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    History

    Unsung History

    A podcast about people and events in American history you may not know much about. Yet.

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    Copyright: © 2021 Unsung History

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    Latest Episodes:
    "What, to the American slave, is your 4th of July?" Jul 03, 2023
    Show notes

    When Thomas Jefferson wrote in the Declaration of Independence that all men were endowed with the rights of “Life, Liberty and the pursuit of Happiness,” he did not have in mind the rights of the hundreds of human beings he enslaved. But the enslaved population of the United States, and the abolitionists who supported them, like Frederick Douglass and John Brown, adopted the American symbols of revolution and freedom in their own fight for liberty.


    Joining me on this episode to discuss the power of symbols like the flag and Independence Day is historian Dr. Matthew Clavin, Professor of History at the University of Houston and author of Symbols of Freedom: Slavery and Resistance Before the Civil War.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode audio is Frederick Douglass’s speech, “What To the Slave Is the Fourth of July?” originally delivered on July 5, 1852, at Corinthian Hall in Rochester, New York, at a meeting organized by the Rochester Ladies' Anti-Slavery Society, and performed by Chicago actor Anthony C. Brown. The mid-episode music is “Dramatic Atmosphere with Piano and Violin,” by UNIVERSFIELD from Pixabay.


    The episode image is: "Frederick Douglass, the escaped slave, on an English platform, denouncing slaveholders and their religious abettors," 1852, Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library.

    Additional Sources:

    • “July Fourth used to be a protest holiday for enslaved Americans,” by Matt Clavin, The Washington Post, July 3, 2023.
    • “Declaration of Independence: A Transcription,” National Archives.
    • “These are the 56 people who signed the Declaration of Independence,” by Colman Andrews, USA Today, July 3, 2019.
    • “Today in History - July 4: Independence Day” Library of Congress.
    • “Who Wrote the Declaration of Independence?” by Matthew Wills, JSTOR Daily, July 2, 2016.
    • “Letter from John Adams to Abigail Adams, 3 July 1776, ‘Had a Declaration…’ [electronic edition],” Adams Family Papers: An Electronic Archive. Massachusetts Historical Society.
    • “Practical Considerations Founded on the Scriptures: Relative to the Slave Population of South-Carolina,” by Frederick Dalcho, 1823.
    • “'What to the Slave Is the Fourth of July?': The History of Frederick Douglass' Searing Independence Day Oration,” by Olivia B. Waxman, Time Magazine, Originally published July 3, 2019, Updated June 26, 2020.
    • “A Nation's Story: ‘What to the Slave is the Fourth of July?’” Smithsonian National Museum of African American History & Culture.
    • “Frederick Douglass Knew What False Patriotism Was,” by Esau McCaulley, The New York Times, July 3, 2023.
    • “John Brown’s Passionate ‘Declaration of Liberty,’ Written on a Lengthy Scroll,” by Rebecca Onion, Slate: The Vault, December 2, 2013.
    • “The Harpers Ferry 'Rising' That Hastened Civil War,” WBEZ Chicago, October 22, 2011.
    • “John Brown’s raid on Harpers Ferry,” History.com, Originally published November 13, 2009, Updated October 14, 2020.



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    1970 Hijackings by the Popular Front for the Liberation of Palestine Jun 26, 2023
    Show notes

    In September 1970, commandos from the Popular Front for the Liberation of Palestine (PFLP) hijacked five planes, landing three of them near Zarqua, Jordan, at a remote desert airstrip called Dawson’s Field, which the commandos renamed Revolution Airport. While they held hundreds of passengers and flight crew hostage in the desert, the PFLP issued their demands for release of Palestinian militants who were imprisoned in Europe.


    Joining me on this episode to help us understand more is American historian Prof. Martha Hodes, who was a 12-year-old passenger on one of the planes, flying with her 13-year-old sister, Catherine. Dr. Hodes is Professor of History at New York University and the author of My Hijacking: A Personal History of Forgetting and Remembering.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Calm Piano Dramatic” by AleXZavesa and is available for use via Pixabay. The episode image is “Pan Am Boeing 747-121 N736PA,” by Rob Russell, CC BY 2.0.

