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    Music

    TrueFire Live: Guitar Lessons + Q&As

    Discover TrueFire Live: The Ultimate Guitar Podcast

    Join us on TrueFire Live, where top guitarists and educators share their expertise on a wide range of educational topics across all guitar styles and skill levels. Each episode features in-depth discussions, Q&A sessions, and exclusive live performances. Hosted by TrueFire’s founder and recorded live at the TrueFire Studio, this podcast is a must-listen for serious guitar players looking to elevate their skills and knowledge. Tune in and take your guitar playing to the next level with TrueFire Live.

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    Copyright: © Copyright TrueFire - Guitar Lessons

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    Latest Episodes:
    Mimi Fox - Jazz Guitar Courses, Performances, & Interview May 21, 2020
    Show notes

    Mimi Fox discusses her jazz guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.
    About Mimi: Internationally renowned guitarist, composer and recording artist Mimi Fox has been named a winner in 6 consecutive Downbeat Magazine international critic's polls and has been recognized by writers and colleagues alike as one of the most eloquent jazz guitarists on today's scene. In one of many feature stories, Guitar Player Magazine hailed Mimi as "a prodigious talent who has not only mastered the traditional forms but has managed to reinvigorate them."
    Mimi has performed/recorded with some of jazz's most commanding players, including fellow guitarists Charlie Byrd, Stanley Jordan, Charlie Hunter, and Mundell Lowe, Grammy-nominated saxophonists Branford Marsalis, David Sanchez and Houston Person and the late Don Lanphere, vocalists Abbey Lincoln, Diana Krall, Kevin Mahogany and Janis Siegel (Manhattan Transfer), B3 organ masters Barbara Denerlein and Dr. Lonnie Smith, and powerhouse drummer Terri Lyne Carrington. She has also performed outside of the jazz world with legends Stevie Wonder and John Sebastian and with Patty Larkin's Vanguard Records-produced La Guitara project.


    Jason Loughlin - Surf Guitar Lessons, Performances, & Interview May 20, 2020
    Show notes

    Jason Loughlin discusses his surf guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.
    About Jason: Jason Loughlin's creative guitar playing has supported artists such as Emmylou Harris, Steve Earle, Mary Chapin Carpenter, Amos Lee, Sam Outlaw, Brandi Carlile, Rachael Yamagata, The Secret Sisters, Valerie June, Keb Mo, Jennifer Nettles, Brent Cobb, Shannon McNally, Jack Ingram, Marshall Crenshaw, Dale Watson, Jim Heath, Nellie McKay, Lesley Gore, The Sweetback Sisters, James Burton and Mike Viola. In 2011, Jason released his debut album Peach Crate which was met with critical acclaim.
    "We hear an instrumentalist of great range, taste and joy."-Downbeat Magazine
    Uncannily well-constructed launching pads for great picking. A great guitar album that could easily sit alongside those of his inspirations.-Vintage Guitar Magazine
    Currently, Jason lives in Brooklyn, NY where he performs with his bands The String Gliders and Aquarium Solarium, teaches and produces records.


