nova. It's got a killer intro, and Bruce advises you to break out your leopard skin pants, folks!

LAUGH TRACK:

“Pac Man Fever” by Buckner & Garcia
We finish off with this video game inspired comedy track that reached number 9 on the Billboard charts.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1978 - July - Some Girls- The Rolling Stones Oct 22, 2018

“Some Girls” by the Rolling Stones

By the time that “Some Girls” was released The Rolling Stones were a household name. This was their 14th British and 16th Studio album, and was both a commercial and critical hit. Many reviewers consider this the best album since "Exile on Main Street." Rock music was taking a back seat to punk rock and glam rock, and the late '70's was dominated by disco. “Some Girls” represents a return to Rock's roots, and focuses on the vibe of New York.

We hope you enjoy this installment focused on the supergroup known as The Rolling Stones.

“Just My Imagination”
This is the Stones cover of the classic from the Temptations.

“Beast of Burden”
One of the hits from the album, “Beast of Burden” was written primarily by Keith Richards. The song is a bit autobiographical, referencing Richards struggle with drugs.

“Shattered”
This song reflects Mick Jagger's reflection on New York City. The lyrics were largely written in the back of a New York cab.

“Far Away Eyes”
Brian's favorite from this album. This song was inspired when Jagger and Richards rode through Bakersfield, California, listening to gospel music. It's fun to listen to Mick Jagger satirizing a southern accent.

ENTERTAINMENT TRACK:

“Shama Lama Ding Dong” by Lloyd Williams
This song was from "Animal House," the inspiration for toga parties everywhere.

STAFF PICKS:

“Surrender” by Cheap Trick
Released as a single in 1978, this was the first Cheap Trick single to land on the Billboard charts. Bruce shares that this teen anthem contrasts the generation gap between the WWII and Baby Boomer generation.

“Love is Like Oxygen” by Sweet
“You get too much, you get too high....” Rob loves this third and last top 10 hit for Sweet. The band was classified as a British glam rock band, but they show a lot more variety in this song.

“Funky but Chic” by David Johansen
After leaving the proto-punk group The New York Dolls, Johansen had a hit with this song, and Wayne shares he was actually better known as Buster Poindexter when he sang the single "Hot, hot, hot."

“Baker Street” by Jerry Rafferty
Brian wraps up staff picks with another often played ballad. This song hit the number 2 spot for 6 weeks on the Billboard chart. Rafferty had a 3 -year legal battle, during which time he was unable to perform. When he was in London he stayed with a friend who had a flat on Baker Street, and the song reflects that time. After this song was released, the sale of tenor saxophones increased dramatically - this is known as "The Baker Street Phenomenon."

LAUGH TRACK:

“King Tut” by Steve Martin
We close out with this “Saturday Night Live” hit by Steve Martin, backed up by “the Toot Uncommons”.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - May - Dulcinea - Toad the Wet Sprocket Oct 15, 2018

“Dulcinea” by Toad the Wet Sprocket

This fourth album by Toad the Wet Sprocket takes its name, “Dulcinea,” from Don Quixote's love interest in the Cervantes novel. “Toad the Wet Sprocket” was formed in 1986, and takes ITS name from a Monte Python sketch. Consisting of Glen Phillips on guitar and vocals, Todd Nichols on guitar, Dean Dinning on bass, and Randy Guss on drums, Toad the Wet Sprocket was one of the flagship bands of the alternative rock movement of the 90's. While the group broke up in 1998, they began limited tours in 2006, and returned to a full working band by 2011. Dulcinea has a great mix of songs with strong lyrics which tend toward the introspective and spiritual.

“Fall Down”
The biggest hit from the album. "When will we fall down?"

“Inside”
A deep cut from the album which highlights the harmonies of the group and great dynamics throughout the song. The band members met in their high school drama club.

“Stupid”
Another deep cut that scales down to the basics of the group. Guy sees girl, wants to impress her, feels stupid for making an assumption kind of thing.

“Nanci”
"I can't believe you - you bend your words like Yuri Gellar's spoons." This is a folksy track about meeting Nanci and Loretta. "No, I changed my mind - I'll take Nanci, for you Loretta's fine."

ENTERTAINMENT TRACK:

“I'll be there for You” by the Rembrandts
The theme song from "Friends," which premiered in 1994.

STAFF PICKS:

“Flaming Heart” by the Meat Puppets
Wayne cranks up the energy with his staff pick. With guitar licks reminiscent of Molly Hatchet, the Meat Puppets were around for many years before they settled into their sound which some have called "cow punk."

“Streets of Philadelphia” by Bruce Springsteen
Brian tones things down with this Grammy award-winning theme to the movie "Philadelphia," for which Tom Hanks won the Best Actor Oscar.

“Spoonman” by Soundgarden
And the volume cranks up again with Bruce's crunchy staff pick. This song propelled Soundgarden into mainstream popularity, and features Artis the Spoonman playing spoons.

“Mmm Mmm Mmm Mmm” by the Crash Test Dummies
Rob's pick swings back to a mellow and surprisingly low vocal range song.

LAUGH TRACK:

“Brothers” by Yngwie Malmsteen.
An instrumental neo-classical metal piece finishes us off this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1967 - JULY - The Doors - The Doors Oct 08, 2018

“The Doors” by The Doors

With their self-titled debut, The Doors burst onto the late 1960's scene on the strength of Jim Morrison's poetry and psychedelic style. There's a dark element to the group. The band takes its name from a book by Aldous Huxley called "The Doors of Perception," and took inspiration from concepts of altered perception. Jim Morrison could not read music or play an instrument but was a poet as well as a singer. His poetry infiltrates all of The Doors music.

We hope you enjoy this radical album from a radical age.

“Soul Kitchen”
This song was a tribute to a restaurant where Jim Morrison spent a lot of time while in film school.

“Crystal Ship”
This song is the B-side from the single "Light My Fire." B-sides of popular singles often got greater air play during this time.

“20th Century Fox”
An ode to girls who've "got it" and know they've got it! You may have heard a version of this by 38th Special.

“Backdoor Man ”
This is a cover song written by Willie Dixon. The Doors change this to make it their own, using a heavy organ element.

