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    Arts

    The Photo Report

    As creative freelancers, it can be a lonely and isolating place running your own business. The Photo Report focuses on the art and business of photography with interviews of top photographers talking the journey the’ve been on to get where they are.

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    Copyright: © The Photo Report

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    Latest Episodes:
    006 Strengthen Your Brand with Dane Sanders Jun 15, 2018
    Show notes

    Dane Sanders is a business coach for independent creatives and photographers, an author, a photographer, and founder of The GoBe Collective, which he started to help creatives increase the value they are bringing into the world. In this conversation Dane has with Braedon, they talk through common mistakes small businesses and photographers make. They go over what it takes to run a successful and sustainable business, balancing (or un-balancing) family and work, and some efficiency tools Dane uses and suggests. Life is too short. If you want to make a mark, you can't be lazy. Balance is actually not what to strive for, it's being present where you are with what you're doing. Intentionality is key. We highly suggest you check out The GoBe Collective and listen to Dane's Podcast called Converge - you can also subscribe in iTunes or whatever podcast player you use. Find out more about Dane at Fast Track Photographer and if you're interested in exploring his coaching programs, go to Fastermind Coaching


    005 Creative Identity with JonPaul Douglass Jun 15, 2018
    Show notes

    JonPaul Douglass is a Los Angeles based commercial photographer and director. He spoke at Connecting Things, a gathering of creatives, designers, photographers and artists on the topic of your Creative Identity. As you listen to JonPaul talk, you can really see how his personality comes through in his work and has done a good job himself cultivating his style, leaving his thumbprint the images he makes. He's funny, quirky and smart - and you can see that in his photos. This lecture is great, challenging, and will get you thinking about your creative identity. "Cover bands have never changed the world. Don't be a cover band" - Todd Henry


    004 Sylvie Gil on Getting Published and Destination Photography Oct 10, 2017
    Show notes

    Elan of RPL: tell us a little bit about yourself, your story, how you got started all that good stuff Sylvie Gil: It was a pure accident, how did that happen again. I was a fashion photographer in San Francisco and i shot a wedding for a friend and the wedding got published in a magazine in Canada and I don’t know if it exists still, I think it does Elan of RPL: What is the name of the magazine? Sylvie Gil: Brides something rather no it was called brides its Canadian magazine, but anyways after that the phone started ringing, I was like no am a fashion photographer just don’t know much about wedding but I was also pregnant and if anybody can name me a fashion photographer and made a career out of it while they had children. I will give you the rest of the [1:16] because it simply doesn’t exist like when you a fashion photographer it’s really difficult you have a family that make you work 20 hours per day they can’t sense you are pregnancy they think you gonna hurt yourself, it’s a very difficult career to have as a parent so I thought maybe the weddings is the thing to do as a mum. Then I went and trained with a bunch of local photographers enough to 3 years of training and I let the word out and first year I shot fifteen weddings Elan of RPL: What year was that? A long time ago, over thirty years don’t wanna talk numbers. Elan of RPL: Am over thirty years Stop talking numbers that was a while ago I can’t remember Elan of RPL: So you mentioned briefly that you were a fashion photographer, how do you get started in photography like what sparked the passion that you wanted to be a photographer. That was another accident, I was actually in college for business I started marketing in business in college in Paris and came to America to travel around and I loved California I mean who doesn’t like California and I picked up my camera actually my… okay. Any parents here raise your hand. This is something you gonna remember, when I was fourteen my dad told me you should be a photographer and I was like are you crazy that am gonna be starving for the rest of my life that am gonna be an artist will just never work. He even had me visit a photography college in Paris and I was like there is no way I was gonna be a wedding photographer so guess what whatever you think your kids are gonna be its gonna turn out that way because the parents know better, they do. Elan of RPL: It’s interesting coz actually the parents are always trying to talk you out of a career in photography. Sylvie Gil: No Elan of RPL: Like get an education and then you can try this Sylvie Gil: No they are crazy in my family we are all artist so we are not, so I came here with a business degree and my father snuck a camera in my pockets and I took a tonne of photos while travelling across the USA and then I actually ended up at [3:14] with a black and white picture I took somewhere in US as most promising female photographer and I could barely speak English. It was really interesting so then I thought maybe I should pursue this photography thing and then I took a few classes am pretty much self-taught. I didn’t take a lot of classes I didn’t go to a lot of photography schools am pretty much self-taught Elan of RPL: So how did that kind of work your way into the fashion? Sylvie Gil: So I started knocking around in san Francisco on fashion studios because I love fashion and then this woman had me started sweeping floors and ordering lunches and was really using chilling and then I worked really hard at that position so I could climb up the ladders. When it comes to work and career I really believe in taking your time. Elan of RPL: Sure Sylvie Gil: I know now it’s a whole lots of concepts. So basically I went to auction in a lot of studios in san fransisco and started at the bottom like didn’t know much about anything. I really started sweeping floors and ordering lunches and then I became the fifth assistant and then the fourth assistant and then climb my way up to first as


