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    Music

    Timeline: Vermont Public Classical

    Join Vermont Public Classical host James Stewart on a journey into the events, characters and concepts that shaped our Western musical tradition. We’ll start at the very beginning and trace the steps of music through history. This music, and its history, is ours.

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    Latest Episodes:
    The Arrival Of Opera In France And Jean Baptiste Lully Sep 28, 2015
    Show notes

    Baroque, 1665-1725: Though born the son of a humble miller in Florence, Italy, Jean Baptiste Lully was destined to become the "Father of French Opera." His work and influence took this Italian art form and imbued it with French opulence and pageantry.


    French Composer Francois Couperin Sep 21, 2015
    Show notes

    Baroque, 1668-1733: The Baroque saw many influential musical families as the craft and career of composition and performing was passed from father to son and daughter for generations. One of the greatest dynasties in music was the French family, Couperin. The most influential member of this family was the composer Francois Couperin.


    Alessandro And Domenico Scarlatti Sep 14, 2015
    Show notes

    Baroque, 1660-1757: During the Baroque, several families made their mark in the world of music. In Italy there were few families more influential than the Scarlattis.


    The Life And Works Of Henry Purcell Sep 07, 2015
    Show notes

    Baroque, 1659-1695: The British Isles were in turmoil in the mid-17th century, wracked by civil war, plague and a fire that devastated most of London. By the late 1660s, new hope was found in the reestablishment of the monarchy. It was thought that a new United Kingdom and a new City of London could arise from the ashes of war and fire. It is in this spirit of Restoration that we see the arrival of one of the most influential composers of the Baroque and, arguably, one of the greatest English composers of all time, Henry Purcell.


    Arcangelo Corelli, Giuseppe Torelli And The Development Of The Concerto Aug 31, 2015
    Show notes

    Baroque, 1653-1709: The concerto is a popular genre of instrumental music that was developed during the Baroque. It is characterized by one or more instruments (the concertino) acting as the soloist while other instruments (the ripieno) accompany the principle line. When it is one instrument accompanied by many we called it a “solo concerto." When there are multiple instruments sharing the spotlight we call this a “concerto grosso."


    Giovanni Gabrieli And The Origin Of The Sonata Aug 24, 2015
    Show notes

    Baroque, 1553-1612: The Latin word Cantata means “to sing”, the word Sonata means “to play.” That last title is vague enough to cover a multitude of instrumental genres. Vocal music comes with a built-in structure for the composer to follow.


    The Birth Of Opera Aug 17, 2015
    Show notes

    Baroque, 1589: The word opera literally translates as the word "work;" it's the plural of the noun opus. The dramatic form of opera has its roots deep within the aristocratic culture of early 16th Century Florence, Italy.


    The Doctrine Of Affections And The Baroque Aug 10, 2015
    Show notes

    Baroque, 1576: The aesthetic basis of baroque music, from Monteverdi to J. S. Bach, was greatly influenced by a concept called the doctrine of affections.


    Claudio Monteverdi, Prima Prattica And Seconda Prattica Aug 03, 2015
    Show notes

    Baroque, 1567-1643: There are individuals in music history that stand as pillars, whose life and work help us delineate the various eras of musical practice. One such individual was the Italian composer Claudio Monteverdi, whose work marks the boundary between the renaissance and the baroque.


    Maddalena Casulana, The First Female Composer To Be Printed And Published Jul 27, 2015
    Show notes

    Renaissance, 1540-1583: The Renaissance was a time of re-birth as science and the arts changed the face of culture. However, some old ideas persisted in the midst of this change; especially beliefs about the roles and intellectual capacity of the genders. Even though the Renaissance saw many female heads of state, it was still held as common knowledge that women were inferior to men, physically, mentally and artistically. As a result, we have very few examples of female composers during this period of music history. There is an exception though, the work of Maddalena Casulana.


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