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    History

    The Weird History Podcast

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    Latest Episodes:
    183 Krampus and Friends Dec 16, 2018
    Show notes

    Over the past decade or so the Krampus, a demonic figure from German folklore, has become something of a Christmas staple in the United States. However, the Krampus is by no means the only German Christmas monster. Frau Berchta, Knecht Ruprecht, Belsnickel, and Pere Fouettard have also struck fear into the hearts of children around the holidays.


    182 Atlantropa, the Plan to Drain the Mediterranean Dec 03, 2018
    Show notes

    In the 1920s German architect Herman Sorgel had a plan: Solve nearly all of Europe’s social, economic, and environmental problems by partially draining the Mediterranean. He called the project “Atlantropa,” and it would have been a massive environmental disaster.

    View a 1951 clip outlining the plan (in German) here. Below is an image of Sorgel’s plan for a mssive dam across the strait of Gibraltar, which would have dwarfed even the Three Gorges Dam.


    181 Thanksgiving Mummery Nov 20, 2018
    Show notes

    Thanksgiving, at least in New York City at the end of the 1800s and early 1900s, used to look a lot like Halloween. Traditional trappings like turkey and family gatherings were certainly present, but it was also a day for children (and adults) to dress in costumes, make noise, and go from house to house demanding treats and pennies.


    180 Lucy Bellwood on Sailor Tattoos Nov 04, 2018
    Show notes

    Lucy Bellwood is a cartoonist and author in Portland, Oregon. Last year her illustration of sailor tattoos went viral. We talked about nautical tattoos, their meanings, and what it means to get well-known on the Internet very quickly. We also touched on how one researches and studies history, especially in the context of tattoo myths about James Cook and a book Bellwood recommends, The Discovery of Jeanne Baret.

    Letterpress versions of Bellwood’s print are available here, and regular prints are here.


    179 Buried Alive! Oct 31, 2018
    Show notes

    Being buried alive was one of the most common phobias of the Victorian era. Fear of premature interment in a coffin inspired the creation of the London Association for the Prevention of Premature Burial, an Edgar Allan Poe short story about fear of being buried alive, and safety coffins designed to let in air and light and, in the event of early burial, allow the still-living person contact with the outside world.


    178 Wendigo Oct 23, 2018
    Show notes

    Cannibalism is one of the the most prevalent taboos across human societies, and people who practice cannibalism have frequently been demonized throughout history. The Wendigo, a creature from Algonquin folklore, is one of the most vivid examples of how cannibalism is demonized. The story goes that if someone consumes human flesh, they will become a flesh-eating monster that never truly satiates its desire for human flesh.

    The image below is from Scary Stories to Tell in the Dark, illustrated by Stephen Gammell.


    177 How I Learned to Stop Worrying and Be Okay With Ghost Tours Oct 09, 2018
    Show notes

    Some reflections on giving tours, ghost tours, and how the Philip experiment is kind of like Dungeons and Dragons.


    176 The Cadaver Synod Oct 01, 2018
    Show notes

    In 897 Pope Stephen VI put the corpse of one of his predecessors, Formosus, on trial. The current pope ordered that the former pope’s dead body be dressed in papal finery and put on a throne to stand trial. Stephen VI acted as prosecutor, accusing his predecessor of attempting to have two bishoprics at once and coveting the papacy. The current pope then ordered the Formosus’ body stripped of its finery, the fingers on his right hand be cut off, and his body thrown into the Tiber.

    The painting below, Pope Formosus and Stephen VII, is the work of French artist Jean-Paul Laurens and painted in 1870.


    175 Approved by the Comics Code Authority, Part Two Sep 24, 2018
    Show notes

    From 1954 until 2011 the Comics Code Authority exercised control over what could and couldn’t be in comic books. The first version of the code was one of the most restrictive content regimes U.S. media has ever known, banning subject matter such as sex, drugs, and supernatural elements such as werewolves and vampires. The Code was revised in 1971 and 1989, before slowly fading away after 2001 and then being wholly abandoned by 2011. The Comics Code Authority seal is now, ironically, owned by the Comic Book Legal Defense Fund.


    174 Approved by the Comics Code Authority, Part One Sep 14, 2018
    Show notes

    From 1964 until 2011 comic books were nominally approved by a content regime called the Comics Code Authority. The Authority grew out of anti-comic book sentiment in the early part of the twentieth century. Anti-comics advocates like Fredric Wertham portrayed comic books as filled with crime, sex, and corrupting ideas. In 1954 a senate subcommittee headed by Tennessee senator Estes Kefauver all but put comic books on trial, with Kefauver grilling EC Comics publisher Bill Gaines about the content of then-popular horror comics. The exchange would change comic book publishing forever.


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