    Additional Sources:

    • “History of the Question of Palestine,” United Nations.
    • “Creation of Israel, 1948,” Office of the Historian, U.S. Department of State.
    • “Popular Front for the Liberation of Palestine (PFLP),” BBC, November 18, 2014.
    • “Skyjackings: What's Being Done And How Passengers React,” by John Brannon Albright, The New York Times, June 21, 1970.
    • “A Brief History of Airplane Hijackings, From the Cold War to D.B. Cooper,” by Janet Bednarek, The Conversation, Smithsonian Magazine, July 18, 2022.
    • “Leila Khaled freed after US pressure,” The Guardian, January 1, 2001.
    • “An Infamous Hijacking, Revisited Through a Child’s Eyes,” by Jennifer Schuessler, The New York Times, June 1, 2023.
    • “1970 Hijackings,” PBS American Experience.
    • “Terror in Black September: The First Eyewitness Account of the Infamous 1970 Hijackings,” by David Raab, Palgrave Macmillan, September 4, 2007.

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    W. E. B. Du Bois & African American Contributions to World War I Jun 19, 2023
    Show notes

    Over 350,000 African American men joined the United States military during World War I, serving valiantly despite discrimination and slander. Historian and civil rights activist W. E. B. Du Bois had hoped that their patriotism would help them gain respect and equality, but after the war it was quickly evident that would not be the case. Du Bois spent the next several decades attempting to tell the full story of Black soldiers in the Great War, but despite a vast archive of materials entrusted to him and his own towering intellect, Du Bois was never able to craft a coherent narrative of their participation.


    Joining me in this episode to discuss Du Bois and his relationship with World War I is Dr. Chad L. WIlliams, the Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University, and the author of The Wounded World: W. E. B. Du Bois and the First World War.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “All Of No Man's Land Is Ours,” written by James Europe and Noble Sissle, with vocals by Noble Sissle; the song was recorded around March 14, 1919 and is in the public domain and available via Wikimedia Commons. The episode image is “The famous 369th arrive in New York City,” photographed by Paul Thompson on February 26, 1919; the image is in the public domain and is available via the National Archives (National Archives Identifier: 26431290; Local Identifier: 165-WW-127A-12).

    Additional Sources:

    • “W.E.B. Du Bois,” NAACP.
    • "Du Bois, W. E. B.," by Thomas C. Holt, African American National Biography. Ed. Henry Louis Gates Jr. and Evelyn Brooks Higginbotham. New York: Oxford UP, 2008.
    • "W. E. B. Du Bois in Georgia," by Derrick Alridge, New Georgia Encyclopedia, last modified Jul 21, 2020.
    • “Niagara Movement,” History.com, Originally posted December 2, 2009 and updated February 24, 2021.
    • “U.S. Entry into World War I, 1917,” Office of the Historian, Foreign Service Institute, United States Department of State.
    • “The African Roots of War,” by W. E. B. Du Bois, The Atlantic, May 1915.
    • “Why Frederick Douglass Wanted Black Men to Fight in the Civil War,” by Farrell Evans, History.com, Originally posted February 8, 2021 and updated November 22, 2022.
    • “Patriotism Despite Segregation: African-American Participation During World War I,” The Delaware Division of Historical and Cultural Affairs.
    • “African Americans in the Military during World War I,” National Archives.
    • “The 93rd Division During the Meuse-Argonne Offensive,” Pritzker Military Museum & Library.
    • “African-American Soldiers in World War I: The 92nd and 93rd Divisions,” EdSiteMent, The National Endowment for the Humanities
    • “W. E. B. Du Bois, World War I, and the Question of Failure,” by Chad Williams, Black Perspectives, February 19, 2018.



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    The Internment of Japanese Americans during World War II & the Role of Attorneys at the Relocation Centers Jun 12, 2023
    Show notes

    During World War II, over 120,000 Japanese Americans, most of whom were US citizens, were forcibly removed from their homes in California, Washington, and Oregon, and imprisoned in relocation centers, small towns surrounded by barbed wire and armed guards. The War Relocation Authority, the government agency created by FDR that oversaw the mass relocation and internment, appointed a project attorney for each of the 10 camps. These white attorneys served the conflicted position of both advising the project director and running a legal aid for the Japanese American prisoners.