ENTERTAINMENT TRACK:

Theme to “The Monkees”
Did you know this???? During July 1967, Jimi Hendrix left his role as opening act for The Monkees. WOW!

STAFF PICKS:

“San Francisco” by Scott McKenzie
Be sure to wear some flowers in your hair! This song was written by John Phillips of The Mamas and The Papas, and was used to promote the Monterrey Music Festival.

“White Rabbit” by Jefferson Airplane
Part Alice in Wonderland, part drug reference, part Bolero, the song “White Rabbit” is one long crescendo from beginning to end. One pill makes you larger, and one pill makes you small.

“Whiter Shade of Pale” by Procol Harum
It was all just a misunderstanding....listen to learn about the name! This tune reached number 5 on the charts in this month. The writer was inspired by Bach. We skipped the light fandango.

“Come on Down to My Boat” by Every Mother's Son
Finishing out the organ-heavy podcast, Wayne's pick became Every Mother's Son's only top 40 hit..

LAUGH TRACK:

“Grazing in the Grass” by Hugh Masekla
I can dig it, he can dig it, she can dig it, we can dig it...can you dig it?

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - JUNE - Dream of the Blue Turtles - Sting Oct 01, 2018

“Dream of the Blue Turtles” by Sting

This is the first solo album from Sting - formerly known as Gordon Sumner - formerly the front man of the ultra-successful band, “The Police.” The title, “The Dream of the Blue Turtles” was based on a dream Sting had while recording in Barbados. He was sitting in his walled garden at his home, and the wall crumbled down as a crowd of giant blue turtles invaded and destroyed the garden. This album garnered a bunch of Grammy nominations, including Album of the Year, Best Male Pop Vocal Performance, Best Jazz Instrumental Performance, and Best Engineered Recording. Join us as we riff on this jazz-leaning solo debut from one of the top performers of the 80's.

“Fortress Around Your Heart”
This is the last track from the album, and was inspired by Sting's divorce. This song is about appeasement and moving forward. It was a kind of antidote to The Police song, “Wrapped Around Your Finger.” While "Wrapped" is about control, "Fortress is about giving up control.

“Russians”
By 1985 the Cold War between the United States and the Soviet Union had taken a more confrontational turn from the Detente of the 70's. This song explores the idea of coming together for the sake of our children. Sting was inspired by hearing a Soviet broadcast of a children's television program.

“Moon Over Bourbon Street”
Inspired by Anne Rice's "Interview with the Vampire" which Police guitarist Andy Summers gave Sting. Branford Marsalis delivers a great counter-melody on saxophone in this deep cut.

“Shadows in the Rain”
This is a jazz remake of a Police track off the album "Zenyatta Mondatta." Sting takes the tempo up considerably on this jazz jam.

ENTERTAINMENT TRACK:

Theme to “St. Elmo's Fire”
One of the Brat Pack movies of the eighties. (From Bruce: As a correction, the brat pack movies were directed by John Hughes, not John Houston.)

STAFF PICKS:

“Bad” by U2
A tremendous live track by U2, Bono talks about heroin addiction in this song. Their Live Aid performance of this song propelled the group into superstar status.

“Voices Carry” by Till Tuesday
"Hush, Hush, keep it down now." Aimee Mann was inspired to write this song after breaking up with her drummer. Mann is considered one of the greatest singer-songwriters of the day.

“What About Love?” by Heart
Ann Wilson fronts Heart on this Power Ballad originally written by the Canadian group Toronto. Grace Slick sings in the background on this one.

“Kayleigh” by Marillion
The most commercially successful song off the concept album "Misplaced Childhood" is a melancholy apology to some of the women Marillion front man Fish dated in the past. The name Kayleigh was almost unheard of before this song, and took hold afterwards.

LAUGH TRACK:

“Axel F” from “Beverly Hills Cop”
We exit this week's podcast to the instrumental hit by Harold Faltermeyer, written for the film, "Beverly Hills Cop."

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - APRIL - Fair Warning - Van Halen Sep 24, 2018

“Fair Warning” by Van Halen

Eddie and Alex Van Halen moved to America from the Netherlands as children of a musician father. Eddie and Alex formed their band along with front man and perennial showman David Lee Roth and bassist/vocalist Michael Anthony, and were known as a hard working band in Pasadena. It wasn't long before they developed a following of several thousand in the area, and Gene Simmons of Kiss fame connected them with a record label.

Join us as Brian brings us this hard charging third album from Van Halen, Fair Warning.

Mean Street
"Somebody said, 'Fair warning!' - Lord strike that poor boy down!" This is the kicking lead track from the album in a minor key.

Dirty Movies
This deeper cut leads with Eddie "plinking" on the neck of the guitar. This technical creativity is what demonstrates Eddie Van Halen's guitar virtuosity.

Sinner's Swing
Van Halen's record contract required them to produce five albums in a short period of time. While this created some friction, it also led to some of their best music.

Hear About It Later
Another deeper cut from the album, this also leads off with guitar creativity from Eddie, and moves quickly into powerful vocals from David Lee Roth.

ENTERTAINMENT TRACK:

Carl Orff - O Fortuna (Carmina Burana)
This symphonic music from 1936 was the theme from "Excalibur" which was released in 1981.

STAFF PICKS:

38 Special - Hold On Loosely
Rob shares this track from the album "Wild-Eyed Southern Boys" — written by Jim Peterik of Survivor who also wrote "Rocking Into The Night" for 38 Special, much to the members of Survivor's chagrin. It would be a couple more years until they had a hit.

Donnie Iris - Ah, Leah
Wayne likes this song because Iris encapsulates the rock sound of the early 80's. Originally intended to be an anti-war song, the song instead tells the tale of a broken relationship where the couple can't keep themselves from hooking up.

The Police - Driven to Tears
Sting pens his first political song for this song from the third album by The Police. Although not released as a single, Driven to Tears made it to number 35 on the rock charts in April — and Bruce thinks it could have gone higher!

April Wine - Just Between You and Me
Brian brings us this Canadian hard rock band that peaked at number 13 with this power ballad. From April Wine's 9th studio album "The Nature of the Beast," this was the 14th song played on MTV.

LAUGH TRACK: (or sometimes instrumental...go figure...)