    003 Jose Villa - Tips and Lessons Learned Sep 28, 2017
    Show notes

    Jose Villa is one of, or if not THEE, most known and sought after wedding photographer in the industry. Jose talks about his journey getting there and lessons he's learned along the way. Elan Cohen: Let's start Jose. Take us take us all on your journey. How did your career start? Jose Villa: Yeah, well I see some familiar faces so I'm sure you guys are going to probably like, I heard this before. I've been photographing weddings for about fifteen years or so, I'm formally trained, I went to Brooks Institute of photography. I grew up in Central, I guess coastal California and I grew up on a ranch and this is actually kind of fun being here because, like you know, it actually does feel like we're a little bit outside for a second. I love the outdoors. I normally or usually in most cases photographed outdoor weddings, vineyard weddings, private homes that kind of stuff. That's just where I'm most comfortable, that is where I grew up. So I, you know I want to, I just, I want to shoot in places that make me feel good. I'm not going to place myself in situations that I don't feel good in so I make it easy for myself and that's how I've been able to build my brand, is to just be you know photographing in areas that feel good to me, that I know I have full control in. Doesn't mean I don't photograph ballroom weddings, of course I do. But yeah I know for sure I mean I think, so that's a little bit about my background. I photograph roughly about thirty, thirty-five weddings a year. I used to shoot sixty weddings a year. I first started shooting weddings back when I think the average wedding photographer was maybe charging eighteen hundred dollars in my area. The first wedding I ever shot was four hundred dollars and I've always shot film, so I actually paid for the wedding, I paid for them. You know I see some nods over here, I know, but you know, you got to start somewhere and the beautiful thing today that we live in, you know of course this social media world and you need to take that to, you know, take that and run with it because honestly like for me Instagram is my portfolio. Would you guys raise your hand if you think that's true. Yeah everybody should be. Elan Cohen: Remember how weird it was when you told us that you had just booked your first wedding from Instagram how like everybody was like whoa? Jose Villa: I know that was like probably two and a half years ago maybe now. But about a year and a half ago a client called me and she said I had already booked her wedding and she said hey I'm really interested in hiring a floral designer, one of the best in California or anywhere, who do you recommend? And so she said don't send me their websites, send me their Instagram and I thought wow, like people aren't even going to people's vendors websites anymore. I mean maybe they are some are of course, but mostly they want to see Instagram and we all know that. I mean I see a lot of really young faces here and I think it's sort of for us, the younger well not, I'm getting older now but a lot of younger people here, you're using that platform and you should be. And what I always say to you is only show what you want in return. Do not show images that you don't absolutely love because if you do show those images you're going to get that in return. It's just going to happen. I'll tell you a really quick story, I have tons of stories but one of the funniest stories I think for me starting out was going through photography school we were trained to photograph everything from literally cars to buildings to children to, and you photograph everything. And the reason you do is because that's how you're going to fall in love with whatever it is that you're going to do for your career. And I remember at the time I used to go to [Sainta Barbara], I used to go to this really great Mexican restaurant and they had the best shrimp burritos. They put like you know zucchini in there and like mushrooms and like sour cream was amazing. So I rem