    Joining me in this episode is legal historian Eric L. Muller, the Dan K. Moore Distinguished Professor of Law in Jurisprudence and Ethics at the University of North Carolina School of Law and author of Lawyer, Jailer, Ally, Foe: Complicity and Conscience in America's World War II Concentration Camps.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Longing for Japan,” by srento, licensed for use via Pond5. The episode image is “Lone Pine, Calif. Apr. 1942. Evacuees of Japanese ancestry arriving by train and awaiting buses for Manzanar, a War Relocation Authority center,” by Clem Albers, from April 1, 1942; the photograph is housed in the Library of Congress Prints and Photographs Division (Reproduction Number: LC-DIG-ppmsca-73157), with no known restrictions on publication.

    Additional Sources:

    • “Japanese American Incarceration During World War II,” DocsTeach, Created by the National Archives.
    • “FDR sets up War Relocation Authority , March 18, 1942,” by Andrew Glass, Politico, March 18, 2018.
    • “How Japanese American Incarceration Was Entangled With Indigenous Dispossession,” by Hana Maruyama, KCET, August 18, 2022.
    • “The Injustice of Japanese-American Internment Camps Resonates Strongly to This Day,” by T. A. Frail, Smithsonian Magazine, January 2017.
    • “She fought the internment of Japanese Americans during World War II and won,” by Lori Aratani, The Washington Post, December 18, 2019.
    • “The dangerous economics of racial resentment during World War II,” by Gwynn Guilford, Quartz, February 13, 2018.
    • “Before people start invoking Japanese American internment, they should remember what it was like,” by Jeff Guo, The Washington Post, November 18, 2015.
    • “Bitter Harvest,” by A. V. Krebs, The Washington Post, February 2, 1992.

    Related Episodes:

    • The US-Born Japanese Americans (Nisei) who Migrated to Japan
    • Patsy Mink



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    Racial Conflict in the U.S. Army During the Vietnam War Era Jun 05, 2023
    Show notes

    In September 1969, African American journalist Wallace Terry reported on “another war being fought in Vietnam — between black and white Americans.” After the 1948 integration of the military, the U.S. Army had tried to be color blind, seeing not Black or white but just olive drab, but by 1970, the Deputy Chief of Staff for Personnel, Gen. Walter T. Kerwin, noted: “In the past year racial discord has surfaced as one of the most serious problems facing Army leadership.” So in the midst of fighting a deeply unpopular overseas war, the military also created the Defense Race Relations Institute (DRRI) and developed mandated race relations training.


    Joining me to discuss race relations in the U.S. Army during the Vietnam War era is Dr. Beth Bailey, a Foundation Distinguished Professor in the Department of History at the University of Kansas and Author of An Army Afire: How the US Army Confronted Its Racial Crisis in the Vietnam Era.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Old Soul Record” by Musictown from Pixabay and is free to use through the Pixabay license. The episode image is “Photograph of Specialist 4th Class McClanton Miller Kneeling in Dense Brush Waiting for Orders to Move Forward;” picture was taken January 23, 1966 and is available via the U.S. National Archives and Records Administration (NAID: 17331387; Local ID: 111-CC-33199) with no restrictions on use.

    Additional sources:

    • “Vietnam War Timeline,” History.com, Published September 13, 2017 and Updated March 29, 2023.
    • “Ho Chi Minh,” PBS American Experience.
    • “Foreign Relations Of The United States, 1952–1954, Indochina, Volume XIII, Part 1,” Office of the Historian, Foreign Service Institute, United States Department of State.
    • “Tonkin Gulf Resolution (1964),” National Archives and Records Administration.
    • “Vietnam Lotteries,” Selective Service System.
    • “Resistance to the Vietnam War,” by Jessica McBirney, Common Lit, 2016.
    • “The Draft,” Vietnam Veterans Memorial Fund.
    • “Vietnam War Protests,” History.com, Published February 22, 2010 and Updates November 1, 2022.
    • “The Forgotten History Of A Prison Uprising In Vietnam,” by Sarah Kramer, NPR All Things Considered, August 29, 2018.
    • “History,” Defense Equal Opportunity Management Institute.
    • “Black and White in Vietnam,” by Gerald F. Goodwin, The New York Times, July 18, 2017.
    • “Training for Vietnam, fighting for civil rights: Post an island of relative calm in a turbulent sea,” by Christine Schweickert, U.S. Army, May 14, 2015.
    • “As we rethink the Vietnam War, we have to grapple with its racial implications,” by Hannah Gurman, The Washington Post, October 6, 2017.
    • “African-American struggle for equality in Army during Vietnam still instructive,” by David Vergun, U.S. Army, February 25, 2014.
    • “The military provides a model for how institutions can address racism,” by Margaret B. Montgomery, The Washington Post, June 23, 2020.
    • “Serving without 'equal opportunity': Vietnam veterans faced racism at home and abroad,” by Erica Thompson, The Columbus Dispatch, Published December 3, 2020 and Updated December 9, 2020.
    • “War within war,” by James Maycock, The Guardian, September 14, 2001.
    • “Reflections On The Curse Of Racism In The U.S. Military,” by David Barno and Nora Bensahel, War on the Rocks, June 30, 2020.