Vangelis - Theme from "Chariots of Fire"
This super inspiring instrumental song from the Academy award-winning movie finishes off our podcast this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1992 - DEC - Gordon - Bare Naked Ladies Sep 17, 2018

“Gordon” by The Bare Naked Ladies

Some groups take themselves way too seriously. That is an accusation that could never be leveled against the Barenaked Ladies. Rob shares that Ed Robertson and Steven Page began the group after getting bored at a Bob Dylan concert. They made up a list of imaginary bands for music critics...and a few years later entered a local music festival under the name of one of them: “The Bare Naked Ladies.” Their album “Gordon” is the debut studio effort on a major label, but they had already achieved a cult following in Canada off a previous independent release, a self-titled cassette the year before.

Join us as we explore this alt-rock, acoustically driven group with witty, comedy-laden lyrics from the end of 1992.

Blame it on Me

The Barenaked Ladies first performance was at a gig that Ed Robertson had "forgotten about" and asked Steven Page to help him out. Page was astonished that Robertson turned in the name of the group as "Barenaked Ladies," because they had brainstormed this name on a lark sometime previously.

If I Had $100000

The comedy comes through in this folksy hit. "If I had a million dollars, I'd buy you a fur coat - but not a real fur coat (that's cruel)"

Be My Yoko Ono

This song picks up the pace, goofing on John Lennon and Yoko Ono. Steven Page has a distinctive, whimsical sound which plays well against Robertson's vocals.

Grade 9

The Barenaked Ladies take on “coming of age” in high school riffs off rock groups like Duran Duran, Rush ...and Charlie Brown? See how many you can count.

ENTERTAINMENT TRACK:

Muppet Christmas Carol
This movie was released in December of 1992.

STAFF PICKS:

Lemonheads - Mrs. Robinson
Bruce shares this cover of Simon and Garfunkle was cut for the 25th anniversary, and home video release of the movie "The Graduate." The cover was not originally on their album "It's a Shame About Ray," but was added as a bonus track.

Jackyl - Lumberjack
It isn't every day that you have a chainsaw solo in a rock song, but Kennesaw, GA natives Jackyl make it happen. Leave it to Wayne to pick this awesomely rocking group.

U2 - Who's Gonna Ride Your Wild Horses
Brian loves this hit off their album "Achtung Baby" recorded in their original demo tracks for the album.

REM - Drive
This is the first track and hit single from "Automatic for the People," and encourages young people to take responsibility for their own lives.
The album is named for a soul-food restaurant Rob has visited in Athens, GA, “Weaver-D's Automatic.”

LAUGH TRACK:

REM - Winged Mammal Theme
This is the instrumental B-side from the single release of "Drive." It was originally intended for the "Batman Returns" soundtrack.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1965 - SEPT - Animal Tracks - The Animals Sep 10, 2018

“Animal Tracks” by The Animals

Wayne hosts this episode on The Animals. Formed in 1962 as an electric blues/rock band, The Animals followed a trend amongst many British Invasion groups of the day in arranging blues songs in a rock format. They would later get more psychedelic, but the album Animal Tracks is from their earlier, blues-focused era. Eric Burdon fronts the group, and The Animals would become Eric Burdon and the Animals after some of the original members left in 1966. Join us as we get out of this place and to the sixties blues of The Animals!

Club a GoGo

This original song written by the group is named after a club in Newcastle, England. The place opened as a jazz club but went rock with acts such as Jimi Hendrix, The Who, The Rolling Stones, Spencer Davis, Wilson Picket and Ike & Tina Turner playing there.

Don't Let Me Be Misunderstood

This song was written for the jazz singer and pianist Nina Simone in 1964. The Animals picked up the tempo in their pop single.

We Got to Get Out of This Place

Barry Mann and Cynthia Weil wrote this song intended for The Righteous Brothers. The Animals producer snagged it, and it has become an iconic song. It was very popular with the U.S. Armed Forces GI's during the Vietnam War.

It's My Life

This track was recorded around the same time as this album, but did not make it onto any album at the time. It would later be included on Animal Tracks as a bonus track. It was also performed during the mid 70's by Bruce Springsteen during his "Born to Run" tour.

ENTERTAINMENT TRACK:

Theme song to "I Dream of Jeannie" - Barbara Eden's claim to fame.

Theme song to "Get Smart" - Mel Brooks broke into television with this spy spoof.

STAFF PICKS:

Sonny and Cher - I Got You Babe
Brian loves this, the biggest hit of Sonny and Cher's duet run. Sonny and Cher produced this signature song one night in their basement.

Herb Alpert & the Tijuana Brass — A Taster of Honey
Rob says, “this is just a happy song.” This instrumental was recorded by The Beatles in 1963, but Alpert's version was more popular.

Them - Gloria
Leave it to Bruce to find a one-named artist and one-word song...The original recording from "The Angry Young Them" was written by a very young Van Morrison, who fronted this early garage band group from Belfast.

The Castaways - Liar, Liar
Wayne brings us this one hit wonder group out of Minnesota, The Castaway's hit mourns an unfaithful girlfriend.

LAUGH TRACK:

Alvin Cash & The Crawlers - Twine Time
This instrumental R&B tune takes us to the finish of this week's podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1993 - AUG - Grave Dancer's Union - Soul Asylum Sep 03, 2018

GRAVE DANCER'S UNION by Soul Asylum

Wayne shares this great album by 90s sensation, Soul Asylum.

Black Gold

Somebody to Shove

Get on Out

April Fools

ENTERTAINMENT TRACK:

Theme from “Frazier.”

STAFF PICKS:

"Believe" by Lenny Kravitz — Bruce.

“Fields of Gold” by Sting — Brian.

“Come Undone” by Duran Duran - Rob.

“Not Quite Sonic” by Mother Earth — Wayne.