    002 KT Merry - Personal Projects, Work Life Balance and The Wedding World Sep 21, 2017
    Show notes

    2016 was a fun year, we like all that, is about updating new brands and so, we launched that and then also, kindof took the time to take some personal work and really kindof organize that into just a place that would all the, to be able to sell prints of those in a way that was easy and organized. And showcased it, that was even like more work for us. I think I've talked to several of you, that everyone said oh somebody wanna buy one (1) of our prints, and you know. Okay now, how do I? What size do I do it? How expensive is that? How do I get it to you? And it's actually more work to actually fulfill that order, that when it's a final print like that, if you don't go through all the process. So we finally took the time and did that. Q: We learned that together, but it's a lot harder than just starting the print) A: Yeah, yeah. This is a very nice man here. We put him through a lot in 2016. Q: No. You guys are fine, you taught us some stuffs, so that's great. What would be something that if you could look back to when you started shooting, a bit of advice that you wish someone had given you. Q: So, part of what we've been talking about this year, so much is really the business behind what we're doing, and specifically you know we say fine art photography maybe, maybe six years ago, everyone would say no, I'm a photo journalistic photographer, and then it was fine art photographer, even now that may have been over used. Kindof like you know, organic, well then it was on every single food package, well then it doesn't really mean anything anymore. So, I think really just getting back to the business, and really taking the time to come up with the vision for your business, and more specifically for your life. Because if you just start doing and your goal is to go to the next wedding, to take the prettiest next picture, and you know to get on that magazine, and get on that blog, and you know, becomes the rat race, and you're kind of in it and then maybe years go by and you go, is this exactly where I wanted to be? Am I working towards the objective, towards the vision that I want for my life? And so really just being more strategic about that, and thinking about what you want your life to look like, and I mean really like, where is that, what are you doing everyday? Are you home on the weekends? Are you on a plane three days a week? What does that life look like? Because maybe you're kindof running in the wrong direction and wasting a lot of energy to chase after something that you don't even really want at the end of the day. And I think it is easy to get caught up in kindof what other people are doing, and what they have, and kind of go oh that looks amazing, I want that. But when you really sit to think about it, and go oh well that means we have to pack a bag on Thursdays and say goodbye to their kids. And they come home on Monday, and you know they're not there for that. And they miss Johnny’s soccer game, or whatever that may be, is that really you know necessarily what you want? So just kindof figure those things out and making sure it, there's a trajectory and a strategy to get there. Q: So you've mentioned that 2017 for you is kindof the year of the business, and kindof peeling back layers. Have there been anything so far that you, that's been brought to your attention, and you're like oh my God how did I miss that? A: Like twenty things. Q: Okay so. (Laughs) Q: Oh, give us one of them that would help some of the people sitting here listening. A: Yeah. Even in, so I'm really into, at the moment especially just being more productive, and being my award of the year is intentional. So just really, just being intentional about, and that comes down to that what do you wanna be in five (5) years. What you wanna be when you're eighty. And so instead of just spinning the wheels to be intentional, and that, it boils down to what to get out of this week, what do I want to get out of this day. So it’s...


    001 Greg Fink - Treating Your Photo Biz like a Business Sep 11, 2017
    Show notes

    Welcome to the Photo Report Podcast where we talk to top-level Pro Photographers about the business behind their craft, their journeys to get them, where they are and the lessons they've learned along the way. This is Season 2 of the Photo Report; but Season 1 for the Podcast portion of things, you can go online to thephotoreport.com to see past video interviews as well as the videos from this season. And season 3 is already in the works but what we have for this season is a couple of handfuls of talks by Photographers, Bloggers, Editors at the Richard Photo Lab Booth that was held at W PPI conference out in Vegas; they're packed full of valuable info of what basically you wouldn't get unless you attended one of their workshops. So, we're really excited to share these talks with you and think you're going to love them as well. During this season of the Photo Report, the interviews are hosted by Alan Cohen from Richard Photo Lab, episode one is with French Photographer, Greg Fink; his work is stunning but the insight in this talk, coming from a business background and 10 years plus working in the marketing department of a massive US company is incredibly helpful in thinking through the intentional strategy he has in his Photo Business. Hopefully, you can take some of these lessons and apply them to your own business before we get into this episode though, this podcast is brought to you by Film Supply Club; it's partly the reason why it took so long to get these WPPI videos live because I spent the first half of the year launching it but Film Supply Club is the best place for you to get film, if you're a film shooting photographer; it's a member based community where once a member you get access to discounted prices on film and other photo related products and services like Richard Photo Lab, Cloud Spot, Lens Pro To Go, Bench Accounting and a lot more to come. But ultimately, it's here to strengthen our Photography Community and save you all as much cash as possible. Now, onto the show… Host - Elan Cohen of Richard Photo Lab: Greg Fink, sexy and handsome French Photographer, featured on Style Me Pretty and on Wedding Sparrow, named as Harper’s Bizarre Wedding Photogs of the year 2016. Elan Cohen: So, tell us a little bit about your story, how you got into photography. Greg Fink: So, basically I've always been a photographer, I got my first camera in the hand when I was 12, I was lucky enough to have a dark home at home when I was a kid because my dad just loved that so he taught me how to process my negatives, how to do my prints. So, I've always done that but then my parents told me that I should get a real job so I went to Business School and I worked 10 years for Procter & Gamble as a Marketing Manager in Paris and I was kind of very sad in that life. So, I started shooting Wedding 7 years ago when I was still working another job, first for friends, then friends of friends and all of a sudden you realize you can have a market. So, I quit my job 3 years ago so I've been full-time since. Elan Cohen: I always tell this story to people that are just starting out; I was really impressed when we first started working together I remember you wanted to do the Book Project and the way you went about it was completely different than other clients do, where you told me this is my budget for the book, this is what I'm looking for, how many books can I get? As opposed to most people who will say: “Okay I need a hundred of this book” and then we give them the price. So, I thought that was really impressive, can you kind of explain a little- talk a little bit about how your prior experience in business has helped your photography business? Greg Fink: Yeah, so my prior experience in business really helps on a daily basis; whether it is branding or accounting, managing a P&L, everything and you need to realize that 70% of Photographers- Wedding Photographers are going to be out of the market in 3 y


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