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    Arts

    The Theatre Podcast with Alan Seales

    Intimate, personal conversations with the biggest talents from professional theatre, tv, film, and more. Hear their secrets, what makes them laugh, stresses them out, and how they manage the anxiety of success. We feature both stars and creatives such as producers, stage managers, directors, press and marketing agents, or even the people who own the theaters or productions themselves.​

    This is a podcast for artists, made by artists. With over 2 decades of experience in film and theatre both as cast and creative, host Alan Seales speaks with Broadway, TV, film and beyond’s biggest talents to learn more about not only how the world of theatre and performing operate, but also what makes it so real and human. In-depth, personal, behind-the-scenes conversations will highlight special details of the industry that most people may not know exist, will always find out what makes the guests love their craft, what makes them tick, and what truly inspires them.

    Part of the Broadway Podcast Network.

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    Copyright: © The Theatre Podcast / Even Seal Productions

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    Latest Episodes:
    Ep211 - Elizabeth Teeter: Spilling the Deetz about Beetlejuice the Musical Jun 21, 2022
    Show notes

    When Elizabeth Teeter found out she will be taking on the role of Lydia Deetz in the beloved musical, Beetlejuice, the world suddenly shut down due to COVID and she never got to take her first bow as Lydia. Now, two years later, Elizabeth recalls what it felt like as well as the things she did while dealing with the new normal, including some performing experiences. She talks about her early years on stage, from making her Broadway debut in Mary Poppins to performing alongside renowned actress, Helen Mirren, in The Audience. Elizabeth also shares her experience living alone in New York at age 14 to pursue her dreams, all while making sure she still gets to have a normal life and childhood. With the success of Beetlejuice, she opens up about the connection she has with her character and the show’s message, and why she does it for the fans of the show.

    Elizabeth Teeter is an American actress and Broadway performer with impressive stage credits under her belt, including several Broadway shows namely, "Beetlejuice", "The Crucible", "Mary Poppins" and "The Audience". Her other credits include "The Secret Life of Bees" (Off-Broadway), “Jerome Robbins' Broadway” (Regional), and "The Sound of Music" (Regional). Her TV and film credits include "The Last O.G." and "Leaving".


    In this episode, we talk about:

    • Living in New York alone at the age of 14
    • Playing alongside and attending an award show with Helen Mirren
    • What it was like getting COVID during tech
    • Doing ballet


    Connect with Elizabeth:

    • Instagram: @elizabethteeterofficial
    • TikTok: @eteetphonehome


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • TikTok: @thetheatrepodcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep210 - SIX Queens: Khaila Wilcoxon, Jasmine Forsberg, Storm Lever, Olivia Donalson, & Gabriela Carrillo Jun 14, 2022
    Show notes

    Get to know Khaila Wilcoxon, Jasmine Forsberg, Storm Lever, Olivia Donalson, and Gabriela Carrillo from the first national tour of SIX THE MUSICAL as they share their journey from auditioning for the show to joining the Aragon tour. They talk about the different and interesting auditioning processes each of them went through and the stress and difficulties that came along with it as the pandemic hit. The queens discuss about what it's like being on a tour have been so far, how special the show is for having a diverse cast—an opportunity some of them have never had before, and how the group auditions helped in forming a camaraderie with the other casts, and the sisterhood that was formed along the way. Gabriela talks about her successful YouTube channel and why acting and vlogging are important for her. Khaila and Olivia share their Broadway experience, the physical and mental aspects of it versus doing Six now. From receiving gifts to meeting the audience after the show, they reflect on the widespread fame of the show and what it means to them.

    Khaila is currently playing Catherine of Arogan in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Company (University of Wisconsin), Ruben and Clay's First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (Imperial Theatre), and Hadestown (Walter Kerr Theatre).