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    Black Soldiers & their Families in the Civil War May 29, 2023
    Show notes

    As soon as the first shots of the Civil War were fired at Fort Sumter, free Black men in the North rushed to enlist, but they were turned away, as President Lincoln worried that arming Black soldiers would lead to secession by the border states. With the 1863 Emancipation Proclamation and the dire need for more recruits to the Union Army, Black soldiers were formally welcomed into the armed forces, eventually comprising 10% of the Union Army. It wasn’t just the Black soldiers who fought and sacrificed for their country, though, it was also their families they left behind as they marched off to war.


    Joining me in this episode s Dr. Holly A. Pinheiro, Jr., Assistant Professor of African American History at Furman University and author of The Families’ Civil War: Black Soldiers and the Fight for Racial Justice.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Battle Cry of Freedom,” written in 1862 by American composer George Frederick Root to support Lincoln’s 1862 call for 300,000 volunteers for the Union Army; this version was performed by Harlan and Stanley in 1907 and is in the public domain and available via the Internet Archive. The episode image is “Unidentified African American soldier in Union uniform with wife and two daughters,” photograph created between 1863 and 1865, available via the Library of Congress with no known restrictions on publication.

    Additional sources:

    • “A Call to Remember the 200,000 Black Troops Who Helped Save the Union,” by Christine Hause, The New York Times, February 26, 2022.
    • “Remembering the Significant Role of the U.S. Colored Troops in America’s History,” Wounded Warrior Project.
    • “Black Americans in the U.S. Army,” U.S. Army.
    • “Black Soldiers in the U.S. Military During the Civil War,” National Archives.
    • “African-American Soldiers During the Civil War,” Library of Congress.
    • “Historical Context: Black Soldiers in the Civil War,” by Steven Mintz, The Gilder Lehrman Institute of American History.
    • “Black Civil War Soldiers,” History.com, Originally posted April 14, 2010; updated November 22, 2022.
    • “Appeal, in Four Articles; Together with a Preamble, to the Coloured Citizens of the World, but in Particular, and Very Expressly, to Those of the United States of America,” by David Walker, Boston, Massachusetts, September 28, 1829.
    • “War Declared: States Secede from the Union!” National Park Service.
    • “Civil War Begins,” United States Senate.
    • “Black Women, the Civil War, and United States Colored Troops,” by Holly Pinheiro, Black Perspectives, July 20, 2021.

    Related episodes:

    • Susie King Taylor (Episode 3)
    • Mary Ann Shadd Cary (Episode 33)
    • The Abolition Movement of the 1830s (Episode 45)



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    The Oneida Perfectionist Religious Community May 22, 2023
    Show notes

    In 1848, a group of religious perfectionists, led by John Humphrey Noyes, established a commune in Oneida, New York, where they lived and worked together. Women in the community had certain freedoms compared to the outside world, in both dress and occupation. What captured the attention of the outside world, though, were the sexual practices of the Oneidans, who believed in complex marriage where every man and every woman in the community were married to each other and where birth control was achieved via male continence.


    Joining me to discuss the Oneida community, and its most infamous resident, presidential assassin Charles Guiteau, is New York Times bestselling writer Susan Wels, author of An Assassin in Utopia: The True Story of a Nineteenth-Century Sex Cult and a President's Murder.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode Music is “Walk Together (Acoustic Piano and Guitar Version)” by Olexy from Pixabay. The episode image is “Oneida Community,” photograph taken between 1860 and 1880; image is in the Public Domain and available via the Library of Congress.

    Additional sources:

    • “The First Great Awakening.” by Christine Leigh Heyrman, Divining America, TeacherServe©, National Humanities Center.
    • “Great Awakening,” History.com, Originally posted March 7, 2018, Updated September 20, 2019.
    • “Religious Transformation and the Second Great Awakening,” USHistory.org.
    • “Religion and the Founding of the American Republic: Religion and the New Republic,” Library of Congress.
    • “The Second Great Awakening,” by Isaiah Dicker, Guided History: History Research Guides by Boston University Students.
    • “‘My Heart Was So Full of Love That It Overflowed’: Charles Grandison Finney Experiences Conversion,” History Matters: The U.S. Survey Course on the Web.
    • “People & Ideas: Charles Finney,” God in America, PBS.
    • “The Utopia of Sharing in Oneida, N.Y.”by Beth Quinn Barnard, The New York Times, August 3, 2007.
    • “The Rich, Sexy History Of Oneida — Commune And Silverware Maker,” WBUR, May 20, 2016.
    • “Oneida Community (1848-1880): A Utopian Community,” Social Welfare History Project (June 2017), Virginia Commonwealth University.
    • “Oneida Community Collection,” Syracuse University.
    • Oneida Mansion House.



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    The Diversity Visa Lottery May 15, 2023
    Show notes

    In the 1980s undocumented Irish immigrants convinced United States lawmakers to create a program that would provide a path to citizenship for individuals without family connections in the United States. That program eventually became the Diversity Visa Lottery, established as part of the Immigration Act of 1990. Despite the program’s roots in demand from Irish immigrants, the majority of the recipients of diversity visas have been awarded to immigrants from Africa, with more than 480,000 individuals and their families immigrating to the United States from Africa between 1995 and 2022 via the Diversity Visa Program.


    Joining me this week for a deep dive into the diversity visa lottery, and its impact on West African countries, is historian Dr. Carly Goodman, Senior Editor at the Washington Posts’s Made by History and author of Dreamland: America’s Immigration Lottery in an Age of Restriction.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music “Melancholic Afrobeat” by artbybigvee from Pixabay and is available in the public domain. The episode image is “Loterie Americaine visa services in French and English in Yaoundé, Cameroon, 2015,” and is used by permission of the photographer, Carly Goodman.

    Additional sources:

    • “Find out if you are eligible for the Diversity Visa (DV) Lottery and how to register,” USA.gov.
    • “Immigration History Timeline,” Immigration History.
    • “Fifty Years On, the 1965 Immigration and Nationality Act Continues to Reshape the United States,” by Muzaffar Chishti, Faye Hipsman, and Isabel Ball, Migration Policy Institute, October 15, 2015.
    • “Immigration and Nationality Act of 1965 – Civil Rights Movement Era,” The Asian American Education Project.
    • “European Immigrants in the United States,” by Elijah Alperin and Jeanne Batalova, Migration Policy Institute, August 1, 2018.
    • “1986: Immigration Reform and Control Act of 1986,” Library of Congress.
    • “Diversity visa lottery, criticized after New York terrorist attack, was invented to help the Irish,” by Michael E. Miller, The Washington Post, November 1, 2017.
    • “The ‘Diversity’ Green Card Lottery Was Originally for White Immigrants,” by Becky Little, History.com, Originally posted November 2, 2017; Updated March 9, 2019.
    • “U.S. Lottery will award 20,000 visas in 1989-90,” by Karlyn Barker, The Washington Post, March 2, 1989.
    • “While Immigration Reform Waits, Lottery Fills the Void,” by Lisa Wormwood, Special to The Christian Science Monitor, April 13, 1989.
    • “Fact Sheet: Temporary Protected Status (TPS),” National Immigration Forum, updated February 1, 2023.
    • “Temporary Protected Status,” U.S. Department of Justice.
    • “Family Reunification Is the Bedrock of U.S. Immigration Policy,” by Philip E. Wolgin, The Center for American Progress, February 12, 2018.
    • “What is the Diversity Visa Program?” FWD.us, September 14, 2022.



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    Women & the Law in Revolutionary America May 08, 2023
    Show notes

    Despite a plea from Abigail Adams to her husband to “Remember the Ladies,” women, especially married women, didn’t have many legal rights in the Early Republic. Even so, women used existing legal structures to advocate for themselves and their children, leaning on their dependent status and the obligations of their husbands and the state to provide for them.