LAUGH TRACK:

"Three Little Pigs" by Green Jelly.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1974 - Sept - Crime of the Century - Supertramp Aug 27, 2018

CRIME OF THE CENTURY by Supertramp

Rob brings us Supertramp — with their commercial breakthrough, Crime of the Century, their third studio album. Rick Davies and Roger Hodgson rebuilt the group after their first two unsuccessful albums, adding Bob C. Benburg on drums, Dougie Thomson on bass, and John Helliwell as their woodwinds player. Although not a concept album, Crime of the Century loosely follows themes involving loneliness, struggles with conformity, and mental struggles. This album benefits from the very different styles and personalities of Davies and Hodgson, and the tracks have stood the test of time. Join us as we highlight this album and the hits of September 1974.

School
After a soft start with harmonica and kids playing on the playground, this song builds through wistful Hodgson-led lyrics into a jam session with piano and marimba.

Bloody Well Right
Rick Davies takes the lead vocals and shows his keyboard chops on a jazz organ lead-in. Probably one of Rob's all time favorite songs.

Crime of the Century
This title track was the piece that the band felt was the strongest song on the album. The lyrics are self-reflective, where the instigators of the crime of the century are "you and me."

Dreamer
Who can forget this biggest hit from the album? This song was composed by Roger Hodgson at the age of 19. Hodgson and Davies swap vocal duties, with Hodgson taking the high harmonies.

ENTERTAINMENT TRACK:

Theme from "The Rockford Files"
James Garner played a down and out detective in this TV series that started in September of 74 and lasted through 1980.

STAFF PICKS:

Elton John - The Bitch is Back
Brian's staff pick highlights this song from Elton John's album Caribou. The title comes from Bernie Taupin's wife's description of Elton John's moodiness. Although a popular song, it's title was controversial, and kept it from getting as much airplay as it otherwise might.

The Raspberries - Starting Over
Bruce's pick is from the Cleveland, Ohio group's final album. The Raspberries were influenced by The Beatles and The Who, and you can hear great harmonies in their songs.

Reunion - LIFE IS A ROCK (But the Radio Rolled Me)
Wayne brings us this pick, featuring a fast monotone lyric summary of the artists on the radio at the time.

Gino Vanelli - People Gotta Move
Rob's staff pick has an R&B crossover feel. French Canadian Gino Vanelli was one of the first Caucasian musicians to perform on Soul Train.

LAUGH TRACK:

Cheech and Chong - Earache My Eye
Cheech and Chong take us out this week with one of their “COUGH-COUGH-HACK” classics.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1981 - Allied Forces - Triumph Aug 20, 2018

ALLIED FORCES by Triumph.

Brought to us by Bruce, Triumph was a great band out of Canada that tended to be in Rush's shadow. They hit their greatest commercial success in 1981 with their fourth album Allied Forces. Featuring Gil Moore on drums and vocals, Mike Levine on bass and keyboards, and Rik Emmett on the high vocals and the flying "V" guitar, Triumph wrote stunning anthems and driving rock pieces with a bent to the prog rock and classical styles. This podcast features this impressive album and a number of excellent staff picks from 1981.

Allied Forces
The title track is the fourth track on the album, with Gil Moore on lead vocals. A solid, straightforward rock song, it didn't get a huge amount of air play on the radio, but it got some attention on the new music video formats like MTV which were just becoming popular in the early 80's.

Magic Power
This was a very popular anthem, and it amazed the band to start playing this song and hear the audience singing the words back to them. There's a lot of influence here from Led Zepplin (slow starts with crescendos to a driving finish) and The Who (acoustic guitars forming the base, adding synth, followed by off beat drums).

Fight the Good Fight
A minor key hit with rebellious, libertarian lyrics: "All your life you've been waiting for your chance/where you'll fit into the plan/but you're the master of your own destiny/so give and take the best that you can."

Petite Etude
This is a straight classical guitar piece by Rik Emmett. Triumph often included a classical style instrumental piece on their albums.

ENTERTAINMENT THEME:

Theme from "The Fall Guy" A TV show from 1981 which featured Lee Majors playing a Hollywood stuntman by day and moonlighting as a detective.

STAFF PICKS:

April Wine - Sign of the Gypsy Queen
Wayne's staff pick highlights another Canadian band. April Wine's ninth studio album "The Nature of the Beast" contained this cover of a 1972 song by Lorence Hud. This was a moderate hit at the time, though not as popular as "Just Between You and Me," which was their most popular song of this album.

DEVO - Working in a Coal Mine
Lee Dorsey originally sang Brian's staff pick in 1966. DEVO covers it here and gives it their new wave twist. This song was later included in the soundtrack for the movie Heavy Metal.

Diesel - Sausalito Summernight
Rob's pick features a Dutch band who hit number 25 on the Billboard top 40 with this one-hit wonder. It's a great storytelling song of a wayward trip in a Rambler not quite ready for the road.

Def Leppard - Bringin' on the Heartbreak
Bruce's staff pick is Def Leppard's first real hit in the US, off their second album High N Dry. They became successful with this song on video rather than radio.

LAUGH TRACK:

Rick James - Superfreak We close out with this podcast with this soulful, and somewhat playful song.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1994 - DECEMBER - Second Coming - Stone Roses Aug 13, 2018

SECOND COMING by The Stone Roses.

The Stone Roses burst on the scene in 1989 with their self-titled debut album. However, legal wrangling with their record label, combined with slow progress on new material caused their next album to be delayed for years. That second album entitled “Second Coming” was finally released in December 1994. The Stone Roses are out of Manchester, England, and showed up during a time when Manchester was a musical hotbed.
After their first album, hailed by critics as one of the best English rock albums of all time, this second album met mixed reviews. The group disbanded a few years after Second Coming's release.

Tightrope
This is a mellow ballad to start the set.

Good Times
This song has a psychedelic feel that would fit well in the middle of the 1960's. You can see influences that would recur in groups like Oasis.

Love Spreads
This top hit off their album has a bluesy feel that epitomizes the "alt rock" sound of the mid 1990's.

ENTERTAINMENT TRACK:

The Theme to "E.R."
This is the long-running television show that started the careers of Noah Wyle and Julianna Margulies, and that catapulted George Clooney into super-stardom began in December of 1994!

STAFF PICKS:

R.E.M. - What's the Frequency, Kenneth?
Inspired by a mugging of Dan Rather, this was on one of REM's lesser-applauded albums.

Pearl Jam - Better Man
Brian shares that Seattle band Pearl Jam was writing about abuse in this ballad. They start this song slowly and it builds as it progresses. Front man Eddie Vedder wrote this one as a teenager.