    Jasmine is currently Jane Seymour in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Shrek the Musical (Orlando Repertory Theatre), Legally Blonde (Penn State Centre Stage), A Grand Night for Singing (Goodspeed Opera House), and The Lucky Boy (Penn State Center Stage)

    Storm is currently playing Anne Boleyn in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Romeo and Juliet (Arthur Miller Theatre), Freaky Friday (Signature Theatre), Almost Famous (The Old Globe), and Hair (The Old Globe)

    Olivia is currently playing Anna of Cleves in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Tangle the Musical (The Disney Magic), Disney Dream (The Disney Magic), and Aladdin (US Tour, New Amsterdam Theatre)

    Gabriela is currently playing Catherine Parr in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Atlantis (Tuacahn Amphitheater), The Prince of Egypt (Tuacahn Amphitheater), Love Actually Live (Bram Goldsmith Theatre), Mamma Mia! (La Mirada Theatre for the Performing Arts)


    In this episode, we talk about:

    • Their favorite moments in the show
    • Gabriela's YouTube vlogs and why documenting her life is important for her
    • How Olivia recorded her self-tape
    • What it’s like doing group auditions and seeing each other in the final callbacks
    • Jasmine doing Broadway Bounty Hunter
    • The ability to make dolphin sounds


    Connect with Khaila, Jasmine, Storm, Olivia, Gabriela:

    • Twitter: @KhailaWilcoxon, @forsbergjasmine, @StormLever, @oliviadonalson, @officialgabrielacarrillo
    • Instagram: @thekhailawilcoxon, @jasmine_forsberg, @stormlever, @oliviadonalson
    • TikTok: @khaila.wilcoxon, @jasmineforsberg, @stormlever, @oliviadonalson
    • YouTube: Gabriela Carrillo
    • Website: jasmineforsberg.com


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • TikTok: @thetheatrepodcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep209 - Jared Grimes: Finding His Purpose as a Quadruple Threat Jun 07, 2022
    Show notes

    With credits in singing, dancing, acting and choreographing, and now a 2022 Tony Nominee for his role in Broadway's first-ever revival of Funny Girl, Jared Grimes deserves the title “quadruple threat”. The Broadway Star recalls his early days when he would tap dance and perform in the New York City subway and other spots in the city. Jared shares the story of how he landed a gig as Mariah Carey's backup dancer, and how he pulled off filming Manifest and rehearsing for Funny Girl at the same time. He talks about his inspiring outlook regarding rejection and why he considers it as "just a different path to another opportunity", resilience as one of his superpowers, and the importance of finding your purpose.

    Jared is a dancer, singer, actor, and choreographer whose long list of credits includes touring with iconic singer, Mariah Carey, and dancing for popular artists like Salt-n-Pepa and Busta Rhymes. His theatre performance credits include "A Soldiers Play on Broadway", "The Radio City Spring Spectacular", "After Midnight on Broadway", "Twist", "Babes in Arms", and "Gentlemen Prefer Blondes". His TV credits include NBC's Manifest, Fox's "Fringe" and HBO's "Boardwalk Empire". His choreography credits include “Banana Shpeel” off-broadway, “After Midnight” on Broadway, and “Holler If You Hear Me”, “Jelly’s Last Jam”, “The Scottsboro Boys”, "Ain't Misbehaving", “42nd Street” where he won a Jeff Award for Best Choreography and “Lights Out: Nat King Cole” where he won a Barrymore Award for Best Choreography. Jared has also choreographed his first film, "Breaking Brooklyn". His film credits include "The Marc Pease Experience", "Little Manhattan" and "First Born.


    In this episode, we talk about:

    • The history of tap dancing
    • Dancing for Mariah Carey, Busta Rhymes, Salt-n-Pepa, and more
    • Bailing school to audition as one of Mariah Carey's backup dancers
    • Trying out for his middle school basketball team and getting cut twice
    • Getting the role of Eddie Ryan in Funny Girl


    Connect with Jared:

    • Twitter: @JaredMGrimes
    • Instagram: @grimeystepz
    • Website: jaredmgrimes.com


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • TikTok: @thetheatrepodcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    From Cautionary Tales: Bless the Coal-black Hearts of the Broadway Critics Jun 03, 2022
    Show notes

