Show notes
For readers who haven’t heard about Byron Katie, here is some background. In the midst of ordinary American life—two marriages, three children, a successful career—Katie entered a ten-year-long downward spiral into depression, agoraphobia, self-loathing, and suicidal despair. She drank to excess, her husband brought her pints of ice cream and codeine pills that she ate like candy, and she ended up weighing over two hundred pounds. She slept with a .357 Magnum revolver under her bed. Every day she prayed not to wake up the next morning, and it was only because of her concern for her children that she didn’t kill herself. For the last two years of this ordeal, she could seldom manage to leave her house; she stayed in her bedroom for days at a time, unable even to shower or brush her teeth. (“What’s the use?” she thought. “It all adds up to nothing anyway.”) Finally, in February 1986, at the age of forty-three, she checked herself into a halfway house for women with eating disorders—the only facility that her insurance company would pay for. The residents were so frightened of her that they put her in an attic bedroom and booby-trapped the staircase at night; they thought she might come down and do something terrible to them.
One morning, after about a week at the halfway house, Katie had a life-changing experience. As she lay on the floor (she didn’t feel worthy enough to sleep in a bed), a cockroach crawled across her ankle and down her foot. She opened her eyes, and all her depression and fear, all the thoughts that had been tormenting her, were gone. “While I was lying on the floor,” she says, “I understood that when I was asleep, prior to cockroach or foot, prior to any thoughts, prior to any world, there was—there is—nothing. In that instant, the four questions of The Work were born.” She felt intoxicated with joy. The joy persisted for hours, then days, then months and years.
Katie is a multiple times best-selling.
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