    Peter Mazza - Harmonic Supernova for Jazz Guitar May 19, 2020
    Show notes

    Peter Mazza discusses his harmonic jazz guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.
    About Peter: Peter Mazza is an exciting jazz guitarist recognized for his creative and virtuoso interpretations of jazz standards as well as his passionate and thoughtful compositions. Blending clean and fluent lines with colorful chord voicings and driving pulse, he creates imaginative ensemble arrangements as well as lush solo guitar pieces.
    Born and raised in New York City, he attended La Guardia High School of Music and the Arts, then went on to obtain a Bachelor of Music from the Manhattan School of Music and a Masters from The Juilliard School (his Masters on a full scholarship). He studied under guitarists- Allen Hanlon, Fred Fried, Jack Wilkins, Rodney Jones, Dennis Koster.
    His performing career began while still in school when he earned the leader’s role at a four-night-a week jam session at Augie's Jazz Bar, now called Smoke. He played there with Brad Mehldau, Roy Hargrove, Joel Frahm, Chris Potter, Donny McCaslin, Uri Cane, Christian McBride, Larry Grenadier, Dwayne Burno, Greg Hutchinson, Jeff Ballard and many others.
    Peter went on to gain acceptance to the prestigious Thelonius Monk Jazz Competition, where he was ranked semifinalist.
    He has performed guitar duos in NYC with Jonathan Kreisberg, Mike Moreno, Freddie Bryant, Pete Bernstein, Paul Bollenback, Kurt Rosenwinkel, Jack Wilkins, Gene Bertoncini, Barry Greene and many more.
    His groups have been featured at jazz venues such as Dizzy’s Club, Birdland, The Knitting Factory and the Cornelia Street Café and as part of special events held at the United Nations, Rainbow Room, Rialto Room, The Allen Room, The River Club, The Yacht Club, Tribeca Grill, Le Bernadin, Brigewater's, Saks Fifth Avenue, Bloomingdale's.
    12 years ago, Peter began a Sunday night trio residency at The Bar Next Door at La Lanterna that is still vital today. His trio has featured Hendrik Meurkens, Will Vinson, John Ellis, Donny McCaslin, Jon Irabagon, Patrick Cornelius, Jacam Manricks, Etienne Charles, Itai Kriss, Matt Penman, Matt Clohesy, Hans Glawischnig, Marco Panascia, Ben Williams, Haggai Cohen-Milo, Brian Charette, Ari Hoenig, Bruce Cox and many more.
    Over the course of his steady-Sunday-night, Peter has favored the use of 2 different instrumentations that have complimented intimate size of the BND and the club’s exclusive trio format. Those trios boldly explore texture and rhythm without the presence of drums. They include a guitar with bass and horn group, then a guitar with keys and bass group. His current trio with Misha Tsiganov on piano and Thomson Kneeland on Bass just recorded a debut release called “Circles and Lines" on Peter’s own Urban Flower Records.
    After successfully launching his residency-gig, early on Peter helped implement a 7-night-a-week schedule of jazz music at the Bar Next Door at La Lanterna that has featured an outstanding and diverse array of guitar and saxophone-led trios, from some of New York’s most seasoned musicians, to some of its most exciting new talent. In an effort to continue to expand the club’s offerings as its Musical Director, 3 years ago he designed and implemented an Emerging Artist Series that has featured the best college-aged musicians playing early sets that occur on 4 nights of every week.
    Peter has been invited to perform and guest speak at New York University, The Manhattan School of Music and at the Peabody Institute. In his presentations he discusses how he initiated jazz nights at various restaurants and bars throughout the city and how that effort culminated in the conversion of the BND from a restaurant with jazz into a notable full-on listening venue. He advises students on creative and professional ways to assimilate into the New York Jazz Club scene, particularly into the Emerging Artist Series.
    Peter has taught jazz guitar for over 20 years. He held long affiliations with The American Institute of Guitar/International Studio of Music, The National Guitar Workshop and The New School while retaining his active private studio. He has been featured in the pages of Just Jazz Guitar and Jazz Inside magazines where he has discussed his approach to arranging, writing and practicing.
    His solo guitar video of “Somewhere Over the Rainbow" on You Tube posses over 120,000 views.
    His first CD was in 2007, called Through My Eyes on the Japanese label Late Set Records. The disc presented 8 original compositions and 2 original arrangements. While the pieces drew from jazz, classical, rock, funk and ambient music, the evocative and personal nature of the music fused them. The release was supported with 2 tours of Japan.
    Peter’s most current CD - “Circles and Lines" is scheduled for release in October of 2014. He has a solo guitar recording “Blues for the Ineffable" is scheduled for release in 2015.
    Though Peter is well seasoned with his own clear and distinctive style, he remains one of the jazz guitar world’s best-kept secrets.


    Redd Volkaert - Redd Hot Guitar Licks May 18, 2020
    Show notes

    Redd Volkaert discusses his electric guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.
    About Redd: Born in Canada, Redd Volkaert began guitar at age ten. After many club gigs and traveling around Canada, he moved to the U.S. He spent time in California and Nashville, but eventually found his home in Austin, Texas.
    Redd is best known to country audiences as the lead guitarist for Merle Haggard's band The Strangers since 1997. He launched his solo career with the album Telewacker in the late 90’s and is known as one of the great masters of the Telecaster.