Toad the Wet Sprocket - Something's Always Wrong
Bruce brings us a softer alternative rock song in a minor key off their album "Dulcinea". The chorus has a clever contrast in lyrics.

Fury in the Slaughterhouse - Dancing in the Sunshine of the Dark
Wayne introduces us to a deep cut. This German group has a great groove with some very dark lyrics.

LAUGH TRACK:

Jeff Foxworthy - Redneck Stomp Foxworthy's comedy compilation made it into Billboard's top 100, and takes us to the exit of this podcast.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 - JULY - Another Mother Further - Mother's Finest Aug 06, 2018

Another Mother Further, by Mother’s Finest

Bruce hosted this Album.

Truth'll Set You Free

"Baby Jean" Kennedy takes the lead vocals on this gospel-inspired track.

Mickey's Monkey

This remake of the original Smokey Robinson and the Miracles song also takes inspiration from Led Zeppelin — listen to the difference we share — and takes the energy level up a notch from the original.

Piece of the Rock

"Millionaire looking for another million dollars - a poor man looking for one." This may be Mother's Finest’s most popular song.
"Doc" Murdock takes the lead vocal duties.

Baby Love

"Baby Jean" Kennedy takes the lead again on this driving minor-key hit.

ENTERTAINMENT TRACK:

East Bound & Down by Jerry Lee Lewis. This was a popular hit from the movie "Smokey and the Bandit," which was released in the summer of TRANSAMS and SEMIS and CB RADIOS: 1977.

STAFF PICKS:

Wayne presents STYX - “The Grand Illusion”
The title track from the album. "Welcome to the grand illusion/come on in and see what's happenin'/pay the price, get your ticket for the show."

Rob brings us SUPERTRAMP - “Give a Little Bit”
Roger Hodgson fronts the vocals and the 12-string guitar in this international hit off the album, "Even in the Quietest Moments."

Brian riffs on ALICE COOPER - “You and Me”
A surprisingly mellow tune from the album “Lace and Whiskey,” Alice Cooper actually dedicated this song to his wife.

Bruce closes us out with RAM JAM - “Black Betty”
Originally a prison work/blues song, Black Betty was a one-hit wonder for Ram Jam.

LAUGH TRACK:

Jerry Reed closes us out with the B-Side to “East Bound and Done” : “(I'm Just a) Redneck in a Rock and Roll Bar.” Got to listen to the lyrics on this one.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1966 - APRIL - If You Can Believe Your Eyes and Ears - The Mamas and the Papas Jul 30, 2018

If You Can Believe Your Eyes and Ears, by the Mamas and the Papas

Brian hosted this Album.

Monday Monday
California Dreamin'
Hey Girl
Go Where You Want to Go
Got a Feelin'

ENTERTAINMENT TRACK:

Theme from Flipper.

STAFF PICKS:

"Five o'clock World" The Vogues
Wayne's pick.

“Groovy Kind of Love” - Wayne Fontana & the MindBenders
Rob's Pick.

"Shapes of Things" - The Yardbirds
Bruce's Pick.

“19th Nervous Breakdown” - Rolling Stones
Brian's pick.

LAUGH TRACK:

Spanish Flea - Herb Albert and the Tijuana Brass

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1972 - NOVEMBER - Can’t Buy a Thrill - Steely Dan Jul 23, 2018

Can’t Buy a Thrill by Steely Dan

This is Walter Becker and Donald Fagen's debut album as Steely Dan. Taking their name from the William S. Burroughs novel "Naked Lunch," Becker's guitar work and Fagen's keyboard and vocals combine in a jazz-rock fusion, and Can't Buy a Thrill shows a lot of smoothness and diversity from jazz to latin to straight-ahead rock guitar. This is a stellar debut album from a group who would go on to create a string of hits throughout the 70's, and have a staying power that lives on today.

Do It Again

This song made it to number 6 on the U.S. charts in 1973, making it Steely Dan's second highest charting song. Waylon Jennings covered "Do It Again" in 1980

Dirty Work

With David Palmer on lead vocals, Dirty Work has a very different sound than most Steely Dan songs. Steely Dan was encouraged to pursue this sound as more commercially accessible, but the band would consolidate on Fagen's vocals instead.

Midnite Cruiser

A deeper cut off the album, Midnite Cruiser has the distinct harmonies and jazz chord progressions we've come to identify with Steely Dan. Drummer Jim Hodder fronts the vocals with lyrics like "Drive me to Harlem or somewhere the same," showing the musical geography that shaped Becker and Fagen.

Reelin in the Years

Elliott Randall plays guitar on this song. Jimmy Page considered the solo from this song as his favorite of all time. What clever lyrics: "You've been telling me you're a genius since you were seventeen/in all the time I've known you I still don't know what you mean." "The things that pass for knowledge I can't understand."

Entertainment Track:

Theme from Maude.
This TV series took its cue from the women's liberation movement.

Staff Picks:

The Moody Blues - I'm Just A Singer in a Rock and Roll Band
Bruce points out that the lyrics of this song is a reaction to fans who took the lyrics of the Moody Blues too seriously. The songs of this album "Seventh Sojourn" were overshadowed by the re-release of "Days of Future Past" along the same time.

The Raspberries - I Wanna Be with You

Wayne brings us the Raspberries formed in Cleveland in 1970. Eric Carmen (writer of "Hungry Eyes and "All By Myself", and not to be confused with Eric Cartman from Southpark), fronts this group.

The Doobie Brothers - Listen to the Music

One of Brian's favorites, this is the first hit off the Toulouse Street album which came out in September of 1972. The Doobie Brothers often close their concerts with this song. It is a call to peace.

Jim Croce - Operator (That's Not the Way It Feels)

Rob takes a mellow turn with his staff pick. Croce tells the story of a lonely guy calling the operator, and was inspired by seeing GI's on base lining up to call home. Great lyrics from a master storyteller.

Laugh Track:

Isaac Hayes - this is the theme from the TV show, "The Men." Hayes' soulful theme finishes off our podcast this week. “Yeah....baby....how ya feelin'?...” (say it in a low voice like Isaac and see where it gets you).

