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    Arts

    The Theatre Podcast with Alan Seales

    Intimate, personal conversations with the biggest talents from professional theatre, tv, film, and more. Hear their secrets, what makes them laugh, stresses them out, and how they manage the anxiety of success. We feature both stars and creatives such as producers, stage managers, directors, press and marketing agents, or even the people who own the theaters or productions themselves.​

    This is a podcast for artists, made by artists. With over 2 decades of experience in film and theatre both as cast and creative, host Alan Seales speaks with Broadway, TV, film and beyond’s biggest talents to learn more about not only how the world of theatre and performing operate, but also what makes it so real and human. In-depth, personal, behind-the-scenes conversations will highlight special details of the industry that most people may not know exist, will always find out what makes the guests love their craft, what makes them tick, and what truly inspires them.

    Part of the Broadway Podcast Network.

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    Copyright: © The Theatre Podcast / Even Seal Productions

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    Latest Episodes:
    Ep174 - Julia Murney: Baby, The Wild Party, Wicked (plus a surprise interview crash from Andrew Lippa) Nov 23, 2021
    Show notes

    Actress and singer Julia Murney originated the role of Queenie in Andrew Lippa’s Wild Party (earning her first Drama Desk Award nomination), and later became one of the most well known Elphaba’s in both the national tour and Broadway companies of Wicked. Her other New York credits include her 2005 Broadway debut in the musical Lennon, Falling (earning her second drama desk nomination), A Class Act, The Landing, Saved, Crimes of the Heart, Queen of the Mist, and Time and Again (Lucille Lortel nomination). Julia was also seen in the Actors' Fund benefit concerts of Funny Girl, Chess, Hair, and the World AIDS Day Benefit Concert Pippin. She has been featured on television in Sex and the City, Ed, NYPD Blue, 30 Rock, Elementary, Succession, and Madam Secretary, among many others. She can now be seen in the Out of the Box Theatrics production of the Tony nominated musical Baby, which opened November 14th.


    In addition to our wonderful chat with Julia, we had friend Andrew Lippa crash the interview!


    Born and raised in New York City, Julia grew up making up shows in her childhood bedroom, and fell in love with singing after joining the choir in junior high. She shares an inside look at her newest project, a revival of the 1980’s musical Baby, noting the necessity for rewrites, and the beauty of having same sex and interracial couples represented on stage. She opens up about the ups and downs of playing the iconic Elphaba: from the weight of people's expectations to the extraordinary high of finishing the first act with broom in hand, aloft in a cherry picker. Julia also reunites with longtime friend and colleague Andrew Lippa, and together they share memories of their first meeting and the instant kinship they felt.


    In this episode, we talk about:

    • Working with Baby lyricist Richard Maltby
    • The influence of her childhood choir director
    • The fun of community and chosen family in theatre
    • Singing Meadowlark for Stephen Schwartz, accompanied by Andrew Lippa
    • Recognizing a kindred spirit in Andrew Lippa


    Connect with Julia:

    • IG: @pepamama
    • Twitter: @JuliaMurney


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep173 - Aaron Dalla Villa: A classically trained ballet dancer, rapper, singer, and actor Nov 16, 2021
    Show notes

    Actor, dancer, musician and producer Aaron Dalla Villa was most recently seen as the slimy Mordred in the Bay Street Theater production of Camelot. His Off-Broadway credits include Seeing You, and Sleep F$@cking: Revision, while regional theater roles include Mr. Mistoffelees in CATS, Treat in Orphans, and Peter Pan in Peter Pan Workshop (Broadway Asia). His slew of TV credits include Gossip Girl, Girls5Eva, Madam Secretary, Duels, Gotham, On The Verge, and Late Night with Seth Meyers. He can also be seen in numerous films including Alpha Rift, All Those Small Things, Pledge, Trick, and Immortal. Aaron is both a classically trained ballet dancer, and a rapper.


    Growing up in Suffolk, Virginia, Aaron’s affinity for rap and hip hop put him on the path to becoming a trained ballet dancer, and eventually, an actor. He opens up about a creative endeavor which he has only recently begun sharing publicly - writing and producing his own music. He speaks candidly about his journey with therapy, sobriety, and self-reflection, which have all allowed him to stay grounded and focused on his artistic choices and career. Aaron also shares his hopes for inspiring “that little kid in the audience” (who was at one time him), and the beauty of capturing moments, albeit differently, on stage and on screen.


    In this episode, we talk about:

    • A missed opportunity to audition for Billy Elliot on Broadway
    • Why “dance” is under special skills on his resume
    • His drive to be a movie star
    • How he unwinds, recharges, and takes care of himself
    • The importance of consistently showing up
    • Tracing his Italian roots


    Connect with Aaron:

    • IG: @aarondallavilla
    • Twitter: @aarondallavilla


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep172 - Ana Villafańe: Chicago, On Your Feet, Mozart in the Jungle Nov 09, 2021
    Show notes

    Ana Villafañe is an Outer Critics Circle Award, Astaire Awards, and two-time Drama League Award nominated actress and singer best known for originating the role of Gloria Estefan in On Your Feet!, and starring in the hit musical throughout its entire run on Broadway. She was named one of the New York Times 30 Under 30, and has been honored by the National Hispanic Foundation for the Arts for trailblazing Latin representation in entertainment. Her TV credits include Mozart in the Jungle, South Beach, New Amsterdam and Younger, among many others, and she will soon appear as a series regular in the upcoming NBC series Night Court, a sequel to the classic sitcom. Ana is now helping to usher in the return of Broadway starring as Roxie Hart in Chicago, the Broadway classic.


    Ana was a kid with a lot of energy, and performed in her first musical at a regional theater in Miami when she was nine years old. She opens up about being diagnosed with juvenile rheumatoid arthritis when she was 7, being confined to a wheelchair frequently as a result, and how her struggle with the illness growing up shaped her approach to life and her career. Ana recalls finding out about the open call for On Your Feet!, feeling “magnetically drawn” and called to audition, and what a life changing experience the show was for her. She also speaks candidly about embracing her inner dancer, and joining the well-established company of Chicago on Broadway as Roxie Hart.


    In this episode, we talk about:

    • Moving to LA by herself at 18 years old
    • Being an empath
    • Learning the importance of discipline and self-care after burning out
    • Landing the role of Gloria Estefan
    • Being the daughter of immigrants
    • Being on the set of Night Court with John Larroquette


    Connect with Ana:

    • IG: @anavillafaneofficial
    • Twitter: @aanavee


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep171 - Neal Brennan: Unacceptable, 3 Mics, Chappelle's Show Nov 02, 2021
    Show notes

    Neal Brennan is a three time Emmy nominated writer, director, producer and stand up comedian known for co-creating and co-writing the Comedy Central series Chappelle's Show with Dave Chappelle, with whom he also co-wrote the cult classic film Half Baked. He is currently a creative consultant and on air correspondent on Comedy Central's The Daily Show with Trevor Noah, served as executive producer on Chris Rock's latest stand up special Chris Rock: Tambourine, and has performed stand-up on Last Call with Carson Daly, Late Night with Jimmy Fallon, Lopez Tonight, and Conan. Neal’s directing credits include the feature film The Goods starring Jeremy Piven, multiple episodes of Inside Amy Schumer, JAY-Z’s 4:44 documentary series, and Michelle Wolf's recent HBO special Michelle Wolf: Nice Lady, to name a few. His critically acclaimed one man show 3 Mics enjoyed a sold out Off-Broadway run in New York City in 2016, and now he is back for his new show Unacceptable, which has just been extended through November 21st.


    Neal was always funny, and after spending years of grade school weekends traveling to NYC to see his brother perform in comedy clubs, Neal applied and got into NYU to study film. Neal shares how he met Dave Chapelle while working the door of a comedy club, why he dropped out of school, and how he started writing. He chronicles his journey to creating Half Baked, now a cult classic, and how that experience informed how he approached work on later projects like The Chappelle Show. Neal also opens up about his personal genre of theatrical comedy, performed in Off-Broadway houses rather than comedy clubs, and how their vulnerability sets them apart.


    In this episode, we talk about:

    • The trial and error of stand-up comedy
    • Why he didn’t like film school
    • His turbulent childhood
    • Using comedy as a coping mechanism
    • Why he would rather do something sober than drunk


    Connect with Neal:

    • IG: @nealbrennan
    • Twitter: @nealbrennan
    • Web: nealbrennan.com/


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep170 - Megan Hilty: Wicked, Smash, 9 to 5, Desperate Housewives, Ugly Betty - and so many more Oct 26, 2021
    Show notes

    Megan Hilty is a Tony Award nominated actress and singer who may be best known for her portrayal of Glinda in Wicked. Other credits include Broadway’s 9 to 5: The Musical as Doralee Rhodes and Noises Off as Brooke Ashton (which also earned her Tony Award and Drama Desk Award nominations), as well as Annie Get Your Gun and Gentlemen Prefer Blondes at New York City Center. She became a worldwide triple threat known as Ivy Lynn on NBC’s musical drama Smash, with other television credits including Girlfriends’ Guide To Divorce, The Good Wife, BrainDead, Sean Saves the World, Louie, Desperate Housewives, and Ugly Betty among many others. Megan has performed across the globe to sold out houses, including concerts with the New York Pops at Carnegie Hall, the National Symphony Orchestra at the Kennedy Center and the New York Philharmonic at Lincoln Center. She's recorded three albums of her own and is now making her 54/Below debut with a six show series running from November 2-7th.


    Growing up outside Seattle, Washington, Megan was an avid singer and a veteran performer within her local community theater. She chats with us about what first drew her to theater as a child, and what keeps her coming back to the stage even with a successful film and tv career. While in LA with Wicked, Megan recalls realizing the need to diversify her career, and shares how she began her journey into the TV and film world. She reflects on the heartbreak of closing 9 to 5: The Musical, and speaks candidly about leaving NYC, pounding the pavement in LA, and finding herself in an audition room for Smash. Megan also gives us an inside look at her upcoming 54 Below debut, which she calls “a huge pinch me moment”.


    In this episode, we talk about:

    • Almost going the opera singer route
    • Being inspired by Bernadette Peters’ career
    • Landing Wicked in NYC right out of college
    • The reality of the harsh comparisons and criticisms actresses endure
    • Performing with Brian Stokes Mitchell


    Connect with Megan:

    • Get tix to her 54/Below event
    • IG: @meganhilty
    • Twitter: @meganhilty
    • Subscribe to the 54/Below Podcast: bpn.fm/54below


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep169 - Gavin Creel: Hello Dolly!, Thoroughly Modern Millie, I Put A Spell On You: The Sanderson Variant Oct 22, 2021
    Show notes

    Gavin Creel is an actor, singer and songwriter who received a Tony Award for his performance as Cornelius Hackl in Hello, Dolly!, starring Bette Midler and David Hyde Pierce. He made his Broadway debut originating the role of Jimmy Smith in Thoroughly Modern Millie, for which he received his first Tony Award nomination, and has additional Broadway credits that include La Cage aux Folles, She Loves Me, Mary Poppins, Waitress, and Hair, which earned him his second Tony Award nomination. Gavin originated the role of Elder Price in the West End production of Book of Mormon (earning an Olivier Award), and reprised the role on Broadway and the US National Tour. On television he co-starred alongside Julie Andrews in ABC’s Eloise at the Plaza and Eloise at Christmastime, and stars in Ryan Murphy's new spin off American Horror Stories. Next up Gavin can be seen as part of the upcoming Halloween special “I Put A Spell On You: The Sanderson Variant”, which streams on Thursday, October 28th, with all proceeds going to Broadway Cares/Equity Fights AIDS.


    From conservative Ohio, to the lights of Broadway, Gavin is a proud member of the theatre community, but also talks candidly about the mental, physical and emotional toll of a life on the stage. He reflects on the last few years through the pandemic, how he went “inward” in a way he never has before, and opens up about the ways in which therapy - “unconditional acceptance” and support - have helped him. Gavin talks about using his voice to support activists/activism, and shares the story of his involvement in getting the green light for the Broadway’s Hair to miss a show and join the National Equality March in Washington, D.C in 2009. He also chats about the history of Broadway Bares, and the magic of “I Put A Spell On You: The Sanderson Variant”.


    In this episode, we talk about:

    • His friendship with Jay Armstrong Jones
    • The format for this years I Put A Spell On You event
    • Learning to set boundaries for your mental health
    • Activism through theatre and the arts
    • The new show he is writing through MetLiveArts


    Connect with Gavin:

    • More info about "I Put A Spell On You: The Sanderson Variant"
    • Get tix to his MetLiveArts event
    • On the web: gavincreel.com


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep168 - Cassie Beck: What The Constitution Means to Me, The Humans, I Know What You Did Last Summer Oct 19, 2021
    Show notes

    Cassie Beck is a star of stage and screen whose previous credits include the Broadway revival of The Rose Tattoo and the original cast of The Humans on Broadway. Other stage credits include The Norman Conquests (Broadway), The Drunken City (Playwrights Horizons), Happy Hour, and Oohrah! (off-Broadway). Her TV credits include Pose, Elementary, Connecting, and Chicago Med. Cassie is the former Artistic Director of Crowded Fire Theatre Company in San Francisco where she also appeared in several productions. She is currently on the road leading the national tour of What The Constitution Means To Me, and can also be seen in the Amazon Prime series I Know What You Did Last Summer, as well as opposite Mark Wahlberg in the feature film Joe Bell.


    Cassie grew up a dancer in Redlands, California, until high school when she did her first musical. She shares memories of catching the acting bug as a teenager, and finding her way to the bay area after college where she joined the ensemble of Crowded Fire Theatre Company in San Francisco. She opens up about her experience in The Drunken City at Playwrights Horizons (her first professional performance in NYC, and only her second time ever in the city), and reflects on the opportunities that followed after deciding to move to New York when she was 30. Now leading the national tour of What The Constitution Means To Me, Cassie chats about her relationship with playwright and actress Heidi Schreck, how the play continues to adapt to changes in the political climate, and the impact of having young people take part in the show every night.


    In this episode, we talk about:

    • Her first electric moment back onstage after 18 months
    • Her initial hesitancy to take over Heidi’s role
    • Training post college in South Carolina and San Francisco
    • Having no experience with on camera work when she moved to NYC
    • Working with Patti LuPone


    Connect with Cassie:

    • IG: @cassiebeckster
    • Twitter: @cassiebeckster
    • Check out the Constitution tour schedule


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Bonus - "Is This A Room" Opening Night Red Carpet Interviews Oct 16, 2021
    Show notes

    The smash hit Broadway play Is This A Room opened at the Lyceum Theater on Oct 10th, 2021. Guest podcast host Beatriz Westby takes us down to the red carpet to talk to Tina Satter, Amanda Villalobos, Andy Grotelueschen, Blyth Adamson, Chris Giarmo, Deirdre O'Connell, Frankie Grande, Judy Kuhn, Lee Kinney, and Steven Sater.


    Get tickets and info to Is This A Room and Dana H via thelyceumplays.com/

    Follow Beatriz Westby on the Instas: @biaizidoro


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep167 - Tarik Davis: Freestyle Love Supreme & 20 year improv actor Oct 12, 2021
    Show notes

    Tarik Davis is an actor and writer based in New York City with a 20 year history of acting, performing improv and writing comedy. Past experience includes performing for The Upright Citizens Brigade in NY, Boom Chicago in Amsterdam, and The Second City in Chicago. He is a member of the longest running improv team at The PIT, The Baldwins, and also performs with Baby Wants Candy and Shamilton at UCB in Hell's Kitchen. Tarik is a founding member of the monthly improv show Comedy People’s Time that features writers and performers from shows like Late Night with Seth Meyers and Full Frontal with Samantha Bee. He made his Broadway debut in Freestyle Love Supreme, which just returned to Broadway on October 7th, and is well known as the sidekick and announcer on The Amber Ruffin show on Peacock.


    A self proclaimed theater nerd, Tarik reflects on his recent Tony Award’s performance with Freestyle Love Supreme, calling it one of the best days of his life. He describes the fill circle moment he experienced as he held hands with Wayne Brady on the Tony’s stage, and shares that it was Brady’s performance on Whose Line Is It Anyway? that encouraged him to stick with improv years ago. Tarik opens up about the high’s and low’s of imposter syndrome, and learning to embrace life as an improviser, and say “yes”. He also takes us behind the scenes of his audition for Freestyle Love Supreme, how it played out, and what made it different from other auditions.


    In this episode, we talk about:

    • How the FLS Tony Awards performance was crafted
    • When he realized 20 years of improv had prepared him for FLS
    • What he learned from years of small black box performances in NYC
    • Following your passion, and betting on yourself
    • The importance of comedy


    Connect with Tarik:

    • IG: @tarikdavis
    • Twitter: @tarikdavis
    • Get tickets to Freestyle Love Supreme


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep166 - Jill Furman: Producer on FLS, In The Heights, Hamilton, West Side Story & More Oct 05, 2021
    Show notes

    “If you can do something that makes you happy and that you really feel passionate about, it's not going to feel like work, it's going to feel joyous.”

    Two-time Tony Award winning theatrical producer Jill Furman is part of the driving force bringing Freestyle Love Supreme back to Broadway this month, after having originally brought it to Broadway in 2019. She is also currently producing six productions of Hamilton, including one on Broadway and one in London’s West End. Additional Broadway credits include In the Heights, the 2013 revival of Cinderella, The Heiress, Seminar, West Side Story, The Drowsy Chaperone, Sly Fox, and Fortune’s Fool.


    Jill grew up in New York City going to the theatre with her parents, reading Variety magazine with her father, producer Roy Furman, and always knew she wanted to be in entertainment. She chronicles her journey from NYC, to LA, and back again, through college, grad school, and starting her own production company. Jill shares how she became involved with In the Heights very early on in 2003 after watching Lin Manuel perform in the basement of the drama bookshop; and how later the same year, she witnessed Freestyle Love Supreme for the first time. Jill also opens up about how she chooses projects to work on, highlighting the importance of her shows having a positive impact on an audience in some way.


    In this episode, we talk about:

    • The special Tony Award given to Freestyle Love Supreme
    • Deciding when and how to bring shows back post-shutdown
    • The thought process behind remounting FLS on Broadway
    • Her preference for working in theatre v. film
    • Two new projects she has in development


    Connect with Jill:

    • IG: @jillfurman


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


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