    Corey Congilio - Bar Room Grooves Guitar Lessons, Performances, & Interview Feb 22, 2020
    Show notes

    Corey Congilio discusses his bar room blues guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.
    About Corey Congilio: Since picking up the guitar at age thirteen, Corey Congilio has been steadily forming a solid musical foundation built upon honesty, integrity and respect for his art form. Born and raised in Phillipsburg, New Jersey, Corey was exposed to music from his father, mother and guitar playing uncles. This exposure to music of all types at an early age, helped to lay a foundation of passion, versatility and appreciation of what music is, where it comes from, and what it should be.
    Realizing at an early age that music and the guitar would be his life’s focus, Corey moved to Pittsburgh, PA to attend the Art Institute Of Pittsburgh. There, Corey studied audio engineering but, didn’t get into music production officially until a few years after graduation. In the late 1990’s Pittsburgh had a vibrant music scene rich with blues, R&B, and original Rock. Corey shot up through the ranks by hanging out with the city’s best players who helped in honing his skills and overall musical maturity.
    In 2005, Corey produced his first EP for a local country artist and his love of the studio began to blossom. Corey became an in demand session player in Pittsburgh and began to produce projects for singer-songwriters. His projects ran the gamut of styles that showed off his ability on instruments other than the guitar.
    Over a 10-year period as an instructor, Corey has taught hundreds of students ranging in age, from six to eighty years old. A decade’s worth of guitar instruction helped to connect Corey to the world’s leader in online guitar instruction, TrueFire. Corey released his first official TrueFire course entitled, 50 Texas Blues Licks You Must Know, in 2011 and his fate as a worldwide guitar instructor was sealed. Since the launch of 50 Texas Blues, Corey continues to release top selling courses of all ability ranges through TrueFire.
    His passion for teaching and presenting lends itself to the world of musical instrument demonstration as well. Since 2014, Corey has been an artist clinician for the most iconic acoustic guitar maker in the world, C.F.Martin Guitar & Co.
    Corey moved to Nashville in 2013 and has quickly become a part of the town’s rich music community. Since moving to Nashville, he continues to broaden his musical horizons by performing with artists of all genres and participating in multiple recording sessions for songwriters and television.
    Corey’s latest EP “Well Suited” was released in 2016 and he is currently writing and recording more music for a future project.


    Brooks Robertson - Finger Picking Guitar Lessons, Performances, & Interview Feb 20, 2020
    Show notes