    Here’s a special preview of the Cautionary Tales podcast from Pushkin Industries. On Cautionary Tales, bestselling author Tim Harford shares stories of human error, natural disasters, and tragic catastrophes from history that contain valuable lessons for today. In this preview, you’ll hear about Movin Out', the 2002 Billy Joel-inspired Broadway show created by dance legend Twyla Tharp. When Billy Joel agreed to let dance legend Twyla Tharp turn his songs into a Broadway musical it seemed like a surefire hit. But in previews, Movin’ Out was panned by the critics. It was soon headed for Broadway and was set to be an expensive and embarrassing failure. So how could Twyla turn things around and avert disaster before opening night? Hear more from Cautionary Tales at https://podcasts.pushkin.fm/ctbroadway?sid=ttp.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep208 - Kaden Kearney & Kalyn West: Emma and Alyssa in the Nat'l Tour of "The Prom" May 31, 2022
    Show notes

    Starring opposite each other in the national tour of The Prom, Kaden Kearney and Kalyn West talk about what it’s like to be part of the award-winning musical. With Kalyn being a part of the Broadway cast and Kaden being relatively newer to the scene, the two talk about their experience going on a national tour during a pandemic and the challenges they faced, including rehearsing (and dancing hard!) with their masks on. Kalyn shares her story of how her love for theatre started and moving to New York to pursue her dreams. Kaden recalls their experience watching The Prom on Broadway and begging their manager to get her an audition for the movie when it came out. While not a trained dancer it didn’t stop Kaden from doing musicals and auditioning for The Prom. Kalyn and Kaden also talk about what it was like to develop a rapport and how it was easy for them to work with each other. The two reflect on their experiences with the audiences, and what it feels like to be part of a show that tackles important issues and teaches you empathy.

    Kalyn has been in many productions, from regional to Broadway. She was on the first national tour of Mean Girls, and some of her credits include Moby Dick and The Prom. Her TV and film credits include Imitation Girl, Blue Bloods, and The Times. Kaden, has recently attended the University of California, Irvine and received their Master's of Fine Arts. They have done a number of shows and some of their credits include A Midsummer Night’s Dream, One Man Two Guvnors, Agent 355, and the TV series, Prodigal Son.


    In this episode, we talk about:

    • Kalyn auditioning for The Prom in 2018 and understudying Alyssa
    • Doing self-tape for auditions
    • The rehearsal process during a pandemic and why Kalyn missed it
    • Kaden accidentally going onstage with their mask on


    Connect with Kaden and Kalyn:

    • Website: www.kalynwest.com
    • Twitter: @kadenokearney
    • Instagram: @kadenokearney & @misskurlykay
    • Find tickets to The Prom


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • TikTok: @thetheatrepodcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep207 - Rachel Dratch: Her Tony-Nominated Role in POTUS is no Debbie Downer May 24, 2022
    Show notes

    Rachel Dratch recently had her Broadway debut in POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, a play by Selina Fillinger. With three decades of experience in the business, Rachel recalls her SNL days where she worked for seven years and compares the pressure that came along with it and how it differs from doing Broadway. She speaks candidly about her love for comedy, particularly improv and sketch, and whether she'll ever try drama on stage or in movies. Rachel also shares why she prefers sticking to the script and rarely improvises on a film, why she decided to leave SNL, and why you should have fun when you're in a "dip".

    Rachel Dratch is an actress, comedian, and writer, whose latest stage credits include POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, her Broadway debut. She was a cast member on Saturday Night Live for seven years, where she had memorable characters like Debbie Downer, Boston teen Denise, and the "Lovers" professors with Will Ferrell. She was an alumna of the Second City Theater in Chicago, where she performed in four revues on the main stage, two of which she received the Joseph Jefferson Award for Best Actress in a Revue. Some of her live comedy credits include ASSSCAT 3000 at the UCB Theater in New York, "Dratch and Fey". Her TV credits include "Frasier," "Ugly Betty," "30 Rock," "Unbreakable Kimmy Schmidt," and "Shameless," and some of her film credits include "Wine Country," "Click," and "Just Go with It."


