Stay ConnectedThe Projection Booth features discussions of films from a wide variety of genres with in-depth critical analysis while regularly attracting special guest talent eager to discuss their past gems. The podcast has been recognized as a premier film podcast by The A.V. Club, IndieWire, Entertainment Weekly, and Filmmaker Magazine.
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Copyright: © Mike White
We continue our month of discussing Soviet Cinema with a look at Three Poplars on Plyuschikha Street. It’s the story of Nyura, a country woman who comes to the big city of Moscow to see her sister in law. There she meets Sasha, a taxi driver. They share stories and a song on the way to Plyuschikha Street. He offers to take her to the movies and she agrees but things go wrong.
Gianna D'Emilio and Alistair Pitts join Mike to discuss this heart-breaking film.
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On this special episode Mike talks with George Stevens Jr., filmmaker and founder of the AFI, Kennedy Center Honors, and Co-Chairman of the President's Committee on the Arts and Humanities about his new book, My Place in the Sun: Life in the Golden Age of Hollywood and Washington which is available for purchase at https://amzn.to/3sAFaLI
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On this special episode Mike talks with Ed Glaser, host of the Deja View YouTube series and author of How the World Remade Hollywood: Global Interpretations of 65 Iconic Films from McFarland Books. It's a terrific book which looks at foreign interpretations of American films.
Get your copy today at https://amzn.to/3vZJBSw
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We continue our month of discussing Soviet Cinema with a look at Elem Klimov's Welcome, or No Trespassing (1964). It’s the story of a group of kids at a summer camp where one boy, Kostja Inockin (Viktor Kosykh), breaks from the pack and swims a little too far. He’s immediately expelled by Director Dynin (Evgeniy Evstigneev) but later Inockin returns.
Alistair Pitts and Gianna D'Emilio join Mike to discuss this fast-paced, whimsical political allegory.
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Mike speaks with director Matt Eskey about his documentary The Mojo Manifesto: The Life & Times of Mojo Nixon.
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Mike talks with author Andrew J. Rausch about his 2019 book My Best Friend's Birthday which documents the early days of Quentin Tarantino's acting and filmmaking including the titular film from Tarantino and Craig Hamann.
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We are kicking off a month of discussions around Soviet cinema with a look at the 1962 film, The Amphibian Man. It’s the story of a love triangle between the daughter of a poor man, Guitierre (Anastasiya Vertinskaya) who has been promised to the rich Don Pedro (Mikhail Kozakov). She’s saved from a shark attack by the titular Amphibian Man, whose real name is Ichthyander (Vladimir Korenev). Of course, Guitierre and Ichthyander fall in love and should really be together. Can they escape from Argentina to Australia and live their lives there or will Don Pedro not allow their love to flourish?
Gianna D'Emilio and Alistair Pitts join Mike to answer this questions and more!
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Mike speaks with filmmaker Gina Gaston about her latest film, 9 Bullets (2022). The film stars Lena Headey as Gypsy, a burlesque dance who must go on the run to save a neighbor boy (Dean Scott Vazquez).
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We’re wrapping up Screwball month with a look at Frank Capra’s Arsenic and Old Lace. Released in 1944, though shot several years before that, the film stars Cary Grant as Mortimer Brewster, a drama critic and avowed bachelor who has found the love of his life in Elaine Harper (Priscilla Lane) who lives right next door to his kind-hearted aunts, Abby and Martha. There’s just one thing…. Abby and Martha have a terrible habit of poisoning their single, lonely old men boarders.
Sylvia Hubbard and Kat Ellinger join Mike to discuss the film while special guest Joseph McBride (Frank Capra: The Catastrophe of Success) talks about Frank Capra while Charles Dennis reveals just a few of the things he's uncovered for his upcoming book There's a Body in the Window Seat!: The History of Arsenic and Old Lace.
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On this special report, Mike talks with Mike Hugo, the editor of Hypochondriac (2022). The film is the story of a young potter whose life begins to unravel thanks to childhood trauma. Hugo also discusses his early career and his meticulous process.
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