Stay ConnectedThe Projection Booth features discussions of films from a wide variety of genres with in-depth critical analysis while regularly attracting special guest talent eager to discuss their past gems. The podcast has been recognized as a premier film podcast by The A.V. Club, IndieWire, Entertainment Weekly, and Filmmaker Magazine.
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Copyright: © Mike White
Pirate radio takes center stage as The Projection Booth tunes into 40 Watts from Nowhere (2025), the riveting true story of an underground FM station broadcasting from the shadows of 1990s Los Angeles. Host Mike White sits down with the film’s director, Sue Franklin, to explore the rebellious spirit behind the airwaves, the challenges of bringing this real-life outlaw operation to the screen, and the cultural impact of independent radio in the pre-internet era.
Catch it at the Slamdance 2025 film festival.
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Whoopbruary is here! We're dedicating a whole month to the incomparable Whoopi Goldberg, spotlighting a trio of films she made after her powerhouse performance in The Color Purple—plus one extra for good measure. Kicking things off is Jumpin’ Jack Flash (1986), the high-energy spy comedy directed by Penny Marshall. Whoopi stars as Terry Doolittle, a quick-witted computer technician who unwittingly stumbles into international espionage when she makes contact with a British spy. With a script originally penned by David H. Franzoni, Whoopi's signature charm is on full display.
Ian Brownell joins this month's co-host, Razzie-nominated writer Kevin Lehane, for a fun discussion of where and how this fits into Whoopi's filmography.
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George A. Romero’s Resident Evil is one of the greatest "what could have been" stories in horror cinema. Filmmaker Brandon Salisbury discusses his documentary, which explores the legendary director’s unmade adaptation of the iconic video game, diving into the history, the scripts, the concept art, and the behind-the-scenes drama that kept Romero’s vision from reaching the screen. Featuring insights from those who were there, this episode uncovers the alternate universe where the zombie master himself brought Resident Evil to life.
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Buckle up for a journey through the absurd, anarchic, and audacious as The Projection Booth takes on Jean-Luc Godard's Weekend (1967). Hosts Mike White, Rob St. Mary, and Andrei Idu (who requested the episode via Patreon) dive headfirst into Godard's biting critique of consumerism, class, and chaos, dissecting the film's surreal narrative, infamous tracking shots, and unapologetically subversive tone. From the traffic jam to the revolutionaries, they explore how this incendiary masterpiece continues to provoke and puzzle audiences decades later.
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Mike White is joined by Maurice Bursztynski and Suzen Tekla Kruglinska to explore Hal Ashby's Being There (1979), a satirical masterpiece based on Jerzy Kosinski’s novel. This listener request from Patreon supporter Jordan Nash examines the story of Chance, played brilliantly by Peter Sellers, a sheltered, developmentally delayed man who steps out of isolation after his caretaker's death. Wandering the streets of Washington, D.C., Chance is swept into the elite world of Eve Rand (Shirley MacLaine) and influential power players, including the President (Jack Warden), thanks to a series of misunderstandings. The trio delves into the film's themes of perception, power, and simplicity, discussing its layered satire, unforgettable performances, and enduring relevance.
Professor Aaron Hunter, author of Authoring Hal Ashby: The Myth of the New Hollywood Auteur, discusses the film's evolution from Kosinski's novel to the screenplays by Robert C. Jones to the final film.
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Mike welcomes writer/director (and fellow Michigander) Anna Baumgarten for a heartfelt conversation about her award-winning 2021 film Disfluency. This intimate exploration of a young woman's journey to recover from trauma and rediscover her voice captures the raw vulnerability of healing and self-discovery. Anna shares the personal inspirations behind the film, the challenges of portraying mental health and emotional resilience on screen, and the creative choices that brought Disfluency to life.
Visit https://www.disfluencymovie.com/ for more details.
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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
We dive into Red Lights (2012), a psychological thriller that blends skepticism, belief, and the enigmatic world of psychic phenomena. Written and directed by Rodrigo Cortés (Buried), the film stars Sigourney Weaver and Cillian Murphy as a pair of investigators determined to expose fraudulent psychics. Their sights are set on Simon Silver (Robert De Niro), a legendary blind performer whose mysterious powers defy explanation—or do they?
Co-hosts Rod Lott and Ryan Luis Rodriguez team up to discuss this layered tale of science versus the supernatural, unraveling its twists and themes. Along the way, they explore why this overlooked gem from James Brummel's Patreon request deserves a closer look. Is Red Lights a misunderstood thriller or a missed opportunity? Tune in and decide for yourself!
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The Projection Booth dives deep into the shadowy corridors of power with Alan J. Pakula's All the President’s Men (1976), a landmark film about the Watergate scandal that brought down a presidency. This special episode, co-hosted by Robert Bellissimo and Andras Jones -- who requested the film for Patreon Request Month -- delves into the gripping story of Washington Post reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), as they unravel the conspiracy that reached the highest levels of government.
With a razor-sharp script by William Goldman and Pakula’s masterful direction, the film captures the intensity of investigative journalism and the political paranoia of its time. Join us as we explore the making of this cinematic powerhouse, its relevance today, and the passion behind Redford’s drive to bring this story to the screen.
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We continue another Patreon month with a pick from Andrew Henrickson: 24 Hour Party People. Join Mike White, Father Malone, and Axel Kohagen as they dive into Michael Winterbottom's electric chronicle of the Manchester music scene, told through the eyes of the ever-charismatic Tony Wilson, played by Steve Coogan. From Factory Records to the legendary Hacienda, the film brims with unforgettable moments and a who's who of '80s post-punk history, including standout performances by Lenny James, Paddy Considine, and more.
We were supposed to speak with screenwriter Frank Cottrell Boyce again for the episode but it didn't happen this time.
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On this special episode, Mike talks with Sharif Nakhleh, director of Dread Zeppelin: A Song of Hope (2024), and producer Jason USA. This compelling documentary charts the bizarre, brilliant journey of the band Dread Zeppelin, blending reggae, Led Zeppelin covers, and a touch of Elvis for a sound and story like no other. Mike unpacks the film’s creation, its exploration of musical eccentricity, and its celebration of the enduring power of hope and creativity.
Find out more at https://www.chibson.com/blogs/blog/dread-zeppelin-a-song-of-hope-new-documentary
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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
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