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1985 - SEPTEMBER - Scarecrow - John Mellencamp Jul 16, 2018

Scarecrow by John Mellencamp

With his eighth studio album, John Cougar becomes John Cougar Mellencamp as he transitions away from his stage name and towards his real name. This also is the album where John Mellencamp transitions towards a purpose of his own. He brings his passion for small towns and small farms to the songs of this album. Mellencamp is maturing into the activist that would characterize his career from this point on. Mellow and reflective, Scarecrow has aged well. Join us as we profile this wonderful album and others from 1985.

Scarecrow

"There's 97 crosses planted in the courthouse yard. 97 families who've lost 97 farms." Mellencamp highlights the plight of the American small farmer in this song. During the Scarecrow tour, Mellencamp would give tickets to the two Senators from the state to spotlight the needs of farmers for help.

Grandma's Theme

This song starts with Mellencamp's grandmother playing on the autoharp, then transitions into an acoustic guitar. This is how Mellencamp would open the show during the "Scarecrow" tour.

Minutes to Memories

"My family and friends are the best I've ever known. Through the eye of a needle they'll carry me home." In this song the rebellion and politics are missing, but you still hear heartfelt lyrics and reflection. The story morphs from an older man telling Mellencamp his story on a train, to Mellencamp telling the story to his son.
John Cougar Mellencamp - Between a Laugh and a Tear Rickie Lee Jones joins in on this reflective deep cut. "Between a laugh and a tear/and that's as good as it can get for us."

ENTERTAINMENT TRACK:

"Golden Girls" (and thank you for being a friend.)

"Growing Pains"

Kirk Cameron starred in this popular television show from the day.

Pat Benatar - Invincible

Bruce's pick is all WOMEN POWER -- A song off Benatar's sixth studio album and the theme song from the film "The Legend of Billie Jean." Benatar was one of the few female rock stars in the era.

Ratt - You're In Love

Wayne is into the Hair and heavy metal bands — Ratt brings in this screamer on the first track from their album "Invasion of Your Privacy."

John Waite - Every Step of the Way

Rob's a big fan of Waite and his music alone, or with the Baby's or Bad English.
Off his album "Mask of Smiles," this was a follow-up from his big hit "Missing You." Waite's distinctive voice is heard in the groups The Babys and Bad English.

Glenn Frey - You Belong to the City

Written specifically for one of Brian's favorite old shows, television hit "Miami Vice," this song was one of the biggest hits of Frey's solo career. Frey was well known for his work in the Eagles, and many of his songs were prominent in the mid-80's television and movie hits.

LAUGH TRACK

Cheech and Chong - Born in East L.A.

Remember this....remember....it was so cool.....yeah....what are we talking about?
Cheech and Chong satirize Bruce Springsteen's "Born in the U.S.A." and the mid 80's immigrant issues in Los Angeles.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1970 - February - Cold Blood - Cold Blood Jul 09, 2018

FEATURE: COLD BLOOD - by Cold Blood from February 1970

I’m a Good Woman — This is the first song on the album, and gives a great flavor of both the vocalist and the talented horn section.

Watch Your Step — The Hammond organ leads off this jam. The band sounds like it is channeling James Brown on this track, and has a screaming sax solo.

I Just Want to Make Love to You — Yep. You know this song. This is the stripped down, bluesy original version of the song that would later be made famous by Nazareth.

You Got Me Hummin' — This was the biggest hit for Cold Blood, hitting its high at number 52. This song features solo jams from the organ and the bass.
INTERESTING FACT: Cold Blood played one of the last songs at the Filmore West.

SOUNDTRACK:

Theme from the Movie PATTON. — George C. Scott's Academy award-winning portrayal of General George S. Patton would in some ways define the General.

STAFF PICKS:

** Joe Cocker - “Bathroom Window” ** — This is Cocker's remake of the famous Beatles song. The song itself is based off the experience of Beatles' singer Paul McCartney. Apparently, groupies broke into his house through the bathroom window and stole various keepsakes.

**Lennon/Ono with the Plastic Ono Band - “Instant Karma!” (We All Shine On) ** — This track went from idea to released song in an incredible 10 days. Lennon's departure from the Beatles was immanent, and he wanted to get a single out as quickly as possible.

**Mark Lindsay - “Arizona” ** —This solo outing is from the artist better known as the front man for Paul Revere and the Raiders. The song lyrics chronicle the singer's quest to get his hippie girlfriend, “Arizona” to give up her wanderlust ways and settle down with him.

Norman Greenbaum - “Spirit in the Sky” — This track was actually released in late 1969 and was still quite popular as it made it furthest on the charts at #3 in February of 1970. Although it mentions Jesus and Christian themes, Greenbaum was actually Jewish. He was inspired after he heard a gospel song from Porter Wagoner on TV. FUN/NOT FUN FACT: it is frequently played at funerals.

LAUGH TRACK:

Yoko Ono - “Who Has Seen the Wind?” — Folks, I don't know what we can say about this B-side from Instant Karma, other than you can appreciate how frustrating it must have been for Paul McCartney and the other Beatles as the group headed towards their breakup.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1975 - September - Pink Floyd - Wish You were Here Jul 02, 2018

FEATURE: PINK FLOYD - Wish You Were Here from SEPT 1975

Pink Floyd

Wish You Were Here

SOUNDTRACK:

ʺWelcome Backʺ - John Sebastian.
Welcome Back Kotter

Space 1999

STAFF PICKS:

** “Ballroom Blitz” - Sweet.**

Rob thought this was Meatloaf for years....a great story behind this song.

"Bastille Day" - Rush.

Bruce brings Rush in with Bastille Day....a release that nearly ended their career. WHY? We don’t know....turn it up!

ʺHolding On to Yesterdayʺ - Ambrosia

Is Wayne holding on to yesterday? Perhaps....but what's wrong with that? If you liked 1975, you'll love this tune from Ambrosia.

Fame - David Bowie

Brian closes this episode out with FAME...what's your name?

