“We live in a time and culture that value display and are largely indifferent to the virtues of passing unnoticed. It is time for all of us to reconsider the beauty, elegance and imagination that can come with being unseen.”
Akiko Busch, author of several essay collections, is on the faculty of the MA Design Research program at the School of Visual Arts in New York City and is a visiting faculty member at Bennington College.
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Akiko Busch is well-known for her writing on design and culture. Her essays continue to touch on those subjects although increasingly, it incorporates—or directly addresses—the natural world. Her books include The Incidental Steward, where she tries out and writes about various citizen science opportunities: pulling invasive weeds, helping gather data for research, and conducting ecological monitoring; and Nine Ways to Cross a River, where she attempted to swim across (and observe and meditate upon) nine wild American rivers.
For twenty years, Akiko was a contributing editor at Metropolis magazine where she wrote about furniture, houses, and home design. “For me, writing about design was always about writing about a sense of fit,” she says. “How a spoon fits the hand. How a human body fits a chair. Or how a house fits a landscape, and how human beings can find a sense of fit with the natural world.”
How to Find Out More About Akiko’s Work
The best way to learn more about Akiko is to buy and read her wonderful books. The one that inspired this episode of The Shape of the World was How to Disappear: Notes on Invisibility in a Time of Transparency. Get her books from your local bookseller or you can purchase them online from The Shape of the World’s favorite bookstore.
You can find Akiko’s work in many other places, too. Read her New York Times essay on invisibility and her New York Times essay on the joys and lessons of swimming in wild rivers. (“Just Beneath The Surface”) In addition to invisibility, we spoke about water during the interview and in the future, will incorporate some of that content into another episode. So look for that!
Something Cool from Akiko’s Book
In How to Disappear, Akiko discusses Invisible Mending, a short film made by the South African artist, William Kentridge. You can watch it here in its two-minute entirety—go ahead and click the link, it’s worth it. Akiko’s book is full of gems: artists to look at, authors to read, and other bits of culture to explore, pursue and marvel over.
Correction
In this episode, Jill mentions that certain types of baby birds disguise their scent when predators are nearby. What she was thinking about was something she learned from David Sibley’s book, What It’s Like to Be a Bird. But she misspoke; it’s the adult birds, not the babies. During his interview with The Shape of the World in April, 2020, David Sibley said, “I was stunned to learn that ground-nesting birds become odorless when sitting on their nest. The chemical composition of the oil that they use to preen their feathers changes. It becomes a compound that is odorless. So while the adult bird is sitting on the ground incubating eggs, the nest is camouflaged by an absence of odor.”
A Note On How This Podcast was Recorded
While recording this interview, both Jill and Akiko were sheltering in place because of the COVID-19 pandemic. While it’s not uncommon for podcasts and radio programs to have speakers in two different locations, the current situation is different. Instead of being in separate studios with good equipment, both host and guest record in their homes on laptop computers. Ralph Loza, the show’s audio producer, listens on Skype and helps troubleshoot problems.
You may have noticed on shows besides ours—including even huge commercial talk shows on television—that the sound quality is iffy these days. We just wanted to let you know why and how we’re adapting. We sacrifice perfect sound quality to preserve the health of the host, the guest, and everyone we might come in contact with if we were to record in a studio. Some episodes this season (the ones that sound better!) were recorded before sheltering started.
Photos from Iceland, which the 10th chapter of Akiko’s book on invisibility discusses. “The Icelandic people live with an invisible population called the Huldufolk, remnants of Celtic mythology perhaps, but still very much present in the country’s cultural imagination. So the little cabin in the crease of the hills is where a Huldufolk family was said to live. The little girl in the adjacent farmhouse played with them…. And the rocky outcropping is called Alphaborg, believed by many to be the home of Borghildur, a queen of the hidden people,” she wrote, describing these photos. “There is something about the idea of the natural landscape being home to a hidden population, along with all the other things we cannot see, that speaks to me.” Photo by Akiko Busch
Each summer for the past eighteen years, Akiko has organized a group swim across the one-mile wide Hudson River. “This river picture is not a dramatic one, but rather one of quiet access to the river, its waterweeds, a place that speaks to how the Hudson can indeed be a place to swim,” she writes.
Photo by Akiko Busch