    Brooks Robertson discusses his finger picking guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.
    About Brooks Robertson: Brooks Robertson just doesn't need much more than two thumbs, eight fingers and six strings on a wooden box to carry his listeners away.
    Hailed by prominent exponents of his instrument like Nokie Edwards, Thom Bresh, John Jorgenson and Mason Williams, the young fingerstyle guitarist embodies the creative vision of a postmodern world: It's the music that counts. Brooks utilizes his superb technical abilities to play bass, rhythm and melody simultaneously and surpass the borders of conventional genres. He merges hauntingly beautiful compositions, country rhythms and jazzy harmonies with funky licks into his very own art form – sometimes delivered with a punch, sometimes with a smile.
    Brooks was born in Eugene, Oregon in 1989. Seeing Buster B. Jones perform at a festival near his home town became a life-changing experience for the kid from the sticks. Just eleven years old, he was immediately inclined to pick up the guitar. Soon, the world renowned fingerstyle virtuoso and instructor dedicated his spare time to introducing his new fan into the secrets of the fretboard, and after six months of lessons the natural talent performed his first show with his mentor.
    When Buster B. Jones took him under his wings, Brooks began playing high-profile gigs such as the Nokie Edwards Festival, the NAMM Show in Anaheim, the Montreal Jazz Festival or the Walnut Valley Festival in Winfield among others. By the time he was a teenager he had become the youngest endorsee of Godin Guitars and traveled to several states and foreign countries to perform.
    Brooks went on to play on Garrison Keillor's National Public Radio classic "A Prairie Home Companion" in 2004, where he won first place in a talent competition for 12 to 20 year old participants.In recent years, while still appearing regularly at prestigious events like the Chet Atkins Appreciation Society (CAAS) Convention in Nashville, Brooks focussed on perfecting his craft, soaking up new tunes and styles and techniques as well as blending them into his own groovy and soulful original music. He entered the "Yamaha Six String Theory Guitar Competition", which drew participants from more than 40 countries all over the world. Brooks was invited to perform in the finals at the Broad Stage in Los Angeles in March 2010. A star-studded jury, including Steve Lukather and Lee Ritenour, eventually chose him as winner of the country category and second place winner overall.
    Although he is deeply rooted in the powerful tradition of the genre, founded by the likes of Merle Travis, Jerry Reed, Thom Bresh and Buster B. Jones, Brooks also draws inspiration from the elegant mastery of the legendary Chet Atkins and other phenomenal players. His own compositions and arrangements have even been compared to fingerstyle jazz champions Lenny Breau and Earl Klugh. Now, as energy and maturity come together, this young man is ready to step out of his mentors' shadows and electrify the world with the sheer acoustic beauty his fingers create, when touching a set of strings.
    "I was completely knocked out with the acoustic guitar virtuosity of Brooks Robertson! Brooks has a very original touch and sound plus monster chops. He's always making great music with his guitar. I'm sure Brooks will be sharing his music with the entire world and have an incredible career." Lee Ritenour (Grammy award winning guitarist )
    "He is slicker than a cat on a greased pole."Nokie Edwards (The Ventures, Rock and Roll Hall of Fame)
    "Brooks Robertson plays like the house is on fire."Thom Bresh (legendary thumbpicker)
    "Brooks Robertson is well-equipped to carry on the legacy of Buster B Jones' powerful and funky guitar style. Any player would be very proud to have such an accomplished guitarist as a protégé. Brooks' personal playing and composing style is equally compelling, as audiences around the world are finding out. The solo guitar's future is in good hands with players like Brooks out there!"John Jorgenson (Elton John, Desert Rose Band, Hellecasters)
    "All guitar players are like Frankensteins. Their music is made out of bits and pieces of other players. In Brooks' case, he's a son of a Frankenchops, the well known monster picker Buster B. Jones. Buster and Brooks are both so scary ... the legend continues."Mason Williams ("Mr. Classical Gas")
    "Brooks Robertson is a superb and exciting guitarist. I love his playing!"Pat Bergeson (Chet Atkins, Jerry Reed, Lyle Lovett, Madeleine Peyroux)
    "Brooks Robertson has one of the very best techniques in fingerstyle guitar. You can hear the influences of Buster B. Jones, Jerry Reed, and all the great fingerpickers past ... and he's writing some fabulous new material. An amazing guitar player who's showing the rest of us how it's done! Nobody whops Brooks Robertson!"Richard Smith (fingerstyle virtuoso)
    "Brooks Robertson's playing is wonderful, rhythmically precise, harmonically complex and melodically compelling. How he controls all three simultaneously, blending them into something musically engaging, is remarkable. He's a gem."Neil Andersson (Pearl Django)


    Fareed Haque - Jazz Guitar Lessons, Performances, Interview Nov 18, 2019
    Show notes

    Fareed Haque discusses his jazz guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.
    About Fareed Haque: Guitar virtuoso and master educator Fareed Haque has worked with Sting, Dizzy Gillespie, Dave Holland, Joe Henderson, Joe Zawinul, Ramsey Lewis, Nigel Kennedy, Bob James, David Sanborn, many symphony orchestras and dozens of other well-known artists. He's performed all of the major guitar concertos and has had numerous modern works dedicated to him. Fareed currently holds an associate professorship in jazz and classical guitar studies at Northern Illinois University, tours extensively with his jam super-group, Garaj Mahal and has released nine recordings as a leader in various configurations.


    Redd Volkaert - Redd Hot Guitar Licks Oct 14, 2019
    Show notes

    Redd Volkaert discusses his country guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.
    About Redd Volkaert: Born in Canada, Redd Volkaert began guitar at age ten. After many club gigs and traveling around Canada, he moved to the U.S. He spent time in California and Nashville, but eventually found his home in Austin, Texas.
    Redd is best known to country audiences as the lead guitarist for Merle Haggard's band The Strangers since 1997. He launched his solo career with the album Telewacker in the late 90’s and is known as one of the great masters of the Telecaster.


    Matt Schofield - Blues Speak: Playing the Changes Sep 24, 2019
    Show notes

    Matt Schofield discusses his blues guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.
    About Matt Schofield: Though he holds a British passport and is an inductee of the British Blues Hall of Fame, Matt Schofield has been making his mark globally as one of the top players in the new class of six string wunderkinds.
    The Los Angeles Daily News wrote, In Schofield, the UK has produced the best Blues guitarist from any country in decades head and shoulders above the herd, while Guitar & Bass Magazine rated him in the top ten British blues guitarists of all time ranking him with icons Eric Clapton and Peter Green.
    Born in the industrial city of Manchester and raised amongst the rolling hills and locked in time Cotswolds, Schofield began playing guitar at the age of 12.
    My dad relocated to America, but before he left he gave me a BB King video. I watched it before school every day; it was three or four tracks from a concert. Later, when I was in California with my father, he showed me BB King with Albert Collins and Stevie Ray Vaughan on video.
    It was like; Ive got to do this. Theres something about the way the three of them were jamming. B.B. really was majestic. As an 11-or 12-year-old watching him, I was mesmerized but didnt think there was any way I could ever do that. It was too special. But when I saw Stevie Ray Vaughan playing with him, I thought maybe I could. Stevie made it seem accessible to people. I taught myself, working my way through my Dads great blues record collection. I did my first gig age 13, and Ive been doing it ever since.
    At age 18 he left the countryside and moved to London. There, as a sideman, he was able to hone his skills as backing a great variety of experienced and well known artists of the British Blues scene, visiting American artists, as well start touring internationally. The introspective, well read (lover of science, history and philosophy) and passionate Schofield said, this enabled me to stay close to my roots while learning my trade and exploring a variety of musical frontiers.
    By age 25 I was starting to explore my own band projects. Although my formative guitar influences are the largely the old school blues players, I never wanted my own music to be constrained by a rigid formula, or even genre. I just want to play Matt Schofield music. Classic Jazz, funk, soul and rock and all the music I love have all found their way into it. The process of writing and singing has become increasingly important to me, and I feel its those other aspects of creativity that helped define my own voice on the guitar. Its always been important to find a context for the guitar to be part of, so that its not just guitar solos for their own sake.
    I remain a music lover first and foremost. The recognition Ive received from both fans and peers is humbling and inspiring, and those pinch me moments where I found myself trading licks with heroes like Robben Ford and Buddy Guy are still the biggest thrill.
    Now after five studio albums and a solid 10 years of touring with my own band, I have definite broader concepts I want to explore. Remaining open to where the music might take me while maintaining the excitement that improvising and collaborating with talented musicians allow, is key to me. My inspiration and goals came from many places: My influences old and new, including musicians I have wanted to collaborate with for years. Things I still feel I hadn't fully realized on previous studio records, and a need to keep pushing myself. It all meets at the place where Im heading now. Im always aiming to go as far as possible to capturing the same connection with the listener that I aim to make at a live show or on record. Thats the goal. Capturing that special moment."
    Matt will release his newest album, a fifteenth anniversary recording with his original organ trio line-up, in 2019.


    Peter Mazza - Harmonic Supernova for Jazz Guitar Sep 19, 2019
    Show notes

    Peter Mazza is an exciting jazz guitarist recognized for his creative and virtuoso interpretations of jazz standards as well as his passionate and thoughtful compositions. Blending clean and fluent lines with colorful chord voicings and driving pulse, he creates imaginative ensemble arrangements as well as lush solo guitar pieces.
    Born and raised in New York City, he attended La Guardia High School of Music and the Arts, then went on to obtain a Bachelor of Music from the Manhattan School of Music and a Masters from The Juilliard School (his Masters on a full scholarship). He studied under guitarists- Allen Hanlon, Fred Fried, Jack Wilkins, Rodney Jones, Dennis Koster.
    His performing career began while still in school when he earned the leader’s role at a four-night-a week jam session at Augie's Jazz Bar, now called Smoke. He played there with Brad Mehldau, Roy Hargrove, Joel Frahm, Chris Potter, Donny McCaslin, Uri Cane, Christian McBride, Larry Grenadier, Dwayne Burno, Greg Hutchinson, Jeff Ballard and many others.
    Peter went on to gain acceptance to the prestigious Thelonius Monk Jazz Competition, where he was ranked semifinalist.
    He has performed guitar duos in NYC with Jonathan Kreisberg, Mike Moreno, Freddie Bryant, Pete Bernstein, Paul Bollenback, Kurt Rosenwinkel, Jack Wilkins, Gene Bertoncini, Barry Greene and many more.
    His groups have been featured at jazz venues such as Dizzy’s Club, Birdland, The Knitting Factory and the Cornelia Street Café and as part of special events held at the United Nations, Rainbow Room, Rialto Room, The Allen Room, The River Club, The Yacht Club, Tribeca Grill, Le Bernadin, Brigewater's, Saks Fifth Avenue, Bloomingdale's.
    12 years ago, Peter began a Sunday night trio residency at The Bar Next Door at La Lanterna that is still vital today. His trio has featured Hendrik Meurkens, Will Vinson, John Ellis, Donny McCaslin, Jon Irabagon, Patrick Cornelius, Jacam Manricks, Etienne Charles, Itai Kriss, Matt Penman, Matt Clohesy, Hans Glawischnig, Marco Panascia, Ben Williams, Haggai Cohen-Milo, Brian Charette, Ari Hoenig, Bruce Cox and many more.
    Over the course of his steady-Sunday-night, Peter has favored the use of 2 different instrumentations that have complimented intimate size of the BND and the club’s exclusive trio format. Those trios boldly explore texture and rhythm without the presence of drums. They include a guitar with bass and horn group, then a guitar with keys and bass group. His current trio with Misha Tsiganov on piano and Thomson Kneeland on Bass just recorded a debut release called “Circles and Lines" on Peter’s own Urban Flower Records.
    After successfully launching his residency-gig, early on Peter helped implement a 7-night-a-week schedule of jazz music at the Bar Next Door at La Lanterna that has featured an outstanding and diverse array of guitar and saxophone-led trios, from some of New York’s most seasoned musicians, to some of its most exciting new talent. In an effort to continue to expand the club’s offerings as its Musical Director, 3 years ago he designed and implemented an Emerging Artist Series that has featured the best college-aged musicians playing early sets that occur on 4 nights of every week.
    Peter has been invited to perform and guest speak at New York University, The Manhattan School of Music and at the Peabody Institute. In his presentations he discusses how he initiated jazz nights at various restaurants and bars throughout the city and how that effort culminated in the conversion of the BND from a restaurant with jazz into a notable full-on listening venue. He advises students on creative and professional ways to assimilate into the New York Jazz Club scene, particularly into the Emerging Artist Series.
    Peter has taught jazz guitar for over 20 years. He held long affiliations with The American Institute of Guitar/International Studio of Music, The National Guitar Workshop and The New School while retaining his active private studio. He has been featured in the pages of Just Jazz Guitar and Jazz Inside magazines where he has discussed his approach to arranging, writing and practicing.
    His solo guitar video of “Somewhere Over the Rainbow" on You Tube posses over 120,000 views.
    His first CD was in 2007, called Through My Eyes on the Japanese label Late Set Records. The disc presented 8 original compositions and 2 original arrangements. While the pieces drew from jazz, classical, rock, funk and ambient music, the evocative and personal nature of the music fused them. The release was supported with 2 tours of Japan.
    Peter’s most current CD - “Circles and Lines" is scheduled for release in October of 2014. He has a solo guitar recording “Blues for the Ineffable" is scheduled for release in 2015.
    Though Peter is well seasoned with his own clear and distinctive style, he remains one of the jazz guitar world’s best-kept secrets


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