LAUGH TRACK:

”Mr. Jaws” - Dickie Goodman

How about that JAWS riff? Scary, even if it's mixed in with comedy....
Bahh-Dah......Bah-Dah....Ba-Da-Ba-Da-Ba-Da-BA-DA-BA-DA

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1968 - June - Hourglass - Power of Love Jun 25, 2018

FEATURE: HOURGLASS - Power of Love from JUNE 1968

Hour Glass was a band based in Los Angeles, California in 1967 and 1968. Among their members were two future members of the Allman Brothers Band, Duane Allman and his brother Gregg. Power of Love was their 2nd album. The first was a lighthearted, poppy 60's type sound with a slight soul taste, and "the music had no life to it" according to Allman. This one started to branch out into the southern rock they would end up going to. It contained more original songs by Allman, though they still felt constricted by its process. The album flopped. The band broke up when Duane explicitly told off executives at Liberty, and the band disbanded.
Liberty Records threatened to sue the group for disbanding.

Consequently, Gregg Allman gave them the rights to a solo album to prevent their doing so. Tracks for the album were only issues twenty-five years later when they were released as bonus tracks.

I'm Hanging Up My Heart for You

This song is very close to the southern rock sound that would ultimately become The Allman Brothers.

Home for Summer

The two-minute pop song format of the day was very restricting to Duane Allman.

I Can Stand Alone

The sound of the Hammond organ is prominent in this song, along with a more psychedelic sound in the guitar.

Down in Texas

This is a more guitar-laden and upbeat piece, though keeping with the soulful feel. Duane Allman died in a motorcycle accident in 1971.

SOUNDTRACK:

Elvis Presley - “Speedway”
Elvis plays alongside Nancy Sinatra in this racing movie.

STAFF PICKS:

Gary Puckett and the Union Gap Band - Young Girl Get Out of My Mind

Brian explains this is a song about a relationship with a girl too young. Perhaps this wouldn't go over quite as well today as it did in the 60's. The Wrecking Crew backs this song.

The Rolling Stones - Jumpin' Jack Flash

Rob recalls this classic riff (not really, because he was TWO). Bruce suggests that Rob may have been "born in a crossfire hurricane." Hey...are those bagpipes in the background?

Blues Magoos - I Can Hear the Grass Grow

Bruce is all about the Hammond organ on this one. This cut is off their third album, "Basic Blues Magoos."

The Nice - America

This was Wayne's pick, based on his appreciation of ELP (Emerson Lake and Palmer). As part of the group, “The Nice,” Keith Emerson remakes the song "America" from West Side Story with a little Dvořák in the mix as well. You get a lot of the feeel of Emerson, Lake, and Palmer in this group and song.

LAUGH TRACK:

Tiny Tim - Tiptoe through the Tulips

We round out this episode with a very eclectic piece of music from the TV show, “Laugh In” regular, Tiny Tim. Can you ever get enough ukulele?

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1983 Dec - Yes - 90125 Jun 18, 2018

FEATURE: Yes - 90125 from DECEMBER 1983

Yes disbanded after a disappointing run with their tenth album Drama in 1980. Former Yes members Chris Squire, Alan White, and Tony Kaye joined with newcomer Trevor Rabin to form a new group called Cinema. The new group would trend towards more mainstream tastes, with shorter songs but maintaining excellent musicality. But after asking Jon Anderson to join the group, they made the decision to revert the name back to Yes.

The resulting album, 90125, was the biggest commercial success of the Yes discography.

Cinema
This instrumental track bears the name of the original band.

Leave It
A vocal and harmony-driven song, Leave It showcases the soaring talent of Jon Anderson and Trevor Rabin.

Our Song
This is a deeper cut on a hit-heavy album. You can hear a variety of movements that were typical of the prog rock genre. It's a positive, major key song, but still maintains the complex musicality expected from Yes.

Changes
Meter complexity and continually shifting movements characterize this minor key hit. Trevor Rabin leads the vocals after a lengthy marimba (not a common rock instrument) and percussion instrumental set, followed by Jon Anderson taking the high notes.

STAFF PICKS:

Just Got Lucky - Joe Boxers While this pick from Wayne had more success in the UK, Joe Boxers was a one-hit wonder in the States. You can hear similarities between this group and other New Wave groups like Elvis Costello and Joe Jackson.

The Walk - The Cure
Brian's pick is the first of 17 commercial top 20 Irish hits at the time. The Cure was the original "Goth Rock" band.

The Sign of Fire - The Fixx
Rob's track pick is a deeper cut from their album Reach the Beach — hands down the biggest commercial hit in the repertoire of The Fixx.

Talking in Your Sleep - The Romantics
The most commercially successful song from the Romantics, though "What I Like About You" is often the first that comes to mind.

LAUGH TRACK:

The Curly Shuffle - Jump 'N The Saddle Band
A big band homage to The Three Stooges was popular in December 1983, and finishes off our podcast for this week.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1991 Feb - Queen - Innuendo Jun 11, 2018

FEATURE: Queen - Innuendo from FEBRUARY 1991

Freddy Mercury - the iconic lead vocalist for Queen - was nearing the end of his battle with AIDS as the band was putting together their 14th album. This would be the last album of all-new material with Freddy Mercury, as he would die in November of that year.

This is a great album, and a poignant one, as Mercury's health was deteriorating. Join us as we explore this album and other great songs from February of 1991.

The Show Must Go On

Written primarily by Brian May, this song is about Freddy Mercury's effort to perform despite his serious illness which would take his life 10 months after the Innuendo album was released. While putting it together, May didn't know if Mercury would be capable of singing the song because he was so sick. When May talked to Mercury about it just before the recording, Mercury said, "I'll F***'n do it, darling," downed a shot of vodka, and rocked the vocals.

Innuendo

This is more of an epic than a song. It is the longest Queen song ever released as a single - longer than Bohemian Rhapsody by 35 seconds. It hearkens back to Queen's prog rock roots. The flamenco solo is played by Steve Howe of Yes. Howe is the only non-Queen member to have played guitar on a studio recording of a Queen song.

These Are the Days of Our Lives
This song was released as a single in the US on Freddy Mercury's 45th birthday, September 5th. The video was recorded at the end of May 1991, and was the last to feature Mercury. It was shot in black and white to obscure Mercury's poor health to some extent.