    I’m joined this week by Dr. ​​Jacqueline Beatty, Assistant Professor of History at York College of Pennsylvania, and author of In Dependence: Women and the Patriarchal State in Revolutionary America.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Chester,” composed by William Billings in 1778, performed by the United States Marine Corps Band in 2014; the recording is in the public domain and is available via Wikimedia Commons. The episode image is: ”A New England kitchen. A hundred years ago,” by H. W. Peirce, ca. 1876, via the Library of Congress.

    Additional Sources:

    • “When Women Lost the Vote,” Museum of the American Revolution.
    • “Lydia Chapin Taft – New England’s First Woman Voter,” New England Historical Society.
    • “Letter from Abigail Adams to John Adams, 31 March - 5 April 1776 [electronic edition],”. Adams Family Papers: An Electronic Archive, Massachusetts Historical Society.
    • “Letter from John Adams to Abigail Adams, 14 April 1776 [electronic edition],” Adams Family Papers: An Electronic Archive, Massachusetts Historical Society.
    • “On the Trail of America’s First Women to Vote,” by Jennifer Schuessler, The New York Times; Published Feb. 24, 2020, Updated Aug. 7, 2020.
    • “Coverture: The Word You Probably Don't Know But Should,” National Women’s History Museum, September 4, 2012.
    • “Boston: A City Steeped in U.S. History,” History.com; Published March 7, 2019, Updated March 13, 2019.
    • “Massachusetts Constitution and the Abolition of Slavery,” The Commonwealth of Massachusetts.
    • “Philadelphia: Colonial City to Modern Metropolis [video],” Penn Museum, July 6, 2018.
    • “An Act for the Gradual Abolition of Slavery - March 1, 1780,” Pennsylvania Historical and Museum Commission.
    • “Historic Overview,” Explore Charleston.
    • “How Slavery Built Charleston,” by Brentin Mock, Bloomberg, July 20, 2015.



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    Project Confrontation: The Birmingham Campaign of 1963 May 01, 2023
    Show notes

    In 1963, on the heels of a failed desegregation campaign in Albany, Georgia, Martin Luther King., Jr., and the Southern Christian Leadership Conference decided to take a stand for Civil Rights in “the Most Segregated City in America,” Birmingham, Alabama. In Project Confrontation, the plan was to escalate, and escalate, and escalate. And escalate they did, until even President John F. Kennedy couldn’t look away.


    Joining me to help us learn more about the Birmingham campaign is journalist Paul Kix, author of You Have to Be Prepared to Die Before You Can Begin to Live: Ten Weeks in Birmingham That Changed America.


    Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “An Inspired Morning” by PianoAmor via Pixabay. The episode image is “Civil rights leaders left to right Fred Shuttlesworth and Martin Luther King, Jr., at a press conference during the Birmingham Campaign,” in Birmingham, Alabama, on May 16, 1963, by photographer M.S. Trikosko, and available via the Library of Congress.

    Additional Sources and References:

    • “Albany Movement,” King Encyclopedia, The Martin Luther King, Jr. Research and Education Institute, Stanford University.
    • “The Student Nonviolent Coordinating Committee (SNCC),” National Archives.
    • “The Birmingham Campaign,” PBS.
    • “Reverend Fred Shuttlesworth (1922-2011),” National Park Service.
    • “Opinion: Harry Belafonte and the Birmingham protests that changed America,” by Paul Kix, Los Angeles Times, April 27, 2023.
    • "Letter from a Birmingham Jail," by Martin Luther King, Jr., April 16, 1963, Posted on the University of Pennsylvania African Studies Center website.
    • “The Children’s Crusade: When the Youth of Birmingham Marched for Justice,” by Alexis Clark, History.com, October 14, 2020.
    • “Televised Address to the Nation on Civil Rights by President John F. Kennedy [video],” John F. Kennedy Presidential Library and Museum.
    • Carry Me Home: Birmingham, Alabama: The Climactic Battle of the Civil Rights Revolution by Diane McWhorter, Simon & Schuster, 2013.
    • Parting the Waters: America in the King Years 1954-63 by Taylor Branch, Simon & Schuster, 1989.
    • Pillar of Fire: America in the King Years 1963-65 by Taylor Branch, Simon & Schuster, 1999.
    • At Canaan's Edge: America in the King Years, 1965-68 by Taylor Branch, Simon & Schuster, 2007.
    • Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference by David Garrow, William Morrow & Company, 2004.



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