    In this episode, we talk about:

    • Having a minor in Psychology and wanting to be a therapist
    • Eugene O'Neill Theater Center
    • Unexpectedly getting pregnant at 44
    • Living in Chicago for nine years and getting into The Second City
    • Her memoir, Girl Walks into a Bar . . .: Comedy Calamities, Dating Disasters, and a Midlife Miracle


    Connect with Rachel:

    • Twitter: @TheRealDratch
    • Instagram: @raedratch


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • TikTok: @thetheatrepodcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep206 - Dave Harris: He is his own Exception to the Rule May 17, 2022
    Show notes

    With two of his plays, Tambo & Bones and Exception to the Rule, being produced simultaneously, Dave Harris shares his chaotic but exciting schedule as he goes back and forth to LA and New York to help and make sure everything is in order on their openings. He talks about his relationship with writing and how switching from a public school to a private one influenced his writing as well as his love for theatre. He reflects on what makes theatre frustrating at times, why he chooses to write from an individual perspective, and how he uses playwriting to address his personal fears. Dave also shares why he’s happiest when he’s doing multiple projects, and why his friends’ imaginations motivate him the most.

    Dave Harris is a poet, performer, and playwright whose recent works include Tambo & Bones produced at Playwrights Horizons and Center Theatre Group, and Exception to the Rule which will premiere this year at Roundabout Underground. He has won numerous awards, including the 2019 Ollie Award, The Lorraine Hansberry Award, Mark Twain Award from The Kennedy Center, the 2018 Venturous Fellowship from The Lark, and a Cave Canem poetry fellowship. Other works include Summertime, his adapted film that premiered at Sundance in 2020. His first full-length poetry collection, Patricide was also recently published from Button Poetry. His work has also been seen at Actors Theatre of Louisville Humana Festival, Roundabout Underground, Manhattan Theater Club, Center Theatre Group, The Goodman, Victory Gardens, The Kennedy Center, Oregon Shakespeare Festival, and many more.


    In this episode, we talk about:

    • His fear of birds and how he got it
    • Getting into the Tow Foundation Playwright Residency Program
    • Joining the Callaloo poetry workshop
    • Reading Stephen King at a young age
    • Playing Elden Ring for a week straight


    Connect with David:

    • Instagram: @staydancingdave
    • Twitter: @StayDancingDave
    • Web: staydancingdave.com


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • TikTok: @thetheatrepodcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep205 - David Morse: The Green Mile to Broadway May 10, 2022
    Show notes

    2022 Tony Nominee(!!) David Morse is reprising his role for Paula Vogel’s Pulitzer Prize-winning play How I Learned to Drive, making it's Broadway debut! David recalls his journey from loving theatre in high school to joining the Boston Repertory Company and eventually moving to New York to join the Circle Repertory Company. He also shares what made him change his mind from vowing to never do TV early in his career to becoming an established actor with a long list of TV and film credits. He opens up about how acting and playing different characters helped him get through tough times when he was younger, giving up theatre when he was struggling financially, finding the silver linings and being grateful for the way things turned out despite any shortcomings.

    David has become an established actor with an incredible TV, film, stage, and acting career, boasting a long list of credits like “The Green Mile” and the Off-Broadway production of Paula Vogel's Pulitzer Prize-winning drama, “How I Learned to Drive” where he won numerous awards, including an Obie Award and a Drama League Award. He appeared in over 30 productions with the Boston Repertory Company and further his stage career with the Circle Repertory Company in New York before giving TV and film a chance. Some of his other notable credits include movies like “St. Elsewhere”, “12 Monkeys”, “Contact”, “The Hurt Locker”, “Proof of Life”, “Double Vision”, and a number of TV series like “Hack”, “The Chair”, and “House”.In this episode, we talk about:

    In this episode, we talk about:

    • Auditioning for the Boston Repertory Company
    • Joining Neighborhood Playhouse to study for two years
    • Facing bankruptcy
    • Waking up Richard Donner in his hotel room to get a script from him
    • Doing a one-person play
    • Getting offered a film from Sean Penn


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • TikTok: @thetheatrepodcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep204 - A.J. Shively: This History Nerd is on Broadway! May 03, 2022
    Show notes

    A.J. shares how he had to learn Irish step dance for the new Broadway musical, Paradise Square where plays the role of Owen Duignan. He also talks about his acting career which started at a young age, from landing his first professional job for the national tour of the Sound of Music and living in New York to pursue his dreams, to moving back to Ohio after the 9/11 attacks. He also shares a fun anecdote about his years in Professional Children's School, where a girl from his math class turned out to be Scarlett Johannson. A.J. opens up about how there’s still so much to learn about America’s history despite being a history nerd himself, why Broadway feels intimate to him, and why he thinks storytelling is important to help us remember and find empathy.


    A.J. stars as Owen Duignan in the new musical Paradise Square which opened recently on Broadway at the Barrymore Theater. He has also been seen on Broadway in Bright Star; The Sound of Music; National Tour: Bright Star; La Cage aux Folles, and more. Some of his other Off-Broadway/stage credits include February House (The Public); Brigadoon (Irish Rep); The Suitcase Under the Bed (Mint); Unlock’d (Prospect); A Contemporary American’s Guide to a Successful Marriage (Cherry Lane); Things To Ruin (Second Stage). He was also recently seen in television shows, including CBS's “Bull” as Jerry McConnell and HBO Max's “Julia” as Chef André Soltner. A.J.’s Film and TV credits also include “Hunters”, “The Blacklist”, “Madam Secretary”, “Younger”, and “Homeland”.


    In this episode, we talk about:

    • Being on tour with The Sound of Music when he was 12 years old
    • Attending the Professional Children’s School
    • Living in New York when 9/11 happened
    • Getting the role of Jean-Michel for La Cage aux Folles right after he graduated
    • Watching Douglas Hodge's Tony-winning performance every night for a year


    Connect with A.J.:

    • Instagram: @aj_shively
    • Web: ajshively.com


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • TikTok: @thetheatrepodcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep203 - Alyssa May Gold: "There are doctors who do heart surgery, and then there are actors who work on your heart." Apr 26, 2022
    Show notes

    Alyssa May Gold recently made her Broadway debut alongside Mary-Louise Parker and David Morse in the long-anticipated Broadway premiere of How I Learned To Drive. She was previously seen in WP Theater/Second Stage’s acclaimed world premiere of Our Dear Dead Drug Lord, and other New York credits include Arcadia (Broadway), Juliet + Romeo, Julius Caesar, The Maid’s Tragedy (Pocket Universe), Middle of the Night, Lemon Sky (Keen Company), and Brilliant Traces (Art of Warr). Alyssa’s Film and TV credits include “Rebel in the Rye,” “Divine Secrets of the Ya-Ya Sisterhood,” “Taking Woodstock,”and “Law &Order: SVU.” She is also the founder of Pocket Universe, a theater/film production company dedicated to reconsidering and re-imagining classic stories and conventions.

    Upon being asked how she first became involved in theater, Alyssa recalls seeing the Annie movie when she was four years old, and says she hasn’t stopped since. She talks about the inspiration and creation of her production company, Pocket Universe, revealing the meaning behind its title and how it relates to string theory. Alyssa also opens up about the great responsibility she feels to the audience as part of How I Learned To Drive, saying the play “is putting a handout to the people who need to be pulled up through hell back to Earth” – “…that's why there are doctors who do heart surgery, and then there are actors who work on your heart.”

    In this episode, we talk about:

    • Why she considers this her actual Broadway debut
    • Playing in the World Series of Poker in Vegas
    • Her love for science and metaphysical discussions
    • Playing the oldest and the youngest woman in the story, and what makes her track beautiful
    • Why Mama Mia is one of her favorite musicals of all time
    • Listening to the things that light your heart on fire


    Connect with Alyssa:

    • IG: @heylyssamay
    • Web: alyssamaygold.com
    • Pocket Universe


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • TikTok: @thetheatrepodcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


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