Headlong
This song was written by Brian May, and was originally intended for his upcoming solo album "back to the Light." When he heard Mercury sing the track it became a Queen song. The video was shot in 1990, about a year before Freddy Mercury's death, and is the last color video they shot. This is a solid, hard-charging rock song.

STAFF PICKS:

Pennywise - Bro Hymn
Wayne's staff pick is a punk masterpiece. Hailing from Hermosa Beach, California, Pennywise takes its name from the evil clown in Steven King's IT. You'll frequently hear the main theme at sports venues around the country.

High Enough - Damn Yankees
Brain's staff pick is from the supergroup formed by Jack Blades, Michael Cartellone, Ted Nugent, and Tommy Shaw. Polished and soaring with Shaw's high notes and harmonies, this was a rock song in frequent rotation at the time.

Disappear - INXS
Rob's staff pick is of INXS's album "X" which was released in 1990. This hit went to number 8 on the charts in February 1991. INXS was a popular rock group who had their first US big hit in 1983 with "One Thing."

Signs (live) - Tesla
Bruce's staff pick highlights the "unplugged" movement of the late 80's and early 90's. Tesla covers a song from 1971 by the Canadian group Five Man Electrical Band, and puts it on their live album "Five Man Acoustical Jam."

LAUGH TRACK:

White, White Baby - Jim Carrey (In Living Color)
We close out this show with Jim Carrey's spoof on Vanilla Ice's hit. You can see it on youtube.

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

1977 June - Alan Parsons Project - I Robot Jun 01, 2018

FEATURE: The Alan Parsons Project - I Robot from JUNE 1977

Isaac Asimov's science fiction was the inspiration for The Alan Parsons Project's second album, and I Robot draws on concepts of artificial intelligence in its songs. The Alan Parsons Project is a progressive rock group led by Parsons and Eric Woolfson at the core and surrounding themselves with session musicians. Alan Parsons had extensive credibility in the industry as Assistant Engineer for The Beatles "Abby Road" and "Let It Be," and had served as Engineer for Pink Floyd's monster album "The Dark Side of the Moon." Parsons and Woodson would go on to put out many albums and hits as The Alan Parsons Project.

Genesis Ch. 1 V.32
This is the last track on the album. Alan Parsons has a symphonic quality, and often features instrumental music such as this track. The book of Genesis in the Bible only contains 31 verses in chapter 1, and this title is an allusion to the fall of man and the rise of the machine. This is spelled out on the album where it says, "I Robot, the story of the rise of the machine and the decline of man, which paradoxically coincided with his discovery of the wheel, and a warning that his brief dominance of this planet will probably end because man tried to create robot in his own image."

Total Eclipse
Another essentially instrumental song with an ethereal, almost movie soundtrack quality.

I Wouldn't Want to Be Like You
This track was one of the popular singles from this album, and has made it onto Grand Theft Auto V, and the TV series Mind Hunter. The back beat is a distinctive sign that this album was released during the height of the disco era. Check out the abrupt ending.

Breakdown
The lead singer reminds our group of Lindsey Buckingham. Alan Parsons used a number of session musicians, and this provides a lot of variety in the sound.

MOVIE OR SHOW TUNE:

Star Wars Main Theme
Here's one we all know well. Folks were lining up for the movie Star Wars, and John Williams hit a home run with this instrumental masterpiece.

STAFF PICKS:

Solsbury Hill - Peter Gabriel
This was the first hit off Gabriel's first solo album. While this song is about his leaving Genesis, but Gabriel succeeds in keeping the song positive rather than feeling like he had an axe to grind. Written in 7/4 time.

Rocky's Hot Club - Peter Frampton
This song was inspired by Frampton's dog. Stevie Wonder plays harmonica on this entertaining track. Peter Frampton had done well with "Frampton Comes Alive," and considered himself to have rushed his next album.

Smoke From a Distant Fire - Sanford-Townsend Band
This one-hit wonder reached number 9 on the Billboard chart. These songwriters for Loggins and Messina had written this song a decade before it was released.

Telephone Line - Electric Light Orchestra
Jeff Lynne's ELO was a technological and symphonic delight. ELO's concerts entertained both in their orchestration and in the lighting and special effects they brought to bear.

LAUGH TRACK

Ain't Gonna Bump No More — Joe Tex
This novelty song gives sage (but politically incorrect) advice on who to avoid on the disco floor!

Thanks for listening to “What the Riff?!?”

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Our TOPPODCAST Picks

Follow Us

Stay Connected

Episode Notes

February 1984— The Pretenders— “Learning to Crawl”

ENTERTAINMENT TRACK:

STAFF PICKS:

INSTRUMENTAL OR LAUGH TRACK:

September 1977 — Meat Loaf — “Bat Out of Hell”

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

May 1984 — Stevie Ray Vaughan and Double Trouble — “Couldn’t Stand the Weather”

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK / INSTRUMENTAL:

July 1992 — Dream Theater — “Images and Words”

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

August 1969 — Humble Pie — “As Safe as Yesterday is”

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

October 1973 — “Quadrophenia

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

June 1993 — “Hints, Allegations & Things Left Unsaid” by Collective Soul

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

February 1973 — “Billion Dollar Babies” by Alice Cooper

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

January 1978 — “Champagne Jam” by Atlanta Rhythm Section

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

January 1965 — “Beatles for Sale” by The Beatles

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

September 1991 — “Ten” by Pearl Jam

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

February 1985 — “The Firm” by The Firm

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

“So” by Peter Gabriel

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

“Led Zeppelin III” by Led Zeppelin

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

“Nothing’s Shocking” by Jane’s Addiction

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

“The Cars” by the Cars

ENTERTAINMENT TRACK:

STAFF PICKS:

LAUGH TRACK:

Episode 27 — Christmas Songs that ROCK

JULY of 1981 “Escape” by Journey

ENTERTAINMENT TRACK:

STAFF PICKS:

INSTRUMENTAL / LAUGH TRACK:

APRIL of 1976 “2112” by Rush

ENTERTAINMENT TRACK:

STAFF PICKS:

INSTRUMENTAL / LAUGH TRACK:

JULY of 1982 “Pictures at Eleven” by Robert Plant

ENTERTAINMENT TRACK: